Search results for ""author gregorian"

This is the third in a set of four collections of articles by Michel Huglo to be published in the Variorum series. It brings together the studies of Gregorian chant and of later monophonic and polyphonic additions to the earlier repertory that occupied Huglo in the second phase of his research. Represented here are articles on the Kyrie, the introit tropes of St-Gall, an elegy for William the Conqueror (d. 1087), the versus by Venantius Fortunatus for the cathedral of Paris, the liturgical dramas of Fleury, early organum, the Mass of Tournai, and, finally, the Requiem by Eustache Du Caurroy. Ce volume des articles de Michel Huglo est le troisième de la série de quatre dans la collection Variorum. Il réunit des études sur le chant grégorien et sur les additions de pièces monodiques ou polyphoniques faites au répertoire primitif, sujets qui ont occupé Michel Huglo dans la seconde phase de sa carrière de chercheur. Dans ce volume, le lecteur trouvera des articles sur le Kyrie, les tropes d'introït de St-Gall, l'élégie pour Guillaume le Conquérant (d. 1087), les versus de Venance Fortunat pour la cathédrale de Paris, les drames liturgiques de Fleury, les débuts de l'organum, la Messe de Tournai, et finalement le Requiem d'Eustache Du Caurroy.

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After the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together with the sequences, represent the main creative activity of European musicians in the ninth, tenth, and eleventh centuries. Because they were not an absolutely official part of the liturgy, as was Gregorian chant, they reflect local traditions, particularly in terms of melody, and more so than the new pieces that were composed at the time. In addition, the earlier layers of tropes represent, in many cases, a survival of the pre local pre Gregorian melodic traditions. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography and constitutes a classic reference resource for the study of one of the most important musico-liturgical genres of the central middle ages.

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A step-by-step guide to the design and analysis of CMOS operational amplifiers and comparators This volume is a comprehensive text that offers a detailed treatment of the analysis and design principles of two of the most important components of analog metal oxide semiconductor (MOS) circuits, namely operational amplifiers (op-amps) and comparators. The book covers the physical operation of these components, their design procedures, and applications to analog MOS circuits-particularly those involving switched-capacitor circuits, and analog-to-digital (A/D) and digital-to-analog (D/A) converters. Roubik Gregorian, a leading authority in the field, gives circuit designers the technical knowledge they need to design high-performance op-amps and comparators suitable for most analog circuit applications. In this self-contained treatment, which is loosely based on his well-received 1986 book, Analog MOS Integrated Circuits for Signal Processing (coauthored with Gabor C. Temes), Gregorian reviews the required basics before advancing to state-of-the-art topics and problem-solving techniques. This valuable guide: * Clearly explains configuration and performance limitation issues affecting the operation of CMOS op-amps and comparators * Details advanced design procedures to improve performance * Provides practical design examples suitable for a broad range of analog circuit applications * Incorporates hundreds of illustrations into the text * Concludes each chapter with problems and references to advanced topics, useful in textbook adoptions Introduction to CMOS Op-Amps and Comparators is invaluable for analog and mixed-signal designers, for senior and graduate students in electrical engineering, and for anyone who would like to keep up with this essential technology.

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A historical fantasy novel set in 1752 when the Julian calendar replaced the Gregorian calendar. It features Martha, the apothecary''s daughter, who is transported to Annwn the Celtic otherworld by Madws (the character who controls time), and relates her amazing experiences. This multilayered piece of fiction is packed with adventure and plenty of humour.

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The Catholic Commentary on Sacred Scripture series has been widely acclaimed by leading Catholic scholars and popular Bible teachers. This deluxe boxed set includes special hardcover editions of the four Gospel volumes. Limited quantities are available. The set includes: The Gospel of Matthew by Curtis Mitch (MA, Franciscan University), St. Paul Center for Biblical Theology, and Edward Sri (STD, Pontifical University of St. Thomas Aquinas, Rome), FOCUS (Fellowship of Catholic University Students) and Augustine Institute The Gospel of Mark by Mary Healy (STD, Pontifical Gregorian University), Sacred Heart Major Seminary The Gospel of Luke by Pablo T. Gadenz (STD, Pontifical Gregorian University), Mount St. Mary's Seminary & University The Gospel of John by Francis Martin (1930-2017; SSD, Pontifical Biblical Institute), Father Francis Martin Ministries and the Dominican House of Studies, and William M. Wright IV (PhD, Emory University), Duquesne University

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This volume brings together texts of the twelfth-century Hildegard of Bingen and the early-thirteenth-century Francis of Assisi to represent religious spirituality after the Gregorian Reform and just prior to or simultaneous with the formation of universities in Western Europe. In an extraordinary way, Hildegard embodies monastic theology and spirituality and provides a contrast to the new thing that would be created with the study of theology in the new Aristotelian idiom of the universities. But equally in contrast to the Benedictine Hildegard, the thirteenth century witnessed a renewed enthusiasm for a more literal following of Christ in a life of penitence and poverty. This is a life of dependence, not on a superior and enclosed community but on the compassion of society at large. Francis would join this movement on his own terms, attract a following, and gradually formulate a spirituality that sent signals of the need to reform individual lives and the institutions of the Church. These two authors, then, are not joined here because of any shared similarity but to help illustrate two quite different spiritualities that animated the lively European twelfth and thirteenth centuries.

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The differences between Old-Roman, Ambrosian, Aquileian, Gallican, and Hispanic chant, and their interconnections with each other and the Gregorian chant occupied Michel Huglo in his early career, although he returned to these questions in the 1980s and 1990s. The present volume, the second in the set of four to be published in the Variorum series, brings all this work together. Huglo's 1954 article, the first to describe the sources for Old Roman chant, recognized as distinct from Gregorian chant, is of primary significance for the historiography of Western plainchant, because it opened the debate on the relationship between Old Roman and Gregorian chant. The final section presents articles on the Latin version of the Akathistos hymn and on Byzantine chants translated into Latin that became part of the Western plainchant repertory. Les différences entre les répertoires Vieux-romain, Ambrosien, Aquiléien, Gallican et Hispanique, leurs influences réciproques et leurs relations avec le chant grégorien ont occupé Michel Huglo au début de sa carrière: il revint sur ces questions dans les années 1980 et 1990. Ce volume, le deuxième d'une série de quatre dans la collection Variorum, réunit toutes ces études. L'article de 1954 de Michel Huglo sur les sources du chant Vieux-romain, considéré comme distinct du grégorien, est de première importance pour l'historiographie du plain-chant occidental, car il a ouvert les débats sur le rapport entre Vieux-romain et grégorien. Les articles sur la version latine de l'Hymne Acathiste et sur les pièces de chant byzantin traduites en latin dans les répertoires occidentaux du plain-chant achèvent ce volume.

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This popular primary source reader spans several centuries in over one hundred documents. In addition to constitutional highlights and standard texts such as the Magna Carta and Froissart's Chronicles, the editors include narrative sources on the lived experiences of an array of historical actors. All sources fit into thematic clusters on the Anglo-Saxon monarchy, lay piety, late medieval commercial life, queenship, and Jewish communities. The new edition begins in 500 CE with sources on the Gregorian mission and Viking invasions. Thirty new sources have been added, covering significant events such as the conquest of Wales and important themes and genres such as miracle collections, material culture, and archaeology. Introductions and thought-provoking questions situate each source in the historical landscape, paying attention to the circumstances of composition, the author's concerns, intended audience, and the conventions of the genre.

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The works published in this collection are part of works that Leonce de Saint-Martin had designed specifically to fit into the course of the liturgy of the great feasts at Notre-Dame de Paris. These festivals were thus the occasion for a few compositions inspired sometimes by popular songs, sometimes by Gregorian themes.CONTENTS: Veni Creator (6 versets); Cinq antiennes pour la Pentecote; Gaudeamus (Toussaint); Cinq versets pour la Toussaint; Postlude

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The works published in this collection are part of works that Leonce de Saint-Martin had designed specifically to fit into the course of the liturgy of the great feasts at Notre-Dame de Paris. These festivals were thus the occasion for a few compositions inspired sometimes by popular songs, sometimes by Gregorian themes.CONTENTS: Venez Divin Messie; Il est ne le divin enfant; Marche des Rois; Salve Regina; L'Assomption; (Recueillement)

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"This book describes the roots of a set of ideals that effected a radical transformation of eleventh-century European society that led to the confrontation between church and monarchy known as the investiture struggle or Gregorian reform. Ideas cannot be divorced from reality, especially not in the Middle Ages. I present them, therefore, in their contemporary political, social, and cultural context."—from the Preface

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A photographic reprint of the rare edition,first published in 1912, of the `Fulda Sacramentary' (Gottingen, UB, Cod. theol. 231), a 10th-century manuscript written at Fulda which represents a distinct recension of the Gregorian Sacramentary, possibly connected with the scholarly activities of Hrabanus Maurus (d.856). The Fulda Sacramentary was richly illuminated; it is also a rich repository of prayers and mass formulas, and its ample contents include aprayer in Old High German.

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for soprano or mezzo-soprano solo, SATB chorus and either full orchestra or chamber orchestra Minimum recommended string forces for the chamber ensemble are 2.2.2.1.1. Full scores, vocal scores, and instrumental parts are available on hire. Magnificat is a joyous celebration of the Virgin Mary, inspired by feast-day festivities in countries such as Spain, Mexico, and Puerto Rico. Following the example set by Bach, the Magnificat text is extended, incorporating the fifteenth-century English poem 'Of a Rose', the prayers 'Sancta Maria' and the 'Sanctus' (set to the Gregorian chant of the Missa cum jubilo).

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for SATB and brass ensemble or full orchestra Gloria was written in 1974 in response to a commission from The Voices of Mel Olson, a choir based in the USA. The division of the work into three movements â respectively proclamatory, prayerful, and joyfully affirmative â corresponds to the divisions in the text. Most of the melodic material derives from a Gregorian chant associated with this text. An accompaniment for orchestra without organ is also available. Full scores, vocal scores, and instrumental parts are available on hire. The first movement of Gloria is available separately under the title Gloria 1.

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Through the centuries, at the heart of Catholic moral theology is a fundamental question: How do we behave responsibly in the face of moral uncertainty? Attempts to resolve problems of everyday life led to the growth of a variety of moral systems, one of which emerged in the early 17th century and was known as "probabilism." This method of solving difficult moral cases allowed the believer to rely upon a view that was judged defensible in terms of its arguments or the authorities behind it, even if the opposite opinion was supported by stronger arguments or more authorities. The theologian Juan Caramuel, a Spanish Cistercian monk whom Alphonso Liguori famously characterized as "the prince of laxists," has been regarded as one of the more extreme - and notorious - proponents of probabilism. As the only full-length English study of Caramuel's theological method, "Defending Probabilism" seeks to reappraise Caramuel's legacy, claiming that his model of moral thinking, if better understood, can actually be of help to the Church today. Considered one of the most erudite theologians of his age, a scientist and scholar who published works on everything from astronomy and architecture to printing and Gregorian chant, Caramuel strove throughout his life to understand probabilism's theological and philosophical foundations as part of his broader analysis of the nature of human knowledge. In applying Caramuel's legacy to our own time, "Defending Probabilism" calls for a reconsideration of the value of provisional moral knowledge. Fleming's study shows that history matters, and that to attain any position on moral certitude is a difficult and painstaking process.

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Dom Combe presents the reader a sharply focused profile of a dedicated and extraordinary woman of the 20th century, Henry James'sister-in-law, independent in spirit and passionately devoted for more than 60 years to the cause of Gregorian Chant and its liturgical implementation. Drawing on her voluminous correspondence, he traces the main events of her life following her conversion in 1904 to the Catholic Church. From these letters emerges the clear image of a fiercely strong-willed and gracious woman who pursued her ideals with relentless zeal.

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Diplomatic edition of interesting sacramentary from the Carolingian period. This sacramentary, compiled at the abbey of Echternach between 895 and 900, is one of the most interesting and unusual examples from the Carolingian period. Unique in combining aspects of Gregorian, Gelasian, and Old Gelasian sacramentaries, it also has important implications for such matters as Carolingian liturgical reforms, and it is a vital source for the study of the local history of the abbey of Echternach itself. The Sacramentary, with material appended to it (such as a list of the benefactors of the abbey), is presented here in a diplomatic edition, with introduction, notes and collation tables by the editor. YITZHAK HEN is Lecturer in History at the Ben-Gurion University of the Negev, Israel.

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A Treasure to Be Shared is intended to promote a more widespread knowledge of the Apostolic Constitution Anglicanorum coetibus, promulgated by Pope Benedict XVI in 2009. The Apostolic Constitution provided for Personal Ordinariates for Anglicans entering into full communion with the Catholic Church. On the occasion of the 10th anniversary of the Apostolic Constitution, an academic symposium in the year 2019 sponsored by the Pontifical Gregorian University and the Congregation for the Doctrine of the Faith, provided historical, liturgical, canonical and ecumenical perspectives on the fruits of the Apostolic Constitution for the wider Church. The hope is that the reader will see the Personal Ordinariates of The Chair of Saint Peter in the United States and Canada, Our Lady of Walsingham in Great Britain and Our Lady of the Southern Cross in Australia as a gift to the Church, and a treasure to be shared by all.

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In four periods : From the foundation of the Church to the "Decretum Gratiani", from the Gregorian Reform to the Council of Trent, from Trent to the "Codex Iuris Canonici", and from its promulgation in 1917 to the new Codex of 1983, Van de Wiel offers a clear description of the general concepts and constitutive sources of Canon Law. His work is a contribution to the history of canon law and will be of great service both to students and jurists. Constant Van de Wiel is currently professor of Canon Law at the Catholic University of Leuven, Louvain (Belgium), Chancellor and Keeper of the Archives of the Archdiocese of Mechlin-Brussels. He published on the subject in the Louvain Journal of Theological and Canonical Studies : "Ephemerides Theologicae Lovanienses", and in several specialized journals.

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How the Jesuits re-emerged after forty years of suppressionIn 1773, Pope Clement XIV suppressed the Society of Jesus. For the 823 Jesuits living in the Low Countries, it meant the end of their institutional religious life. In the Austrian Netherlands, the Jesuits were put under strict surveillance, but in the Dutch Republic they were able to continue their missionary work. It is this regional contrast and the opportunities it offered for the Order to survive that make the Low Countries an exceptional and interesting case in Jesuit history.Just as in White Russia, former Jesuits and new Jesuits in the Low Countries prepared for the restoration of the Order, with the help of other religious, priests, and lay benefactors. In 1814, eight days before the restoration of the Society by Pope Pius VII, the novitiate near Ghent opened with eleven candidates from all over the United Netherlands. Barely twenty years later, the Order in the Low Countries – by then counting one hundred members – formed an independent Belgian Province. A separate Dutch Province followed in 1850. Obviously, the reestablishment, with new churches and new colleges, carried a heavy survival burden: in the face of their old enemies and the black legends they revived, the Jesuits had to retrieve their true identity, which had been suppressed for forty years.Contributors: Peter van Dael, SJ (Vrije Universiteit Amsterdam & Pontifical Gregorian University Rome), Pierre Antoine Fabre (École des hautes études en sciences sociales Paris), Joep van Gennip (Tilburg School of Catholic Theology), Michel Hermans, SJ (University of Namur), Marek Inglot, SJ (Pontifical Gregorian University Rome), Frank Judo (lawyer Brussels), Leo Kenis (KU Leuven) Marc Lindeijer, SJ (Bollandist Society Brussels), Jo Luyten (KADOC-KU Leuven), Kristien Suenens (KADOC-KU Leuven), Vincent Verbrugge (historian)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

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In the mid- to late-1930s, while he was a student at the Gregorian University in Rome, Bernard Lonergan wrote a series of eight essays on the philosophy and theology of history. These essays foreshadow a number of the major themes in his life’s work. The significance of these essays is enormous, not only for an understanding of the later trajectory of Lonergan’s own work but also for the development of a contemporary systematic theology. In an important entry from 1965 in his archival papers, Lonergan wrote that the "mediated object" of systematics is Geschichte or the history that is lived and written about. In the same entry, he stated that the "doctrines" that this systematic theology would attempt to understand are focused on "redemption." The seeds of such a theology are planted in the current volume, where the formulae that are so pronounced in his later work first appear. Students of Lonergan’s work will find their understanding of his philosophy profoundly affected by the essays in this volume.

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In the mid- to late-1930s, while he was a student at the Gregorian University in Rome, Bernard Lonergan wrote a series of eight essays on the philosophy and theology of history. These essays foreshadow a number of the major themes in his life’s work. The significance of these essays is enormous, not only for an understanding of the later trajectory of Lonergan’s own work but also for the development of a contemporary systematic theology. In an important entry from 1965 in his archival papers, Lonergan wrote that the "mediated object" of systematics is Geschichte or the history that is lived and written about. In the same entry, he stated that the "doctrines" that this systematic theology would attempt to understand are focused on "redemption." The seeds of such a theology are planted in the current volume, where the formulae that are so pronounced in his later work first appear. Students of Lonergan’s work will find their understanding of his philosophy profoundly affected by the essays in this volume.

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This translation of Amatus's L'Ystoire de li Normant identifies the events of the Norman conquest of southern Italy and Sicily as recorded in one of the earliest chronicles. Amatus of Montecassino was the earliest historian of the Norman conquest of southern Italy and Sicily. His History of the Normans, written c.1080, includes the sieges of Bari and Salerno, the conquest of Sicily, Robert Guiscard'sbrigand's life, as well as tales of miracles and prophecies. It is also a text of great value for study of the Gregorian Reform and of the abbey of Montecassino, one of the most important cultural and religious centres of eleventh-century Christendom. This book provides a vivid translation of this intriguing contemporary history; while the introduction and extensive annotation locate the "History" securely in its contemporary context and provide a full discussion of its purpose and themes, and of the various problems of authorship and transmission associated with it.

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From the patristic age until the Gregorian calendar reform of 1582, computus – the science of time reckoning and art of calendar construction – was a subject of intense concern to medieval people. Bede’s The Reckoning of Time (De temporum ratione) was the first comprehensive treatise on this subject, and the model and reference for all subsequent teaching, discussion and criticism of the Christian calendar. The Reckoning of Time is a systematic exposition of the Julian solar calendar and the Paschal table of Dionysius Exiguus, with their related formulae for calculating dates. But it is more than a technical handbook. Bede sets calendar lore within a broad scientific framework and a coherent Christian concept of time, and incorporates themes as diverse as the theory of tides and the threat of chiliasm. This translation of the full text includes an extensive historical introduction and a chapter-by-chapter commentary. The Reckoning of Time also serves as an accessible introduction to the computus itself.

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The music of the medieval, Renaissance, and baroque periods have been repeatedly discarded and rediscovered ever since they were new. An interest in music of the past has been characteristic of a part of the musical world since the early 19th century. The revival of Gregorian chant in the early 19th century; the "Cecilian movement" in later 19th-century Germany seeking to immortalize Palestrina's music as a sound-ideal; Mendelssohn's revival of Bach: these are some of the efforts made in the past to restore still earlier music. In recent years this interest has taken on particular meaning, representing two specific trends: first, a rediscovery of little-known underappreciated repertories, and second, an effort to recover lost performing styles, with the conviction that such music will come to life anew with the right performance. Much has been gained in the 20th century from the study and revival of instruments, playing techniques, and repertories. In this VSI, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories practices of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, as well as a short history of early music revivals. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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A renowned scholar and musician presents a new and innovative exploration of the beginnings of Western musical art. Beginning in the time of the New Testament, when Christians began to develop an art of ritual singing with an African and Asian background, Christopher Page traces the history of music in Europe through the development of Gregorian chant—a music that has profoundly influenced the way Westerners hear—to the invention of the musical staff, regarded as the fundamental technology of Western music. Page places the history of the singers who performed this music against the social, political and economic life of a Western Europe slowly being remade after the collapse of Roman power. His book will be of interest to historians, musicologists, performing musicians, and general readers who are keen to explore the beginnings of Western musical art.

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This best-selling text gives music majors and minors a solid foundation in the theory of music. It strengthens their musical intuition, builds technical skills, and helps them gain interpretive insights. The goal of the text is to instruct readers on the practical application of knowledge. The analytical techniques presented are carefully designed to be clear, uncomplicated, and readily applicable to any repertoire. The two-volume format ensures exhaustive coverage and maximum support for students and faculty alike. Volume I serves as a general introduction to music theory while Volume II offers a survey of the theoretical underpinnings of musical styles and forms from Gregorian Chant through the present day. The supplemental instructor's materials provide clear-cut solutions to assignment materials. Music in Theory and Practice is a well-rounded textbook that integrates the various components of musical structure and makes them accessible to students at the undergraduate level.

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This collection of ten essays constitutes the proceedings of a two-day conference held at Harvard in October 2007. The conference focused on three medieval manuscripts of Ambrosian chant owned by Houghton Library. The Ambrosian liturgy and its music, practiced in and around medieval Milan, were rare regional survivors of the Catholic Church’s attempt to adopt a universal Roman liturgy and the chant now known as Gregorian. Two of the manuscripts under scrutiny had been recently acquired (one perhaps the oldest surviving source of Ambrosian music), and the third manuscript, long held among the Library’s collections of illuminated manuscripts, had been newly identified as Ambrosian.The generously illustrated essays gathered here represent the work of established experts and younger scholars. Together they explore the manuscripts as physical objects and place them in their urban and historical contexts, as well as in the musical and ecclesiastical context of Milan, Italy, and medieval Europe.

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‘Entertaining and engrossing’ Sean Carroll Press the snooze button on your alarm once too often and you soon remember the importance of good timekeeping. That need to tell the time connects you to over five thousand years of human history, from the first solstice markers at Newgrange to quartz crystal oscillating in your watch today. Science underpins time: measuring the movement of Sun, Earth and Moon, and unlocking the mysteries of quantum mechanics and relativity theory – the key to ultra-precise atomic clocks. Yet time is also socially decided: the Gregorian calendar we use today came out of fraught politics, while the ancient Maya used sophisticated astronomical observations to produce a calendar system unlike any other. In his quirky and accessible style, Chad Orzel reveals the wondrous physics that makes time something we can set, measure and know.

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Written in Latin for students at the Gregorian University in Rome, Bernard Lonergan's De Deo Trino (The Triune God) is a monumental two-part examination of trinitarian theology published initially in 1961 and again, in revised form, in 1964. The first part, the pars dogmatica, is here translated into English in an edition that includes the original Latin on facing pages. The work begins with the Prolegomena, which traces the dialectical development of trinitarian doctrine by Christian thinkers from the time of the New Testament to the Council of Nicea (AD 325). Following is a discussion of five theses outlining the evolution of the principal features of trinitarian doctrine from the New Testament through the patristic era. Along with its companion volume on systematics, The Triune God: Doctrines represents the most comprehensive treatment of trinitarian theology in recent centuries. This English translation ensures that Lonergan's masterpiece will at last be available in its entirety to contemporary readers.

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Music was central to the medieval church's public worship: it was the essential medium of the Mass and the Divine Office. In this new critical edition, T. J. H. McCarthy presents the Latin text and the first English translation of Aribo's musical treatise, De musica and Sententiae. Written between 1070 and 1078, it is concerned with the workings of the liturgical music that Aribo and his contemporaries called Gregorian chant, and builds off of and responds to several contemporary treatises by Abbot Bern of Reichenau and his pupil Herman, Abbot William of Hirsau, Frutolf of Michelsberg, and Theoger of Metz. In the first new edition of the treatise in over sixty years, McCarthy addresses not only new approaches to the study of music history but newly discovered manuscripts of the treatise, paying careful attention to the diagrams that are integral to the coherence of the treatise.

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A survey of the influence of the Arthurian legends on musical works. King Arthur in Music is the first book to be devoted to the subject. The range of musical material is too wide for a single author to tackle satisfactorily, and the nine contributors to this volume are experts in the very different fields involved. The first essay, by Robert Shay, deals with the late seventeenth century semi-opera King Arthur, while the final essay by William Everitt looks at the appearances of Arthur on stage and screen and the scores that have accompanied these. Between these two extremes, the main body of the book deals largely with opera as we now understand it, from Wagner's 'Tristan' and 'Parsifal' to Harrison Birtwistle's 'Sir Gawain and the GreenKnight'. Some works have never been performed, such as Hubert Parry's 'Guenever' and Rutland Boughton's Arthurian cycle, while others have only recently been staged or revived, such as Isaac Albeníz's 'Merlin' and Ernest Chausson's 'Le roi Artus', both striking post-Wagnerian works in very different styles: 'Merlin', for instance, begins with a passage based on Gregorian chant. The range of music is therefore wider than one might at first suspect, and other aspects of Arthurian music are brought out in the introduction, which is a general survey of the field, and in Jerome V.Reel's comprehensive listing of Arthurian musical items which is printed as an appendix. Contributors ROBERT ADLINGTON, RICHARD BARBER, WALTER A. CLARK, JEREMY DIBBLE, WILLIAM A. EVERITT, TONY HUNT, MICHAEL HURD, JEROME V. REEL, NIGEL SIMEONE, ROBERT SHAY, DEREK WATSON.

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This book gathers the foundational concepts which characterise the approach to the person, as human and as Christian, which has been developed at the Institute of Psychology of the Pontifical Gregorian University during its more than 35 years of activity. The book directs these concepts towards further paths for investigation and puts them in dialogue with A"sisterA" schools of depth psychology and with other areas of scholarship (in particular philosophy and theology) which are equally interested in exploring the human mystery. Hence the variety of authors - psychologists, philosophers and theologians - brought together by a common interest in understanding and forming the human person in better ways. The reflections contained in this book gain concrete expression in an educative-therapeutic practice, and they review the nodal points which are part of every journey of growth and of psychotherapy: personal identity, interaction with the external world and the attainment of personal truth, inner imagination, desires and affections, conflicts. Instruments are offered to enable the formator and the psychotherapist to make the best possible use of the great energies which are made available by their application: how to identify the real problem, where to concentrate one's attention, what to listen to, how to handle the relationship, on what element to act in order to promote improvement/cure, what kind of change to propose. While accompaniment and psychotherapy are different procedures, they nevertheless have many similarities and points of contact. The dynamic relations and the factors involved in growth which this book describes are valid for both modalities of intervention and will be of interest to anyone who wishes to help others in a more enlightened educative dialogue.

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The area whose capital was the southern Lombard city of Benevento developed a culture identified with the characteristic form of writing known as the Beneventan script, which was used throughout the area and was brought to perfection at the abbey of Montecassino in the late eleventh century. This repertory, along with other now-vanished or suppressed local varieties of music, give a far richer picture of the variety of musical practice in early medieval Europe than was formerly available. Thomas Forrest Kelly has identified and collected the surviving sources of an important repertory of early medieval music; this is the so-called Beneventan Chant, used in southern Italy in the early middle ages, before the adoption there of the now-universal music known as Gregorian chant. Because it was deliberately suppressed in the course of the eleventh century, this music survives mostly in fragments and palimpsests, and the fascinating process of restoring the repertory piece by piece is told in the studies in this book. A companion volume to this collection also by Professor Kelly details the practice of Medieval music.

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The Rise and Fall of Christian Ireland describes the emergence, long dominance, sudden division, and recent decline of Ireland''s most important religion, as a way of telling the history of the island and its peoples.Throughout its long history, Christianity in Ireland has lurched from crisis to crisis. Surviving the hostility of earlier religious cultures and the depredations of Vikings, evolving in the face of Gregorian reformation in the eleventh and twelfth centuries and more radical protestant renewal from the sixteenth century, Christianity has shaped in foundational ways how the Irish have understood themselves and their place in the world. And the Irish have shaped Christianity, too. Their churches have staffed some of the religion''s most important institutions and developed some of its most popular ideas.But the Irish church, like the island, is divided. After 1922, a border marked out two jurisdictions with competing religious politics. The southern state turned to the Catho

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This is the complete facsimile of the manuscript studied in volumes 53 and 58 of the present series. The Bobbio Missal is one of the most important and interesting liturgical books surviving from the early middle ages. It is the best known example of the 'Gallican' type of missal, attesting therefore to the distinctive liturgical practices which were widespread in Merovingian and Frankish churches during the seventh and eighth centuries, before these began to tbe replaced by the Roman practices including use of 'Gregorian' missals in various forms during the period of Charlemagne's reforms. In the opinion of modern palaeographers, the Bobbio Missal was written somewhere in northern Italy in the mid-eighth century. Although it was long regarded as a witness to Irish liturgical practice, it is now considered as essentially Gallican, but incorporating various prayers of Gelasian origin. Palaeographically the manuscript (now Paris, Bibliotheque Nationale, lat. 13246) is of great interest, being written in an idiosyncratic mixture of uncial and minuscule, by an Italian scribe neither literate nor well-trained.

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At the turn of the millennium, the crisis of sexual abuse changed the societal landscape, first disclosed in the western and English-speaking world and found to be problematic everywhere. A growing awareness of its epic proportions – from the recognition in the 1970s of the prevalence and lasting harm of incest to the uncovering of sexual abuse by clergy to the #MeToo movement’s spotlight on abuse in various sectors – has called attention to the suffering of victims. Although sexual abuse is not exclusively an internal matter of the Church, this book limits its scope to the abuse that happened to children and young people within the context of the Catholic Church. The Church has to respond to the many questions raised by this terrible reality; its leaders and all faithful have to put victims first and proactively engage in safe-guarding minors in the present and the future. This is the first publication in the book series of the Centre for Child Protection (CCP). The CCP, which is part of the Institute of Psychology of the Pontifical Gregorian University, aims at preventing sexual abuse of minors and vulnerable people through formation and scientific research.

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Looking at a neglected period in the social history of modernization, David Levine investigates the centuries that followed the year 1000, when a new kind of society emerged in Europe. New commercial routines, new forms of agriculture, new methods of information technology, and increased population densities all played a role in the prolonged transition away from antiquity and toward modernity. At the Dawn of Modernity highlights both "top-down" and "bottom-up" changes that characterized the social experience of early modernization. In the former category are the Gregorian Reformation, the imposition of feudalism, and the development of centralizing state formations. Of equal importance to Levine's portrait of the emerging social order are the bottom-up demographic relations that structured everyday life, because the making of the modern world, in his view, also began in the decisions made by countless men and women regarding their families and circumstances. Levine ends his story with the cataclysm unleashed by the Black Death in 1348, which brought three centuries of growth to a grim end.

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An overview of the theologies of the eucharist leads on to a detailed exploration of the Berengarian debates of the eleventh century and the complex of eucharistic ideas subsequently developed. During the Romanesque period in France, and accelerated by a growing introspection and consciousness of self-identity, a penitential focus was given to eucharistic piety. Population increase and prosperity brought greater tithe income to the Church, allowing new discipline and religious regulation in respect of the sacraments. The aim of this book is to bring together aspects of the multi-faceted penitential-eucharistic devotion, as revealed in theological writings and Mass commentaries, in Gregorian reform, in heretical circles both clerical and popular and in works of art, so that the reader can contemplate, through a wider juxtaposition than that usually practicable in more detailed specialised scholarship, something of the mood of the period. Just as the new scholastic writings impressed by their innovative creativity, the best late eleventh- and twelfth-century art was astonishingly vital andthe comparison of art and textual works is central to the volume. Dr Elizabeth Saxon has recently retired from the staff of the Open University.

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Buried for more than forty years in a Latin text written for seminarians at the Gregorian University in Rome, Bernard Lonergan's important work on systematic theology, De Deo Trino: Pars systematica, is presented here for the first time in a facing-page edition that includes the original Latin along with a precise English translation. De Deo Trino, or The Triune God, the second part of which is the pars systematica, continues a particular strand in trinitarian theology, namely, the tradition that appeals to a psychological analogy for understanding trinitarian processions and relations. The psychological analogy dates back to St Augustine but was significantly developed by St Thomas Aquinas. Lonergan advances it to a new level of understanding by bringing to it his extensive exploration of cognitional theory and deliberative process. Suggestions for a further development of the analogy appear in Lonergan's late work, but these cannot be fully comprehended and implemented without the background provided in this volume. With this definitive translated edition, one of the masterpieces of systematic theology, will at last be available to contemporary scholars.

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Albert Deblaere, S.J. (1916-1994) was an erudite scholar with an original intellectual and spiritual profile. After having been for a short time a member of the Ruusbroec Society (Antwerp), he taught for many years at the Jesuit Theologicum in Heverlee (Louvain) and at the Gregorian University (Rome). He has had a remarkable impact on his disciples and on the scientific research of mystical literature. This volume offers a selection of his articles, in various languages, dealing with the history of mystical literature and the methodology of the study of those texts, with the specific mystical terminology and some major spiritual writers, such as e.g. John of Ruusbroec, Gerlach Peters, Thomas a Kempis and Maria Petyt. The second part of this volume consists of contributions in memory of Albert Deblaere by a number of scholars who have been inspired by him: Joseph Alaerts, Herwig Arts, Johan Bonny, Alvaro Cacciotti, Rob Faesen, Paul van Geest, Max Huot de Longchamp, Paul Mommaers and Paul Verdeyen.

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In the 25 years of its existence, Studies in Spirituality has been an attentive observer of the significant changes that have taken place in the field of spirituality. During this period, research in spirituality shifted not only towards the centre of theological reflection, it has also responded to a culture that sought to go beyond the boundaries of theology, on the one hand, and to the experience of globalisation on the other. In this volume, Rossano Zas Friz De Col S.l., Professor of Spirituality at the Institute of Spirituality of the Pontifical Gregorian University (Rome), presents a list of thirty-one articles previously published in Studies in Spirituality, which, from his perspective, merit reprinting. The reader will find a collection revolving around spiritual transformation as their center. The reprinted articles are preceded by a reflection on twenty-five years of Studies in Spirituality, in which professor Zas Friz decribes how Studies in Spirituality brings spiritual transformation into focus today, and how to understand that transformation in the present globalized world.

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A "contemplative" ethnographic study of a Benedictine monastery in Vermont known for its folk-inspired music. Far from being a long-silent echo of medieval religion, modern monastery music is instead a resounding, living illustration of the role of music in religious life. Benedictine monks gather for communal prayer upwards of five times per day, every day. Their prayers, called the Divine Office, are almost entirely sung. Benedictines are famous for Gregorian Chant, but the original folk-inspired music of the monks of Weston Priory in Vermont is among the most familiar in post-Vatican II American Catholicism. Using the ethnomusicological methods of fieldwork and taking inspiration from the monks' own way of encountering the world, this book offers a contemplative engagement with music, prayer, and everyday life. The rich narrative evokes the rhythms of learning among Benedictines to show how monastic ways of being, knowing, and musicking resonate with humanistic inquiry and the pursuit of knowledge and understanding. Support for this publication was provided by the Howard Hanson Institute for American Music of the Eastman School of Music at the University of Rochester.

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