Search results for ""author thomas"

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'I wonder what you'd think of me if you found out that I've done something really serious . . .'So begin the confessions of Thomas Quick - Scandinavia's most notorious serial killer. In 1992, behind the barbed wire fence of a psychiatric hospital for the criminally insane, Thomas Quick confessed to the murder of an eleven-year-old boy who had been missing for twelve years. Over the next nine years, Quick confessed to more than thirty unsolved murders, revealing he had maimed, raped and eaten the remains of his victims. In the years that followed, a fearless investigative journalist called Hannes Råstam became obsessed with Quick's case. He studied the investigations in forensic detail. He scrutinised every interrogation, read and re-read the verdicts, watched the police re-enactments and tracked down the medical records and personal police logs - until finally he was faced with a horrifying uncertainty. In the spring of 2008, Råstam travelled to where Thomas Quick was serving a life sentence. He had one question for Sweden's most abominable serial killer. And the answer turned out to be far more terrifying than the man himself . . .

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From New York Times bestselling author and news anchor Raymond Arroyo comes the first book in the Turnabout Tales series—a picture book biography of one of America’s most famous inventors, Thomas Alva Edison, and a story about never giving up.No one thought much of young Thomas Alva Edison. He couldn’t focus at school and caused trouble around the house. But where others saw a distracted and mischievous boy, his mother saw imagination and curiosity. At only seven years old, Al, as he was called as a young child, was educated by his mother at home, who understood his potential could be unlocked with non-conventional learning, allowing him freedom to explore, dream, and be inquisitive. Those early years of encouragement, motivation, and loving guidance shaped Al’s future and formed the courageous man who would apply those valuable lessons to inventing the phonograph, the motion picture camera, the light bulb, and more.In The Unexpected Light of Thomas Alva Edison readers will: meet the larger-than-life personality of Thomas Alva Edison hear an inspiring tale of how taking chances, failures, and struggles can lead to success and achievements learn about the power of curiosity and imagination see the importance of the words “Never give up!” take a carefully researched and actively told romp through history The Unexpected Light of Thomas Alva Edison: includes an annotated list of resources and suggested reading features realistic illustrations by artist Kristina Gehrmann contains an author’s note by Raymond Arroyo, the author of the bestselling The Spider Who Saved Christmas makes a great back-to-school gift for young readers and teachers The Turnabout Tales series highlights little-known yet fascinating stories of historical figures who went from underdog to hero, and the adults who inspired them to be true to themselves and do big things that changed the world.

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In this final edition of his classic study of St. Thomas Aquinas, Etienne Gilson presents the sweeping range and organic unity of Thomistic philosophical thought. The philosophical thinking of Aquinas is the result of reason being challenged to relate to many theological conceptions of the Christian tradition. Gilson carefully reviews how Aquinas grapples with the relation itself of faith and reason and continuing through the existence and nature of God and His creation, the world and its creatures, especially human beings with their power of intellect, will, and moral life. He concludes this study by discussing the life of people in society, along with their purpose and final destiny. Gilson demonstrates that Aquinas drew from a wide spectrum of sources in the development of his thought-from the speculations of the ancient Greeks such as Aristotle, to the Arabic and Jewish philosophers of his time, as well as from Christian writers and scripture. The Christian Philosophy of St. Thomas Aquinas offers students of philosophy and medieval studies an insightful introduction to the thought of Aquinas and the Scholastic philosophy of the Middles Ages, insights that are still revelant for today.

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Thomas Hennell (1903–45) said his aim was to ‘surprise his subject’ – to capture the transient quality of the moment. In watercolour he found his perfect medium, producing work which was, as his fellow artist Edward Bawden said, ‘fully expressive and technically perfect’. During an idyllic childhood in rural Kent Hennell discovered his love of the English countryside. He explored its fields, farms and woods, and later, travelling on a rusty old bicycle, developed an appreciation of England’s traditions and crafts. Much of his work records the countryside in a state of change, imbuing his sense of loss with poetic intensity. In the early 1930s, Hennell suffered a severe breakdown and later described the three years he spent in mental hospitals in his memoir The Witnesses (1938), an astonishing document in a period when stigma still attached to mental illness. Hennell’s remarkable talent for friendship survived his years of mental turmoil. Jessica Kilburn’s new biography brings Hennell the man vividly to life through extracts from his letters to friends and personal accounts by people who knew him. As this richly illustrated book shows, the artist’s final years were exceptionally productive. In 1943 Hennell was appointed an official war artist, yielding commissions in Iceland and northern Europe. After the pastoral evocations of inter-war England, his portrayal of war’s brutality is shocking: devastated French towns, emaciated prisoners of war. At the war’s end, Hennell received a final posting to the Far East. Tragically, he was caught up in the struggle for independence in Java and in late October 1945 disappeared in circumstances which Jessica Kilburn recreates more fully than in any previous account. Thomas Hennell was born into a remarkable generation of English artists that included Eric Ravilious, John Piper, Graham Sutherland and Barbara Hepworth. His peers regarded him as one of their finest creative talents; Jessica Kilburn’s sensitive and deeply researched new biography restores this unjustly neglected artist to his rightful place in the history of twentieth-century English art.

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In this book, Gavin Francis writes about the resonance for him as a medic in reading the work of early modern polymath Sir Thomas Browne. Sir Thomas Browne (1605-1682) was an English physician, wordsmith, and polymath who contributed hundreds of words to the English language (such as medical, electricity, migrant, and computer). After studying medicine in Montpellier, Padua, and Leiden, he settled in Norwich, where he practised as a doctor and wrote some of the greatest books of the seventeenth century, still read for their accessibility and eloquence. In Sir Thomas Browne: The Opium of Time, Dr Gavin Francis examines Browne's work through a variety of themes: ambiguity, curiosity, vitality, piety, humility, misogyny, mobility, and mortality. He argues that the work has lost little of its power and wisdom, and none of its beauty. Religio Medici ('Religion of the Doctor') examined the vexed question of faith in a God who, to a physician, seemed indifferent to suffering. Pseudodoxia Epidemica ('Vulgar Errors') gave free rein to an agile curiosity and sought to debunk notions then commonly believed, such as that dead kingfishers indicate the direction of the wind, or that a woman could get pregnant from sharing a bath with a man. Urne Buriall was Browne's meditation on mortality, occasioned by a find of funerary urns, while Museum Clausum ('Hidden Museum') sets out a series of thought experiments and counterfactuals, such as how history might have been different had Alexander the Great marched west instead of east. Gavin Francis draws on his own experiences as a twenty-first century writer and doctor to discover that although many centuries separate him from Browne, they share a fundamental curiosity about the world and about people.

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Thomas Wyatt (1503?-1542) was the first modern voice in English poetry. His poetry holds a mirror to the secret, capricious world of Henry VIII's court, and alludes darkly to events which it might be death to describe. In the Tower, twice, Wyatt was betrayed and betrayer.Thought to be the lover of Anne Boleyn, he was also the devoted 'slave' of Katherine of Aragon. He was driven to secrets and lies, and forced to live with the moral and mortal consequences of his shifting allegiances. As ambassador to Emperor Charles V, he enjoyed favour, but his embassy turned to nightmare when the Pope called for a crusade against the English King and sent the Inquisition against Wyatt. At Henry VIII's court, where only silence brought safety, Wyatt played the idealized lover, but also tried to speak truth to power.Wyatt's life provides a way to examine the Renaissance and Reformation in England. Above all, this new biography is attuned to Wyatt's voice, the paradox within him of inwardness and the will to 'make plain' his heart, which make him exceptionally difficult to know - and fascinating to explore.

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'The one hundred and forty poems he wrote in the last two years of his life are a miracle. I can think of no body of work in English that is more mysterious.' - Michael Longley. When Edward Thomas died in the First World War, very few of his poems had been published, but he is now recognised as one of the finest and most influential poets of the last century. Although often referred to as 'a poet's poet', his writing has an almost universal appeal. He wrote accessibly, on traditional themes - the natural world, human relationships, transience and mortality. And yet his poetry is alive with the critical intelligence that came from years of writing non-fiction and reviewing verse. "Branch-Lines" captures the range of Thomas' achievement, not least by combining poetry with prose. In this unique collection, fifty-five contemporary poets reflect on Thomas' craftsmanship and enduring power. Some have chosen poems of their own in which they detect his influence, others have written new poems in his honour. Each poet has also contributed a piece of prose, and the volume contains an introduction, four critical essays, illustrations, a foreword by Andrew Motion and an afterword by Michael Longley. "Branch-Lines" offers a fascinating perspective on the workings of literary influence, with personal insights from some of the leading poet-critics of our time. 'The collection has a double value. It is a celebration of Thomas, and dignified tribute to his achievement; at the same time it bears witness to his powers of regeneration' - Andrew Motion. 'I read Thomas' collected poems at a sitting, poem by poem, all the way through and felt as I had not felt since reading Lawrence and Graves ten years before: I love this man, I can learn from him.' - David Constantine. 'I have always loved Edward Thomas' poetry' - Geoffrey Hill. 'He comes naturally, I think, to writers in English, like grass growing.' - U. A. Fanthorpe. 'When I started to try and write poetry and prose, a very uncertain beginning, it would have been even more uncertain if I hadn't read Thomas' poetry in my teens.' - Tom Paulin.

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A wealthy merchant's memoranda of sales reveals a wealth of fascinating detail. Over a period of eleven years from 1529 to his death, the wealthy London alderman, mercer and Merchant Adventurer Sir Thomas Kytson (1485-1540) recorded many of his commercial dealings in his 'Boke of Remembraunce'. This fascinating document, edited here for the first time, provides details not only of his purchases of cloth and the shipments of these to the annual marts held in the Low Countries, but also the sales of fabrics, spices, and other goods imported on the returning ships to Kytson's fellow merchants of London, members of the gentry, and others. Alongside these, there are memoranda of the delivery of materials to Kytson's wife and friends, and of some of his other personal concerns. The volume thus offers a colourful and detailed picture of the private and commercial life of a leading Londoner in the years around the English Reformation. Kytson's own 'Boke' is here collated with a separate record of exports to the Flemish marts in Antwerp and Bergen-op-Zoom kept by the mercer's clerks, and supplemented by an account of transactions at the 'Synxten Mart' at Antwerp in 1536, written by Sir Thomas's nephew, Thomas Washington. The material is complemented with extensive annotation and a comprehensive glossary, an introduction and substantial indices. COLIN J. BRETT'S published writings include volumes for the Somerset Record Society and paperson regional historical topics.

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First English translation of a Greek novella first published in 1920 by the Corfiot author Konstantinos Theotokis. A tragi-comedy of Corfiot village life.

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For young Thomas & Friends fans on the go, here are four board books in a compact carry-along box with a plastic handle. The sturdy books teach toddlers ABCs, counting, colors, and opposites. Illustrated in full-color with pictures of Thomas and his many engine friends, each book focuses on a single concept that will help engine-loving boys and girls ages 1 to 3 learn their numbers, letters, and more, while they pore over pictures of dozens of Thomas and his friends, places, and things that illustrate those concepts. Carry box has a sturdy plastic handle and a tab closure.

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Lonergan has been regarded as a peerless interpreter of Thomas; no one has therefore questioned the adequacy of his Thomistic interpretations in his doctoral work on operative grace in Thomas. In this work, the author breaks new ground in questioning the accuracy of Lonergan's interpretations. Contents: Introduction. PART I: Thomas' Early Work; Thomas' Theory of the Human Will; A Text From the Early Thomas (Sentences). PART II: Thomas of the Middle Period (^BDe Veritae). PART III: Thomas in the Late Period. (Summa, De Malo). PART IV: Lonergan's Interpretation of Thomas; The Context of the Article; Internal Criticism; Argument from Silence; Doctrinal Implications. PART V: Lonergan and Justification; Luther's Teaching on Free Will; Calvin on Free Will; The Council of Trent and Human Freedom; Lonergan on Justification and Free Will; Conclusion. PART VI: The Investigation Widened; The First Influence; The Second Influence; The Fourth Influence: Activity and Passivity of the Will; Conclusion.

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The first in a series that brings together the independent works of William Tyndale. It provides the missing link between Sir Thomas More's ""Dialogue Concerning Heresies"" and ""Confutation of Tyndale"" and is suitable for those studying English language and literature, church history and theology.

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'Tension surges through A Sea of Gold . . . In this rousing yarn, Stockwin again raises naval fiction to a new level' - Quarterdeck'Stockwin has surpassed himself with A Sea of Gold . . . a fine, filly favoured vintage yarn' - Warships1809. After his heroic actions during the retreat to Corunna, Captain Sir Thomas Kydd is the toast of London society. Here he falls in with the legendary frigate captain, Lord Thomas Cochrane.So begins a relationship, professional and personal, that will be unlike any that Kydd has known: a relationship that will lead him, almost simultaneously, to first glory, then ruin.The French fleet is massing in the Basque Roads in a near impregnatable position. The Admiralty orders Cochrane to command an attack, to the chagrin of more senior officers who object to being overlooked and Cochrane's reputation for daring. Cochrane insists that his new friend, Kydd, is in the forefront of the assault armada, a motley collection of rocket, bomb and fire ships that will set the anchorage ablaze - this despite Kydd's almost pathological fear of fire. The fallout from what follows will see Kydd financially ruined, with only his former shipmates, his oldest friend of all, Nicholas Renzi, and the whisper of hidden Spanish treasure promising the sea of gold that he needs to save himself. ********************Praise for Julian Stockwin's Kydd series'In Stockwin's hands the sea story will continue to entrance readers across the world' - Guardian'Paints a vivid picture of life aboard the mighty ship-of-the-line' Daily Express'This heady adventure blends fact and fiction in rich, authoritative detail' Nautical Magazine'Fans of fast-paced adventure will get their fill with this book' Historical Naval Society

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The most revealing and interesting writings of American artist Thomas Eakins are the letters he sent to family and friends while he was a student in Paris between 1866 and 1870. This book presents all these letters in their entirety for the first time; in fact, this is the first edition of Eakins's correspondence from the period. Edited and annotated by Eakins authority William Innes Homer, this book provides a treasure trove of new information, revealing previously hidden facets of Eakins's personality, providing a much richer picture of his artistic development, and casting fresh light on his debated psychosexual makeup. The book is illustrated with the small, gemlike drawings Eakins included in his correspondence, as well as photographs and paintings. In these letters, Eakins speaks openly and frankly about human relationships, male companionship, marriage, and women. In vivid, charming, and sometimes comic detail, he describes his impressions of Paris--from the training he received in the studio of Jean-Leon Gerome to the museums, concerts, and popular entertainments that captured his imagination. And he discusses with great insight contemporary aesthetic and scientific theories, as well as such unexpected subjects as language structure, musical composition, and ice-skating technique. Also published here for the first time are the letters and notebook Eakins wrote in Spain following his Paris sojourn. This long-overdue volume provides an indispensable portrait of a great American artist as a young man.

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St. Thomas Aquinas produced his Commentary on the Romans near the end of his life while working on the Summa theologiae and commenting on Aristotle. The doctrinal richness of Paul’s Letter to the Romans was well known to the church fathers, including Origen and Augustine, on whom Aquinas drew for his commentary. With this rich collection of essays by leading scholars, both Catholic and Protestant, Aquinas’s commentary will become a major resource for ecumenical biblical and theological discussion. Authored by theologians, historians, and biblical scholars, Reading Romans with St. Thomas Aquinas contributes to a historical reconstruction of Aquinas’s exegesis and theology by addressing such topics as: the Holy Spirit, the Church, the faith of Abraham, worship, preaching, justification, sin and grace, predestination, Paul’s apostolic vocation, the Jewish people, human sexuality, the relationship of flesh and spirit in the human person, the literal sense of Scripture, Paul’s use of the Old Testament, and the relationship of Aquinas’s commentary on Romans to his Summa theologiae. This volume fits within the contemporary reappropriation of St. Thomas Aquinas, which emphasises his use of Scripture and the teachings of the church fathers without neglecting his philosophical insight. Contributors are Bernhard Blankenhorn, Markus Bockmuehl, Hans Boersma, John F. Boyle, Edgardo Colón-Emericr, Holly Taylor Coolman, Adam Cooper, Michael Dauphinais, Gilles Emery, Scott W. Hahn, Mary Healy, John A. Kincaid, Matthew Levering, Bruce Marshall, Charles Raith II, Geoffrey Wainwright, Michael Waldstein, and Robert Louis Wilken. In On the Cessation of the Laws, Grosseteste draws out the theological, christological, and soteriological issues implicit in the question of the relationship between the Old and New Covenants.

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'Paints a vivid picture of life aboard the mighty ship-of-the-line' - Daily ExpressCape Colony is proving a tiresome assignment for Captain Kydd's daring commander-in-chief Commodore Popham. Rumours that South America's Spanish colonies are in a ferment of popular unrest and of a treasure hoard of silver spur him to assemble a makeshift invasion fleet and launch a bold attack on the capital of the Viceroyalty of the River Plate, Buenos Aires.Navigating the treacherous bars and mud flats of the river, the British invasion force lands and wins a battle against improbable odds, taking the capital and the silver. But nothing is as simple as it seems in this region of the world: the uprising that will see the end of Spanish rule never arrives and the locals begin to see dark conspiracies behind the invader's actions. Soon the tiny British force finds itself surrounded by an ever more hostile population. The city begins to revolt against its liberators.Now Kydd's men must face fierce resistance and the betrayal of their closest allies. Can they save themselves, and their prize?****************What readers are saying about BETRAYAL'Another page-turner from a sailor who knows his craft' - 5 stars'An outstanding addition to an excellent series' - 5 stars'A great read and I would highly recommend it!' - 5 stars'A really good naval series written with good taste and fine detail' - 5 stars'A triumph' - 5 stars

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'A naval tale of the first order' - 5-star reader reviewVictory at the Battle of Trafalgar removed the spectre of invasion and England is now free to seek conquests and colonies in the furthest reaches of the world. Captain Kydd joins an expedition to take Dutch-held Cape Town, a strategic imperative to secure the rich trade-route to India.But even if the British can defeat the enemy and take possession of the capital, there is still more fighting to be done. Kydd and his men must defend the fragile colony from attacks by the enemy from all sides, while braving the wild beasts and hostile environment of Africa's vast and savage hinterland.****************What readers are saying about CONQUEST'I loved each and every page . . . I strongly recommend Conquest to all readers attracted to naval fiction and indeed historical fiction in general.' - 5 stars'Excellent as always' - 5 stars'Another year, another winner' - 5 stars'Another glorious tale' - 5 stars'Excellent, but then the whole series is!' - 5 stars

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A featured alternate Book-of-the-Month club selection.

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An exciting full-color storybook based on the animated series Thomas & Friends: All Engines Go™ on Netflix and Cartoon Network!Thomas the Tank Engine's newest adventures take him to places he never dreamed of! Train-loving boys and girls ages 2 to 5 will love this adorable Little Golden Book based on the Thomas & Friends animated series Thomas & Friends: All Engines Go™ on Netflix and Cartoon Network!As the hero of his own adventure in the Thomas & Friends: All Engines Go™ series, Thomas will be center stage and we will see the world through his young eyes. More playful and relatable than ever before, his competitive spirit will be readily apparent as he strives to be the Number One Tank Engine on Sodor through play, trial and error, and just enjoying being a kid.In the early 1940s, a loving father crafted a small blue wooden train engine for his son, Christopher. The stories that this father, the Reverend W Awdry, made up to accompany the wonderful toy were first published in 1945 and became the basis for the Railway Series, a collection of books about Thomas the Tank Engine and his friends--and the rest is history.The Thomas & Friends characters are now a big extended family of engines and others on the Island of Sodor. They appear not only in books but also in television shows and movies, and as a wide variety of beautifully made toys. The adventures of Thomas and his friends, which are always, ultimately, about friendship, have delighted generations of train-loving boys and girls for more than 70 years and will continue to do so for generations to come.

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In many of his poems, the great Dorset poet and novelist Thomas Hardy referred to a certain romantic courtship, a marriage which became progressively more problematical, and finally to a bereavement in which a man loses his wife. So, who was Hardy writing about? The clue is to be found in his early poems, where the names of several locations in North Cornwall are mentioned, this being the very same place which featured in Hardy's courtship of Emma Gifford, who was to become his first wife. The poems raise certain questions. Given that Hardy and Emma gradually drifted apart so that in the end they lived mainly separate lives, albeit under the same roof, why was he so grief-stricken when she died, bearing in mind that their marriage was so unsatisfactory?How did Hardy cope as he passed through the various stages of grief, which he articulated so poignantly and expressively in his poems? These stages are recognized today, thanks to the work of Swiss-US psychiatrist, Elisabeth Kübler-Ros

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One of the great romances of the Middle Ages, Tristan, written in the early thirteenth century, is based on a medieval love story of grand passion and deceit. By slaying a dragon, the young prince Tristan wins the beautiful Isolde's hand in marriage for his uncle, King Mark. On their journey back to Mark's court, however, the pair mistakenly drink a love-potion intended for the king and his young bride, and are instantly possessed with an all-consuming love for each another - a love they are compelled to conceal by a series of subterfuges that culminates in tragedy. Von Strassburg's work is acknowledged as the greatest rendering of this legend of medieval lovers, and went on to influence generations of writers and artists and inspire Richard Wagner's Tristan and Isolde.

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A key figure in British literary circles following the French Revolution, novelist and playwright Thomas Holcroft promoted ideas of reform and equality informed by the philosophy of his close friend William Godwin. Arrested for treason in 1794 and released without trial, Holcroft was notorious in his own time, but today appears mainly as a supporting character in studies of 1790s literary activism. Thomas Holcroft’s Revolutionary Drama authoritatively reintroduces and reestablishes this central figure of the revolutionary decade by examining his life, plays, memoirs, and personal correspondence. In engaging with theatrical censorship, apostacy, and the response of audiences and critics to radical drama, this thoughtful study also demonstrates how theater functions in times of political repression. Despite his struggles, Holcroft also had major successes: this book examines his surprisingly robust afterlife, as his plays, especially The Road to Ruin, were repeatedly revived worldwide in the nineteenth century.

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A key figure in British literary circles following the French Revolution, novelist and playwright Thomas Holcroft promoted ideas of reform and equality informed by the philosophy of his close friend William Godwin. Arrested for treason in 1794 and released without trial, Holcroft was notorious in his own time, but today appears mainly as a supporting character in studies of 1790s literary activism. Thomas Holcroft’s Revolutionary Drama authoritatively reintroduces and reestablishes this central figure of the revolutionary decade by examining his life, plays, memoirs, and personal correspondence. In engaging with theatrical censorship, apostacy, and the response of audiences and critics to radical drama, this thoughtful study also demonstrates how theater functions in times of political repression. Despite his struggles, Holcroft also had major successes: this book examines his surprisingly robust afterlife, as his plays, especially The Road to Ruin, were repeatedly revived worldwide in the nineteenth century.

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Barbara Earl Thomas’s new body of work carries within it the sediments of history and grapples with race and the color line. At the heart of it lies a story of life and death, hope and resilience—a child’s survival. With her quietly glowing portraits of young Black boys and girls, Thomas puts before us the humble question: can we see, and be present to, the humanity, the trust, the hopes and dreams of each of these children? The Geography of Innocence offers a reexamination of Black portraiture and the preconceived dichotomies of innocence and guilt and sin and redemption, and the ways in which these notions are assigned and distorted along cultural and racial lines. Two interconnected visual arguments unfold: a portrait gallery of children from the artist’s extended community and an illuminated environment that appears like a delicate paper lantern. To accompany the visual elements, the book’s essays examine Thomas’s work in the context of different art historical portraiture traditions and political relevance. Thomas also contributes an interview and an essay reflecting on the current climate in which the work exists.

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Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole’s own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole’s formulation of a profound new category in art—the American sublime.Published in association with the Thomas Cole National Historic SiteExhibition Schedule:Thomas Cole National Historic Site (05/01/18–11/04/18)

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This concise, insightful study explores the sources and impact of one of the early republic's most influential minds. An Englishman by birth, an American by choice and necessity, Thomas Paine advocated ideas about rights, equality, democracy, and liberty that were far advanced beyond those of his American compatriots. His seminal works, Common Sense and the Rights of Man, were rallying cries for the American and French Revolutions. More than any other eighteenth-century political writer and activist, Paine defies easy categorization. A man of contrasts and contradictions, Paine was as much a believer in the power of reason as he was in a benevolent deity. He was at once liberal and conservative, a Quaker who was not a pacifist, and an inherently gifted writer who was convinced he was always right. Jack Fruchtman Jr. analyzes Paine's radical thought both in the context of his time and as a blueprint for the future development of republican government. His systematic approach identifies the themes of signal importance to Paine's political thought, demonstrating especially how crucial religion and God were to the development and expression of his political ideals.

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A philosopher, scholar of the natural world, and gifted mathematician, Thomas Reid holds a distinctive place in the Scottish Enlightenment. This volume reconstructs Reid’s lifelong engagement with the physical sciences and makes clear why these fields were central to his epistemology and moral and social philosophy.Placing Reid’s “Essay on Quantity” alongside his previously unpublished writings on mathematics and the physical sciences, Paul Wood shows that, in contrast to Francis Hutcheson and David Hume, Reid was a philosopher rooted not only in the science of man but also in the sciences of nature. A self-professed Newtonian, Reid honed his observational and experimental skills while investigating a broad range of theoretical problems in astronomy, mechanics, optics, electricity, and chemistry. He championed the practical application of mathematics, immersed himself in Newton’s mathematical corpus, and addressed foundational questions such as the conceptual basis of Euclidean geometry.Comprehensive and invaluable, this volume demonstrates that Reid built on his own early precociousness in mathematics to become one of the leading mathematicians and natural philosophers of the Scottish Enlightenment.

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There is no doubt that Thomas Aquinas, together with Augustine, is among the most influential authorities in the history of Western Christian theology. Through the centuries, theologians and philosophers have interpreted Aquinas and (re-)constructed his thought in various ways. As a result of this, a very rich variety of theological and philosophical positions have appeared that claim to be inspired by the thought of Thomas Aquinas. Positions like these are often labelled as a form of 'Thomism'. Although this can be helpful in bringing some order into the history of thought, there is also a deceptive side to it. Any classification runs the risk of obscuring the multiplicity of interests that have inspired the use of Aquinas as authority. On closer investigation many questions arise. What aims did Aquinas' recipients have in mind and how did an appeal to Aquinas function in their attempts to reach these aims? To what extent has their adoption of Aquinas' ideas and approaches been successful or unsuccessful in answering new questions, and in meeting the problems of their times? And, finally, what can we learn from these divergent forms of 'Thomism'? To these questions the Thomas Institute at Utrecht devoted its second conference, which was held from Thursday December 14 to Saturday December 16, 2000. This book collects a selection of the studies that were presented.

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A stylishly illustrated edition of the classic Christmas poem 'Twas the Night Before Christmas by Clement C.Moore - an essential festive favourite transformed by spectacularly talented debut illustrator Stacey Thomas.'Twas the night before Christmas, when all through the houseNot a creature was stirring, not even a mouse...Perfect for sharing with little ones, nothing captures the Christmas spirit better than Clement C. Moore's much-loved poem. With Stacey Thomas's lavish illustrations, this new edition of the traditional poem is an essential advent read for Christmas lovers young and old.

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Vienna—June 1804. At the glittering debut of Beethoven’s Third Symphony, a Spanish diplomat meets with Captain Thomas Grey, agent of His Majesty’s Secret Service. In exchange for a gigantic bribe, the Spaniard discloses Spain’s darkest secret the actual terms of the Treaty of San Ildefonso with France. Spain’s neutrality in Napoleon’s war on Britain is only a ruse to keep the British navy from attacking the great treasure-armada now gathering in South America. Spanish warships will depart Montevideo, Uruguay, carrying 2,000 tons of gold; when the gold is safely in Madrid, Spain will declare war on Britain and ally with France to divide the British Empire between them. Britain’s only hope is to sink or capture the treasure fleet, and the responsibility of delivering that blow falls to Grey. As Jack Aubrey would have said in such a crisis, "There is not a moment to be lost!"

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