Search results for ""author thomas"

Be a Potty Star! with this new sticker reward activity book to guide your little one through their potty journey. Packed with fun activities to gently introduce new toilet training concepts; from choosing a potty and grown up pants to learning the importance of keeping clean and washing your hands. Thomas & Friends will be with you every step of the way, with over 80 stickers and an encouraging reward chart to support your child in this new and exciting stage of their development.

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Fascinating insight into the tempestuous life of one of our great poets through his letters, including those to the two great loves of his life. Featuring a bold new livery in celebration of the Dylan Thomas centenary.Dylan Thomas' letters to the many women in his life are among the mst emotive, lyrical and beautiful that he wrote. Full of humour, longing and uninhibited honesty, these letters include those written to his wife Caitlin and his childhood sweetheart, Vera Philips.

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Women Beware Women is among the most powerful and adroitly plotted of Jacobean tragedies. Written by Thomas Middleton, a later contemporary of Shakespeare, the play deals with topics of enduring fascination such as sexual and financial greed, the sexual exploitation of women by a manipulative older woman, murderous revenge and the sexual predatoriness of a man in a position of power. The storyline is based on the most public of Medici scandals in late sixteenth-century Florence, with the Grand Duke Francesco seducing and then marrying a beautiful Venetian runaway, after arranging the murder of her Florentine lower-class husband. The tragedy ends with a spectacular masque involving misdirected poison, flaming gold, poisoned arrows, poisoned smoke, physical mishaps and numerous deaths.This edition is designed for the classroom and for the reader interested in the best in Renaissance drama.

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Thomas Hennell (1903–45) said his aim was to ‘surprise his subject’ – to capture the transient quality of the moment. In watercolour he found his perfect medium, producing work which was, as his fellow artist Edward Bawden said, ‘fully expressive and technically perfect’. During an idyllic childhood in rural Kent Hennell discovered his love of the English countryside. He explored its fields, farms and woods, and later, travelling on a rusty old bicycle, developed an appreciation of England’s traditions and crafts. Much of his work records the countryside in a state of change, imbuing his sense of loss with poetic intensity. In the early 1930s, Hennell suffered a severe breakdown and later described the three years he spent in mental hospitals in his memoir The Witnesses (1938), an astonishing document in a period when stigma still attached to mental illness. Hennell’s remarkable talent for friendship survived his years of mental turmoil. Jessica Kilburn’s new biography brings Hennell the man vividly to life through extracts from his letters to friends and personal accounts by people who knew him. As this richly illustrated book shows, the artist’s final years were exceptionally productive. In 1943 Hennell was appointed an official war artist, yielding commissions in Iceland and northern Europe. After the pastoral evocations of inter-war England, his portrayal of war’s brutality is shocking: devastated French towns, emaciated prisoners of war. At the war’s end, Hennell received a final posting to the Far East. Tragically, he was caught up in the struggle for independence in Java and in late October 1945 disappeared in circumstances which Jessica Kilburn recreates more fully than in any previous account. Thomas Hennell was born into a remarkable generation of English artists that included Eric Ravilious, John Piper, Graham Sutherland and Barbara Hepworth. His peers regarded him as one of their finest creative talents; Jessica Kilburn’s sensitive and deeply researched new biography restores this unjustly neglected artist to his rightful place in the history of twentieth-century English art.

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The definitive biography of the poet who was almost as notorious for his 'rock 'n' roll' lifestyle as his artistic workDylan Thomas was a romantic and controversial figure; a poet who lived to excess and died young. An inventive genius with a gift for both lyrical phrases and impish humour, he also wrote for films and radio, and was renowned for his stage performances. He became the first literary star in the age of popular culture - a favourite of both T.S. Eliot and John Lennon.As his status as a poet and entertainer increased, so did his alcoholic binges and his sexual promiscuity, threatening to destroy his marriage to his fiery Irish wife Caitlin. As this extraordinary biography reveals, he was a man of many contradictions. But out of his tempestuous life, he produced some of the most dramatic and enduring poetry in the English language.

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In this final edition of his classic study of St. Thomas Aquinas, Etienne Gilson presents the sweeping range and organic unity of Thomistic philosophical thought. The philosophical thinking of Aquinas is the result of reason being challenged to relate to many theological conceptions of the Christian tradition. Gilson carefully reviews how Aquinas grapples with the relation itself of faith and reason and continuing through the existence and nature of God and His creation, the world and its creatures, especially human beings with their power of intellect, will, and moral life. He concludes this study by discussing the life of people in society, along with their purpose and final destiny. Gilson demonstrates that Aquinas drew from a wide spectrum of sources in the development of his thought-from the speculations of the ancient Greeks such as Aristotle, to the Arabic and Jewish philosophers of his time, as well as from Christian writers and scripture. The Christian Philosophy of St. Thomas Aquinas offers students of philosophy and medieval studies an insightful introduction to the thought of Aquinas and the Scholastic philosophy of the Middles Ages, insights that are still revelant for today.

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In this book, Gavin Francis writes about the resonance for him as a medic in reading the work of early modern polymath Sir Thomas Browne. Sir Thomas Browne (1605-1682) was an English physician, wordsmith, and polymath who contributed hundreds of words to the English language (such as medical, electricity, migrant, and computer). After studying medicine in Montpellier, Padua, and Leiden, he settled in Norwich, where he practised as a doctor and wrote some of the greatest books of the seventeenth century, still read for their accessibility and eloquence. In Sir Thomas Browne: The Opium of Time, Dr Gavin Francis examines Browne's work through a variety of themes: ambiguity, curiosity, vitality, piety, humility, misogyny, mobility, and mortality. He argues that the work has lost little of its power and wisdom, and none of its beauty. Religio Medici ('Religion of the Doctor') examined the vexed question of faith in a God who, to a physician, seemed indifferent to suffering. Pseudodoxia Epidemica ('Vulgar Errors') gave free rein to an agile curiosity and sought to debunk notions then commonly believed, such as that dead kingfishers indicate the direction of the wind, or that a woman could get pregnant from sharing a bath with a man. Urne Buriall was Browne's meditation on mortality, occasioned by a find of funerary urns, while Museum Clausum ('Hidden Museum') sets out a series of thought experiments and counterfactuals, such as how history might have been different had Alexander the Great marched west instead of east. Gavin Francis draws on his own experiences as a twenty-first century writer and doctor to discover that although many centuries separate him from Browne, they share a fundamental curiosity about the world and about people.

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First English translation of a Greek novella first published in 1920 by the Corfiot author Konstantinos Theotokis. A tragi-comedy of Corfiot village life.

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The most complete example of an early Christian novel about an historical figure, the third-century Acts of Thomas contains within it two prayers that are strikingly similar in style and content. Each is found in the context of Christian initiation and each is addressed to a feminine deity who is asked to "come" to be present in the ritual. The prayers address the feminine Spirit, who is called "Mother," "fellowship of the male," and "dove," among other titles. Susan E. Myers examines these prayers in their historical, literary, and liturgical contexts, and challenges some of the prevailing assumptions about Syriac-speaking Christianity in general, and the Acts of Thomas in particular.She extensively analyzes the Acts of Thomas, beginning with questions of authorship, provenance, and dating of the work. At the core of the study is a detailed analysis of the redactional character of the Acts of Thomas, especially the prayer language within it. The author argues that the liturgical scenes reveal a form of Christian initiation that apparently included an anointing with optional water baptism, and a Eucharist of bread and water only.Susan E. Myers continues by examining other prayers to deities in the ancient world, and concludes with an analysis of the theological content of the prayers themselves. They are addressed to the Spirit, who appears as a feminine revealer figure who can be invoked to be present in ritual action with her devotees.

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'The one hundred and forty poems he wrote in the last two years of his life are a miracle. I can think of no body of work in English that is more mysterious.' - Michael Longley. When Edward Thomas died in the First World War, very few of his poems had been published, but he is now recognised as one of the finest and most influential poets of the last century. Although often referred to as 'a poet's poet', his writing has an almost universal appeal. He wrote accessibly, on traditional themes - the natural world, human relationships, transience and mortality. And yet his poetry is alive with the critical intelligence that came from years of writing non-fiction and reviewing verse. "Branch-Lines" captures the range of Thomas' achievement, not least by combining poetry with prose. In this unique collection, fifty-five contemporary poets reflect on Thomas' craftsmanship and enduring power. Some have chosen poems of their own in which they detect his influence, others have written new poems in his honour. Each poet has also contributed a piece of prose, and the volume contains an introduction, four critical essays, illustrations, a foreword by Andrew Motion and an afterword by Michael Longley. "Branch-Lines" offers a fascinating perspective on the workings of literary influence, with personal insights from some of the leading poet-critics of our time. 'The collection has a double value. It is a celebration of Thomas, and dignified tribute to his achievement; at the same time it bears witness to his powers of regeneration' - Andrew Motion. 'I read Thomas' collected poems at a sitting, poem by poem, all the way through and felt as I had not felt since reading Lawrence and Graves ten years before: I love this man, I can learn from him.' - David Constantine. 'I have always loved Edward Thomas' poetry' - Geoffrey Hill. 'He comes naturally, I think, to writers in English, like grass growing.' - U. A. Fanthorpe. 'When I started to try and write poetry and prose, a very uncertain beginning, it would have been even more uncertain if I hadn't read Thomas' poetry in my teens.' - Tom Paulin.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, favourite characters, modern stories and non-fiction. Written by experts, it uses proven methods to help children learn English and grasp key grammar and vocabulary points. Perfect for learning English in school or at home Develops reading, writing, speaking, listening and critical thinking skills Features much-loved characters and authors such as Peter Rabbit, Peppa Pig, Roald Dahl and Eric Carle Eight levels follow the Common European Framework of Reference for language learning (CEFR) Language activities in every book provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests Features free online resources including audio, answer keys, lesson plans and tips for parents Thomas and the Elephant, a Beginner level Reader, helps children to learn and practice their first words in English. It introduces everyday phrases and focuses on vocabulary that young children can use in daily life. Simple text and repetition support understanding, and speaking and listening activities develop confidence.An elephant helps Thomas in India.Visit the Ladybird Education website for more information.

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Offers a concise introduction to Jefferson's political philosophy, and aims to make a contribution to a prevailing historiographic controversy: was Thomas Jefferson a Lockean liberal or a classical republican? Sheldon claims that his thought followed a rich variety of theoretical traditions.

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The Philosophical Significance of Immortality in Thomas Aquinas is a comprehensive study of the theme of immortality in Thomas Aquinas. Immortality was a major component of his philosophy and was also employed in defense of the doctrine. Despite the numerous problems in the project of defending immortality of the rational soul, the theme of immortality is still vitally important for any philosophical scheme that intends to be relevant to the human being.

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In many of his poems, the great Dorset poet and novelist Thomas Hardy referred to a certain romantic courtship, a marriage which became progressively more problematical, and finally to a bereavement in which a man loses his wife. So, who was Hardy writing about? The clue is to be found in his early poems, where the names of several locations in North Cornwall are mentioned, this being the very same place which featured in Hardy's courtship of Emma Gifford, who was to become his first wife. The poems raise certain questions. Given that Hardy and Emma gradually drifted apart so that in the end they lived mainly separate lives, albeit under the same roof, why was he so grief-stricken when she died, bearing in mind that their marriage was so unsatisfactory?How did Hardy cope as he passed through the various stages of grief, which he articulated so poignantly and expressively in his poems? These stages are recognized today, thanks to the work of Swiss-US psychiatrist, Elisabeth Kübler-Ros

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A fresh exploration of Merton's life and thought, focussing on his role as a Christian activist. An inspirational book that will encourage readers to work towards a more just world, written by an author who combines a contemplative life with political action.

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Thomas Harriot (1560-1621) was a pioneer in both the figurative and literal sense. Navigational adviser and loyal friend to Sir Walter Ralegh, Harriot took part in the first expedition to colonize Virginia. Not only was he responsible for getting Ralegh's ships safely to harbor in the New World, once there he became the first European to acquire a working knowledge of an indigenous language (he also began a lifelong love of tobacco, which may have been his undoing). Harriot's abilities were seemingly unlimited and nearly awe-inspiring. He was the first to use a telescope to map the moon's craters, and, independently of Galileo, discovered and recorded sunspots. He preceded Newton (whose fame eclipsed his) in his discovery of the properties of the prism. He was arguably the best mathematician of his age, and one of the finest experimental scientists of all time. Yet Harriot has traditionally remained a tantalizingly elusive character. He had no close family to pass down records, and few of his letters survive. Most importantly, he never published his scientific discoveries, and half a century after his death he had all but been forgotten. In recent decades, many (self-styled "Harrioteers") have become obsessed with restoring to Harriot his right place, but Robyn Arianrhod's biography is the first actually to do this, and she has done it the only way it can be done: through his science. Using Harriot's re-discovered manuscripts, Arianrhod illuminates the full extent of his achievements in science and physics, expertly guiding us through what makes them original and important, and the story behind them. Because he hadn't yet polished them for publication, Harriot's papers also proffer unique insight into the scientific process itself. Though his thinking depended on a more natural, intuitive approach than those who followed him, Harriot laid the foundations of what in Newton's time would become modern physics. Arianrhod's biography offers the human face of scientific discovery, a lived example of the way in which science actually progresses. Set against the backdrop of the Elizabethan world with all of its dramas and creative tensions--Harriot's years almost exactly overlap those of Shakespeare's--this biography gives proper due to one of history's most remarkable minds.

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In this classic work by one of America's most distinguished historians, Daniel Boorstin enters into Thomas Jefferson's world of ideas. By analysing writings of 'the Jeffersonian Circle,' Boorstin explores concepts of God, nature, equality, toleration, education and government in order to illuminate their underlying world view. The Lost World of Thomas Jefferson demonstrates why on the 250th anniversary of his birth, this American leader's message has remained relevant to our national crises and grand concerns. "The volume is too subtle, too rich in ideas for anyone to do justice to it in brief summary, too heavily documented and too carefully wrought for anyone to dismiss its thesis...It is a major contribution not only to Jefferson studies but to American intellectual history...All who work in the history of ideas will find themselves in Mr. Boorstin's debt."--Richard Hofstadter, South Atlantic Monthly

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A revelatory new biography of Thomas Jefferson, focusing on his ethical and spiritual life “Kidd’s biography may well be the best treatment of Jefferson’s religious and moral life available, and certainly it is among the few to take those two subjects seriously while carefully avoiding hagiography or anachronism. It deserves a wide readership.”—Miles Smith, National Review “Set aside everything you think you know about Thomas Jefferson and religion, and read this book. This is the definitive account. It is well written, well researched, judicious, and entirely convincing.”—Timothy Larsen, Wheaton College Thomas Jefferson was arguably the most brilliant and inspiring political writer in American history. But the ethical realities of his personal life and political career did not live up to his soaring rhetoric. Indeed, three tensions defined Jefferson’s moral life: democracy versus slavery, republican virtue versus dissolute consumption, and veneration for Jesus versus skepticism about Christianity. In this book Thomas S. Kidd tells the story of Jefferson’s ethical life through the lens of these tensions, including an unapologetic focus on the issue where Jefferson’s idealistic philosophy and lived reality clashed most obviously: his sexual relationship with his enslaved woman Sally Hemings. In doing so, he offers a unique perspective on one of American history’s most studied figures.

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For Thomas Putze, performance is a snapshot of a moment, a play on possibilities, and at the same time a well-planned and sophisticated act to captivate the onlooker. Yet above all, it is thinking, drawing, sculpting, and realising with and through the body, which he treats just as relentlessly as all the other materials in his works. He swings through trees, occupies church facades, and submerges himself in mud; frequently without clothing or scantily wrapped in plastic sheeting, he gauges and challenges the physical and thus social space between us bystanders. Thomas Putze typifies the risk of being human, with all its failings and plenty of humour. He not only holds us to account but rather invites us to do this ourselves: to partake in art and to reflect on the performance we call life. Text in English and German.

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The pervasiveness of Protestant natural law in the early modern period and its significance in the Scottish Enlightenment have long been recognised. This book reveals that Thomas Reid (1710-1796) -- the great contemporary of David Hume and Adam Smith -- also worked in this tradition. When Reid succeeded Adam Smith as professor of moral philosophy in Glasgow in 1764, he taught a course covering pneumatology, practical ethics, and politics. This section on practical ethics took its starting point from the system of natural law and rights published by Francis Hutcheson. Knud Haakonssen has reconstructed it here for the first time from Reid's manuscript lectures and papers, and it provides a considerable addition to our understanding not only of Reid but of the thought of the Scottish Enlightenment and of the education system of the time. The present work is a revised version of a work first published by Princeton University Press in 1990 which has long been out of print.

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An exciting full-color storybook based on the animated series Thomas & Friends: All Engines Go™ on Netflix and Cartoon Network!Thomas the Tank Engine's newest adventures take him to places he never dreamed of! Train-loving boys and girls ages 2 to 5 will love this adorable Little Golden Book based on the Thomas & Friends animated series Thomas & Friends: All Engines Go™ on Netflix and Cartoon Network!As the hero of his own adventure in the Thomas & Friends: All Engines Go™ series, Thomas will be center stage and we will see the world through his young eyes. More playful and relatable than ever before, his competitive spirit will be readily apparent as he strives to be the Number One Tank Engine on Sodor through play, trial and error, and just enjoying being a kid.In the early 1940s, a loving father crafted a small blue wooden train engine for his son, Christopher. The stories that this father, the Reverend W Awdry, made up to accompany the wonderful toy were first published in 1945 and became the basis for the Railway Series, a collection of books about Thomas the Tank Engine and his friends--and the rest is history.The Thomas & Friends characters are now a big extended family of engines and others on the Island of Sodor. They appear not only in books but also in television shows and movies, and as a wide variety of beautifully made toys. The adventures of Thomas and his friends, which are always, ultimately, about friendship, have delighted generations of train-loving boys and girls for more than 70 years and will continue to do so for generations to come.

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Danish filmmaker Thomas Vinterberg's searing film Festen (“The Celebration”) was the first film from the Dogme 95 stable. Adhering to Dogme's cinematic purity — no artificial lighting, no superficial action, no credit for the director, and only handheld cameras for equipment — Festen was a commercial and critical success, winning the Jury Prize at Cannes in 1998 and garnering worldwide attention. The film is set at the sixtieth birthday party of Helge, the wealthy patriarch of a large Danish family. The birthday festivities take a turn when Helge’s son Christian raises a toast and denounces Helge for having raped and abused him as a child, along with his twin sister, who recently committed suicide. The film explores the escalating consequences of Christian’s announcement, from the stunned dinner party’s collective denial, to violence, to an unexpected catharsis.

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The presentation of the life and work of any great thinker is a formidable task, even for a renowned scholar. This is all the more the case when such a historical figure is a saint and mystic, such as Friar Thomas Aquinas. In this volume, Fr. Jean-Pierre Torrell, OP, masterfully takes up the strenuous task of presenting such a biography, providing readers with a detailed, scholarly, and profound account of the thirteenth-century theologian whose works have not ceased to draw the attention of both friend and foe! In this volume, Fr. Torrell, an internationally renowned expert on St. Thomas, speaks to neophytes and experts alike: for those new to Thomas's works, he paints an engaging human portrait of Friar Thomas in his historical context; for specialists, he provides a rigorous scholarly account of contemporary research concerning Thomas's life and work. This new edition of Fr. Torrell's widely-lauded text involved significant revision, expansion, and bibliographical updates in light of the latest scholarship. The Catholic University of America Press is pleased to present such an eminent specialist's mature synthesis concerning Friar Thomas Aquinas.

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A unique look at Thomas Mann’s intellectual and political transformation during the crucial years of his exile in the United StatesIn September 1938, Thomas Mann, the Nobel Prize–winning author of Death in Venice and The Magic Mountain, fled Nazi Germany for the United States. Heralded as “the greatest living man of letters,” Mann settled in Princeton, New Jersey, where, for nearly three years, he was stunningly productive as a novelist, university lecturer, and public intellectual. In The Mind in Exile, Stanley Corngold portrays in vivid detail this crucial station in Mann’s journey from arch-European conservative to liberal conservative to ardent social democrat.On the knife-edge of an exile that would last fully fourteen years, Mann declared, “Where I am, there is Germany. I carry my German culture in me.” At Princeton, Mann nourished an authentic German culture that he furiously observed was “going to the dogs” under Hitler. Here, he wrote great chunks of his brilliant novel Lotte in Weimar (The Beloved Returns); the witty novella The Transposed Heads; and the first chapters of Joseph the Provider, which contain intimations of his beloved President Roosevelt’s economic policies. Each of Mann’s university lectures—on Goethe, Freud, Wagner—attracted nearly 1,000 auditors, among them the baseball catcher, linguist, and O.S.S. spy Moe Berg. Meanwhile, Mann had the determination to travel throughout the United States, where he delivered countless speeches in defense of democratic values.In Princeton, Mann exercised his “stupendous capacity for work” in a circle of friends, all highly accomplished exiles, including Hermann Broch, Albert Einstein, and Erich Kahler. The Mind in Exile portrays this luminous constellation of intellectuals at an extraordinary time and place.

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"THIS WAS DRAWYN BY A KNYGHT PRESONER, SIR THOMAS MALLEORE, THAT GOD SENDE HYM GOOD RECOVER." In 1934, these were the lines which made the Librarian of Winchester College realize that he had discovered a hitherto unknown version of Sir Thomas Malory's Le Morte d'Arthur, a work known to all previous readers only through Caxton's 1485 edition. For it was known that Thomas Malory of Newbold Revel had been imprisoned on numerous occasions between the 1450s and his death in 1471 by Lancastrians and Yorkists. But who was Malory? Why did successive authorities want to lock him up? How did he come to write the Morte d'Arthur? And why has that text been so persistent a presence in English culture? Going in quest of Malory and of the meaning of the Morte the author addresses the text's central preoccupations violence, desire, and the nature of Englishness. Malory is placed in his social context, at a time of unprecedented national and regional unrest. Lustig traces the connections between writers and commentators from Tennyson to T.S. Eliot who have been fascinated by Malory's work. A prime purpose of the volume is to reveal the Morte's extraordinary ability to move its readers intensely, to become part of their lives. Accordingly, the author delves into his own boyhood fascination with the stories of King Arthur, exploring their influence on him both then and now. The Morte d'Arthur was one of the last great literary works of the Middle Ages. But it was also one of the first to articulate a distinctively modern set of concerns particularly with the nature of identity, both personal and national. Knight Prisoner: Thomas Malory Then and Now will send readers back to Malory's work with renewed enjoyment and understanding.

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Thomas Merton's life, especially once he had become a writer, was to a great extent one of dialogue with people who were distant, both geographically and historically. In these probing and perceptive studies, Rowan Williams looks closely at the key intellectual and spiritual relationships that emerge in Merton's writings, exploring the impact on him of thinkers as diverse as Hannah Arendt, Karl Barth, William Blake, Dietrich Bonhoeffer, Olivier Clément, Fyodor Dostoevsky, Paul Evdokimov, Gerard Manley Hopkins, Vladimir Lossky, John Henry Newman, Boris Pasternak and St John of the Cross.

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The first in a series that brings together the independent works of William Tyndale. It provides the missing link between Sir Thomas More's ""Dialogue Concerning Heresies"" and ""Confutation of Tyndale"" and is suitable for those studying English language and literature, church history and theology.

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'Tension surges through A Sea of Gold . . . In this rousing yarn, Stockwin again raises naval fiction to a new level' - Quarterdeck'Stockwin has surpassed himself with A Sea of Gold . . . a fine, filly favoured vintage yarn' - Warships1809. After his heroic actions during the retreat to Corunna, Captain Sir Thomas Kydd is the toast of London society. Here he falls in with the legendary frigate captain, Lord Thomas Cochrane.So begins a relationship, professional and personal, that will be unlike any that Kydd has known: a relationship that will lead him, almost simultaneously, to first glory, then ruin.The French fleet is massing in the Basque Roads in a near impregnatable position. The Admiralty orders Cochrane to command an attack, to the chagrin of more senior officers who object to being overlooked and Cochrane's reputation for daring. Cochrane insists that his new friend, Kydd, is in the forefront of the assault armada, a motley collection of rocket, bomb and fire ships that will set the anchorage ablaze - this despite Kydd's almost pathological fear of fire. The fallout from what follows will see Kydd financially ruined, with only his former shipmates, his oldest friend of all, Nicholas Renzi, and the whisper of hidden Spanish treasure promising the sea of gold that he needs to save himself. ********************Praise for Julian Stockwin's Kydd series'In Stockwin's hands the sea story will continue to entrance readers across the world' - Guardian'Paints a vivid picture of life aboard the mighty ship-of-the-line' Daily Express'This heady adventure blends fact and fiction in rich, authoritative detail' Nautical Magazine'Fans of fast-paced adventure will get their fill with this book' Historical Naval Society

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Thomas Hoccleve’s Series (1419-21) tells the story of its own making. The Making of Thomas Hoccleve’s Series analyzes this story and considers what it might contribute to the larger story about book production in the fifteenth century. Focusing on four surviving manuscripts made by Hoccleve himself between 1422 and 1426, the first four chapters explore the making of the Series in context. They examine the importance of audience judgment in the selection and juxtaposition of forms, the extent to which the physical flexibility of books could serve the needs of their owners and their makers, the changing tastes of fifteenth-century readers, and the appetite for new paradigms for reform in head and members. The final chapter analyzes the most important non-authorial copy of the Series in order to ask what others made of it. While this study draws on Hoccleve’s experience, it asserts that the Series offers a reflection on, not a reflection of, his conception of book production. The ironic contrast between what Hoccleve’s narrator intends and accomplishes when making his book is its most redeeming feature, for it provides insight into the many conflicting pressures that shaped the way books were made and imagined in early fifteenth-century England.

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This is the first comprehensive, annotated biography of John Scopes, the famed defendant in the Scopes Monkey Trial. This biography uses new, never-before-published sources, photographs, and stories from untapped sources—John Scopes's family and friends. In 1967, John Scopes published his memoirs, which focused overwhelmingly on his eight-day trial and not on the rest of his life, ignoring several important events, such as his divorce and remarriage, his run for the U.S. Congress, and his challenges with his family. This volume is the first complete, annotated biography of John Scopes. It details his entire life and, where appropriate, those of his parents, siblings, wife, and children, all supported by hundreds of cited sources, quotations, and family stories. Ideal for readers with an interest in academic freedom, free speech, or the evolution-creationism controversy, this book uncovers the facts of Scopes's post-trial life, including the challenges that Scopes faced in his personal life, his conversion from a socialist to a political conservative, and his final years and death. Readers will be surprised to learn that John Scopes's life differed significantly from what has often been presented in the media.

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A critical biography of one of the most celebrated prose stylists in early modern English.This book provides an overview of the life and work of the scandalous Renaissance writer Thomas Nashe (1567–c.1600), whose writings led to the closure of theaters and widespread book bans. Famous for his scurrilous novel, The Unfortunate Traveller (1594), Nashe also played a central role in early English theater, collaborating with Ben Jonson, Christopher Marlowe, and William Shakespeare. Through religious controversies, pornographic poetry, and the bubonic plague, Andrew Hadfield traces the uproarious history of this celebrated English writer. 'Thomas Nashe was a bright, fierce light in Elizabethan literature, whose work was banned by the church authorities. From secretly circulated pornography to the herrings of East Anglia, and from Puritan propaganda to the first English novel, Nashe is always productive and provocative. Andrew Hadfield’s lucid new life opens up these funny, savage, deeply topical works for a new readership, emphasizing their range, verve, and specificity. Hadfield’s skill is in contextualizing without overshadowing the literary brio of the writing, and in recovering the Nashe whom all his contemporaries — including Shakespeare — wanted to emulate.' — Emma Smith, Hertford College, Oxford (UK)

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This survey of Lawrence’s first twenty-five years tells the story of an exceptional artist growing up at the end of the century as Britain created its own unique artistic voice. Like his Renaissance predecessors Raphael, Michelangelo and Dürer, the young Thomas Lawrence (1769-1830) was considered to be a boy genius. He first came to public attention when he was cited in a scientific paper on ‘early genius in children’; shortly afterwards his family moved to Bath where the eleven-year-old was kept busy making likenesses of the spa town’s fashionable visitors. By 1790, Lawrence's spectacular portraits were the most applauded works in the Royal Academy’s annual exhibition, which opened days before his twenty-first birthday. The book considers the young artist’s self-image as a prodigy, the impact of Bath’s rich cultural life on his formation, the rapid development of his painting technique following his move to London, and his use of celebrity, print media and the Royal Academy to grow his reputation. Particular attention is given to Lawrence’s perceptive depictions of old age and bold celebrations of youthful energy. His portraits from this time present a fascinating glimpse of British high society at the turn of a memorable century: they include celebrities such as the Duchess of Devonshire, Emma Hamilton and actresses Sarah Siddons and Elizabeth Farren, as well as political leaders, members of the Bluestocking circle and the Royal Family. The book accompanied a major exhibition at the Holburne Museum in Bath and includes previously unpublished works as well as some of Lawrence’s most brilliant masterpieces.

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One of the great romances of the Middle Ages, Tristan, written in the early thirteenth century, is based on a medieval love story of grand passion and deceit. By slaying a dragon, the young prince Tristan wins the beautiful Isolde's hand in marriage for his uncle, King Mark. On their journey back to Mark's court, however, the pair mistakenly drink a love-potion intended for the king and his young bride, and are instantly possessed with an all-consuming love for each another - a love they are compelled to conceal by a series of subterfuges that culminates in tragedy. Von Strassburg's work is acknowledged as the greatest rendering of this legend of medieval lovers, and went on to influence generations of writers and artists and inspire Richard Wagner's Tristan and Isolde.

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Thomas Wyatt (1503?-1542) was the first modern voice in English poetry. His poetry holds a mirror to the secret, capricious world of Henry VIII's court, and alludes darkly to events which it might be death to describe. In the Tower, twice, Wyatt was betrayed and betrayer.Thought to be the lover of Anne Boleyn, he was also the devoted 'slave' of Katherine of Aragon. He was driven to secrets and lies, and forced to live with the moral and mortal consequences of his shifting allegiances. As ambassador to Emperor Charles V, he enjoyed favour, but his embassy turned to nightmare when the Pope called for a crusade against the English King and sent the Inquisition against Wyatt. At Henry VIII's court, where only silence brought safety, Wyatt played the idealized lover, but also tried to speak truth to power.Wyatt's life provides a way to examine the Renaissance and Reformation in England. Above all, this new biography is attuned to Wyatt's voice, the paradox within him of inwardness and the will to 'make plain' his heart, which make him exceptionally difficult to know - and fascinating to explore.

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