Search results for ""author thomas"

Thomas Wyatt (1503?-1542) was the first modern voice in English poetry. His poetry holds a mirror to the secret, capricious world of Henry VIII's court, and alludes darkly to events which it might be death to describe. In the Tower, twice, Wyatt was betrayed and betrayer.Thought to be the lover of Anne Boleyn, he was also the devoted 'slave' of Katherine of Aragon. He was driven to secrets and lies, and forced to live with the moral and mortal consequences of his shifting allegiances. As ambassador to Emperor Charles V, he enjoyed favour, but his embassy turned to nightmare when the Pope called for a crusade against the English King and sent the Inquisition against Wyatt. At Henry VIII's court, where only silence brought safety, Wyatt played the idealized lover, but also tried to speak truth to power.Wyatt's life provides a way to examine the Renaissance and Reformation in England. Above all, this new biography is attuned to Wyatt's voice, the paradox within him of inwardness and the will to 'make plain' his heart, which make him exceptionally difficult to know - and fascinating to explore.

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A key figure in British literary circles following the French Revolution, novelist and playwright Thomas Holcroft promoted ideas of reform and equality informed by the philosophy of his close friend William Godwin. Arrested for treason in 1794 and released without trial, Holcroft was notorious in his own time, but today appears mainly as a supporting character in studies of 1790s literary activism. Thomas Holcroft’s Revolutionary Drama authoritatively reintroduces and reestablishes this central figure of the revolutionary decade by examining his life, plays, memoirs, and personal correspondence. In engaging with theatrical censorship, apostacy, and the response of audiences and critics to radical drama, this thoughtful study also demonstrates how theater functions in times of political repression. Despite his struggles, Holcroft also had major successes: this book examines his surprisingly robust afterlife, as his plays, especially The Road to Ruin, were repeatedly revived worldwide in the nineteenth century.

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A key figure in British literary circles following the French Revolution, novelist and playwright Thomas Holcroft promoted ideas of reform and equality informed by the philosophy of his close friend William Godwin. Arrested for treason in 1794 and released without trial, Holcroft was notorious in his own time, but today appears mainly as a supporting character in studies of 1790s literary activism. Thomas Holcroft’s Revolutionary Drama authoritatively reintroduces and reestablishes this central figure of the revolutionary decade by examining his life, plays, memoirs, and personal correspondence. In engaging with theatrical censorship, apostacy, and the response of audiences and critics to radical drama, this thoughtful study also demonstrates how theater functions in times of political repression. Despite his struggles, Holcroft also had major successes: this book examines his surprisingly robust afterlife, as his plays, especially The Road to Ruin, were repeatedly revived worldwide in the nineteenth century.

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With the equality and liberty of the Declaration of Independence as his fighting words, Thomas Jefferson created American democracy. For the two hundred years since then, he has been studied and debated worldwide, but never more intensely than in recent years. His extensive and influential understanding of democracy’s foundation in reason and nature continue to make him one of the most examined American founders. Thomas Jefferson and the Politics of Nature is a collection of the very best current scholarship devoted to Thomas Jefferson as politician, writer, philosopher, Christian, and economist. Lead essayist Michael Zuckert presents his comprehensive interpretation of Jefferson’s political thought, which Zuckert considers the best theoretical approach to democracy. While Zuckert moderates Jefferson’s natural rights philosophy with a Kantian perspective, Jean Yarbrough responds with the argument that Jefferson incorporates the authors of the Scottish Enlightenment and principles from the Republican tradition to achieve the same moderating effect. Garrett Ward Sheldon looks at the broader cultural influences shaping Jefferson’s thought and traces his republicanism to his support of Christian ethics and Aristotle. R. Booth Fowler examines why Jefferson, the leading liberal theorist of the nineteenth century, became the hero of the very different liberalism of the twentieth. Robert Dawidoff considers Jefferson as writer and literary figure instead of political thinker and actor, while Joyce Appleby renews an appreciation of Jefferson's statecraft by a famous reexamination of his commercial agrarian policy. Finally, James Ceaser traces Jefferson’s belief in racial inferiority to a speculative new natural science prominent among contemporary European thinkers and argues that Jefferson committed a significant error in reducing politics to such conjectural “facts.” This compact text is ideal for professors wishing to offer a one-volume collection of current Jeffersonian scholarship to undergraduate students. Professors and students alike will find that the essays contain prompt, focused, substantive discussions on the key issues facing Jeffersonian scholars. This handy collection will be an invaluable classroom tool for those studying not only Jefferson but also history, political philosophy, and science, as well as the history of ideas.

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A sweeping retrospective of Alma W. Thomas’s wide-reaching artistic practice that sheds new light on her singular search for beauty Achieving fame in 1972 as the first Black woman to mount a solo show at the Whitney Museum of American Art, Alma W. Thomas (1891–1978) is known for her large abstract paintings filled with irregular patterns of bright colors. This insightful reassessment of Thomas’s life and work reveals her complex and deliberate artistic existence before, during, and after the years of commercial and critical success, and describes how her innovative palette and loose application of paint grew out of a long study of color theory. Essays trace Thomas’s journey from semirural Georgia to international recognition and situate her work within the context of the Washington Color School and creative communities connected to Howard University. Featuring rarely seen theatrical designs, sculpture, family photographs, watercolors, and marionettes, this volume demonstrates how Thomas’s pursuit of beauty extended to every facet of her life—from her exuberant abstractions to the conscientious construction of her own persona through community service, teaching, and gardening. Published in association with The Columbus Museum and the Chrysler Museum of ArtExhibition Schedule:Chrysler Museum of Art, Norfolk, VA (July 9–October 3, 2021) The Phillips Collection, Washington, DC (October 30, 2021–January 23, 2022) Frist Art Museum, Nashville (February 25–June 5, 2022) The Columbus Museum, GA (July 1–September 25, 2022)

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Since the Bible appears so frequently in Dylan Thomas' work, some critics have decided that he must be a religious poet. Others, noting blasphemous statements and certain irreligious aspects of Thomas' personal life, contend that he was no such thing. Rushworth M. Kidder, investigating this problem, looks below the surface of the obviously religious imagery and discovers a more profound poetry. The first part of this book discusses the nature of religious poetry and the application of that term to Thomas' work; it then develops the necessary background based on his letters and prose comments to provide a foundation for the study; and finally it examines the relationship between the religious aspects of his poetry and his well-known ambiguity. The author re-defines the vocabulary for dealing with religious imagery by establishing three distinct categories of imagery: referential, allusive, and thematic. This original technique is used to examine critically Thomas' poems to show the development of his religious and poetic thought. There are numerous close, sensitive readings of individual poems to show how his poetry, like the Bible, teaches by parable, speaking deliberate ambiguity rather than simple dogma. This strategy inspired poetry that is technically complex but thematically simple, a mode of verse that became more explicitly religious in the poet's final years. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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'I wonder what you'd think of me if you found out that I've done something really serious . . .'So begin the confessions of Thomas Quick - Scandinavia's most notorious serial killer. In 1992, behind the barbed wire fence of a psychiatric hospital for the criminally insane, Thomas Quick confessed to the murder of an eleven-year-old boy who had been missing for twelve years. Over the next nine years, Quick confessed to more than thirty unsolved murders, revealing he had maimed, raped and eaten the remains of his victims. In the years that followed, a fearless investigative journalist called Hannes Råstam became obsessed with Quick's case. He studied the investigations in forensic detail. He scrutinised every interrogation, read and re-read the verdicts, watched the police re-enactments and tracked down the medical records and personal police logs - until finally he was faced with a horrifying uncertainty. In the spring of 2008, Råstam travelled to where Thomas Quick was serving a life sentence. He had one question for Sweden's most abominable serial killer. And the answer turned out to be far more terrifying than the man himself . . .

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A wealthy merchant's memoranda of sales reveals a wealth of fascinating detail. Over a period of eleven years from 1529 to his death, the wealthy London alderman, mercer and Merchant Adventurer Sir Thomas Kytson (1485-1540) recorded many of his commercial dealings in his 'Boke of Remembraunce'. This fascinating document, edited here for the first time, provides details not only of his purchases of cloth and the shipments of these to the annual marts held in the Low Countries, but also the sales of fabrics, spices, and other goods imported on the returning ships to Kytson's fellow merchants of London, members of the gentry, and others. Alongside these, there are memoranda of the delivery of materials to Kytson's wife and friends, and of some of his other personal concerns. The volume thus offers a colourful and detailed picture of the private and commercial life of a leading Londoner in the years around the English Reformation. Kytson's own 'Boke' is here collated with a separate record of exports to the Flemish marts in Antwerp and Bergen-op-Zoom kept by the mercer's clerks, and supplemented by an account of transactions at the 'Synxten Mart' at Antwerp in 1536, written by Sir Thomas's nephew, Thomas Washington. The material is complemented with extensive annotation and a comprehensive glossary, an introduction and substantial indices. COLIN J. BRETT'S published writings include volumes for the Somerset Record Society and paperson regional historical topics.

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Vienna—June 1804. At the glittering debut of Beethoven’s Third Symphony, a Spanish diplomat meets with Captain Thomas Grey, agent of His Majesty’s Secret Service. In exchange for a gigantic bribe, the Spaniard discloses Spain’s darkest secret the actual terms of the Treaty of San Ildefonso with France. Spain’s neutrality in Napoleon’s war on Britain is only a ruse to keep the British navy from attacking the great treasure-armada now gathering in South America. Spanish warships will depart Montevideo, Uruguay, carrying 2,000 tons of gold; when the gold is safely in Madrid, Spain will declare war on Britain and ally with France to divide the British Empire between them. Britain’s only hope is to sink or capture the treasure fleet, and the responsibility of delivering that blow falls to Grey. As Jack Aubrey would have said in such a crisis, "There is not a moment to be lost!"

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One of the 20th century's leading thinkers on the relationship between free trade and the economics of developing countries, Lord Peter Thomas Bauer discusses his clear ideas on the effectiveness of government aid and intervention in the Third World. Approximate running time: 58 minutes.

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For young Thomas & Friends fans on the go, here are four board books in a compact carry-along box with a plastic handle. The sturdy books teach toddlers ABCs, counting, colors, and opposites. Illustrated in full-color with pictures of Thomas and his many engine friends, each book focuses on a single concept that will help engine-loving boys and girls ages 1 to 3 learn their numbers, letters, and more, while they pore over pictures of dozens of Thomas and his friends, places, and things that illustrate those concepts. Carry box has a sturdy plastic handle and a tab closure.

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Thomas Aquinas, an Italian Catholic priest in the early thirteeth century, is considered to be one of the great Christian thinkers who had, and who still has, a profound influence on Western thought. He was a controversial figure who was exposed and engaged in conflict. This Very Short Introduction looks at Aquinas in a historical context, and explores the Church and culture into which Aquinas was born. It considers Aquinas as philosopher, and looks at the relationship between philosophy and religion in the thirteenth century. Fergus Kerr, in this engaging and informative introduction, will make The Summa Theologiae, Aquinas's greatest single work, accessible to new readers. It will also reflect on the importance of Thomas Aquinas in modern debates and asks why Aquinas matters now. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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From New York Times bestselling author and news anchor Raymond Arroyo comes the first book in the Turnabout Tales series—a picture book biography of one of America’s most famous inventors, Thomas Alva Edison, and a story about never giving up.No one thought much of young Thomas Alva Edison. He couldn’t focus at school and caused trouble around the house. But where others saw a distracted and mischievous boy, his mother saw imagination and curiosity. At only seven years old, Al, as he was called as a young child, was educated by his mother at home, who understood his potential could be unlocked with non-conventional learning, allowing him freedom to explore, dream, and be inquisitive. Those early years of encouragement, motivation, and loving guidance shaped Al’s future and formed the courageous man who would apply those valuable lessons to inventing the phonograph, the motion picture camera, the light bulb, and more.In The Unexpected Light of Thomas Alva Edison readers will: meet the larger-than-life personality of Thomas Alva Edison hear an inspiring tale of how taking chances, failures, and struggles can lead to success and achievements learn about the power of curiosity and imagination see the importance of the words “Never give up!” take a carefully researched and actively told romp through history The Unexpected Light of Thomas Alva Edison: includes an annotated list of resources and suggested reading features realistic illustrations by artist Kristina Gehrmann contains an author’s note by Raymond Arroyo, the author of the bestselling The Spider Who Saved Christmas makes a great back-to-school gift for young readers and teachers The Turnabout Tales series highlights little-known yet fascinating stories of historical figures who went from underdog to hero, and the adults who inspired them to be true to themselves and do big things that changed the world.

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The most revealing and interesting writings of American artist Thomas Eakins are the letters he sent to family and friends while he was a student in Paris between 1866 and 1870. This book presents all these letters in their entirety for the first time; in fact, this is the first edition of Eakins's correspondence from the period. Edited and annotated by Eakins authority William Innes Homer, this book provides a treasure trove of new information, revealing previously hidden facets of Eakins's personality, providing a much richer picture of his artistic development, and casting fresh light on his debated psychosexual makeup. The book is illustrated with the small, gemlike drawings Eakins included in his correspondence, as well as photographs and paintings. In these letters, Eakins speaks openly and frankly about human relationships, male companionship, marriage, and women. In vivid, charming, and sometimes comic detail, he describes his impressions of Paris--from the training he received in the studio of Jean-Leon Gerome to the museums, concerts, and popular entertainments that captured his imagination. And he discusses with great insight contemporary aesthetic and scientific theories, as well as such unexpected subjects as language structure, musical composition, and ice-skating technique. Also published here for the first time are the letters and notebook Eakins wrote in Spain following his Paris sojourn. This long-overdue volume provides an indispensable portrait of a great American artist as a young man.

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St. Thomas Aquinas produced his Commentary on the Romans near the end of his life while working on the Summa theologiae and commenting on Aristotle. The doctrinal richness of Paul’s Letter to the Romans was well known to the church fathers, including Origen and Augustine, on whom Aquinas drew for his commentary. With this rich collection of essays by leading scholars, both Catholic and Protestant, Aquinas’s commentary will become a major resource for ecumenical biblical and theological discussion. Authored by theologians, historians, and biblical scholars, Reading Romans with St. Thomas Aquinas contributes to a historical reconstruction of Aquinas’s exegesis and theology by addressing such topics as: the Holy Spirit, the Church, the faith of Abraham, worship, preaching, justification, sin and grace, predestination, Paul’s apostolic vocation, the Jewish people, human sexuality, the relationship of flesh and spirit in the human person, the literal sense of Scripture, Paul’s use of the Old Testament, and the relationship of Aquinas’s commentary on Romans to his Summa theologiae. This volume fits within the contemporary reappropriation of St. Thomas Aquinas, which emphasises his use of Scripture and the teachings of the church fathers without neglecting his philosophical insight. Contributors are Bernhard Blankenhorn, Markus Bockmuehl, Hans Boersma, John F. Boyle, Edgardo Colón-Emericr, Holly Taylor Coolman, Adam Cooper, Michael Dauphinais, Gilles Emery, Scott W. Hahn, Mary Healy, John A. Kincaid, Matthew Levering, Bruce Marshall, Charles Raith II, Geoffrey Wainwright, Michael Waldstein, and Robert Louis Wilken. In On the Cessation of the Laws, Grosseteste draws out the theological, christological, and soteriological issues implicit in the question of the relationship between the Old and New Covenants.

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A philosopher, scholar of the natural world, and gifted mathematician, Thomas Reid holds a distinctive place in the Scottish Enlightenment. This volume reconstructs Reid’s lifelong engagement with the physical sciences and makes clear why these fields were central to his epistemology and moral and social philosophy.Placing Reid’s “Essay on Quantity” alongside his previously unpublished writings on mathematics and the physical sciences, Paul Wood shows that, in contrast to Francis Hutcheson and David Hume, Reid was a philosopher rooted not only in the science of man but also in the sciences of nature. A self-professed Newtonian, Reid honed his observational and experimental skills while investigating a broad range of theoretical problems in astronomy, mechanics, optics, electricity, and chemistry. He championed the practical application of mathematics, immersed himself in Newton’s mathematical corpus, and addressed foundational questions such as the conceptual basis of Euclidean geometry.Comprehensive and invaluable, this volume demonstrates that Reid built on his own early precociousness in mathematics to become one of the leading mathematicians and natural philosophers of the Scottish Enlightenment.

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A stylishly illustrated edition of the classic Christmas poem 'Twas the Night Before Christmas by Clement C.Moore - an essential festive favourite transformed by spectacularly talented debut illustrator Stacey Thomas.'Twas the night before Christmas, when all through the houseNot a creature was stirring, not even a mouse...Perfect for sharing with little ones, nothing captures the Christmas spirit better than Clement C. Moore's much-loved poem. With Stacey Thomas's lavish illustrations, this new edition of the traditional poem is an essential advent read for Christmas lovers young and old.

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Summer, 1643England is at war with itself. King Charles I has fled London, his negotiations with Parliament in tatters. The country is consumed by bloodshed. For Thomas Hill, a man of letters quietly running a bookshop in the rural town of Romsey, knowledge of the war is limited to the rumours that reach the local inn.When a stranger knocks on his door one night and informs him that the king's cryptographer has died, everything changes. Aware of Thomas's background as a mathematician and his expertise in codes and ciphers, the king has summoned him to his court in Oxford.On arrival, Thomas soon discovers that nothing at court is straightforward. There is evidence of a traitor in their midst. Brutal murder follows brutal murder. And when a vital message encrypted with a notoriously unbreakable code is intercepted, he must decipher it to reveal the king's betrayer and prevent the violent death that failure will surely bring.

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Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole’s own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole’s formulation of a profound new category in art—the American sublime.Published in association with the Thomas Cole National Historic SiteExhibition Schedule:Thomas Cole National Historic Site (05/01/18–11/04/18)

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'Paints a vivid picture of life aboard the mighty ship-of-the-line' - Daily ExpressCape Colony is proving a tiresome assignment for Captain Kydd's daring commander-in-chief Commodore Popham. Rumours that South America's Spanish colonies are in a ferment of popular unrest and of a treasure hoard of silver spur him to assemble a makeshift invasion fleet and launch a bold attack on the capital of the Viceroyalty of the River Plate, Buenos Aires.Navigating the treacherous bars and mud flats of the river, the British invasion force lands and wins a battle against improbable odds, taking the capital and the silver. But nothing is as simple as it seems in this region of the world: the uprising that will see the end of Spanish rule never arrives and the locals begin to see dark conspiracies behind the invader's actions. Soon the tiny British force finds itself surrounded by an ever more hostile population. The city begins to revolt against its liberators.Now Kydd's men must face fierce resistance and the betrayal of their closest allies. Can they save themselves, and their prize?****************What readers are saying about BETRAYAL'Another page-turner from a sailor who knows his craft' - 5 stars'An outstanding addition to an excellent series' - 5 stars'A great read and I would highly recommend it!' - 5 stars'A really good naval series written with good taste and fine detail' - 5 stars'A triumph' - 5 stars

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'A naval tale of the first order' - 5-star reader reviewVictory at the Battle of Trafalgar removed the spectre of invasion and England is now free to seek conquests and colonies in the furthest reaches of the world. Captain Kydd joins an expedition to take Dutch-held Cape Town, a strategic imperative to secure the rich trade-route to India.But even if the British can defeat the enemy and take possession of the capital, there is still more fighting to be done. Kydd and his men must defend the fragile colony from attacks by the enemy from all sides, while braving the wild beasts and hostile environment of Africa's vast and savage hinterland.****************What readers are saying about CONQUEST'I loved each and every page . . . I strongly recommend Conquest to all readers attracted to naval fiction and indeed historical fiction in general.' - 5 stars'Excellent as always' - 5 stars'Another year, another winner' - 5 stars'Another glorious tale' - 5 stars'Excellent, but then the whole series is!' - 5 stars

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A featured alternate Book-of-the-Month club selection.

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This extensively revised edition of Thurman Wilkins's masterful and engaging biography - well illustrated in color and black-and-white - draws on new information and recent scholarship to place Thomas Moran more securely in the milieu of the Gilded Age. It also portrays more fully the controversies that surrounded the art of Moran's time, as he became ""the Dean of American Painters.""The American West was the subject of Thomas Moran's greatest artistic triumphs - Yosemite, the Grand Canyon of the Colorado, Zion Canyon, the Virgin River, Colorado's Mountain of the Holy Cross, and the Grand Tetons - but his travels with Ferdinand V. Hayden's geological surveys of the Upper Yellowstone were matched by trips to his native Britain and to Venice, Florida, the Spanish Southwest, and Old Mexico. These scenes inspired memorable landscapes and seascapes, as did the sojourns of the Moran family in Pennsylvania, New Jersey, and East Hampton, Long Island, when they retreated from the demands of the New York art scene. In the 1880s Moran and his artist wife, Mary Nimmo Moran, also threw themselves into the etching craze of the period, creating some of the finest prints produced in the United States.Moran was an artist happy in his work. He wrote, ""I have always held that the grandest, most beautiful, or wonderful in nature, would, in capable hands, make the grandest, most beautiful, or wonderful pictures."" The New York Times said of the first edition of this unique account of his life, ""Moran's mastery comes through clearly and awesomely and often, pleasurably."" Readers will find the new edition equally enjoyable.

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Lonergan has been regarded as a peerless interpreter of Thomas; no one has therefore questioned the adequacy of his Thomistic interpretations in his doctoral work on operative grace in Thomas. In this work, the author breaks new ground in questioning the accuracy of Lonergan's interpretations. Contents: Introduction. PART I: Thomas' Early Work; Thomas' Theory of the Human Will; A Text From the Early Thomas (Sentences). PART II: Thomas of the Middle Period (^BDe Veritae). PART III: Thomas in the Late Period. (Summa, De Malo). PART IV: Lonergan's Interpretation of Thomas; The Context of the Article; Internal Criticism; Argument from Silence; Doctrinal Implications. PART V: Lonergan and Justification; Luther's Teaching on Free Will; Calvin on Free Will; The Council of Trent and Human Freedom; Lonergan on Justification and Free Will; Conclusion. PART VI: The Investigation Widened; The First Influence; The Second Influence; The Fourth Influence: Activity and Passivity of the Will; Conclusion.

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Born in Ireland in 1934, Thomas Kilroy attended the University College of Dublin, where he received a degree in education that led to a teaching career. With the 1973 success of his novel ""The Big Chapel"", Kilroy took a break from teaching and devoted time to writing for the stage. Although he returned to the university scene in 1979 with a professorship at the University of Galway, he remained active in the dramatic arts, becoming a member of the Royal Society for Literature and the Irish Academy of Letters. Today, he has a number of plays and adaptations to his credit including ""The O'Neill"", ""The Death and Resurrection of Mr. Roche"", ""Tea and Sex and Shakespeare"" and an adaptation of ""Ibsen's Ghosts"". This appraisal of the works of Thomas Kilroy focuses on the common themes and methodology of his plays, including an unusual alliance between serious theatrical complexity and varied but demanding forms of comedy. A separate chapter is devoted to each play with the exception of ""The Death and Resurrection of Mr. Roche"" and ""The MacAdam Travelling Theatre"", whose complementary themes are discussed together. Reflecting on the essence of theatre, Kilroy's works combine meditations on humanity with references to Irish history, generally using historical reality as a dramatic starting point. Plays discussed include Kilroy originals such as ""Talbot's Box"", ""The Secret Fall of Constance Wilde and Blake"" as well as adaptations of well-known works such as ""The Seagull and Henry"". Interviews with stage directors and the playwright himself contribute to this in-depth analysis of Kilroy's dramatic art. Photographs of staged plays and a list of premieres of Kilroy's works (plays and adaptations) are also included.

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What is God?' was the question of Thomas Aquinas; 'What is theology for?' is the question of this book. These two concerns are inextricably connected and while the first question can never be adequately answered it is in and through the process of answering it that an answer to the second can be found. The theology that is a sacra doctrina facilitates an ever deepening relationship with the God who is love. This book suggests that this is precisely what Thomas' life as a Dominican friar and theologian witnessed to. Theology is a work of fides et ratio, faith and reason. Hence this book claims that the doing of theology is best understood as not only an academic discipline but also a sacramental, a holy-making one. Far from feeling a need to leave their brains at the door of the church, as contemporary Christians may feel is asked of them, the suggestion is that the development of our intellect is central to human growth into the image and likeness of God. It is a teaching of Thomas Aquinas that the 'ultimate beatitude of a human consists in the use of their highest function ...the operation of the intellect' and so he is a natural partner for this enterprise.

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St. Thomas Aquinas's biblical commentaries have been somewhat neglected. Similarly, many readers of the Bible do not spend much time with Colosians. This pearl of a Commentary should assist not only in renewing interest in Aquinas's exegetical insights, but also in deepening our appreciation of the richness of the Epistle to the Colossians.

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From the time they first met as undergraduates at Columbia College in New York City in the mid-1930s, the noted editor Robert Giroux (1914–2008) and the Trappist monk and writer Thomas Merton (1915–1968) became friends. The Letters of Robert Giroux and Thomas Merton capture their personal and professional relationship, extending from the time of the publication of Merton's 1948 best-selling spiritual autobiography, The Seven Storey Mountain, until a few months before Merton's untimely death in December 1968. As editor-in-chief at Harcourt, Brace & Company and then at Farrar, Straus & Giroux, Giroux not only edited twenty-six of Merton's books but served as an adviser to Merton as he dealt with unexpected problems with his religious superiors at the Abbey of Our Lady of Gethsemani in Kentucky, as well as those in France and Italy. These letters, arranged chronologically, offer invaluable insights into the publishing process that brought some of Merton's most important writings to his readers. Patrick Samway, S.J., had unparalleled access not only to the materials assembled here but to Giroux's unpublished talks about Merton, which he uses to his advantage, especially in his beautifully crafted introduction that interweaves the stories of both men with a chronicle of their personal and collaborative relationship. The result is a rich and rewarding volume, which shows how Giroux helped Merton to become one of the greatest spiritual writers of the twentieth century.

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This book comprises of a re-publication of Thomas Matthew's 1910 edition of Welsh documents held in the Archives Nationale of France, together with new introductions to the original work and to its editor. The aim is to make the documents, from the Medieval period relating to Llewelyn Fawr, the Bishop of Menevia and Owain Glyndwr, available to a new audience; to consider them from a contemporary perspective; to update and revise Matthew's original evaluation, and to note recent developments in scholarship in this area. In addition the book will examine the life, work and contribution of Thomas Matthews to Welsh culture through exploration of his Pan-Celtic links and though his contribution to education, Welsh literature and the Arts.

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This concise, insightful study explores the sources and impact of one of the early republic's most influential minds. An Englishman by birth, an American by choice and necessity, Thomas Paine advocated ideas about rights, equality, democracy, and liberty that were far advanced beyond those of his American compatriots. His seminal works, Common Sense and the Rights of Man, were rallying cries for the American and French Revolutions. More than any other eighteenth-century political writer and activist, Paine defies easy categorization. A man of contrasts and contradictions, Paine was as much a believer in the power of reason as he was in a benevolent deity. He was at once liberal and conservative, a Quaker who was not a pacifist, and an inherently gifted writer who was convinced he was always right. Jack Fruchtman Jr. analyzes Paine's radical thought both in the context of his time and as a blueprint for the future development of republican government. His systematic approach identifies the themes of signal importance to Paine's political thought, demonstrating especially how crucial religion and God were to the development and expression of his political ideals.

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Barbara Earl Thomas’s new body of work carries within it the sediments of history and grapples with race and the color line. At the heart of it lies a story of life and death, hope and resilience—a child’s survival. With her quietly glowing portraits of young Black boys and girls, Thomas puts before us the humble question: can we see, and be present to, the humanity, the trust, the hopes and dreams of each of these children? The Geography of Innocence offers a reexamination of Black portraiture and the preconceived dichotomies of innocence and guilt and sin and redemption, and the ways in which these notions are assigned and distorted along cultural and racial lines. Two interconnected visual arguments unfold: a portrait gallery of children from the artist’s extended community and an illuminated environment that appears like a delicate paper lantern. To accompany the visual elements, the book’s essays examine Thomas’s work in the context of different art historical portraiture traditions and political relevance. Thomas also contributes an interview and an essay reflecting on the current climate in which the work exists.

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Defends Reid's Common Sense philosophy against the claim that perception does not allow us to experience the physical world With a new reading of Thomas Reid on primary and secondary qualities, Christopher A. Shrock illuminates the Common Sense theory of perception. Shrock follow's Reid's lead in defending common sense philosophy against the problem of secondary qualities, which claims that our perceptions are only experiences in our brains, and don't let us know about the world around us. At the same time, Schrock maintains a healthy optimism about science and reason.

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Thomas Sankara: A Revolutionary in Cold War Africa offers the first complete biography in English of the dynamic revolutionary leader from Burkina Faso, Thomas Sankara. Coming to power in 1983, Sankara set his sights on combating social injustice, poverty, and corruption in his country, fighting for women's rights, direct forms of democracy, economic sovereignty, and environmental justice. Drawing on government archival sources and over a hundred interviews with Sankara's family members, friends, and closest revolutionary colleagues, Brian J. Peterson details Sankara's political career and rise to power, as well as his assassination at age 37 in 1987, in a plot led by his close friend Blaise Compaoré. Thomas Sankara: A Revolutionary in Cold War Africa offers a unique, critical appraisal of Sankara and explores why he generated such enthusiasm and hope in Burkina Faso and beyond, why he was such a polarizing figure, how his rivals seized power from him, and why T-shirts sporting his image still appear on the streets today.

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