Search results for ""Atlantic Monthly Press""

A Book of the Year in Rolling Stone, Uncut, Mojo, The Telegraph and the Glasgow HeraldThis troubadour life is only for the fiercest hearts, only for those vessels that can be broken to smithereens and still keep beating out the rhythm for a new song.Last Chance Texaco is the first-ever no-holds-barred account of the life of two-time Grammy Award-winner Rickie Lee Jones, in her own words. It is a tale of desperate chances and impossible triumphs, an adventure story of a girl who beat the odds and grew up to become one of the most legendary artists of her time, turning adversity and hopelessness into timeless music.With candour and lyricism, the 'Duchess of Coolsville' (Time) takes us on a singular journey through her nomadic childhood, to her years as a teenage runaway, through her legendary love affair with Tom Waits, and ultimately her longevity as the hardest working woman in rock and roll. Rickie Lee's stories are rich with the infamous characters of her early songs - 'Chuck E's in Love,' 'Weasel and the White Boys Cool,' 'Danny's All-Star Joint' and 'Easy Money' - but long before her notoriety in show business, there was a vaudevillian cast of hitchhikers, bank robbers, jail breaks, drug mules, a pimp with a heart of gold, and tales of her fabled ancestors.In this electrifying and intimate memoir by one of the most remarkable, trailblazing and tenacious women in music are never-before-told stories of the girl in the raspberry beret, a singer-songwriter whose music defied categorization and inspired pop culture for decades.

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Dream Work, a collection of forty-five poems, follows both chronologically and logically Mary Oliver’s American Primitive, which won her the Pulitzer Prize for poetry in 1983. The depth and diversity of perceptual awareness — so steadfast and radiant in American Primitive — continues in Dream Work. Additionally, she has turned her attention in these poems to the solitary and difficult labors of the spirit — to accepting the truth about one’s personal world, and to valuing the triumphs while transcending the failures of human relationships.

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Frantz Fanon's seminal work on anticolonialism and the fifth year of the Algerian Revolution. Psychiatrist, humanist, revolutionary, Frantz Fanon was one of the great political analysts of our time, the author of such seminal works of modern revolutionary theory as The Wretched of the Earth and Black Skin, White Masks. He has had a profound impact on civil rights, anticolonialism, and black consciousness movements around the world. A Dying Colonialism is Fanon's incisive and illuminating account of how, during the Algerian Revolution, the people of Algeria changed centuries-old cultural patterns and embraced certain ancient cultural practices long derided by their colonialist oppressors as "primitive," in order to destroy those oppressors. Fanon uses the fifth year of the Algerian Revolution as a point of departure for an explication of the inevitable dynamics of colonial oppression. This is a strong, lucid, and militant book; to read it is to understand why Fanon says that for the colonized, "having a gun is the only chance you still have of giving a meaning to your death."

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This powerful collection of articles, essays, and letters spans the period between Black Skin, White Masks (1952) and The Wretched of the Earth (1961), Fanon’s landmark manifesto on the psychology of the colonized and the means of empowerment necessary for their liberation. These pieces display the genesis of some of Fanon’s greatest ideas — ideas that became so vital to the leaders of the American civil rights movement.

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"The myth of Charles Manson is not likely to survive the impact of his own words,” Nuel Emmons writes in the introduction to Manson In His Own Words, the shocking true confessions that lay bare the life and mind of the cult leader and notorious criminal. His story provides an enormous amount of new information about his life and how it led to the Tate-LaBianca murders, and reminds us of the complexity of the human condition. Born in the middle of the Great Depression to an unmarried fifteen-year-old, Manson lived through a succession of changing homes and substitute parents, until his mother finally asked the state authorities to assume his care when he was twelve. Regimented and often brutalized in juvenile homes, Manson became immersed in a life of petty theft, pimping, jail terms, and court appearances that culminated in seven years of prison. Released in 1967, he suddenly found himself in the world of hippies and flower children, a world that not only accepted him, but even glorified his anti-establishment values. It was a combination that led, for reasons only Charles Manson can fully explain, to tragedy. Manson’s story, distilled from seven years of interviews and examinations of his correspondence, provides sobering insight into the making of a criminal mind, and a fascinating picture of the last years of the sixties. No one who wants to understand that time, and the man who helped to bring it to a horrifying conclusion, can miss reading this book.

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“Mr. Harrison’s perceptions are jagged and cutting . . . a remarkably well-plotted story.”—Christopher Lehmann-Haupt, The New York TimesThe New York Times bestselling author of thirty-nine books of fiction, non-fiction, and poetry—including Legends of the Fall, Dalva, and Returning to Earth—Jim Harrison was one of our most beloved and acclaimed writers, adored by both readers and critics. His novel A Good Day to Die centers on an unlikely trio: a poet with a tendency to lapse into beatific reveries of superb fishing in cold, fast streams; a Vietnam vet consumed by uppers, downers, and violence; and a girl who loved only one of them—at first. With plans conceived during the madness of one long drunken night, the three of them leave Florida, driving west to buy a case of dynamite, determined to save the Grand Canyon from a dam they believe is about to be built. A Good Day to Die is an unrelenting tour de force, and a dark exploration of what it means to live beyond the pale in contemporary America. Returning Harrison fans will be ecstatic to find this in print once again, and for new readers, this work serves as the perfect introduction to Harrison’s remarkable insight, storytelling, and evocation of the natural world.

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"Among America's greatest poets, a true minimalist who can weave awesome poems from remarkably few words." -Richard Kostelanetz, New York Times Book Review Every generation of poets seems to harbor its own hidden genius, one whose stature and brilliance come to light after his talent has already been achieved and exercised. The same drama of obscurity and nuance that attended the discovery of Emily Dickinson and Wallace Stevens is suggested by the career of Robert Lax. An expatriate American whose work to date — more than forty books — has been published mostly in Europe, this 85-year-old poet built a following in the U.S. among figures as widespread as Mark Van Doren, e. e. cummings, Jack Kerouac, and Sun Ra. The works in Love Had a Compass represent every stage of Lax's development as a poet, from his early years in the 1940s as a staff writer for The New Yorker to his present life on the Greek Island of Patmos. An inveterate wanderer, Lax's own sense of himself as both exile and pilgrim is carefully evoked in his prose journals and informs the pages of the Marseille Diaries, published here for the first time. Together with the poems, they provide the best portrait available to date of one of the most striking and original poets of our age.

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We called him a devil and quarantined him behind such labels as 'the most dangerous man alive.' But Charles Manson remains a shocking reminder of our own humanity gone awry. This astonishing book lays bare the life and the mind of a man whose acts left us horrified. His story provides an enormous amount of information about his life and how it led to the Tate-LaBianca murders, and reminds us of the complexity of the human condition. Born in the middle of the Depression to an unmarried fifteen-year-old, Manson lived through a bewildering succession of changing homes and substitute parents, until his mother finally asked the state authorities to assume his care when he was twelve.Regimented and often brutalized in juvenile homes, Manson became immersed in a life of petty theft, pimping, jail terms and court appearances that culminated in seven years of prison. Released in 1967, he suddenly found himself in the world of hippies and flower children, a world that not only accepted him, but even glorified his anti-establishment values. It was a combination that led, for reasons only Charles Manson can fully explain, to tragedy. Manson's story, distilled from seven years of interviews and examinations of his correspondence, provides sobering insight into the making of a criminal mind, and a fascinating picture of the last years of the sixties. No one who wants to understand that time, and the man who helped to bring it to a horrifying conclusion, can miss reading this book.

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*Winner of the NYPL Young Lions Award**Winner of the CLMP Firecracker Award*Finalist for the NBCC John Leonard PrizeA New York Times Writer to Watch This SummerNamed a Best Book of the Year by Literary Hub and Library JournalIn 1990, three boys are born, unrelated but intertwined by circumstance: Dayo, Iseul and Youssef. They are adopted as infants and live in a shared bedroom perched atop a mosque in Staten Island. The boys are a conspicuous trio: Dayo is of Nigerian origin, Iseul is Korean and Youssef indeterminately Middle Eastern, but they are so close as to be almost inseparable. Nevertheless, Youssef is keeping a secret from his brothers: he has an imaginary double, a familiar who seems absolutely real, a shapeshifting creature he calls Brother. The boys' adoptive father, Imam Salim, is known for his radical sermons extolling the virtues of opting out of Western ideologies. But he is uncharismatic at home, a distant father who spends evenings in his study with whiskey-laced coffee, writing letters to his former compatriots back in Saudi Arabia. Like Youssef, he too has secrets, including the cause of his failing health, the reason for his nighttime excursions from the house and the truth about what happened to the boys' parents. When Imam Salim's path takes him back to Saudi Arabia, the boys will be forced to follow. There they will be captivated by an opulent, almost futuristic world and find traces of their parents' stories. But they will have to change if they want to survive in this new world, and the arrival of a creature as powerful as Brother will not go unnoticed.With stylistic brilliance and intellectual acuity, in Brother Alive Zain Khalid brings characters to vivid life with a bold energy that matches the great themes of his novel - family, capital, power, sexuality and the possibility of reunion for those who are broken.

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Over a century ago, Rilke went to the Jardin des Plantes in Paris, where he watched a pair of flamingos. A flock of other birds screeched by, and, as he describes in a poem, the great red-pink birds sauntered on, unphased, then 'stretched amazed and singly march into the imaginary.' This encounter - so strange, so typical of flamingos with their fabulous posture - is also still typical of how we interact with animals. Even as our actions threaten their very survival, they are still symbolic, captivating and captive, caught in a drama of our framing.This issue of Freeman's tells the story of that interaction, its costs, its tendernesses, the mythological flex of it. From lovers in a Chiara Barzini story, falling apart as a group of wild boars roams in their Roman neighbourhood, to the soppen emergency birth of a cow on a Wales farm, stunningly described by Cynan Jones, no one has the moral high ground here. Nor is this a piece of mourning. There's wonder, humour, rage and relief, too.Featuring pigeons, calves, stray dogs, mascots, stolen cats, and bears, to the captive, tortured animals who make up our food supply, powerfully described in Nobel Prize winner Olga Tokarczuk's essay, this wide-ranging issue of Freeman's will stimulate discussion and dreams alike.

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His future is disastrous, his present indecent, his past divine. He is Darcy Dancer, youthful squire of Andromeda Park, the great gray stone mansion inhabited by Crooks, the cross eyed butler, and the sexy, aristocratic Miss Von B. This sequel to The Destinies of Darcy Dancer, Gentleman finds our hero falling in with decidedly low company — like the dissolute Dublin poet, Foxy Slattery, and Ronald Rashers, who absconds with the family silver — before falling head over heels in love with the lissome Leila.

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In her first collection of stories since her PEN/Faulkner-winning The Caprices, Sabina Murray confronts the manipulation, compassion, ambition, and controversy surrounding some of the most intrepid and sadistic pioneers of the last four millennia. Iconic explorers and settlers are made intimately human as they plow through the un-navigated boundaries of their worlds to give shape to modern geography, philosophy, and science. As Ferdinand Magellan sets out on his final voyage, he forms an unlikely friendship with a rich scholar who harbors feelings for the captain, but in the end cannot save Magellan from his own greed. Balboa’s peek at the South Sea may never have happened if it wasn’t for his loyal and vicious dog, Leonico, and an unavoidable urge to relieve himself. And Captain Zimri Coffin is plagued by sleepless nights after reading Frankenstein, that is until his crew rescues two shipwrecked Englishmen who carry rumor of a giant and deadly white whale lurking in the depths of the ocean. With her signature blend of sophistication and savagery, darkness and humor, Sabina Murray investigates the complexities of faith, the lure of the unknown, and the elusive mingling of history and legend.

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Gabriel Tucker is a globe-trotting, trust fund–endowed twenty-nine-year-old who suddenly finds himself penniless and alone in the world, except for an old Miami Beach apartment building named the Venus De Milo Arms, the last thing of value left to him by his now-vanished family. Lacking skills or resources, he heads to Miami Beach to reconstruct his life, finding himself neighbors with an unlikely mix of tenants: an elderly Holocaust survivor, a lip-synching drag queen, a cynical two-bit gossip columnist, and a rebellious young performance artist who will eventually capture his heart. Within days, Gabriel is thrust into the outrageous world of South Beach, Miami of the nineties: temptations, quick fortunes, mountains of drugs, notorious murders, nonstop sex, and beautiful women (and men) for sale (or rent) are the order of the day. He is a ringside witness to the excesses and intrigues of Italian fashion empires, Cuban refugee supermodels, rapacious German developers, old-fashioned crooked politicians, and a cast of characters that would make Caligula blush. It is in South Beach that Gabriel will eventually discover the long-buried mysteries of his family and find a soul he never imagined he had and a love he never dreamed he deserved.

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From the winner of the NYPL Young Lions Fiction Award, CLMP Firecracker Award, and Bard Fiction Prize, and finalist for the NBCC John Leonard Prize, an astonishing debut novel about family, sexuality, and capitalist systems of control, following three adopted brothers who live above a mosque in Staten Island with their imam fatherIn 1990, three boys are born, unrelated but intertwined by circumstance: Dayo, Iseul, and Youssef. They are adopted as infants and share a bedroom perched atop a mosque in one of Staten Island’s most diverse and underserved neighborhoods. The three boys are an inseparable trio, but conspicuous: Dayo is of Nigerian origin, Iseul is Korean, and Youssef indeterminately Middle Eastern. Youssef shares everything with his brothers, except for one secret: he sees a hallucinatory double, an imaginary friend who seems absolutely real, a shapeshifting familiar he calls Brother. Brother persists as a companion into Youssef’s adult life, supporting him but also stealing his memories and shaking his grip on the world.The boys’ adoptive father, Imam Salim, is known in the community for his stirring and radical sermons, but at home he often keeps himself to himself, spending his evenings in his study with whiskey-laced coffee, reading poetry or writing letters to his former compatriots back in Saudi Arabia. Like Youssef, he too has secrets, including the cause of his failing health and the truth about what happened to the boys’ parents. When, years later, Imam Salim’s path takes him back to Saudi Arabia, the boys, now adults, will be forced to follow. There they will be captivated by an opulent, almost futuristic world, a linear city that seems to offer a more sustainable modernity than that of the West. But this conversion has come at a great cost, and Youssef and Brother too will have to decide if they should change to survive, or try to mount a defense of their deeply-held beliefs.Stylistically brilliant, intellectually acute, and deft in its treatment of complex themes, Brother Alive is a remarkable debut by a hugely talented writer that questions the nature of belief and explores the possibility of reunion for those who are broken.

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New York Times bestselling author Susan Isaacs returns to a pair of her readers’ favorite characters, former FBI agent Corie Geller and her retired cop dad, who must solve one of the NYPD’s coldest homicide cases—before the crime’s sole survivor is killed.When Corie Geller asked her parents to move from their apartment into the suburban McMansion she shares with her husband and teenage daughter, she assumed they'd fit right in with the placid life she’d opted for when she left the Joint Anti-terrorism Task Force of the FBI.But then her retired NYPD detective father gets a call from good-natured and slightly nerdy film professor April Brown—one of the victims of a case he was never able to solve. When April was a five-year-old, she’d emerged unscathed from the arson that killed her parents. Now, two decades later, April is asking for help. Someone has made an attempt on her life. It takes only a nanosecond for Corie and her dad to say yes, and they jump into a full-fledged investigation.If they don’t move fast, whoever attacked April is sure to strike again. But while her late father, Seymour Brown, was the go-to money launderer for the Russian mob – a mercurial and violent man with a penchant for Swiss watches and cheating on his wife – April Brown has no enemies. Well-liked by her students, admired by her colleagues, her only connection to crime is her passion for the noir movies of Hollywood’s golden age. Who would want her dead now? And who set that horrific fire, all those years ago?The stakes have never been higher. Yet as Corie and her dad are realizing, they still live for the chase. Savvy and surprising, witty and gripping, Bad, Bad Seymour Brown is another standout hit from the beloved Susan Isaacs.

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From “quite possibly the best historical novelist we have” (Philadelphia Inquirer), the fourth Joe Wilderness spy thriller, moving from Red Scare-era Washington, D.C. to a KGB prison near Moscow’s Kremlin In Moscow Exile, John Lawton departs from his usual stomping grounds of England and Germany to jump across the Atlantic to Washington, D.C., in the fragile postwar period where the Red Scare is growing noisier every day. Charlotte is a British expatriate who has recently settled in the nation’s capital with her second husband, a man who looks intriguingly like Clark Gable, but her enviable dinner parties and soirées aren’t the only things she is planning. Meanwhile, Charlie Leigh-Hunt has been posted to Washington as a replacement for Guy Burgess, last seen disappearing around the corner and into the Soviet Union. Charlie is soon shocked to cross paths with Charlotte, an old flame of his, who, t

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