Search results for ""Author Judith"

Undergraduates frequently find the fine Old English poem JUDITH the most stimulating of the surviving texts from the Anglo-Saxon period. In the past thirty years it has attracted a wide range of literary criticism both in the UK and the US. Feminist critics of English literature have been particularly interested by the ways in which the poet has adapted the traditional masculine heroic ethos of Old English poetry to a story figuring a violently active female protagonist.Yet there is no available edition of Judith which is either comprehensive or up to date, or which at all explains how and why the poem is worthy of our attention. This new edition aims to fill this gap. It includes a full Introduction and commentary by the editor, plus a comprehensive glossary, bibliography and appendices.

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Judith is an aspiring young actress and the mistress of a writer on a popular satirical magazine. We learn of her involvement with drugs and increasing self-delusion. After a crack-up, she seeks healing in an Indian ashram run by an eccentric and possibly mad guru. But what is at the back of appearances; how calculated is the self-destructiveness from which a new order might emerge?

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The Judith Butler Reader is a collection of writings that span her impressive career and trace her intellectual history. Judith Butler, author of influential books such as Gender Trouble, has built her international reputation as a theorist of power, gender, sexuality and identity Organized in active collaboration between Judith Butler and Sara Salih Collects together writings that span Butler’s impressive career as a critical philosopher, including selections from both well-known and lesser-known works Includes an introduction and editorial material to assist students in their readings of theories that stand at the forefront of contemporary theoretical and political debates

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The Judith Butler Reader is a collection of writings that span her impressive career and trace her intellectual history. Judith Butler, author of influential books such as Gender Trouble, has built her international reputation as a theorist of power, gender, sexuality and identity Organized in active collaboration between Judith Butler and Sara Salih Collects together writings that span Butler’s impressive career as a critical philosopher, including selections from both well-known and lesser-known works Includes an introduction and editorial material to assist students in their readings of theories that stand at the forefront of contemporary theoretical and political debates

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An overview of the life and work of much-loved children’s illustrator and author Judith Kerr, creator of classics such as The Tiger Who Came to Tea, and Mog. A thoughtful and intimate portrait, this book is not only a celebration of Judith Kerr’s classic work, but a record of the hard work, development and serious intent behind it. Referencing Kerr’s biographical novels, Joanna Carey introduces us to the illustrator as she goes about her daily life, showing us into her studio, exploring her materials, her relationship with her publisher and editors, and her reflections over the years. Drawing on a great range of previously unpublished visual material, we see behind the scenes of Kerr’s unforgettable creations.

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Behind the fascinating public artist’s practice of collaboration Judith F. Baca is best known for the Great Wall of Los Angeles (1976–83), a vibrant 2,740-foot mural in Los Angeles that presents an alternative history of California—one that focuses on the contributions of marginalized and underrepresented communities. The mural is emblematic of Baca’s pioneering approach to creating public art, a process in which members of the community are essential contributors to the conception and realization of the work.Anna Indych-López explores Baca’s oeuvre, from early murals painted with local gang members in the Boyle Heights neighborhood of Los Angeles to more recently commissioned works. She looks in depth at the Great Wall and considers the artist’s ongoing work with the Social and Public Art Resource Center (SPARC) in Venice, California, a nonprofit group founded by Baca in 1976. Throughout, Indych-López assesses what she calls Baca’s “public art of contestation” and discusses how ideas of collaboration and authorship and issues of race, class, and gender have influenced and sustained Baca’s art practice.

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Share in the magic with five classic stories from Judith Kerr, the creator of the iconic The Tiger Who Came to Tea and Mog the Forgetful Cat. Judith Kerr OBE was one of the most beloved creators of children’s books in the world. This delightful treasury brings together five of her bestselling stories in one very special collection, including classics such as The Tiger Who Came to Tea and Mog the Forgetful Cat, both loved by children all over the world for more than fifty years. Featuring:The Tiger Who Came to TeaMog the Forgetful CatOne Night in the ZooThe Other GooseWhen Willy Went to the Wedding In a beautiful hardback gift book edition, this collection is the perfect gifts for boys, girls and families everywhere!

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Behind the fascinating public artist’s practice of collaboration Judith F. Baca is best known for the Great Wall of Los Angeles (1976–83), a vibrant 2,740-foot mural in Los Angeles that presents an alternative history of California—one that focuses on the contributions of marginalized and underrepresented communities. The mural is emblematic of Baca’s pioneering approach to creating public art, a process in which members of the community are essential contributors to the conception and realization of the work.Anna Indych-López explores Baca’s oeuvre, from early murals painted with local gang members in the Boyle Heights neighborhood of Los Angeles to more recently commissioned works. She looks in depth at the Great Wall and considers the artist’s ongoing work with the Social and Public Art Resource Center (SPARC) in Venice, California, a nonprofit group founded by Baca in 1976. Throughout, Indych-López assesses what she calls Baca’s “public art of contestation” and discusses how ideas of collaboration and authorship and issues of race, class, and gender have influenced and sustained Baca’s art practice.

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A long-overdue introduction to the Brazilian Concrete art protagonist and Grupo Ruptura member Brazilian painter and printmaker Judith Lauand (born 1922) is regarded as a key figure of Concrete art. Lauand is the only woman to have participated in Grupo Ruptura, a collective of artists that pioneered Concretism in Brazil, which counted such luminaries as Waldemar Cordeiro, Luiz Sacilotto, Geraldo de Barros, Lotar Charoux and Anatol Wladyslaw among its ranks. Lauand, initially self-taught, moved to São Paulo in the 1950s and encountered Concrete art while working at the 2nd Bienal Internacional. She then quickly delved into the movement, holding a solo show within the same year. This survey follows Lauand’s tremendous oeuvre across five decades, paying particular attention to her engagement with the Concrete movement. The catalog cover is rendered in striking Concrete style, lined with squares and enclosed within a black slipcase dotted with geometric cutouts.

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"The Judith Blacklock Encyclopedia of Flower Design" is the essential 'how to' manual for everyone interested in flowers and floral art. Whether flowers are a passion, a pleasure or a business, this book is essential reading. Covering classic, contemporary and cutting-edge design, the beginner will build knowledge and competence and quickly get started in the art. The experienced arranger will find the book a most valuable reference with inspiration from across the world. Richly illustrated with over 500 colour photographs and 200 line drawings, this book: will inspire you throughout the year with seasonal design ideas; shows you exciting ways to arrange flowers in a vase successfully; gives you advice and inspiration on wedding flowers; explains why some designs work and why others do not; and provides a useful reference of many of the flowers and foliage that are available. Packed with tips, information and step by step advice, this book is an indispensable guide whatever the season, occasion or budget. Judith Blacklock is a best selling author and an accomplished designer. She is the Principal of the Judith Blacklock Flower School in London.

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Presents Judith Butler's interest in plurality of bodily lives and her search for a social transformation conducive to a more livable world Offers a novel understanding of Butler' work as a call for an insurrection at the level of the real Provides a framework based on an intersection of four main pillar-concepts, performativity, agency, livable life and non-violence Reads Butler's philosophy as centred on bodies Reads Butler's work as a convincing counter-argument against liberal versions of ontology This book is the only monograph-length study of the work of Judith Butler to focus on the entire scope of her work, including the last decade of her writing. In light of these texts, it presents a fresh interpretation of Butler's political thought, oriented by the idea of an insurrection at the level of the real. Chapters on ontology, performativity, agency and precariousness, a liveable life and non-violence explain how Butler's thought has always been focused on embodied performances. Instead of seeing Butler as simply a thinker of the subversive performance of cultural scripts, the book frames her work for the twenty-first century as an ambitious and coherent egalitarian alternative to liberal political philosophy. Each chapter introduces a Butlerian concept, clarifying this in the context of critical debates, while explaining its contribution to a new social ontology whose key normative principle is a liveable life. The book explores the potential of this conceptual framework not just in relation to the politics of gender, but also to questions of social inequality, structural violence and the experience of precarity. Designed for both researchers and students, it provides a comprehensive way of accessing what is radically original about this crucial political theorist.

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In such works as Gender Trouble and Bodies That Matter Judith Butler broke new ground in understanding the construction and performance of identities. While Butler's writings have been crucial and often controversial in the development of feminist and queer theory, Bodily Citations is the first anthology centered on applying her theories to religion. In this collection scholars in anthropology, biblical studies, theology, ethics, and ritual studies use Butler's work to investigate a variety of topics in biblical, Islamic, Buddhist, and Christian traditions. The authors shed new light on Butler's ideas and highlight their ethical and political import. They also broaden the scope of religious studies as they bring it into conversation with feminist and queer theory. Subjects discussed include the woman's mosque movement in Cairo, the ordination of women in the Catholic Church, the possibility of queer ethics, religious ritual, and biblical constructions of sexuality. Contributors include: Karen Trimble Alliaume, Lewis University; Teresa Hornsby, Drury University; Amy Hollywood, Harvard Divinity School; Christina Hutchins, Pacific School of Religion; Saba Mahmood, University of California, Berkeley; Susanne Mrozik, Mount Holyoke College; Claudia Schippert, University of Central Florida; Rebecca Schneider, Brown University; Ken Stone, Chicago Theological Seminary

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In the Summer of 1972, 14-year-old Judith Roberts took off for a bike ride within the vicinity of her Staffordshire home. Her body was discovered after a three-day manhunt, concealed from view in a thick privet having been brutally attacked. The community of Tamworth was rocked by the news of her death and an outcry for justice ensued. Within weeks of her murder, an impressionable and troubled soldier, based in the nearby barracks, 17-year-old Andrew Evans, walked into a police station and confessed to the killing. Relentlessly interviewed for hours on end without representation or an appropriate adult present, Andrew was swiftly charged with Judith's murder. Despite attempting to recount his statement and a legal defence at trial that defied the prosecution's arguments that Andrew Evans was guilty, a judge sentenced him to life behind bars. He was eventually acquitted in 1997 in what was, at the time, Britain's longest miscarriage of justice. While Andrew Evans fought for his free

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With the publication of her highly acclaimed and much-cited book Gender Trouble, Judith Butler became one of the most influential feminist theorists of her generation. Her theory of gender performativity and her writings on corporeality, on the injurious capacity of language, on the vulnerability of human life to violence and on the impact of mourning on politics have, taken together, comprised a substantial and highly original body of work that has a wide and truly cross-disciplinary appeal. In this lively book, Moya Lloyd provides both a clear exposition and an original critique of Butler's work. She examines Butlers core ideas, traces the development of her thought from her first book to her most recent work, and assesses Butlers engagements with the philosophies of Hegel, Foucault, Derrida, Irigaray and de Beauvoir, as well as addressing the nature and impact of Butler's writing on feminist theory. Throughout Lloyd is particularly concerned to examine Butler's political theory, including her critical interventions in such contemporary political controversies as those surrounding gay marriage, hate-speech, human rights, and September 11 and its aftermath. Judith Butler offers an accessible and original contribution to existing debates that will be an invaluable resource for students and scholars alike.

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An homage to the life of poet, writer, and teaching artist Judith Tannenbaum and her impact on incarcerated and marginalized students. The Book of Judith honors Judith Tannenbaum but also reflects, through both form and content, on the complexities of seeing both the parts and the whole. The book presents different aspects of Judith—poet, teaching artist, friend, mentor, colleague—through a collection of original poetry, prose, essay, illustration, and fiction from 33 contributors. In so doing, it echoes her own determination to perceive contradiction without judgment. For the next generation of teaching artists in Corrections and elsewhere, the book serves as an inspiration on the qualities needed to survive and thrive in a multi-faceted, ever-changing environment. The book is divided into four sections, separated by riveting black and white pencil drawings inspired by the lives of those serving life in prison without possibility of parole. In Unfinished Conversations, contributors share their bond with Judith Tannenbaum through prose and excerpts from letters both real and imagined. In the second section, After December, poets reflect on the life, artistry, and legacy of Judith. The third section, Looking and Listening, focuses on the truth-seeking qualities that Judith brought to her work. The fourth section, Legacy, features work from winners of an award and a fellowship bestowed in her name.

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The juxtapositions of Zaha Hadid's architectural models and drawings and Judith Turner's photographs of the architect's buildings in this volume reveal that Hadid and Turner are complicit. There is a clear agreement of sensibilities. Each understands the other. Hadid does not design with complete geometries in stable con-figurations, but designs instead with incomplete or distorted geometries that are dynamic and visually unstable. Turner does the same in her photographs, cropping before a form completes itself in a frame that leaves the rest of the form suggested outside the frame. Hadid's work is abstract a permutation of Modernism's trifecta of point, line and plane. Turner's photography, too, is abstract so that Turner's photographs of Hadid's buildings compound the abstraction, arguably intensifying the three-dimension-al abstraction by compressing it into two. Hadid's neutral palette of materials, especially concrete, takes on value in Turner's graphic compositions of black, white and gray, counterintuitively giving neutrality subtle intensity. Hadid structures her designs dynamically with diagonal lines and oblique planes playing with and against each other in three-dimensional fields. Likewise Turner works on the diagonal, always positioning herself obliquely to buildings, shooting glancingly rather than frontally: her diagonal position further dynamizes Hadid's already energized diagonals. Often Turner doubles down on the diagonality by cranking the camera's lens off its up-down axis to heighten the architectural dynamism. Turning her photographic angle lofts Hadid's already anti-gravitational architectural system off the ground. Judith Turner resides in New York where she began taking photographs in 1972. She has had solo exhibitions in various cities in the United States, Europe, South America, Israel, and Japan. Turner has been awarded several grants and fellowships. She received an Honor Award from The American Institute of Architects in 1994 and a Stars of Design Award in Photography from The Design Center of New York in 2007.

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"Andrea Bobotis is a new, original voice as Southern as they come! In The Last List of Miss Judith Kratt, she unravels a complicated web of dirty Southern secrets. Using masterful writing and a perfectly calculated reveal of damaged history, she ends up weaving a tapestry that is so much more."—LEAH WEISS, bestselling author of If the Creek Don't RiseIn the hard-luck cotton town of Bound, South Carolina, some bury their secrets close to home. Others scatter them to the wind and hope they land somewhere far away.Judith Kratt inherited everything her family had to offer—the pie safe, the copper clock, the murder no one talks about. She's presided over the Carolina house quite well, thank you very much, with a little help from her companion, Olva.When her wayward sister suddenly returns, Judith must make an inventory of all that belongs to them—and her sister is determined to include the skeletons the Kratt family had hoped to take to their graves.Interweaving the present with chilling flashbacks from one fateful evening in 1929, Judith pieces together the devastating influence of the Kratt family on their small South Carolina cotton town, learning that the effects of dark family secrets can last a lifetime and beyond.Perfect for fans of Kim Michele Richardson, Hannah Pittard, and Sue Monk Kidd—Andrea Bobotis presents a book of small-town, Southern charm and dark family drama.

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Judith es una niña de nueve años a quien le encanta jugar con sus muñecas monstruosas. Le gusta tanto que, a veces, descuida hacer otras cosas.

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With the publication of her highly acclaimed and much-cited book Gender Trouble, Judith Butler became one of the most influential feminist theorists of her generation. Her theory of gender performativity and her writings on corporeality, on the injurious capacity of language, on the vulnerability of human life to violence and on the impact of mourning on politics have, taken together, comprised a substantial and highly original body of work that has a wide and truly cross-disciplinary appeal. In this lively book, Moya Lloyd provides both a clear exposition and an original critique of Butler's work. She examines Butlers core ideas, traces the development of her thought from her first book to her most recent work, and assesses Butlers engagements with the philosophies of Hegel, Foucault, Derrida, Irigaray and de Beauvoir, as well as addressing the nature and impact of Butler's writing on feminist theory. Throughout Lloyd is particularly concerned to examine Butler's political theory, including her critical interventions in such contemporary political controversies as those surrounding gay marriage, hate-speech, human rights, and September 11 and its aftermath. Judith Butler offers an accessible and original contribution to existing debates that will be an invaluable resource for students and scholars alike.

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La solitaria pasión de Judith Hearne, considerada la obra más influyente del novelista irlandés Brian Moore, narra la historia de la autodestrucción de una mujer honesta pero débil en el Belfast gris de la posguerra. Heredera directa de las solteronas de Dublineses, de James Joyce, Judith Hearne es una mujer de cierta edad que no conoce el amor, y que poco a poco ha ido cayendo socialmente en desgracia. Es pobre, aunque respetable. Vive en casas de huéspedes. Tiene pocos amigos y aquellos de los que está más cerca solo la toleran por lástima. Sometida a los prejuicios y aprensiones de una educación temerosa de Dios y más preocupada por las apariencias que por la consecución de la felicidad, confinada en una ciudad triste y casi inmóvil, lo que poca gente sabe es que Judith tiene una vida secreta. Una vida marcada por el estigma de la botella.Brian Moore, astuto cronista del alma humana, pasó a ser incluido tras la publicación de esta novela, en 1955, en la nómina de los escritores

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Formed by Harvey S. Shipley Miller, trustee of the Judith Rothschild Foundation, and given to MoMA in 2005, The Judith Rothschild Foundation Contemporary Drawings Collection was conceived to be a broad survey of contemporary drawing practice, and it more than fulfils that goal, mixing drawings of the 1960s and 1970s with major works of the past twenty years by such artists as Kai Althoff, Robert Crumb, Peter Doig, Marcel Dzama, Mark Grotjahn, Charline von Heyl, Martin Kippenberger, Sherrie Levine, Agnes Martin, Fred Sandback, Paul Thel and Andrea Zittel, among many others. This definitive catalogue raisonné presents the collection as a whole, with an introduction by Christian Rattemeyer; five essays each focusing on a different geographic area of artistic production; images throughout; and a text on paper conservation.

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An homage to the life of poet, writer, and teaching artist Judith Tannenbaum and her impact on incarcerated and marginalized students. The Book of Judith honors Judith Tannenbaum but also reflects, through both form and content, on the complexities of seeing both the parts and the whole. The book presents different aspects of Judith—poet, teaching artist, friend, mentor, colleague—through a collection of original poetry, prose, essay, illustration, and fiction from 33 contributors. In so doing, it echoes her own determination to perceive contradiction without judgment. For the next generation of teaching artists in Corrections and elsewhere, the book serves as an inspiration on the qualities needed to survive and thrive in a multi-faceted, ever-changing environment. The book is divided into four sections, separated by riveting black and white pencil drawings inspired by the lives of those serving life in prison without possibility of parole. In Unfinished Conversations, contributors share their bond with Judith Tannenbaum through prose and excerpts from letters both real and imagined. In the second section, After December, poets reflect on the life, artistry, and legacy of Judith. The third section, Looking and Listening, focuses on the truth-seeking qualities that Judith brought to her work. The fourth section, Legacy, features work from winners of an award and a fellowship bestowed in her name.

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A lavishly illustrated retrospective in celebration of 100 years since Judith Kerr’s birth, author of The Tiger Who Came to Tea and many other iconic books. Judith Kerr was one of the best-loved authors and illustrators to ever put pencil to paper. The books she created, including The Tiger Who Came to Tea, Mog the Forgetful Cat, When Hitler Stole Pink Rabbit and many many more, have become classics of children’s literature, loved by generations of readers. But what of the life behind the iconic characters? Judith’s own story is riveting, from her early childhood in Berlin, dramatically cut short by the family having to flee the rising Nazi Party, to her time at the BBC in the 1950s and her long and happy marriage to the celebrated screenwriter Nigel Kneale, creator of British television’s first major hit, The Quatermass Experiment. The joy of this very special book is in hearing this story from Judith herself, accompanied by a treasure trove of illustrations and memorabilia. All combine to give an unforgettable insight into the creative process behind these beloved stories. This book was published in 2013, but Judith continued to work up until her death in 2019. While she may have gone, her creatures live on. They are much-loved characters who spring to life from the pages of her books, but they are also those who have played a part in her inspirational life. They are to be found here, in a book to cherish and return to again and again. In 2023 we celebrate 100 years since Judith’s birth and in this updated edition, her final working years have been wonderfully evoked in a new chapter written by Judith’s son, the author, Matthew Kneale.

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In 1980 the book Judith Turner Photographs Five Architects was internationally recognized by architects who admired and valued Turner's unique way of seeing and photographing architecture. This new book contains photographs taken between 1974 and 2009 of buildings designed by 17 well-known architects including: Peter Eisenman, Louis Kahn, Fumihiko Maki, Norman Foster, Frank Lloyd Wright, Le Corbusier, Frank Gehry, Zaha Hadid, Alvar Aalto, Shigeru Ban and Renzo Piano. From the beginning of her career, Turner has used architecture as subject matter. Ambiguity has always been a hallmark of her work where solids become voids, causing positive and negative to reverse. The photos are small fragments of architecture taken out of context. Through her eyes, the subject is decomposed and recreated, assuming a new meaning. The photographs are quiet, yet dynamic, beautifully framed compositions. Architects have commented that she exposes elements of their work they never imagined existed. Thus, while using architecture as subject matter to invent her own worlds, Turner is also revealing some of its inherent complexities.

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