Search results for ""Author Judith"

Contributors: Lauren Berlant, U of Chicago; Andre Furlani, Concordia U; Judith Halberstam, U of California, San Diego; Ellis Hanson, Cornell U; Paul Kelleher; Kathryn Kent, Williams College; James Kincaid, U of Southern California; Richard Mohr, U of Illinois, Urbana; Michael Moon, Johns Hopkins U; Kevin Ohi, Boston College; Eric Savoy, U of Montreal; Eve Kosofsky Sedgwick, CUNY Graduate Center; Kathryn Bond Stockton, U of Utah; Michael Warner, Rutgers U.

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When should we revolt? A life-changing insight into violent political change by one of the world's greatest political thinkers and author of surprise recent bestseller The Origins of Totalitarianism.'More than any thinker it was Arendt who identified how movements of ideas, racial theories, people and methods ... ultimately disfigured the twentieth century.' David Olusoga'Arendt's most profound legacy is in establishing that one has to consider oneself political as part of the human condition. What are your political acts, and what politics do they serve?' Guardian'How could such a book speak so powerfully to our present moment? The short answer is that we, too, live in dark times.' Washington Post (on The Origins of Totalitarianism)On Revolution is world-famous political thinker Hannah Arendt's classic exploration of a phenomenon that has radically reshaped the world. From eighteenth-century rebellions in America and France to the explosive political upheavals of the twentieth-century, Hannah Arendt traces the changing face of revolution and its relationship to war - and reveals the crucial role these globe-shaking events will play in the future of humanity. Urgent yet timeless, On Revolution is essential reading for anyone seeking to decipher the forces that have shaped our tumultuous age.'Enormously erudite, always imaginative, original and full of insights.' Sunday Times'Remarkable for us, no doubt, is Arendt's conviction that only philosophy could have saved those millions of lives.' Judith Butler

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This book disentangles two terms that were conflated in the initial Anglo-American appropriation of French theory: deconstruction and poststructuralism. Focusing on Sartre, Derrida, Foucault, and Baudrillard (but also considering Levinas, Blanchot, de Man, and others), it traces the turn from a deconstruction inflected by phenomenology to a poststructuralism formed by the rejection of models based on consciousness in favor of ones based on language and structure. The book provides a wide-ranging and complex genealogy of French theory from the 1940s onward, placing particular emphasis on the largely neglected early work of the theorists involved and on deconstruction's continuing relevance. The author argues that deconstruction is a form of radical, antiscientific modernity: an interdisciplinary reconfiguration of philosophy as it confronted the positivism of the human sciences in the 1960s. By contrast, poststructuralism is a type of postmodern theory inflected by changes in technology and the mode of information. Inasmuch as poststructuralism is founded upon its "constitutive loss" of phenomenology (in Judith Butler's phrase), the author is also concerned with the ways phenomenology (particularly Sartre's forgotten but seminal Being and Nothingness) is remembered, repeated in different ways, and never quite worked through in its theoretical successors. Thus the book also exemplifies a way of reading intellectual history that is not only concerned with the transmission of concepts, but also with the processes of transference, mourning, and disavowal that inform the relationships between bodies of thought.

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Sherlock Holmes remains the most famous of all fictional detectives. But he was not the only solver of crimes to patrol the gaslit streets of late Victorian and Edwardian London. The years between 1890 and 1914 were the heyday of the English (and American) story magazines and their pages were filled with platoons of private detectives, police officers and eccentric criminologists. These were the 'Rivals of Sherlock Holmes' and this second anthology of stories edited by Nick Rennison, author of Sherlock Holmes: An Unauthorised Biography, highlights fifteen of them: Mr Booth created by Herbert Keen Max Carrados created by Ernest Bramah Florence Cusack created by LT Meade and Robert Eustace John Dollar, 'The Crime Doctor' created by EW Hornung Dick Donovan created by JE Preston Muddock Horace Dorrington created by Arthur Morrison Martin Hewitt created by Arthur Morrison Judith Lee created by Richard Marsh Madelyn Mack created by Hugh Cosgro Weir Lady Molly of Scotland Yard created by Baroness Orczy Addington Peace created by Fletcher Robinson Mark Poignand and Kala Persad created by Headon Hill John Pym created by David Christie Murray Christopher Quarles created by Percy Brebner John Thorndyke created by R Austin Freeman

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This revealing volume examines the current role and status of women in higher education-and suggests a direction for the future. Judith Glazer-Raymo and other distinguished scholars and administrators assess the progress of women in academe using three lenses: the feminist agenda as a work in progress, growing internal and external challenges to women's advancement, and the need for active engagement with the challenges at hand. Drawing on the latest research, the contributors explore issues faced by women as newly minted Ph.D.s, as faculty members, as administrators, and as academic leaders. They describe women's struggles with the multiple and often conflicting demands of productivity, accountability, family-work responsibility, and the subconscious "dance of identities" within a variety of cultural contexts. Shedding light on the past, present, and future of women in higher education, this authoritative book concludes with recommendations for meeting new and ongoing gender challenges in the next decade. Contributors: Ana M. Martinez Aleman, Boston College; Rita Bornstein, Rollins College; M. Kate Callahan, Temple University; Judith Glazer-Raymo, Teachers College, Columbia University; Steven Hubbard, New York University; Kimberley LeChasseur, Temple University; Amy Scott Metcalfe, University of British Columbia; Anna Neumann, Teachers College, Columbia University; Tamsyn Phifer, Teachers College, Columbia University; Becky Ropers-Huilman, University of Minnesota; Kathleen M. Shaw, Pennsylvania Department of Education; Sheila Slaughter, University of Georgia; Frances K. Stage, New York University; Aimee LaPointe Terosky, Teachers College, Columbia University; Caroline Sotello Viernes Turner, Arizona State University; Kelly Ward, Washington State University; Lisa Wolf-Wendel, University of Kansas

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From the Crime Writers'' Association, a beautiful new book of short stories, designed as a perfect gift for the reader of crime and mystery, and a lifetime of reading pleasure.Editor Martin Edwards has commissioned an entertaining range of stories from the membership of the world''s most celebrated group of crime and mystery writers, the Crime Writers'' Association (CWA). Founded over 70 years ago by John Creasey, the Crime Writers’ Association supports, promotes and celebrates this most durable, adaptable and successful of genres, while supporting writers of every kind of crime fiction and non-fiction. In this new collection, enjoy 19 original, thrilling mysteries packed full of enthralling characters, drama and intrigue, by the following authors: SJ Bennett, J.C. Bernthal, Chris Curran, Judith Cutler, Luke Deckard, Victoria Dowd, Martin Edwards, Kate Ellis, Helen Fields, Paula Lennon, G.M. Malliet, William Burton McCormick, Tom Mead, Christine Pouls

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Gertrude cuchicheó algo al oído de Aneska, que sacó los juguetes especiales de una rinconera. Pídemelo amablemente, dijo Gertrude, consciente del deseo de Marta. Marta dirigió una mirada agresiva a Gertrude: Yo no lo hago amablemente.Marta Broderick es una guapa lesbiana londinense que se ha convertido en marchante de éxito tras heredar un importante negocio artístico de Manny Schweitz, el hombre que la sacó clandestinamente de Berlín Este en la década de 1960. Marta esconde varios secretos: para empezar, está saliendo con Anne, una atractiva mujer casada. Además, intenta llevar a término un proyecto inacabado de Manny: recuperar valiosas obras de arte robadas por los nazis.Las cosas se complican cuando Marta conoce a la bella y misteriosa Judith Compton. Al mismo tiempo que su relación con Anne llega a su plenitud, la oscura adicción sexual que Marta siente por Judith ?junto con su tentativa de devolver los tesoros artísticos a sus legítimos propietarios? empieza a arrastrarla h

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The seven deadly sins of Christianity represent the abysses of character, whereas Judith Shklar’s “ordinary vices”—cruelty, hypocrisy, snobbery, betrayal, and misanthropy—are merely treacherous shoals, flawing our characters with mean-spiritedness and inhumanity.Shklar draws from a brilliant array of writers—Molière and Dickens on hypocrisy, Jane Austen on snobbery, Shakespeare and Montesquieu on misanthropy, Hawthorne and Nietzsche on cruelty, Conrad and Faulkner on betrayal—to reveal the nature and effects of the vices. She examines their destructive effects, the ambiguities of the moral problems they pose to the liberal ethos, and their implications for government and citizens: liberalism is a difficult and challenging doctrine that demands a tolerance of contradiction, complexity, and the risks of freedom.

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A series which is a model of its kind EDMUND KING, HISTORY The contemporary historians of Anglo-Norman England form a particular focus of this issue. There are contributions on Henry of Huntingdon's representation of civil war; on the political intent of the poems in the anonymous Life ofEdward the Confessor; on William of Malmesbury's depiction of Henry I; and on the influence upon historians of the late antique history attributed to Hegesippus. A paper on Gerald of Wales and Merlin brings valuable literary insights to bear. Other pieces tackle religious history (northern monasteries during the Anarchy, the abbey of Tiron) and politics (family history across the Conquest, the Norman brothers Urse de Abetot and Robert Dispenser, the friendship network of King Stephen's family). The volume begins with Judith Green's Allen Brown Memorial Lecture, which provides a wide-ranging account of kingship, lordsihp and community in eleventh-century England. CONTRIBUTORS: Judith Green, Janet Burton, Catherine A.M. Clarke, Sebastien Danielo, Emma Mason, Ad Putter, Kathleen Thompson, Jean A. Truax, Elizabeth M. Tyler, Björn Weiler, Neil Wright

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Each piece is fully annotated. Backgrounds includes a sketch of Rousseau’s life, selections from his Confessions, and comments on Rousseau’s work and character from such illustrious contemporaries and early critics as Voltaire, Hume, Boswell and Johnson, Paine, Kant, and Proudhon. Commentaries includes assessments of Rousseau’s political thought by a wide variety of scholars and critics including Judith Shklar, Robert Nisbet, Simone Weil, and Benjamin R. Barber.

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The essays in this volume boldly map the historically resonant intersections between Jewishness and queerness, between homophobia and anti-Semitism, and between queer theory and theorizations of Jewishness. With important essays by such well-known figures in queer and gender studies as Judith Butler, Daniel Boyarin, Marjorie Garber, Michael Moon, and Eve Sedgwick, this book is not so much interested in revealing-outing-"queer Jews" as it is in exploring the complex social arrangements and processes through which modern Jewish and homosexual identities emerged as traces of each other during the last two hundred years.

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Moritz Wenk is a moderately unsuccessful artist workng part-time as a commercial painter. He forms a harmonious if uncommitted couple with Judith, a dental hygienist. During a hot week in summer, Moritz reflects on his own position in life while mediating a marital dispute between two friends, hosting a dinner party for neighbors he hates, and turning thirty-eight. Told with Werner’s customary charm, spleen, and baroque artistry, Cold Shoulder is a comic portrait of an unexceptional modern man struggling to make the decisions that will bring his life meaning.

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This major new volume brings together leading international scholars to debate the continuing importance and relevance of the concept of abjection for the interpretation of modern and contemporary culture. This genuinely interdisciplinary collection includes important new essays that draw on the work of Georges Bataille, Judith Butler, Julia Kristeva and other key critical thinkers to provide innovative readings of works of art, film, theatre and literature. The clear and accessible essays in this volume extend the existing literature on abjection in exciting new ways to demonstrate the enduring richness of the concept.

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The Music Professor Online is a practical volume that provides a window into online music instruction in higher education. Author Judith Bowman highlights commonalities between online and face-to-face teaching, presents a theoretical framework for online learning, and provides practical models and techniques based on interviews with professors teaching online in various music disciplines. This book offers keys for thinking about music education in a post-COVID world, when the importance and interest of online education is of central concern. Part I reviews the growth and significance of online learning and online learning in music, identifies similarities and differences between face-to-face and online teaching, and presents standards and principles for online instruction. It explores development of an online teaching persona, explains teaching presence, and emphasizes the central role of the instructor as director of learning, always in relation to specific disciplines and their signature pedagogies. Part II focuses on the lived online curriculum, featuring online teaching experiences in key fields by professors teaching them online. Bowman explores specific disciplines and their signature pedagogies together with practitioner profiles that provide insights into the thinking and techniques of excellent online music instructors, together with recommendations for prospective online instructors and lessons drawn from the field. Part III summarizes recommendations and lessons from online practitioners, presents an action plan for moving forward with online music instruction, and looks to the future of online instruction in music. Educators will find great use in this comprehensive, thoughtful compendium of reflections from a leading, longtime online music educator.

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Traces Kabylia's history through French occupation, the Algerian war of independence, and the political turmoil that followed. Kabylia is a Berber-speaking, densely populated mountainous region east of Algiers, that has played an important part in Algerian pre- and post-independence politics, and continues to be troublesome to central government. But 'Kabylia' is also an ideal, shaped and shared by a variety of intellectual trends both in Algeria and in France. Kabylia was seen by sociologically minded nineteenth-century French authors as a model of primitive democracy and became central to their debates about good government, the nature of 'race', nationhood, and the social bond. These qualities have by now largely been appropriated by Kabyles themselves, and have become central to Kabyle self-images discussed on numerous websites run by Kabyle emigrants in France as much as by local parties and associations in Kabylia itself. Central to this image is the Kabyles' attachment to their home villages. But what exactly makes a village a village? And how can this emphasis on communal autonomy be articulated within a modern nation-state? These are the questions this book tries to answer through an in-depth case study of one particular village, analysing the contemporary debates that animate it, and tracing its history through the French conquest and occupation, the Algerian war of independence, and the political turmoil, including the challenge of Islamist politics, that followed independence. The 'village', as much as Kabylia as a whole, emerges as a place made by its internal contradictions, and that can only be understood with reference to the position it occupies within the various intellectual, political, economic and cultural 'world-systems' of which it is part. Judith Scheele is a Research Fellow at Magdalen College, Oxford

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A comprehensive collection of original essays by leading experts on social and econmic policy including Frances Fox Piven, Harvey Molotch, Jill Quadagno, James Petras, and Judith Stacey. This volume challenges the conservative notion that the fundamental problem plaguing America is dependancy on government and further cuts only lead to a cycle of recision. Newly published articles by the leading experts in social and economic policy Explores conservative social policy of the late twentieth century Contains articles on welfare reform, health care, military spending and economic policy

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WINNER of the JUDITH A. MARKOWITZ AWARD 2020 LAMBDA LITERARY AWARD WINNER LONGLISTED for the HEARTLAND BOOKSELLERS AWARD In this debut collection by African American poet Xandria Phillips, HULL explores emotional impacts of colonialism and racism on the Black queer body and the present-day emotional impacts of enslavement in urban, rural, and international settings. HULL is lyrical, layered, history-ridden, experimental, textured, adorned, ecstatic, and emotionally investigative.

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From 1981 until 1986, the archaeologist Judith McKenzie, then a graduate student at the University of Sydney, travelled to the ancient site of Petra in Jordan, living in a cave there for extended periods, in order to survey and measure architectural mouldings on the rock-cut monuments. It was a critical time in the history of Petra, where, for centuries, its local inhabitants, known as the Bdoul, had lived and worked. But that tradition was coming to a close. In 1985, the Bdoul began a move to the nearby village of Umm Sayhoun, as directed by the Jordanian government. This first-hand account of life in a cave at Petra, based on diaries Judith kept at the time she lived among the Bdoul, is therefore important as a record of a lifestyle now largely vanished. As she writes in her introduction: "I spent so much time socializing with the Bdoul, I came to observe many aspects of Bdoul life in a series of visits over three main field seasons. As women we had access to the world of young girls and women, which men from outside did not, while we were also sometimes treated as honorary men." This memoir thus stands as a reminder of life at Petra before the arrival of modern-day tourism at the site. But this book is not only a memoir. Observations are made on the ways in which the Bdoul have adapted to their new environment. Changes at the site that have taken place since 1981 because of weathering and erosion are recorded through comparisons between photographs taken forty years ago and more recent images. Ramifications of the expansion of the tourist-industry at Petra in the 21st century are also considered. Life in a Cave in Petra with the Bdoul: 1981-1986 is therefore an important and essential volume on the archaeology and history of one of the best-known ancient sites in the world.

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Believe in the power of miracles...A special little book, an antidote to the stress, fury, and unfeelingness of many people''s hurried, everyday lives. --NewsdayJudith Leventhal and Yitta Halberstam amaze and inspire with their incredible-but-true story collections...of wondrous true coincidences. --PeopleSmall Miracles is a book you''ll love and cherish for a long time to come. It will make you aware of similar events that are happening to you--those touches of grace that, when we think to look for them, bless us all. --Belle

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A timeless story, beautifully told and illustrated by Judith Loske Based on the true story of Sadako Sasaki, who lived in Hiroshima when the atomic bomb was dropped on August 6, 1945, Sadako's Cranes tells the story of her battle with leukemia. When Sadako hears of a Japanese legend which says that a person who folds 1,000 paper cranes is granted a wish, she begins folding cranes. Her wish was simply to live. Loske's beautiful illustrations are based on colored-pencil drawings that have been digitally processed.

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"Needs Improvement is a book of a new logic making its way from witty statements to slow-moving lyric villanelles, achieving brilliantly a contemporary sense of streaming among words, places and 'no self.'"--Nicole Brossard Whether misreading sixth grade pedagogical materials or offering visual schematics for reading Jacques Foucault and Judith Butler, Jon Paul Fiorentino's sixth poetry collection asks us to reconsider our engagement with received information--but it does so with a wink in the detention room, a dodgeball to the gut during recess.

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When Judith G. Coffin discovered a virtually unexplored treasure trove of letters to Simone de Beauvoir from Beauvoir's international readers, it inspired Coffin to explore the intimate bond between the famed author and her reading public. This correspondence, at the heart of Sex, Love, and Letters, immerses us in the tumultuous decades from the late 1940s to the 1970s—from the painful aftermath of World War II to the horror and shame of French colonial brutality in Algeria and through the dilemmas and exhilarations of the early gay liberation and feminist movements. The letters also provide a glimpse into the power of reading and the power of readers to seduce their favorite authors. The relationship between Beauvoir and her audience proved especially long, intimate, and vexed. Coffin traces this relationship, from the publication of Beauvoir's acclaimed The Second Sex to the release of the last volume of her memoirs, offering an unfamiliar perspective on one of the most magnetic and polarizing philosophers of the twentieth century. Along the way, we meet many of the greatest writers of Beauvoir's generation—Hannah Arendt; Dominique Aury, author of The Story of O; François Mauriac, winner of the Nobel Prize and nemesis of Albert Camus; Betty Friedan; and, of course, Jean-Paul Sartre—bringing the electrically charged salon experience to life. Sex, Love, and Letters lays bare the private lives and political emotions of the letter writers and of Beauvoir herself. Her readers did not simply pen fan letters but, as Coffin shows, engaged in a dialogue that revealed intellectual and literary life to be a joint and collaborative production. "This must happen to you often, doesn't it?" wrote one. "That people write to you and tell you about their lives?"

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Featuring five plays by Dutch women writers (Hella Haasse, Matin Van Veldhuizenm, Suzanne Van Lohuizen, Inez Van Dullemen and Judith Herzberg) this play collection showcases the best plays by women writing in the Netherlands at the time of publication. The Plays A Thread in the Dark by Hella Haasse: This is a profound retelling of the myth of Theseus and the Minotaur, from the viewpoint of Ariadne. Winner of the Visser Neerlandia prize. “[W]e cannot rephrase it for you. If we Could, why would we trouble to show you the myth?” Eat by Matin Van Veldhuizen: A darkly comic exploration of the lives of three sisters who come together to eat, drink and celebrate the anniversary of their mother's death. Dossier: Ronald Akkerman by Suzanne Van Lohuizen: A two-hander, detailing moments between a patient suffering from AIDS and his nurse. “...the moving story of a relationship between a young man in the final stages of AIDS and his nurse, Dossier: Ronald Akkerman ... tackles the epidemic full-on.” Gay Times Write Me in the Sand by Inez Van Dullemen: A poetic portrayal of a family where layer upon layer is removed to reveal the painful secrets within. The Caracal by Judith Herzberg: A comic one-woman show about a teacher whose complicated love life is revealed through fragmentary telephone conversations.

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Jose Bedia is an artist, practitioner, and devotee whose work emanates from his diverse and often systematic religious journeys, experiences, and encounters. Transcultural Pilgrim invites the reader into Bedia's spiritual worlds, which range from his Cuban birthplace to Central Africa and to the indigenous Americas, as revealed in his distinctive and frequently autobiographical visual language. The power and immediacy of Bedia's large-scale paintings and drawings and the material complexity of his installations immediately draw the viewer into his work. Judith Bettelheim and Janet Catherine Berlo have worked closely with Bedia for years, studying his journeys and their complex representations in his art, as well as the ethnographic collections which inspire him.

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This explores the political and poetic understanding of the deconstruction of the 'animal question'. Re-examining how we relate to other animals has far-reaching implications for how we think of ourselves. This textbook reveals how thinkers on deconstruction, including Jacques Derrida, Helene Cixous and Nicholas Royle, have consistently addressed questions about animality. Cixous questions human intervention between the death of a wild bird and the predation of a domestic cat. Kelly Oliver explores Derrida's analysis of what or whose gaze is at stake when a King oversees the autopsy of an elephant. Royle examines in what sense the vulnerable impressions made by the tunnelling of a mole might be thought of as the traces of a text. Throughout this collection authors explore the politics, and the poetics, of a less human-centred world. They demonstrate that even when this world is viewed through the prism of fields such as literature, autobiography and philosophy, it always shows traces of other animals. It expands the current debate on the 'animal question' through new essays by established authors, such as Peggy Kamuf, Sarah Wood and Judith Still, that critically examine a wide range of texts by Derrida, Cixous and Royle. It includes the first English translation of 'Un Refugie' by Helene Cixous, showing how her approach to relations between humans and other animals is similar to but distinct from that of Derrida. It republishes Nicholas Royle's ground-breaking essay 'Mole'.

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Acute Melancholia and Other Essays deploys spirited and progressive approaches to the study of Christian mysticism and the philosophy of religion. Ideal for novices and experienced scholars alike, the volume makes a forceful case for thinking about religion as both belief and practice, in which traditions marked by change are passed down through generations, laying the groundwork for their own critique. Through a provocative integration of medieval sources and texts by Jacques Derrida, Judith Butler, Talal Asad, and Dipesh Chakrabarty, this book redefines what it means to engage critically with history and those embedded within it.

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The sixteen essays in Writing Off the Hyphen approach the literature of the Puerto Rican diaspora from current theoretical positions, with provocative and insightful results. The authors analyze how the diasporic experience of Puerto Ricans is played out in the context of class, race, gender, and sexuality and how other themes emerging from postcolonialism and postmodernism come into play. Their critical work also demonstrates an understanding of how the process of migration and the relations between Puerto Rico and the United States complicate notions of cultural and national identity as writers confront their bilingual, bicultural, and transnational realities. The collection has considerable breadth and depth. It covers earlier, undertheorized writers such as Luisa Capetillo, Pedro Juan Labarthe, Bernardo Vega, Pura Belpré, Arturo Schomburg, and Graciany Miranda Archilla. Prominent writers such as Rosario Ferré and Judith Ortiz Cofer are discussed alongside often-neglected writers such as Honolulu-based Rodney Morales and gay writer Manuel Ramos Otero. The essays cover all the genres and demonstrate that current theoretical ideas and approaches create exciting opportunities and possibilities for the study of Puerto Rican diasporic literature.

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Lady Dame Honor Harrington isn't alone. Her life touches others-and their lives touch hers-directly, or indirectly, whether as a naval officer, steadholder, or duchess. In this collection, Jane Lindskold gives us the story of a prince on the brink of maturity and an extraordinary young Grayson woman named Judith - a victim of Masadan brutality, who confronts insurmountable odds in a desperate effort to lead her sisters to freedom-or-death among the stars.

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A bestseller in France following its publication in 1999, Insult and the Making of the Gay Self is an extraordinary set of reflections on “the gay question” by Didier Eribon, one of France’s foremost public intellectuals. Known internationally as the author of a pathbreaking biography of Michel Foucault, Eribon is a leading voice in French gay studies. In explorations of gay subjectivity as it is lived now and as it has been expressed in literary history and in the life and work of Foucault, Eribon argues that gay male politics, social life, and culture are transformative responses to an oppressive social order. Bringing together the work of Jean-Paul Sartre, Pierre Bourdieu, Judith Butler, and Erving Goffman, he contends that gay culture and political movements flow from the need to overcome a world of insult in the process of creating gay selves.Eribon describes the emergence of homosexual literature in Britain and France at the turn of the last century and traces this new gay discourse from Oscar Wilde and the literary circles of late-Victorian Oxford to André Gide and Marcel Proust. He asserts that Foucault should be placed in a long line of authors—including Wilde, Gide, and Proust—who from the nineteenth century onward have tried to create spaces in which to resist subjection and reformulate oneself. Drawing on his unrivaled knowledge of Foucault’s oeuvre, Eribon presents a masterful new interpretation of Foucault. He calls attention to a particular passage from Madness and Civilization that has never been translated into English. Written some fifteen years before The History of Sexuality, this passage seems to contradict Foucault’s famous idea that homosexuality was a late-nineteenth-century construction. Including an argument for the use of Hannah Arendt’s thought in gay rights advocacy, Insult and the Making of the Gay Self is an impassioned call for critical, active engagement with the question of how gay life is shaped both from without and within.

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This book is the cookbook for anyone who loves sophisticated food and hopes to forgo meat either permanently or just on occasion. Pioneering vegetarian cookbook author Jeanne Lemlin, who has been vegetarian since she was 15, comes back to her very first book - "Vegetarian Pleasures: A Menu Cookbook", originally published by Judith Jones at Knopf in 1986 - to create this completely new edition. Lemlin's recipes are for busy cooks who want delicious food from readily available ingredients and no-fuss prep methods. Fresh vegetables, fruits, grains, and beans are the key components of these recipes, and they are transformed into meatless fare that appeals to vegetarians as well as dedicated carnivores. Baked Macaroni and Cheese with Cauliflower and Jalapenos, Fragrant Vegetable Stew with Corn Dumplings, and Raspberry Almond Torte are just a few examples of Lemlin's tantalizing recipes. And she guides cooks through everyday and special-occasion cooking by offering menu suggestions, helping new vegetarians avoid the "plateful of sides" dilemma and giving seasoned cooks new ideas for entertaining.

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When Dr. Romana Guarnieri, in a letter to Osservatore Romano (16 June 1946), announced her discovery that Margaret Porette (d. 1 June 1310) was the author of The Mirror of Simple Souls, certainly a major French document of pre-Reformation spirituality, a sensation was created in the academic world. Although The Mirror is one of the few heretical documents to have survived the Middle Ages in its entirety, both its title and its authorship were among the most persistent and troublesome problems of scholarly research in the field of medieval vernacular languages. The Mirror, in its original French, survives only in the fifteenth-century manuscript which the great Condé (Louis II de Bourbon) had acquired for his palace at Chantilly. And, so far as can be known, all that remains with which to compare the readings of this manuscript text are those translations of The Mirror which, also in manuscript, are to be found in Latin, Italian, and Middle English. This edition of The Mirror of Simple Souls is a translation from the French original with interpretive essays by Edmund Colledge, O.S.A., Judith Grant, and J.C. Marler, and a foreword by Kent Emery, Jr. The translators of this Modern English version rely primarily on the French, yet take other medieval translations into account. As a result, this edition offers a reading of The Mirror which solves a number of difficulties found in the French, and the introductions contributed by the translators narrate the archival history of the book, for which Margaret Porette was burned alive in Paris in 1310.

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David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, Photo Wallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer. In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.

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"Our society has undergone a paradigm shift. In the information age, you and I are the alpha males," Dr Leonard Hofstadter, experimental physicist and protagonist of the hit sitcom "The Big Bang Theory", assures himself and his fellow scientists. The success of this and similar formats in American popular culture proves his point: Science has finally discovered the formula for cool. This interdisciplinary study examines how "cool", a key aesthetic and affective category in the American imagination, informs contemporary representations of technoscience. Analyzing selected audiovisual productions, Judith Kohlenberger sheds light on current processes of interaction between science and popular culture, two pivotal sources for change in post-industrial America.

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In Bodies That Matter, renowned theorist and philosopher Judith Butler argues that theories of gender need to return to the most material dimension of sex and sexuality: the body. Butler offers a brilliant reworking of the body, examining how the power of heterosexual hegemony forms the "matter" of bodies, sex, and gender. Butler argues that power operates to constrain sex from the start, delimiting what counts as a viable sex. She clarifies the notion of "performativity" introduced in Gender Trouble and via bold readings of Plato, Irigaray, Lacan, and Freud explores the meaning of a citational politics. She also draws on documentary and literature with compelling interpretations of the film Paris is Burning, Nella Larsen's Passing, and short stories by Willa Cather.

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Sie wollen Ihr Geld erfolgreich anlegen, wissen aber nicht wie? Die Wirtschafts- und Finanzjournalisten Judith Engst und Janne Jörg Kipp zeigen in diesem Buch nicht nur die vielen verschiedenen Möglichkeiten der Geldanlage auf, sondern stellen auch die richtigen Fragen und helfen Ihnen so, die für Sie geeigneten Anlageformen auszuwählen: vom guten alten Sparkonto über Aktienfonds, Riester- und Rürup-Rente hin zu Immobilien und Wertpapieren.

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By learning how to connect with and understand the true self - the soul - we can alter the path of our lives. Judith Pemell recounts her own spiritual journey and powerful examples of others on the spiritual path and describes the anatomy of the soul and its functions. She includes precise explanations and examples of how to tune into the soul and our higher powers, how the soul ensures our integrity or moral centre, and how an understanding of karma and reincarnation can help to free us from the past and create a better future.

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The present volume examines Judith Butler?s concept of gender performance in Angela Carter?s _Nights at the Circus_ (1984), Sarah Waters?s _Tipping the Velvet_ (1998) and Peter Ackroyd?s _Dan Leno and the Limehouse Golem_ (1994). All of them depict how female performers make use of the stage to expose gender identity as an act performance and in doing so they destabilise the public/private dichotomy.

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‘Thoroughly enjoyable locked-room murder mystery. I highly recommend this book’ Reader review, ⭐⭐⭐⭐⭐ ‘I was hooked from the first page, wonderful’ Reader review, ⭐⭐⭐⭐⭐ ‘Brilliant, brilliant book . . . this was one of the best books I’ve read in a long time’ Reader review, ⭐⭐⭐⭐⭐ ‘Entertaining, engaging and thoroughly enjoyable . . Wonderful escapism’ Reader review, ⭐⭐⭐⭐⭐ ‘Never a dull moment, lots of red herrings, plenty of humour and a plot worthy of Agatha!!!’ Reader review, ⭐⭐⭐⭐⭐ * * * It’s been an enjoyable and murder-free time for Judith, Suzie and Becks – AKA the Marlow Murder Club – since the events of last year. The most exciting thing on the horizon is the upcoming wedding of Marlow grandee, Sir Peter Bailey, to his nurse, Jenny Page. Sir Peter is having a party at his grand mansion on the river Thames the day before the wedding, and Judith and Co. are looking forward to a bit of free champagne. But during the soiree, there’s a crash from inside the house, and when the Marlow Murder Club rush to investigate, they are shocked to find the groom-to-be crushed to death in his study. The study was locked from the inside, so the police don’t consider the death suspicious. But Judith disagrees. As far as she's concerned, Peter was murdered! And it’s up to the Marlow Murder Club to find the killer before he or she strikes again… * * * ‘I love Robert Thorogood’s writing’ Peter James ‘Lots of laughs, a quick pace and an easy read to escape into’ Glamour ‘A perfect locked room mystery’ My Weekly ‘Cosy crime at its best’ Crime Monthly ‘Satisfying locked-room mystery’ Saga ‘Cleverly plotted and laugh-out-loud funny’ Yours magazine ‘The perfect cosy crime to curl up with’ Heat

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"As we look ahead to the recovery from the COVID-19 crisis, Making Money Moral could not come at a better time." —Jamie Dimon, Chairman and Chief Executive Officer, JPMorgan Chase The math doesn't add up: Global financial markets can no longer ignore the world's most critical problems. The risks are too high and the costs too great. In Making Money Moral: How a New Wave of Visionaries Is Linking Purpose and Profit, authors Judith Rodin and Saadia Madsbjerg explore a burgeoning movement of bold and ambitious innovators. These trailblazers are unlocking private-sector investments in new ways to solve global problems, from environmental challenges to social issues such as poverty and inequality. They are earning great returns and reimagining capitalism in the process. Pioneers in the field of sustainable and impact investing, Rodin and Madsbjerg offer first-hand stories of how investors of every type and in every asset class are investing in world-changing solutions—with great success. Meet the visionaries who are leading this movement:The investment managers putting trillions of dollars to work, like TPG, Wellington Management, State Street Global Advisors, Nuveen, Amundi, APG and Natixis;The asset owners driving the transition, like GPIF and PensionDanmark;A new generation of entrepreneurs benefiting from the investments, like DreamBox Learning, an innovative educational technology platform, and Goodlife Pharmacies, which is disrupting the traditional notion of a pharmacy; The corporations that are repurposing their business models to meet demand for sustainable products and services, like Ørsted; andThe nonprofits that are reimagining how to raise money for their work while creating significant value for investors, like The Nature Conservancy. In their book, Rodin and Madsbjerg offer a deep look at the most powerful tools available today—and how they can be unlocked. They reveal:Who the investors are and what they want;How innovative products and investment strategies can deliver long-term value for investors while improving lives and protecting ecosystems;How leaders can build strategies and prepare their organizations to enter and expand this dynamic market; andHow to measure impact, understand critical regulations, and avoid potential pitfalls.A roadmap to making the financial market a force for good, Making Money Moral is a must-read for those seeking private-sector capital to address a big problem, as well as those seeking both to mitigate risk and to invest in big solutions. "Judith Rodin and Saadia Madsbjerg identify an important new way of looking at money: from the root of all evil to the fount of all solutions. Their timely, important book on impact investing is full of powerful insights and compelling examples they've seen firsthand. Their work will be sure to accelerate momentum toward a more sustainable world." —Rosabeth Moss Kanter, Harvard Business School Professor and Author of Think Outside the Building: How Advanced Leaders Can Change the World One Smart Innovation at a Time

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This revealing volume examines the current role and status of women in higher education-and suggests a direction for the future. Judith Glazer-Raymo and other distinguished scholars and administrators assess the progress of women in academe using three lenses: the feminist agenda as a work in progress, growing internal and external challenges to women's advancement, and the need for active engagement with the challenges at hand. Drawing on the latest research, the contributors explore issues faced by women as newly minted Ph.D.s, as faculty members, as administrators, and as academic leaders. They describe women's struggles with the multiple and often conflicting demands of productivity, accountability, family-work responsibility, and the subconscious "dance of identities" within a variety of cultural contexts. Shedding light on the past, present, and future of women in higher education, this authoritative book concludes with recommendations for meeting new and ongoing gender challenges in the next decade. Contributors: Ana M. Martinez Aleman, Boston College; Rita Bornstein, Rollins College; M. Kate Callahan, Temple University; Judith Glazer-Raymo, Teachers College, Columbia University; Steven Hubbard, New York University; Kimberley LeChasseur, Temple University; Amy Scott Metcalfe, University of British Columbia; Anna Neumann, Teachers College, Columbia University; Tamsyn Phifer, Teachers College, Columbia University; Becky Ropers-Huilman, University of Minnesota; Kathleen M. Shaw, Pennsylvania Department of Education; Sheila Slaughter, University of Georgia; Frances K. Stage, New York University; Aimee LaPointe Terosky, Teachers College, Columbia University; Caroline Sotello Viernes Turner, Arizona State University; Kelly Ward, Washington State University; Lisa Wolf-Wendel, University of Kansas

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Judith Butler explora la manera en que el liderazgo bélico de EE. UU. ha impuesto una distinción entre aquellas vidas que merecen ser lloradas y aquellas que no. Nos muestra que esta distinción, presentada a través de formas de comunicación que se han convertido en parte de la guerra misma, ha conducido al primer mundo a la destrucción y abandono de poblaciones que no se ajustan a la norma occidental imperante de lo humano.

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Judith Wright (1915-2000) is one of Australia's best loved, and essential, poets, devoted to place, responsive to landscape and to the violence done to the land and its inhabitants. As John Kinsella writes in his introduction, 'she looked inwards into Australia, and in doing so made the local...universal'. A Human Pattern, a selected poems she prepared after she had abandoned writing poetry in order to devote her time to fighting for Aboriginal rights and conservation, presents her best work from 1946 to her last collection, Phantom Dwelling (1986). Australia, alive with human and natural history, is vibrant in this selection. She is, John Kinsella writes, 'a poet of human contact with the land'. She speaks directly to our perennial concerns.

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The ultimate resource for clinicians, researchers, and anyone interested in the theory. Today, hypnosis and hypnotic phenomena are in the mainstream of clinical, cognitive, and social psychology, and practitioners can benefit from a wealth of research to guide their interventions. In this second edition of the landmark Handbook of Clinical Hypnosis, editors Steven Jay Lynn, Judith W. Rhue, and Irving Kirsch have undertaken a significant revision of their classic text, first published over 15 years ago. Handbook of Clinical Hypnosis, Second Edition, is the ultimate resource for clinicians, researchers, and anyone interested in the theory.

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Stravinsky’s genius for the stage is here represented by two very different works. Oedipus Rex (1927) is the fruit of a collaboration with Jean Cocteau, in which the Sophocles tragedy is pared down to make an opera-oratorio of overwhelming impact. Judith Weir analyses how this is achieved: the Latin text has an immediacy which is sometimes even comic, and the vibrant rhythms are reminiscent of the Italian operatic tradition – explored by David Nice in his analysis of the score. The libretto of The Rake’s Progress (1951) by W.H. Auden and Chester Kallman is one of the greatest English opera texts. In a survey of the composition period, Roger Savage examines the contributions of the different collaborators. Contents: The Person of Fate and the Fate of the Person: ‘Oedipus Rex’, David Nice; ‘Oedipus Rex’: A Personal View, Judith Weir; On an Oratorio, Jean Cocteau; Oedipus Rex: Libretto by Jean Cocteau, translated into Latin by Jean Daniélou; Oedipus Rex: English translation of the narration by e. e. cummings and of the Latin text by Deryck Cooke; Making a Libretto: Three Collaborations over ‘The Rake’s Progress’, Roger Savage; The New and the Classical in ‘The Rake’s Progress’, Brian Trowell; The Rake’s Progress: Libretto by W.H. Auden and Chester Kallman

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Today’s brides are bombarded with wedding advice that promises perfection but urges achieving it through selfishness (“It’s your wedding, and you can do whatever you like”), greed (choosing the presents that guests are directed to buy), and showing off (“This is your chance to show everyone what you’re about”). Couples wishing to resist such pressure see elopement or a slapdash wedding as the only alternatives to a gaudy blowout. But none of these choices appealed to a bride who happened to have been brought up by Miss Manners. Judith Martin and her newlywed daughter, Jacobina, explain how to have a dignified ceremony and delightful celebration without succumbing to the now-prevalent pattern of the vulgar, money-draining wedding that exhausts families and exploits friends.

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In A Town In-Between, Judith Ridner reveals the influential, turbulent past of a modest, quiet American community. Today Carlisle, Pennsylvania, nestled in the Susquehanna Valley, is far from the nation's political and financial centers. In the eighteenth century, however, Carlisle and its residents stood not only at a geographical crossroads but also at the fulcrum of early American controversies. Located between East Coast settlement and the western frontier, Carlisle quickly became a mid-Atlantic hub, serving as a migration gateway to the southern and western interiors, a commercial way station in the colonial fur trade, a military staging and supply ground during the Seven Years' War, American Revolution, and Whiskey Rebellion, and home to one of the first colleges in the United States, Dickinson. A Town In-Between reconsiders the role early American towns and townspeople played in the development of the country's interior. Focusing on the lives of the ambitious group of Scots-Irish colonists who built Carlisle, Judith Ridner reasserts that the early American west was won by traders, merchants, artisans, and laborers—many of them Irish immigrants—and not just farmers. Founded by proprietor Thomas Penn, the rapidly growing town was the site of repeated uprisings, jailbreaks, and one of the most publicized Anti-Federalist riots during constitutional ratification. These conflicts had dramatic consequences for many Scots-Irish Presbyterian residents who found themselves a people in-between, mediating among the competing ethnoreligious, cultural, class, and political interests that separated them from their fellow Quaker and Anglican colonists of the Delaware Valley and their myriad Native American trading partners of the Ohio country. In this thoroughly researched and highly readable study, Ridner argues that interior towns were not so much spearheads of a progressive and westward-moving Euro-American civilization, but volatile places situated in the middle of a culturally diverse, economically dynamic, and politically evolving early America.

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Do moral questions have objective answers? In this great debate, Gilbert Harman explains and argues for relativism, emotivism, and moral scepticism. In his view, moral disagreements are like disagreements about what to pay for a house; there are no correct answers ahead of time, except in relation to one or another moral framework. Independently, Judith Jarvis Thomson examines what she takes to be the case against moral objectivity, and rejects it; she argues that it is possible to find out the correct answers to some moral questions. In her view, some moral disagreements are like disagreements about whether the house has a ghost. Harman and Thomson then reply to each other. This important, lively accessible exchange will be invaluable to all students of moral theory and meta-ethics.

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Judith is on remand suspected of killing her mother. From the moment the police came to question her she has not spoken. Alex, a child psychiatrist with experience of mutism is called in as a last resort to make a psychiatric assessment. He battles against her silence until at last he breaks the dam. The woman speaks directly to another human being for perhaps the first time in her life. An extraordinary story is revealed, and a relationship forged. The Cutting was nominated for the London Fringe Awards (Best First Play) and the London Evening Standard Awards.

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