Search results for ""university press of kentucky""

A legendary beauty, hailed as one of the greatest singing actors of her time, Jarmila Novotná (1907--1994) was an internationally known opera soprano from the former Czechoslovakia. Best known for her performances in Der Rosenkavalier, The Marriage of Figaro, and La Traviata, she was a celebrated performer at the Metropolitan Opera and other theaters across Europe and the United States. A "natural screen actress," Novotná also appeared in Hollywood hits such as The Search (1948) with Montgomery Clift (with whom she shared an enduring friendship) and The Great Caruso (1951) with Mario Lanza. She was also considered a pioneering "crossover" star who performed on Broadway, and worked in radio and television with Bing Crosby and Abbott and Costello. This gifted artist captivated audiences worldwide, and while she was still a young woman, the Czech government treated her as a national heroine and its cultural ambassador.In Jarmila Novotná: My Life in Song, editor William V. Madison brings Novotná's own English-language version of her best-selling memoir to readers for the first time. The memoir details how, following her debut in 1925 at the National Theater in Prague, her fame quickly evolved into a tremendous musical career at a time of unprecedented political upheaval. Novotná provides eyewitness accounts of the Nazi takeovers of Germany and Austria, the Soviet occupation of Czechoslovakia, and the aftermath of the Velvet Revolution in 1989, as well as her extensive travels in the United States during and after World War II.Throughout the memoir, lavishly illustrated with photos from her personal collection, Novotná shares entertaining stories about her time in Hollywood, an "unending stream of parties" -- including those hosted by Louis B. Mayer, co-founder of MGM Studios -- alongside such stars as Jimmy Stewart and Elizabeth Taylor. Novotná also offers revealing profiles of many notable artistic figures of the time, including director Max Reinhardt, composer Cole Porter, and conductor Arturo Toscanini, and dignitaries such as Dwight Eisenhower and TomᚠGarrigue Masaryk, the first president of Czechoslovakia. This fascinating self-portrait offers a window on history and the reflections of a captivating and supremely talented figure who left an indelible mark on the performing arts.

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During the second half of the nineteenth century, Memphis, Tennessee, had the largest metropolitan population of African Americans in the Mid-South region and served as a political hub for civic organizations and grassroots movements. On April 4, 1968, the city found itself at the epicenter of the civil rights movement when Dr. Martin Luther King Jr. was assassinated at the Lorraine Motel. Nevertheless, despite the many significant events that took place in the city and its citizens' many contributions to the black freedom struggle, Memphis has been largely overlooked by historians of the civil rights movement.In An Unseen Light, eminent and rising scholars offer a multidisciplinary examination of Memphis's role in African American history during the twentieth century. Together, they investigate episodes such as the 1940 "Reign of Terror" when black Memphians experienced a prolonged campaign of harassment, mass arrests, and violence at the hands of police. They also examine topics including the relationship between the labor and civil rights movements, the fight for economic advancement in black communities, and the impact of music on the city's culture. Covering subjects as diverse as politics, sports, music, activism, and religion, An Unseen Light illuminates Memphis's place in the long history of the struggle for African American freedom.

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Bobbie Ann Mason burst onto the American literary scene during a renaissance of short fiction that Raymond Carver called a "literary phenomenon." Anne Tyler hailed Mason as "a full-fledged master of the short story." Mason's work, charged with a spirit of exploration, garnered both popular and critical acclaim.This reader collects outstanding examples of Mason's award-winning work from throughout her writing career and provides a unique look at the development of one of the country's finest writers. Patchwork contains short stories first published in the New Yorker and other leading periodicals; chapters from Mason's acclaimed novels, including In Country, An Atomic Romance, and The Girl in the Blue Beret; and riveting excerpts from Mason's eclectic nonfiction. Some examples of Mason's recent explorations in flash fiction appear here in print for the first time.Mason's writing glows with a nuanced understanding of the struggles and pathos of American life in the twentieth and twenty-first centuries. George Saunders writes in his introduction, "Bobbie Ann Mason is a strange and beautiful writer.... Her stories exist to gently touch on, and praise, even mourn, what it feels like to be alive in this moment." Patchwork conveys Mason's extraordinary talent and range as a writer.

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Surrounded by potential adversaries, nineteenth-century Prussia and twentieth-century Germany faced the formidable prospect of multifront wars and wars of attrition. To counteract these threats, generations of general staff officers were educated in operational thinking, the main tenets of which were extremely influential on military planning across the globe and were adopted by American and Soviet armies. In the twentieth century, Germany's art of warfare dominated military theory and practice, creating a myth of German operational brilliance that lingers today, despite the nation's crushing defeats in two world wars.In this seminal study, Gerhard P. Gross provides a comprehensive examination of the development and failure of German operational thinking over a period of more than a century. He analyzes the strengths and weaknesses of five different armies, from the mid--nineteenth century through the early days of NATO. He also offers fresh interpretations of towering figures of German military history, including Moltke the Elder, Alfred von Schlieffen, and Erich Ludendorff. Essential reading for military historians and strategists, this innovative work dismantles cherished myths and offers new insights into Germany's failed attempts to become a global power through military means.

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In the spring of 1972, North Vietnam invaded South Vietnam in what became known as the Easter Offensive. Almost all of the American forces had already withdrawn from Vietnam except for a small group of American advisers to the South Vietnamese armed forces. The 23rd ARVN Infantry Division and its American advisers were sent to defend the provincial capital of Kontum in the Central Highlands. They were surrounded and attacked by three enemy divisions with heavy artillery and tanks but, with the help of air power, managed to successfully defend Kontum and prevent South Vietnam from being cut in half and defeated.Although much has been written about the Vietnam War, little of it addresses either the Easter Offensive or the Battle of Kontum. In Kontum: The Battle to Save South Vietnam, Thomas P. McKenna fills this gap, offering the only in-depth account available of this violent engagement. McKenna, a U.S. infantry lieutenant colonel assigned as a military adviser to the 23rd Division, participated in the battle of Kontum and combines his personal experiences with years of interviews and research from primary sources to describe the events leading up to the invasion and the battle itself.Kontum sheds new light on the actions of U.S. advisers in combat during the Vietnam War. McKenna's book is not only an essential historical resource for America's most controversial war but a personal story of valor and survival.

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Poet, social justice advocate, and theologian Thomas Merton (1915--1968) is arguably the most influential American Catholic author of the twentieth century. In his short lifetime, he penned over seventy books and maintained a brisk correspondence with colleagues around the globe. However, many Merton scholars and fans remain unaware of the significant body of letters that were exchanged between the Trappist monk and Victor and Carolyn Hammer.Unable to leave his home at the Abbey of Gethsemani except on special occasions, Merton developed a unique friendship with this couple from nearby Lexington, Kentucky. Carolyn, who supplied Merton with many of the books he required for his writing and teaching, was a founder of the King Library Press at the University of Kentucky. Victor was an accomplished painter, sculptor, printer, and architect. The friendship and collaborations between Merton and the Hammers reveal their shared interest in the convergence of art, literature, and spirituality.In this volume, editors F. Douglas Scutchfield and Paul Evans Holbrook Jr. have collected the trio's complete correspondence for the first time. Their letters, arranged chronologically, vividly demonstrate a blossoming intellectual camaraderie and provide a unique opportunity to understand Merton's evolving philosophies. At times humorous, often profound, the letters in this volume shed light on a rare friendship and offer new insights into the creative intellect of Thomas Merton.

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This exceedingly timely book looks at the history of black activist athletes and the important role of the black community in making sure fair play existed, not only in sports, but across U.S. society.Most books that focus on ties between sports, black athletes, and the Civil Rights Movement focus on specific issues or people. They discuss, for example, how baseball was integrated or tell the stories of individuals like Jackie Robinson or Muhammad Ali. This book approaches the topic differently. By examining the connection between sports, black athletes and the Civil Rights Movement overall, it puts the athletes and their stories into the proper context. Rather than romanticizing the stories and the men and women who lived them, it uses the roles these individuals played - or chose not to play - to illuminate the complexities and nuances in the relationship between black athletes and the fight for racial equality.Arranged thematically, the book starts with Jackie Robinson's entry into baseball when he signed with the Dodgers in 1945 and ends with the revolt of black athletes in the late 1960s, symbolized by Tommie Smith and John Carlos famously raising their clenched fists during a medal ceremony at the 1968 Olympics. Accounts from the black press and the athletes themselves help illustrate the role black athletes played in the Civil Rights Movement. At the same time, the book also examines how the black public viewed sports and the contributions of black athletes during these tumultuous decades, showing how the black communities' belief in merit and democracy - combined with black athletic success - influenced the push for civil rights.•

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Why have the major, post-9/11, US military interventions turned into quagmires? Despite huge power imbalances, major capacity-building efforts, and repeated tactical victories by what many observers call the world's best military, the wars in Afghanistan and Iraq turned bloody and intractable. The US government's fixation on zero-sum decisive victory is an important part of the explanation why successful military operations to overthrow two developing-world regimes failed to achieve favorable and durable outcomes.In Zero-Sum Victory, Christopher D. Kolenda identifies three interrelated problems that have emerged from the government's insistence on a zero-sum victory. First, the US government has no organized way to consider successful outcomes alternative to decisive military victory and, thus, selects strategies that overestimate the prospects of such a victory. Second, the US is slow to recognize and modify or abandon losing strategies. In both cases, US officials believe their strategies are working even as the situations deteriorate. Third, once the US decides to withdraw, bargaining asymmetries and disconnects in strategy undermine the prospects for a successful transition or negotiated outcome.By making powerful historic comparisons and drawing from personal experience, Kolenda draws thought-provoking and actionable conclusions about the utility of American military power in the contemporary world.

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President John F. Kennedy established the Peace Corps on March 1, 1961. In the fifty years since, nearly 200,000 Americans have served in 139 countries, providing technical assistance, promoting a better understanding of American culture, and bringing the world back to the United States.In Voices from the Peace Corps: Fifty Years of Kentucky Volunteers, Angene Wilson and Jack Wilson, who served in Liberia from 1962 to 1964, follow the experiences of volunteers as they make the decision to join, attend training, adjust to living overseas and the job, make friends, and eventually return home to serve in their communities. They also describe how the volunteers made a difference in their host countries and how they became citizens of the world for the rest of their lives. Among many others, the interviewees include a physics teacher who served in Nigeria in 1961, a smallpox vaccinator who arrived in Afghanistan in 1969, a nineteen-year-old Mexican American who worked in an agricultural program in Guatemala in the 1970s, a builder of schools and relationships who served in Gabon from 1989 to 1992, and a retired office administrator who taught business in Ukraine from 2000 to 2002.Voices from the Peace Corps emphasizes the value of practical idealism in building meaningful cultural connections that span the globe.

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Scandal, adultery, secret marriages, celebrity, divorce, custody battles, suicide attempts, and alcoholism - the trials and tribulations of the Costellos were as riveting as any Hollywood feature film. Written with unprecedented access to the family's personal documents and artifacts - and interviews with several family members, including Dolores Barrymore Bedell (the daughter of John Barrymore and Dolores Costello) and Helene's daughter Deirdre - this riveting study explores the dramatic history of the Costellos and their extraordinary significance to the stage and screen.This eccentric, tragic, yet talented clan was one of the twentieth century's most accomplished families of actors - second only to the Barrymores, with whom they intermarried and begat a film dynasty riddled with jealousy, resentment, and heartbreak. Inevitably, the Costellos' brilliant achievements would be eclipsed by their own immutable penchant for self-destruction. Patriarch Maurice "Dimples" Costello (1877-1950) was considered the first screen idol and the first great movie star until his screen career, marked by accusations of spousal abuse, drunkenness, and physical assault, abruptly ended. His daughter Dolores married John Barrymore, arguably the most famous man in Hollywood during the late 1920s and early '30s, and their son would carry on the Barrymore name to successive generations of famous actors. Costello's other daughter, Helene, was the first actress to star in an all-talking picture, The Lights of New York (1928). However, her career was wracked by scandal in 1932 during her very public divorce from actor-director Lowell Sherman, who testified that his wife was a drunk and an avid reader of pornography.The original members of this pioneering family may be gone, but the name and legacy of the Costellos will live on through their accomplishments, films, and descendants - most notably, actress Drew Barrymore.

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On October 30, 1947, the House Committee on Un-American Activities concluded the first round of hearings on the allege Communist infiltration of the motion picture industry. Hollywood was ordered to "clean its own house," and ten witnesses who had refused to answer questions about their membership in the Screen Writers Guild and the Communist party eventually received contempt citations. By 1950 the Hollywood Ten, as they quickly became known, were serving prison sentences ranging from six months to a year. Since that time the group, which included writers, directors, and a producer, have been either dismissed as industry hacks or eulogized as Cold War martyrs, but never have they been discussed in terms of their profession.Radical Innocence is the first study to focus on the work of the Ten: their short stories, plays, novels, criticism, poems, memoirs, and, of course, their films. Drawing on myriad sources, including archival materials, unpublished manuscripts, black-market scripts, screenplay drafts, letters, and personal interviews, Bernard F. Dick describes the Ten's survival tactics during the blacklisting and analyzes the contribution of these ten individuals no only to film but also to the arts. Radical Innocence captures the personality of each of the Ten - the arrogant Herbert J. Biberman, the witty Ring Lardner, Jr., the patriarchal Samuel Ornitz, the compassionate Adrian Scott, and the feisty Dalton Trumbo.

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The flavor of bourbon adds flair and sophistication to every occasion. Celebrations in the Bluegrass State -- or any state, for that matter -- are never complete without the unique richness of this signature drink. Every holiday party is made warmer with bourbon balls and velvety bourbon eggnog, and no respectable Kentucky Derby party is complete without ice-cold mint juleps.Bourbon Desserts features more than seventy-five decadent desserts using America's native spirit. Celebrated food writer and home chef Lynn Marie Hulsman brings together a collection of confections highlighting the complex flavor notes of Kentucky bourbon, which are sure to delight the senses. Organized by category and beautifully presented, the delectable recipes include Bourbon Crème Brulee, Watermelon Julep Pops, Drunken Hot-Fudge Pudding Cake, Derby Morning Maple-Bourbon Hotcake Syrup, and Grandma Rose's Big Race Pie. Giving readers the confidence to prepare these easy-to-execute desserts, this cookbook also features fun facts about bourbon and its origins as well as tips and tricks for working in the kitchen.Designed for the amateur boozy baker but sophisticated enough for the culinary professional, the indispensable collection of recipes in Bourbon Desserts proves an old saying: "What whiskey and butter won't cure, there's no cure for."

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James Dalton Trumbo (1905--1976) is widely recognized for his work as a screenwriter, playwright, and author, but he is also remembered as one of the Hollywood Ten who opposed the House Un-American Activities Committee. Refusing to answer questions about his prior involvement with the Communist Party, Trumbo sacrificed a successful career in Hollywood to stand up for his rights and defend political freedom.In Dalton Trumbo, authors Larry Ceplair and Christopher Trumbo present their extensive research on the famed writer, detailing his work, his membership in the Communist Party, his long campaign against censorship during the domestic cold war, his ten-month prison sentence for contempt of Congress, and his thirteen-year struggle to break the blacklist.The blacklist ended for Trumbo in 1960, when he received screen credits for Exodus and Spartacus. Just before his death, he received a long-delayed Academy Award for The Brave One, and in 1993, he was posthumously given an Academy Award for Roman Holiday (1953). This comprehensive biography provides insights into the many notable people with whom Trumbo worked, including Stanley Kubrick, Otto Preminger, and Kirk Douglas, and offers a fascinating look at the life of one of Hollywood's most prominent screenwriters and his battle against persecution.

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Historical accounts and memoirs of the Vietnam War often ignore the participation of nations other than Vietnam and the United States. As a result, few Americans realize that several members of the Southeast Asian Treaty Organization (SEATO), including Australia, allied with South Vietnam during the conflict. By the late 1960s, more than eight thousand Australians were deployed in the region or providing support to the forces there.In Team 19 in Vietnam, David Millie offers an insightful account of his twelve-month tour with the renowned Australian Army Training Team Vietnam in Quang Tri Province -- a crucial tactical site along the demilitarized zone that was North Vietnam's gateway to the south. Drawing from published and unpublished military documents, his personal diary, and the letters he wrote while deployed, Millie introduces readers to the daily routines, actions, and disappointments of a field staff officer. He discusses his interactions with province senior advisor Colonel Harley F. Mooney and Major John Shalikashvili, who would later become chairman of the U.S. Joint Chiefs of Staff. This firsthand narrative vividly demonstrates the importance of the region and the substantial number of forces engaged there.Few Australian accounts of the Vietnam War exist, and Millie offers a rare glimpse into the year after the Tet offensive, when Presidents Johnson and Nixon both made it clear that the U.S. would withdraw its troops. This important memoir reveals that responsibility for the catastrophe inflicted on Vietnamese civilians is shared by an international community that failed to act effectively in the face of a crisis., reviewing a previous edition or volume

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Appalachia has played a complex and often contradictory role in the unfolding of American history. Created by urban journalists in the years following the Civil War, the idea of Appalachia provided a counterpoint to emerging definitions of progress. Early-twentieth-century critics of modernity saw the region as a remnant of frontier life, a reflection of simpler times that should be preserved and protected. However, supporters of development and of the growth of material production, consumption, and technology decried what they perceived as the isolation and backwardness of the place and sought to "uplift" the mountain people through education and industrialization. Ronald D Eller has worked with local leaders, state policymakers, and national planners to translate the lessons of private industrial-development history into public policy affecting the region.In Uneven Ground: Appalachia since 1945, Eller examines the politics of development in Appalachia since World War II with an eye toward exploring the idea of progress as it has evolved in modern America. Appalachia's struggle to overcome poverty, to live in harmony with the land, and to respect the diversity of cultures and the value of community is also an American story. In the end, Eller concludes, "Appalachia was not different from the rest of America; it was in fact a mirror of what the nation was becoming."

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Film stocks are vanishing, but the iconic images of the silver screen remain -- albeit in new, sleeker formats. Today, viewers can instantly stream movies on televisions, computers, and smartphones. Gone are the days when films could only be seen in theaters or rented at video stores: movies are now accessible at the click of a button, and there are no reels, tapes, or discs to store. Any film or show worth keeping may be collected in the virtual cloud and accessed at will through services like Netflix, Hulu, and Amazon Instant.The movies have changed, and we are changing with them. The ways we communicate, receive information, travel, and socialize have all been revolutionized. In Streaming, Wheeler Winston Dixon reveals the positive and negative consequences of the transition to digital formatting and distribution, exploring the ways in which digital cinema has altered contemporary filmmaking and our culture. Many industry professionals and audience members feel that the new format fundamentally alters the art, while others laud the liberation of the moving image from the "imperfect" medium of film, asserting that it is both inevitable and desirable. Dixon argues that the change is neither good nor bad; it's simply a fact.Hollywood has embraced digital production and distribution because it is easier, faster, and cheaper, but the displacement of older technology will not come without controversy. This groundbreaking book illuminates the challenges of preserving media in the digital age and explores what stands to be lost, from the rich hues of traditional film stocks to the classic movies that are not profitable enough to offer in streaming formats. Dixon also investigates the financial challenges of the new distribution model, the incorporation of new content such as webisodes, and the issue of ownership in an age when companies have the power to pull purchased items from consumer devices at their own discretion. Streaming touches on every aspect of the shift to digital production and distribution. It explains not only how the new technology is affecting movies, music, books, and games, but also how instant access is permanently changing the habits of viewers and influencing our culture.

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At the end of World War II, Gen. Dwight D. Eisenhower, fearing that retreating Germans would consolidate large numbers of troops in an Alpine stronghold and from there conduct a protracted guerilla war, turned U.S. forces toward the heart of Franconia, ordering them to cut off and destroy German units before they could reach the Alps. Opposing this advance was a conglomeration of German forces headed by SS-Gruppenführer Max Simon, a committed National Socialist who advocated merciless resistance. Under the direction of officers schooled in harsh combat in Russia, the Germans succeeded in bringing the American advance to a grinding halt.Caught in the middle were the people of Franconia. Historians have accorded little mention to this period of violence and terror, but it provides insight into the chaotic nature of life while the Nazi regime was crumbling. Neither German civilians nor foreign refugees acted simply as passive victims caught between two fronts. Throughout the region people pressured local authorities to end the senseless resistance and sought revenge for their tribulations in the "liberation" that followed.Stephen G. Fritz examines the predicament and outlook of American GI's, German soldiers and officials, and the civilian population caught in the arduous fighting during the waning days of World War II. Endkampf is a gripping portrait of the collapse of a society and how it affected those involved, whether they were soldiers or civilians, victors or vanquished, perpetrators or victims.

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When Heinz Lüning posed as a Jewish refugee to spy for Hitler's Abwehr espionage agency, he thought he had discovered the perfect solution to his most pressing problem: how to avoid being drafted into Hitler's army. Lüning was unsympathetic to Fascist ideology, but the Nazis' tight control over exit visas gave him no chance to escape Germany. He could enter Hitler's army either as a soldier... or a spy. In 1941, he entered the Abwehr academy for spy training and was given the code name "Lumann." Soon after, Lüning began the service in Cuba that led to his ultimate fate of being the only German spy executed in Latin America during World War II. Lüning was not the only spy operating in Cuba at the time. Various Allied spies labored in Havana; the FBI controlled eighteen Special Intelligence Service operatives, and the British counterintelligence section subchief Graham Greene supervised Secret Intelligence Service agents; and Ernest Hemingway's private agents supplied inflated and inaccurate information about submarines and spies to the U.S. ambassador, Spruille Braden. Lüning stumbled into this milieu of heightened suspicion and intrigue. Poorly trained and awkward at his work, he gathered little information worth reporting, was unable to build a working radio and improperly mixed the formulas for his secret inks. Lüning eventually was discovered by British postal censors and unwittingly provided the inspiration for Graham Greene's Our Man in Havana. In chronicling Lüning's unlikely trajectory from a troubled life in Germany to a Caribbean firing squad, Thomas D. Schoonover makes brilliant use of untapped documentary sources to reveal the workings of the famed Abwehr and the technical and social aspects of Lüning's spycraft. Using archival sources from three continents, Schoonover offers a narrative rich in atmospheric details to reveal the political upheavals of the time, not only tracking Lüning's activities but also explaining the broader trends in the region and in local counterespionage. Schoonover argues that ambitious Cuban and U.S. officials turned Lüning's capture into a grand victory. For at least five months after Lüning's arrest, U.S. and Cuban leaders -- J. Edgar Hoover, Fulgencio Batista, Nelson Rockefeller, General Manuel Benítez, Ambassador Spruille Braden, and others -- treated Lüning as a dangerous, key figure for a Nazi espionage network in the Gulf-Caribbean. They reworked his image from low-level bumbler to master spy, using his capture for their own political gain. In the sixty years since Lüning's execution, very little has been written about Nazi espionage in Latin America, partly due to the reticence of the U.S. government. Revealing these new historical sources for the first time, Schoonover tells a gripping story of Lüning's life and capture, suggesting that Lüning was everyone's man in Havana but his own.

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Louisville native John Jacob Niles (1892--1980) is considered to be one of our nation's most influential musicians. As a composer and balladeer, Niles drew inspiration from the deep well of traditional Appalachian and African American folk songs. At the age of sixteen Niles wrote one of his most enduring tunes, "Go 'Way from My Window," basing it on a song fragment from a black farm worker. This iconic song has been performed by folk artists ever since and may even have inspired the opening line of Bob Dylan's "It Ain't Me Babe."In I Wonder as I Wander: The Life of John Jacob Niles, the first full-length biography of Niles, Ron Pen offers a rich portrait of the musician's character and career. Using Niles's own accounts from his journals, notebooks, and unpublished autobiography, Pen tracks his rise from farm boy to songwriter and folk collector extraordinaire. Niles was especially interested in documenting the voices of his fellow World War I soldiers, the people of Appalachia, and the spirituals of African Americans. In the 1920s he collaborated with noted photographer Doris Ulmann during trips to Appalachia, where he transcribed, adapted, and arranged traditional songs and ballads such as "Pretty Polly" and "Black Is the Color of My True Love's Hair."Niles's preservation and presentation of American folk songs earned him the title of "Dean of American Balladeers," and his theatrical use of the dulcimer is credited with contributing to the popularity of that instrument today. Niles's dedication to the folk music tradition lives on in generations of folk revival artists such as Jean Ritchie, Joan Baez, and Oscar Brand. I Wonder as I Wander explores the origins and influences of the American folk music resurgence of the 1950s and 1960s, and finally tells the story of a man at the forefront of that movement.

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Literary fiction has presented readers with centuries of memorable women in trouble. Here, the author of the widely praised and beloved Come and Go, Molly Snow, Kentucky novelist Mary Ann Taylor-Hall, offers Jo Sinclair, a long-term single parent of four children. Fleeing an abusive relationship, she winds up in Sea Cove, New Jersey, in front of The Breakers, a salty old hotel in the process of renovation. In this unlikely setting, Jo finds a way to renovate herself, to reclaim the promising life that was derailed by pregnancy when she was fourteen. She impulsively convinces the owner to give her a job painting the rooms and settles in with her youngest child, thirteen-year-old Nick. A grand cast of characters wanders through this little world, among them Iris Zephyr, the hotel's ninety-two-year-old permanent boarder; Charlie, a noble mixed breed dog; Wendy, Jo's tough eighteen-year-old daughter, who has suffered most from her mother's past mistakes; Marco, the nearby gas station owner, who bids fair to become her mother's next mistake. Soon Victor Mangold, Jo's former teacher, a well-known and exuberant poet, arrives on the premises to stir everything up, including Jo's yearning for a life of art and committed love. At The Breakers is a deeply felt and beautifully written novel about forgiveness and reconciliation. Its heroine, put through the fire, comes out with a chance for happiness, if she can muster the faith, courage, and optimism to take that chance.

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Is hunting a bygone activity, out of touch with modern life; or is it valuable as an escape from it? Does hunting promote violence, not just to animals, but to humans as well? Is hunting, with its connection to the land and frontier experience, a heritage worth preserving? These questions form the foundations for discussion in Killing Tradition: Inside Hunting and Animal Rights Controversies. Simon J. Bronner sorts through the issues and goes behind the headlines to examine the basis of this hotly-charged subject. Using case studies as evidence, Bronner looks at a topic at the center of modern cultural debate.

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They're impossible to miss at grocery stores and newsstands in America: colorful, heavily illustrated tabloid newspapers with headlines promising shocking, unlikely, and sometimes impossible stories within. Although ubiquitous now, the supermarket tabloid's origin can be traced to one man: Generoso Pope Jr. (1921--1988), an eccentric, domineering chain-smoker who died of a heart attack at the age of sixty-one. In The Godfather of Tabloid, Jack Vitek explores the life and career of Pope and the founding of the mother of all tabloids, the National Enquirer. Upon graduating from MIT, Pope worked briefly for the CIA until he purchased the New York Enquirer with dubious financial help from mob boss Frank Costello. Working with American journalists and Brits from Fleet Street, Pope changed the name, format, and content of the modest newspaper until it resembled nothing America had seen before. Grounded in interviews with Pope and his detractors and associates, The Godfather of Tabloid is the first comprehensive look at the life of a man who created a newspaper genre and changed the world of publishing forever.

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After spending a year researching and describing the devastation of mountaintop removal in his bestselling book, Lost Mountain, Erik Reece wanted to contribute something beautiful to the world. Field Work: Modern Poems from Eastern Forests is an anthology of poems about the landscape and ecology of the eastern United States. Field Work brings together a host of nationally recognized modern American poets, plus four classical Chinese poets, who wandered and wrote about an area of southeastern China that is remarkably similar in landscape and ecology to the eastern woodlands of the United States.

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The writings of Henry David Thoreau (1817-1862) have captivated scholars, activists, and ecologists for more than a century. Less attention has been paid, however, to the author's political philosophy and its influence on American public life. Although Thoreau's doctrine of civil disobedience has long since become a touchstone of world history, the greater part of his political legacy has been overlooked. With a resurgence of interest in recent years, A Political Companion to Henry David Thoreau is the first volume focused exclusively on Thoreau's ethical and political thought.Jack Turner illuminates the unexamined aspects of Thoreau's political life and writings. Combining both new and classic essays, this book offers a fresh and comprehensive understanding of Thoreau's politics, and includes discussions of subjects ranging from his democratic individualism to the political relevance of his intellectual eccentricity. The collection consists of works by sixteen prominent political theorists and includes an extended bibliography on Thoreau's politics. A Political Companion to Henry David Thoreau is a landmark reference for anyone seeking a better understanding of Thoreau's complex political philosophy.

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In the years before the Revolutionary War, intrepid frontiersmen with roots in northern Ireland claimed vast tracts of land in Kentucky on which they developed plantations. They settled the land and with their families built enduring stone houses that became the centerpieces of their properties. In Early Stone Houses of Kentucky, author Carolyn Murray-Wooley examines these early frontier homes as well as the people who built and lived in them. What traditions did these settlers call on to provide construction techniques and plans? How do the frontier dwellings of settlers with differing origins compare with these stone houses? Murray-Wooley looks at these and many other questions, exploring the transfer of cultural traditions from northern Ireland to the state of Kentucky. Drawing on extensive field work and genealogical research, Murray-Wooley examines the history of these resourceful settlers and their architectural practices, uses scale drawings and floor plans to illustrate how the houses would have appeared at the time of construction, and compares them to modern photographs. The book includes color plates of more than thirty stone houses, as well as many black and white construction illustrations. Early Stone Houses of Kentucky is a fascinating look at the impact of a little-known community on the architecture and culture of the Bluegrass State.

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Human dependence on technology has increased exponentially over the past several centuries, along with the notion that environmental problems can be solved with scientific applications. The Virtues of Ignorance: Complexity, Sustainability, and the Limits of Knowledge proposes an alternative to this hubristic, shortsighted, and dangerous worldview. The contributors offer profound arguments for the advantages of an ignorance-based worldview. Examining the relationship between the land and the future generations who will depend on it, they propose that, while we cannot improve upon nature, by putting this new perspective to work in our professional and personal lives we can live sustainably on Earth.

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More than three decades after the withdrawal of American troops from Southeast Asia, the Vietnam War still resonates in political and cultural discourse and still motivates vibrant historical inquiry. The eminent scholars featured in The War That Never Ends present the newest perspectives on the war in Vietnam, from the homefront to Ho Chi Minh City, from the government halls to the hotbeds of activist opposition. The seventeen essays compiled by David L. Anderson and John Ernst examine Vietnamese as well as American experiences of the grueling conflict, breaking new ground on questions relating to gender, religion, ideology, media, and public opinion. The War That Never Ends sheds new light on the evolving historical meanings of the Vietnam War, its enduring influence on current matters of global significance, and its potential to influence American foreign policy, in times of peace and war.

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Between 1907 and 1980, many state and local governments empowered motion picture censor boards with the legal authority to keep any movie they considered obscene, indecent, or harmful from being shown. Although the mainstream American film industry accepted the form of censorship known as "prior restraint," the independent distributors and exhibitors challenged the government censors in court. In Freedom of the Screen, Laura Wittern-Keller tells the story of those who fought prior restraint on movies. By drawing attention to this inequity -- film was the only medium so constricted by the 1950s -- the distributors pushed a reluctant judiciary to square its interpretation of movie expression with the rights of other media. As these legal interpretations gradually became more sympathetic to artistic freedom -- largely because of the independent distributors' lawsuits -- Hollywood was free to discard its outmoded restraints and deliver provocative, relevant movies to American audiences.

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Guerrilla insurgencies continue to rage across the globe, fueled by ethnic and religious conflict and the easy availability of weapons. Reflecting the massive global movement of population from the countryside to cities, guerrilla conflict in urban areas, similar to the current violence in Iraq, will become more frequent. In his wide-ranging and richly detailed comparative analysis, Anthony James Joes examines eight key examples of urban guerrilla conflict across half a century and four continents: Warsaw in 1944, Budapest in 1956, Algiers in 1957, Montevideo and Sao Paulo in the 1960s, Saigon in 1968, Northern Ireland from 1970 to 1998, and Grozny from 1994 to 1996. He illustrates the fundamental differences between traditional and urban guerrilla warfare, traces the diverse origins of urban conflicts, and identifies similarities and differences in the methods of counterinsurgent forces. Joes argues persuasively against committing U.S. troops in urban counterinsurgencies but also offers cogent recommendations for the successful conduct of such operations if they must be undertaken. Urban Guerrilla Warfare is a readable, thorough, and convincing exposition of a form of conflict whose dangers will increasingly confront the American people for many years to come.

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With an Afterword by Joseph T. Glatthaar The View from the Ground brings together the perspectives of Civil War soldiers on all aspects of the conflict, revealing as much about nineteenth-century America as it does about the war itself. The contributors investigate the issues engaged by soldiers during the war, including slavery and racial tensions, the isolation that many men of faith felt in the early months of the war, the divide between soldiers and civilians, and the inherent difficulty in reconciling the act of killing with Christian precepts of charity and peacefulness. They also explore the ways veterans remembered the war. The View from the Ground shows that soldiers willfully shaped the course of the war, as soldiers and as citizens. The result is a collection that illustrates how new questions and fresh analyses of participants' lives and writings can expand our knowledge of our nation's greatest conflict.

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" The South continues to be the most distinctive region in American politics. Over the last half century, Democratic dominance in the South has given way to the emergence of a truly competitive two-party system that leans Republican in presidential elections. In some ways, the region is increasingly like the rest of the country, yet even the degree of change and the speed with which it occurred give the South a distinctive air. The contributors to Southern Political Party Activists examine both the development of American political party organizations and the changing political character of the South, focusing on grassroots party activists-those who are involved in party organizations at the county level. John A. Clark is associate professor of political science at Western Michigan University. Charles L. Prysby is professor of political science at the University of North Carolina at Greensboro.

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With more than 1,800 entries, The Encyclopedia of Louisville is the ultimate reference for Kentucky's largest city. For more than 125 years, the world's attention has turned to Louisville for the annual running of the Kentucky Derby on the first Saturday in May. Louisville Slugger bats still reign supreme in major league baseball. The city was also the birthplace of the famed Hot Brown and Benedictine spread, and the cheeseburger made its debut at Kaelin's Restaurant on Newburg Road in 1934. The "Happy Birthday" had its origins in the Louisville kindergarten class of sisters Mildred Jane Hill and Patty Smith Hill. Named for King Louis XVI of France in appreciation for his assistance during the Revolutionary War, Louisville was founded by George Rogers Clark in 1778. The city has been home to a number of men and women who changed the face of American history. President Zachary Taylor was reared in surrounding Jefferson County, and two U.S. Supreme Court Justices were from the city proper. Second Lt. F. Scott Fitzgerald, stationed at Camp Zachary Taylor during World War I, frequented the bar in the famous Seelbach Hotel, immortalized in The Great Gatsby. Muhammad Ali was born in Louisville and won six Golden Gloves tournaments in Kentucky.

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This authoritative volume provides a comprehensive guide to the 282 species of woody plants found in Kentucky, Illinois, Indiana, Ohio, Pennsylvania, West Virginia, Virginia, Tennessee, and Eastern Missouri. Illustrated with more than 1,150 photographs, this book shows not only leaves and bark, but also buds, flowers, and fruits to enable you to recognize trees at any season. Complete with an identification guide that really works, this beautiful book will be valuable to both specialist and amateur.

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Orson Welles was once asked which directors he most admired. He replied: "The old masters. By which I mean John Ford, John Ford, and John Ford." A legend in his own time, John Ford (1894-1973) received a record four Academy Awards for best director, and two of his World War II documentaries won Oscars for the US Navy. He directed 136 films in a career that lasted from the early silent era through the late 1960s. Ford is celebrated throughout the world as the cinema's foremost chronicler of American history, the leading poet of the Western genre, and a wide-ranging filmmaker of profound emotional impact. His classic films - including Stagecoach (1939), The Grapes of Wrath (1940), How Green Was My Valley (1941), The Quiet Man (1952), The Searchers (1956), and The Man Who Shot Liberty Valance (1962) - remain widely popular, and he has been acknowledged as a major influence on filmmakers such as Jean Renoir, Ingmar Bergman, Akira Kurosawa, Howard Hawks, Frank Capra, Samuel Fuller, Elia Kazan, Sidney Lumet, Martin Scorsese, Steven Spielberg, and George Lucas. In this groundbreaking critical study, Joseph McBride and Michael Wilmington provide an overview of Ford's career as well as in-depth analyses of key Ford films. Analyzing recurring Fordian themes and relating each film to his entire body of work, the authors insightfully explore the full richness of Ford's tragicomic vision of history. This new and revised version includes a study of the twenty-seven Ford silent films now known to survive in whole or in part (more than double the number available when the original edition was published); essays on three controversial aspects of Ford: his tragicomic sensibility, his views of race, and the influence of his Irish heritage; and an expanded version of McBride's interview with Ford on the last day of his career.

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In this vital transnational study, Kimberly D. Hill critically analyzes the colonial history of central Africa through the perspective of two African American missionaries: Alonzo Edmiston and Althea Brown Edmiston. The pair met and fell in love while working as a part of the American Presbyterian Congo Mission - an operation which aimed to support the people of the Congo Free State suffering forced labor and brutal abuses under Belgian colonial governance. They discovered a unique kinship amid the country's growing human rights movement and used their familiarity with industrial education, popularized by Booker T. Washington's Tuskegee Institute, as a way to promote Christianity and offer valuable services to local people.From 1902 through 1941, the Edmistons designed their mission projects to promote community building, to value local resources, and to incorporate the perspectives of the African participants. They focused on childcare, teaching, translation, construction, and farming - ministries that required constant communication with their Kuba neighbors. Hill concludes with an analysis of how the Edmistons' pedagogy influenced government-sponsored industrial schools in the Belgian Congo through the 1950s. A Higher Education illuminates not only the work of African American missionaries - who are often overlooked and under-studied - but also the transnational implications of black education in the South. Significantly, Hill also addresses the role of black foreign missionaries in the early civil rights movement, an argument that suggests an underexamined connection between earlier nineteenth-century Pan-Africanisms and activism in the interwar era.

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From 1935 until 1975, just about every junkie busted for dope went to the Narcotic Farm. Equal parts federal prison, treatment center, farm, and research laboratory, the Farm was designed to rehabilitate addicts and help researchers discover a cure for drug addiction. Although it began as a bold and ambitious public works project, and became famous as a rehabilitation center frequented by great jazz musicians among others, the Farm was shut down forty years after it opened amid scandal over its drug-testing program, which involved experiments where inmates were being used as human guinea pigs and rewarded with heroin and cocaine for their efforts.Published to coincide with a documentary to be aired on PBS, The Narcotic Farm includes rare and unpublished photographs, film stills, newspaper and magazine clippings, government documents, as well as interviews, writings, and anecdotes from the prisoners, doctors, and guards that trace the Farm's noble rise and tumultuous fall, revealing the compelling story of what really happened inside the prison walls.

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The first biography dedicated to the namesake of Joint Base Andrews, this book sheds a light on Andrews's crucial role in orchestrating US involvement in World War II, as well as the professional relationship and rapport that Andrews and Marshall shared.

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Born in Fallsburg, Kentucky, in a tenant house insulated with newspapers, Paul Patton had a humble upbringing that held few clues about his future as one of the most prominent politicians in the history of the state. From the coal mines of eastern Kentucky to the governor's office in Frankfort, Patton's life exemplifies triumph through hard work, determination, and perseverance, as well as the consequences of personal mistakes.In The Coal Miner Who Became Governor, Patton, with Jeffrey S. Suchanek, details his personal, professional, and political life as Kentucky's fifty-ninth governor. This comprehensive memoir details the beginning of his career in the coal industry—from working for his father-in-law, J. C. Cooley, in the 1950s to partnering with his brother-in-law, Nick, to establish their own company, which they sold for millions in 1978—and how he leveraged his coal connections into a political career. Patton started raising money for Democratic candidates before becoming the chair of the Kentucky Democratic Party. He first took elected office in 1981 as Pike County Judge-Executive; he then served a term as lieutenant governor (1991–1995), followed by an unprecedented two consecutive terms as governor. His overhaul of higher education in Kentucky led to his role as the University of Pikeville's greatest champion and eventual president and chancellor, even after a scandal-ridden second term in Frankfort effectively ended his political career.In this compelling account, Patton reveals the decision-making process for many of his controversial choices, including campaign strategies, selection of running mates, his postsecondary education and workers' compensation reforms, his work on early childhood development initiatives, and his attempt at tax reform. He gives his unfiltered opinion about Mitch McConnell's "scorched-earth political philosophy" and how it has failed Kentucky, and he draws connections between public policy and party machinations during his time in office and the present day. He also addresses his fall from grace—his extramarital affair with Tina Conner and its effects on his personal and professional life.

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When one thinks of influential World War II military figures, five-star generals such as Dwight D. Eisenhower and Omar Bradley instantly come to mind. As important as these central figures were to the Second World War, the conflict produced equally effective lower-profile leaders whose influence had an undeniable impact.Among these leaders are William Simpson, commander of the US Ninth Army, and James Moore, his chief of staff. Working in tandem, the pair helmed a unit that gained recognition as "uncommonly normal," an affectionate designation driven by their steadfast professionalism in all endeavors. It was their unobtrusive leadership style that relegated these career military men to the footnotes of military history.Commanding Professionalism: Simpson, Moore, and the Ninth US Army corrects this historical oversight by examining the achievements of these overlooked heroes. Focusing on Simpson and Moore's careers from 1940 through the end of World War II, author William Stuart Nance recounts the pair's working relationship. Together, they successfully maneuvered through the squabbling of the American and British forces and developed an army admired for its consistency of conduct and military prowess, capable of resisting the complex external and political machinations of the time.Simpson and Moore's unflinching devotion to the greater good and their steady handle on the dynamics of command/staff relationships proved essential to the war effort and its ultimate success. Their example, Nance argues, remains aspirational and worthy of emulation in the military command structure of today.

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Although US involvement in the Vietnam conflict began long before 1965, Lyndon Johnson's substantial large commitment of combat troops that year marked the official beginning of America's longest twentieth-century war. By 1969, after years of intense fighting and thousands of casualties, an increasing number of Americans wanted the United States out of Vietnam. Richard Nixon looked for a way to pull out while preserving the dignity of the United States at home and abroad, and at the same time, to support the anticommunist Republic of Vietnam. Ultimately, he settled on the strategy of Vietnamization—the gradual replacement of US soldiers with South Vietnamese forces.Drawing on newly declassified documents and international archives, Unwilling to Quit dissects the domestic and foreign contexts of America's withdrawal from the Vietnam War. David L. Prentice demonstrates how congressional and presidential politics were a critical factor in Nixon's decision to abandon his hawkish sensibilities in favor of de-escalation. Prentice reframes Nixon's choices, emphasizes Secretary of Defense Melvin Laird's outsized yet subtle role in the decision-making process, and considers how South Vietnam's Nguyen Van Thieu and North Vietnam's Le Duan decisively shaped the American exit. Prentice brings Vietnamese voices into the discussion and underscores the unprecedented influence of American civilians on US foreign policy during the Vietnamization era.

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While other industries chase after the new and improved, bourbon makers celebrate traditions that hearken back to an authentic frontier craft. Distillers enshrine local history in their branding and time-tested recipes, and rightfully so. Kentucky's unique geography shaped the whiskeys its settlers produced, and for more than two centuries, distilling bourbon fundamentally altered every aspect of Kentucky's landscape and culture.Making Bourbon: A Geographical History of Distilling in Nineteenth-Century Kentucky illuminates how the specific geography, culture, and ecology of the Bluegrass converged and gave birth to Kentucky's favorite barrel-aged whiskey. Expanding on his fall 2019 release Bourbon's Backroads, Karl Raitz delivers a more nuanced discussion of bourbon's evolution by contrasting the fates of two distilleries in Scott and Nelson Counties. In the nineteenth century, distilling changed from an artisanal craft practiced by farmers and millers to a large-scale mechanized industry. The resulting infrastructure - farms, mills, turnpikes, railroads, steamboats, lumberyards, and cooperage shops - left its permanent mark on the land and traditions of the commonwealth. Today, multinational brands emphasize and even construct this local heritage. This unique interdisciplinary study uncovers the complex history poured into every glass of bourbon.

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This comprehensive biography is the first to present Lewis Milestone's remarkable life -- a classic rags-to-riches American narrative -- in full and explores his many acclaimed films from the silent to the sound era. Creator of All Quiet on the Western Front, Of Mice and Men, the original Ocean's Eleven and Mutiny on the Bounty, Lewis Milestone (1895-1980) was one of the most significant, prolific, and influential directors of our time. A serious artist who believed in film's power not only to entertain, but also to convey messages of social importance, Milestone was known as a man of principle in an industry not always known for an abundance of virtue.Born in Ukraine, Milestone came to America as a tough, resourceful Russian-speaking teenager and learned about film by editing footage from the front as a member of the Signal Corps of the US Army during World War I. During the course of his film career, which spanned more than 40 years, Milestone developed intense personal and professional relationships with such major Hollywood figures as Howard Hughes, Kirk Douglas, Marlene Dietrich, and Marlon Brando. Addressed are Milestone's successes -- he garnered 28 Academy Award nominations -- as well as his challenges. Using newly available archival material, this work also examines Milestone's experience during the Hollywood Blacklist period, when he was one of the first prominent Hollywood figures to fall under suspicion for his alleged Communist sympathies.

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With the rapid development of computer science and the expanding use of computers in all facets of American life, there has been made available a wide range of instructional and informational films on automation, data processing, and computer science. Here is the first annotated bibliography of these and related films, gathered from industrial, institutional, and other sources.This bibliography annotates 244 films, alphabetically arranged by title, with a detailed subject index. Information is also provided concerning the intended audience, rental-purchase data, ordering procedures, and such specifications as running time and film size.

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Born at the turn of the twentieth century in Cynthiana, Kentucky, Elizabeth Cromwell Kremer was a woman who strove for excellence in all things.

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Horror films. Deanna Durbin musicals. Francis the talking mule. Ma and Pa Kettle. Ross Hunter weepies. Theme parks. ET. Apollo 13. These are only a few of the many faces of Universal Pictures. In February 1906 Carl Laemmle, German immigrant and former clothing store manager, opened his first nickelodeon in Chicago. He quickly moved from exhibition to distribution and to film production. A master of publicity and promotions, within ten years "Uncle Carl" had moved his entire operation to southern California, founded a city, and established Universal Pictures as one of the major Hollywood studios. In time Universal found its niche in horror films featuring Karloff and Lugosi, comedies starring Abbott and Costello and W.C. Fields, and low-budget musicals. But Carl Laemmle Jr. proved less adept than his father at empire building. Eventually he was forced out by financial difficulties, opening the way for a string of studio heads who entered and exited one after another. Thus the age of corporate Hollywood arrived at Universal Pictures earlier than at other studios. The Universal-International merger in 1946, Decca's stock takeover in the early 1950s, and MCA's buyout in 1962 all presaged today's Hollywood, where the art of the deal often eclipses the art of making movies. Stars and executives have come and gone, shaping and reshaping the studio's image, but through it all Universal's revolving globe logo has remained on movie screens around the world. And, unlike several other studios of Hollywood's golden age, Universal still makes movies today.

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One of the defining features of United States foreign policy since World War II has been the nation's special relationship with Israel. This informal alliance, rooted in shared values and culture, grew out of a moral obligation to promote Israel's survival in the aftermath of the Holocaust as US policymakers provided military aid, weapons, and political protection. In return, Israel served American interests through efforts to contain communism and terrorism in the region. Today, the US provides almost four billion dollars in military aid per year, which raises questions regarding interest and propriety: At what point does US support for Israel exceed the boundaries of the countries' unconventional relationship and become counterproductive to other national interests, including the pursuit of peace in the Middle East?Kenneth Kolander provides a vital new perspective on the US-Israel bond by focusing on Congress's role in developing and maintaining the special relationship during a crucial period. Previous studies have focused on the executive branch, but Kolander demonstrates that US-Israel relations did not follow a course preferred by successive presidential administrations, especially in the 1960s and 1970s. Instead, he illuminates how influential lobbies, America's affinity for Israel and antipathy towards Arabs, and economic pressures influenced legislators and inspired congressional action in support of Israel. In doing so, he presents an essential investigation of the ways in which legislators exert influence in foreign policy and adds new depth to the historiography of an important dynamic in postwar world politics.

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The hills of the Appalachia region hold secretsdark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and hillfolk for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentuckytales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or haints, strange creatures or boogers, haunted locations or stained earth, uncanny happenings or high strangeness, and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the st

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Affrilachia, a term first coined in 1991 by Kentucky poet Frank X Walker, refers to the cultural contributions of African Americans who live in Appalachia, a largely mountainous region stretching over thirteen states from Mississippi to New York. Although Black Americans have greatly influenced the popular culture landscape in this region, their stories, trials, and triumphs are often undocumented because Appalachia is perceived as wholly white. In this stunning visual history, photographer and curator Chris Aluka Berry gives voice to the broad spectrum of African Americans who have lived in the Appalachian region over the centuries. Berry, who spent six years in western North Carolina, northeast Georgia, and eastern Tennessee, immersed himself in the communities and lives of Black Appalachians to present the diversity and commonalities of the proud people in the region. His intimate and revealing photographs capture Arican Americans in various settingschurches, homes, revival servic

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