Search results for ""author robert o."

One day in spring 1964, the young American poet Robert Bly left his rural farmhouse and drove 150 miles to the University of Minnesota library in Minneapolis to obtain the latest book by the young Swedish poet Tomas Transtromer. When Bly returned home that evening with a copy of Transtromer's The Half-Finished Heaven, he found a letter waiting for him from its author. With this remarkable coincidence as its beginning, what followed was a vibrant correspondence between two poets who would become essential contributors to global literature. Airmail collects more than 290 letters, written from 1964 until 1990, when Transtromer suffered a stroke that has left him partially paralysed and diminished his capacity to write. Across their correspondence, the two poets are profoundly engaged with each other and with the larger world: the Vietnam War, European and American elections, and the struggles of affording a life as a writer. Airmail also offers remarkable insights into the processes of translating literature from one language into another. As Bly began to render Transtromer's poetry into English and Transtromer began to translate Bly's poetry into Swedish, their collaboration soon turned into a friendship that has lasted fifty years. Insightful, brilliant, and often funny, Airmail provides a rare portrait of two artists who have become integral to each other's particular genius. Based on the original Swedish edition published in 2001, this publication marks the first time letters by Transtromer and Bly have been made available in Britain. Robert Bly's translations of Tomas Transtromer appear in The Half-Finished Heaven: The Best Poems of Tomas Transtromer, published by Graywolf Press. Transtromer's complete poetry is available in English in Robin Fulton's translation, New Collected Poems, published by Bloodaxe Books (and by New Directions in the US under the title The Great Enigma: New Collected Poems).

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In 1922 Robert Allerton—described by the Chicago Tribune as the “richest bachelor in Chicago”—met a twenty-two-year-old University of Illinois architecture student named John Gregg, who was twenty-six years his junior. Virtually inseparable from then on, they began publicly referring to one another as father and son within a couple years of meeting. In 1960, after nearly four decades together, and with Robert Allerton nearing ninety, they embarked on a daringly nonconformist move: Allerton legally adopted the sixty-year-old Gregg as his son, the first such adoption of an adult in Illinois history.An Open Secret tells the striking story of these two iconoclasts, locating them among their queer contemporaries and exploring why becoming father and son made a surprising kind of sense for a twentieth-century couple who had every monetary advantage but one glaring problem: they wanted to be together publicly in a society that did not tolerate their love. Deftly exploring the nature of their design, domestic, and philanthropic projects, Nicholas L. Syrett illuminates how viewing the Allertons as both a same-sex couple and an adopted family is crucial to understanding their relationship’s profound queerness. By digging deep into the lives of two men who operated largely as ciphers in their own time, he opens up provocative new lanes to consider the diversity of kinship ties in modern US history.

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The First World War is often credited as being the event that gave Canada its own identity, distinct from that of Britain, France, and the United States. Less often noted, however, is that it was also the cause of a great deal of friction within Canadian society. The fifteen essays contained in Canada and the First World War examine how Canadians experienced the war and how their experiences were shaped by region, politics, gender, class, and nationalism. Editor David MacKenzie has brought together some of the leading voices in Canadian history to take an in-depth look into the tensions and fractures the war caused, and to address the way some attitudes about the country were changed, while others remained the same. The essays vary in scope, but are strongly unified so as to create a collection that treats its subject in a complete and comprehensive manner. Canada and the First World War is a tribute to esteemed University of Toronto historian Robert Craig Brown, one of Canada's greatest authorities on the Great War World War One. The collection is a significant contribution to the on-going re-examination of Canada's experiences in war, and a must-read for students of Canadian history.

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"The availability of a paperback version of Boyle's philosophical writings selected by M. A. Stewart will be a real service to teachers, students, and scholars with seventeenth-century interests. The editor has shown excellent judgment in bringing together many of the most important works and printing them, for the most part, in unabridged form. The texts have been edited responsibly with emphasis on readability. . . . Of special interest in connection with Locke and with the reception of Descarte's Corpuscularianism, to students of the Scientific Revolution and of the history of mechanical philosophy, and to those interested in the relations among science, philosophy, and religion. In fact, given the imperfections in and unavailability of the eighteenth-century editions of Boyle’s works, this collection will benefit a wide variety of seventeenth-century scholars." --Gary Hatfield, University of Pennsylvania

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The generalship of Robert E. Lee, the Confederacy's greatest commander, has long fascinated students of the American Civil War. In assessing Lee and his military career, historians have faced the great challenge of explaining how a man who achieved extraordinary battlefield success in 1862–1863 ended up surrendering his army and accepting the defeat of his cause in 1865. How, in just under two years, could Lee, the Army of Northern Virginia, and the Confederacy have gone from soaring triumph at Chancellorsville to total defeat at Appomattox Court House? In this reexamination of the last two years of Lee's storied military career, Ethan S. Rafuse offers a clear, informative, and insightful account of Lee's ultimately unsuccessful struggle to defend the Confederacy against a relentless and determined foe. Robert E. Lee and the Fall of the Confederacy describes the great campaigns that shaped the course of this crucial period in American history, the challenges Lee faced in each battle, and the dramatic events that determined the war's outcome. In addition to providing readable and richly detailed narratives of such campaigns as Gettysburg, Bristoe Station, Spotsylvania, and Appomattox, Rafuse offers compelling analysis of Lee's performance as a commander and of the strategic and operational contexts that influenced the course of the war. He superbly describes and explains the factors that shaped Union and Confederate strategy, how both sides approached the war in Virginia from an operational standpoint, differences in the two sides' respective military capabilities, and how these forces shaped the course and outcome of events on the battlefield. Rich in insights and analysis, this book provides a full, balanced, and cogent account of how even the best efforts of one of history's great commanders could not prevent the total defeat of his army and its cause. It will appeal to anyone with an interest in the career of Robert E. Lee and the military history of the Civil War.

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The generalship of Robert E. Lee, the Confederacy's greatest commander, has long fascinated students of the American Civil War. In assessing Lee and his military career, historians have faced the great challenge of explaining how a man who achieved extraordinary battlefield success in 1862–1863 ended up surrendering his army and accepting the defeat of his cause in 1865. How, in just under two years, could Lee, the Army of Northern Virginia, and the Confederacy have gone from soaring triumph at Chancellorsville to total defeat at Appomattox Court House? In this reexamination of the last two years of Lee's storied military career, Ethan S. Rafuse offers a clear, informative, and insightful account of Lee's ultimately unsuccessful struggle to defend the Confederacy against a relentless and determined foe. Robert E. Lee and the Fall of the Confederacy describes the great campaigns that shaped the course of this crucial period in American history, the challenges Lee faced in each battle, and the dramatic events that determined the war's outcome. In addition to providing readable and richly detailed narratives of such campaigns as Gettysburg, Bristoe Station, Spotsylvania, and Appomattox, Rafuse offers compelling analysis of Lee's performance as a commander and of the strategic and operational contexts that influenced the course of the war. He superbly describes and explains the factors that shaped Union and Confederate strategy, how both sides approached the war in Virginia from an operational standpoint, differences in the two sides' respective military capabilities, and how these forces shaped the course and outcome of events on the battlefield. Rich in insights and analysis, this book provides a full, balanced, and cogent account of how even the best efforts of one of history's great commanders could not prevent the total defeat of his army and its cause. It will appeal to anyone with an interest in the career of Robert E. Lee and the military history of the Civil War.

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Examines an under-analysed period of Robert Altman's career Provides new critical perspectives on the Altman oeuvre Features original interviews with key Altman collaborators Offers case studies of Popeye, Tanner '88, Come Back to the Five & Dime, Jimmy Dean, Jimmy Dean, Cookie's Fortune and A Prairie Home Companion, among others Illuminating the industrial, cultural and aesthetic significance of the later years of one of American cinema's most influential auteurs, this anthology combines scholarly essays, original interviews with Robert Altman's collaborators and previously unseen photographs from the Robert Altman Papers held at the Special Collections Research Center, University of Michigan Library. The book considers post-1970s Altman as a way to rethink and reconceive his authorship, expanding our understanding of the development of Altman's personal aesthetic and production practices; his adaptation of existing source material; the representation of sex, gender and identity in his films; his relation to the changing landscape of American independent cinema; and his unfinished projects. Interviews with key Altman collaborators like Alan Rudolph, Ira Deutchman and Anne Rapp highlight their contributions to Altman's career. Rather than place aside the extensive work on Robert Altman to date, this comprehensive book offers texture and depth to previous ways of thinking about Altman's creativity and contribution to American cinema.

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In Clouds of Glory: The Life and Legend of Robert E. Lee, Michael Korda, the New York Times bestselling biographer of Dwight D. Eisenhower, Ulysses S. Grant, and T. E. Lawrence, has written the first major biography of Lee in nearly twenty years, bringing to life one of America's greatest, most iconic heroes. Korda paints a vivid and admiring portrait of Lee as a general and a devoted family man who, though he disliked slavery and was not in favor of secession, turned down command of the Union army in 1861 because he could not "draw his sword" against his own children, his neighbors, and his beloved Virginia. He was surely America's preeminent military leader, as calm, dignified, and commanding a presence in defeat as he was in victory. Lee's reputation has only grown in the 150 years since the Civil War, and Korda covers in groundbreaking detail all of Lee's battles and traces the making of a great man's undeniable reputation on both sides of the Mason-Dixon Line, positioning him finally as the symbolic martyr-hero of the Southern Cause. Clouds of Glory features dozens of stunning illustrations, some never before seen, including eight pages of color, sixteen pages of black-and-white, and nearly fifty battle maps.

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A series of diary entries. Marginalia from Pausanias's description of Greece. A nineteenth century ledger. Postcards from China. What do these ostensibly unrelated things have in common? Little or nothing, except when transformed into verse by Robert Kroetsch, one of Canada's most accomplished writers. Completed Field Notes showcases 20 of Kroetsch's long poems, spanning some 15 years of creative activity. Introduction by Fred Wah.

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These bald facts, horrific as they are, do not begin to scratch the surface of the truth about Robert Black, a Scottish-born serial killer who undoubtedly committed further murders for which he was never tried, both in this country and on the Continent. In this ground-breaking account, Robert Giles, who has spent years tracing the killer's movements and sifting through all the evidence, including transcripts of the trials, convincingly argues that Black was an habitual serial killer over many years, and quite certainly responsible for more than the four child murders for which he was convicted. Co-written with Chris Clark, a former police intelligence officer whose tireless work into the Yorkshire Ripper produced convincing new evidence of other murders that went unnoticed or unrecorded, The Face of Evil shows once and for all that Robert Black was a serial killer whose crimes went far beyond what is generally believed. In doing so, it paints a portrait of human cruelty at its worst.

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For centuries, historians have speculated about the life of Katherine Jones, Lady Ranelagh. Dominant depictions show her either as a maternal figure to her younger brother Robert Boyle, one of the most significant scientists of his day, or as a patroness of the European correspondence network now known as the Hartlib circle—but neither portrait captures the depth of her intellect or the range of her knowledge and influence. Philosophers, mathematicians, politicians, and religious authorities sought her opinion on everything from decimalizing the currency to producing Hebrew grammars. She practiced medicine alongside distinguished male physicians, treating some of the most elite patients in London. Her medical recipes, political commentaries, and testimony concerning the philosophers’ stone gained international circulation. She was an important influence on Boyle and a formidable thinker in her own right. Drawing from a wealth of new archival sources, Michelle DiMeo fills out Lady Ranelagh’s legacy in the context of a historically sensitive and nuanced interpretation of gender, science, and religion. The book re-creates the intellectual life of one of the most respected and influential women in seventeenth-century Europe, revealing how she managed to gain the admiration of diverse contemporaries, effect social change, and shape contemporary science.

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In the latest Spenser thriller, the legendary Boston PI and his young protégé Mattie Sullivan take on a billionaire money manager running a network of underaged girls for his rich and powerful clients Ten years ago, Spenser helped a teenage girl named Mattie Sullivan find her mother's killer and take down an infamous Southie crime boss. Now Mattie - a college student with a side job working for the tough but tender private eye - dreams of being an investigator herself. Her first big case involves a fifteen-year-old girl assaulted by a much older man at one of Boston's most prestigious private clubs. The girl, Chloe Turner, only wants the safe return of her laptop and backpack. But like her mentor and boss, Mattie has a knack for asking the right questions of the wrong people. Soon Spenser and Mattie find ties between the exploitation of dozens of other girls from working class families to an eccentric billionaire and his sadistic henchwoman with a mansion on Commonwealth Avenue. The mystery man's wealth, power and connections extend well beyond Massachusetts - maybe even beyond the United States. Spenser and trusted ally Hawk must again watch out for Mattie as she unravels a massive sex-trafficking ring that will take them from Boston to Boca Raton to the Bahamas, crossing paths with local toughs, a highly-trained security company, and an old enemy of Spenser - the Gray Man - for a final epic showdown.

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An ancient bomber conceals a devastating secret - a stunning Covert-One thriller from the master storyteller.On a desolate island deep within the Arctic, a scientific expedition photographs the wreckage of a bomber. It seems to be a relic from the Cold War - but a handful of insiders know that it is a Soviet Air Force biological warfare platform, still armed with weaponised anthrax.Covert-One's Lt. Col. Jon Smith leads a team to secure the site. But on the island they find themselves confronted with a traitor from within their ranks. Gradually they become aware that the ancient bomber conceals something else: a secret so deadly that it could trigger a Third World War...

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“Reads like a mystery”—PBS News Hour“You’ll find it hard to put down.”—NPR, “Books We Love” When reclusive, millionaire artist Robert Indiana died in 2018, he left behind dark rumors and scandal, as well as an estate embroiled in lawsuits and facing accusations of fraud. Here, for the first time, are all the pieces to the bizarre true story of the artist’s final days, the aftermath, the deceptive world that surrounded him, and the inner workings of art as very big business.“I’m not a business man, I'm an artist,” Robert Indiana said, refusing to copyright his iconic LOVE sculpture in 1965. An odd and tortured soul, an artist who wanted both fame and solitude, Indiana surrounded himself with people to manage his life and work. Yet, he frequently changed his mind and often fired or belittled those who worked with him. By 2008, when Indiana created the sculpture HOPE—or did he?—the artist had signed away his work for others to exploit, creating doubt about whether he had even seen artwork sold for very high prices under his name.At the time of his death, Indiana left an estate worth millions—and unsettling suspicions. There were allegations of fraudulent artwork, of elder abuse, of caregivers who subjected him to horrendous living conditions. There were questions about the inconclusive autopsy and rumors that his final will had been signed under coercion. There were strong suspicions about the freeloaders who’d attached themselves to the famous artist. “In the final hours of his life,” the author writes, “Robert Indiana was without the grace of a better angel, as the people closest to him covered their tracks and plotted their defenses.”With unparalleled access to the key players in Indiana’s life, author Bob Keyes tells a fast-paced and riveting story that provides a rare inside look into the life of an artist as well as the often, too often, unscrupulous world of high-end art. The reader is taken inside the world of art dealers, law firms, and an array of local characters in Maine whose lives intersected with the internationally revered artist living in an old Odd Fellows Hall on Vinalhaven Island.The Isolation Artist is for anyone interested in contemporary art, business, and the perilous intersection between them. It an extraordinary window into the life and death of a singular and contradictory American artist—one whose work touched countless millions through everything from postage stamps to political campaigns to museums—even as he lived and died in isolation, with a lack of love, the loss of hope, and lots and lots of money.

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Since 1992, the Dia Center for the Arts has presented the Robert Lehman Lectures on Contemporary Art—an example of Dia's ongoing commitment to cross-disciplinary critical discourse. This fourth volume of collected theoretical and critical essays focuses on Dia's exhibitions from 2001 through 2002, with contributions by Alexander Alberro, Jan Avgikos, Colin Gardner, Dave Hickey, Rosalind Krauss, Miwon Kwon, Ulrich Loock, Richard Shiff and Dirk Snauwaert. These writers analyze the work of internationally recognized artists such as Roni Horn, Alfred Jensen, Bruce Nauman, Max Neuhaus, Panamarenko, Jorge Pardo, Gerhard Richter, Bridget Riley, Diana Thater and Gilberto Zorio.

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This innovative study of the works of Robert Musil opens a new window on the history of modern identity in western culture. Stefan Jonsson argues that Musil’s Austria was the first postimperial state in modern Europe. Prior to its destruction in 1918, the Austro-Hungarian Empire had ruled over a vast array of nationalities and, in the course of its demise as well as after, Austria was beset by nationalism, racism, and other forms of identity politics that ultimately led to the triumph of Nazism. It was to this society that Musil responded in his great work The Man Without Qualities. Exploring the nooks and crannies of this modernist classic, Jonsson shows that Musil’s narrative evolves along two axes that must be considered in tandem: Whereas the central plot portrays a Viennese elite that in 1913 attempts to restore social cohesion by gathering popular support for the cultural essence of the empire, the protagonist discovers that he lacks essence altogether and finds himself attracted by monsters, criminals, and revolutionary figures that reject the social order. In this way, Musil’s novel traces the disappearance of what Jonsson calls the expressivist paradigm—the conviction that identities such as gender, nationality, class, and social character are expressions of permanent intrinsic dispositions. This, Jonsson argues, is Musil’s great legacy. For not only did the Austrian author seek to liquidate prevailing conceptions of personal and cultural identity; he also projected “a new human being,” one who would resist assimilation into imperialist, nationalist, or fascist communities. Subject Without Nation presents a new interpretation of Viennese modernity and uncovers the historical foundations of poststructural and postcolonial reconceptualizations of human subjectivity. Illuminating links between Musil’s oeuvre as a whole and post-war developments in critical thought, this book locates an important crossroads between literary criticism, intellectual history, and cultural theory.

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In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. With this seventeenth and final volume, The Complete Works of Robert Browning concludes the major phase of a great scholarly project: the accurate preservation and transmission of the poet’s works for future generations of readers. Volume XVII begins with Browning’s last collection of poems, Asolando: Fancies and Facts, published on the day of the poet’s death, 12 December 1889. Wonderful in its diversity and intensity, Asolando contains lyrics of startling emotion, autobiographical narratives, and a few of the dramatic monologues for which Browning had become famed. Also in this final volume are ninety-nine fugitive pieces, either unpublished or uncollected during the poet’s lifetime. Ranging from experimental poems of Browning’s youth to Greek translations to joking couplets and witty ephemera, these works illustrate the endless variety of the poet’s talent. Finally, Volume XVII includes “Thomas Wentworth, Earl of Strafford,” a biographical essay that Browning coauthored with John Forster in 1836. The historical research done for this work formed a basis for Strafford, a play Browning completed the following year. Comprehensive explanatory notes for the works in this volume are provided, as is a title index to all seventeen volumes of The Complete Works.

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In this reassessment of one of the figures of early modern science, Rose-Mary Sargent explores Robert Boyle's philosophy of experiment, a central aspect of his life and work that became a model for mid to late 17th century natural philosophers and for those who followed them. Sargent examines the philosophical, legal, experimental, and religious traditions - among them English common law, alchemy, medicine, and Christianity - that played a part in shaping Boyle's experimental thought and practice. The roots of his philosophy in his early life and education, in his religious ideals and in the work of his predecessors - particularly Bacon, Descartes and Galileo - are explored, as are the possible influences of his social and intellectual circle. Drawing on a range of Boyle's published works, as well as on his unpublished notebooks and manuscripts, Sargent shows how these diverse influences were transformed and incorporated into Boyle's views on, and practice of, experiment.

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In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. The sixth in the projected seventeen-volume work, this volume covers the second half of Men and Women (1855), perhaps Browning’s most famous collection, and the entirety of Dramatis Personae (1864), the first book Browning produced after the death of Elizabeth Barrett Browning in 1861. Men and Women II contains several great dramatic poems on which Browning’s reputation still depends, including “Andrea del Sarto,” “Saul,” and “Cleon.” It also includes the more intimate and personal works “The Guardian Angel” and “One Word More,” as well as the mysterious “Women and Roses.” The Brownings‘ shared interests in Renaissance art and nineteenth-century Italian politics inform the challenging “Old Pictures in Florence.” The publication of Dramatis Personae was a key event in the rapid rise of Browning’s fame in the 1860s, though the collection is marked by a welter of conflicting impulses that arose after the poet left Italy and his married life behind. The classic monologues “Rabbi Ben Ezra” and “Abt Vogler” are here, but beside them Browning placed the nearly surreal “Caliban upon Setebos” and the achingly self-regarding “James Lee’s Wife,” one of the volume’s handful of dramatic lyrics about betrayed or failed relationships. Also included are “A Death in the Desert,” which contributed to the intense Victorian debate about scriptural validity and religious authority; and “Mr Sludge, ’The Medium,‘” Browning’s ferocious, pyrotechnic exposé of a spiritualist fraud. As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

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In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. Volume V contains: A Soul’s Tragedy Poems Christmas-Eve and Easter Day Essay on Shelley Men and Women, Vol. I As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

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Robert Frost - American Writers 2 was first published in 1959. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

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Uplift Your Heart and Increase Your Effectiveness Delve into the personal writings of the grandfather of the modern empowerment movement in business leadership. In this collection of previously unpublished works, eminent writer, consultant, and lecturer Robert Greenleaf shares his personal and professional philosophy, which postulates that true leaders are those who lead by serving others. Spanning a time frame of fifty years, these essays and lectures touch on such key issues as power, ethics, management, organizations, and servanthood. And they offer the reader a wealth of practical suggestions and useful information garnered through the course of a remarkable career.

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Many people have written biographies of Charles Darwin, but the story of his family and roots in Shrewsbury is little known. This book, containing original research, fills that gap. The key player is Charles' father, Dr Robert Darwin, a larger-than-life character whose financial acumen enabled Charles to spend his whole life on research unencumbered by money worries. Through Susannah, Charles' mother, we are introduced to the Wedgwood family, whose history was so closely interwoven with the Darwins. The stories of Charles' five siblings are detailed, and there is a wealth of local material, such as information on Shrewsbury School and its illustrious headmaster, Samuel Butler. The book is fully illustrated with contemporary and modern pictures, and will be of interest to anyone wanting to discover more about the development of Shrewsbury's most famous son.

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Robert Hichens has gone down in history as the man who was given the famous order to steer the Titanic away from the iceberg and failed. Following this, his falling out with the ‘Unsinkable Molly Brown’ over the actions of the lifeboats saw him branded a coward and his name indelibly tarnished. A key witness at both US and British Inquiries, Robert returned to a livelihood where fellow crewmen considered him jinxed. But Robert had a long career and was a hardworking, ambitious seaman. A fisherman at 19, he quickly became a junior officer in the merchant navy. In the Second World War he was part of a cargo ship convoy on route to Africa where his ship dodged mines, U-boats and enemy aircraft. To Robert, being at sea was everything but the dark memories of the Titanic were never far away and in 1933 a failed murder attempt after a bitter feud nearly cost Robert his life. Here Robert’s great-granddaughter Sally Nilsson seeks to set the record straight and reveal the true character of the man her family knew. This is one man’s story of survival, betrayal and determination.

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A landmark in the publication of twentieth-century American poetry, this first volume of the long-awaited collected poetry, non-critical prose, and plays of Robert Duncan gathers all of Duncan's books and magazine publications up to and including "Letters: Poems 1953-1956". Deftly edited, it thoroughly documents the first phase of Duncan's distinguished life in writing, making it possible to trace the poet's development as he approaches the brilliant work of his middle period. This volume includes the celebrated works "Medieval Scenes" and "The Venice Poem", all of Duncan's long unavailable major ventures into drama, his extensive "imitations" of Gertrude Stein, and the remarkable poems written in "Majorca" as responses to a series of collaged paste-ups by Duncan's life-long partner, the painter Jess. Books appear in chronological order of publication, with uncollected periodical and other publications arranged chronologically, following each book. The introduction includes a biographical commentary on Duncan's early life and works, and clears an initial path through the textual complexities of his early writing. Notes offer brief commentaries on each book and on many of the poems. The volume to follow, "The Collected Later Poetry and Plays", will include "The Opening of the Field" (1960), "Roots and Branches" (1964), "Bending the Bow" (1968), "Ground Work" (1984), and "Ground Work II" (1987).

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The significance of Robert Boyle (1627-91) as the most influential English scientist in the generation before Newton is now generally acknowledged, but the complexity and eclecticism of his ideas has also become increasingly apparent. This volume presents an important group of studies of Boyle by Michael Hunter, the leading expert on Boyle’s life and thought. It forms a sequel to two previous books: Hunter’s Robert Boyle: Scrupulosity and Science (2000) and The Boyle Papers: Understanding the Manuscripts of Robert Boyle (2007). Like them, it conveniently brings together material otherwise widely scattered in essay volumes and academic journals, while nearly a third of the book’s content is hitherto unpublished. The collection opens with a substantial introduction that places the studies that follow in the context of existing studies of Boyle; appended to it is an annotated edition of Boyle’s telling list of desiderata for science. The next three essays comprise a group of essentially biographical studies, exploring various aspects of Boyle’s life and intellectual evolution, after which three others provide further evidence of the ’convoluted’ Boyle divulged in Robert Boyle: Scrupulosity and Science. Finally, we have two chapters, one hitherto published only in French and the other not at all, which throw important light on topics that preoccupied Boyle in the last few years of his life - the supernatural and the exotic. Together, these essays add greater depth to our understanding of Boyle, both as an individual and as a natural philosopher.

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The first full-scale biography of Robert Willis, the "founding father" of architectural history. WINNER of the Cambridge Association for Local History book award 2016 Robert Willis was the archetypal nineteenth-century polymath. Officially, as Jacksonian Professor of Natural and Experimental Philosophy at the University of Cambridge, he specialized in the study of mechanism, which he also taught at the Royal School of Mines in London. In the field of science he was an experimentalist, inventor and educational innovator. Meanwhile, in his spare time, he pursued his passion, pioneering the serious study of architectural history. Initially his work was aimed at architects - his role in providing an intellectual underpinning to the contemporary Gothic Revival was acknowledged by the award of the gold medal of the Royal Institute of British Architects in 1862. However his main contribution was more historical. Starting with Canterbury, in 1844, over the course of his career, he investigated almost every English cathedral and developed an approach, combining documentary and archaeological research, which remains in use today. His studies culminated in the monumental Architectural History of the University of Cambridge, still the definitive account of its subject. In this fascinating and lavishly illustrated intellectual biography, drawn from extensive archival and architectural research, the author sheds new light on the interconnections between Willis's varied fields of interest and his fundamental role in the creation of a discipline. ALEXANDRINA BUCHANAN is both an architectural historian and an archivist; her introduction to archives came throughcataloguing the papers of Robert Willis at the Cambridge University Library. She is now Lecturer in Archive Studies at the University of Liverpool.

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Ever had a bad day? Try having one on the moon...'Fascinating' Tim Peake, Sunday Times bestselling author of Ask an Astronaut______________________WELCOME TO ARTEMIS. The first city on the moon.Population 2,000. Mostly tourists.Some criminals.Jazz Bashara is one of the criminals. She lives in a poor area of Artemis and subsidises her work as a porter with smuggling contraband onto the moon. But it's not enough.So when she's offered the chance to make a lot of money she jumps at it. But though planning a crime in 1/6th gravity may be more fun, it's also a lot more dangerous.When you live on the moon, of course you have a dark side...______________________Andy Weir's new stunning science-based thriller PROJECT HAIL MARY is available now.______________________What everyone's saying about the follow-up to The Martian: 'A smart, fun, fast-paced adventure that you won't be able to put down' Ernest Cline, bestselling author of Ready Player One'What a page turner!' Milda on Goodreads, 5 stars'Fast paced, high octane and highly entertaining' Chrys on Netgalley, 5 stars'Artemis does for the moon what The Martian did for Mars' Guardian'A first rate thriller, this had me hooked from beginning to end' Robert on Netgalley, 5 stars'An absolute must read' Lauren on Goodreads, 5 stars'A clever and action-fuelled story' Culturefly'For those who loved The Martian, you won't be disappointed' Liz on Netgalley, 5 stars

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In the fall of 1943, armed with only his notebooks and pencils, Time and Life correspondent Robert L. Sherrod leapt from the safety of a landing craft and waded through neck-deep water and a hail of bullets to reach the shores of the Tarawa Atoll with the US Marine Corps. Living shoulder to shoulder with the marines, Sherrod chronicled combat and the marines' day-to-day struggles as they leapfrogged across the Central Pacific, battling the Japanese on Tarawa, Saipan, Iwo Jima, and Okinawa. While the marines courageously and doggedly confronted an enemy that at times seemed invincible, those left behind on the American home front desperately scanned Sherrod's columns for news of their loved ones. Following his death in 1994, the Washington Post heralded Sherrod's reporting as "some of the most vivid accounts of men at war ever produced by an American journalist." Now, for the first time, author Ray E. Boomhower tells the story of the journalist in Dispatches from the Pacific: The World War II Reporting of Robert L. Sherrod, an intimate account of the war efforts on the Pacific front.

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Robert Butterfield had a lifelong passion for railways. He devoted his career to working for British Railways and was a dedicated enthusiast, photographer and railway modeller. He travelled extensively in the London Midland, Eastern, North Eastern and Scottish Regions and on these journeys accumulated a large collection of stunning photographs, often featuring his favourite classes: Princess Coronations, Royal Scots and Jubilees. After forty-three years of service he spent his retirement happily chasing steam specials, particularly on the Carlisle to Settle line. Here Brian J. Dickson has compiled a beautiful collection of Robert Butterfield’s railway photographs, providing a window into the past looking back at steam in the 1950s.

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This innovative study of two of the most important artists of the twentieth century links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung provides a sophisticated yet accessible analysis, placing the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the studio and gallery into desert landscapes, abandoned warehouses, industrial sites, train stations, and other spaces. Ursprung bolsters his argument with substantial archival research and sociological and economic models of expansion and limits.

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Published by Boydell & Brewer Inc.

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Iconic, tough-but-tender Boston PI Spenser delves into the black market art scene to investigate a decades-long unsolved crime of dangerous proportions. Iconic, tough-but-tender Boston PI Spenser delves into the black market art scene to investigate a decades-long unsolved crime of dangerous proportions. The heist was legendary, still talked about twenty years after the priceless paintings disappeared from one of Boston's premier art museums. Most thought the art was lost forever, buried deep, sold off overseas, or, worse, destroyed as incriminating evidence. But when paint chips from the most valuable piece stolen, Gentlemen in Black by a Spanish master, arrives at the desk of a Boston journalist, the museum finds hope and enlists Spenser's help. Soon the cold art case thrusts Spenser into the shady world of black market art dealers, aged Mafia bosses, and old vendettas. A five-million-dollar-reward by the museum's top benefactor, an aged, unlikable Boston socialite, sets Spenser and pal Vinnie Morris onto a trail of hidden secrets, jailhouse confessions, murder, and double crosses.

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