Search results for ""Warwick""

A full-scale survey of crusading lyrics in Old French and Occitan. The crusading movements provoked a vast and diverse mass of reactions in the medieval West. While Latin sources provide official versions of its preaching, organisation and events, the vernacular lyrics of the troubadours and trouvères present a secular perspective, through a cornucopia of on-the-spot responses in France, Occitania, Italy, the Iberian Peninsula, Cyprus, Syria and Greece. This book constitutes the first comprehensive, modern analysis of Old French and Occitan lyric texts relating to the crusades. It brings out their full range, from propaganda for the crusades, to criticisms of crusading and crusaders through vituperation, humour or cynicism, to their use as apretext for political or personal wrangling. It also shows how they shed light on many aspects of medieval life, among them chivalric and courtly values (often in tension with clerical ones), regional politics, sexual behaviour, personal experiences of crusading and captivity, the complex interaction of Christians, Greeks and Muslims, and bafflement in the face of failure and God's imponderable purposes. LINDA PATERSON is Professor Emerita, University of Warwick.

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An examination of the erotic in medieval literature which includes articles on the role of clothing and nudity, the tension between eroticism and transgression and religion and the erotic. This volume examines the erotic in the literature of medieval Britain, primarily in Middle English, but also in Latin, Welsh and Old French. Seeking to discover the nature of the erotic and how it differs from modern erotics, thecontributors address topics such as the Wife of Bath's opinions on marital eroticism, the role of clothing and nudity, the tension between eroticism and transgression, the interplay between religion and the erotic, and the hedonistic horrors of the cannibalistic Giant of Mont St Michel. Amanda Hopkins teaches in the Department of English and Comparative Literary Studies and the department of French at the University of Warwick. Cory James Rushton is in the Department of English at St. Francis Xavier University, Nova Scotia, Canada. Contributors: Anthony Bale, Jane Bliss, Michael Cichon, Thomas H. Crofts III, Alex Davis, Kristina Hildebrand, Amanda Hopkins,Simon Meecham-Jones, Sue Niebrzydowski, Margaret Robson, Robert Rouse, Cory James Rushton, Corinne Saunders.

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An examination of the erotic in medieval literature which includes articles on the role of clothing and nudity, the tension between eroticism and transgression and religion and the erotic. This volume examines the erotic in the literature of medieval Britain, primarily in Middle English, but also in Latin, Welsh and Old French. Seeking to discover the nature of the erotic and how it differs from modern erotics, thecontributors address topics such as the Wife of Bath's opinions on marital eroticism, the role of clothing and nudity, the tension between eroticism and transgression, the interplay between religion and the erotic, and the hedonistic horrors of the cannibalistic Giant of Mont St Michel. Contributors: ALEX DAVIS, SIMON MEECHAM-JONES, JANE BLISS, SUE NIEBRZYDOWSKI, KRISTINA HILDEBRAND, ANTHONY BALE, CORY JAMES RUSHTON, CORINNE SAUNDERS, AMANDA HOPKINS, ROBERT ROUSE, MARGARET ROBSON, THOMAS H. CROFTS III, MICHAEL CICHON. AMANDA HOPKINS teaches in the department of English and Comparative Literary Studies and the department of French at the University of Warwick; CORY RUSHTON is in the Department of English at St. Francis Xavier University, Nova Scotia, Canada.

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JONATHAN BATE is Professor of Shakespeare and Renaissance Literature, University of Warwick, UK, and the editor of The RSC Shakespeare: The Complete Works. He has held visiting posts at Harvard, Yale and UCLA and is a Fellow of the Royal Society of Literature, a Fellow of the British Academy, an Honorary Fellow of St Catherine's College, Cambridge, and a Governor and Board member of the Royal Shakespeare Company. A prominent critic, award-winning biographer and broadcaster, he is the author of several books on Shakespeare, including The Genius of Shakespeare (Picador), which was praised by Sir Peter Hall, founder of the RSC, as the best modern book on Shakespeare. In June 2006 he was awarded a CBE by HM The Queen 'for services to Higher Education'. ERIC RASMUSSEN is Professor of English at the University of Nevada, USA, and the Textual Editor of The RSC Shakespeare: The Complete Works. He is co-editor of the Norton Anthology of English Renaissance Drama and has edited volumes in both t

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JONATHAN BATE is Professor of Shakespeare and Renaissance Literature, University of Warwick, UK, and the editor of The RSC Shakespeare: The Complete Works. He has held visiting posts at Harvard, Yale and UCLA and is a Fellow of the Royal Society of Literature, a Fellow of the British Academy, an Honorary Fellow of St Catherine's College, Cambridge, and a Governor and Board member of the Royal Shakespeare Company. A prominent critic, award-winning biographer and broadcaster, he is the author of several books on Shakespeare, including The Genius of Shakespeare (Picador), which was praised by Sir Peter Hall, founder of the RSC, as the best modern book on Shakespeare. In June 2006 he was awarded a CBE by HM The Queen 'for services to Higher Education'. ERIC RASMUSSEN is Professor of English at the University of Nevada, USA, and the Textual Editor of The RSC Shakespeare: The Complete Works. He is co-editor of the Norton Anthology of English Renaissance Drama and has edited volumes in both t

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The ‘coming of age’ edition of this acclaimed paperback series discusses contemporary Cornish Studies, as well the Cornish language, medieval and early modern Cornwall, the Duchy of Cornwall, the establishment of the Cornish diocese, Cornish folklore, Cornish wrestling and the Great Emigration, and the writers Arthur Quiller-Couch, Daphne du Maurier, and Jack Clemo, together with an overview of Cornish nationalism and a postscript on John Betjeman and Cornwall. ‘The twenty-first issue of Cornish Studies, the last under the editorship of Philip Payton, is a testament to the directions in which he has taken the series during twenty years at the helm. This ‘coming of age’ edition brings together essays by scholars from Australia, Ireland and Italy as well as the UK and continues Philip Payton’s on-going concern with Cornwall’s place in an international context. The contributions here speak to the genuinely interdisciplinary identity of a series which remains the definitive site for scholarship and debate about Cornish history, culture, politics and identities’. Rachel Moseley, Associate Professor in Film and Television Studies, University of Warwick

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Highlighted in this volume is the detective play The Inspector and the Hero by Femi Osofisan, one of Africa's leading playwrights. The play has until now only been published in Nigeria. This open issue of African Theatre is a departure from the traditional themed format to showcase the plethora of styles, approaches and perspectives that populate the contemporary field of African theatre studies, with contributions from Ethiopia, Malawi, Nigeria, South Africa and Ghana. Focusing mainly on case studies, contributors engage a variety of performance forms, ranging from investigations into radical dramatic and popular musical performances, through "street theatre" (festivals and masquerade shows) and pop culture, to consideration of applied theatre, dance, audience, cultural performances and folktales. Articles address African American and African cultural dialogue; choreographic study; the carnivalization of indigenous African festivals; the stigmatization of disability; the performance of nationality, as well as orality and African performance aesthetics. Highlighted in this volume is the playscript of the detective play The Inspector and the Hero by Femi Osofisan, one of Africa's foremost playwrights. Volume Editor: CHUKWUMA OKOYE Series Editors: Yvette Hutchison, Reader, Department of Theatre & Performance Studies, University of Warwick; Chukwuma Okoye, Reader in African Theatre & Performance, University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds.

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From jazz and blues, hip hop and R&B, pop, punk, and opera, Black women have made major contributions to the history and formation of musical genres for more than a century. In this fully illustrated middle grade anthology, 50 strong, empowering, and inspiring Black women singers' bios will teach kids to follow their dreams, to think outside the box, and to push the boundaries of what's expected. Written by music writer and journalist Jordannah Elizabeth and illustrated by tBriana Dengoue, She Raised Her Voice! will inspire readers to find their voice and their own way of expressing themselves. Profiles included are: Abbey Lincoln * Angelique Kidjo * Anita Baker * Aretha Franklin * Ari Up * Barbara Lynn * Bessie Smith * Betty Carter * Beyoncé Knowles-Carter * Big Mama Thornton * Billie Holiday * Chaka Khan * Darlene Love * Dee Dee Bridgewater * Diana Ross * Dinah Washington * Dionne Warwick * Elizabeth Cotton * Ella Fitzgerald * Erykah Badu * Etta James * Gladys Knight * Janet Jackson * Jill Scott * Lena Horne * Leontyne Price * MC Lyte * Ma Rainey * Mahalia Jackson * Mavis Staples * Memphis Minnie * Minnie Riperton * Nancy Wilson * Natalie Cole * Nina Simone * Odetta * Patti LaBelle * Poly Styrene * Queen Latifah * Rita Marley * Roberta Flack * Ronnie Spector * Sade Adu * Sarah Vaughan * Sister Nancy * Sister Rosetta Tharpe * Skin * The Pointer Sisters * Tina Turner * Tracy Chapman

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Collins Big Cat supports every primary child on their reading journey from phonics to fluency. Top authors and illustrators have created fiction and non-fiction books that children love to read. Book banded for guided and independent reading, there are reading notes in the back, comprehensive teaching and assessment support and ebooks available. The Gunpowder Plot changed the course of English history for centuries. Why did a group of men want to blow up parliament in the first place, and what went so wrong that they all ended up dead? White Plus/Band 10+ books provide challenging plots and vocabulary as well as opportunities to practise inference, prediction and reading stamina. Pages 46 and 47 allow children to re-visit the content of the book, supporting comprehension skills, vocabulary development and recall. Ideas for reading in the back of the book provide practical support and stimulating activities. Ciaran wanted to write a book on The Gunpowder Plot for a number of reasons.He grew up in Warwickshire, in and around a lot of the locations mentioned in this book. He went to school near Dunchurch, visited Warwick Castle and Coombe Abbey on school trips and has always been fascinated by the area's close links to such a famous moment in history.

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In this the second part of his four-volume military and political history of the Anglo-Saxon kingdom, Paul Hill follows the careers of thelfl d, Alfred the Great's eldest daughter, and Edward the Elder, Alfred's eldest son, as they campaigned to expand their rule after Alfred's death. They faced, as Alfred had done, the full force of Danish hostility during the early years of the tenth century, a period of unrelenting turbulence and open warfare. But through their military strength, in particular their strategy of fortress building, they retained their hold on the kingdom and conquered lands which had been under Danish lords for generations. thelfl d's forces captured Derby and Leicester by both force and diplomacy. Edward's power was always immense. How each of them used forts (burhs) to hold territory, is explored. Fortifications across central England became key. These included Bridgnorth, Tamworth, Stafford, Warwick, Chirbury and Runcorn ( thelfl d) and also Hertford, Witham, Buckingham, Bedford and Maldon (Edward), to name a few. Paul Hill's absorbing narrative incorporates the latest theories and evidence for the military organization and capabilities of the Anglo-Saxons and their Danish adversaries. His book gives the reader a detailed and dramatic insight into a very sophisticated Anglo-Saxon kingdom.

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Concentrate Q&A Company Law is part of the Concentrate Q&A series, the result of a collaboration involving hundreds of law students and lecturers from universities across the UK. Each book in this series offers you better support and a greater chance to succeed on your law course than any of the competitors. 'A sure-fire way to get a 1st class result' (Naomi M, Coventry University) 'My grades have dramatically improved since I started using the OUP Q&A guides' (Glen Sylvester, Bournemouth University) 'These first class answers will transform you into a first class student' (Ali Mohamed, University of Hertfordshire) 'I can't think of better revision support for my study' (Quynh Anh Thi Le, University of Warwick) 'I would strongly recommend Q&A guides. They have vastly improved my structuring of exam answers and helped me identify key components of a high quality answer' (Hayden Roach, Bournemouth University) '100% would recommend. Makes you feel like you will pass with flying colours' (Elysia Marie Vaughan, University of Hertfordshire) 'My fellow students rave about this book.' (Octavia Knapper, Lancaster University) 'The best Q&A books that I've read; the content is exceptional' (Wendy Chinenye Akaigwe, London Metropolitan University) 'I would not hesitate to recommend this book to a friend' (Blessing Denhere, Coventry University)

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Exploring the influence of other media on contemporary photography. ‘Heterogeneous Objects’ provides various essays that explore the encounter of photography with other media since the 1960s. The essays offer new ways of thinking about photography beyond modernist notions of medium specificity and autonomy based upon the idea that a photograph does not rely on a coherent system of codes but is almost always encountered as a fragmented, partial object. Addressing recent debates in art history and photography theory, film studies, and media theory, the contributions cover a broad array of approaches, relating photography to issues of the panorama, surveillance, sculpture, transformation and processuality, and the development of new media categories. Rather than conceiving of photography as a medium, the aim is to reconsider the photograph as a historically, theoretically, and culturally embedded heterogeneous object that is always related to, in contact with, or shaped by other media. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Diarmuid Costello (University of Warwick), Steven Jacobs (University of Gent), Joanna Lowry (University of Brighton), Marcel Marburger (Universität der Künste, Berlin), Raphaël Pirenne (Université catholique de Louvain), Yvonne Spielmann (University of the West of Scotland), Alexander Streitberger (Université catholique de Louvain), Hilde Van Gelder (University of Leuven)

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What did medieval readers think of romance? Their attitudes to it, and the implications for the genre, are explored in this provocative study. An important and powerful meditation on romance genre, reception and ethical/moral purpose -- amongst many other aspects of romance. Professor ROBERT ROUSE, University of British Columbia. Medieval readers, like modern ones, differed in whether they saw "noble storie, and worthie for to drawen to memorie" in romance, or "drasty rymyng, nat worth a toord". This book tackles the task of discerning what were the medieval expectations of the genrein England: the evidence, and the implications. Safe for monastic, trained readers, romances provided moral examples. But not all readers saw that role as valid, desirable, or to the point, and not all readers were monks. Working from what was central to medieval readers' concept of the genre from the twelfth century onward, the book sees the changing linguistic, literary, religious and political contexts through such heterogeneous lenses as Denis Piramus, Robert Manning, and Walter Map; Guy of Warwick and Guenevere; chansons de geste and fabliaux; Tristram and Isolde and John Gower's uses of the pair as exemplary; Geoffrey Chaucer as reader and writer ofromance; and the Lollards, clergy, and didacts of the fifteenth century. MELISSA FURROW is Professor of English at Dalhousie University.

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The Wars of the Roses (c. 1455-1487) are renowned as an infamously savage and tangled slice of English history. A bloody thirty-year struggle between the dynastic houses of Lancaster and York, they embraced localised vendetta (such as the bitter northern feud between the Percies and Nevilles) as well as the formal clash of royalist and rebel armies at St Albans, Ludford Bridge, Mortimer's Cross, Towton, Tewkesbury and finally Bosworth, when the usurping Yorkist king, Richard III, was crushed by Henry Tudor. Powerful personalities dominate the period: the charismatic and enigmatic Richard III, immortalized by Shakespeare; the slippery Warwick, the Kingmaker', who finally over-reached ambition to be cut down at the Battle of Barnet; and guileful women like Elizabeth Woodville and Margaret of Anjou, who for a time ruled the kingdom in her husband's stead. David Grummitt places the violent events of this complex time in the wider context of fifteenth-century kingship and the development of English political culture.Never losing sight of the traumatic impact of war on the lives of those who either fought in or were touched by battle, this captivating new history will make compelling reading for students of the late medieval period and Tudor England, as well as for general readers.

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Wife to Richard, Duke of York, mother to Edward IV and Richard III, and aunt to the famous 'Kingmaker', Richard, Earl of Warwick, Cecily Neville was a key player on the political stage of fifteenth-century Britain England. Mythologically rumoured to have been known as 'the Rose of Raby' because of her beauty and her birth at Raby Castle, and as 'Proud Cis' because of her vanity and fiery temper, Cecily's personality and temperament have actually been highly speculated upon. In fact, much of her life is shrouded in mystery. Putting aside Cecily's role as mother and wife, who was she really? Matriarch of the York dynasty, she navigated through a tumultuous period and lived to see the birth of the future Henry VIII. From seeing the house of York defeat their Lancastrian cousins; to witnessing the defeat of her own son, Richard III, at the battle of Bosworth, Cecily then saw one of her granddaughters become Henry VII's queen consort. Her story is full of controversy and the few published books on her life are full of guess-work. In this highly original history, Dr John Ashdown-Hill seeks to dispel the myths surrounding Cecily using previously unexamined contemporary sources.

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"Belladonna is brutal, beautiful, and unforgettable . . . One of the truly outstanding novels of recent years" EILEEN BATTERSBY, Los Angeles Review of Books** Winner of the Warwick Prize for Women in Translation 2018**** Shortlisted for the inaugural E.B.R.D. Prize for Literature **** Shortlisted for the Oxford-Weidenfeld Translation Prize **An excoriating work of fiction that references the twentieth century's darkest hoursAndreas Ban is a writer and a psychologist, an intellectual proper, but his world has been falling apart for years. When he retires with a miserable pension and finds out that he is ill, he gains a new perspective on the debris of his life and the lives of his friends. In defying illness and old age, Andreas Ban is cynical and powerful, and in his unravelling of his own past and the lives of others, he uncompromisingly lays bare a gamut of taboos. Andreas Ban stands for a true hero of our times; a castaway intellectual of a society which subdues every critical thought under the guise of political correctness. Belladonna addresses some of the twentieth century's worst human atrocities in a powerful fusion of fiction and reality, the hallmark of one of Europe's finest contemporary writers.Translated from the Croatian by Celia Hawkesworth

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Concentrate Q&A Equity and Trusts is part of the Concentrate Q&A series, the result of a collaboration involving hundreds of law students and lecturers from universities across the UK. The series offers you better support and a greater chance to succeed on your law course than any of the competitors. 'A sure-fire way to get a 1st class result' (Naomi M, Coventry University) 'My grades have dramatically improved since I started using the OUP Q&A guides' (Glen Sylvester, Bournemouth University) 'These first class answers will transform you into a first class student' (Ali Mohamed, University of Hertfordshire) 'I can't think of better revision support for my study' (Quynh Anh Thi Le, University of Warwick) 'I would strongly recommend Q&A guides. They have vastly improved my structuring of exam answers and helped me identify key components of a high quality answer' (Hayden Roach, Bournemouth University) '100% would recommend. Makes you feel like you will pass with flying colours' (Elysia Marie Vaughan, University of Hertfordshire) 'My fellow students rave about this book' (Octavia Knapper, Lancaster University) 'The best Q&A books that I've read; the content is exceptional' (Wendy Chinenye Akaigwe, London Metropolitan University) 'I would not hesitate to recommend this book to a friend' (Blessing Denhere, Coventry University)

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Bernardin de Saint-Pierre (1737-1814), homme de lettres et de science, utopiste, et revolutionnaire modere, a vecu les bouleversements politiques et esthetiques de la fin du XVIIIe siecle et des premieres annees du XIXe siecle. Les articles dans ce volume, dedies a Malcolm Cook en hommage pour son depart en retraite, situent Bernardin dans le contexte de la fin de l'ancien regime et le debut du nouveau. En mettant l'accent non seulement sur son ouvrage le plus connu, Paul et Virginie, mais aussi sur son travail d'homme de science, sur sa vie privee a travers la correspondance, sur son heritage intellectuel en France et a l'etranger, ces articles nous offrent des eclaircissements insolites sur l'auteur ainsi que plusieurs nouveaux pistes a suivre. Pris ensemble, ils illustrent la richesse des etudes sur Bernardin ainsi que les tensions et les paradoxes au cour de l'ecrivain et de son ouvre. Les etudes sur ses idees esthetiques et sur sa pensee politique se completent et illuminent la relation entre Bernardin et son siecle. Katherine Astbury est Senior Lecturer in French Studies a l'Universite de Warwick. Elle est membre de l'equipe internationale qui prepare l'edition de la correspondance complete de Bernardin de Saint-Pierre sous la direction de Malcolm Cook.

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This volume in the African Theatre series celebrates the African theatrical diaspora from Brazil to Tasmania, and Canada to Cuba, and also includes the playscript Messing with the Mind by Egyptian writer and director Khaled El-Sawy. Diasporas', as used in the title of this volume, refers to a multitude of groups and communities with widely differing histories, identities and current locations. This book brings together essays on theatre by people of Africandescent in North America, Cuba, Italy, the UK, Israel and Tasmania. Several chapters present overviews of particular national contexts, others offer insights into play texts or specific performances. Offering a mix of academic andpractitioner's points of views, Volume 8 in the African Theatre series analyses and celebrates various aspects of African diasporic theatre worldwide. Guest Editors: CHRISTINE MATZKE, Lecturer in African Literatures and Cultures, Humboldt-University, Berlin; and OSITA OKAGBUE, Senior Lecturer in the Department of Drama, Goldsmiths, University of London. Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies,University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor of Drama at the University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds;Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick

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Cases of mutiny and other forms of protest are used to reveal full and interesting details of lascar shipboard life. Shortlisted for the Royal Historical Society's 2016 Gladstone Prize. Lascars were seamen from the Indian subcontinent and other areas of the Indian Ocean region who were employed aboard European ships from the sixteenth to the twentieth centuries. They experienced difficult working conditions and came from a wide variety of ethnic, cultural and religious backgrounds, which created considerable scope for friction between them and their Europeanofficers. This book, based on extensive original research, examines the role of lascars employed aboard country ships, East Indiamen and other British sailing vessels. The focus is on protest in its various forms, from mild unrest to violent acts of mutiny in which lascar crews murdered officers, seized ships and then sought refuge with local rulers. It is only through descriptions of such events - found in logbooks, seafaring diaries and the East India Company's judicial records - that many aspects of lascar life at sea become visible and lascar voices can be heard. Through the study of mutiny and other forms of protest, the book provides a detailed insight into shipboard conditions amongst lascars employed during this period. Aaron Jaffer completed his doctorate in history at the University of Warwick.

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In The Conversation, Stephanie Norgate explores relationships between nature and the city, the past and present, and character and writer. Shaped through both speech and storytelling, these visual, sensuous and imaginative poems celebrate friendship, even in grief, closeness in times of isolation and lockdown, and the longing to bridge gaps and find cures. Miracles are found in the everyday, in a child’s sleep or a lit-up house. Textiles transform into remembrancers, landscape into emotion. A contemporary Daedalus views his life from a hang-glider. A scrap of handwriting, cafe talk, an exploding car, an earthquake, the naming of fields or a line of walkers ignite conversations about place, time and the tender paradoxes of mortality. Stephanie Norgate’s first collection Hidden River (2008) was shortlisted for both the Forward Prize for Best First Collection and the Jerwood Aldeburgh First Collection Prize and was followed by The Blue Den (2012). The Conversation is her third collection. Her poetry has been praised for the ‘depth of its lyricism’ (Jackie Wills, Warwick Review), and for being ‘energetic and generous, and displaying a ‘feeling for place, for the roots of things’ and for being ‘searching, memorable and disconcerting … She has the ear for the music of a line and the shape and strength of an image.’ (R.V. Bailey, Artemis).

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First published in 1995 and out of print for several years, this is a comprehensive anthology comprised of the most important American poets who produced work during the half century between 1820-1870. Paul Kane has included not only the well-known masters, like Thoreau, Dickinson, Poe, and Whitman, but also African-American, Native American and female poets, making his book one of the most thorough and well-researched anthologies available today. Kane's critical introduction offers historical context, along with informative head notes and helpful resources in a convenient and accessible format. There is an extensive reference section located in the back of the book, providing information for students and academics interested in further reading. AUTHOR: Paul Kane is a poet and critic who has published six collections of poems and a dozen other books. He has received a Fulbright award, Guggenheim and NEA Fellowships and grants from the Mellon Foundation. He is general editor of The Braziller Series of Australian Poets, and is currently Professor of English and Environmental Studies at Vassar College. He lives in Warwick, New York. SELLING POINTS: .Ideal for anyone interested in the history of American poetry and its context in the global practice of poetry

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In 1930 the great economist Keynes predicted that, over the next century, income would rise steadily, people's basic needs would be met and no one would have to work more than fifteen hours a week. Why was he wrong?Robert and Edward Skidelsky argue that wealth is not - or should not be - an end in itself, but a means to 'the good life'. Tracing the concept from Aristotle to the present, they show how far modern life has strayed from that ideal. They reject the idea that there is any single measure of human progress, whether GDP or 'happiness', and instead describe the seven elements which, they argue, make up the good life, and the policies that could realize them.ROBERT SKIDELSKY is Emeritus Professor of Political Economy at the University of Warwick. His biography of Keynes received numerous prizes, including the Lionel Gelber Prize and the Council on Foreign Relations Prize for International Relations. He was made a life peer in 1991, and a Fellow of the British Academy in 1994.EDWARD SKIDELSKY is a lecturer in the Philosophy Department of the University of Exeter. He contributes regularly to the New Statesman, Spectator and Prospect. His previous books include The Conditions of Goodness and Ernst Cassirer: The Last Philosopher of Culture.

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Reader's nomination for Guardian First Book Award 2013Anchors, shipwrecks, whales and islands abound in this first collection by young Anglo-Breton poet Claire Trévien. Trévien's is a surreal vision, steeped in myth and music, in which everything is alive and – like the sea itself – constantly shifting form. Fishermen become owls; a woman turns into a snake, while another gives birth to a tree; a glow-worm might become a wasp or 'a toy on standby'.Struck through with brilliant, sometimes sinister imagery reminiscent of Pan's Labyrinth or an Angela Carter novel, The Shipwrecked House is a lyrical and hallucinatory debut from a poet featured in Salt's Best British Poetry 2012.Claire Trévien was born in Brittany. Her pamphlet Low-Tide Lottery was published by Salt in 2011. Her work also appears in the recent anthologies Best British Poetry 2012 (Salt, 2012) and Lung Jazz: Young British Poets for Oxfam (Cinnamon, 2012). She is the editor of Sabotage Reviews and the co-organiser of Penning Perfumes, a creative collaboration between poets and perfumers, featured in the Guardian (June 2012) and the Financial Times (August 2012). She is currently in the fourth year of a PhD at Warwick University.

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An invaluable collection of primary sources for the study of eighteenth-century convent life. Between 1728 and 1744 the Catholic lawyer Mannock Strickland (1673-1744) acted as agent for English nuns living on the Continent, including St Monica's, Louvain, the Brussels Dominicans and the Dunkirk Benedictines. Most convent archives perished at the French Revolution, but Strickland's papers survived in the archives of Mapledurham House, Oxfordshire, offering a unique insight into the workings of English convents. These extraordinary documents reveal the reality of exile for a group of formidable yet vulnerable women, "doubly dead" to English law. Two hundred letters tell stories of hardship, isolation, severe winters, war, starvation, Jacobite intrigue and international finance. They show that convent bursars became skilled at playing international exchange markets yet remained at the mercy of unscrupulous investors. The letters are presented here with full notes; a thorough introduction sets theletters, cash day books, bills of exchange and other documents in context. Richard G. Williams is Librarian and Archivist of Mapledurham House; he has also held senior posts at the University of Warwick, Imperial College London, Birkbeck College London and at Yale University.

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Join Route 66 expert Jim Hinckley as he tours more than 60 ghost towns along the Mother Road, rich in stories and history! The quintessential boom-and-bust highway of the American West, Route 66 once hosted a thriving array of boomtowns built around oil mines, railroad stops, cattle ranches, resorts, stagecoach stops, and gold mines. Illustrated with gorgeous sepia-tone and color photography by Kerrick James, this book tours dozens of ghost towns in: Illinois (Braidwood, Braceville, Gardner, Dwight, Bloomington, Funks Grove, Springfield) Missouri (Rolla, Dootlittle, Springfield, Halltown, Paris Springs Junction, Avilla, Carthage, Joplin) Kansas (Galena, Riverton, Baxter Springs) Oklahoma (Narcissa, Afton, Tulsa, Warwick, Bridgeport, Foss, Elk City, Erick, Texola) Texas (Shamrock, McLean, Alanreed, Jericho, Amarillo, Glenrio) New Mexico (San Jon, Tucumari, Montoya, Newkirk, Cuervo, Dilia, Tecolote, Santa Fe, Thoreau, Gallup) Arizona (Lupton, Chambers, Two Guns, Flagstaff, Truxton, Hackberry, Kingman, Goldroad, Oatman) California (Needles, Goffs, Essex, Cadiz, Chambless, Amboy, Ludlow, Newberry Springs, Daggett, Barstow) This edition also includes directions and travel tips for your ghost-town explorations along Route 66, as well as a fold-out map of the Mother Road. Explore the beauty and nostalgia of these abandoned communities along America’s favorite highway!

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'Let's just talk until it goes.' The average person will speak 123,205,750 words in a lifetime. But what if there were a limit? Oliver and Bernadette are about to find out. Lemons Lemons Lemons Lemons Lemons is a tender and funny rom-com about what we say, how we say it, and what happens when we can't say anything any more. This special edition of Sam Steiner's hilarious and provocative play – featuring a revised text, plus an introduction by the author – was published alongside a major revival in 2023 performed at the Harold Pinter Theatre in London's West End, as well as at Manchester Opera House and Theatre Royal Brighton. It was directed by Josie Rourke and starred Jenna Coleman and Aidan Turner. The play was first performed at Warwick Arts Centre in 2015, and won three Judges' Awards at the National Student Drama Festival before appearing at Latitude Festival, Camden People's Theatre in London, and several runs at the Edinburgh Festival Fringe, where it was a hit with both audiences and critics. It has since been performed around the world, is widely studied and has been translated into multiple languages.

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LONGLISTED FOR THE WARWICK PRIZE FOR WOMEN IN TRANSLATION 2023"One of Hungary's most important twentieth-century writers" New York Times"Magda Szabo's fiction shows the travails of modern Hungarian history from oblique but sharply illuminating angles" EconomistEszter Encsy is an acclaimed actress, funny and outrageous, quick-witted but callous. Yet even flushed with the success of adulthood, Eszter craves acceptance of herself as she really is and of the person she has been. The only child of an impoverished aristocrat and a harried music teacher failing to make ends meet, Eszter grew up poor and painfully aware of it in a provincial Hungarian town. The feelings of resentment and envy acquired during her fraught childhood have hardened into an obsessional hatred for one person, the beautiful, saintly and pampered Angela, Eszter's former classmate and the wife of the man who becomes her lover. Set against newly communist 1950s Hungary, The Fawn embraces the lies and falsehoods people were obliged to live with in those nightmarish times, and displays Szabo's uncanny ability to convey how the past can haunt and consume us.Translated from the Hungarian by Len Rix.

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THE WORLD'S FAVOURITE AUTHORONE BILLION COPIES SOLDAs the stars of the screen they shared their secrets with millions. Offstage they were ordinary people with homes and dreams, lives and loves, every bit as real...When Manhattan was conceived as a new TV series it offered more than just a chance for a network to make the ratings. For the stars involved it meant the chance of a lifetime - if they were prepared to pay the price.Sabina Quarles saw a second chance to love when it had seemed her life was over. For Bill Warwick it meant salvation from a tangled web of unhappiness he'd been powerless to escape. And as the viewers watched the drama unfold, the actors shared their passion and pain in the performance of their lives.An epic and romantic tale from one of the best-loved writers of all time. Perfect for fans of Penny Vincenzi, Lucinda Riley and Maeve BinchyPRAISE FOR DANIELLE STEEL:'Emotional and gripping . . . I was left in no doubt as to the reasons behind Steel's multi-million sales around the world' DAILY MAIL'Danielle Steel is undeniably an expert' NEW YORK TIMES

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What has the Reformation ever done for us? A lot less than you might think, as Rodney Stark shows in this enlightening and entertaining antidote to recent books about the rise of Protestantism and its legacy. ‘Rodney Stark takes no prisoners as he charges through five hundred years of history, upsetting apple carts left and right. Almost everything you thought you knew about the Reformation turns out to be a false narrative. . . In future, anyone who makes sweeping claims about the benefits of Protestantism ought to check their assumptions against Stark’s research first.’ Clifford Longley, author and journalist ‘Stark brings the insights of a distinguished sociologist of religion to bear on a range of inherited assumptions about the impact of the Reformation . . . The result makes for salutary reading in this year of commemoration and (not always justified) celebration.’ Peter Marshall, Professor of History, University of Warwick ‘Stark changed the way we think about the early Church and this book may change the way you think about Protestantism . . . Reformation Myths cuts through pious certainties and challenges us to think again about our cultural history.’ Linda Woodhead MBE DD, Professor of Sociology of Religion, Lancaster University

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Set in the early nineteenth century The Counting House follows the lives of Rohini and Vidia, a young married couple struggling for survival in a small, caste-ridden Indian village who are seduced by the recruiter's talk of easy work and plentiful land if they sign up as indentured labourers to go to British Guiana. There, however, they discover a harsh fate as 'bound coolies' in a country barely emerging from the savage brutalities of slavery. Having abandoned their families and a country that seems increasingly like a paradise, they must come to terms with their problematic encounters with an Afro-Guyanese population hostile to immigrant labour, with rebels such as Kampta who has made an early abandonment of Indian village culture, and confront the truths of their uprooted condition."Excellent... Presented with poetic precision, this novel succeeds as both a compelling story and a beautifully sustained piece of writing." Sean Coughlan, The Times."Beautifully written... Dabydeen's grace, as a poet turned novelist, is to give his characters' imaginations and inner lives voices in prose... This is a marvelous novel" Michele Roberts, Independent on Sunday.David Dabydeen was born in Guyana. He has published six acclaimed novels and three collections of poetry. He is a Fellow of the Royal Society of Literature and Professor of Literary Studies at the University of Warwick.

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Veterinarians serve on the front lines working to prevent animal suffering and abuse. For centuries, their compassion and expertise have improved the quality of life and death for animals in their care. However, modern interest in animal rights has led more and more people to ask questions about the ethical considerations that lie behind common veterinary practices. This Common Threads volume, drawn from articles originally published in the Journal of Animal Ethics (JAE), offers veterinarians and other interested readers a primer on key issues in the field. Essays in the first section discuss aspects of veterinary oaths, how advances in animal cognition science factor into current ethical debates, and the rise of complementary and alternative veterinary medicine and its relationship to traditional veterinary medicine. The second section continues with an essay that addresses why veterinarians have an obligation to educate animal caregivers to look past "cuteness" in order to treat all animals with dignity. The collection closes with three short sections focusing on animals in farming, trade, and research ”areas where veterinarians encounter conflicts between their job and their duty to advocate and care for animals. Contributors: Judith Benz-Schwarzburg, Vanessa Carli Bones, Grace Clement, Simon Coghlan, Priscilla N. Cohn, Mark J. Estren, Elisa Galgut, Eleonora Gullone, Matthew C. Halteman, Andrew Knight, Drew Leder, Andrew Linzey, Clair Linzey, Kay Peggs, Megan Schommer, Clifford Warwick, and James W. Yeates.

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Concentrate Q&A Family Law guides you through how to structure a successful answer to a legal problem. Whether you are preparing for a seminar, completing assessed work, or in exam conditions, each guide shows you how to break down each question, take your learning further, and score extra marks. The Concentrate Q&A series has been developed in collaboration with hundreds of law students and lecturers across the UK. Each book in this series offers you better support and a greater chance to succeed on your law course than any other Q&A guide. 'A sure-fire way to get a 1st class result' - Naomi M, Coventry University 'I can't think of better revision support for my study' - Quynh Anh Thi Le, University of Warwick 'My grades have dramatically improved since I started using the OUP Q&A guides' - Glen Sylvester, Bournemouth University 'My fellow students rave about this book' - Octavia Knapper, Lancaster University 'These first class answers will transform you into a first class student' - Ali Mohamed, University of Hertfordshire 'The best Q&A books that I've read; the content is exceptional' - Wendy Chinenye Akaigwe, London Metropolitan University Take it online: The 3rd edition is available in paperback, or e-book. Visit www.oup.com/lawrevision/ for multimedia resources to help you with revision and assessment.

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Concentrate Q&A Tort Law guides you through how to structure a successful answer to a legal problem. Whether you are preparing for a seminar, completing assessed work, or in exam conditions, each guide shows you how to break down each question, take your learning further, and score extra marks. The Concentrate Q&A series has been developed in collaboration with hundreds of law students and lecturers across the UK. Each book in this series offers you better support and a greater chance to succeed on your law course than any other Q&A guide. 'A sure-fire way to get a 1st class result' - Naomi M, Coventry University 'I can't think of better revision support for my study' - Quynh Anh Thi Le, University of Warwick 'My grades have dramatically improved since I started using the OUP Q&A guides' - Glen Sylvester, Bournemouth University 'My fellow students rave about this book' - Octavia Knapper, Lancaster University 'These first class answers will transform you into a first class student' - Ali Mohamed, University of Hertfordshire 'The best Q&A books that I've read; the content is exceptional' - Wendy Chinenye Akaigwe, London Metropolitan University Take it online: The 2nd edition is available in paperback, or e-book. Visit www.oup.com/lawrevision/ for multimedia resources to help you with revision and assessment.

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Jonathan Bate's Soul of the Age brings us closer than ever to understanding what being Shakespeare was actually like.How did plague turn Shakespeare from a jobbing hack into a courtly poet? How did Bottom's dream rewrite the Bible? How did Shakespeare's plays lead to the deaths of an earl and a king? And why was he the one dramatist of his generation never to be imprisoned?Weaving a dazzling tapestry of Elizabethan beliefs and obsessions, private passions and political intrigues, Soul of the Age leads us on an exhilarating tour of the extraordinary, colourful and often violent world that shaped and informed Shakespeare's thinking. Written by one of the world's leading experts, it combines almost everything there is to know about the man and his work in one sensational narrative.'Bate probably knows as much as any single person can know about Shakespeare ... Surprising, fresh, exhilarating, brilliant', Guardian'Intensely enjoyable ... you find yourself gasping with pleasure' John Carey, Sunday TimesJonathan Bate is Professor of Shakespeare and Renaissance Literature at the University of Warwick, chief editor of The RSC Shakespeare: Complete Works and the author of many books, including most recently John Clare: A Biography, which won the Hawthornden Prize for Literature and the James Tait Black Prize for Biography. A Fellow of the British Academy, he was awarded a CBE in 2006.

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A comprehensive analysis of how the large corporation has impacted national and global governance. Wilks has made an important contribution to the literature on the changing political and social role of business in contemporary capitalist polities.'- David Vogel, University of California, US'Observers are increasingly realizing that that the large corporation has become one of the main institutions that govern our lives; the market economy, which in principle prevents corporations from possessing political power, today endows them with that power. Stephen Wilks here traces the extraordinarily important implications of this fact, and makes some sober proposals for tackling the problems it creates for democracy. Others have noted this phenomenon; here at last is a thorough study of it - detailed enough to satisfy the standards of social science; worrying enough to command the concern of policy makers; and written in an approachable style to attract the general reader.'- Colin Crouch, University of Warwick, UK'This is a book that needed to be written and Stephen Wilks has the academic understanding and breadth of practical experience to accomplish the task with authority and conviction. This is an important book, not only because it helps to fill a gap in a still under developed literature on the political role of the modern corporation, but because it raises important and disturbing questions about contemporary democracy.'- Wyn Grant, University of Warwick, UKThe large business corporation has become a governing institution in national and global politics. This trail-blazing book offers a critical account of its political dominance and lack of democratic legitimacy.Thanks to successful wealth generation and ideological victories the large business corporation has become an effective political actor and has entered into partnership with government in the design of public policy and delivery of public services. Stephen Wilks argues that governmental and corporate elites have transformed British politics to create a 'new corporate state' with similar patterns in the USA, in competitor economies - including China - and in global governance. The argument embraces multinational corporations, corporate social responsibility, corporate governance and the inequality generated by corporate dominance.The crucial analysis presented in this ground-breaking book will prove invaluable for academics, researchers and both under- and postgraduate students with an interest in the role of the corporation in politics and society across a wide range of fields including business and management (business ethics), politics, political economy, sociology, corporate governance and strategy.Contents: Preface 1. The Genesis of a Governing Institution 2. The Corporation as a Political Actor 3. Globalisation and the Enhanced Power of Multinational Corporations 4. Corporate Power in the UK: The Rise of the Corporate Elite 5. The Politics of the New Corporate State 6. Partnership and Policy in Britain s New Corporate State 7. Multinational Corporations as Partners in Global Governance 8. Corporations, Culture and Accountability 9. How Persuasive is Corporate Social Responsibility? 10. The Explosion of Interest in Corporate Governance 11. Conclusion: Fairy-tales, Facts, Foci and Futures Bibliography Index

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Amy Levy has risen to prominence in recent years as one of the most innovative and perplexing writers of her generation. Embraced by feminist scholars for her radical experimentation with queer poetic voice and her witty journalistic pieces on female independence, she remains controversial for her representations of London Jewry that draw unmistakably on contemporary antisemitic discourse. Amy Levy: Critical Essays brings together scholars working in the fields of Victorian cultural history, women’s poetry and fiction, and the history of Anglo-Jewry. The essays trace the social, intellectual, and political contexts of Levy’s writing and its contemporary reception. Working from close analyses of Levy’s texts, the collection aims to rethink her engagement with Jewish identity, to consider her literary and political identifications, to assess her representations of modern consumer society and popular culture, and to place her life and work within late-Victorian cultural debate. This book is essential reading for undergraduate and postgraduate students offering both a comprehensive literature review of scholarship-to-date and a range of new critical perspectives. Contributors: Susan David Bernstein, University of Wisconsin-Madison Gail Cunningham, Kingston University Elizabeth F. Evans, Pennslyvania State University–DuBois Emma Francis, Warwick University Alex Goody, Oxford Brookes University T. D. Olverson, University of Newcastle upon Tyne Lyssa Randolph, University of Wales, Newport Meri-Jane Rochelson, Florida International University

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One of the first French intellectuals to take a systematic interest in questions of language and meaning, Maurice Blanchot (1907-2003) substantially influenced such thinkers as Deleuze, Foucault, Barthes, Levinas, and Derrida. Until recently, Blanchot's work remained largely unknown outside France, in part because of its complexity and in part because Blanchot shunned intellectual celebrity. Over the past decade, however, nearly all of Blanchot's books have been translated into English, and worldwide interest in his fiction, cultural criticism, and philosophy has increased dramatically. Kevin Hart and Geoffrey H. Hartman bring together essays by prominent scholars from a range of disciplines to focus on Blanchot's diverse concerns: literature, art, community, politics, ethics, spirituality, and the Holocaust. The volume takes its title from Blanchot's idea that literature is "a power of contestation: contestation of the established power, contestation of what is..., contestation of language and of the forms of literary language, finally contestation of itself as power." Tracing this concept as a central theme of Blanchot's writings, and exploring its scope and ambiguity, the contributors bring this seminal, but formidably difficult, intellect into sharper focus. Contributors: Gerald L. Bruns, University of Notre Dame; Leslie Hill, University of Warwick; Michael Holland, St Hugh's College, Oxford; Philippe Lacoue-Labarthe, University of Strasbourg; Vivian Liska, University of Antwerp; Jill Robbins, Emory University, and the editors.

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King Richard III remains one of the most controversial figures in British history. Matthew Lewis’s new biography aims to become a definitive account by exploring what is known of his childhood and the impacts it had on his personality and view of the world. He would be cast into insecurity and exile only to become a royal prince before his tenth birthday. As Richard spends his teenage years under the watchful gaze of his older brother, Edward IV, he is eventually placed in the household of their cousin, the Earl of Warwick, remembered as the Kingmaker; but as the relationship between a king and his most influential magnate breaks down, Richard is compelled to make a choice when the House of York fractures. After another period in exile, Richard returns to become the most powerful nobleman in England. The work he involves himself in during the years that follow demonstrates a drive and commitment but also a dangerous naïveté. When crisis hits in 1483, it is to Richard that his older brother turns on his death bed. The events of 1483 remain contentious and hotly debated, but by understanding the Richard who began that year, it will become clearer what drove some of his actions and decisions. Returning to primary sources and considering the evidence available, this new life undoes the myths and presents a real man living in tumultuous times.

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New Hall is one of the oldest inhabited moated houses in England. Built of local sandstone and warm Midlands brick, it sits in what was once the vast hunting forests of Sutton Chase, in the ancient county of Warwickshire. Sir Nicholas Pevsner, the great 20th century British architectural historian, describes New Hall's plaster ceilings, Solar (known as the Great Chamber), the seventeenth century staircase and various other additions as 'a major mansion in a moat'. The house was added to and adorned by subsequent owners, including the Earls of Warwick, whose fortunes rose and fell in the social, political and economic upheavals over the centuries; it is this story, told for the first time, that is England's history in miniature. This is a house that has lasted almost a millennium and the light bouncing off the lily-filled moat, its diamond-shard mullioned windows, their rippling ancient glass, the elegant hubris of the Victorian cupola-ed, castellated wing, are now enjoyed by guests of the wonderful, luxury hotel it is today. Written by Kate Holt, an internationally acclaimed photojournalist, with a foreword by Dr David Owen, OBE, a member of the last private family to own New Hall, this is a book that will engage, delight and inform.

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Cecily Bonville-Grey was one of the richest women of her time, inheriting the Harington and Bonville fortunes as a young child. In 1474, at the age of fifteen, she married Thomas Grey, the eldest son of Elizabeth Woodville from her first marriage to Sir John Grey. When Thomas was created Marquis of Dorset a year later, Cecily became the Marchioness of Dorset alongside him. During her lifetime she was connected to many of the fifteenth and sixteenth century personalities that we read about today. Her stepfather was William, Lord Hastings, her mother-in-law Elizabeth Woodville, the White Queen. Her mother was a daughter of the great Neville family and her uncle was the Earl of Warwick, also known as the ‘kingmaker’ having assisted his cousin, Edward IV, in his path to the throne. Her second husband was a son of the ancient Stafford family and Lady Jane Grey was a direct descendant of hers. During the Wars of the Roses and the emergence of the new Tudor dynasty, Cecily was witness to many of the events that unfolded and her own story is intertwined with many of these events. Yet she remains relatively unknown. This is Cecily’s story.

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'This atmospheric read is simply beautiful.' Woman & Home How can home be found, when you are lost?When two very different women find themselves sharing a home, they must confront their pasts in order to work out who they each are, and how they will survive.Disillusioned with her high-flying London career, Jo has returned to the remote rural community of her childhood. Taking over her parents' beloved butcher shop, she works hard to save the family legacy, hoping toalso save herself.Tessa has returned too, fleeing a chance of happiness to come to terms with a life filled with secrets and shame. Now her livelihood as a farrier is under threat from a mysterious and debilitating condition.How to Belong is a delicate, honest portrayal of unexpected friendship, the power of memory and what it trulymeans to come home.'This gentle, thoughtful novel will warm your heart and nourish your soul' Red Magazine'(A) thoughtful, original novel . . . Detailed, descriptive, transporting prose.' Adele Parks, Platinum Magazine 'A big-hearted novel about how we learn to belong despite ourselves.' Shelley Harris'It really touched me, I can't stop talking about it. Your words spoke to somewhere deep inside me.' Warwick Books

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New approaches to women writers and attitudes to women in the Romantic period, principally focused on North America. Focusing on the period from 1770 to 1830, this collection deploys recent thinking on women in the romantic period to define an agenda which will shape studies in this area into the next century. Investigating issues of class and gender, imperalism and gender identity, and gender and genre, the essays range widely over women and women's affairs during the period, and include pieces on such important writers as Emily Dickinson, Letitia Landon, and Anna Letitia Barbauld. Recent developments in the theory and practice of feminist literary criticism are used to reassess the literature of the period, and to interrogate the notion of romanticism, both as a conceptual model and as a periodbounded by dates and geographical restrictions. As a whole, the volume raises questions about gendered romanticism in America, about the surge of romantic poetics in mid-century, and about the appropriation of gendered romanticism by fin-de-siècle writers. Dr ANNE JANOWITZteaches in the Department of English and Comparative Literary Studies at the University of Warwick. Contributors: GARY KELLY, MARY FAVRET, WILLIAM KEACH, JOSEPHINE MCDONAGH, SONIA HOFKOSH, EMMA FRANCIS, DARIA DONNELLY, BRIDGET BENNETT, IRA LIVINGSTON

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Concentrate Q&A Land Law is part of the Concentrate Q&A series, the result of a collaboration involving hundreds of law students and lecturers from universities across the UK. Each book in this series offers you better support and a greater chance to succeed on your law course than any of the competitors. 'A sure-fire way to get a 1st class result' (Naomi M, Coventry University) 'My grades have dramatically improved since I started using the OUP Q&A guides' (Glen Sylvester, Bournemouth University) 'These first class answers will transform you into a first class student' (Ali Mohamed, University of Hertfordshire) 'I can't think of better revision support for my study' (Quynh Anh Thi Le, University of Warwick) 'I would strongly recommend Q&A guides. They have vastly improved my structuring of exam answers and helped me identify key components of a high quality answer' (Hayden Roach, Bournemouth University) '100% would recommend. Makes you feel like you will pass with flying colours' (Elysia Marie Vaughan, University of Hertfordshire) 'My fellow students rave about this book' (Octavia Knapper, Lancaster University) 'The best Q&A books that I've read; the content is exceptional' (Wendy Chinenye Akaigwe, London Metropolitan University) 'I would not hesitate to recommend this book to a friend' (Blessing Denhere, Coventry University)

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Concentrate Q&A Public Law is part of the Concentrate Q&A series, the result of a collaboration involving hundreds of law students and lecturers from universities across the UK. Each book in this series offers you better support and a greater chance to succeed on your law course than any of the competitors. 'A sure-fire way to get a 1st class result' (Naomi M, Coventry University) 'My grades have dramatically improved since I started using the OUP Q&A guides' (Glen Sylvester, Bournemouth University) 'These first class answers will transform you into a first class student' (Ali Mohamed, University of Hertfordshire) 'I can't think of better revision support for my study' (Quynh Anh Thi Le, University of Warwick) 'I would strongly recommend Q&A guides. They have vastly improved my structuring of exam answers and helped me identify key components of a high quality answer' (Hayden Roach, Bournemouth University) '100% would recommend. Makes you feel like you will pass with flying colours' (Elysia Marie Vaughan, University of Hertfordshire) 'My fellow students rave about this book' (Octavia Knapper, Lancaster University) 'The best Q&A books that I've read; the content is exceptional' (Wendy Chinenye Akaigwe, London Metropolitan University) 'I would not hesitate to recommend this book to a friend' (Blessing Denhere, Coventry University)

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**Winner of the 2020 Sunday Times/University of Warwick Young Writer of the Year Award**Jay Bernard's extraordinary debut is a fearless exploration of the New Cross Fire of 1981, a house fire at a birthday party in which thirteen young black people were killed. Dubbed the 'New Cross Massacre', the fire was initially believed to be a racist attack, and the indifference with which the tragedy was met by the state triggered a new era of race relations in Britain.Tracing a line from New Cross to the 'towers of blood' of the Grenfell fire, this urgent collection speaks with, in and of the voices of the past, brought back by the incantation of dancehall rhythms and the music of Jamaican patois, to form a living presence in the absence of justice. A ground-breaking work of excavation, memory and activism - both political and personal, witness and documentary - Surge shines a much-needed light on an unacknowledged chapter in British history, one that powerfully resonates in our present moment.'The verse has anger and political purpose, but a rare lyrical precision, too. The combination is powerful' Sebastian Faulks, Spectator, Books of the Year 2020 *Winner of the Ted Hughes Award for New Work in Poetry**Shortlisted for the Costa Poetry Award; T.S. Eliot Prize; Forward Prize for Best First Collection; Dylan Thomas Prize; RSL Ondaatje Prize; John Pollard Foundation International Poetry Prize**Longlisted for the Jhalak Prize 2020*

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The preoccupation with “depth” and its relevance to cinema and media studiesFor decades the concept of depth has been central to critical thinking in numerous humanities-based disciplines, legitimizing certain modes of inquiry over others. Deep Mediations examines why and how this is, as scholars today navigate the legacy of depth models of thought and vision, particularly in light of the “surface turn” and as these models impinge on the realms of cinema and media studies.The collection’s eighteen essays seek to understand the decisive but evolving fixation on depth by considering the term’s use across a range of conversations as well as its status in relation to critical methodologies and the current mediascape. Engaging contemporary debates about new computing technologies, the environment, history, identity, affect, audio/visual culture, and the limits and politics of human perception, Deep Mediations is a timely interrogation of depth’s ongoing importance within the humanities. Contributors: Laurel Ahnert; Taylor Arnold, U of Richmond; Erika Balsom, King’s College London; Brooke Belisle, Stony Brook University; Jinhee Choi, King’s College London; Jennifer Fay, Vanderbilt U; Lisa Han, UC Santa Barbara; Jean Ma, Stanford U; Shaka McGlotten, Purchase College-SUNY; Susanna Paasonen, U of Turku, Finland; Jussi Parikka, U of Southampton; Alessandra Raengo, Georgia State U; Pooja Rangan, Amherst College; Katherine Rochester, VIA Art Fund in Boston; Karl Schoonover, University of Warwick (UK); Jordan Schonig, Michigan State U; John Paul Stadler, North Carolina State U; Nicole Starosielski, New York U; Lauren Tilton, U of Richmond.

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Trans Historical explores the plurality of gender experiences that flourished before the modern era, from Late Antiquity to the eighteenth century, across a broad geographic range, from Spain to Poland and Byzantium to Boston. Refuting arguments that transgender people, experiences, and identities were non-existent or even impossible prior to the twentieth century, this volume focuses on archives—literary texts, trial transcripts, documents, and artifacts—that denaturalize gender as a category. The volume historicizes the many different social lives of sexual differentiation, exploring what gender might have been before modern medicine, the anatomical sciences, and the sedimentation of gender difference into its putatively binary form. The volume's multidisciplinary group of contributors consider how individuals, communities, and states understood and enacted gender as a social experience distinct from the assignment of sex at birth. Alongside historical questions about the meaning of sexual differentiation, Trans Historical also offers a series of diverse meditations on how scholars of the medieval and early modern periods might approach gender nonconformity before the nineteenth-century emergence of the norm and the normal. Contributors: Abdulhamit Arvas, University of Pennsylvania; Roland Betancourt, University of California, Irvine; M. W. Bychowski, Case Western Reserve University; Emma Campbell, Warwick University; Igor H. de Souza, Yale University; Leah DeVun, Rutgers University; Micah James Goodrich, University of Connecticut; Alexa Alice Joubin, George Washington University; Anna Kłosowska; Greta LaFleur; Scott Larson, University of Michigan, Ann Arbor; Kathleen Perry Long, Cornell University; Robert Mills, University College London; Masha Raskolnikov; Zrinka Stahuljak, UCLA.

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