Search results for ""author christo"

The artistic career of Christopher Knowles (born 1959) began at the age of 13, when his writings and recordings came to the notice of avant-garde theater director Robert Wilson. Still a teenager, Knowles went on to write the libretto for Wilson and Philip Glass’ opera Einstein on the Beach, and his collaborations with Wilson would continue for decades. His practice spans many mediums—text, sound, painting, sculpture and performance—and exhibits a fascination with the materiality of language. In a Word is the most comprehensive look at Knowles’ work to date, published for his exhibition of the same name, organized by Anthony Elms and Hilton Als. Containing an autobiographical text by the artist himself, new texts by Elms and curator Lauren Digiulio and a personal reflection by Als, this is an essential resource on an under-recognized artist.

Read more less

Discover the secrets of Christopher Nolan's Oppenheimer with this exclusive behind-the-scenes look at 2023's most anticipated film. Written and directed by Christopher Nolan, Oppenheimer is an IMAX (R)-shot epic thriller that thrusts audiences into the pulse-pounding paradox of the enigmatic man who must risk destroying the world in order to save it. The film is produced by Emma Thomas, Charles Roven, and Nolan. The film stars Cillian Murphy as J. Robert Oppenheimer and Emily Blunt as Katherine "Kitty" Oppenheimer. Oscar (R) winner Matt Damon portrays General Leslie Groves Jr. and Robert Downey Jr. plays Lewis Strauss. Unleashing Oppenheimer traces the creation of Nolan's latest film from script to screen through exclusive interviews with the director and his cast and crew, plus electrifying visuals from the film including on-set photos, concept art, research materials, and storyboards.

Read more less

The stories of Jesus' birth and childhood are well known, but Selma Lagerlöf brings them truly to life in this wonderful collection of tales for children.Her storytelling draws vividly on the colourful history and landscape of the Holy Land. She weaves in a cast of lively characters whose experiences and points of view are not usually represented: a war-hardened soldier at Herod's feast, a grumpy shepherd, Emperor Tiberius himself. Together they proclaim the human drama and divine mystery of the events of Christ's life.Previously published as The Emperor's Vision.

Read more less

Welche christologischen und soteriologischen Vorstellungen wurden im Neuen Testament mit der Bezeichnung Jesu als Opfer und der Rede von Sühne vermittelt? Weit verbreitet ist derzeit die Auffassung, es gehe um Jesu stellvertretenden Sühnetod. Diese Motive bereiten heutzutage nicht nur Verständnisprobleme. Viele finden sie anstößig, da sich mit ihnen problematische Vorstellungen wie gewaltsame Tötung und das Bild eines strafenden Gottes zu verbinden scheinen. Christian A. Eberhart untersucht mittels detaillierter traditionsgeschichtlicher Studien kultische Metaphern und Redewendungen des Neuen Testaments vor dem Hintergrund alttestamentlicher und frühjüdischer Texte zu Opferritualen. Er zeigt unter anderem, dass sich das Opfermotiv im Neuen Testament nicht allein auf Jesu Tod, sondern auch auf dessen Leben und gesamte Mission bezieht. Außerdem ist kultische Sühne durch die Vorstellung eines stellvertretenden Todes nicht angemessen beschrieben; sie assoziiert vielmehr ein Heilsgeschehen auf der konzeptionellen Grundlage kultischer Reinigung und Weihe.

Read more less

British artist Christopher Winter (*1968) is a figurative painter, performance and installation artist. His work is influenced primarily by literature, film and politics. He has a particular interest in fairy tales, folk rituals and often questions the nature of our reality. Winter's paintings are mysterious yet also have a narrative element. This is the second monograph to be published on his painting by Kerber Verlag. This volume compliments the preceding one and illuminates Winter's previously unseen installation and performance work. The book is arranged in themed “Islands”, works are not organised chronologically. The reader is then invited to visit “Libertine Island”, “Deep Forest Island” or “Reality Island” as they sail amongst The Archipelago of the Mind. A map at the front of the book guides the way. Text in English and German. Published to accompany an exhibition entitled ARCHIPELAGO OF THE MIND - a CHRISTOPHER WINTER SOLO EXHIBITION with Book Launch and Opening of the Exhibition on Friday 8 October 2021 at ZAK – Center for Contemporary Art Zitadelle, Berlin.

Read more less

Another catchy addition to the cross-curricular songsheets series, Choices is perfect for enlivening KS2 Citizenship and for performing in assemblies and concerts.Choices is one of four new citizenship songs inthe A&C Black cross-curricular Songsheets series. Linking with the KS2 Citizenship curriculum, all four songs are catchy, easy to learn and cover key topic facts in a fun way! Perfect for assemblies, concerts and for enlivening topic work. Each SONGSHEET contains a piano/vocal score, photocopiable lyrics, teaching/performance guidance and a CD containing backing tracks, teaching and performance tracks. Completewith its own dedicated website (www.acblack.com/songsheets) containing additional resources: tuned and untuned percussion parts, teaching/performance notes and a performance schedule.

Read more less

Development of Whitehaven, family commercial speculations. Papers cover 1632-1637 and 1639-1644 and consist of letters, notebooks and miscellaneous documents. Significant for information on Lowther family, early history of Whitehaven and its coal industry, Irish economic history, Englishinternal and overseas trade in 1630s, early industrial developments and the role of the gentry in commerce and manufacturing, especially the part played by younger sons of gentry families. Christopher Lowther's commercial papers throw light on the development of Whitehaven - salt making, coal mining - and other family commercial speculations in Cumberland.Market: Economic history, 17c

Read more less

Christ Church, Oxford's largest and arguably grandest college, has awed visitors ever since its foundation by Cardinal Wolsey in 1525: one seventeenth-century visitor said 'it is more like some fine castle, or great palace than a College'. The already impressive site was further enhanced during the eighteenth and nineteenth centuries by ever more imposing structures, and building has continued up to the present day, sometimes following fashion, sometimes leading the way with new architectural styles. The Stones of Christ Church tells the fascinating story of the college's buildings throughout its five centuries, and of those who brought them into being, from the three great 'builder deans', John Fell, Henry Aldrich and Henry Liddell, to the humble slaters, joiners, bricklayers and stonemasons, and the materials that they worked with. The resulting buildings - Tom Tower, Peckwater Quad, Meadow Buildings and many more - are among the most iconic sights of Oxford today. Judith Curthoys, archivist at Christ Church since 1994, is also the author of The Cardinal's College (Profile, 2012), an in-depth history of this remarkable institution. Her new and impeccably researched study shows how much each generation's buildings, whether grand or humble, can tell us about the history both of the site and of those who occupied it.

Read more less

Die narrative Exegese ist ein wichtiges Paradigma der neueren Markusforschung. Ein Grundproblem der Forschung war es bisher aber, historisch-kritische Methoden und synchrone Ansätze in ein Gesamtsystem der Interpretation zu überführen. Die sogenannte "kognitive Wende" in der Narratologie weist über eine rein textimmanente Analyse hinaus. Sie macht es möglich, die vielfältigen Interaktionen zwischen Rezipient und Erzählung zu beschreiben. Jan Rüggemeier stellt in seiner Studie eine entsprechende Methodik vor und zeichnet systematisch nach, welches kognitive Bild der Leser des Markusevangeliums im Lektüreprozess vom Protagonisten gewinnt und wie die einzelnen Figurenperspektiven seine Wahrnehmung der Hauptfigur beeinflussen. Die markinische Christologie erweist sich dabei im Kern als emergent. Die Identität Jesu erschließt sich erst vom Ende der Erzählung her und fußt auf dem textexternen Vorwissen - insbesondere den Bekenntnistraditionen - der intendierten Rezipienten.Diese Arbeit wurde mit dem Armin Schmitt Preis 2017 und dem Manfred Lautenschlaeger Award for Theological Promise 2019 ausgezeichnet.

Read more less

This meditation on the spiritual life that has inspired readers from Thomas More and St. Ignatius Loyola to Thomas Merton and Pope John Paul I. Only the Bible has been more influential as a source of Christian devotional reading than The Imitation of Christ. Written by the Augustinian monk Thomas à Kempis between 1420 and 1427, it contains clear instructions for renouncing wordly vanities and locating eternal truths. No book has more explicitly and movingly described the Christian ideal: "My son, to the degree that you can leave yourself behind, to that degree will you be able to enter into Me." With a new Preface by Sally Cunneen, author of In Search of Mary: The Woman and the Symbol."God is our home but many of us have strayed from our native land. The venerable authors of these Spiritual Classics are expert guides—may we follow their directions home."—Archbishop Desmond Tutu

Read more less

Yo Soy Fidel follows the cortège of Fidel Castro, former Cuban revolutionary and politician, over a period of several days in late 2016. Michael Christopher Brown leaned out a rear passenger window of his passing vehicle in order to photograph Cubans waiting alongside the highway for Fidel’s military convoy, carrying his cremated remains from Havana to Santiago, to pass. The route mirrored Fidel’s post-revolution journey from Santiago to Havana in 1959, which helped solidify his hero and legend. In Yo Soy Fidel , fragments of this initial image have survived his death though perhaps inevitably lead to a question of what is to come. A country largely seen for half a century as a symbol of dignity and hope in the fight against imperialism, Cuba has a choice - stay true to Fidel’s revolutionary path or succumb to globalization and all it entails.

Read more less

Christoph Schwarz (um 1545–1592) zählte zu den einflussreichsten Künstlern am Hof der bayerischen Herzöge Albrecht V. und Wilhelm V. In seinen frühen Jahren entwarf er vielgerühmte Fassadenmalereien, deren lebendige Kompositionen die Auseinandersetzung mit Venedig offenbaren. Mit dem Regierungsantritt Wilhelms V. wurde er der bevorzugte Maler für die monumentalen Altarbilder der Jesuiten. Seine Mariendarstellungen und der »Kampf des Erzengels Michael mit Luzifer« in der Münchner St. Michaelskirche blieben über Generationen hinweg stilistische Vorbilder. Erstmalig wird einem der bedeutendsten Hofkünstler des ausgehenden 16. Jahrhunderts eine umfassende Monographie gewidmet. Dabei werden wichtige Fragen wie Schwarz’ ambivalente Position zwischen Stadt und Hof sowie die Bedeutung seiner Bildthemen im konfessionellen Zeitalter untersucht. Die umfangreiche Publikation, mit vollständigem Werküberblick sowie einem Werkkatalog der von ihm beeinflussten Künstler, wurde maßgeblich gefördert durch die ars et studium-Stiftung.

Read more less

The early followers of Jesus drew from Jewish and Greco-Roman traditions and titles to help them understand and articulate who Jesus was. This book opens a window into the Christology of the first century by helping readers understand the eleven most significant titles for Jesus in the New Testament: Lord, Son of Man, Messiah, Prophet, Suffering Servant, Son of God, Last Adam, Passover Lamb, Savior, Word, and High Priest. The authors trace the history of each title in the Old Testament, Second Temple literature, and Greco-Roman literature and look at the context in which the New Testament writers retrieved these traditions to communicate their understanding of Christ. The result is a robust portrait that is closely tied to the sacred traditions of Israel and beyond that took on new significance in light of Jesus Christ. This accessible and up-to-date exegetical study defends an early "high" Christology and argues that the titles of Jesus invariably point to an understanding of Jesus as God. In the process, it will help readers appreciate the biblical witness to the person of Jesus.

Read more less

This volume in the "Revel Plays" series, offers reading editions, with modern spelling, of the 1604 and 1616 editions of Marlowe's play, arguing that the two cannot be conflated into one. Included are sources and commentary, literary criticism, style and staging/performance assessments.

Read more less

This is a study in the Christology of Jerome Zanchi (1516-90), a leading 16th century reformed scholastic theologian. The study as a whole is bound together by doctrinal topics, themes and trajectories important to the 16th century Christological debates as well as by philosophical issues and arguments. In the first chapter, Stefan Lindholm situates Zanchi in the contemporary research into reformed scholasticism. Lindholm gives an account of what he calls analytic Christology and why it is relevant to the present study. In the second chapter, he contextualizes Zanchis Christology, historically and theologically. He discusses the sources and context of Zanchis Christology and characterize it as catholic, scholastic and reformed.In the second part, on the hypostatic union, Lindholm evaluates Zanchis view of the virgin birth The process of hominization in the third chapter. In the fourth chapter, he analyses Zanchis uses of the part-whole and soul-body similes for the hypostatic union. What emerges is a rather ambiguous view of the hypostatic union. At the end of this chapter, Lindholm offers further correctives to Zanchis assumed metaphysical framework in order to better accommodate the sort of claims Zanchi wants to make about the hypostatic union. The central theme in the debate between the Lutherans and the reformed theologians, the communication of properties, is treated in the third part. Chapter five deals with Zanchis controversy with Martin Chemnitz notion of the majestic genus (genus maiestaticum). In the sixth chapter Lindholm discusses the most heated issue in the debate about the communication of properties: ubiquity. He shows that Zanchi tends to argue against a sort of generalized version of ubiquity but it is not clear that Chemnitz actually ascribed to that position which weakens the force of Zanchis arguments. Finally, Lindholm looks at two scholastic arguments found in Chemnitz for multi-location and reconstruct a possible Zanchian response to them. In a postscript, Lindholm suggests some trajectories for future research.

Read more less

But who do you say that I am?"" asks Jesus at the decisive turning point in the Gospel. Simon Peter answers correctly at first but is soon corrected when he protests the revelation of the Cross. Christians in every age are called to confess the right faith in Jesus, who suffered, died, and rose for our salvation. Our own period is beset by a crisis of faith in Jesus, which has had manifold deleterious effects on our lives, our Christian communities, and our world.For the sake of addressing this crisis, the Aquinas Center for Theological Renewal at Ave Maria University and the Thomistic Institute of the Pontifical Faculty at the Dominican House of Studies cosponsored an international conference that took place at Ave Maria University under the title Thomas Aquinas and the Crisis of Christology. Beginning with a gripping foreword by Archbishop J. Augustine Di Noia, OP, of the Congregation for the Doctrine of the Faith, this volume gathers together several of the excellent conference presentations given by scholars working in North America, South America, Europe, and Western Asia. These studies consider both formulations of who Christ is and of how we are under his judgement. With help from Thomas Aquinas and the Thomistic tradition, this work engages today's crisis of Christology as seen in multiple theological topics and offers models of faith to answer Jesus' question for ourselves, ""But who do you say that I am?

Read more less

This book offers the first full-length study of W. G. Sebald and Christoph Ransmayr and their complicated relation to the traumatic traces of National Socialism. It examines the different ways in which the traces of a traumatic past mark their narratives.

Read more less

This first collection of Hampton's work includes The Philanthropist, which premièred at the Royal Court Theatre in 1970 and went on to become one of the Court's longest-running West End transfers. The volume also contains Treats, Savages and Hampton's deeply affecting drama about the relationship of the French poets Rimbaud and Verlaine, Total Eclipse.

Read more less

A fresh look at the Eastern origins of Christopher Wren’s architecture In this revelatory study of one of the great architects in British history, Vaughan Hart considers Christopher Wren’s (1632–1723) interest in Eastern antiquity and Ottoman architecture, an interest that would animate much of his theory and practice. As the early modern understanding of antiquity broadened to include new discoveries at Palmyra and Persepolis, Wren disputed common assumptions about the European origins of Classical and Gothic architecture, tracing these building traditions not to the Greeks or Germans but to the stonemasons of the biblical East. In a deft analysis, Hart contextualizes Wren’s use of classical elements—columns, domes, and cross plans—within his enthusiasm for the East and the broader Anglican interest in the Eastern church. A careful study of diary records reappraises Wren’s working relationship with Robert Hooke (1635–1703), who shared in many of Wren’s theoretical commitments. The result is a new, deepened understanding of Wren’s work.Distributed for the Paul Mellon Centre for Studies in British Art

Read more less

This story began a hundred years ago when a child became the inspiration for his famous father, A. A. Milne, who created one of the best known children's characters in recent history. His parents wanted a girl and to begin with treated him as one. They were initially quite distant from him and his upbringing was left to a loyal and loving nanny. Unfortunately, this left Christopher Robin Milne terminally shy and lacking in self-confidence. Unable to escape from the shadow of his fictional self, he became an object of continued interest from a non-understanding public. His salvation started with being sent away to Stowe School, going to Cambridge and joining the Army in the Second World War as a sapper. After an unhappy and directionless time immediately post-war in London, he eventually married and, very successfully, ran a bookshop in the South West for twenty-one years. His life was dominated by a love of the countryside, learned at his parents' country home, Cotchford Farm in Hartfield, East Sussex, and much later in Devon. How he turned his life round, against the odds, is the subject of this biography.

Read more less