Search results for ""author gregorian"

Willi Apel's classic study of Gregorian chant is now in paperback. This extensive survey describes the evolutionary processes of its long history as well as its definition and terminology, the structure of the liturgy, the texts, the notation, the rhythm, the tonality, and the methods and forms of psalmody.

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A world-renowned scholar of plainchant, Kenneth Levy has spent a portion of his career investigating the nature and ramifications of this repertory's shift from an oral tradition to the written versions dating to the tenth century. In Gregorian Chant and the Carolingians, which represents the culmination of his research, Levy seeks to change long-held perceptions about certain crucial stages of the evolution and dissemination of the old corpus of plainchant--most notably the assumption that such a large and complex repertory could have become and remained fixed for over a century while still an oral tradition. Levy portrays the promulgation of an authoritative body of plainchant during the reign of Charlemagne by clearly differentiating between actual evidence, hypotheses, and received ideas. How many traditions of oral chant existed before the tenth century? Among the variations noted in written chant, can one point to a single version as being older or more authentic than the others? What precursors might there have been to the notational system used in all the surviving manuscripts, where the notational system seems fully formed and mature? In answering questions that have long vexed many scholars of Gregorian chant's early history, Levy offers fresh explanations of such topics as the origin of Latin neumes, the shifting relationships between memory and early notations, and the puzzling differences among the first surviving neume-species from the tenth century, which have until now impeded a critical restoration of the Carolingian musical forms.

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The oldest written tradition of European music, the art we know as Gregorian chant, is seen from an entirely new perspective in Katherine Bergeron's engaging and literate study. Bergeron traces the history of the Gregorian revival from its Romantic origins in a community of French monks at Solesmes, whose founder hoped to rebuild the moral foundation of French culture on the ruins of the Benedictine order. She draws out the parallels between this longing for a lost liturgy and the post-revolutionary quest for lost monuments that fueled the French Gothic revival, a quest that produced the modern concept of 'restoration'. Bergeron follows the technological development of the Gregorian restoration over a seventy-year period as it passed from the private performances of a monastic choir into the public commodities of printed books, photographs, and Gramophone records. She discusses such issues as architectural restoration, the modern history of typography, the uncanny power of the photographic image, and the authority of recorded sound. She also shows the extent to which different media shaped the modern image of the ancient repertory, an image that gave rise to conflicting notions not only of musical performance but of the very idea of music history.

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To order Ward Method Books and Materials, please call toll-free Hopkins Fulfillment Service at 1-800-537-5487.

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The Gregorian Melody is a resource of music pedagogy that centers on one of the most ancient musical repertoires honored by the church and music historians. Though it may not be common to see the word expressive describing Gregorian chant, a repertoire often associated with subdued solemnity, this volume by renowned scholar and practitioner Alberto Turco includes an abundance of insights into the Gregorian art and proposes that chant is first and foremost sung prayer, an interaction of word and melody, which both include proper and appropriate expression. The material included in this resource is foundational as it lays out the elements of the Gregorian melody through a careful analysis of first principles. It will be useful as an introduction to Gregorian chant and for helping readers to understand the Gregorian melody. Readers of all levels may turn to this book to sing the liturgical chant with a deepened appreciation for the expressive power of the Word.

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Nuestra visión de la música occidental sería distinta si en sus orígenes no se encontrara el canto gregoriano, al que se deben muchas de las características técnicas que distinguen la música de nuestra civilización. Y él mismo ha sabido acomodarse a las innovaciones de todas las épocas y permanecer vivo aún hoy dentro del marco para el que fue creado: la liturgia de la Iglesia. En el presente libro, Juan Carlos Asensio, profesor de Canto Gregoriano y Paleografía en el Conservatorio Superior de Música de Salamanca, de Notación en la Escola Superior de Música de Catalunya y director de Schola Antiqua, examina junto al propio canto gregoriano los repertorios que le precedieron, sus estilos y su funcionalidad, su estructura melódica ?la primera organización sonora occidental que ha perdurado hasta nuestros días?, su aportación en el campo de la notación musical y las nuevas formas y estilos a que dio lugar. Lo expuesto en el libro está ilustrado en el CD de canto gregoriano que le acompaña

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Historians typically single out the hundred-year period from about 1050 to 1150 as the pivotal moment in the history of the Latin Church, for it was then that the Gregorian Reform movement established the ecclesiastical structure that would ensure Rome’s dominance throughout the Middle Ages and beyond. In Before the Gregorian Reform John Howe challenges this familiar narrative by examining earlier, "pre-Gregorian" reform efforts within the Church. He finds that they were more extensive and widespread than previously thought and that they actually established a foundation for the subsequent Gregorian Reform movement. The low point in the history of Christendom came in the late ninth and early tenth centuries—a period when much of Europe was overwhelmed by barbarian raids and widespread civil disorder, which left the Church in a state of disarray. As Howe shows, however, the destruction gave rise to creativity. Aristocrats and churchmen rebuilt churches and constructed new ones, competing against each other so that church building, like castle building, acquired its own momentum. Patrons strove to improve ecclesiastical furnishings, liturgy, and spirituality. Schools were constructed to staff the new churches. Moreover, Howe shows that these reform efforts paralleled broader economic, social, and cultural trends in Western Europe including the revival of long-distance trade, the rise of technology, and the emergence of feudal lordship. The result was that by the mid-eleventh century a wealthy, unified, better-organized, better-educated, more spiritually sensitive Latin Church was assuming a leading place in the broader Christian world. Before the Gregorian Reform challenges us to rethink the history of the Church and its place in the broader narrative of European history. Compellingly written and generously illustrated, it is a book for all medievalists as well as general readers interested in the Middle Ages and Church history.

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For the third edition, this comprehensive history of the great heretical movements of the Middle Ages has been updated to take account of recent research in the field.

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Studying Gregorian chant presents many problems to the researcher because its most important stages of development were not recorded in writing. From the 6th to the 10th century, this form of music existed only in song as medieval musicians relied on their memories and voices to pass each verse from one generation to the next. Jeffery offers an approach for understanding how these melodies were created, memorized, performed, and modified. Drawing on a variety of disciplines, including anthropology and ethnomusicology, he identifies characteristics of Gregorian chant that closely resemble other oral traditions in non-Western cultures and demonstrates ways music historians can take into account the social, cultural, and anthropological contexts of chant's development.

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Historians typically single out the hundred-year period from about 1050 to 1150 as the pivotal moment in the history of the Latin Church, for it was then that the Gregorian Reform movement established the ecclesiastical structure that would ensure Rome’s dominance throughout the Middle Ages and beyond. In Before the Gregorian Reform John Howe challenges this familiar narrative by examining earlier, "pre-Gregorian" reform efforts within the Church. He finds that they were more extensive and widespread than previously thought and that they actually established a foundation for the subsequent Gregorian Reform movement. The low point in the history of Christendom came in the late ninth and early tenth centuries—a period when much of Europe was overwhelmed by barbarian raids and widespread civil disorder, which left the Church in a state of disarray. As Howe shows, however, the destruction gave rise to creativity. Aristocrats and churchmen rebuilt churches and constructed new ones, competing against each other so that church building, like castle building, acquired its own momentum. Patrons strove to improve ecclesiastical furnishings, liturgy, and spirituality. Schools were constructed to staff the new churches. Moreover, Howe shows that these reform efforts paralleled broader economic, social, and cultural trends in Western Europe including the revival of long-distance trade, the rise of technology, and the emergence of feudal lordship. The result was that by the mid-eleventh century a wealthy, unified, better-organized, better-educated, more spiritually sensitive Latin Church was assuming a leading place in the broader Christian world. Before the Gregorian Reform challenges us to rethink the history of the Church and its place in the broader narrative of European history. Compellingly written and generously illustrated, it is a book for all medievalists as well as general readers interested in the Middle Ages and Church history.

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