Search results for ""Atlantic Monthly Press""

"Matterhorn" author Karl Marlantes' nonfiction debut is a powerful book about the experience of combat and how inadequately we prepare our young men and women for the psychological and spiritual stresses of war. One of the most important and highly-praised books of 2011, Karl Marlantes' "What It Is Like to Go to War" is set to become just as much of a classic as his epic novel "Matterhorn". In 1968, at the age of twenty-two, Karl Marlantes was dropped into the highland jungle of Vietnam, an inexperienced lieutenant in command of a platoon of forty Marines who would live or die by his decisions. In his thirteen-month tour he saw intense combat. He killed the enemy and he watched friends die. Marlantes survived, but like many of his brothers in arms, he has spent the last forty years dealing with his experiences. In "What It Is Like to Go to War", Marlantes takes a deeply personal and candid look at the experience and ordeal of combat, critically examining how we might better prepare our young soldiers for war. War is as old as humankind, but in the past, warriors were prepared for battle by ritual, religion, and literature - which also helped bring them home. In a compelling narrative, Marlantes weaves riveting accounts of his combat experiences with thoughtful analysis, self-examination, and his readings - from Homer to the Mahabharata to Jung. He tells frankly about how he is haunted by the face of the young North Vietnamese soldier he killed at close quarters and explains how he finally found a way to make peace with his past. He makes it clear just how poorly prepared our nineteen-year-old warriors - mainly men but increasingly women - are for the psychological and spiritual aspects of their journey.

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In this insightful anthology, historians Marvin E. Gettleman and Stuart Schaar have assembled a broad selection of documents and contemporary scholarship to give a view of the history of the peoples from the core Islamic lands, from the Golden Age of Islam to today. With carefully framed essays beginning each chapter and brief introductory notes accompanying over seventy readings, the anthology reveals the multifaceted societies and political systems of the Islamic world. Selections range from theological texts illuminating the differences between Shiite and Sunni Muslims, to diplomatic exchanges and state papers, to memoirs and literary works, to manifestos of Islamic radicals. This newly revised and expanded edition covers the dramatic changes in the region since 2005, and the popular uprisings that swept from Tunisia in January 2011 through Egypt, Libya, and beyond. The Middle East and Islamic World Reader is a fascinating historical survey of complex societies that--now more than ever--are crucial for us to understand.

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Can one be both an ethical person and an effective businessperson? Stephen Green, an ordained priest and the chairman of HSBC, thinks so. In Good Value, Green retraces the history of the global economy and its financial systems, and shows that while the marketplace has delivered huge advantages to humanity, it has also abandoned over a billion people to extreme poverty, encouraged overconsumption and debt, and ravaged the environment. How do we reconcile the demands of capitalism with both the common good and our own spiritual and psychological needs as individuals? To answer that, and some of the most vexing questions of our age, Green takes us on a lively and erudite journey through history, looking for lessons in the work of economists and philosophers, businessmen and poets, theologians and novelists, playwrights and political scientists. An essential business book by a man who is uniquely qualified to write it, Good Value is a timely and persuasive analysis of the most pressing financial and moral questions we face.

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A New York Times Editors' Choice and a blazing and authentic new literary voice, Peter Nathaniel Malae's raw and powerful, bullet-fast debut novel looks at contemporary America through the eyes of one disillusioned son. What We Are follows twenty-eight-year-old Samoan-American Paul Tusifale as he strives to find his place in a culture that barely acknowledges his existence. Within San Jose's landscape of sprawling freeways and dotcom headquarters, where the plight of migrant workers is ever-present, Paul lives outside society, a drifter who takes a personal interest in defiantly--even violently--defending those in need. As he moves through the lives of sinister old friends, suburban cranksters, and septuagenarian swingers, Paul battles to find the wisdom he desperately needs, whether through adhering to tradition or casting it aside. A dynamic addition to America's diverse literature of the outsider, What We Are establishes Peter Nathaniel Malae as an authentic, gifted new writer, whose muscular prose brings to life the pull of a departed father's homeland, the anger of class divisions, the noise of the evening news, and in the end beautifully renders the pathos of the disengaged.

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A Girl Made of Dust is a sophisticated exploration of one family’s private battle to survive in the midst of civil war. In her peaceful town outside Beirut, Ruba is slowly awakening to the shifting contours within her household: hardly speaking and refusing to work, her father has inexplicably withdrawn from his family; her once-youthful mother looks so sad that Ruba imagines her heart must have withered like a fig in the heat; and Ruba’s older brother has begun to secretly meet with older boys who carry guns. When Ruba decides that to salvage her family she must first save her father, she uncovers a long-buried secret that will send her on a journey away from the safety of childhood and into a brutal reality where men kill in the name of faith and race, past wrongs remain unforgiven, and where nothing less than courageous acts of sacrifice and unity can offer survival. A Girl Made of Dust is a coming-of-age story sparked, but not consumed, by violence and loss. This strikingly assured debut captures both a country and a childhood plagued by a conflict that even at its darkest and most threatening, carries the promise of healing and retribution.

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The three linked novellas that comprise Josh Weil's masterful debut bring us into America's remote and often unforgiving backcountry, and delicately open up the private worlds of three very different men as they confront love, loss, and their own personal demons. Set in the hardscrabble hill country between the Virginias, The New Valley is populated by characters striving to forge new lives in the absence of those they have loved. Told in three varied and distinct voices-- from a soft-spoken middle-aged beef farmer struggling to hold himself together after his dad's death; to a health-obsessed single father desperate to control his reckless, overweight daughter; to a mildly retarded man who falls in love with a married woman intent on using him in a scheme that will wound them both--each novella is a vivid, stand-alone examination of Weil's uniquely romanticized relationships. As the men battle against grief and solitude, their heartache leads them all to commit acts that will bring both ruin and salvation. Written with a deeply American tone, focused attention to story, and veneration for character, The New Valley is a tender exploration of survival, isolation, and the deep, consuming ache for human connection.

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Now in paperback, Jose Manuel Prieto's Rex is a sexy, zany, and sophisticated literary game rife with allusions to Proust and Borges, set in a world of wealthy Russian expats and mafiosos who have settled in western Europe. J. is a young Cuban man who, thanks to his knowledge of Russian and Spanish, has become the tutor of the young son of a wealthy Russian couple living in Marbella, in the part of southern Spain that the Russian mafia has turned into its winter quarters. As J. attempts to give the boy a general grade-school education by exclusively reading him Proust, he also becomes the personal secretary of the boy's father, Vasily, an ex-scientist that J. suspects is on the run from gangsters. Vasily's wife, Nelly, a seductive woman always draped in mind-boggling quantities of precious stones, believes the only way to evade the gangsters is an extravagant plan linking Vasily to the throne of the czars. Rex is an unforgettable achievement: an illusory, allusive gem of a novel that confirms Jose Manuel Prieto as one of the most talented writers of his generation.

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Whether he is accidentally cooking his brain with hand warmers or yanking his lure away from a trophy fish just before it takes the bait, Bill Heavey can do no right. For almost a decade, he has chronicled his incompetence on the back page of Field & Stream, where his hilarious dispatches about life as a hapless outdoorsman who lives in suburbia have earned him legions of fans. But Heavey is more than a humorist. The stories in this book range from amusing tales of a modern dad struggling to navigate the finer points of parenting and married life to longer and more serious narratives that involve travel, adventure, and tragedy. No matter what he's writing about, Heavey is a master of blending humor and pathos--and wide-ranging outdoor enthusiasms--into a poignant and potent stew.

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In the universally-praised Returning to Earth, Jim Harrison has delivered a masterpiece—a tender, profound, and magnificent novel about life, death, and the possibility of finding redemption in unlikely places. Donald is a middle-aged Chippewa-Finnish man slowly dying of Lou Gehrig’s disease. His condition deteriorating, he realizes no one will be able to pass on to his children their family history once he is gone. He begins dictating to his wife, Cynthia, stories he has never shared with anyone—as around him, his family struggles to lay him to rest with the same dignity with which he has lived. Over the course of the year following Donald’s death, his daughter begins studying Chippewa ideas of death for clues about her father’s religion, while Cynthia, bereft of the family she created to escape the malevolent influence of her own father, finds that redeeming the past is not a lost cause. Returning to Earth is a deeply moving book about origins and endings, making sense of loss, and living with honor for the dead. It is among the finest novels of Harrison’s long, storied career, and confirms his standing as one of the most important American writers now working.

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In this brilliant, multilayered, espionage thriller, the 2005 Ian Fleming Steel Dagger Award winner Henry Porter captures the tense final moments before the fall of the Berlin Wall. September 1989. The Communist government in East Germany is on the brink of collapse. Even the Stasi, one of the most formidable intelligence agencies of all time, can’t stop the rebellion that ends in the fall of the Berlin Wall. Dr. Rudi Rosenharte, formerly a Stasi foreign agent, is sent to Trieste to rendezvous with his old lover and agent, Annalise Schering, who the Stasi believe Annalise has vital intelligence. The problem: Rudi knows she’s dead. He saw her lying in her own bloodied bathwater, and then kept her suicide a secret. As collateral for this mission, the Stasi have imprisoned Rosenharte's family. But the Stasi is not the only intelligence agency using Rosenharte. Soon the British and Americans encircle him, forcing him to choose between abandoning his beloved brother to a torturous death and returning to East Germany as a double agent. As the political pressures against the East German government rise, Rudi must face his own crises. Brandenburg Gate shows Henry Porter at the top of his game.

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Winner of the PEN/Faulkner award for fiction in 2003, The Caprices is a collection of stories artfully told across the theatre of the Pacific Campaign of World War II. An Anglo-Indian cavalryman, his homeland on the brink of revolution, finds himself in Malaysia fighting to protect British interests. Two soldiers lost in the jungle with a Japanese prisoner confront their prejudices toward each other, and the nature of being American. An island witnesses the passing of history from Magellan, to Amelia Earhart, to the dropping of the atomic bomb. With exquisite lyricism tempered by a journalist’s eye for detail, Murray shines light on the tangle of battles created by that conflict, the violent reach across the generations, the shattering reverberations in memory. With this collection, Sabina Murray established herself as a passionate and wise voice of literary fiction.

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Only ninety miles of open water separate Florida from Cuba. But after more than forty-five years of Communist rule, the two tropical paradises couldn’t be more different. José Latour, who has been lavishly praised by Martin Cruz Smith, brilliantly brings both worlds to life in Comrades in Miami. In Havana, spymaster Victoria Valiente, head of Cuban Intelligence’s vital Miami Desk, and her husband, Manuel Pardo, a computer expert, are tired of their sacrifices. They try to pull the wool over the Chief ’s eyes and escape to freedom after an electronic heist, but their actions take place in a world of espionage as cutthroat as anything from the height of the Cold War. Both governments draw out all the players, including a gardener with more abilities than just a green thumb, secret foreign operatives, the FBI, and an unsuspecting former English teacher. Comrades in Miami is a tour de force, an exquisitely crafted novel of sex, politics, and espionage that bridges the gap between the neon streets of Miami and the crumbling facades of Havana.

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Jim Harrison's vivid, tender, and deeply felt fictions have won him acclaim as an American master of the novella. His latest highly acclaimed volume of novellas, The Summer He Didn't Die, is a sparkling and exuberant collection about love, the senses, and family, no matter how untraditional. In the title novella, "The Summer He Didn't Die," Brown Dog, a hapless Michigan Indian, is trying to parent his two stepchildren and take care of his family's health on meager resources — it helps a bit that his charms are irresistible to the new dentist in town. "Republican Wives" is a wicked satire on the sexual neuroses of the right, the emptiness of a life lived for the status quo, and the irrational power of love that, when thwarted, can turn so easily into an urge to murder. And "Tracking" is a meditation on Harrison's fascination with place, telling his own familiar mythology through the places his life has seen and the intellectual loves he has known. With wit as sharp and prose as lush as any Harrison has yet written, The Summer He Didn't Die is a resonant, warm, and joyful ode to our journey on this earth.

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The Falcon of Palermo opens with the nations of modern Europe just beginning to take shape, while the papacy clings to its temporal power. Into this era of shifting borders and alliances steps a leader who will become legendary — the brilliant maverick, Frederick II. After losing his parents, Emperor Henry Hohenstaufen and Queen Constance, by age four, a young, neglected Frederick runs among the urchins in the Muslim quarter while German warlords overrun Sicily. To restore order the Pope sends Archbishop Berard, a warmhearted man who gradually develops a deep bond with the gifted boy. Fluent in Arabic and strongly influenced by Muslim culture, Frederick aims to return Sicily to her former glory. However, when elected Holy Roman Emperor in a surprise move by the German princes, his vision grows. Once established as the unchallenged ruler, Frederick works to create an empire equal to that of Rome. Marked by his struggle with the Papacy for the domination of Europe, his glorious feats in battle, his recapturing of the Holy Land, his falconry, and the passions that led him to wives, mistresses, and one enduring love, Frederick's life is a fascinating glimpse into a pivotal period in medieval history.

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After critics raved over Olympia Vernon's first novel, Eden, Vernon returns to the Deep South for the story of Logic, a young girl struggling to free herself from the unspeakable condition she refers to as "the butterflies floating inside" her. As a child Logic Harris survived a fall from a tree-an accident that precipitated her transformation into a young girl lost in her own world. Logic's mother has secretly wished that Logic had not survived, and she now ignores the increasingly apparent evidence of the aberrant attention Logic's father bestows upon his daughter in her adolescence. As her mother retreats into her work as a neighborhood midwife and Logic's father collapses into paranoia, Logic is left to navigate alone what she scarcely understands. In inspired prose, stunning in its imaginative authority, Logic is a chilling allegory about the dangers of silence and a searing portrait of a girl lost in shame and fear, and a family and community too scarred by their own wounds to save her.

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In 1986, with contractors stealing an estimated 10 percent of the total federal budget by fraud, Congress passed a newly strengthened anticorruption law. Ordinary citizens could file lawsuits on behalf of the government to recover money stolen from the public treasury, and they would share in the result. In the years since, the False Claims Act has emerged as one of the nation's most potent weapons against corporate greed. Giantkillers is the story of that law: why it was needed, how it works, who brought it back to life, how it has survived the many attempts to kill it, and what it has accomplished. Charged with intrigue and courtroom drama, Giantkillers describes how an unlikely team—a conservative senator, a liberal congressman, and a crusading public interest attorney—revitalized one of America's oldest public interest laws that was gutted by lobbyists and almost forgotten. Recounting the battles for justice with a novelist's eye for their human drama, Scammell tells how the trailblazing firm of Phillips and Cohen gave the law back its teeth and made triumphant heroes out of those previously scorned as "whistle-blowers."

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With Little Savage, Emily Fragos delivers a magnificent collection in the American tradition of Robert Lowell and Elizabeth Bishop. With clean, strongly wrought lines she builds poems that are elegant and powerful. Marie Ponsot calls the collection “remarkable. What separates Fragos from her contemporaries is her amazing ability to empathize with the characters she creates—the misfits, the artists, the children kept in a fifteenth century school, the composer going mad. She convincingly becomes a young girl in the Venetian conservatory for the abandoned: “Sofia del violino. Once I saw myself / in a clear puddle of rain / water. My teeth are very crooked, I / know. We are none of us / startled by the other. We are all / the same. To Heaven.” These moments ache with honesty, humility, and make us wish that every sentiment expressed by Fragos could be true. Deceptively simple poems written by an unostentatiously skilled poet, Little Savage is permeated with a reverence for nature, music, myth and dance—a veritable treasure trove of compassion and grace. Richard Howard's Foreword You are alone in the room, reading her poems. Nothing is happening, nothing wrong, but all at once, say around page 17 or 18, you hear – remember, no one is with you, no one else is there—a sigh. Or a whispered word: someone. You are not alarmed, but you had thought you were alone. Perhaps not. The sensation is what Freud used to call unheimlich, uncanny. That is the effect of the poems of Emily Fragos. Like their maker, her readers are accompanied, and not to their ulterior knowledge. It is not disagreeable to be thus escorted, attended, joined, but we had not expected it. And as Robert Frost used to tell us (“no surprise in the writer, no surprise in the reader”), Fragos too has not expected such visitations, as she will call them. This poet—these poems—endure otherness, they are haunted: “I remain, with one of everything.” Even as one is being saved…conjure the army of others” “What would happen to my life when all along there has been nothing but me?” “Did you not see how I was made to feel when you put me among others” “And my body—uninhabited—suffers and wonders: whose hands are these? whose hair?” The poems will reveal whose, though I do not think Emily Fragos herself ever finds out. Inevitably, we recall that old surrealist shibboleth, “Tell me by what you are haunted and I will tell you who you are;” it can be the password to indentity. But this poet has what she calls “luxurious mind” and her ghosts are legion: Alone in my odd-shaped room, I practice Blindness and the world floats close and away. I am uncertain of everything. I must walk slowly, carefully. She is acknowledging, with some uneasiness (“will you please tidy up?”), that it is not only the beloved dead, the proximate departed who are with her, who possess her, but others, any others. The remarkable thing about this poetic consciousness is that the woman’s body is inhabited—sometimes with mere habitude, sometimes joyously, more often with astonishing pain—by the prolixity of the real (and of the ‘unreal’); the poems are instinct with others: How dare you Care for me when all my life I have had this voltage to ignite me, this rhythm to drive me, when something inside your body dares me to touch my hands to yours… And quite as remarkable, of course, is the even tonality of such possession; there is nothing hysterical or even driven about the voice of the poems as it records, as it laments or exults in these unsought attendants. There is merely—merely!—a loving consistency of heedfulness; and one remembers Blake’s beautiful aphorism: unmixed attention is prayer. Of course such poetic staffage is not peculiar to Emily Fragos; like Maeterlinck, like Rilke, she exults in her discovered awareness: “I need the other/the way a virus/needs a host.” Rather, she imbues, she infects all of us with the consciousness that there are no single souls: we are not alone.

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In the spirit of his savagely funny and national best-seller Parliament of Whores, Give War a Chance is P. J. O'Rourke's number one New York Times best-selling follow-up. O'Rourke runs hilariously amok by tackling the death of Communism, sanctimonious liberals, and America's perennial bad guy Saddam Hussein in a series of classic dispatches from his coverage of the 1991 Gulf War. Here is our most mordant and unnervingly funny political satirist on: Kuwait City after the Gulf War: "It looked like all the worst rock bands in the world had stayed there at the same time." On Saddam Hussein, O'Rourke muses: "He's got chemical weapons filled with ... chemicals. Maybe he's got The Bomb. And missiles that can reach Riyadh, Tel Aviv, Spokane. Stock up on nonperishable foodstuffs. Grab those Diet Coke cans you were supposed to take to the recycling center and fill them up with home heating oil. Bury the Hummel figurines in the yard. We're all going to die. Details at eleven."

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Susan Kinsolving's first collection, Dailies & Rushes, was hailed as a remarkable debut by The New York Times, The New Yorker, and The Wall Street Journal, and named a finalist for the National Book Critics Circle Award. In her new work, The White Eyelash, she turns the extremes of her recent experiences into poems of harsh factuality. This dark narrative sequence is highly contrasted by the humor presented in a section called "Light Fare and Oddballs." Once again, Kinsolving exhibits a daunting range with signature style and substance.

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