Search results for ""author robert o."

Published by Boydell & Brewer Inc.

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Robert Wyatt started out as the drummer and singer for Soft Machine, who shared a residency at Middle Earth with Pink Floyd and toured America with Jimi Hendrix. He brought a Bohemian and jazz outlook to the 60s rock scene, having honed his drumming skills in a shed at the end of Robert Graves' garden in Mallorca. His life took an abrupt turn after he fell from a fourth-floor window at a party and was paralysed from the waist down. He reinvented himself as a singer and composer with the extraordinary album Rock Bottom, and in the early eighties his solo work was increasingly political. Today, Wyatt remains perennially hip, guesting with artists such as Bjork, Brian Eno, Scritti Politti, David Gilmour and Hot Chip. Marcus O'Dair has talked to all of them, indeed to just about everyone who has shaped, or been shaped by, Wyatt over five decades of music history.

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Interweaving fact and fiction, Los Alamos is at once a powerful novel of historical intrigue and a vivid portrait of the most mysterious figures involved in the Manhattan Project: Robert Oppenheimer.Spring 1945. As work on the first atomic bomb nears completion in New Mexico, Karl Bruner, a Manhattan Project security officer, is found murdered.Michael Connolly, the intelligence officer brought in to crack Bruner's case, soon discovers that investigating a murder in Los Alamos - a town so secret it does not officially exist - is anything but easy. Only once he falls in love and begins an affair with Emma, the enigmatic wife of one of the scientists, does he truly begin to unravel the dark heart of the Project.Elegantly written and deftly constructed, Los Alamos is the stunning debut novel of the author of Leaving Berlin and The Good German.'Brilliantly captures the burgeoning Cold War paranoia'Observer'Accomplished and beautifully written'Sunday Telegraph'Enthralling . . . a dream of a novel'Time Out

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Excellence in Publishing Award, Association of Catholic Publishers Honorable Mention, Catholic Press Association Book Award Finalist, Washington State Book Award Pure Act tells the story of poet Robert Lax, whose quest to live a true life as both an artist and a spiritual seeker inspired Thomas Merton, Jack Kerouac, William Maxwell and a host of other writers, artists and ordinary people. Known in the U.S. primarily as Merton’s best friend and in Europe as a daringly original avant-garde poet, Lax left behind a promising New York writing career to travel with a circus, live among immigrants in post-war Marseilles and settle on a series of remote Greek islands where he learned and recorded the simple wisdom of the local people. Born a Jew, he became a Catholic and found the authentic community he sought in Greek Orthodox fishermen and sponge divers. In his early life, as he alternated working at The New Yorker, writing screenplays in Hollywood and editing a Paris literary journal with studying philosophy, serving the poor in Harlem and living in a sanctuary high in the French Alps, Lax pursued an approach to life he called pure act―a way of living in the moment that was both spontaneous and practiced, God-inspired and self-chosen. By devoting himself to simplicity, poverty and prayer, he expanded his capacity for peace, joy and love while producing distinctive poetry of such stark beauty critics called him “one of America’s greatest experimental poets” and “one of the new ‘saints’ of the avant-garde.” Written by a writer who met Lax in Greece when he was a young seeker himself and visited him regularly over fifteen years, Pure Act is an intimate look at an extraordinary but little-known life. Much more than just a biography, it’s a tale of adventure, an exploration of friendship, an anthology of wisdom, and a testament to the liberating power of living an uncommon life.

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Robert Wilton Bungey was unquestionably an RAF hero. From the very beginning of the Second World War he was patrolling Germany’s border with the AASF. In the retreat from France he survived frantic day and night bombing missions flying obsolete, outclassed Fairey Battles against overwhelming odds. Many others didn’t survive. When Fighter Command desperately needed pilots in the Battle of Britain, he volunteered. He survived again when his Hurricane was shot down near the Isle of Wight. Converting to Spitfires, he commanded such aces as Jean ‘Pyker’ Offenberg, Paddy Finucane and Bluey Truscott, his leadership from-the-front gaining their trust and respect. While he was CO of 452 (RAAF) Squadron, it topped Fighter Command’s monthly tallies three times in a row. Later, commanding RAF Hawkinge, he was linked with air-sea rescue and Combined Operations Command. After more than three years of active war service, he returned to Australia for Sybil, his English bride waiting with a son he had never seen. But this story of triumph against all the odds has an extraordinary ending: at once a terrible tragedy and something of a miracle… Spitfire Leader is illustrated with many photographs never before published.

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The previously unpublished autobiography and additional essays by the orchestrator-composer of some of America's most important musical theatre productions. The remarkable career of composer-orchestrator Robert Russell Bennett [1894-1981] encompassed a wide variety of both "legitimate" and popular music-making in Hollywood, on Broadway, and for television. Bennett is principally responsible for what is known worldwide as the "Broadway sound" and for greatly elevating the status of the theater orchestrator. He worked alongside Jerome Kern, Cole Porter, George Gershwin, Irving Berlin, Richard Rodgers, and Frederick Loewe on much of the Broadway canon, eventually providing orchestrations for all or part of more than 300 musicals between 1920 and 1975. This work is the first publication of Bennett's autobiography, which was written in thelate 1970s. It also includes eight of his most important essays on the art of orchestration. George J. Ferencz is Professor of Music at the University of Wisconsin at Whitewater.

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'Oh would some power the gift give us, to see ourselves as others see us!' Robert BurnsRobert Burns, poet and lyricist, also known as Rabbie Burns, is widely regarded as the National Poet of Scotland - and much of his work has become part of everyday modern language:'The best laid schemes o' mice and men...''To see her is to love her...'Often credited with writing the lyrics for Auld Lang Syne, he almost single-handedly inspired the movement that preserved Scottish music and lyrics which had been handed down the generations vocally for centuries, thereby maintaining Scots culture and language.A cultural icon and pioneer of the Romantic movement, Burns was chosen as the greatest Scot in a 2009 poll. This collection includes some of his best-loved, most beautiful work.'Now's the day, now's the hour' Robert Burns

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This collection of essays, written for this volume and often using unpublished and archival materials, converges around the usually close and intense relationship between Robert Duncan and Denise Levertov, two of the most important and remarkable American poets in the second half of the twentieth century. Their association, played out in their poems and in an extraordinary exchange of letters, was based on a sense of the visionary imagination informing the direction and shape of the poet. However, they had a falling out during the Vietnam crisis over the relationship between poetry and politics, between the private and public responsibilities of the poet. Such issues are vital not only to their poetry and the poetry of that period but to contemporary poetry as well. A distinguished group of critics, led by Albert Gelpi and Robert J. Bertholf, examines the issues that drew Levertov and Duncan together, and split them apart, in a book that has the openness and coherence of an urgent, contemporary dialogue about the form and meaning of poetry.

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This collection of essays, written for this volume and often using unpublished and archival materials, converges around the usually close and intense relationship between Robert Duncan and Denise Levertov, two of the most important and remarkable American poets in the second half of the twentieth century. Their association, played out in their poems and in an extraordinary exchange of letters, was based on a sense of the visionary imagination informing the direction and shape of the poet. However, they had a falling out during the Vietnam crisis over the relationship between poetry and politics, between the private and public responsibilities of the poet. Such issues are vital not only to their poetry and the poetry of that period but to contemporary poetry as well. A distinguished group of critics, led by Albert Gelpi and Robert J. Bertholf, examines the issues that drew Levertov and Duncan together, and split them apart, in a book that has the openness and coherence of an urgent, contemporary dialogue about the form and meaning of poetry.

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Robert Greystones on Certainty and Skepticism: Selections from His Works is a continuation of the volume previously published by Auctores Britannici Medii Aevi, Robert Greystones on the Freedom of the Will: Selections from His Commentary on the Sentences (edited by Mark Henninger, with Robert Andrews and Jennifer Ottman, 2017). In the course of preparation of the first volume, startling information arose concerning the nature and extent of Greystones' skepticism. Following draft editions of a number of Greystones' Sentences commentary questions, the most relevant five questions were selected for editing and translation. Greystones is in the tradition of Nicholas of Autrecourt, William Crathorn, Monachus Niger (the Black Monk), Nicholas Aston, and John Went, but the earliest of these figures. Building upon the 69th proposition of the Condemnation of 1277, Greystones concludes that God's unlimited power must lead to a radical skepticism about human knowledge. We cannot be certain whether we are in this life or the afterlife, in a body or not. We cannot be certain about the existence of any external object. We have no certain knowledge of cause and effect, the existence of substances, or of any contingent event. Like Descartes, Greystones held that we can be certain about our own existence (ego sum). But preempting Descartes' appeal to a beneficent, non-deceptive God, Greystones says: God does not deceive. But you deceive yourself if you insist on believing that something exists when you know that it might not! You know that God can intervene at any instant, and thus that you can never completely trust your senses. Greystones' skepticism is strikingly significant in light of the later historical development of philosophy. Recent researchers on medieval skepticism such as Henrik Lagerlund, Dominik Perler, and Jos é Luis Bermúdez show no awareness of Greystones. Indeed, Bermúdez claims that "the resources were not available in the thirteenth and fourteenth centuries to entertain those ... skeptical worries that were identified as distinctive of Cartesian skepticism." This edition of Greystones should prompt not just a footnote to, but a re-writing of, the history of philosophy.

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The authorized biography of Robert Pollard, indie rock icon and founder of the music group Guided by VoicesRobert Pollard has been a staple of the indie rock scene since the early 1980s, along with his band Guided by Voices. Pollard was a longtime grade school teacher who toiled endlessly on his music, only finding success after adopting a do-it-yourself approach, relying on lo-fi home recordings for much of his and his band's career. A prolific artist, Pollard continues to churn out album after album, much to the acclaim of critics and his obsessive and devoted fans. But his story has never been faithfully told in its entirety. Until now.Closer You Are is the authorized biography of Robert Pollard and Guided by Voices. Author Matthew Cutter is a longtime friend of Pollard, and at Pollard's personal request Cutter has set out to tell the whole, true story of Guided by Voices. This will be the first book to take an in-depth look at the man behind it all, with interviews conducted by the author with Pollard's friends, family, and bandmates, along with unfettered access to Pollard himself and his extensive archives, ephemera, and artwork, which many fans will no doubt recognize from the band's numerous album covers. A series of appendices will further illuminate Pollard's solo career, side projects, and art shows.Robert Pollard has had an amazing and seemingly endless career in rock music, but he's also established himself as a consummate artist who works on his own terms. Now fans can at long last learn the full story behind one of America's greatest living songwriters.

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Biography of a civil rights activist who worked tirelessly at the heart of two social and political revolutions A native Alabamian, Reverend Robert E. Hughes worked full-time in the civil rights movement as executive director of the Alabama Council of Human Relations, where he developed a close relationship with Dr. Martin Luther King Jr. After facing backlash from the Ku Klux Klan, spending four days in jail for refusing to disclose ACHR membership lists, and ultimately being forced to leave the state of Alabama, he served as a Methodist missionary in Southern Rhodesia. After two years of organizing Black liberation groups, he was banned as a “prohibited immigrant” by the Ian Smith government. His lifelong commitment to social justice, racial equality, and peaceful resolution of conflicts marks a fascinating career richly documented in this comprehensive biography.To Do Justice: The Civil Rights Ministry of Reverend Robert E. Hughes traces the life and career of an admirable and lesser-known civil rights figure who fought injustice on two continents. This account presents valuable new evidence about the civil rights movement in the United States as well as human rights and liberation issues in colonial Southern Rhodesia in the years leading up to independence and self-rule. Readers get a behind-the-scenes look at a courageous individual who worked out of the public spotlight but provided essential support and informational resources to public activists and news reporters. Randall C. Jimerson explores the interwoven threads of race relations and religious beliefs on two continents, focusing on the dual themes of the American civil rights movement and the African struggles for decolonization and majority rule. The life and career of Hughes provide insight into the international dimensions of racial prejudice and discrimination that can be viewed in comparative context to similar oppressions in other colonial lands.

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In colonial America, the system of "warning out" was distinctive to New England, a way for a community to regulate those to whom it would extend welfare. Robert Love's Warnings animates this nearly forgotten aspect of colonial life, richly detailing the moral and legal basis of the practice and the religious and humanistic vision of those who enforced it. Historians Cornelia H. Dayton and Sharon V. Salinger follow one otherwise obscure town clerk, Robert Love, as he walked through Boston's streets to tell sojourners, "in His Majesty's Name," that they were warned to depart the town in fourteen days. This declaration meant not that newcomers literally had to leave, but that they could not claim legal settlement or rely on town poor relief. Warned youths and adults could reside, work, marry, or buy a house in the city. If they became needy, their relief was paid for by the province treasurer. Warning thus functioned as a registration system, encouraging the flow of labor and protecting town coffers. Between 1765 and 1774, Robert Love warned four thousand itinerants, including youthful migrant workers, demobilized British soldiers, recently exiled Acadians, and women following the redcoats who occupied Boston in 1768. Appointed warner at age sixty-eight owing to his unusual capacity for remembering faces, Love kept meticulous records of the sojourners he spoke to, including where they lodged and whether they were lame, ragged, drunk, impudent, homeless, or begging. Through these documents, Dayton and Salinger reconstruct the biographies of travelers, exploring why so many people were on the move throughout the British Atlantic and why they came to Boston. With a fresh interpretation of the role that warning played in Boston's civic structure and street life, Robert Love's Warnings reveals the complex legal, social, and political landscape of New England in the decade before the Revolution.

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In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. Volume XI of The Complete Works of Robert Browning contains two strikingly disparate long poems from the 1870s, Fifine at the Fair and Red Cotton Night-Cap Country. In Fifine at the Fair, Browning creates an idiosyncratic version of the Don Juan figure, a distinctly post-Romantic and intellectual Don Juan who derives little from any literary predecessor. The legendary character is realized in a modern French setting, the village of Pornic, a favorite vacation spot for Browning. The poem is a sustained exercise in self-justification and casuistry, with Don Juan persuading himself that he can reconcile his love of his wife with his carnal love for a gipsy girl. Though Red Cotton Night-Cap Country is similarly concerned with a struggle between spirit and flesh, the poem is entirely based in contemporary events. Using newspaper accounts and legal documents, Browning tells the strange and shocking tale of a rich and devout Frenchman who throws himself from the roof of his chateau, convinced that heaven will deliver him from death. Upon the question of his sanity hinges the disposition of his considerable estate, and the poet traces the claims and counterclaims to their settlement in court only a few months before he wrote the poem. As always in this series of critical editions, a complete record of textual variants is provided, as well as extensive explanatory notes.

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Robert Louis Stevenson, celebrated author of such treasured classics as Treasure Island, Kidnapped, and The Strange Case of Dr. Jekyll and Mr. Hyde, has long been recognized as a master storyteller and essayist. But he was also a delightful and instructive letter writer. Now, in the centenary of his death, Yale University Press is publishing the definitive edition of Stevenson's collected letters in eight handsomely produced volumes. The edition will contain nearly 2800 letters; only 1100 have been published before, and many of these were abridged or expurgated. The letters make fascinating reading, not only for those interested in Stevenson's life and work but also for everyone interested in nineteenth-century literature and social history. The letters in volumes I and II, which cover the years from 1854 to 1879, reveal Stevenson's struggles to achieve success as an author. We learn of his years as a student, his work, and his travels. We meet the people who became his chief correspondents for the rest of his life, including Sidney Colvin, who was to be his literary mentor and lifelong friend; the poet and critic W.E. Henley; and Fanny Osbourne, who later became Stevenson's wife. During this period Stevenson published stories and essays and two books, An Inland Voyage and Edinburgh: Picturesque Notes, and set off on the journey to the Cevennes later immortalized in his famous Travels with a Donkey. Ernest Mehew's introduction and detailed annotation place the letters in a biographical framework that gives a chronology of Stevenson's life; explains his family background; and identifies the people he met, the literary projects he planned, and the contemporary events to which he refers.

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Before they became two of America’s most iconic pop artists, Andy Warhol and Robert Indiana were young aspiring creatives, living in New York. There, they met and befriended William John Kennedy, who would take some of the first photographs of these artists in their career. Many photographers worked with Andy Warhol, but few so early on in his career or in a such a uniquely collaborative fashion. After establishing a friendship with Robert Indiana and taking some of the first, important close-up images of him in his studio, Kennedy went on to work in a similarly creative way with Warhol. These striking images of the young Warhol and Indiana were lost for nearly 50 years before being rediscovered. They were immediately recognised as important documents by the Warhol Museum and by Robert Indiana, and presented in the Before they were Famous exhibition, which travelled to London and New York. The story of the re-discovery of these photographs was made into an acclaimed documentary in 2010 - Full Circle: Before They Were Famous, Documentary on William John Kennedy. William John Kennedy: The Lost Archive: Photographs of Andy Warhol and Robert Indiana will be the first of William John Kennedy’s books devoted solely to the time he spent with Andy Warhol and Robert Indiana. The book features pictures of both artists as well as images of Taylor Mead, UltraViolet and other members of Warhol’s circle.

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On June 5th, 1968, at L.A.'s Ambassador Hotel, Robert F. Kennedy celebrated his victory in the California Democratic primary with a rousing victory speech anticipating a successful run for the presidency. Moments later, gunshots shattered that dream. The police quickly apprehended Sirhan Sirhan, who the world believed had single-handedly masterminded the shooting. But in Who Killed Bobby? Shane O'Sullivan makes a stunning case that will fundamentally alter the way the public views Bobby Kennedy's death. After an autopsy, LA County Coroner Thomas Noguchi concluded that the deadly shots had been fired from an inch behind Kennedy's right ear, but not a single witness placed Sirhan this close; most placed his gun several feet away, and in front of the senator. Moreover, Vincent Di Pierro, along with several other witnesses, saw Sirhan with a girl in a polka-dot dress in the pantry, exclaiming, "We shot him. We shot him." O'Sullivan presents new interviews with key witnesses the LAPD browbeat into changing their stories. He also presents a damning case against Sirhan’s psychological state. Sirhan repeatedly scrawled "RFK Must Die" in his notebook and recreated the same kind of automatic writing when later hypnotized by his defense team. O'Sullivan cites psychiatric evidence that Sirhan was an extremely susceptible hypnotic subject, whose behavior on the night of the shooting fit the profile of a programmed assassin. Was Sirhan programmed to be a decoy for the real killer?

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Challenging the prevailing notion among cinephiles that the auteur is an isolated genius interested primarily in individualism, Colin Burnett positions Robert Bresson as one whose life's work confronts the cultural forces that helped shape it. Regarded as one of film history's most elusive figures, Bresson (1901–1999) carried himself as an auteur long before cultural magazines, like the famed Cahiers du cinéma, advanced the term to describe such directors as Jacques Tati, Alfred Hitchcock, and Jean-Luc Godard. In this groundbreaking study, Burnett combines biography with cultural history to uncover the roots of the auteur in the alternative cultural marketplace of midcentury France.

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Challenging the prevailing notion among cinephiles that the auteur is an isolated genius interested primarily in individualism, Colin Burnett positions Robert Bresson as one whose life's work confronts the cultural forces that helped shape it. Regarded as one of film history's most elusive figures, Bresson (1901–1999) carried himself as an auteur long before cultural magazines, like the famed Cahiers du cinéma, advanced the term to describe such directors as Jacques Tati, Alfred Hitchcock, and Jean-Luc Godard. In this groundbreaking study, Burnett combines biography with cultural history to uncover the roots of the auteur in the alternative cultural marketplace of midcentury France.

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'WONDERFUL. ONE NEVER MESSES WITH THE FAERIES' Melanie Reid, The Times'AN ABSOLUTE TRIUMPH' Sarah Haywood, author of The Cactus 'A BRILLIANT TOUR-DE-FORCE -RIVETING' Alistair Moffatt, author of The Hidden Ways 'EXTRAORDINARILY VIVID' Michelle Gallen, author of Big Girl Small TownA spellbinding novel combining Scottish folklore with hidden history, by the Sunday Times bestselling author Sally Magnusson.Loch Katrine waterworks, 1856. A Highland wilderness fast becoming an industrial wasteland. No place for a lady. Isabel Aird is aghast when her husband is appointed doctor to an extraordinary waterworks being built miles from the city. But Isabel, denied the motherhood role that is expected of her by a succession of miscarriages, finds unexpected consolations in a place where she can feel the presence of her unborn children and begin to work out what her life in Victorian society is for. The hills echo with the gunpowder blasts of hundreds of navvies tunnelling day and night to bring clean water to diseased Glasgow thirty miles away - digging so deep that there are those who worry they are disturbing the land of faery itself. Here, just inside the Highland line, the membrane between the modern world and the ancient unseen places is very thin. With new life quickening within her again, Isabel can only wait. But a darker presence has also emerged from the gunpowder smoke. And he is waiting too. Inspired by the mysterious death of the seventeenth-century minister Robert Kirke and set in a pivotal era two centuries later when engineering innovation flourished but women did not, The Ninth Child blends folklore with historical realism in a spellbinding narrative.*PRAISE FOR THE SEALWOMAN'S GIFT*'I enjoyed and admired it in equal measure' SARAH PERRY'An extraordinarily immersive read' Guardian'Richly imagined and energetically told' Sunday Times'An epic journey' Zoe Ball Book Club

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Published in five editions between 1621 and 1651, The Anatomy of Melancholy marks a unique moment in the development of disciplines, when fields of knowledge were distinct but not yet restrictive. In Robert Burton’s Rhetoric, Susan Wells analyzes the Anatomy, demonstrating how its early modern practices of knowledge and persuasion can offer a model for transdisciplinary scholarship today.In the first decades of the seventeenth century, Robert Burton attempted to gather all the existing knowledge about melancholy, drawing from professional discourses including theology, medicine, and philology as well as the emerging sciences. Examining this text through a rhetorical lens, Wells provides an account of these disciplinary exchanges in all their subtle variety and abundant wit, showing that questions of how knowledge is organized and how it is made persuasive are central to rhetorical theory. Ultimately, Wells argues that in addition to a book about melancholy, Burton’s Anatomy is a meditation on knowledge.A fresh interpretation of The Anatomy of Melancholy, this volume will be welcomed by scholars of early modern English and the rhetorics of health and medicine, as well as those interested in transdisciplinary work and rhetorical theory.

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In the fall of 1943, armed with only his notebooks and pencils, Time and Life correspondent Robert L. Sherrod leapt from the safety of a landing craft and waded through neck-deep water and a hail of bullets to reach the shores of the Tarawa Atoll with the US Marine Corps. Living shoulder to shoulder with the marines, Sherrod chronicled combat and the marines' day-to-day struggles as they leapfrogged across the Central Pacific, battling the Japanese on Tarawa, Saipan, Iwo Jima, and Okinawa. While the marines courageously and doggedly confronted an enemy that at times seemed invincible, those left behind on the American home front desperately scanned Sherrod's columns for news of their loved ones. Following his death in 1994, the Washington Post heralded Sherrod's reporting as "some of the most vivid accounts of men at war ever produced by an American journalist." Now, for the first time, author Ray E. Boomhower tells the story of the journalist in Dispatches from the Pacific: The World War II Reporting of Robert L. Sherrod, an intimate account of the war efforts on the Pacific front.

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Published by Boydell & Brewer Inc.

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The Polka Dot File on the Robert F. Kennedy Killing describes the day-to-day chase for the mystery woman in the polka-dot dress. The book comments on but does not dwell on the police investigation, and reads like a detective thriller instead of an academic analysis of the investigation. It incorporates actual tapes made by an important witness, and introduces the testimony of witnesses not covered in other books and it is a new take on the assassination and the motives for it introduces a new theory for the reasons behind the assassination. Original and highly personal, it reaches a startling and different conclusion not exposed by other books.

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In 1942, RAF flight controller Robert Wyse became a Japanese prisoner of war on the island of Java in Indonesia. Starved, sick, beaten, and worked to near-death, he wasted away until he weighed only seventy pounds, his life hanging in tenuous balance. There were strict orders against POWs keeping diaries, but Wyse penned his observations on the scarce bits of paper he could find, struggling to describe the brutalities he witnessed. After cleverly hiding his notes in a piece of bamboo next to his bed, in December of 1943, he carefully hid his notes inside a bottle beneath his prison hut. After the war, he wrote to the Dutch authorities, asking them to dig up his diary and return it to him. In this detailed and frank portrayal of life under Japanese occupation, Wyse reveals the both the best and the worst of human nature. He criticized his fellow soldiers for botching the defence of Java and Sumatra and admonished his captors for their brutality. Yet, Wyse also describes the selfless efforts of the Dutch civilians who helped the prisoners by doing whatever they could as well as his first-hand observations of acts of self-sacrifice among the prisoners themselves.Bamboo Cage is volume 13 in the New Brunswick Military Heritage Series.

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The brilliant but turbulent life of a public intellectual who transformed the social sciencesRobert Bellah (1927–2013) was one of the most influential social scientists of the twentieth century. Trained as a sociologist, he crossed disciplinary boundaries in pursuit of a greater comprehension of religion as both a cultural phenomenon and a way to fathom the depths of the human condition. A Joyfully Serious Man is the definitive biography of this towering figure in modern intellectual life, and a revelatory portrait of a man who led an adventurous yet turbulent life.Drawing on Bellah's personal papers as well as in-depth interviews with those who knew him, Matteo Bortolini tells the story of an extraordinary scholarly career and an eventful and tempestuous life. He describes Bellah's exile from the United States during the hysteria of the McCarthy years, his crushing personal tragedies, and his experiments with sexuality. Bellah understood religion as a mysterious human institution that brings together the scattered pieces of individual and collective experiences. Bortolini shows how Bellah championed intellectual openness and innovation through his relentless opposition to any notion of secularization as a decline of religion and his ideas about the enduring tensions between individualism and community in American society.Based on nearly two decades of research, A Joyfully Serious Man is a revelatory chronicle of a leading public intellectual who was both a transformative thinker and a restless, passionate seeker.

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Robert W. Jenson (1930-2017) is America’s most important theologian. He thinks Jesus of Nazareth is always and for ever one of the Trinity. “Mary’s boy and Pilate’s victim” is the Father’s eternal Son, so there has never been an unfleshed Word. The God of the Gospel is much stranger than we have imagined. In Jesus in the Trinity Lincoln Harvey offers a penetrating guide into Jenson’s remarkable proposal. Demonstrating Jenson’s signature moves, as well as his fundamental re-working of the dogmatic tradition, Harvey shows how an evangelized metaphysics can make sense of the identity of Jesus Christ. With time, space, causation, and God’s act of creation utterly re-imagined through the course of these pages, reality will look very different in light of Jenson’s startling theology.

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The life of Robert Bruce is one of the greatest comeback stories in history. Heir and magnate, shrewd politician, briefly 'king of summer' and then a desperate fugitive who nevertheless returned from exile to recover the kingdom he claimed, Bruce became a gifted military leader and a wise statesman, a leader with vision and energy. Colm McNamee combines the most up to date scholarship on this crucial figure in the history of the British Isles with lucid explanation of the medieval context, so that readers of all backgrounds can appreciate Bruce's enormous contribution to the historical impact not just on Scotland, but on England and Ireland too. It is designed to encourage popular reassessment of Bruce as politician, warrior, monarch and saviour of Scottish identity from extinction at the hands of the Edwardian superstate. Peeling back the layers of misconception and propaganda, the author paints an accurate, sympathetic but balanced portrait of a much beloved national hero who has fallen out of fashion of late for no good reason.

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Robert Hatch's critical life spanned five decades. Starting in 1947 and continuing until 1984, he wrote about drama (and film) for The New Republic, The Nation, Theatre Arts, The Reporter, and Horizon. Along with John Simon, Robert Brustein, Richard Gilman, and Stanley Kauffmann, Hatch was one of the most potent, influential authors in the New York school of twentieth-century American arts criticism. With style and erudition Open Hatch discusses plays and productions from the following countries: England, the United States, France, Russia, Ireland, Germany, Switzerland, Italy, Czechoslovakia, Norway, Greece, and Australia. Among the many works discussed are The Master Builder, by Henrik Ibsen; The Three Sisters, by Anton Chekhov; Cat on a Hot Tin Roof, by Tennessee Williams; The Bourgeois Gentleman, by Molière; The Iceman Cometh, by Eugene O'Neill; Measure for Measure, by William Shakespeare; The Good Woman of Setzuan, by Bertolt Brecht; Exiles, by James Joyce; Endgame, by Samuel Beckett; The Blacks, by Jean Genet; The Caretaker, by Harold Pinter; Who's Afraid of Virginia Woolf?, by Edward Albee; Dutchman, by LeRoi Jones; and Leonce and Lena, by Georg Büchner. Also included in Open Hatch are articles on the following subjects: the idea of repertory; the Living Theatre; the Actors' Studio; Broadway and Off-Broadway; melodrama; and scene design. In addition, one may find in this rich collection bio-critical pieces on such figures as Tyrone Guthrie, Orson Welles, and John Arden. The precision, wit, and wisdom of Hatch's writing chime in Open Hatch, as he reveals his sense of cultural mission - and love of all the arts - by applying to theater and drama the same high standards that are applied to fiction, poetry, art, and music.

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