Search results for ""university press of kentucky""

When the popular musical Hamilton showcased the celebrated duel between Alexander Hamilton and Aaron Burr, it reminded twenty-first-century Americans that some prominent, honor-bound citizens once used negotiated, formal fights as a way to settle differences. During the Civil War, two prominent Kentuckians - one a Union colonel and the other a pro-Confederate civilian—continued this legacy by dueling. At a time when thousands of soldiers were slaughtering one another on battlefields, Colonel Leonidas Metcalfe and William T. Casto transformed the bank of the Ohio River into their own personal battleground. On May 8, 1862, these two men, both of whom were steeped in southern honor culture, fought a formal duel with rifles at sixty yards. And, like the fight between Hamilton and Burr, only one man walked away.Anatomy of a Duel: Secession, Civil War, and the Evolution of Kentucky Violence examines why white male Kentuckians engaged in the "honor culture" of duels and provides fascinating narratives that trace the lives of duelists and opponents. Stuart W. Sanders explores why, during a time when Americans were killing one another in open, brutal warfare, Casto and Metcalfe engaged in the process of negotiating and fighting a duel. In deconstructing the event, Sanders details why these prominent Kentuckians found themselves on the dueling ground during the nation's bloodiest conflict, how society and the Civil War pushed them to fight, why duels continued to be fought in Kentucky even after this violent confrontation, and how Kentuckians applied violence after the Civil War. Anatomy of a Duel is a comprehensive and compelling look at how the seccession crisis sparked the Casto-Metcalfe duel - a confrontation that impacted the evolution of violence in Kentucky.

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In 1976 the Supreme Court of the United States affirmed the legality of capital punishment in their ruling on Gregg v. Georgia. In the 46 years since the decision was handed down, 1,551 convicted prisoners have been executed. The United States is the only Western nation - and one of four advanced democracies - that regularly applies the death penalty. While the death penalty is legal in 27 states, only 21 have the means to carry out death sentences. Of those states, Texas has executed the most prisoners in recent history, condemning 578 people to death since the 1976 ruling, beginning with the death of Charlie Brooks in 1982. Texas retains the third-largest death row population behind California and Florida. In the summer of 2020, the Trump administration broke a nearly 17-year stay during which the federal government did not sanction any executions when it put 13 inmates to death over six months. Seventeen of the 45 current federal death row inmates, the highest proportion of any state, are currently incarcerated in Texas.Final Words is a project that addresses the death penalty in the United States as a violation of human rights. Consisting of a collection of government documents relating to the 578 executed Texas inmates, each set of pages reveals a portrait of a life bookended by violence in which final moments are often spent expressing words of love for family and friends, sorrow for victims, and gratitude for life lived. The compilation stands as a stark indictment of a system built by institutions rampant with racism, classism, and sexism. Each entry, each story, each utterance will challenge readers to answer the question: is there room for humanity in the American justice complex?

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"I've lived a completely ordinary life, so much that I don't know how to write a transgender or queer or Appalachian story, because I don't feel like I've lived one... Though, in searching for ways to write myself in my stories, maybe I can find power in this ordinariness."Raised in southeast Ohio, Stacy Jane Grover would not describe her upbringing as "Appalachian." Appalachia existed farther afield—more rural, more country than the landscape of her hometown.Grover returned to the places of her childhood to reconcile her identity and experience with the culture and the people who had raised her. She began to reflect on her memories and discovered that group identities like Appalachian and transgender are linked by more than just the stinging brand of social otherness.In Tar Hollow Trans, Grover explores her transgender experience through common Appalachian cultural traditions. In "Dead Furrows," a death vigil and funeral leads to an investigation of Appalachian funerary rituals and their failure to help Grover cope with the grief of being denied her transness. "Homeplace" threads family interactions with farm animals and Grover's coming out journey, illuminating the disturbing parallels between the American Veterinary Association's guidelines for ethical euthanasia and the World Professional Association for Transgender Health's guidelines for transgender care.Together, her essays write transgender experience into broader cultural narratives beyond transition and interrogate the failures of concepts such as memory, metaphor, heritage, and tradition. Tar Hollow Trans investigates the ways the labels of transgender and Appalachian have been created and understood and reckons with the ways the ever-becoming transgender self, like a stigmatized region, can find new spaces of growth.

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Although much has been written about the Western Front in World War I, little attention has been given to developments in the east, especially during the crucial period of 1914--1915. Not only did these events have a significant impact on the fighting and outcome of the battles in the west, but all the major combatants in the east ultimately suffered collapses of their political systems with enormous consequences for the future events. Available for the first time in English, this seminal study features contributions from established and rising scholars from eight countries who argue German, central, and eastern European perspectives. Together, they illuminate diverse aspects of the Great War's Eastern Theater, including military strategy and combat, issues of national identity formation, perceptions of the enemy, and links to World War II. They also explore the experiences of POWs and the representation of the Eastern Front in museums, memorials, and the modern media.The scholarship on the First World War is dominated by the trauma of the modern, technologized war in the west, causing the significant political events and battles on the Eastern Front to shift to the background. The Forgotten Front illuminates overlooked but vital aspects of the conflict, and will be an essential resource for students and scholars seeking to better understand the war and its legacy.

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Like wine lovers who dream of traveling to Bordeaux or beer enthusiasts with visions of the breweries of Belgium, bourbon lovers plan their pilgrimages to Kentucky. Some of the most famous distilleries are tucked away in the scenic Bluegrass region, which is home to nearly seventy distilleries and responsible for 95 percent of all of America's bourbon production. Locals and tourists alike continue to seek out the world's finest whiskeys in Kentucky as interest in America's only native spirit continues to grow.In Kentucky Bourbon Country, now in its third edition, Susan Reigler offers updated, essential information and practical advice to anyone considering a trip to the state's distilleries (including the state's booming craft distillery sector) or the restaurants and bars on the Urban Bourbon Trail. Featuring more than two hundred full-color photographs and a bourbon glossary, the book is organized by region and provides valuable details about the Bluegrass - including attractions near each distillery and notes on restaurants, lodging, shopping, and seasonal events in Kentucky's beautiful historic towns.In addition to providing knowledge about each point of interest, Kentucky Bourbon Country weaves in little-known facts about the region's best-kept secrets, such as the historic distillery used as a set in the movie Stripes and the fates of used bourbon barrels. Whether you're interested in visiting the place where your favorite bourbon is made or hoping to discover exciting new varieties, this handy and practical guide is the key to enjoying the best of bourbon.

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When the air raid alarm sounded around 7:55 a.m. on December 7, 1941, Gunner's Mate Second Class James Allard Vessels of Paducah was preparing to participate in morning colors aboard the USS Arizona. In the scramble for battle stations, Vessels quickly climbed to a machine gun platform high atop the mainmast as others descended below decks to help pass ammunition up to gunners. At 8:06, a bomb exploded and the Arizona sank. Vessels's lofty perch saved his life, but most of his shipmates were not so lucky.In Kentuckians and Pearl Harbor, Berry Craig employs an impressive array of newspapers, unpublished memoirs, oral histories, and official military records to offer a ground-up look at the day that Franklin D. Roosevelt said would "live in infamy," and its aftermath in the Bluegrass State. In a series of vignettes, Craig uncovers the untold, forgotten, or little-known stories of ordinary people - military and civilian - on the most extraordinary day of their lives. Craig concludes by exploring the home front reaction to this pivotal event in American history.Japan's surprise attack on Pearl Harbor swept away any illusions Kentuckians had about being able to stay out of World War II. From Paducah to Pikeville, people sprang to action. Their voices emerge and come back to life in this engaging and timely history.

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Aside from a small plaque at Hawks Nest State Park, which inaccurately admits to only 109 victims, there is little to mark the site of the worst industrial accident to date in the United States. In Appalachian Ghost: A Photographic Reimagining of the Hawks Nest Tunnel Disaster, author Raymond Thompson Jr.

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Post-World War II America has often been mythologized by successive generations as an exceptional period of prosperity and comfort. At a time when the Cold War was understood to be a battle of ideas as much as military prowess, the entertainment business relied heavily on subtle psychological marketing to promote the idea of the American Dream. The media of the 1950s and 1960s promoted an idealized version of American life sustained by the nuclear family and bolstered by a booming consumer economy. The seemingly wholesome and simple lifestyles portrayed on television screens, however, belied a torrent of social, economic, and political struggles occurring at the time. By the late 1950s, television writers were increasingly constrained to distract audiences from confronting counternarratives to the Dream. Among the programs that railed against this trend was Rod Serling's television masterpiece The Twilight Zone. Now considered an enduring classic, the allegorical nature of the show provides a window into the many overlooked issues that plagued Cold War America.In Monsters on Maple Street: The Twilight Zone and the Postwar American Dream, David J. Brokaw describes how the TV show reframed popular portrayals of white American wish fulfillments as nightmares, rather than dreams. Brokaw's close reading of the show's sociopolitical dimensions examines how the series' creators successfully utilized science fiction, horror, and fantasy to challenge conventional thinking – and avoid having their work censored - around topics such as sexuality, technology, war, labor and the workplace, and white supremacy. In doing so, Brokaw helps us understand how the series exposed the underbelly of the American Dream and left indelible impressions in the minds of its viewers for decades to come.

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In the summer of 1960, director C. Douglas Ramey took his Carriage House Players theater company down the street from their Old Louisville venue to Central Park, where the actors performed scenes from the Shakespeare classic Much Ado about Nothing. Buoyed by the enthusiastic audience response, Ramey's company returned to the park the next year for the first full season of the Kentucky Shakespeare Festival. More than sixty years later, Kentucky Shakespeare is now the oldest free, non-ticketed Shakespeare in the Park festival in the country. To commemorate the sixtieth anniversary of the festival, in spring 2020 Kentucky Shakespeare cooperated with students in the University of Louisville's Department of History to record twenty entertaining and enlightening oral interviews with longtime members of the company.In Under the Greenwood Tree, author Tracy K'Meyer captures the history of Kentucky Shakespeare in a series of carefully selected and edited transcripts of these interviews. In these pages, past and present cast and crew share their memories of the company's history, performances in the park, and the positive impact of its many outreach programs, from its inception in the 1960s, to its slump in the early 2000s, and on to its recent renaissance. An illuminating record of the collaborative artistry that brings Shakespeare's works to life, Under the Greenwood Tree offers readers a peek behind the curtain at the group's steadfast stewardship of the most important literature in the English language.

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From the anti-segregation sit-ins of the 1960s to the protests in response to the killing of Breonna Taylor, the rest of the nation - and often the world - has watched as Kentuckians boldly fought against instances of injustice. In Resistance in the Bluegrass, Farrah Alexander outlines the ways in which Kentucky's citizens have been models in the fight against intersectional issues of racial injustice, economic inequality, education, climate change, immigration, political representation, LGBTQ+ rights, and women's rights, while exploring and celebrating decades of Kentucky's contributions to social justice movements and the names behind them.Resistance in the Bluegrass gives engaged citizens-or those wishing to become more engaged-both inspiration and guidance on how they too can make a difference across the commonwealth. Together with interviews and issue-by-issue action items, Alexander reminds her readers that at the heart of all social change are everyday citizens who step up to make a difference. Optimistic and accessible, this people's history and guide calls Kentuckians of all backgrounds to action.

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Post-World War II America has often been mythologized by successive generations as an exceptional period of prosperity and comfort. At a time when the Cold War was understood to be a battle of ideas as much as military prowess, the entertainment business relied heavily on subtle psychological marketing to promote the idea of the American Dream. The media of the 1950s and 1960s promoted an idealized version of American life sustained by the nuclear family and bolstered by a booming consumer economy. The seemingly wholesome and simple lifestyles portrayed on television screens, however, belied a torrent of social, economic, and political struggles occurring at the time. By the late 1950s, television writers were increasingly constrained to distract audiences from confronting counternarratives to the Dream. Among the programs that railed against this trend was Rod Serling's television masterpiece The Twilight Zone. Now considered an enduring classic, the allegorical nature of the show provides a window into the many overlooked issues that plagued Cold War America.In Monsters on Maple Street: The Twilight Zone and the Postwar American Dream, David J. Brokaw describes how the TV show reframed popular portrayals of white American wish fulfillments as nightmares, rather than dreams. Brokaw's close reading of the show's sociopolitical dimensions examines how the series' creators successfully utilized science fiction, horror, and fantasy to challenge conventional thinking – and avoid having their work censored - around topics such as sexuality, technology, war, labor and the workplace, and white supremacy. In doing so, Brokaw helps us understand how the series exposed the underbelly of the American Dream and left indelible impressions in the minds of its viewers for decades to come.

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Saving seeds to plant for next year's crop has been key to survival around the globe for millennia. However, the 20th-century witnessed a grand takeover of seed producers by multinational companies aiming to select varieties ideal for mechanical harvest, long-distance transportation, and long shelf life. With the rise of the Slow Food and farm-to-table movements in recent years, the farmers and home gardeners who have been quietly persisting in the age-old habit of conserving heirloom plants are finally receiving credit for their vital role in preserving both good taste and the world's rich food heritage.Kentucky Heirloom Seeds: Growing, Eating, Saving is an evocative exploration of the seed saver's art and the practice of sustainable agriculture. Bill Best and Dobree Adams begin by tracing the roots of the tradition in the state to a 700-year-old Native American farming village in north central Kentucky. Although Best shares tips for planting and growing beans and describes his family's favorite varieties for the table, the heart of the book are the incredible interviews with seed savers, predominately from Eastern Kentucky and from generations of gardeners who saved seeds to feed their families. These people have worked tirelessly to preserve and share heirloom varieties. This book vividly documents the social relevance and historical significance of the rituals of sowing, cultivating, eating, saving, and sharing.

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"Grape is the sweetest betrayal. There is no removing the stain Of it say moms everywhere & Even if kids choose it last; They choose it, as loyal To its sugar as any."When authorities converged on the Peoples Temple Agricultural Project, known as Jonestown, in Guyana on November 18, 1978, more than 900 members were found dead, the result of murder-suicide. The massacre, led by cult leader James "Jim" Jones, was the largest mass loss of American lives before September 11, 2001. Yet this event is largely absent in American history. When the mass suicides are remembered, it is usually comically or instructively: "Don't drink the Kool-Aid," as the majority of those who died that day drank or were injected with grape flavored Flavor-Aid.Much has been documented about this tragic day and how the congregants were killed, yet little is written about the individuals and their lived experiences. In this profound and provocative poetry collection, darlene anita scott corrects that which has been disremembered and honors the people who perished. She elevates and gives voice to the children, teenagers, and adults whose hopes, dreams, and lives were just as hopeful and mundane as any others yet have been overlooked and overshadowed by the other focuses of history. The distinct, haunting, and unforgettable poems in Marrow cut to the bone while also acknowledging and giving tribute to those who died on that fateful day.

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When the Declaration of Independence was signed by a group of wealthy white men in 1776, poor white men, African Americans, and women quickly discovered that the unalienable rights it promised were not truly for all. The Nineteenth Amendment eventually gave women the right to vote in 1920, but the change was not welcomed by people of both genders in politically and religiously conservative Kentucky. As a result, the suffrage movement in the Commonwealth involved a tangled web of stakeholders, entrenched interest groups, unyielding constitutional barriers, and activists with competing strategies.In A Simple Justice, Melanie Beals Goan offers a new and deeper understanding of the women's suffrage movement in Kentucky by following the people who labored long and hard to see the battle won. Women's suffrage was not simply a question of whether women could and should vote; it carried more serious implications for white supremacy and for the balance of federal and state powers -- especially in a border state. Shocking racial hostility surfaced even as activists were working to make America more equitable.Goan looks beyond iconic suffragette figures such as Susan B. Anthony and Elizabeth Cady Stanton to reveal figures whose names have been lost to history. Laura Clay and Madeline McDowell Breckinridge led the Kentucky movement, but they did not do it alone. This timely study introduces readers to individuals across the Bluegrass State who did their part to move the nation closer to achieving its founding ideals.

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What does a writer do when he's got a family that includes a blacklisted member of the Hollywood Ten, the brains behind Tony the Tiger and the Marlboro Man, a trio of gay puppeteers, the world's leading birdwatcher, sixties hippies, a Dutch stowaway who served in an all-black regiment during the American Civil War, a mother of unusual compassion and understanding, and a convicted murderer? He tells their stories and secrets, illuminating 150 years of American life along the way.Dan Bessie begins the journey through his family history with his great-grandfather in the cargo hold of a ship bound for New York on the storm-tossed Atlantic. What follows are stories of his grandfather's various entrepreneurial schemes (including a folding butter box business), a grandmother who was voted "New York's Prettiest Shop Girl" (and who resisted the recruitment efforts of various city madams), and his uncle Harry's Turnabout Theater in Los Angeles (a renowned puppet theater drawing patrons as diverse as Shirley Temple, Ray Bradbury, and Albert Einstein).Through inherited journals and literary effects, Bessie comes to a new understanding of his father, Alvah. An actor and writer, he fought in the Lincoln Brigade during the Spanish Civil War. When he returned to the States, he headed to the Warner back lots to begin a screenwriting career. But as congress began investigating radicals in the film industry, Alvah was blacklisted for his Communist sympathies and was soon sent to jail as one of the Hollywood Ten.His grandmother's cousin, Sidney Lenz, wrote Lenz on Bridge, a classic guide to the game of contract bridge. Bessie describes what was billed as the Bridge Battle of the Century, a 1931 match between Lenz and an upstart opponent that was covered by journalists from all over the world. Bessie's brother-in-law Wes Wilson designed rock and roll posters for the Fillmore Auditorium in San Francisco during the 1960s, living a counterculture existence vastly different from the bridge-mad Depression Era.Cousin Michael was heir to the compulsive storytelling characterizing many of the Bessies. He found his niche in publishing, co-founding the Atheneum Press and shaping books by people such as Anwar Sadat, Edward Albee, and Aldous Huxley. With an equally impressive career, Uncle Leo built the country's fifth largest advertising agency. A passion of a different sort led cousin Phoebe Snetsinger to travel from Webster Groves, Missouri, to the far corners of Africa and Asia. The world's leading birder, she sighted 8,400 different birds-nearly 85 percent of the species known to exist.An extraordinary strain of creativity runs through the Bessie and Burnett clans, and Rare Birds celebrates the colorful diversity of a remarkable and accomplished family. While their choices and professions run the gamut of the American experience in the twentieth century, the history of the nation can be traced in these people's lives. Bessie's passionate birds of a feather gather to sing their unique song across decades and generations. Dan Bessie has been a film writer, director, producer, and animator since apprenticing on Tom and Jerry cartoons at MGM in 1956.

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In Integrated, James W. Miller explores an often ignored aspect of America's struggle for racial equality. He relates the story of the Lincoln Institute - an all-black high school in Shelby County, Kentucky, where students prospered both in the classroom and on the court. In 1960, the Lincoln Tigers men's basketball team defeated three all-white schools to win the regional tournament and advance to one of Kentucky's most popular events, the state high school basketball tournament. This proud tradition of African American schools - a celebration of their athletic achievements - was ironically destroyed by integration.This evocative book is enriched by tales of individual courage from men who defied comfort and custom. Miller describes how one coach at a white high school convinced his administrators and fans that playing the black schools was not only the right thing to do, but that it was also necessary. He discusses John Norman "Slam Bam" Cunningham, the former Lincoln Institute standout who became an Armed Forces All-Star and later impressed University of Kentucky Coach Adolph Rupp on the Wildcats' home floor. Miller also tells the story of a young tennis prodigy whose dreams were denied because he could not play at the white country club, but who became the first African American to start for an integrated Kentucky high school basketball championship team.Featuring accounts from former Lincoln Institute players, students, and teachers, Integrated not only documents the story of a fractured sports tradition but also addresses the far-reaching impact of the civil rights movement in the South.

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Frances Peter was one of the eleven children of Dr. Robert Peter, a surgeon for the Union army. The Peter family lived on Gratz Park near downtown Lexington, where nineteen-year-old Frances began recording her impressions of the Civil War. Because of illness, she did not often venture outside her home but was able to gather a remarkable amount of information from friends, neighbors, and newspapers.Peter's candid diary chronicles Kentucky's invasion by Confederates under Gen. Braxton Bragg in 1862, Lexington's month-long occupation by Gen. Edmund Kirby Smith, and changes in attitude among the slave population following the Emancipation Proclamation. As troops from both North and South took turns holding the city, she repeatedly emphasized the rightness of the Union cause and minced no words in expressing her disdain for the hated "secesh."Her writings articulate many concerns common to Kentucky Unionists. Though she was an ardent supporter of the war against the Confederacy, Peter also worried that Lincoln's use of authority exceeded his constitutional rights. Her own attitudes towards blacks were ambiguous, as was the case with many people in that time. Peter's descriptions of daily events in an occupied city provide valuable insights and a unique feminine perspective on an underappreciated aspect of the war.Until her death by epileptic seizure in August 1864, Peter conscientiously recorded the position and deportment of both Union and Confederate soldiers, incidents at the military hospitals, and stories from the countryside. Her account of a torn and divided region is a window to the war through the gaze of a young woman of intelligence and substance.

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This insightful collection of essays details the political life of one of the most prominent and gifted American statesmen of the twentieth century. From his early training in international law to his five terms in the US Senate, J. William Fulbright (1905--1995) had a profound influence on US foreign policy, and his vision for mutual understanding shaped the extraordinary exchange program bearing his name.As a senator for Arkansas for thirty years and the longest serving chair of the Senate Foreign Relations Committee, Fulbright was one of the most influential figures of United States politics. His criticism of US involvement in Vietnam exemplified his belief in the effective management of international norms by international organizations -- including the United Nations, which was the subject of his first bill in Congress. Yet alongside his commitments to liberal internationalism and multilateral governance, Fulbright was a southern politician who embraced the interests of the region's conservative white population. This juxtaposition of biased and broad-minded objectives shows a divide at the center of Fulbright's vision, which still has consequences for America's global policies today.This multidimensional volume covers Fulbright's development as a national and global voice on foreign relations, as he wrestled with the political controversies of the US South during the civil rights movement, worked with and challenged executive power, and shaped the Fulbright program for educational exchange.

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On March 28, 1966, Peace Corps personnel in Tanzania received word that volunteer Peppy Kinsey had fallen to her death while rock climbing during a picnic. Local authorities arrested Kinsey's husband, Bill, and charged him with murder as witnesses came forward claiming to have seen the pair engaged in a struggle. The incident had the potential to be disastrous for both the Peace Corps and the newly independent nation of Tanzania. Because of the high stakes surrounding the trial, questions remain as to whether there was more behind the final "not guilty" verdict than was apparent on the surface.Peter H. Reid, who served as a Peace Corps volunteer in Tanzania at the time of the Kinsey murder trial, draws on his considerable legal experience to expose inconsistencies and biases in the case. He carefully scrutinizes the evidence and the investigation records, providing insight into the motives and actions of both the Peace Corps representatives and the Tanzanian government officials involved. Reid does not attempt to prove the verdict wrong but critically examines the events of Kinsey's death, her husband's trial, and the aftermath through a variety of cultural and political perspectives.This compelling account sheds new light on a notable yet overlooked international incident involving non-state actors in the Cold War era. Meticulously researched and replete with intricate detail, Every Hill a Burial Place explores the possibility that the course of justice was compromised and offers a commentary on the delicacy of cross-national and cross-cultural diplomacy.

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Dr. Frances Sage Bradley (1862-1949) was a mediating force between the urban world of her own education and experience, and that of rural Americans. As a widow with four young children, Bradley trained as a doctor and became one of the first women to graduate from Cornell University Medical School. During the height of the Progressive Era, she left her private practice to do significant field work for the newly-created Children's Bureau, working mainly in the Appalachian South.In this timely biography, Barbara Barksdale Clowse details the story of this physician, reformer, and writer, and her efforts to extend access to healthcare to rural communities. Clowse describes Bradley's important innovations in the field of public health, including physical exams or "conferences" for children and infants which simultaneously educated parents and local medical practitioners, and her advocacy for improved nutrition and modern medicine in rural areas. Finally, Clowse illustrates how Bradley's work regarding maternal mortality and morbidity in America was instrumental in demonstrating the need for what became the Sheppard-Towner Act of 1921, also known as the Maternity and Infancy Protection Act.A century has passed since Bradley lived out her commitment to social justice in healthcare, yet many of the issues that she faced still plague the United States today. A Doctor for Rural America presents a balanced portrait of an overlooked pioneer and her work to establish healthcare as an obligation that the government owed to its citizens.

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The Vietnam War's influence on politics, foreign policy, and subsequent military campaigns is the center of much debate and analysis. But the impact on veterans across the globe, as well as the war's effects on individual lives and communities, is a largely neglected issue. As a consequence of cultural and legal barriers, the oral histories of the Vietnam War currently available in English are predictably one-sided, providing limited insight into the inner workings of the Communist nations that participated in the war. Furthermore, many of these accounts focus on combat experiences rather than the backgrounds, belief systems, and social experiences of interviewees, resulting in an incomplete historiography of the war.Chinese native Xiaobing Li corrects this oversight in Voices from the Vietnam War: Stories from American, Asian, and Russian Veterans. Li spent seven years gathering hundreds of personal accounts from survivors of the war, accounts that span continents, nationalities, and political affiliations. The twenty-two intimate stories in the book feature the experiences of American, Chinese, Russian, Korean, and North and South Vietnamese veterans, representing the views of both anti-Communist and Communist participants, including Chinese officers of the PLA, a Russian missile-training instructor, and a KGB spy. These narratives humanize and contextualize the war's events while shedding light on aspects of the war previously unknown to Western scholars. Providing fresh perspectives on a long-discussed topic, Voices from the Vietnam War offers a thorough and unique understanding of America's longest war.

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When one thinks of influential World War II military figures, five-star generals such as Dwight D. Eisenhower and Omar Bradley instantly come to mind. As important as these central figures were to the Second World War, the conflict produced equally effective lower-profile leaders whose influence had an undeniable impact.Among these leaders are William Simpson, commander of the US Ninth Army, and James Moore, his chief of staff. Working in tandem, the pair helmed a unit that gained recognition as "uncommonly normal," an affectionate designation driven by their steadfast professionalism in all endeavors. It was their unobtrusive leadership style that relegated these career military men to the footnotes of military history.Commanding Professionalism: Simpson, Moore, and the Ninth US Army corrects this historical oversight by examining the achievements of these overlooked heroes. Focusing on Simpson and Moore's careers from 1940 through the end of World War II, author William Stuart Nance recounts the pair's working relationship. Together, they successfully maneuvered through the squabbling of the American and British forces and developed an army admired for its consistency of conduct and military prowess, capable of resisting the complex external and political machinations of the time.Simpson and Moore's unflinching devotion to the greater good and their steady handle on the dynamics of command/staff relationships proved essential to the war effort and its ultimate success. Their example, Nance argues, remains aspirational and worthy of emulation in the military command structure of today.

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As a Unionist but also proslavery state during the American Civil War, Kentucky occupied a contentious space both politically and geographically. In many ways, its pragmatic attitude toward compromise left it in a cultural no-man's-land. The constant negotiation between the state's nationalistic and Southern identities left many Kentuckians alienated and conflicted. Lincoln referred to Kentucky as the crown jewel of the Union slave states due to its sizable population, agricultural resources, and geographic position, and these advantages, coupled with the state's difficult relationship to both the Union and slavery, ultimately impacted the outcome of the war. Despite Kentucky's central role, relatively little has been written about the aftermath of the Civil War in the state and how the conflict shaped the commonwealth we know today. New Perspectives on Civil War–Era Kentucky offers readers ten essays that paint a rich and complex image of Kentucky during the Civil War. First appearing in the Register of the Kentucky Historical Society, these essays cover topics ranging from women in wartime to Black legislators in the postwar period. From diverse perspectives, both inside and outside the state, the contributors shine a light on the complicated identities of Kentucky and its citizens in a defining moment of American history.

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More than fifty years ago, Nathaniel Nate Northington changed the face of sports as the first African American to play college football in the Southeastern Conference. When this trailblazing athlete stepped onto the field for the University of Kentucky vs. Ole Miss game on September 30, 1967, he played not only for his team, but for his best friend and roommate Greg Page, whose tragic death pushed Northington further into the spotlight - and into the fight for equality. In Still Running: My Life as the First Black Football Player in the SEC, Northington recounts how he and other African American football players fought on the gridiron throughout the civil rights movement to achieve success both on and off the field. Northington shares the story of his life - growing up in hardworking, self-reliant neighborhoods, first in Louisville's Little Africa and later in Newburg; the strong, supportive foundation provided by his parents; and the events of his childhood that forged in him a desi

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Quilts are much more than fabrics or less conventional materials stitched or otherwise secured together to adorn beds and walls. While many of these beautiful and intricate works of art are rich in history and tradition and provide a gateway into the past, others reflect the avant-garde mastery of contemporary, cutting-edge talent. Kentucky Quilts and Quiltmakers: Three Centuries of Creativity, Community, and Commerce is the first comprehensive study to approach quilts as objects of material culture that have appeared consistently throughout the history of the commonwealth and the country. Linda Elisabeth LaPinta highlights such topics as the role of quilt making in women's history; the influence of early Black quiltmakers and quilters; popular Kentucky quilt patterns, types, and colors; and the continuing importance to Kentuckians of preserving quilt history and traditions.The author provides a panoramic view of the Kentucky quilt world - from Colonial America through the American Revolution, the Civil War to the 1900s, to the new millennium and the ever-changing landscape of today's quilting industry. LaPinta reveals the pivotal role that Kentucky's quilts and quiltmakers have played in shaping significant aspects of the national quilt scene, including the first statewide quilt documentation project, significant exhibits, major quilt organizations, and the National Quilt Museum. Rounding out this all-encompassing volume is a collection of significant and intimate recollections and artistic commentaries by notable quiltmakers who created these works of art, as well as discussion of the curators, collectors, historians, entrepreneurs, and other key players who have created, conserved, celebrated, and showcased the commonwealth's extraordinary quilt world culture.

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Stephen Foster's "My Old Kentucky Home" has been designated as the official state song and performed at the Kentucky Derby for decades. In light of the ongoing social justice movement to end racial inequality, many have questioned whether the song should be played at public events, given its inaccurate depiction of slavery in the state.In Slavery and Freedom in the Bluegrass State, editor Gerald L. Smith presents a collection of powerful essays that uncover the long-forgotten stories of pain, protest, and perseverance of African Americans in Kentucky. Using the song and the museum site of My Old Kentucky Home as a central motif, the chapters move beyond historic myths to bring into sharper focus the many nuances of Black life. Chronologically arranged, they present fresh insights on such topics as the domestic slave trade, Black Shakers, rebellion and racial violence prior to the Civil War, the fortitude of Black women as they pressed for political and educational equality, the intersection of race and sports, and the controversy over a historic monument.Taken as a whole, this groundbreaking collection introduces readers to the strategies African Americans cultivated to negotiate race and place within the context of a border state. Ultimately, the book gives voice to the thoughts, desires, and sacrifices of generations of African Americans whose stories have been buried in the past.

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From the anti-segregation sit-ins of the 1960s to the protests in response to the killing of Breonna Taylor, the rest of the nation - and often the world - has watched as Kentuckians boldly fought against instances of injustice. In Resistance in the Bluegrass, Farrah Alexander outlines the ways in which Kentucky's citizens have been models in the fight against intersectional issues of racial injustice, economic inequality, education, climate change, immigration, political representation, LGBTQ+ rights, and women's rights, while exploring and celebrating decades of Kentucky's contributions to social justice movements and the names behind them.Resistance in the Bluegrass gives engaged citizens-or those wishing to become more engaged-both inspiration and guidance on how they too can make a difference across the commonwealth. Together with interviews and issue-by-issue action items, Alexander reminds her readers that at the heart of all social change are everyday citizens who step up to make a difference. Optimistic and accessible, this people's history and guide calls Kentuckians of all backgrounds to action.

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This volume uses lessons from the Hindu culture to teach the world methods of sustainability. The costs of industrial agriculture are astonishing in terms of damage to the environment, human health, animal suffering, and social equity, and the situation demands that we expand our ecological imagination to meet this crisis. This book uses the story of the deity Balaram and the Yamuna River as a foundation for discussing the global food crisis and illustrating the Hindu origins of agrarian thought, encouraging us to reconsider our relationship with the earth.

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Despite French President Charles de Gaulle's persistent efforts to constructively share French experience and use his resources to help engineer an American exit from Vietnam, the Kennedy administration responded to de Gaulle's peace initiatives with bitter silence and inaction. The administration's response ignited a series of events that dealt a massive blow to American prestige across the globe, resulting in the deaths of over fifty-eight thousand American soldiers and turning hundreds of thousands of Vietnamese citizens into refugees.This history of Franco-American relations during the Kennedy presidency explores how and why France and the US disagreed over the proper western strategy for the Vietnam War. France clearly had more direct political experience in Vietnam, but France's postwar decolonization cemented Kennedy's perception that the French were characterized by a toxic mixture of short-sightedness, stubbornness, and indifference to the collective interests of the West.At no point did the Kennedy administration give serious consideration to de Gaulle's proposals or entertain the notion of using his services as an honest broker in order to disengage from a situation that was rapidly spiraling out of control. Kennedy's Francophobia, the roots of which appear in a selection of private writings from Kennedy's undergraduate years at Harvard, biased his decision-making. The course of action Kennedy chose in 1963, a rejection of the French peace program, all but handcuffed Lyndon Johnson into formally entering a war he knew the United States had little chance of winning.

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In August 1974, while Richard Nixon resigned and Gerald Ford began a prolonged battle with Congress over executive power, a crisis was occurring in Cyprus. Desperate to shore up its declining popularity with a foreign policy triumph, the military government of Greece tried to overthrow the government of the independent island nation. In response, the Republic of Turkey invaded Cyprus in order to protect Turkish Cypriots. The invasion led to the downfall of the junta in Athens, the beginning of a United States embargo on arms sales to its ally Turkey, and years of increased tension and mistrust between the two nations.In his book, James F. Goode offers a revolutionary analysis of the complex factors leading to the imposition and continuance of the Turkish Arms Embargo. He demonstrates that, alone, the human rights issues surrounding the invasion fail to explain the resulting US-Turkish estrangement. Instead, he contends, factors including deep-seated "Turkophobia," growing concern about a deadly heroin epidemic in the United States, and pro-Greek lobbies played important roles in heightening tensions and extending the embargo.Goode draws on newly available archival materials from the Gerald Ford and Jimmy Carter Presidential Libraries as well as the personal papers of key senators and congressmen to present the most complete analysis of the affair to date. This timely study will not only change how this period is understood, but it will also provide valuable insights into the future of international relations.

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Outwardly it would appear that Arab and Jewish immigrants comprise two distinct groups with differing cultural backgrounds and an adversarial relationship. Yet, as immigrants who have settled in communities at a distance from metropolitan areas, both must negotiate complex identities. Growing up in Kentucky as the granddaughter of Jewish immigrants, Nora Rose Moosnick observed this traditionally mismatched pairing firsthand, finding that, Arab and Jewish immigrants have been brought together by their shared otherness and shared fears. Even more intriguing to Moosnick was the key role played by immigrant women of both cultures in family businesses - a similarity which brings the two groups close together as they try to balance the demands of integration into American society.In Arab and Jewish Women in Kentucky: Stories of Audacity and Accomodation, Moosnick reveals how Jewish and Arab women have navigated the intersection of tradition, assimilation, and Kentucky's cultural landscape. The stories of ten women's experiences as immigrants or the children of immigrants join around common themes of public service to their communities, intergenerational relationships, running small businesses, and the difficulties of juggling family and work. Together, their compelling narratives challenge misconceptions and overcome the invisibility of Arabs and Jews in out of the way places in America.

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For decades, smiling images of Aunt Jemima and other historical and fictional black cooks could be found on various food products and in advertising. Although these images were sanitized and romanticized in American popular culture, they represented the untold stories of enslaved men and women who had a significant impact on the nation's culinary and hospitality traditions, even as they were forced to prepare food for their oppressors. Kelley Fanto Deetz draws upon archaeological evidence, cookbooks, plantation records, and folklore to present a nuanced study of the lives of enslaved plantation cooks from colonial times through emancipation and beyond. She reveals how these men and women were literally bound to the fire as they lived and worked in the sweltering and often fetid conditions of plantation house kitchens. These highly skilled cooks drew upon knowledge and ingredients brought with them from their African homelands to create complex, labor-intensive dishes. However, their

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Since 2002, Mike Pratt and Tom Leach have become as much a part of Kentucky Basketball as Rupp Arena itself, as longtime colour analysts for the UK Radio Network. This collection of candid and intimate conversations between Pratt and Leach gifts fans and readers insights into each season between 2002 and 2021 that only they could have. Pratt and Leach cover it all here: the games, the players, the coaches, and the moments that stood out.Mike Pratt is colour analyst for the UK Radio Network, alongside Tom Leach. Pratt was a three-year letterwinner under legendary coach Adolph Rupp at the University of Kentucky from 1967 through 1970. Tom Leach began his work on the UK Radio Network in 1989 as host of the postgame scoreboard and call-in shows. Eight years later, he was named the play-by-play voice for Kentucky football and he added the basketball responsibilities in 2001. Leach is an acclaimed sports journalist, winning several awards including two Eclipse Awards for Thoroughbred racing coverage, and six Sportscaster of the Year awards for Kentucky from the National Sports Media Association.

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Orson Welles was once asked which directors he most admired. He replied: "The old masters. By which I mean John Ford, John Ford, and John Ford." A legend in his own time, John Ford (1894-1973) received a record four Academy Awards for best director, and two of his World War II documentaries won Oscars for the US Navy. He directed 136 films in a career that lasted from the early silent era through the late 1960s. Ford is celebrated throughout the world as the cinema's foremost chronicler of American history, the leading poet of the Western genre, and a wide-ranging filmmaker of profound emotional impact. His classic films - including Stagecoach (1939), The Grapes of Wrath (1940), How Green Was My Valley (1941), The Quiet Man (1952), The Searchers (1956), and The Man Who Shot Liberty Valance (1962) - remain widely popular, and he has been acknowledged as a major influence on filmmakers such as Jean Renoir, Ingmar Bergman, Akira Kurosawa, Howard Hawks, Frank Capra, Samuel Fuller, Elia Kazan, Sidney Lumet, Martin Scorsese, Steven Spielberg, and George Lucas. In this groundbreaking critical study, Joseph McBride and Michael Wilmington provide an overview of Ford's career as well as in-depth analyses of key Ford films. Analyzing recurring Fordian themes and relating each film to his entire body of work, the authors insightfully explore the full richness of Ford's tragicomic vision of history. This new and revised version includes a study of the twenty-seven Ford silent films now known to survive in whole or in part (more than double the number available when the original edition was published); essays on three controversial aspects of Ford: his tragicomic sensibility, his views of race, and the influence of his Irish heritage; and an expanded version of McBride's interview with Ford on the last day of his career.

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In this vital transnational study, Kimberly D. Hill critically analyzes the colonial history of central Africa through the perspective of two African American missionaries: Alonzo Edmiston and Althea Brown Edmiston. The pair met and fell in love while working as a part of the American Presbyterian Congo Mission - an operation which aimed to support the people of the Congo Free State suffering forced labor and brutal abuses under Belgian colonial governance. They discovered a unique kinship amid the country's growing human rights movement and used their familiarity with industrial education, popularized by Booker T. Washington's Tuskegee Institute, as a way to promote Christianity and offer valuable services to local people.From 1902 through 1941, the Edmistons designed their mission projects to promote community building, to value local resources, and to incorporate the perspectives of the African participants. They focused on childcare, teaching, translation, construction, and farming - ministries that required constant communication with their Kuba neighbors. Hill concludes with an analysis of how the Edmistons' pedagogy influenced government-sponsored industrial schools in the Belgian Congo through the 1950s. A Higher Education illuminates not only the work of African American missionaries - who are often overlooked and under-studied - but also the transnational implications of black education in the South. Significantly, Hill also addresses the role of black foreign missionaries in the early civil rights movement, an argument that suggests an underexamined connection between earlier nineteenth-century Pan-Africanisms and activism in the interwar era.

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From 1935 until 1975, just about every junkie busted for dope went to the Narcotic Farm. Equal parts federal prison, treatment center, farm, and research laboratory, the Farm was designed to rehabilitate addicts and help researchers discover a cure for drug addiction. Although it began as a bold and ambitious public works project, and became famous as a rehabilitation center frequented by great jazz musicians among others, the Farm was shut down forty years after it opened amid scandal over its drug-testing program, which involved experiments where inmates were being used as human guinea pigs and rewarded with heroin and cocaine for their efforts.Published to coincide with a documentary to be aired on PBS, The Narcotic Farm includes rare and unpublished photographs, film stills, newspaper and magazine clippings, government documents, as well as interviews, writings, and anecdotes from the prisoners, doctors, and guards that trace the Farm's noble rise and tumultuous fall, revealing the compelling story of what really happened inside the prison walls.

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