Search results for ""Scarecrow Press""

Should librarians try to save everything that is published? If so, in what formats? How can the records of human experience be best preserved in a time of limited resources? These are just a few of the controversial questions addressed in this volume, which distills the essential issues from the proceedings of a conference held by notable scholars and librarians at the University of Maryland Libraries in March 2002. The conference organizers, editors of this book, were originally prompted by Nicholson Baker's Double Fold, which indicted librarians for creating microfilm instead of saving newspapers and other printed artifacts in original format. One man's complaint has grown into four University of Maryland professors discussing the materials used in their disciplines and an equal number of essays on various aspects of preservation of both printed and digital artifacts. This volume will interest anyone concerned with the preservation of the record of human experience.

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The pre-1960 history of print culture and libraries, as they relate to the First Peoples of Canada, has gone largely untold. Paper Talk explores the relationship between the introduction of western print culture to Aboriginal peoples by missionaries, the development of libraries in the Indian schools in the nineteenth century, and the establishment of community-accessible collections in the twentieth century. While missionaries and the Department of Indian Affairs envisioned books and libraries as assimilative and "civilizing" tools, Edwards shows that some Aboriginal peoples articulated western ideas of print culture, literacy, books, and libraries as tools to assist their own cultural, social, and political aspirations. This text also serves to illustrate that the contemporary struggle of Aboriginal peoples in Canada to establish libraries in communities has a historical basis and that many of the obstacles faced today are remarkably similar to those encountered by earlier generations.

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The International Yearbook of Library and Information Management (IYLIM) is a thematic, refereed annual publication in the field of library science and information management worldwide. Each volume contains substantive chapters covering current issues, emerging debates and trends, and models of best practice and likely future developments, contributed by an internationally respected panel of researchers, practitioners and academics. The theme for 2003-4, 'metadata applications and management', has been chosen in view of the significant impact that metadata is having on the management of electronic information resources, on resource description and discovery, and on access to data in specific communities, such as libraries, museums and archives. The book is divided into six parts covering the key applications and fields to which current metadata issues relate: Part One: Perspectives on Metadata; Part Two: Metadata in the Humanities; Part Three: Metadata in Government; Part Four: Metadata in Education; Part Five: Metadata and Bibliographic Organizations; and Part: Metadata and Other Applications. Areas covered within these themes include: Metadata - what it means for memory institutions, Metadata - where are we going?, Music metadata, Metadata and the arts - the art of metadata, Metadata and taxonomy integration in government portals, Metadata and the UK archives network, Metadata and the education sector, Educational metadata in transition, The metadata-bibliographic organization nexus, Cataloguing and metadata education, Developments in cataloguing and metadata, Preservation metadata, Metadata and spatial data, International initiatives in the implementation of metadata standards, Metadata applications in developing countries. The International Yearbook is essential reading for information professionals wishing to keep up-to-date with recent developments in library science and information management on a global basis.

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Women's Culture: The Women's Renaissance of the Seventies was the only book to take a wide-angle-lens view of the then flowering second wave of the women's movement. The goal of its contributors was to see if and how women create and organize differently than men. Much of our culture still reflects men's viewpoints and experiences, making the issue just as pertinent today as it was 30 years ago. Many of the same questions still persist, alongside a host of other concerns: Is this a post-feminist era? Did the feminist revolution succeed? Have feminist goals become mainstream or marginalized? What do young women think about women's issues today? It is time to update what has happened in the women's world since the original volume was published. Editor Gayle Kimball, many of the original contributors, and other significant figures in the women's movement—such as Marge Piercy, Robin Morgan, and Judy Chicago—discuss these questions in chapters that address the visual arts and media, music, literature, religion, and politics. In this new exploration of women's culture, these authors share their experiences and research at the dawn of the 21st century. See how these creative women have changed over the last decades, how they've influenced young third wave feminists, and what they envision for the future.

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The Jazz Itineraries series, a new format based on Ken Vail's successful Jazz Diaries, charts the careers of famous jazz musicians, listing club and concert appearances with details of recording sessions and movie appearances. Copiously illustrated with contemporary photographs, newspaper extracts, record and performance reviews, ads and posters, the series provides fascinating insight into the lives of the greatest jazz musicians of our times. No.2 in the series, co-authored by Ron Fritts, Ella Fitzgerald: The Chick Webb Years & Beyond 1935?1948, chronicles Ella's life from her discovery and development by Chick Webb, the shock of Webb's early death, her years as a bandleader, her success as a solo singer, marriage to Ray Brown and her first tour of England.

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In May of 1953, seven institutions—Clemson University, Duke University, the University of Maryland, the University of North Carolina, North Carolina State University, Wake Forest University, and the University of South Carolina—voted to break away from the Southern Conference and form a new league, the Atlantic Coast Conference. That same year, they were joined by the University of Virginia. Fifty years later, ACC football is still going strong, as chronicled in this definitive history by K. Adam Powell. From kickoff to touchdown, Powell presents an in-depth look at the players, games, and memorable moments that have shaped the first half-century of Atlantic Coast Conference football. Border Wars covers all of the important details-including the conference's founding, its five national championship teams, and even the scandals that have rocked programs at Clemson and Florida State. The book also provides the coaching records and season standings of ACC football teams from 1953 to 2002, making this the ideal reference source for ACC fans. Includes 16 photos.

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James Controvich's magisterial updated Bibliography is the first truly comprehensive listing of all Army unit histories that will not be superseded for years to come. Collectors, genealogists, librarians, museum curators, and amateur and professional military historians have all come to rely on Controvich to provide the necessary starting place for their research.

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The Royal Navy in World War II is a comprehensive annotated bibliography of all monographs describing the role of British, Dominion, and minor allied forces in the naval war against the Axis. This second edition contains 1,400 more entries than its predecessor and although mainly concerned with the Royal Navy, it does offer extensive coverage on the Dominion Navies of Australia, Canada, India, and South Africa as well as the minor allied navies of the occupied European countries. Coverage of the US Navy's involvement in the Atlantic and Caribbean Theaters is also included. A wonderful reference for historians, librarians, and navy buffs.

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The Lesbian Liberation Movement (LLM) is both a movement that encompasses liberating a sexual practice from stigmatization, and a political movement challenging the dual oppression of women by the patriarchy's assumption of male supremacy and heterosexuality. Over the years, much has been written on homosexuality, and the Gay Liberation Movement (GLM), yet much of the focus has been on male homosexuals, especially male homosexual activity and the politics that that activity raises. The Historical Dictionary of the Lesbian Liberation Movement: Still the Rage is a comprehensive overview and resource guide for one of the most invisible social political movements: the Lesbian Liberation Movement. This book helps to make the still-active movement visible—the history, successes, setbacks, controversies, and issues. This book is a good secondary resource for those studying this social political movement, containing a chronology, contextual overview, dictionary entries that cover persons, laws, terminology, issues, and countries, and an extensive bibliography of primary resources and current work. A reference work, this book should be in all libraries and used by researchers studying the Lesbian Liberation Movement.

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What is the Internet? Is it an information technology, broadcast and publishing medium, communication, or social technology? How does the Internet fit with the everyday professional and personal lives of people living in a modern democracy? Government, business, the education sector, and the media are consistently promoting the view that the Internet represents the cutting edge for human communication and access to information. In light of this, it is surprising that very little has been written about the people who are using the network and how it is being used. In fact, we know very little about the citizens of this so-called global village. This is due, in part, to the complexities of Internet use. The sheer numbers of people now using the Internet defy the writer and researcher trying to define, systematically observe, theorize, generalize, and recommend policy. Existing studies of Internet users have tended to focus on particular groups like academics, lawyers, and managers because these groups are discrete and definable. The problem is that the Internet user in 2002 and beyond is not necessarily affiliated with an institution, organization, or profession. These new users are the consumer users, casual users, local library users, and school users who surfaced in the late 1990s with broaderbased public access to the Internet. The story of the Internet is a story about research, technology and innovation, information, and communication, but most of all, the Internet is a story about people. It is about people buying and selling, learning and teaching. It is a story about innovative and creative thinkers and the ideas and values of individuals and groups of people. This book answers the question, 'What is the Internet?' by focusing on who is the Internet. The User's View of the Internet provides the first comprehensive analysis of public access to the Internet. It considers the evolution of the Internet through the lens of use and using. It will appeal to Internet stakeholders who need to know more about the impact of the network on their audience, market, clients, users, or constituencies. These stakeholders include business, government, Internet service providers, digital service/product developers, librarians, media and publishing professionals, educators, academics, and students.

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This book, in light of recent feminist theology on the doctrine of sin, attempts to provide historical support for such feminist considerations. It examines fourth-century church fathers, John Wesley, and Phoebe Palmer as places where an alternative of traditional definitional definition, pride, can be found. Diane Leclerc devotes this study to an important twofold question: "What is the most adequate Christian diagnosis of our fundamental human problem?" and the corollary, " How should we understand the wholeness/holiness that Christianity seeks to promote?". While this interrelated topic is challenging in its own right, she has also chosen to approach it by bringing into dialogue some diverse conversation partners. What makes Leclerc's study so instructive is that no partner in this conversation emerges without some challenge for revision, or without some affirmation of their central concerns.

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To a new collection development librarian just learning the field or to an experienced practitioner attempting to reorganize a program, the options can be confusing and contradictory. Guide to Collection Development and Management Administration, Organization, and Staffing provides an overview of the organizational alternatives available to libraries by addressing activities and explaining the models used in public, academic, and school libraries. It provides an overview of possible structures and indicates some of the advantages and disadvantages of each.

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"Russian folk songs are a living history of the Russian people, rich, vivid and truthful, revealing their entire life," wrote the great Russian writer Nikolai Gogol. Russian folk songs have always played an essential part in Russian life, culture, and music. They have played an important part in the work of many great Russian composers including Glinka, Rimsky-Korsakov, Borodin, Tchaikovsky, Prokoviev, and Stravinsky. In this new study, Vadim Prokhorov provides a historical survey and a description of the musical and poetic characteristics of Russian folk song. The songs themselves are classified into several categories: calendar songs, lyric songs, work songs, epic songs, historical songs, and the urban songs that emerged in the 18th and 19th centuries. Prokhorov provides a basis for understanding the ethnomusicological principles of Russian folk song. In addition to his discussion of the various categories, he includes a generous selection of songs arranged for voice and piano, together with texts and translations of the song texts. Anyone interested in this rich repertory of folk song, whether as teacher, singer, or music lover, will find this a rewarding collection.

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Commedia dell'arte, an improvised performance art that flourished in the 16th and 17th centuries, vanished leaving very few traces. What remain, besides some intriguing descriptions, are about a dozen manuscript collections of plot outlines, or scenarios, often written in dialect, which the Italian professional actors must have used to guide them through each drama, from scene to scene and act to act. Only a few such collections have ever been published in Italian, and far fewer in English translation. The present volume remedies this situation by providing bilingual access to the largest known collection of scenarios: the Casamarciano manuscripts of Naples. There are 176 decipherable scenarios in the source's two volumes. They record some important early examples of plays or operas that would later become famous, like the legend of the stone guest (cf. Molière's Don Juan ou, Le Festin de Pierre, or Mozart's Don Giovanni), preserved in this manuscript under the title "Comvitato de Pietra." They also give us a rare glimpse into living cultural traditions that were at the root of modern theater. Stock characters like clueless Pulcinella and cunning Coviello, jealous lovers and lecherous fathers, swaggering soldiers, mystified strangers, and clever chambermaids—all conspire to bring to life an art form too long hidden in indecipherable Italian manuscripts. This book received a 2001 Weiss/ Brown Publication Subvention Award from the Newberry Library. The award supports the publication of outstanding works of scholarship that cover European civilization before 1700 in the areas of music, theater, French or Italian literature, or cultural studies. It is made to commemorate the career of Howard Mayer Brown.

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The two-volume Duke's Diary provides a fascinating insight into the life and times of one of the greatest figures in American music, the incomparable Edward Kennedy "Duke" Ellington. Using contemporary photographs, newspaper reports, advertisements, reviews, and narrative, both volumes chronicle Duke's life, performances, and recording sessions. Volume II begins with Duke's return from his band's European tour in June of 1950 and concludes with his death in 1974. The Ellington Orchestra's complete itinerary, including all known club, concert, theatre, television, film, and jam session appearances are included, as well as a selected list of Duke's recordings—although this volume is not intended as a discography. Vail's unique concept, which pairs photos and news articles with brief diary-style entries, has resulted in a work of enduring interest and charm for every fan of this immensely talented musician. The visual impact created by the stunning array of photos is powerful; readers will feel as though they have been accompanying the great man on his journey through life.

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Designed for K-5 classrooms, these creative bulletin board ideas link Bible themes to classwork. The authors have created 110 different concepts, with complete instructions and illustrations. Following the school year, the bulletin boards can be used as springboards to promote discussion and as reminders of the central message in a particular lesson. The authors have also outlined ideas for classroom activities, suggestions for appropriate books, field trip ideas, party plans, cooperative learning activities, and Web sites. Faith lessons are generously sprinkled throughout. A section called "Bible Heroes from A to Z" provides brief retellings of heroic deeds that bring Bible heroes to life. Even students who know their Bible well will enjoy these 5-minute short stories. The Bible has been a teaching tool since it was written, and Good News: Thematic Bulletin Boards for Christian Classrooms makes it easy.

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Bing Crosby, Frank Sinatra, Tony Bennett, and Rudy Vallee—these cultural icons whose fame spanned all the important mass media, also played a vital role in the origin and development of the crooning tradition. Crooning represented one of the most important musical styles of the twentieth century, intermingling with jazz and fronting the big band craze of the thirties and forties. Crooners spurred the rise of radio as home staple and the Golden Age of film musicals. When commercial television became a viable commodity, crooners anchored perhaps the first TV programming innovation, the variety show. It took the cataclysmic aesthetic and cultural changes ushered in by rock 'n' roll in the 1950s to finally bring crooners down from their pedestal. The Rise of the Crooners examines the historical trends and events that led to the emergence of the crooning style. Ian Whitcomb, a successful popular music vocalist himself for almost 40 years, provides a personal perspective on this phenomenon. The lives and careers of six pioneers of the style—Bing Crosby, Russ Columbo, Gene Austin, Rudy Vallee, Johnny Marvin, and Nick Lucas—are covered at length. With the exception of one entry devoted to Crosby—possibly the greatest entertainer of the past century—these biographies (appended by lengthy bibliographies and discographies) are more thorough and up-to-date than any treatment in print about these seminal artists.

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Every Day A Holiday: Celebrating Children's Literature throughout the Year matches quality children's books with each day of the year to provide a focus for story time. The lessons in this book will help children develop creative connections between reading and the world around them, introducing them to many other people and places throughout the world. All of the books included in this collection are picture books or illustrated nonfiction books; however, they are not all limited to the interest of the preschool or early elementary school child. The holidays selected represent a wide range of cultural, religious, and legal holidays, special events, and wacky celebrations. The Resource Guide at the end of the book includes a complete listing of recommended children's books, general holiday reference books and children's literature guides. This book is designed for teachers, librarians, daycare workers, youth leaders, parents, and everyone who cares about children and wants to enrich children's lives with books.

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The Heart of Darkness, this is the image that most in the West hold of pre-colonial Africa. Joseph Conrad's description of a continent lacking in civilization, commerce, and Christianity is familiar to many readers. Historians have been working to dispel this notion before since the institution of African independence after World War II. Collins seeks to familiarize the reader with pre-colonial Africa, the Africa that began with the migrations of the Bantu from their homeland in 500 B.C. and ended with European control in the 19th century, revealing the culture, events, achievement and rulers of Africa from this time.

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Does it matter whether your users prefer Mozart to Madonna? the Beatles to Beethoven? While these questions are far from novel to the library profession, rarely does their significance extend beyond the arena of policy debate. In leisurely and thoughtful prose, Sanna Talja raises the discourse to a higher level, inviting us to witness the evolution of music collections in public libraries. She considers the variable conceptions of art, culture, and civilization and their effect in the formation of the library institution. Users' interpretations are compared with the main principles of collections work, and the results are applied towards an understanding of the library's unique position in society.

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When Latin Americans think of high art they do so primarily in terms of literature and the visual arts. In addition, the study of the first three centuries has until recently taken the back seat in the standard literature dealing with the music of that part of the world. This trend must be reversed for the lands south of the border to arrive at a broader understanding of their place in the world culture. This book attempts to redress the situation by providing the curious layman and the serious researcher with the tools to further clarify the role of cultivated music in the early life of the Ibero-American countries. It surveys the available historical data on personalities, events, and institutions that shaped the history of art music in Ibero-America (that is, its Spanish-speaking countries and Brazil) between the arrival of the Europeans in 1492 and 1850. This study of Music and Music Activities in Ibero-America to 1850 emphasizes historical data rather than musical analysis. Folk and popular music are mentioned only to the extent that they have affected the cultivated strains of Ibero-American music. Of interest to music historians and students of Ibero-American culture.

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Judy Cornes closely analyzes the life and work of Stuart Erwin, a popular actor in the thirties and forties, focusing primarily on Erwin's career in motion pictures but also including a brief examination of his work on stage and television. In each of these media Erwin's talent was demonstrated by his subtlety, versatility, cleverness, and honesty. In his private life, though, Erwin was extremely modest, rarely engaging in self-promotion, which contributed to his being overlooked by critics. This fascinating look into the life and work of Stuart Erwin also includes a bibliography, a comprehensive list of his films, and an index.

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The Christian and Missionary Alliance (C&MA), which officially became a denomination in 1974, evolved from a mission society and a "deeper life" association founded in 1887 by A.B. Simpson, a Canadian ex-Presbyterian pastor based in New York City. Simpson and his followers have played a leading role in theological education, the propagation of premillennialist doctrine, the Protestant missionary movement, the divine healing and deeper life movements, the development of Pentecostalism, and evangelicalism in general. This bibliography provides guided access to more than 2,300 books, articles, essays, pamphlets, theses, dissertations, and tracts that document the history and thought of the Alliance, a group with more than 2.4 million followers worldwide. Many of these citations direct the researcher to relatively obscure works that have heretofore been all but inaccessible to the academic community. Especially thorough coverage is granted to the works of A.B. Simpson and A.W. Tozer, two of the most influential leaders of the C&MA. A list of the more than 170 periodicals that have been issued by the Alliance is included, as are personal name and subject indexes. Little has been published on the Alliance to date, despite the recent surge in scholarly interest in evangelicalism and Pentecostalism. This work redresses that imbalance by opening to church historians, missiologists, sociologists of religion, and other scholars the riches of the Alliance oeuvre.

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Jimmy Starr was a Hollywood screenwriter, publicist, press agent and most notably, gossip columnist. In this autobiography, Starr recalls his forty-year career that began as an office boy at Metro Studios in 1919. In an age where the written word wielded great influence over public perception of the film industry, Starr was a recognizable figure, writing columns for the Los Angeles Herald-Express and the New York Daily Mirror and Sunday Daily Mirror. Starr provides vivid portraits of early screen stars, studio executives, and fellow writers.

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Whose Baseball? expands the boundaries of baseball history by including the experiences of culturally diverse Californians. In doing so, it relates the history of baseball in California to social changes taking place in the Golden State from the Gold Rush to the eve of World War II. This volume demonstrates how baseball has helped to bridge substantial differences between social and cultural groups and at the same time reminds readers of the oppressive power relations buried in the way baseball has been played, organized, and observed in America. Readers interested in baseball history or the history of the state of California will find this an excellent resource.

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This printers, publishers and booksellers index is modeled after Bristol's Index of Printers, Publishers and Booksellers Indicated by Charles Evans in his American Bibliography. Each entry contains a name and place, with item numbers listed underneath by date. Personal names are listed in the most complete form that could be determined. Corporate names are listed in the form used by the Library of Congress. Newspapers and magazines are entered by their full titles as recorded in Brigham's American Newspapers, 1821-1936 and Union List of Serials. Also included is a geographical index by city and a list of omissions with explanations. This thirteenth volume completes the set A Checklist of American Imprints, 1820-1829. An author index, title index, corrections, and sources were published previously. This index will be an aid to the study of printers and their work, and the historical development of printing in the United States in the early nineteenth-century.

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Whether you believe, like Gary Taylor, that "Shakespeare cannot claim any unique command of theatrical resources, longevity, or reach of reputation, depth or range of style, universality or comprehensiveness," or you agree with Harold Bloom, who considers the Bard "an international possession, transcending nations, languages, and professions," you will find Shakespeare and Minorities an indispensable guide to minority presence in modern Shakespearean interpretation in an age of competing critical philosophies. In one volume, Kujoory has contained warring critics—from feminists to Marxists, New Historicists to Cultural Materialists, Foucauldians to Bahktinians—and created a guide to the presence of minorities in Shakespearean criticism. Critical thought on women, blacks, Jews, homosexuals, slaves, and the oppressed and underprivileged is referenced in over 900 entries. Books, articles, book chapters, reviews, notes and critics' correspondence are among the materials used by Kujoory as she sifts through various disciplines—history, sociology, philosophy, psychology, and anthropology, to name a few—to gather the most relevant and scholarly close readings of plays. A ground-breaking work, this book is a must-have for every reference library. Title, name, and subject indexes.

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How many Americans are homeless? Although taking a census may sound simple, ensuring an accurate count is the least of its problems. Census takers in all walks of life exercise great care in determining what information is to be collected, how it is to be recorded, and how the findings are ultimately to be presented. But who decides which evaluation frameworks and indicators are to be used? Do all concerned-census takers and respondents view those indicators in the same manner? Do institutional and social imperatives outweigh individual bias and perspective? And if so, is that really what we want? Informed Consent analyzes the interplay between ideology and information. Through extensive research on how information about the homeless is generated and interpreted, Lisa Schiff offers both hard evidence and a convincing argument for questioning "how service providers create forms and clients complete them, how advocates administer surveys and public agencies compile counts." At the same time, she explores the day-to-day implications of her findings by demonstrating how competing understandings affect prevailing ideologies, which in turn affect our attempts at social change.

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Managing a medical library in a climate of rapidly changing technology requires the astute manager to anticipate and then manage change. Written by medical library professionals carefully selected for their specific knowledge and experience, these essays cover fiscal management, human resources, marketing library services, technology, facilities, and strategic planning. Appendixes offer a list of skills recommended for the career health sciences professional and an annotated bibliography on space planning.

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The Index is an important resource for contemporary poetry research, serving as a continuing record of trends in the output of famous and lesser-known poets and the cultural influences they represent. The Index includes contemporary poets from the United States, Canada, and the Caribbean, as well as other lands, cultures, and times. Continuing the tradition of this helpful reference source, this twenty-eighth annual volume of the Index was produced with the cooperation of 300 participating periodicals. Nearly 7,400 entries (7,393) for individual poets and translators are included, with more than 21,000 entries (21,135) for individual poems. A separate index provides access by title or first line.

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Profiles in Children's Literature offers readers a chance to learn about some of the 20th century's finest creators of the children's book. In 1969, Dr. Weiss began making videos of authors, illustrators, and editors in the children's literature field, who met with some of her Temple University classes to discuss their work. She invited local librarians and teachers to join her in interviewing guests. This book summarizes and quotes extensively from the personal interviews in the video series and also expands and updates guests' background data. All guests are highly celebrated: Aliki, Judy Blume, Beverly Cleary, Tom and Muriel Feelings, Russel Freedman, Ezra Jack Keats and many others. This fascinating look into the life of so many famous people encapsulates their insights at various stages of their careers. The photographs included in each chapter are from that time period and enhance the already personal accounts. For children's literature fans, including parents and grandparents; pre- and in-service teachers and librarians; and students of children's literature.

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Library media specialists have traditionally been viewed in a number of different roles, from research advisor to science fiction expert, but primarily as the organizer and gatekeeper of the school's information resources,whether print or electronic. But the school library media specialist also plays the role of instructor, selecting appropriate materials for individual or group instruction, planning lessons, and team teaching with classroom teachers. This book examines the unique role of the library media specialist in a time of rapid change. Organized on the basis of selected principles for the media program, Forecasting the Future applies these principles within the context of the future of education. The authors draw on the day-to-day experiences of media specialists and supervisors to highlight the best practices in library media services and show how these practices will adapt as we move into a new century.

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Increasingly, society questions the connection between violence in entertainment and violence in life. Moralists and censors would reply resoundingly that media violence and social violence are directly linked, but others ask the deeper question: Why do people feel the need to create images of violence, and why do audiences continually watch them? In this thought-provoking and insightful study of American violent cinema, author Jake Horsley attempts to answer these questions by tying together the multiple disciplines of psychology, criminology, censorship, and anthropology. Horsley divides the forty years of his study into two volumes: American Chaos: From Touch of Evil to The Terminator, and Millennial Blues: From Apocalypse Now to The Matrix. These volumes aim to provide both a critical overview of the films themselves and a cultural study of the social and psychological factors relating to the demand for screen violence. By doing so, Horsley raises a new dialogue between scholars and movie buffs to examine the need to portray and the need to watch violent films.

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First published by Abingdon Press in cooperation with Epworth Press (London) in 1966, this work has become a standard reference on Wesley and Methodism. John Wesley's broad dependence on Puritan source material and the similarity of many of his teachings to those of the Puritans was recognized among his contemporaries and his commentators. This study documents and assesses that dependence by considering selected areas of theological concern shared by Wesley and the Puritans in their application of the gospel to a believer's daily life. The current volume has been revised and updated, making it more comprehensive and more readable while maintaining the strength of scholarship of the 1966 edition. Expanded attention is also given to Wesley's use of Richard Baxter and John Goodwin. A new final chapter examines the relationship of Wesley and the Puritans to the poor in their societies. Throughout the book, attention has been given to incorporating the insights of recent Wesley and Methodist scholarship. As a result, the bibliography is substantially expanded and updated.

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Compulsive gambling is an addiction, a disease that affects millions of individuals and their families. In Going for Broke, the author closely analyzes over 20 films of the past five decades that either deal directly with compulsive gambling or contain characters who are compulsive gamblers. He looks closely at the films' messages about gambling in an effort to determine whether Hollywood depictions of compulsive gambling are accurate and responsible. A second, though no less important, goal of Dement's study is to determine to what extent media images of gambling can and have served as a warning to viewers about the potential dangers of gambling. Dement argues that American filmmakers have created an irresponsible and glorified picture of the compulsive gambler and gambling. He looks carefully at the presentation of gambling in specific films, and uses those to sketch a much larger picture of the Hollywood gambler. Dement claims that the Hollywood gambler usually wins, and is therefore a misrepresentation of the potentially devastating effects of the disease on real lives and families. A substantial filmography completes the text.

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Miguel Delibes (1920- ) is one of Spain’s most important post Civil War narrators. Since his first novel was published in 1948, his writing has matured and many of his works have been acclaimed by critics. Miguel Delibes is an exhaustive survey of the bibliographic material generated by Miguel Delibes’ writings. It provides the scholar with quick access to a panoramic view of what has been written by and about Delibes. "The bibliography proper is divided into three sections: Delibes' writings, criticism which Meyers classifies as 'scholarly' (books, articles, chapters in books) and other critical commentary (dissertations, interviews, surveys, book reviews). The task of classification and documentation of such disparate areas would itself make this volume useful, but each entry is accompanied by an invaluable summary and critical commentary." —BULLETIN OF HISPANIC STUDIES

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A follow-up to The Ultimate Directory of the Silent Screen Performers (1995), this text includes the birth, death, and career dates of actors during the transition from silents to sound and into the sound era in filmmaking. The book includes individuals from Europe, Asia, Australia, and North and South America, ranging from stars and featured actors to character and minor actors. The reader will find actors that bridge the silent and the sound eras, actors from the "Golden Age of Hollywood," and actors who straddle the big screen and the small screen of television. Information is included on thousands of actors from throughout the world, creating a populated map of film history. With the continued popularity of classic films, from early Hollywood and around the world, The Ultimate Directory of Silent and Sound Era Performers will be a welcome resource.

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Based on more than twenty years of interviews and first-hand knowledge of the people featured in Jazz Gentry, this factual account of the years between World Wars I and II explores the era that saw the development of a number of exceptional breakthroughs in popular entertainment—the popularity of ballroom dancing; the introduction of phonograph records, sound movies, and radio; the evolution of the American stage musical; and the increase of sophistication and quality of popular songs. These are the stories of the men and women who took part in making the era what it was and lived through the excitement of the pioneering years, when they, the century, and the world of entertainment were young. A living history of American popular music, the book profiles those musicians and entertainers who reached the top of their professions and made substantial contributions to it, without necessarily becoming household names. Author and musician Vaché chronicles, often for the first time, many of the important figures of this vital and vibrant period in American music and entertainment. Vaché has compiled a compelling story of American jazz and popular music, told first-hand by the subjects of his interviews. As the twentieth century draws to a close, it becomes even more important to have the recollections of those who made it what it was.

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Contrary to many assessments that immediately followed the end of the 1991 Persian Gulf War, that war was neither short nor decisive. The brief war in 1991 was the dramatic manifestation of long-standing antagonisms among the principal participants, and its results continue to have a profound effect on the region. It is therefore important to determine, on the diplomatic side, just how the war got started, how it was fought, and whether the dramatic ground campaign should have exceeded a hundred hours to bring about a more decisive conclusion. With the seemingly endless follow-up to the war continuing to be much messier than the run-up, the Historical Dictionary of the Persian Gulf War draws together the results of assessments of the war by a multitude of commentators. It presents the information in concise and informative entries on many of the significant civilian and military persons, crucial diplomatic and political actions, as well as the essential military aspects. Entries include the strategy and tactics, the encounters and battles, and the forces and weapons deployed by both sides. An introduction gives the background to the war, a summary of the significant events, and an assessment of the immediate results of the fighting. The detailed chronology provides a historical perspective and follows the effects the war continues to have on relations among the primary players. A list of abbreviations deciphers the acronyms for weapons, organizations, and insider jargon that can sometimes overwhelm even the most knowledgeable readers. Includes a comprehensive bibliography which covers the rapidly growing and already substantial literature on the war.

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It was only a little more than 100 years ago, when Bram Stoker wrote the now famous Dracula, that vampire myths began to achieve their current popularity. Hundreds of books now portray vampires in a variety of non-traditional roles, including aliens from outer space, private detectives, and time travelers. Vampire Readings is an annotated bibliography of 779 entries divided into five sections: Novels; Anthologies and Novellas; Young Adult; Additional Readings; Unread Undead. The largest section is Novels and here, besides a summary of the plot (without spoilers), the author indicates where each novel may fit into other genres such as science fiction/fantasy, mystery, romance, etc. Works by such writers as Anne Rice, Tanya Huff, Christopher Pike, Tanith Lee, Barbara Hambly, Kim Newman, and, of course, Bram Stoker are discussed in Vampire Readings . Separate author and title indexes are included.

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The Blackfriars Theatre, founded in 1940, was one of New York's first Off-Broadway playhouses. It was unique in another way: it was started by two Catholic priests and was the only professional level theatre in the United States under Roman Catholic auspices. It was the first such theatrical venture by any religious group. God Off-Broadway examines the efforts of the Blackfriars staff to meld theatre and religion between 1940 and 1972. While not as commercially successful as the founders had hoped it would be, Blackfriars contributed in many other ways to the American theatrical tradition. The first play ever to move from Off-Broadway to Broadway (Career Angel, 1945) was a Blackfriars production. Blackfriars also started and showcased many young performers who later went on to successful careers, among them: Shelley Berman, Anthony Franciosa, Eileen Heckart, Darren McGavin, Patricia Neal, and Geraldine Page. Although by the late 1960s the company was reduced to producing routine religious dramas and innocuous family comedies, daring and innovation characterized the early years of the theatre. Blackfriars took artistic and social risks in the 1940s by producing plays about racial justice. Powell based the book on primary sources, including Blackfriars archives and interviews with Blackfriars veterans. Playwright Robert Anderson, who had his New York debut at Blackfriars, contributes an introduction to the book. In addition to a complete chronological treatment of the theatre group, the author provides a survey of the relationship of the Catholic Church and the theatre in America. Eighteen black and white photographs complement the text.

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While masks are some of the more prominent artifacts in the art, religious and dramatic worlds, there has not to date been a complete bibliography of the books, catalogs, and articles in the field. The more than 1200 citations in this bibliography range from making masks in kindergarten to academic books on the anthropological theory of masks. Arrangement is by type of resource, subdivided by geographical area and/or subject. An extensive keyword index is provided to increase the accessibility of the literature. This bibliography should appeal to a diverse audience—including librarians, teachers, art scholars, and students of art at all levels.

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David Griffiths interviewed over 30 jazz artists in compiling Hot Jazz. The majority of those interviewed are the important, and oft-overlooked, side-men of the Big Bands of the Thirties and Forties, including Greely Walton, Bill Dillard, Lester Boone, Barclay Draper, Harvey Davis. There are also interviews with band leader Earle Howard and composer Walter Bishop Sr. They all vividly describe the atmosphere and ambience of the Swing Era. Accounts from artists outside the Harlem jazz scene, such as Chicago blues-man Curtis Jones, vocalist Blanche Finlay, and blues singer Lizzie Miles, are also included. Interviewed by Griffiths, these artists describe their background and musical training. They describe the pleasures and sufferings of jazz life, and share memories of Jelly Roll Morton, Louis Armstrong, Fats Waller, and Duke Ellington. These voices from the past and the present merge into a colorful account of one of America's brightest points in musical history. Hot Jazz also contains 18 photographs.

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The domination of Native Americans began in 1492 and continues in varying degrees of intensity through the present. This bibliography is focused on the history of the imposition of policies upon Native Americans by the governments of other peoples. All of the books and articles included in this work were selected because they represent activities in which Native Peoples were forced into work, religion, or a lifestyle that ran contrary to their traditions. This broad hemispheric approach to the history of national governments' Native American policies allows Magnaghi to show the similarities and differences of European attitudes toward Native Americans through a variety of Eurocentric experiences. The configuration of the topics is this volume is unusual among Native American bibliographies. Slavery, Labor, Evangelization, and Captivity were selected to broadly categorize titles based on the conditions that were imposed upon Native Americans. They provide a framework for analyzing to what degree Native Americans have responded to and been transformed by these conditions. The work is subdivided into geographical regions for easier utilization. The books and journal articles included were written in English, Spanish, French, and Portuguese, allowing a broad sampling of areas and national experiences to be analyzed and compared. An excellent resource for researchers and scholars of Native American studies that will provide a rich set of avenues to expand upon the study of the Native American experience.

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This bibliography is intended for a broad audience. Scholars, teachers, and students alike will find it useful for giving them ideas for further research, curriculum studies, or dissertation topics. Six chapters group authors under headings such as late-nineteenth century fiction writers; early-twentieth century fiction writers; poets, dramatists and experimental writers; intellectuals, reformists and journalists; and African-American women writers. Each chapter begins with an introduction that establishes literary and historical context, identifies general studies and relevant journals, and makes reference to writers not included, yet worthy of note. For each writer there is a brief biographical entry, a listing of reissued editions of her writings, and annotations of a broad range of scholarly articles, book chapters, and full-length books on her life and work. Appendixes include listings of selected women writers by birthdate and ethnicity.

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In the summer of 1995, the United States and Vietnam normalized their political relations. In speaking of Hanoi, Secretary of State Warren Christopher proclaimed that "Vietnam is a country—not a war." His statement encapsulates a truth that is operative for most persons in both countries: Twenty years after the final military exit of the United States from Saigon, business people, tourists, veterans, students, and diplomats are returning to Ho Chi Minh City and other parts of the country in large numbers. Vietnam Studies provides the interested researcher with background on this small but important country. A detailed introduction describes the cultural and societal background of native Vietnamese and Vietnamese-Americans. Chapters provide annotations classified in categories such as history, culture and art, language and literature, business and economics, contemporary Vietnam, the war with America, and POWs and MIAs. Additional sources for study are annotated in the final chapter of the book and provide listings of bibliographies, other reference materials, and photographs. Detailed author and subject indexes allow for easy research.

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As the career of Worsley Senior languished amid studio politics, young Wally began his own odyssey through the Hollywood legacy of the twentieth century, spending almost two decades at MGM with such actors as Greta Garbo, Jeanette MacDonald and Gene Kelly, on pictures like The Wizard of Oz and Thirty Seconds Over Tokyo. Wally left during the turbulent 1950s and went to New York City, Singapore, and Europe. When he returned to Hollywood in 1960, he spent another two decades in the new, television-dominated Hollywood. Here, he worked for Universal City Studios, the MGM of the television age. His credits in later life include such Universal hits as Earthquake, Coal Miner's Daughter and Steven Spielberg's E.T. He also worked on Deliverance at Warner Brothers and Shogun at Paramount. When Wally died in 1991, four days short of his 83rd birthday, his widow, Sue Dwiggins Worsley, completed the autobiography he had begun to assemble from his voluminous business diaries. As edited by Charles Ziarko, a long time friend and co-worker, this chronicle captures a fascinating picture of Hollywood at work. Contains 16 pages of black and white photographs.

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