Search results for ""yale university press""

A provocative examination of literacy in the American South before emancipation, countering the long-standing stereotype of the South’s oral tradition Schweiger complicates our understanding of literacy in the American South in the decades just prior to the Civil War by showing that rural people had access to a remarkable variety of things to read. Drawing on the writings of four young women who lived in the Blue Ridge Mountains, Schweiger shows how free and enslaved people learned to read, and that they wrote and spoke poems, songs, stories, and religious doctrines that were circulated by speech and in print. The assumption that slavery and reading are incompatible—which has its origins in the eighteenth century—has obscured the rich literate tradition at the heart of Southern and American culture.

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This book explores Soviet prosecution records to tell the hidden story of ordinary citizens who were arrested for expressing discontent during the Khrushchev and Brezhnev years.

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The highly anticipated, definitive reference on Stuart Davis’s paintings, watercolors, drawings, and published illustrations Stuart Davis (1892–1964) made a mark on the art world early in his career, first with his Ashcan works and then with his highly personal version of Cubism, which firmly established American modernism as a force that could rival its European counterpart. Over the course of six decades, Davis produced artworks that drew inspiration from the European modernists but were deeply rooted in the popular culture of the United States. Jazz music and hipster talk, vaudeville stages, city streetscapes, New England fishing villages, gasoline stations, store fronts, and commercial packaging and advertising images were among the sources that infused his art with energy, bringing crisp edges, radiant color, and syncopated rhythms to a vast body of paintings, watercolors, and drawings.Documenting the life’s work of this prolific and highly influential artist—who affected almost every development in American art from second-generation Ashcan realism around 1912 to color field and geometric painting in the 1960s—is a monumental achievement. In these three volumes, the editors have catalogued 1,749 artworks by the artist—including more than 600 works never previously illustrated—providing extensive documentation and information about each one. A detailed chronology of Davis’s life, as well as an enlightening discussion of the compositional relationship between certain works spanning his oeuvre, rounds out this study. Exquisitely designed and produced, Stuart Davis: A Catalogue Raisonné will be the definitive reference on the artist’s work for many years to come.Published in association with the Yale University Art Gallery

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Following in the methodological footsteps of his prize-winning Sir Joshua Reynolds: The Painter in Society, Richard Wendorf’s new book on British art in the eighteenth and nineteenth centuries is an experiment in cultural history, combining the analysis of specific artistic objects with an exploration of the cultural conditions in which they were created.Themes include an investigation of what happens when a painter dies, the role of writing around and within visual objects, and the nature of evidence in art history. Extended interpretations of some of the most iconic images in British art, including Constable’s Cenotaph, Raeburn’s Skating Minister, Stubbs’s Haymakers and Reapers, and Rossetti’s Prosperpine, Venus Verticordia, and Blessed Damosel, are part of a broader investigation of the ways in which we practice art history today. Published for the Paul Mellon Centre for Studies in British Art

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In Mother Stone Anne Middleton Wagner looks anew at the carvings of the first generation of British modernists, a group centered around Henry Moore, Barbara Hepworth, and Jacob Epstein. Wagner probes the work of these sculptors, discusses their shared avant-garde materialism, and identifies a common theme that runs through their work and that of other artists of the period: maternity.Why were artists for three turbulent decades after the First World War seemingly preoccupied with representations of pregnant women and the mother and child? Why was this the great new subject, especially for sculpture? Why was the imagery of bodily reproduction at the core of the effort to revitalize what in Britain had become a somnolent art? Wagner finds the answers to these questions at the intersection between the politics of maternity and sculptural innovation. She situates British sculpture fully within the new reality of “bio-power”—the realm of Marie Stopes, Brave New World, and Melanie Klein. And in a series of brilliant studies of key works, she offers a radical rereading of this sculpture’s main concerns and formal language.Published for the Paul Mellon Centre for Studies in British Art

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Publication of this book, one of six devoted to the buildings of London, marks the completion of the long-awaited revision of the original Pevsner guides and brings the account of the capital’s buildings entirely up to date.This fascinating volume provides a historical introduction to a uniquely diverse area as well as a detailed gazetteer of individual buildings. Along the Thames, relics of a powerful industrial and maritime past remain, and in the East End, Hawksmoor’s Baroque churches still tower over Georgian houses. The contributions of generations of immigrants are reflected in places of worship and cultural centers, while a century of social housing has produced architecture now of historic interest. Further out, medieval churches and country mansions stand among the suburban streets and proud civic buildings.

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This complete guide to the buildings of South-East Lancashire features the proud municipal buildings and pioneering mills and transport structures at the heart of the great industrial city of Manchester. The book also offers full accounts of the suburbs, the city of Salford, and the industrial towns of Bolton, Bury, Rochdale, and Oldham, each with its own tradition of civic buildings and its own crop of talented local architects.A general introduction to the volume provides a historical and artistic overview of South-East Lancashire’s architecture, and each city, town, or village is treated in a detailed gazetteer. Numerous maps and plans, over 100 new color photographs, full indexes, and an illustrated glossary complete this invaluable guide.

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Emerson and Thoreau are the most celebrated odd couple of nineteenth-century American literature. Appearing to play the roles of benign mentor and eager disciple, they can also be seen as bitter rivals: America’s foremost literary statesman, protective of his reputation, and an ambitious and sometimes refractory protégé. The truth, Joel Porte maintains, is that Emerson and Thoreau were complementary literary geniuses, mutually inspiring and inspired.In this book of essays, Porte focuses on Emerson and Thoreau as writers. He traces their individual achievements and their points of intersection, arguing that both men, starting from a shared belief in the importance of “self-culture,” produced a body of writing that helped move a decidedly provincial New England readership into the broader arena of international culture. It is a book that will appeal to all readers interested in the writings of Emerson and Thoreau.

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This comprehensive guide to the architecture of the center of the City of Bristol encompasses all the significant buildings of the area: the cathedrals; key civic buildings; medieval, Georgian, and Victorian churches; commercial and industrial buildings; the university precinct; and the topography of the port. The book also covers the inner suburbs, including Clifton, Kingsdown, St Pauls, St Philips, Bedminster, and Hotwells. Short excursions provide a sample of the riches of five surrounding areas, Kingsweston House, Blaise Castle and hamlet, Tyntesfield, Arnos Vale, and Ashton Court Mansion. Throughout the book, significant new research findings are incorporated to illuminate the full range and variety of Bristol’s architecture.

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Chetham’s School and Library is an exceptional example of fifteenth-century collegiate architecture—the best preserved building of its date and type in England. Located in the heart of Manchester, Chetham’s originally lodged the college of fifteenth-century priests who officiated at the church that is now Manchester Cathedral. After the Reformation it was acquired by the Earls of Derby who later let it to John Dee. Miraculously surviving war and dilapidation, the building was converted in the seventeenth century for use as Humphrey Chetham’s charity school and free public library. This fully illustrated book is the first comprehensive account of the Chetham’s building and its turbulent history.The book fills a gap in English architectural history, offers new insights into a little-studied building type, and provides fascinating details of the seventeenth-century conversion drawn from original documents describing how the building was adapted.

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In response to the tragic events of September 11, photographer Nathan Lyons—known for his honest and often questioning depictions of American culture—has created a poignant portfolio of images. Photographing in small towns and large cities, Lyons has captured the extreme and often confusing variety of responses—from deep reverence to blatant commercialization—manifested by ordinary Americans. One will marvel, for instance, at the myriad uses of the American flag. This provocative sequence of images with multiple messages is powerfully coherent and strangely disturbing. In the tradition of Robert Frank’s The Americans, these photographs will engage audiences to question the responses to this horrific event in the context of our complicated society, along with memorializing the tragic loss of so many innocent lives. Distributed for the Yale University Art Gallery

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This delightful book is the first comprehensive architectural guide to Bath, England’s finest Georgian city. Full of new discoveries and lively descriptions of the city’s notable buildings, the book follows in the great tradition of the Pevsner series. It features superb, specially taken color illustrations throughout and numerous easy-to-use walking maps.The great set-pieces of Bath—the famous Pump Room, The Circus, Royal Crescent—are embedded in a graceful urban landscape developed by a long succession of gifted local architects. The city’s Roman roots are represented by the remains of its extraordinary baths, its medieval prosperity by the splendid Abbey. Exquisite villas and terraces on the surrounding hills add further variety. For all who share an interest in the buildings of Bath—from architect to historian, tourist to armchair traveler—this is an irresistible volume.

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The A. W. Mellon Lectures in the Fine Arts were begun in 1952 at the National Gallery of Art in order to bring the best in contemporary scholarship to the public. To mark the fiftieth anniversary of the acclaimed series, the Center for Advanced Study in the Visual Arts has published this handsomely illustrated documentary volume. The book tells the story of the genesis of the lectureship, featuring essays by a variety of contemporary scholars that discuss the first fifty lecturers—ranging from Jacques Maritain to Salvatore Settis and including such influential speakers as Anthony Blunt, Kenneth Clark, H. W. Janson, E. H. Gombrich, Kathleen Raine, Jacques Barzun, and Arthur Danto—their fields of expertise, and the subject matter and historical context for their talks. These graceful and balanced writings provide a vivid sense of the significance of the lectureship and its participants through commentary, critique, and lively personal anecdotes.

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Janusz Korczak (1879–1942) is one of the legendary figures to emerge from the Holocaust. A successful pediatrician and well-known author in his native Warsaw, he gave up a brilliant medical career to devote himself to the care of orphans. Like so many other Jews, Korczak was sent into the Warsaw Ghetto after the Nazi occupation of Poland. He immediately set up an orphanage for more than two hundred children. Many of his admirers, Jewish and gentile, offered to rescue him from the ghetto, but Korczak refused to leave his small charges. When the Nazis ordered the children to board a train that was to carry them to the Treblinka death camp, Korczak went with them, despite the Nazis’ offer of special treatment. His selfless behavior in caring for these children’s lives and deaths has made him beloved throughout the world; he has been honored by UNESCO and commemorated on postage stamps in both Poland and Israel. Korczak’s grimly inspiring ghetto diary is now available in paperback for the first time, accompanied by a new introduction by Betty Jean Lifton, the author of the biography of Korczak.

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First published in Paris in 1511, The Praise of Folly hasenjoyed enormous and highly controversial success from the author’s lifetime down to our own day.It hasno rival, except perhaps Thomas More’s Utopia, as the most intense and lively presentation of the literary, social, and theological aims and methods of Northern Humanism. Clarence H. Miller’s highly praised translation of The Praise of Folly, based on the definitive Latin text, echoes Erasmus’ own lively style while retaining the nuances of the original text. In his introduction, Miller places the work in the context of Erasmus as humanist and theologian. In a new afterword, William H. Gass playfully considers the meaning, or meanings, of folly and offers fresh insights into one of the great books of Western literature.Praise for the earlier edition:“An eminently reliable and fully annotated edition based on the Latin text.”—Library Journal“Exciting and brilliant, this is likely to be the definitive translation of The Praise of Folly intoEnglish.”—Richard J. Schoeck

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Historians have conventionally viewed intellectual and artistic achievement as a seamless progression in a single direction, with the Renaissance, as identified by Jacob Burckhardt, as the root and foundation of modern culture. But in this brilliant new analysis William Bouwsma rethinks the accepted view, arguing that while the Renaissance had a beginning and, unquestionably, a climax, it also had an ending.Examining the careers of some of the greatest figures of the age—Montaigne, Galileo, Jonson, Descartes, Hooker, Shakespeare, and Cervantes among many others—Bouwsma perceives in their work a growing sense of doubt and anxiety about the modern world. He considers first those features of modern European culture generally associated with the traditional Renaissance, features which reached their climax in the late sixteenth and early seventeenth centuries. But even as the movements of the Renaissance gathered strength, simultaneous impulses operated in a contrary direction. Bouwsma identifies a growing concern with personal identity, shifts in the interests of major thinkers, a decline in confidence about the future, and a heightening of anxiety.Exploring the fluctuating and sometimes contradictory atmosphere in which Renaissance artists and thinkers operated, Bouwsma shows how the very liberation from old boundaries and modes of expression that characterized the Renaissance became itself increasingly stifling and destructive. By drawing attention to the waning of the Renaissance culture of freedom and creativity, Bouwsma offers a wholly new and intriguing interpretation of the place of the European Renaissance in modern culture.

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Glasgow has a wide array of architectural treasures: the greatest medieval cathedral in Scotland; fragments of a seventeenth- and eighteenth-century 'merchant city'; the well-preserved heart of a planned new town, Blythswood; a city centre dense with Victorian and Edwardian commercial buildings; stately nineteenth-century terraces lining the Great Western Road and picturesquely crowning Woodlands Hill; opulent villas in suburbs like Pollokshields and Kelvinside; and streets of tenements from the workaday to the grand. The twentieth century has encircled the city with a broad belt of public housing, and this too has a fascinating history that encompasses garden suburbs, early experiments in high-rise, comprehensive redevelopments and new interpretations of the tenement tradition. Charles Rennie Mackintosh and Alexander 'Greek' Thomson are, of course, internationally known, but the exceptional talents of Glasgow's many other architects, such as Charles Wilson, James Salmon Jr. and Jack Coia, have helped to shape the city's distinctive character.

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When Samuel Taylor Coleridge set out on a tour of Scotland with his friends William and Dorothy Wordsworth in the summer of 1803, his wits were as sharp as ever but his health, professional career, marriage, and friendship with William and his sister Dorothy were in a deteriorating state. On the fifteenth day of their travels, the Wordsworths and Coleridge parted ways, ostensibly so that Coleridge could return home. Instead he pursued his own Scottish tour, finding pleasure in his solitude, speed, and endurance. This book draws on Coleridge’s letters and notebooks to look at his travels with the Wordsworths from his own point of view and to record and photograph the journey he experienced after he parted from them. Carol Kyros Walker, editor of Dorothy Wordsworth’s own Recollections of a Tour Made in Scotland, now retraces Coleridge’s very different Scottish tour and recounts his adventures there. In a remarkable photographic and literary essay, she argues that Coleridge’s speed (263 miles in eight days), energy, reflections, notes, and letters all betray a man of great talent who was breaking away—from the Wordsworths, from his wife, from his life in the Lake District, and from a dry phase of his writing career.

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Glamorgan's long and varied history has left layer upon layer of visible remains. Castles range from remarkable earthworks to magnificent structures such as Cardiff and Caerphilly. Impressive remains of three little known abbeys, at Ewenny, Margam and Neath, together with Llandaff Cathedral, testify to the wealth of the church in the twelfth and thirteenth centuries. The landscaped setting of Penrice Castle preserves a complete Georgian arcadia while Cardiff Castle is the supreme example of an exotic Victorian fantasy. Other major country houses, such as Ruperra and Wenvoe are now evocative ruins. In dramatic contrast are the chapels and workmen's institutes of the Valleys settlements and the landscape of heavy industry. Pride of place is given to Swansea, once a Regency resort, and Cardiff, coal metropolis. Their many fine public buildings are covered, as are their array of churches, chapels, arcades and solid suburban streets. A comprehensive gazetteer of places, in which buildings are described with lively and informed comment, is complemented by a detailed introduction which explains the broader context and builds a complete picture of the area's architectural identity. Glamorgan is the third volume in the Pevsner Buildings of Wales series. Each work is illustrated with numerous maps, plans and photographs, and concludes with Welsh language and architectural glossaries and indexes of artists and places.

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This completely new edition reveals a county of contrasts. The semi-rural suburbia of outer-Outer London, with its important early Modern Movement houses, is counterbalanced by magnificent mansions and parks, like idyllic Stowe and the Rothschilds' extravaganza at Waddesdon. The Saxon Church at Wing, the exquisite seventeenth-century Winslow Hall, and Slough's twentieth-century factories all contribute to Buckinghamshire's rich inheritance. In this new edition, the unspoilt centres of small towns, like Amersham and Buckingham, are revisited and Milton Keynes, Britain's last and most ambitious New Town, is explained and explored. The rich diversity of rural buildings, built of stone, brick, timber, and even earth, is investigated with scholarship and discrimination. This accessible and comprehensive guide is prefaced by an illuminating introduction and has many excellent illustrations, plans and maps.

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Edward VI was the son of Henry VIII and his second wife, Jane Seymour. He ruled for only six years (1547-1553) and died at the age of sixteen. But these were years of fundamental importance in the history of the English state, and in particular of the English church. This new biography reveals for the first time that, despite his youth, Edward had a significant personal impact. Jennifer Loach draws a fresh portrait of the boy king as a highly precocious, well educated, intellectually confident, and remarkably decisive youth, with clear views on the future of the English church. Loach also offers a new understanding of Edward’s health, arguing that the cause of his death was a severe infection of the lungs rather than tuberculosis, the commonly accepted diagnosis. The author views Edward not as a sickly child but as a healthy and vigorous boy, devoted to hunting and tournaments like any young aristocrat of the day. This book tells the story of the monarch and of his time. It supplies the dramatic context in which the short reign of Edward VI was played out—the momentous religious changes, factional fights, and popular risings. And it offers vivid details on Edward’s increasing absorption in politics, his consciousness of his role as supreme head of the English church, his determination to lay the foundation for a Protestant regime, and how his failure in this ambition brought England to the brink of civil war.

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Neither a feckless knight-errant nor a king who neglected his kingdom, Richard I was in reality a masterful and businesslike ruler. In this wholly rewritten version of a classic account of the reign of Richard The Lionheart, John Gillingham scrutinizes the reasons for the King’s fluctuating reputation over successive centuries and provides a convincing new interpretation of the significance of the reign. This edition includes a complete annotation and expanded bibliography.

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Elizabethan and Jacobean architecture— the uniquely strange and exciting buildings built by the great and powerful, ranging from huge houses to gem-like pavilions and lodges designed for feasting and hunting—is a phenomenon as remarkable as the literature that accompanied it, the literature of Shakespeare, Spenser, Sidney, Marlow, and others. In this beautiful and fascinating book, Mark Girouard discusses social structure and the way of life behind it, the evolution of the house plan, the excitement of English patrons and craftsmen as they learned not only about the classic Five Orders and the buildings of Ancient Rome, the surprising wealth of architectural drawings that survive from the period, the inroads of foreign craftsmen who brought new fashions in ornament, but also the strength of the native tradition that was creatively integrated with the “antique” style. Behind the book is a vivid consciousness of the European scene: Italy, France, central Europe and above all the Low Countries and their influence on England. But the principal argument of the book is the unique individuality of the English achievement. The result of new research and fieldwork, as well as a lifetime’s observation and scholarship, this remarkable book displays Girouard’s unique sense of style and his enduring excitement for the architecture of the period.Published for the Paul Mellon Centre for Studies in British Art

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This book is the first in a major three-volume series that will survey China's immense wealth of art, architecture, and artifacts from prehistoric times to the twentieth century. The Arts of China to A.D. 900 investigates the beginnings of the traditions on which much of the art rests, moving from Neolithic and Bronze Age China to the era of the Tang Dynasty around A.D. 900.William Watson discusses in lively detail a wide range of art forms and techniques: porcelain and pottery, lacquer, religious and secular painting and sculpture, mural painting, monumental sculpture and architecture. He explains the materials and techniques of bronze casting, jade carving, pottery manufacture, and other arts, and he describes the most important sites, the artifacts that were produced at each one, and the historical interactions between different areas. He discusses the iconography, the technique and the function of every art form. Written by one of the most distinguished scholars in the field of Chinese art and archaeology, this lavishly illustrated book will be a valuable resource for both experts and beginners in the field.

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This authoritative book is the first comprehensive study of domestic buildings in London from about 1200 to the Great Fire in 1666. John Schofield describes houses and such related buildings as almshouses, taverns, inns, shops, and livery company halls, drawing on evidence from surviving buildings, archaeological excavations, documents, panoramas, drawn surveys and plans, contemporary descriptions, and later engravings and photographs.Schofield presents a comprehensive overview of the topography of the medieval city, reconstructing its streets, defenses, many religious houses, and fine civic buildings. He then provides details about the medieval and Tudor London house: its plan, individual rooms and spaces and their functions, the roofs, floors, and windows, the materials of construction and decoration, and the internal fittings and furniture. Throughout the book he discusses what this evidence tells us about the special restrictions or pleasures of living in the capital; how certain innovations of plan and construction first occurred in London before spreading to other towns; and how notions of privacy developed. The generously illustrated text is accompanied by a selective gazetteer of 201 sites in the City of London and its immediate environs.Published for the Paul Mellon Center for Studies in British Art

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In the later medieval centuries, a whole range of important social, political, and artistic activities took place against the backdrop of the great English households. In this lively book, C. M. Woolgar explores the fascinating details of life in a great house. Based on extensive investigation of household accounts and related primary documents, Woolgar vividly illuminates the operations of great households. He also delineates the major changes that transformed the economy and geography of both lay and clerical households between 1200 and 1500.In this portrait of aristocratic and gentry life in medieval England, Woolgar describes the roles of family members, the situations of servants, the uses of space within the household, food and drink for daily consumption and for special occasions, furnishing, clothing, arrangements for travel, household animals, cleanliness and hygiene, entertainment, the practices of religion, and intellectual life. The author also analyzes the qualitative and social evolution of great households as definitions of magnificence and conventions of etiquette became increasingly elaborate.

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Even in our most casual encounters with strangers—when we are looking at each other, talking, or standing in line—legal systems with elaborate codes, authorized exceptions, and procedures for sanctioning deviance operate with a remarkable degree of success. In this pathbreaking book, Michael Reisman describes how law is an integral and indispensable part of every social interaction. The private sphere or civic order that the liberal state is committed to preserving and in which it tries to refrain from legislating, says Reisman, is not a legal vacuum but the zone of microlaw—some of it just, some unsatisfactory, and some tyrannical. Interweaving numerous real-life examples with a detailed review of the scientific literature of many disciplines, Reisman shows the extent to which microlegal systems function in our own lives. More important, he draws on the criteria of ethics and legal philosophy to demonstrate that, paradoxically, efforts to improve microlaw may threaten the very autonomy of the private sphere that is central to the liberal state.

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In his own time Edward IV was seen as an able and successful king who rescued England from the miseries of civil war and provided the country with firm, judicious, and popular government. The prejudices of later historians diminished this high reputation, until recent research confirmed Edward as a ruler of substantial achievement, whose methods and policies formed the foundation of early Tudor government. This classic study by Charles Ross places the reign firmly in the context of late medieval power politics, analyzing the methods by which a usurper sought to retain his throne and reassert the power of a monarchy seriously weakened by the feeble rule of Henry VI. Edward's relations with the politically active classes—the merchants, gentry, and nobility—form a major theme, and against this background Ross provides an evaluation of the many innovations in government on which the king's achievement rests.

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Thanks in part to Shakespeare, Henry V is one of England's best-known monarchs. The image of the king leading his army against the French, and the great victory at Agincourt, are part of English historical tradition. Yet, though indeed a soldier of exceptional skill, Henry V's reputation needs to be seen against a broader background of achievement. This sweepingly majestic book is based on the full range of primary sources and sets the reign in its full European context. Christopher Allmand shows that Henry V not only united the country in war but also provided domestic security, solid government, and a much needed sense of national pride. The book includes an updated foreword which takes stock of more recent publications in the field. "A far more rounded picture of Henry as a ruler than any previous study."--G.L. Harris, The Times

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The eminent Assyriologist Thorkild Jacobsen, author of Treasures of Darkness, here presents translations of ancient Sumerian poems written near the end of the third millennium b.c.e., including a number of compositions that have never before been published in translation. The themes developed in the poems—quite possibly the earliest poems extant—are those that have fascinated humanity since the time people first began to spin stories: the longings of young lovers; courage in battle; joy at the birth of a child; the pleasures of drink and song.

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What is the healthiest diet for an infant? What constitutes a nutritious school lunch? How do I deal with my adolescent's eating needs and habits? Will my children receive proper nutrients if they are sick, very athletic, or vegetarians? This authoritative resource answers these and dozens of other questions, not only presenting the latest scientific knowledge about nutrition but also providing recipes from famous chefs for delicious and healthy dishes. The book, written by physicians and dietitians at the Yale University School of Medicine, an international leader in pediatric teaching, research, and clinical care, as well as by dieticians, nurses, and social workers at the Yale-New Haven Children's Hospital, is the most authoritative, comprehensive, and informative guide to childhood nutrition ever produced. The Yale Guide to Children's Nutrition includes:• information about nutritional needs at the different stages of childhood and adolescence;• advice on how to cope with a picky eater and what to feed a sick child;• special nutritional requirements for children with high cholesterol, eating disorders, allergies, diabetes, cystic fibrosis, metabolic disorders, and other conditions;• explanations of such nutritional components as calories, proteins, carbohydrates, fats, and vitamins—and examples of foods that are sources for each of them;• suggestions for healthy snacks;• ideas for eating in restaurants with children;• recipes provided by restaurants and chefs from all over the United States.

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Visual arts in Britain between 1550 and 1650 have long been considered part of the classical Italian Renaissance canon. Now a distinguished group of scholars demonstrates that attitudes to classical art were in fact somewhat ambivalent during this period in Britain (or, as it is called poetically, Albion). For town halls and funeral monuments, for paintings and theatrical works, British artists, patrons, and builders made informed choices from the classical vocabulary while continuing to work within systems and circumstances quite distinct from those of classicism. The authors focus on the ways that local influences, habits, and visual sensibilities interacted with classicism and the work and methods of such masters as Inigo Jones in the evolution of British art, architecture, and literature in this era. Introduced and edited by Lucy Gent, this handsome book was written by contributors who come from the fields of history, art and architectural history, literary criticism, and emblematics. The book consists of essays by Lisa Jardine, Maurice Howard, Deborah Howard, Michael Bath, Paula Henderson, Nigel Llewellyn, Susan Foister, Margaret Aston, Keith Thomas, Christy Anderson, Ellen Chirelstein, Thomas Greene, Sasha Roberts, Alice Friedman, Gloria Kury, and Catherine Belsey.Published for the Paul Mellon Center for Studies in British Art

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Eleanor Harz Jorden and Mari Noda, authors of the widely used language textbook Japanese: The Spoken Language, now offer the first volume of the much anticipated companion to it, Japanese: The Written Language. This new series is designed to enable the learner of Japanese to establish a solid foundation for communicating with the Japanese through the written language. It is arranged so that each lesson coordinates with the lesson in Japanese: The Spoken Language of the same number. This first volume, devoted exclusively to the katakana syllabary, which is used to represent loanwords in Japanese, provides the most comprehensive pedagogical treatment of the subject available today. Audio files and flash cards are available from the web, and a workbook is available for separate purchase.

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This text is a Kanji supplement to Book Two of the entirely romanized Japanese: The Spoken Language series.

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More's Latin reply to Bugenhagen (1526), given here with a facing English translation, is a comparatively brief but intense rebuttal of the principal points of Lutheran teaching concerning scripture ant tradition, faith and works, grace and free will, clerical celibacy, and the sacraments. It presents arguments elaborated at much greater length in More's other polemical works. Supplication of Souls (1529) refutes A Supplication for the Beggars, an anticlerical pamphlet by Simon Fish which Henry VIII seems to have regarded with some favor. More places his response in the mouths of the souls in purgatory. In the first book, he contemptuously demolished Fish's loose railery with accurate statistics and historical analysis. In the second, he defends the traditional doctrine of purgatory with brief arguments drawn from reason and a detailed analysis of scriptural passages. Letter against Frith (1532) answers John Frith's Zwinglian arguments against the physical presence of Christ in the more. Written to an unknown correspondent, it is the briefest and mildest of More's polemical works and anticipates arguments presented moer elaborately in More's The Answer to a Poisoned Book (1533). Besides full introductions and commentaries, a glossary, and an index, this volume contains seven appendices giving the works to which More is replying and other thematic, historical, and bibliographical matter closely related to the three works by More.

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This classic book on the role of the Supreme Court in our democracy traces the history of the Court, assessing the merits of various decisions along the way. Eminent law professor Alexander Bickel begins with Marbury vs. Madison, which he says gives shaky support to judicial review, and concludes with the school desegregation cases of 1954, which he uses to show the extent and limits of the Court’s power. In this way he accomplishes his stated purpose: “to have the Supreme Court’s exercise of judicial review better understood and supported and more sagaciously used.” The book now includes new foreword by Henry Wellington.Reviews of the Earlier Edition:“Dozens of books have examined and debated the court’s role in the American system. Yet there remains great need for the scholarship and perception, the sound sense and clear view Alexander Bickel brings to the discussion…. Students of the court will find much independent and original thinking supported by wide knowledge. Many judges could read the book with profit.” –Donovan Richardson, Christian Science Monitor“The Yale professor is a law teacher who is not afraid to declare his own strong views of legal wrongs… One of the rewards of this book is that Professor Bickel skillfully knits in quotations from a host of authorities and, since these are carefully documented, the reader may look them up in their settings. Among the author’s favorites is the late Thomas Reed Powell of Harvard, whose wit flashes on a good many pages.” –Irving Dillard, Saturday ReviewAlexander M. Bickel was professor of law at Yale University.

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Joseph Farington (1747-1821) was a professional topographical artist and lived most of his life in London. Through his extensive involvement in the affairs of the Royal Academy, his wide circle of friends, and his membership in several clubs and societies, he touched the life of his time at many points. This diary, which he kept from 1793 until his death, provides a meticulous record of his actions and observations and is an invaluable source for the history of English art and artists. It also constitutes an absorbing record of this period’s social, political, and literary developments.This second pair of volumes covers the period in which Farington’s influence within the Royal Academy was at its height and he earned the title of ‘dictator of the Royal Academy.’ These years where characterized by artistic controversy over such matters as the eligibility of architects for membership, the expulsion of James Barry from his position as Professor of Painting and then from the Academy itself, and the alleged destructiveness of James Wyatt’s restoration of Durham Cathedral. Farington immersed himself in these and other artistic matters ranging from the campaign for the establishment of a national gallery to his budding friendships with the young Turner and the young Constable.

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An incisive account of modern Spain, from the death of Franco to the Catalan referendum and beyond

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Five decades of work by groundbreaking Indigenous artist Jaune Quick-to-See Smith Throughout her career as artist, activist, and educator, Jaune Quick-to-See Smith (b. 1940) has forged a personal yet accessible visual language she uses to address environmental destruction, war, genocide, and the misreading of the past. An enrolled Salish member of the Confederated Salish and Kootenai Nation, Smith cleverly deploys elements of abstraction, neo-expressionism, and pop, fusing them with Indigenous artistic traditions to upend commonly held conceptions of historical narratives and illuminate absurdities in the formation of dominant culture. Her drawings, prints, paintings, and sculptures blur categories and question why certain visual languages attain recognition, historical privilege, and value, reflecting her belief that her “life’s work involves examining contemporary life in America and interpreting it through Native ideology.” Also central to Smith’s work and thinking is the land and she emphasizes that Native people have always been part of the land: “These are my stories, every picture, every drawing is telling a story. I create memory maps.” The publication illustrates nearly five decades of Smith’s work in all media, accompanied by essays and short texts by contemporary Indigenous artists and scholars on each of Smith’s major bodies of work. Distributed for Whitney Museum of American Art Exhibition Schedule:Whitney Museum of American Art, New York April 19–August 13, 2023Modern Art Museum of Fort Worth October 15, 2023–January 7, 2024Seattle Art Museum February 15–May 12, 2024

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