Search results for ""author thomas"

Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole’s own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole’s formulation of a profound new category in art—the American sublime.Published in association with the Thomas Cole National Historic SiteExhibition Schedule:Thomas Cole National Historic Site (05/01/18–11/04/18)

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Vienna—June 1804. At the glittering debut of Beethoven’s Third Symphony, a Spanish diplomat meets with Captain Thomas Grey, agent of His Majesty’s Secret Service. In exchange for a gigantic bribe, the Spaniard discloses Spain’s darkest secret the actual terms of the Treaty of San Ildefonso with France. Spain’s neutrality in Napoleon’s war on Britain is only a ruse to keep the British navy from attacking the great treasure-armada now gathering in South America. Spanish warships will depart Montevideo, Uruguay, carrying 2,000 tons of gold; when the gold is safely in Madrid, Spain will declare war on Britain and ally with France to divide the British Empire between them. Britain’s only hope is to sink or capture the treasure fleet, and the responsibility of delivering that blow falls to Grey. As Jack Aubrey would have said in such a crisis, "There is not a moment to be lost!"

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A philosopher, scholar of the natural world, and gifted mathematician, Thomas Reid holds a distinctive place in the Scottish Enlightenment. This volume reconstructs Reid’s lifelong engagement with the physical sciences and makes clear why these fields were central to his epistemology and moral and social philosophy.Placing Reid’s “Essay on Quantity” alongside his previously unpublished writings on mathematics and the physical sciences, Paul Wood shows that, in contrast to Francis Hutcheson and David Hume, Reid was a philosopher rooted not only in the science of man but also in the sciences of nature. A self-professed Newtonian, Reid honed his observational and experimental skills while investigating a broad range of theoretical problems in astronomy, mechanics, optics, electricity, and chemistry. He championed the practical application of mathematics, immersed himself in Newton’s mathematical corpus, and addressed foundational questions such as the conceptual basis of Euclidean geometry.Comprehensive and invaluable, this volume demonstrates that Reid built on his own early precociousness in mathematics to become one of the leading mathematicians and natural philosophers of the Scottish Enlightenment.

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There is no doubt that Thomas Aquinas, together with Augustine, is among the most influential authorities in the history of Western Christian theology. Through the centuries, theologians and philosophers have interpreted Aquinas and (re-)constructed his thought in various ways. As a result of this, a very rich variety of theological and philosophical positions have appeared that claim to be inspired by the thought of Thomas Aquinas. Positions like these are often labelled as a form of 'Thomism'. Although this can be helpful in bringing some order into the history of thought, there is also a deceptive side to it. Any classification runs the risk of obscuring the multiplicity of interests that have inspired the use of Aquinas as authority. On closer investigation many questions arise. What aims did Aquinas' recipients have in mind and how did an appeal to Aquinas function in their attempts to reach these aims? To what extent has their adoption of Aquinas' ideas and approaches been successful or unsuccessful in answering new questions, and in meeting the problems of their times? And, finally, what can we learn from these divergent forms of 'Thomism'? To these questions the Thomas Institute at Utrecht devoted its second conference, which was held from Thursday December 14 to Saturday December 16, 2000. This book collects a selection of the studies that were presented.

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A stylishly illustrated edition of the classic Christmas poem 'Twas the Night Before Christmas by Clement C.Moore - an essential festive favourite transformed by spectacularly talented debut illustrator Stacey Thomas.'Twas the night before Christmas, when all through the houseNot a creature was stirring, not even a mouse...Perfect for sharing with little ones, nothing captures the Christmas spirit better than Clement C. Moore's much-loved poem. With Stacey Thomas's lavish illustrations, this new edition of the traditional poem is an essential advent read for Christmas lovers young and old.

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Summer, 1643England is at war with itself. King Charles I has fled London, his negotiations with Parliament in tatters. The country is consumed by bloodshed. For Thomas Hill, a man of letters quietly running a bookshop in the rural town of Romsey, knowledge of the war is limited to the rumours that reach the local inn.When a stranger knocks on his door one night and informs him that the king's cryptographer has died, everything changes. Aware of Thomas's background as a mathematician and his expertise in codes and ciphers, the king has summoned him to his court in Oxford.On arrival, Thomas soon discovers that nothing at court is straightforward. There is evidence of a traitor in their midst. Brutal murder follows brutal murder. And when a vital message encrypted with a notoriously unbreakable code is intercepted, he must decipher it to reveal the king's betrayer and prevent the violent death that failure will surely bring.

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Has Hobbesian moral and political theory been fundamentally misinterpreted by most of his readers? Since the criticism of John Bramhall, Hobbes has generally been regarded as advancing a moral and political theory that is antithetical to classical natural law theory. Kody W. Cooper challenges this traditional interpretation of Hobbes in Thomas Hobbes and the Natural Law. Hobbes affirms two essential theses of classical natural law theory: the capacity of practical reason to grasp intelligible goods or reasons for action and the legally binding character of the practical requirements essential to the pursuit of human flourishing. Hobbes’s novel contribution lies principally in his formulation of a thin theory of the good. This book seeks to prove that Hobbes has more in common with the Aristotelian-Thomistic tradition of natural law philosophy than has been recognized. According to Cooper, Hobbes affirms a realistic philosophy as well as biblical revelation as the ground of his philosophical-theological anthropology and his moral and civil science. In addition, Cooper contends that Hobbes's thought, although transformative in important ways, also has important structural continuities with the Aristotelian-Thomistic tradition of practical reason, theology, social ontology, and law. What emerges from this study is a nuanced assessment of Hobbes’s place in the natural law tradition as a formulator of natural law liberalism. This book will appeal to political theorists and philosophers and be of particular interest to Hobbes scholars and natural law theorists.

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What is God?' was the question of Thomas Aquinas; 'What is theology for?' is the question of this book. These two concerns are inextricably connected and while the first question can never be adequately answered it is in and through the process of answering it that an answer to the second can be found. The theology that is a sacra doctrina facilitates an ever deepening relationship with the God who is love. This book suggests that this is precisely what Thomas' life as a Dominican friar and theologian witnessed to. Theology is a work of fides et ratio, faith and reason. Hence this book claims that the doing of theology is best understood as not only an academic discipline but also a sacramental, a holy-making one. Far from feeling a need to leave their brains at the door of the church, as contemporary Christians may feel is asked of them, the suggestion is that the development of our intellect is central to human growth into the image and likeness of God. It is a teaching of Thomas Aquinas that the 'ultimate beatitude of a human consists in the use of their highest function ...the operation of the intellect' and so he is a natural partner for this enterprise.

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But who do you say that I am?"" asks Jesus at the decisive turning point in the Gospel. Simon Peter answers correctly at first but is soon corrected when he protests the revelation of the Cross. Christians in every age are called to confess the right faith in Jesus, who suffered, died, and rose for our salvation. Our own period is beset by a crisis of faith in Jesus, which has had manifold deleterious effects on our lives, our Christian communities, and our world.For the sake of addressing this crisis, the Aquinas Center for Theological Renewal at Ave Maria University and the Thomistic Institute of the Pontifical Faculty at the Dominican House of Studies cosponsored an international conference that took place at Ave Maria University under the title Thomas Aquinas and the Crisis of Christology. Beginning with a gripping foreword by Archbishop J. Augustine Di Noia, OP, of the Congregation for the Doctrine of the Faith, this volume gathers together several of the excellent conference presentations given by scholars working in North America, South America, Europe, and Western Asia. These studies consider both formulations of who Christ is and of how we are under his judgement. With help from Thomas Aquinas and the Thomistic tradition, this work engages today's crisis of Christology as seen in multiple theological topics and offers models of faith to answer Jesus' question for ourselves, ""But who do you say that I am?

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New essays on Thomas Traherne challenge traditional critical readings of the poet. Thomas Traherne has all too often been defined and studied as a solitary thinker, "out of his time", and not as a participant in the complex intellectual currents of the period. The essays collected here take issue with this reading, placing Traherne firmly in his historical context and situating his work within broader issues in seventeenth-century studies and the history of ideas. They draw on recently published textual discoveries alongside manuscripts which will soon be published for the first time. They address major themes in Traherne studies, including Traherne's understanding of matter and spirit, his attitude towards happiness and holiness, his response to solitude and society, and his Anglican identity. As a whole, the volume aims to re-ignite discussion on settled readings of Traherne's work, to reconsider issues in Traherne scholarship which have long lain dormant, and to supplement our picture of the man and his writings through new discoveries and insights. Elizabeth S. Dodd is programme leader for the MA in theology, ministry and mission and lecturer in theology, imagination and culture at Sarum College, Salisbury; Cassandra Gorman is lecturer in English at Trinity College, Cambridge. Contributors: Jacob Blevins, Warren Chernaik, Phoebe Dickerson, Elizabeth S. Dodd, Ana Elena González-Treviño, Cassandra Gorman, Carol Ann Johnston, Alison Kershaw, Kathryn Murphy

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This extensively revised edition of Thurman Wilkins's masterful and engaging biography - well illustrated in color and black-and-white - draws on new information and recent scholarship to place Thomas Moran more securely in the milieu of the Gilded Age. It also portrays more fully the controversies that surrounded the art of Moran's time, as he became ""the Dean of American Painters.""The American West was the subject of Thomas Moran's greatest artistic triumphs - Yosemite, the Grand Canyon of the Colorado, Zion Canyon, the Virgin River, Colorado's Mountain of the Holy Cross, and the Grand Tetons - but his travels with Ferdinand V. Hayden's geological surveys of the Upper Yellowstone were matched by trips to his native Britain and to Venice, Florida, the Spanish Southwest, and Old Mexico. These scenes inspired memorable landscapes and seascapes, as did the sojourns of the Moran family in Pennsylvania, New Jersey, and East Hampton, Long Island, when they retreated from the demands of the New York art scene. In the 1880s Moran and his artist wife, Mary Nimmo Moran, also threw themselves into the etching craze of the period, creating some of the finest prints produced in the United States.Moran was an artist happy in his work. He wrote, ""I have always held that the grandest, most beautiful, or wonderful in nature, would, in capable hands, make the grandest, most beautiful, or wonderful pictures."" The New York Times said of the first edition of this unique account of his life, ""Moran's mastery comes through clearly and awesomely and often, pleasurably."" Readers will find the new edition equally enjoyable.

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'In Stockwin's hands the sea story will continue to entrance readers across the world' - Guardian1808. With the Peninsula in turmoil, Napoleon Bonaparte signs a treaty to dismember Portugal and put his brother, Joseph, on the throne of Spain. Meanwhile, Nicholas Renzi, the Lord Farndon, undertakes a deadly mission to stir up partisan unrest to disrupt this Napoleonic alliance with Spain.Thrust into the crucible of the uprising, Captain Sir Thomas Kydd is dismayed to come up against an old foe from his past - now his superior and commander - who is determined to break him. Kydd will soon face the greatest decision of his professional career.Bonaparte, incensed by the reverses suffered to his honour, gathers together a crushing force and marches at speed into Spain. After several bloody encounters the greatly outnumbered British expedition have no option other than make a fighting retreat to the coast. Only the Navy can save them.But the flame of insurrection has been lit - and the Peninsular War has begun.More Praise for Julian Stockwin and the Thomas Kydd Series'Paints a vivid picture of life aboard the mighty ship-of-the-line' Daily Express'This heady adventure blends fact and fiction in rich, authoritative detail' Nautical Magazine on VICTORY'Fans of fast-paced adventure will get their fill with this book' Historical Naval Society on THE ADMIRAL'S DAUGHTER

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'Yankee Mission is a jewel in Julian Stockwin's crown as a master in naval fiction, with a ship-to-ship fight so vivid that the battle's sounds and scents fly off the pages like lethal wooden splinters' - Quarterdeck1812. Off the coast of Brazil, HMS Java, a proud British 38-gun frigate, is captured in battle by the American USS Constitution - signaling across the world's oceans a challenge to Britain's naval premiership that cannot be ignored.Back in England Captain Sir Thomas Kydd is enjoying a moment of normal life with his wife and his newborn son. With his Thunderer in dock receiving some well-earned repairs he is, momentarily, without a command. It's a position the Admiralty does not leave him in for long, and he is soon given a mission: engage the young republic in a fair fight, frigate against frigate, and restore the Navy's reputation. And they have just the ship and crew for him . . . Tyger. But on reaching the US east coast, Kydd and his trusted Tygers realise that the hardest part of their mission will be drawing out one of the Yankee men-o'-war to engage in battle - especially once the Americans get wind of his purpose. It's a tall order, requiring every ounce of the crew's guile and persistence - and when fortune turns against them, Kydd finds not only his career, but his life, hanging in the balance.Praise for Julian Stockwin's Kydd series:'A very readable and enjoyable story . . . I can only recommend that you go out, beg, borrow or buy, and enjoy' - Bernard Cornwell 'In Stockwin's hands the sea story will continue to entrance readers across the world' - Guardian'The characterization is first-class, and the reader quickly becomes involved with all that happens' - Historical Novels Review

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St. Thomas Aquinas's biblical commentaries have been somewhat neglected. Similarly, many readers of the Bible do not spend much time with Colosians. This pearl of a Commentary should assist not only in renewing interest in Aquinas's exegetical insights, but also in deepening our appreciation of the richness of the Epistle to the Colossians.

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A survey of the huge importance of Thomas Tallis, the `Father of Church Music', on Victorian musical life. In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the music of the Anglican Church. This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium, revived in the 1830s, though generally not greatly admired, and the Responses, which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the antiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Anglican - and English - identity was defined and challenged. Dr SUE COLE is a research associate at the Faculty of Music, University of Melbourne.

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Thomas Sankara: A Revolutionary in Cold War Africa offers the first complete biography in English of the dynamic revolutionary leader from Burkina Faso, Thomas Sankara. Coming to power in 1983, Sankara set his sights on combating social injustice, poverty, and corruption in his country, fighting for women's rights, direct forms of democracy, economic sovereignty, and environmental justice. Drawing on government archival sources and over a hundred interviews with Sankara's family members, friends, and closest revolutionary colleagues, Brian J. Peterson details Sankara's political career and rise to power, as well as his assassination at age 37 in 1987, in a plot led by his close friend Blaise Compaoré. Thomas Sankara: A Revolutionary in Cold War Africa offers a unique, critical appraisal of Sankara and explores why he generated such enthusiasm and hope in Burkina Faso and beyond, why he was such a polarizing figure, how his rivals seized power from him, and why T-shirts sporting his image still appear on the streets today.

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From the time they first met as undergraduates at Columbia College in New York City in the mid-1930s, the noted editor Robert Giroux (1914–2008) and the Trappist monk and writer Thomas Merton (1915–1968) became friends. The Letters of Robert Giroux and Thomas Merton capture their personal and professional relationship, extending from the time of the publication of Merton's 1948 best-selling spiritual autobiography, The Seven Storey Mountain, until a few months before Merton's untimely death in December 1968. As editor-in-chief at Harcourt, Brace & Company and then at Farrar, Straus & Giroux, Giroux not only edited twenty-six of Merton's books but served as an adviser to Merton as he dealt with unexpected problems with his religious superiors at the Abbey of Our Lady of Gethsemani in Kentucky, as well as those in France and Italy. These letters, arranged chronologically, offer invaluable insights into the publishing process that brought some of Merton's most important writings to his readers. Patrick Samway, S.J., had unparalleled access not only to the materials assembled here but to Giroux's unpublished talks about Merton, which he uses to his advantage, especially in his beautifully crafted introduction that interweaves the stories of both men with a chronicle of their personal and collaborative relationship. The result is a rich and rewarding volume, which shows how Giroux helped Merton to become one of the greatest spiritual writers of the twentieth century.

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The Collected Poems of Dylan Thomas contains poems that Thomas personally decided best represented his work. A year before its publication Thomas died from swelling of the brain triggered by excessive drinking. (A piece of New Directions history: it was our founder James Laughlin who identified Thomas’ body at the morgue of St. Vincent’s Hospital.) Since its initial publication in 1953, this book has become the definitive edition of the poet’s work. Thomas wrote “Prologue” addressed to “my readers, the strangers” — an introduction in verse that was the last poem he would ever write. Also included are classics such as “And Death Shall Have No Dominion,” “Do Not Go Gentle into that Good Night,” and “Fern Hill” that have influenced generations of artists from Bob Dylan (who changed his last name from Zimmerman in honor of the poet), to John Lennon (The Beatles included Thomas’ portrait on the cover of Sgt. Pepper’s Lonely Hearts Club Band); this collection even appears in the film adaptation of Cormac McCarthy’s The Road when it is retrieved from the rubble of a bookshelf. And death shall have no dominion. Dead men naked they shall be one With the man in the wind and the west moon; When their bones are picked clean and their clean bones gone, They shall have stars at elbow and foot; Though they go mad they shall be sane, Though they sink through the sea they shall rise again, Though lovers be lost love shall not: And death shall have no dominion. (From “And Death Shall Have No Dominion”)

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This is the first full length study of Thomas Tooke, a leading monetary economist of the 19th century, a pioneer of quantitative monetary history and the greatest opponent of the quantity theory of money in the history of economic thought.

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Born in Ireland in 1934, Thomas Kilroy attended the University College of Dublin, where he received a degree in education that led to a teaching career. With the 1973 success of his novel ""The Big Chapel"", Kilroy took a break from teaching and devoted time to writing for the stage. Although he returned to the university scene in 1979 with a professorship at the University of Galway, he remained active in the dramatic arts, becoming a member of the Royal Society for Literature and the Irish Academy of Letters. Today, he has a number of plays and adaptations to his credit including ""The O'Neill"", ""The Death and Resurrection of Mr. Roche"", ""Tea and Sex and Shakespeare"" and an adaptation of ""Ibsen's Ghosts"". This appraisal of the works of Thomas Kilroy focuses on the common themes and methodology of his plays, including an unusual alliance between serious theatrical complexity and varied but demanding forms of comedy. A separate chapter is devoted to each play with the exception of ""The Death and Resurrection of Mr. Roche"" and ""The MacAdam Travelling Theatre"", whose complementary themes are discussed together. Reflecting on the essence of theatre, Kilroy's works combine meditations on humanity with references to Irish history, generally using historical reality as a dramatic starting point. Plays discussed include Kilroy originals such as ""Talbot's Box"", ""The Secret Fall of Constance Wilde and Blake"" as well as adaptations of well-known works such as ""The Seagull and Henry"". Interviews with stage directors and the playwright himself contribute to this in-depth analysis of Kilroy's dramatic art. Photographs of staged plays and a list of premieres of Kilroy's works (plays and adaptations) are also included.

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Defends Reid's Common Sense philosophy against the claim that perception does not allow us to experience the physical world With a new reading of Thomas Reid on primary and secondary qualities, Christopher A. Shrock illuminates the Common Sense theory of perception. Shrock follow's Reid's lead in defending common sense philosophy against the problem of secondary qualities, which claims that our perceptions are only experiences in our brains, and don't let us know about the world around us. At the same time, Schrock maintains a healthy optimism about science and reason.

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'In Stockwin's hands the sea story will continue to entrance readers across the world' - GuardianWith Bonaparte held to a stalemate in Europe, the race to empire is now resumed. Britain's ambitions turn to the Spice Islands, the Dutch East Indies, where Admiral Pellew has been sent to confront the enemy's vastly rich holdings in these tropical islands. Captain Sir Thomas Kydd joins reinforcements to snatch these for the British Crown.The two colonial masters of India and the East Indies face each other in mortal striving for the region - there can be only one victor to hold all the spoils. The colonial genius, Stamford Raffles, believes Britain should strike at the very centre of Dutch spice production, the Moluccas, rather than the fortresses one by one but is fiercely opposed. Kydd, allying himself to this cause, conspires to lead a tiny force to a triumphant conclusion - however the Dutch, stung by this loss, claim vengeance from the French. A battle for Java and an empire in the East stretches Kydd and Tyger's company to their very limits.*************Praise for Julian Stockwin's Kydd series'Paints a vivid picture of life aboard the mighty ship-of-the-line' Daily Express'This heady adventure blends fact and fiction in rich, authoritative detail' Nautical Magazine'Fans of fast-paced adventure will get their fill with this book' Historical Naval Society

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The light bulbs we use today in our schools and homes are thanks to Thomas Edison. What were the steps Edison took that led him to the world-changing invention we know him for today?

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This collection of 5,000+ designs from Thomas Wilson’s drawing notebooks harvests the creative output of four decades of ironwork design. Wilson—ironwork designer, master blacksmith, artist, sculptor, illustrator, author, and restorer—is at the forefront of design in metal. The designs here demonstrate the core role that drafting and drawing play in artistic work. Rendered on everything from notebook pages to paper napkins, they range from traditional to wildly creative. This volume incorporates the best of all that Wilson's eyes and mind have absorbed, and offers inspirational creative reference for anyone interested in design. Some of the drawings are spontaneous, simple idea sketches; others are fully evolved renderings of works of art. From chairs to hinges, chandeliers to fences, benches to belt buckles, the images will inspire design professionals, architects, interior designers, art students, blacksmiths, ironwork enthusiasts, jewelers, and artists of all kinds.

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Thomas Sowell has an almost godlike status amongst conservative intellectuals. "It's a scandal that economist Sowell has not been awarded the Nobel Prize," wrote a reviewer in Forbes. A profile in the Wall Street Journal described him as "one of America's great sages." His writing on politics, economics, and social issues have prompted both contempt and praise. In Maverick, Jason Riley explores the life and ideas of Thomas Sowell, one of America's most important Black intellectuals.A bright student with a tumultuous home life, Sowell was admitted to one of New York's most competitive high schools but dropped out at age 16. He left home a year later and moved into a shelter in the Bronx for homeless boys where he kept a knife under his pillow for protection. Years later, the G.I. bill enabled him to enroll in night school at Howard University and after his freshman year, he transferred to Harvard. By 1968, Sowell received his doctorate in economics from the University of Chicago, his dissertation written under the guidance of future Nobel economists Milton Friedman and George Stigler. Maverick follows Sowell from the University of Chicago to his early critiques of the Civil Rights moment. In the 60s and 70s, Sowell accepted teaching positions at Howard, Cornell, UCLA, and elsewhere -- but the campus turmoil of the era clashed with Sowell's principles and he refused to bend. He turned his attention to writing.Over the past fifty tears, Sowell has written over thirty books and countless columns and media appearances. Riley offers an introduction to Sowell's ideas, from race and inequality to economics and education. Riley considers how Sowell's own history alongside the moments and movements that shaped his thinking to offer a nuanced portrait of one of America's leading conservative intellectuals. Maverick explores the extraordinary scope and depth of arguably the most influential and trenchant Black social critics alive in America today - one whose contributions have been underacknowledged because they do not align with progressive ideas about race.

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Over the last twenty years, critical discussion of Thomas Mann has highlighted the role of his homosexuality for his creative work. This not only is presented as a dynamic underlying Mann's creative work, but also is the supposed reason for the theme of guilt and redemption that grew ever stronger in Mann's fiction.Michael Maar mounts a devastating forensic challenge to this consensus: Mann was remarkably open about his sexual orientation, which he saw as no reason for guilt. But sexuality in Mann's work is inextricably bound up with an eruption of violence. Maar pursues this trail through Mann's writings and traces its origins back to Mann's second visit to Italy, during which the Devil appeared to him in Palestrina. Something happened to the twenty-one-year-old Thomas Mann in Naples that marked him for life with a burdensome sense of guilt...but what exactly was it?

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This volume provides a rich new resource for exploring religion and daily life in Interregnum and Restoration England. Thomas Larkham kept his 'diary' - an account book with spiritual musings and autobiographical notes - throughout his time as Vicar of Tavistock, Devon, and on into his days as a nonconformist apothecary in the town. Only fragmentshave appeared in print before. This edition provides a new resource for exploring religion and daily life in Interregnum and Restoration England. Larkham's life captures the twists and turns a clerical career could take in the 17th century. He went to New England in the 1630s, then came back and joined the Parliamentary army. As Vicar of Tavistock in the 1650s, he took a controversial path. He preached to the parish at large but restricted baptism and communion to an ever smaller circle. Local resentment erupted in a no-holds-barred pamphlet war. A watershed came in 1660. Larkham scored a thick black line in his diary under these words: 'The Lords day Oct. 21. I left mine imployment of preaching in feare & upon demand of the Patron'. The entries that follow show how his fortunes changed as a result - prisoner, fugitive preacher, Tavistock apothecary. The diary illuminates the private side of a turbulent public life. It is intriguing both for what it includes and for what has to be read between the lines. The edition also includes two rare tracts - Naboth and Judas hanging himselfe - from the vociferous debate his activities provoked. A substantial introduction sets Larkham and his diary in context. SUSAN HARDMAN MOORE is Senior Lecturer in Divinity at the University of Edinburgh.

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Thomas Hardy is one of England’s greatest novelists and poets, whose part-real, part-imaginary realm of Wessex has taken on a life of its own. But his first career in architecture has been seen as perverse or contradictory. The assumption has been: he changed career because he wasn't much of an architect.This book is the first to study Hardy from an architectural perspective, and it offers startling insights into a man who never stopped thinking, writing and working as an architect. It reveals a biting commentator on the architectural debates of his day; the most influential conservation writer there has ever been; and his experiments in architectural representation – which would still be radical a century later. Linking writing, maps, images, polemic and buildings, Wessex appears as a remarkable, entirely architectural project that shapes the way we see, imagine and build England to this day.

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After almost six months in Maryland, fifth-grader Oliver still misses his friends back in New Jersey. But things start to change one day, when his neighbor—and possible new friend—Sam lends Oliver a magic hat that takes him back to the 18th- and 19th-century world of Thomas Jefferson. Oliver and his sisters—Cassie, the nice one, and Ruby, the annoying one—end up learning more about Jefferson than they'd expected. And Oliver finds that his new neighborhood might not be so terrible after all. Thomas Jefferson and the Return of the Magic Hat is the third in The President and Me series that began with George Washington and the Magic Hat and John Adams and the Magic Bobblehead. This new adventure brings back previous characters Sam, Ava, J.P. (blink and you might miss them, though!), and of course the cantankerous talking hat itself.

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Thomas of Edessa flourished as a teacher at the School of Nisibis, an important Christian intellectual centre in sixth-century Persia. He accompanied the later patriarch Mar Aba on his travels around the Mediterranean and followed him to Nisibis. Thomas's only surviving writings are two lectures in Syriac ('Explanations') on the feasts of the Nativity and Epiphany. These discourses were later incorporated into a collection of Explanations of the Feasts covering the whole ecclesiastical year. This volume presents an edition of Thomas of Edessa's Syriac text of Nativity and Epiphany, accompanied by a facing-page English translation. These discourses, with the editors' introduction and notes, elucidate Thomas's place in the theological development of the Church of the East. He is the earliest author after Narsai to draw extensively upon the theology of Theodore of Mopsuestia, but earlier Syriac traditions are also reflected in his work, and his Christology is not yet the doctrine characteristic of Babai and later East Syriac authors.

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As its subtitle 'Skepticism, Individuality and Chastened Politics' indicates, this book is an exploration of and a largely favorable engagement with salient elements in the thinking of a theorist who is widely regarded as the greatest Anglophone political thinker and among the top rank of philosophical writers generally. In emphazing Hobbes's skepticism, Richard Flathman goes against the grain of much of the literature concerning Hobbes. The theme of individuality is more familiar, particularly from the celebrated writings on Hobbes by Michael Oakeshott, but the idea of a chastened politics challenges the widely influential view that Hobbes was not only an authoritarian but an incipient or proto-totalitarian. Although primarily an account of Hobbes's thinking, Flathman contends that Hobbes's formulation speaks valuably to issues that remain very much with us. For this reason Thomas Hobbes will be of interest to a wider audience than Hobbes specialists.

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Favorite stories from Robert Munsch in an early reader format kids will love! Adapted from the originals so beginner readers can proudly say “I read this myself!” Colorful and fun, Robert Munsch’s zany stories and Michael Martchenko’s illustrations will grab kids’ attention and keep them interested as they practice their reading skills. Tips for supporting emerging readers are in the back for parents.

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Though the relationship between Jesuits and Dominicans has historically been marked by theological controversy, Ignatius of Loyola, the founder of the Jesuits, shows remarkable affinity for the Thomistic tradition, the tradition advanced above all by the Dominican order. When writing the Jesuit Constitutions, in fact, Ignatius made Thomas Aquinas's Summa Theologiae the primary textbook for Jesuit theological formation. The contributions to this volume--originating from Jesuits, Dominicans, and lay scholars alike--explore different aspects of the complex yet illuminating relationship between Ignatius and Thomas. The themes range from the general relationship between the early Jesuits and scholastic theology to the attempts by Francisco de Toledo, the first Jesuit cardinal, to apply Thomistic reasoning to the religious and legal status of Jewish converts to Christianity. Other contributions compare Ignatius and Thomas on topics of significant interest for dogmatic, sacramental, and spiritual theology: spiritual experience, the ordering of the passions, the use of the imagination, prudence and discernment of spirits, frequent communion, Mariology, the ""hierarchical church,"" and the limits of obedience.Students of Ignatius of Loyola, Thomas Aquinas, second scholasticism, Christian-Jewish relations, and spiritual theology in general will find this volume an invaluable contribution.

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