Search results for ""Warwick""

A beguiling novel about three women struggling to determine their own lives in contemporary Tokyo.'Breathtaking' – Haruki Murakami author of Norwegian WoodA New York Times 'Notable Book of the Year' and one of Elena Ferrante's 'Top 40 Books by Female Authors'. Shortlisted for the Warwick Prize for Women in Translation.On a hot summer’s day in a poor suburb of Tokyo we meet three women: thirty-year-old Natsuko, her older sister Makiko, and Makiko’s teenage daughter Midoriko. Makiko, an ageing hostess despairing the loss of her looks, has travelled to Tokyo in search of breast enhancement surgery. She's accompanied by her daughter, who has recently stopped speaking, finding herself unable to deal with her own changing body and her mother’s self-obsession. Her silence dominates Natsuko’s rundown apartment, providing a catalyst for each woman to grapple with their own anxieties and their relationships with one another.Eight years later, we meet Natsuko again. She is now a writer and finds herself on a journey back to her native city, returning to memories of that summer and her family’s past as she faces her own uncertain future.In Breasts and Eggs Mieko Kawakami paints a radical and intimate portrait of contemporary working class womanhood in Japan, recounting the heartbreaking journeys of three women in a society where the odds are stacked against them. Translated from the Japanese by Sam Bett and David Boyd.'Bold, modern and surprising' – An Yu, author of Braised Pork'Incredible and propulsive' – Naoise Dolan, author of Exciting Times

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Essays on the development of the post-medieval house, its contents and decoration. During the last forty years, South-West England has been the focus of some of the most significant work on the early modern house and household in Britain. Its remarkable wealth of vernacular buildings has been the object of muchattention, while the area has also seen productive excavations of early modern household goods, shedding new light on domestic history. This collection of papers, written by many of the leading specialists in these fields, presents a number of essays summarizing the overall understanding of particular themes and places, alongside case studies which publish some of the most remarkable discoveries. They include the extraordinary survival of wall-hangings in a South Devon farm, the discovery of painted rooms in an Elizabethan town house, and a study of a table-setting mirrored on its ceiling. Also considered are forms of decoration which seem specific to particular areas of the West Country houses. Taken together, the papers offer a holistic view of the household in the early modern period. John Allan is Consultant Archaeologist to the Dean & Chapter of Exeter Cathedral; Nat Alcock is EmeritusReader in the Department of Chemistry, University of Warwick; David Dawson is an independent archaeologist and museum and heritage consultant. Contributors: Ann Adams, Nat Alcock, John Allan, James Ayres, Stuart Blaylock, Peter Brears, Tania Manuel Casimiro, Cynthia Cramp, Christopher Green, Oliver Kent, Kate Osborne, Richard Parker, Isabel Richardson, John Schofield, Eddie Sinclair, John R.L. Thorp, Hugh Wilmott,

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In Printing the Middle Ages Siân Echard looks to the postmedieval, postmanuscript lives of medieval texts, seeking to understand the lasting impact on both the popular and the scholarly imaginations of the physical objects that transmitted the Middle Ages to the English-speaking world. Beneath and behind the foundational works of recovery that established the canon of medieval literature, she argues, was a vast terrain of books, scholarly or popular, grubby or beautiful, widely disseminated or privately printed. By turning to these, we are able to chart the differing reception histories of the literary texts of the British Middle Ages. For Echard, any reading of a medieval text, whether past or present, amateur or academic, floats on the surface of a complex sea of expectations and desires made up of the books that mediate those readings. Each chapter of Printing the Middle Ages focuses on a central textual object and tells its story in order to reveal the history of its reception and transmission. Moving from the first age of print into the early twenty-first century, Echard examines the special fonts created in the Elizabethan period to reproduce Old English, the hand-drawn facsimiles of the nineteenth century, and today's experiments with the digital reproduction of medieval objects; she explores the illustrations in eighteenth-century versions of Guy of Warwick and Bevis of Hampton; she discusses nineteenth-century children's versions of the Canterbury Tales and the aristocratic transmission history of John Gower's Confessio Amantis; and she touches on fine press printings of Dante, Froissart, and Langland.

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"Robertson proves hard to explain but easy to enjoy...Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt...She wields language expertly, even beautifully."--The New York Times What if the cinema of the present were a Mobius strip of language, a montage of statements and questions sutured together and gradually accumulating color? Would the seams afford a new sensibility around the pronoun "you"? Would the precise words of philosophy, fashion, books, architecture, and history animate a new vision, gestural and oblique? Is the kinetic pronoun cinema? These and other questions are answered in the new collection from acclaimed poet and essayist Lisa Robertson. The book is available with four different back covers, designed by artists Hadley+Maxwell. A quorum of crows will be your witness. And if you discover you were bought? You note the smell of rain, bread, and exhaust mixed with tiredness. And if you yourself are incompatible with your view of the world? And what is the subject but a stitching? Once again you are the one who promotes artifice. At 2 am on Friday, you burn with a maudlin premonition. And rankings and rankings and badges and repetitions. Lisa Robertson's book Lisa Robertson's Magenta Soul Whip was named one of the New York Times 100 Notable Books of 2010 and was longlisted for the 2011 Warwick Prize. Her other books include Debbie: An Epic, The Men, The Weather, and Occasional Work and Seven Walks from the Office for Soft Architecture. She is the 2014 Bain Swiggett Professor at Princeton University.

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** WINNER OF THE LAUREL PRIZE 2021 ****A SPECTATOR AND IRISH TIMES BOOK OF THE YEAR 2020****SHORTLISTED FOR THE SUNDAY TIMES / UNIVERSITY OF WARWICK YOUNG WRITER OF THE YEAR AWARD 2020****SHORTLISTED FOR THE JOHN POLLARD FOUNDATION INTERNATIONAL POETRY PRIZE 2021****SHORTLISTED FOR THE DALKEY LITERARY EMERGING WRITER OF THE YEAR AWARD 2021**A remarkable first collection by an important new poetIn this collection, Seán Hewitt gives us poems of a rare musicality and grace. By turns searing and meditative, these are lyrics concerned with the matter of the world, its physicality, but also attuned to the proximity of each moment, each thing, to the spiritual. Here, there is sex, grief, and loss, but also a committed dedication to life, hope and renewal. Drawing on the religious, the sacred and the profane, this is a collection in which men meet in the woods, where matter is corrupted and remade. There are prayers, hymns, vespers, incantations, and longer poems which attempt to propel themselves towards the transcendent. In this book, there is always the sense of fragility allied with strength, a violence harnessed and unleashed. The collection ends with a series of elegies for the poet's father: in the face of despair, we are met with a fierce brightness, and a reclamation of the spiritual. 'This is when / we make God, and speak in his voice.'Paying close attention to altered states and the consolations and strangeness of the natural world, this is the first book from a major poet.

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Part of the 4-miliion-selling-trademark series from Pavilion Books – a vivid historical tour of Houston, with the same view photographed today, from a great local author. In 1836 revolutionaries routed the Mexican army at the Battle of San Jacinto and the nearby town took the name of the battle’s victor, General Sam Houston. Since that time Houston has become America’s fourth largest city, and its magnificent cityscape of concrete, glass, and steel bears little resemblance to traditional Texas imagery. It’s easy to see why its residents, showing allegiance to their unique heritage, proudly refer to themselves as Houstonians rather than Texans. It was an entrepreneurial New York family who first promoted Houston’s lush landscape and vast potential in the Northeast and Europe, and the town expanded from a handful of tents into a place of over 10,000 residents by 1900. Oil was discovered nearby in 1901 and from then on Houston never looked back. Sites include: City Hall, Carnegie Library, Houston Courthouse, Merchants and Manufacturers Building, Allen’s Landing, Houston Chronicle, Main and Preston, Sam Houston Hotel, USS Texas, San Jacinto Monument, Congress Avenue, Houston Water Works, Hermann Building, Texas Capitol Building, Majestic Metro, Old Cotton Exchange, Gulf Building, Moorish Federal Building, Carter’s Folly, Kress Building, Union Station, Esperson Building, Antioch Church, Houston Light Guard Armory, Magnolia Brewery, Grand Central Station, Rice University, Museum of Fine Arts, Hermann Park, Miller Outdoor Theatre and Warwick Hotel.

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An urgent volume of essays engages the Gothic to advance important perspectives on our geological era What can the Gothic teach us about our current geological era? More than just spooky, moonlit castles and morbid graveyards, the Gothic represents a vibrant, emergent perspective on the Anthropocene. In this volume, more than a dozen scholars move beyond longstanding perspectives on the Anthropocene—such as science fiction and apocalyptic narratives—to show that the Gothic offers a unique (and dark) interpretation of events like climate change, diminished ecosystems, and mass extinction.Embracing pop cultural phenomena like True Detective, Jaws, and Twin Peaks, as well as topics from the New Weird and prehistoric shark fiction to ruin porn and the “monstroscene,” Dark Scenes from Damaged Earth demonstrates the continuing vitality of the Gothic while opening important new paths of inquiry. These essays map a genealogy of the Gothic while providing fresh perspectives on the ongoing climate chaos, the North/South divide, issues of racialization, dark ecology, questions surrounding environmental justice, and much more.Contributors: Fred Botting, Kingston U; Timothy Clark, U of Durham; Rebecca Duncan, Linnaeus U; Michael Fuchs, U of Oldenburg, Germany; Esthie Hugo, U of Warwick; Dawn Keetley, Lehigh U; Laura R. Kremmel, South Dakota School of Mines and Technology; Timothy Morton, Rice U; Barry Murnane, U of Oxford; Jennifer Schell, U of Alaska Fairbanks; Lisa M. Vetere, Monmouth U; Sara Wasson, Lancaster U; Jeffrey Andrew Weinstock, Central Michigan U.

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The Values of Precision examines how exactitude has come to occupy such a prominent place in Western culture. What has been the value of numerical values? Beginning with the late eighteenth century and continuing into the twentieth, the essays in this volume support the view that centralizing states--with their increasingly widespread bureaucracies for managing trade, taxation, and armies--and large-scale commercial enterprises--with their requirements for standardization and mass production--have been the major promoters of numerical precision. Taking advantage of the resources available, scientists and engineers have entered a symbiotic relationship with state and industry, which in turn has led to increasingly refined measures in ever-widening domains of the natural and social world. At the heart of this book, therefore, is an inquiry into the capacity of numbers and instruments to travel across boundaries of culture and materials. Many of the papers focus attention on disagreements about the significance and the credibility of particular sorts of measurements deployed to support particular claims, as in the measures of the population of France, the electrical resistance of copper, or the solvency of insurance companies. At the same time they display the deeply cultural character of precision values. Contributors to the volume include Ken Alder, Graeme J. N. Gooday, Jan Golinski, Frederic L. Holmes, Kathryn M. Olesko, Theodore M. Porter, Andrea Rusnock, Simon Schaffer, George Sweetnam, Andrew Warwick, and M. Norton Wise.

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In California in the early '50s the Fender company introduced the world's first electric bass guitar. They couldn't have known known it then but the Precision Bass would start a revolution in the sound of popular music. This book explains how that revolution happened and how its reverberations are still felt today.ÞThe two-guitars-bass-and-drums lineup that would define pop music found its heart with the Fender bass. In the coming decades the bass guitar provided the solid foundation upon which much modern music is still built. ÊThe Bass BookÊ is the first to study its story with the full lowdown of the most important bass players and bass makers. Brands featured in the book include Alembic Danelectro Epiphone Fender Fodera Gibson Hofner Ibanez Lakland Line 6 Music Man Peavey Rickenbacker Sadowsky Spector Squier Steinberger Wal Warwick and Yamaha.ÞOriginal interviews with makers of bass guitars from the past and present illuminate the book with the popular establishment of the bass during the '60s and '70s examined in detail along with more recent developments such as the popularity of the five-string bass. There is an exclusive interview with Paul McCartney and other bassists who feature in the story including Stanley Clarke Flea James Jamerson Jaco Pastorius and Robert Trujillo.ÞDozens of unusual desirable and rarely seen basses are presented in high-quality photos. A reference section provides a wealth of information on the key makers. ÊThe Bass BookÊ has all you need to know about the story of the bass guitar in one stylish readable volume and this revised and refreshed third edition brings the story right up to date.

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…a major contribution to the limited literature and research on leadership in childhood education.′ - Professor Tony Bush, Editor of Educational Management, Administration and Leadership. ′This important book focuses clearly on evidence, describing the realities of leading and managing settings in times of rapid policy changes. Carol Aubrey manages to combine theory, research and practice in a book that will be invaluable to a new generation of early years professionals.′ - Angela Anning, Emeritus Professor of Early Childhood Education, University of Leeds, UK ′..skilfully draws on sound empirical research to present a grounded theory model for leadership in early years education. ….of interest to researchers, students and practitioners internationally.′ - Professor Nithi Muthukrishna, University of KwaZulu-Natal, South Africa This Second Edition of Leading and Managing in the Early Years explores and integrates leadership and management practice with a real understanding of early years settings. Revised and updated, this new edition includes: - Two new chapters on private day care and reflective practice and action research - Further coverage of reflective practice and reflective leadership skills - More on EYPS as well as integrated centre leadership - Practical suggestions for working with resistant groups and individuals. Carol Aubrey investigates different concepts and characteristics of Early Childhood (EC) leadership as well as the roles and responsibilities of EC leaders. She also explores the types of leadership programmes or development which are needed to maximise the effectiveness of EC leaders. This book is essential reading for students in Early Childhood courses, Early Years Practitioners and local authority employees involved with the integrated centres initiative. Carol Aubrey is Professor of Early Childhood Studies at the University of Warwick.

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The brilliant retelling of the Wars of the Roses continues with Trinity, the second gripping novel in the new series from historical fiction master, Conn Iggulden.1454: King Henry VI has remained all but exiled in Windsor Castle, struck down by his illness for over a year, his eyes vacant, his mind a blank.His fiercely loyal wife and Queen, Margaret of Anjou, safeguards her husband's interests, hoping that her son Edward will one day know the love of his father.Richard Duke of York, Protector of the Realm, extends his influence throughout the kingdom with each month that Henry slumbers. The Earls of Salisbury and Warwick make up a formidable trinity with Richard, and together they seek to break the support of those who would raise their colours in the name of Henry and his Queen. But when the King unexpectedly recovers his senses and returns to London to reclaim his throne, the balance of power is once again thrown into turmoil. The clash of the Houses of Lancaster and York will surely mean a war to tear England apart . . .Following on from Stormbird, Trinity is the second epic instalment in master storyteller Conn Iggulden's new Wars of the Roses series. Fans of Game of Thrones and The Tudors will be gripped from the word go.Praise for Stormbird:'Pacey and juicy, and packed with action' Sunday Times'Energetic, competent stuff; Iggulden knows his material and his audience' Independent'A novel that seamlessly combines narrative, historical credence and great knowledge of the period' Daily Express'A page-turning thriller' Mail on Sunday 'Superbly plotted and paced' The Times

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English royal funeral ceremony from Mary, Queen of Scots to James I gives fascinating insight into the relationship between power and ritual at the renaissance court. This book represents the first detailed study into English royal funeral ceremonies of the period, building on earlier scholarship dealing with the French royal funeral and with the social history of death and burial in early modern England. Funeral rituals are approached as performances, and placed in their political, religious and broader cultural contexts, showing them to be a microcosm of cultural change. The impact of the Reformation, with its strongiconophobic strain, on a ritual process which was centred on the display of a life-sized image of the dead monarch, is explored. Later, the counter influence of the Arminianism and Continental art is considered in relation to theapotheosis of the theatre of death under the early Stuarts, with particular reference to the funeral of James I. Earlier individual funeral occasions are also addressed, with varied focus. The author shows how the obsequiesof Elizabeth I were used to help establish the new Stuart dynasty; the sudden death of the young Henry Stuart, heir to the throne, led to a funeral quite different in atmosphere and political purpose. The death rituals of Mary, Queen of Scots (both the ceremonies staged in the wake of her execution, and the monuments and funeral performances created years later by her son, James) are analysed in depth: the emergent picture of the deliberate manipulation of the Scottish Queen's posthumous image provides a fascinating insight into the relationship between power and ritual at the renaissance court. Dr JENNIFER WOODWARD gained her Ph.D. from the University of Warwick.__________________

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This volume brings together nine papers from a conference on international macroeconomics sponsored by the NBER in 1985. International economists as well as graduate students in the fields of global monetary economics, finance, and macroeconomics will find this an outstanding contribution to current research. It includes two commentaries for each paper, written by experts in the field, and Frenkel's detailed introduction, which serves as a reader's guide to the arguments made, the models employed, and the issues raised by each contributor. The studies analyze national fiscal policies within the context of the international economic order. Malcolm D. Knight and Paul R. Masson use an empirical model to show that fiscal changes in recent years in the United States, West Germany, and Japan have caused major disturbances in net savings and investment flows. Linda S. Kole uses a two-country simulation model to examine the effects of a large nation's expansion on exchange rates, interest rates, and the balance of payments. In other studies, Warwick J. McKibbin and Jeffrey D. Sachs discuss the influences of different currency regimes on the international transmission of inflation; Kent P. Kimbrough analyzes the interaction between optimal tax policies and international trade; Sweder van Wijnbergen investigates the interrelation of fiscal policies, trade intervention, and world interest rates; and Willem H. Buiter uses an analytical model to look at fiscal interdependence and optimal policy design. David Backus, Michael Devereux, and Douglas Purvis develop a theoretical model to investigate effects of different fiscal policies in an open economy. Alan C. Stockman looks at the influence of policy anticipation in the private sector, while Lawrence H. Summers shows the effects of differential tax policy on international competitiveness.

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1470The recent tensions between King Edward and his great ally the Earl of Warwick lie forgotten these past months, but even as winter tightens her grip on the land, the peace is shattered by a vicious attack on one of the King’s allies.Long buried secrets are brought to the surface, and Thomas and Katherine must finally decide where their loyalties lie and to choose between fight or flight, knowing either choice will incur a terrible price. From Lincoln to Bruges, from Barnet to the great battle at Tewkesbury, both must play their part in one of the most savage wars in history. The wars of the roses.'Should be required reading for fans of historical fiction' The Times'Toby Clements does it again with another powerhouse of a book: thrilling and literate, engaging, passionate, deeply moving and full of historical detail of the sort that fills me with awe for the fortitude of our ancestors and yet makes me so glad I live in the safety of the twenty-first century. This is going to be one of the stellar series of our generation, redefining that period of history that we think we know, and discover we really don’t. Bravo!' Manda Scott'A major achievement in historical fiction' Historia Magazine'Clements is so convincing on the detail of his characters’ lives that it is difficult to believe that he never walked in the brutal, messy world he conjures up on the page' The Times'Toby Clements’ Kingmaker series is historical fiction at its very finest - and Kingdom Come is the best of them all.' William Ryan

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THE COMPELLING NOVEL FROM SUNDAY TIMES BESTSELLER PHILIPPA GREGORY‘If you are going to be Queen of England he won’t let you fall,’ Isabel says shrewdly. ‘If you are going to be Queen of England he will love you and serve you every moment of the day. You’ve always been his pet – you should be glad that now you are at the centre of his ambition.’ Anne Neville and her sister Isabel are daughters of the most powerful magnate in 15th century England, the Earl of Warwick, the ‘Kingmaker’, born with royal blood in their veins. Widowed at fourteen, fatherless, stripped of her inheritance and with her mother locked in sanctuary and Isabel a vengeful enemy, Anne faces the world alone. But fortune’s wheel is always turning. Plotting her escape from her sister’s house, she finds herself a husband in the handsome young Duke of Gloucester, and marries without permission. Danger follows her and she finds she has a mortal enemy in the most beautiful queen of England. Anne must protect herself and her precious only son, from the treacherous royal court, her deadly royal rival, and even from the driving ambition of her husband, Richard III.Praise for Philippa Gregory: ‘Meticulously researched and deeply entertaining, this story of betrayal and divided loyalties is Gregory on top form’ Good Housekeeping ‘Gregory has popularised Tudor history perhaps more than any other living fiction writer…all of her books feature strong, complex women, doing their best to improve their lives in worlds dominated by men’ Sunday Times ‘Engrossing’ Sunday Express ‘Popular historical fiction at its finest, immaculately researched and superbly told’ The Times

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An interdisciplinary approach to sources for our knowledge of the crusades. The interrelation of so-called "literary" and "historical" sources of the crusades, and the fluidity of these categorisations, are the central concerns of the essays collected here. They demonstrate what the study of literary texts can do for our historical understanding of the crusading movement, challenging earlier historiographical assumptions about well-known poems and songs, and introducing hitherto understudied manuscript sources which elucidate a rich contemporary compositional culture regarding the matter of crusade. The volume discusses a wide array of European textual responses to the medieval crusading movement, from the Plantagenet and Catalan courts to the Italy of Charles of Anjou, Cyprus, and the Holy Land. Meanwhile, the topics considered include the connexions between poetry and history in the Latin First Crusade texts; the historical, codicological and literary background to Richard the Lionheart's famous song of captivity; crusade references in the troubadour Cerverí of Girona; literary culture surrounding Charles of Anjou's expeditions; the use of the Mélusine legend to strengthen the Lusignans' claim to Cyprus; and the influence of aristocratic selection criteria in manuscript traditions of Old French crusade songs. These diverse approaches are unified in their examination of crusading texts as cultural artefacts ripe for comparisonacross linguistic and thematic divides. SIMON THOMAS PARSONS teaches Medieval History at Royal Holloway, University of London and King's College London; LINDA PATERSON is Professor Emerita at Warwick University. Contributors: Luca Barbieri, Miriam Cabré, Jean Dunbabin, Ruth Harvey, Simon John, Charmaine Lee, Helen J. Nicholson, Simon Parsons, Anna Radaelli, Stephen Spencer, Carol Sweetenham.

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Focuses on the cultural, philosophical, political, and scholarly uses of "orientalism" in the German-speaking and Central and Eastern European worlds from the late eighteenth century to the present day. The concept and study of orientalism in Western culture gained a changed understanding from Edward Said's now iconic 1978 book Orientalism. However, recent debate has moved beyond Said's definition of the phenomenon, highlighting the multiple forms of orientalism within the "West," the manifold presence of the "East" in the Western world, indeed the epistemological fragility of the ideas of "Occident" and "Orient" as such. This volume focuses on the deployment -- here the cultural, philosophical, political, and scholarly uses -- of "orientalism" in the German-speaking and Central and Eastern European worlds from the late eighteenth century to the present day. Its interdisciplinary approach combines distinguished contributions by Indian scholars, who approach the topic of orientalism through the prism of German studies as practiced in Asia, with representative chapters by senior German, Austrian,and English-speaking scholars working at the intersection of German and oriental studies. Contributors: Anil Bhatti, Michael Dusche, Johannes Feichtinger, Johann Heiss, James Hodkinson, Kerstin Jobst, Jon Keune, Todd Kontje, Margit Köves, Sarah Lemmen, Shaswati Mazumdar, Jyoti Sabarwal, Ulrike Stamm, John Walker. James Hodkinson is Associate Professor in German Studies at Warwick University. John Walker is Senior Lecturer in EuropeanCultures and Languages at Birkbeck College, University of London. Shaswati Mazumdar is Professor in German at the University of Delhi. Johannes Feichtinger is a Researcher at the Österreichische Akademie der Wissenschaften.

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Looks at all aspects of the pivotal intellectual relationship between two key figures of the EnlightenmentThis collection brings together an international and interdisciplinary group of Adam Smith and Jean-Jacques Rousseau scholars to explore the key shared concerns of these two great thinkers in politics, philosophy, economics, history and literature.Rousseau (1712 78) and Smith (1723 90) are two of the foremost thinkers of the European Enlightenment. They both made seminal contributions to moral and political philosophy and shaped some of the key concepts of modern political economy. Among Smith's first published works was a letter to the 'Edinburgh Review' where he discusses Rousseau's 'Discourse on the Origin of Inequality'. Smith continued to engage with Rousseau's work and to explore many shared themes such as sympathy, political economy, sentiment and inequality. Though we have no solid evidence that they met in person, we do know that they shared many friends and interlocutors. In particular, David Hume was Smith's closest intellectual associate and was also the one who arranged for Rousseau's stay in England in 1766.ContributorsTabitha Baker, University of Warwick, UK.Christel Fricke, University of Oslo, Norway.Charles L. Griswold, Boston University, USA.Ryan Patrick Hanley, Marquette University, USA.Mark Hill, London School of Economics, UK.Mark Hulliung, Brandeis University, USA.Jimena Hurtado, Universidad de los Andes, Columbia.John McHugh, Denison University, USA.Jason Neidleman, University of La Verne, USA.Maria Pia Paganelli, Trinity University, USA.Dennis C. Rasmussen, Tufts University, USA. Neil Saccamano, Cornell University, USA. Michael Schleeter, Pacific Lutheran University, USA. . Adam Schoene, Cornell University, USA. Craig Smith, University of Glasgow, UK.

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The first full survey of crucial witnesses to the reception of Piers Plowman. The fifty-plus surviving manuscripts of William Langland's Piers Plowman cast important light on the early public life of this central Middle English work, but they have been relatively neglected by scholarship. This first full study of the subject examines the textual variants, marginal rubrics and companion texts in the manuscripts. It illuminates a reception quite distinct from the reformist poems written by Langland's imitators in "the Piers Plowman tradition". It reveals how the earliest scribes devised various traditional forms of presentation that proved remarkably durable in the poem's subsequent reception, even surviving into the age of print. Exploring Piers Plowman's appearances in the manuscripts, paired unexpectedly with such genres as romance, hagiography and travel literature, the book demonstrates the surprisingly affective responses of medieval readers to the represented lives of the narrator Will and the title figure Piers the Plowman. At the same time, it shows that the evidence for individual scribal agendas in particular copies is more ambiguous than often assumed, with each book reflecting the activities of an unknown number of hands and an uncertain mixture of design and accident. By drawing on evidence from textual scholarship as well as codicological and literary approaches, the author offers fresh insight into Piers Plowman's place in literary history and proposes new ways of understanding the late medieval manuscript as a multi-layered, collaborative product. Sarah Wood is Associate Professor of Medieval English Literature at the University of Warwick

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Essays examining both the theory and practice of medieval translation. Engaging and informative to read, challenging in its assertions, and provocative in the best way, inviting the reader to sift, correlate and reflect on the broader applicability of points made in reference to a specific text orexchange. Professor Carolyne P. Collette, Mount Holyoke College. Medieval notions of translatio raise issues that have since been debated in contemporary translation studies concerning the translator's role asinterpreter or author; the ability of translation to reinforce or unsettle linguistic or political dominance; and translation's capacity for establishing cultural contact, or participating in cultural appropriation or effacement.This collection puts these ethical and political issues centre stage, asking whether questions currently being posed by theorists of translation need rethinking or revising when brought into dialogue with medieval examples. Contributors explore translation - as a practice, a necessity, an impossibility and a multi-media form - through multiple perspectives on language, theory, dissemination and cultural transmission. Exploring texts, authors, languages and genres not often brought together in a single volume, individual essays focus on topics such as the politics of multilingualism, the role of translation in conflict situations, the translator's invisibility, hospitality, untranslatability and the limits of translation as a category. EMMA CAMPBELL is Associate Professor in French at the University of Warwick; ROBERT MILLS is Lecturer in History of Art at University College London. Contributors: William Burgwinkle, Ardis Butterfield, Emma Campbell, Marilynn Desmond, Simon Gaunt, Jane Gilbert, Miranda Griffin, Noah D. Guynn, Catherine Léglu, Robert Mills, Zrinka Stahuljak, Luke Sunderland

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^'What reason has an educated man for going to the theatre, except to see Menander'?Thus the judgement of Aristophanes of Byzantium, and in later antiquity the social comedies of Menander ranked second in popularity only to the epics of Homer. Yet for centuries thereafter the plays were thought to be irretrievably lost, failing to become part of the canon of writers that generations of copyists deemed worthy of transmitting to us. It was only in the 20th century that large sections of the plays began to emerge from the sands of Egypt, enabling modern readers to gauge for themselves the correctness of earlier verdicts. Following on from the author's edition of Menander's Bad-Tempered Man ( dyskolos ) the present volume aims to provide readers with ready access to the playwright's consummate sophistication in dramatic technique through two, albeit incomplete, plays, The Shield ( aspis ) and arbitration ( epitrepontes ). As before, the Greek text is accompanied by a translation aimed at providing a version that is readable, while at the same time remaining close enough to the original to make comparison of the two a feasible proposition. The commentary, in turn, concentrates upon dramatic development, providing the reader with pointers to appreciating the playwright's often subtle techniques of both dramatic development and character portrayal. Stanley Ireland is Reader in Classics and Ancient History at the University of Warwick. He has written on such diverse topics as Menander, Roman Britain and Ancient Numismatics. He is also editor of Terence's The Mother-in-Law in this series. Greek text with facing-page translation, introduction and commentary.

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This Norton Critical Edition includes: The texts of eleven complete, authoritative romances—four new to the Second Edition: Havelok, Ywain and Gawain, Of Kyng Robert of Cisyle, Hou Pride dude Him Begyle, Sir Orfeo, Sir Launfal, Athelston, The Awntyrs off Arthure at the Terne Wathelyne, The Weddyng of Syr Gawen and Dame Ragnell for Helpyng of Kyng Arthoure, The Grene Knight, The Sege off Melayne, and The Taill of Rauf Coilyear, How He Harbreit King Charlis. A thorough introduction accompanied by updated and expanded explanatory footnotes by Stephen H. A. Shepherd. In “Sources and Backgrounds,” detailed contextualizing headnotes and comparative analogues (many complete) for each of the eleven romances. In “Criticism,” eight essays—four new to the Second Edition—that help students analyze the themes of Middle English romances. An updated selected bibliography “This welcome Second Edition of Stephen Shepherd’s collection of Middle English romances offers an authoritative entry into the richly varied world of medieval narrative. The expanded selection, which now also includes Older Scots, invites readers to make any number of connections between these important works and a range of fascinating contextual material that includes chronicles; Continental romances; biblical tales; and other central Middle English poems, such as Sir Gawain and the Green Knight. The thematic groupings present a provocative stimulus to comparative reading, while the new critical pieces on madness, magic, history, and representations of Islam offer a thoughtful selection of fresh approaches to the texts. Professor Shepherd is to be thanked for providing a wonderful resource for students and teachers alike.” —Sarah Wood, University of Warwick

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Stand out, showcase your ability and succeed in your university admissions test. Whether you're taking STEP, MAT or TMUA, this essential guide reveals tried-and-tested strategies for building the problem-solving skills you need to secure a high score.Containing expert advice and worked examples, followed by multiple-choice and extended questions that replicate the exams, this guide is designed to improve your understanding of the admissions tests and help to build the skills universities are looking for.- Learn to think like a university student - detailed guidance, thought-provoking questions and worked solutions show you how to advance your mathematical thinking- Improve your mathematical reasoning - practise the problem-solving skills you need with 'Try it out' activities throughout the book and end-of-chapter exercises to track progress- Build a path through every problem - our authors guide you through each type of problem so that you can approach questions confidently, think on the spot and apply your knowledge to new contexts- Maximise marks and make the most of the time you have - at the end of each chapter, our authors give advice on how to tackle questions in the most time-efficient way and help you to figure out which ones will show off your abilityWhat are the STEP (Sixth Term Examination Paper), MAT (Mathematics Admissions Test) and TMUA (Test of Mathematics for University Admission) admissions tests?These admissions tests are used by universities as part of the application process to test problem-solving skills and identify candidates with the highest ability, motivation and ingenuity.MEI (Mathematics in Education and Industry) endorses this book and provided two of the authors. MEI is a charity and works to improve maths education, offering a range of support for teachers, including expertly written resources.OUR AUTHORSDavid Bedford has a PhD in Combinatorics and has been a mathematics lecturer in UK universities for over 30 years. He is also an A level examiner and has extensive experience in preparing students for mathematics admissions tests. David is the author of the Hodder 'MEI Further Mathematics: Extra Pure Maths' textbook.Phil Chaffé is the Advanced Maths Support Programme 16-19 Student Support and Problem Solving Professional Development Lead. He is the creator and lead writer for the Problem Solving Matters course which is designed to prepare students for mathematics admissions tests and is run in partnership with the Universities of Oxford, Warwick, Durham, Manchester, Bristol and Imperial College London. He is also the course designer for Imperial College's A* in A Level Mathematics course. He is also the MEI University Sector Lead.Tim Honeywill has been teaching at King Henry VIII School, Coventry, since 2008. Before that, he was the Coventry and Warwickshire Centre Manager for the Further Mathematics Network (now the AMSP), based at the University of Warwick where he did his PhD. He leads a ten-week Problem Solving course for Year 12 students and is a presenter on both the Problem Solving Matters course and on a STEP support course for Year 13 students.Richard Lissaman has a PhD in Ring Theory, a branch of abstract algebra. He has over 10 years' experience as a mathematics lecturer in UK universities and 20 years' experience of supporting students with A level Mathematics, Further Mathematics and mathematics admissions tests.

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A Sunday Times Book of the YearAll royalties from sales of this book go to The Big IssueIf you could write a letter to your younger self, what would it say?Over 10 years ago, The Big Issue began to ask some of the best-known, most interesting and most successful figures in entertainment, politics, food, sport and business to give advice, offer hope and share a few jokes with their younger selves. They opened up, in ways they never had, to interviewer Jane Graham, reflecting on their lives and themselves with affection, sympathy and sometimes disbelief. This collection of 100 of the most incredible letters includes Paul McCartney on how he found inspiration, Olivia Colman on overcoming confidence problems, Mo Farah on the importance of losing, Arianna Huffington on knowing your motivations, Jamie Oliver on trusting your instinct and many, many more, including Rod Stewart, Margaret Atwood, Buzz Aldrin, David Cameron, Eddie Izzard, Desmond Tutu, Neil Gaiman, Ruby Wax, Ranulph Fiennes, Tracey Emin, Ian McEwan, Michael Palin, Melanie C, Tim Peake, Dionne Warwick and Ewan McGregor.Letter to My Younger Self is a revelatory and profound exploration into the wit and wisdom that age brings, and of the unique insights that looking back can reveal.Proceeds from the sales of this book go to The Big Issue to continue their work dismantling poverty and promoting social justice."A truly wonderful book ... a gateway to intelligent, learned and genuinely inspiring stories, moments and people ... We would highly recommend it ... It's a fab cause and put together seamlessly." Magic Radio - October Book Club Pick'The answers make for great reading.' Sunday Mirror'This collection is full of insightful stories that will make you think about how you live your own life, and how you want to live it in the future.' Woman's Weekly

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New essays exploring the resurgence of the theme of romantic relationships and love in German literature since around the turn of the millennium. While sociologists have long agreed that the problems of modern and contemporary subjectivity crystallize in the issue of romantic relationships and love (e.g., Luhmann, Illouz, Beck, etc.), the theme of love, so crucial to the foundational text of modern German literature, Goethe's Werther, all but disappeared from German prose literature in the second half of the twentieth century. Yet over the past fifteen years German-language literature has witnessed an explosion of novels with "Liebe" in their titles as well as novels that centrally focus on intersubjective erotic and emotional relationships. A number of major contemporary writers (Treichel, Walser, Kermani, Ortheil, Maron, Zaimoglu, Genazino) have written Liebesromane or novels in which significant sociohistorical questions are refracted through the love relationships of their protagonists. German film likewise has increasingly thematized love relationships under postromantic conditions, e.g. in the films of the Berlin school. Simultaneously, the development of both feminist and LGBTQ politics over the past decades has exploded the heteronormative discourses ofdesire in a way that has both expanded and enriched the lovers' discourse, while recent developments of urban (hetero)sexuality have expanded the previously available models of expressing erotic relationships in ways that are reminiscent of the utopian ending of Goethe's first version of Stella. The present collection offers a wide-ranging set of essays on these developments. Contributors: Esther K. Bauer, Sven Glawion, Silke Horstkotte,Sarra Kassem, Maria Roca Lizarazu, Helmut Schmitz, Angelika Vybiral. Helmut Schmitz is Reader in German at the University of Warwick. Peter Davies is Professor and Head of German at the University of Edinburgh.

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A brilliant new interpretation of one of the most dramatic periods of British history.The Wars of the Roses didn't end at the Battle of Bosworth in 1485. Despite the death of Richard III and Henry VII's victory, it continued underground into the following century with plots, pretenders and subterfuge by the ousted white rose faction. In a brand new interpretation of this turning point in history, well known historian Desmond Seward reviews the story of the Tudors' seizure of the throne and shows that for many years they were far from secure. He challenges the way we look at the reigns of Henry VII and Henry VIII, explaining why there were so many Yorkist pretenders and conspiracies, and why the new dynasty had such difficulty establishing itself.King Richard's nephews, the Earl of Warwick and the little known de la Pole brothers, all had the support of dangerous enemies overseas, while England was split when the lowly Perkin Warbeck skilfully impersonated one of the princes in the tower in order to claim the right to the throne. Warwick's surviving sister Margaret also became the desperate focus of hopes that the White Rose would be reborn. The book also offers a new perspective on why Henry VIII, constantly threatened by treachery, real or imagined, and desperate to secure his power with a male heir, became a tyrant.Praise for Desmond Seward's A Brief History of the War of the Roses:'It is hard to imagine a historian more in command of his subject... The result is history as compelling as any novel' Independent 'This is a splendidly and vividly written book.' Evening StandardA Brief History of the Hundred Years Wars:'A well-written narrative, beautifully illustrated, and which takes into account most recent scholarship. It is also a good read.' Richard Cobb, New Statesman

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Scattered through time and space, many women have crossed paths with the Doctor. Some were fellow TARDIS travellers, some were allies defending the Earth, and one was the Doctor's daughter... Crossing the bounds of E-Space, from a mysterious space-station to a London bus, and from the Amazon to the Moon, this 8th of March, three very different adventures unfold. 2.1 Stolen Futures by Lizbeth Miles. Romana and K-9 have stayed in E-Space to help an ancient and noble people, freed from their shackles. But first they must heal divisions in the ranks, and those who see a very different future for the Tharil race... 2.2 Prism by Abigail Burdess. Lady Christina de Souza is crashing an exclusive party in search of a priceless diamond. Out in deep space, time travellers Jenny and Noah collide with a strange diamondshaped vessel. What is Prism? And what does it want with the Earth? 2.3 Turn of the Tides by Nina Millns. In the footsteps of Sarah Jane Smith, Rani Chandra is investigating strange weather phenomena, calling on an old friend for help - Jo Jones! But UNIT is also on the case, led by science officer Jac. Soon all three women will be on a mission to the Moon...CAST: Cast: Lalla Ward (Romana), Georgia Tennant (Jenny), Michelle Ryan (Lady Christina de Souza), Katy Manning (Jo Jones), Anjli Mohindra (Rani Chandra), Jaye Griffiths (Jac), Sheena Bhattessa (Rio), Sean Biggerstaff (Noah), John Dorney (Biroc/Officer), Indigo Griffiths (Mellissa), Ffion Jolly (Flick/Prism), Debbie Korley (Alethea/Computer Alethea/Sally), John Leeson (K9), Nimmy March (Lupan), Sadie Shimmin (Seer/Controller), Sam Stafford (Matasar/Rob Temby/Shayoon/Azworad Comrade), Graham Vick (Cal Norwood/The Return/Dan & Roman/Benedict), David Warwick (Tyro/Gundan). Other parts played by members of the cast.

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Defines common ground at the interface of strategy and management science and unites the topics with an original approach vital for strategy students, researchers and managers Strategic Analytics: Integrating Management Science and Strategy combines strategy content with strategy process through the lenses of management science, masterfully defining the common ground that unites both fields. Each chapter starts with the perspective of a certain strategy problem, such as competition, but continues with an explanation of the strategy process using management science tools such as simulation. Facilitating the process of strategic decision making through the lens of management science, the author integrates topics that are usually in conflict for MBAs: strategy and quantitative methods. Strategic Analytics features multiple international real-life case studies and examples, business issues for further research and theory review questions and exercises at the end of each chapter. Strategic Analytics starts by introducing readers to strategic management. It then goes on to cover: managerial capabilities for a complex world; politics, economy, society, technology, and environment; external environments known as exogenous factors (PESTE) and endogenous factors (industry); industry dynamics; industry evolution; competitive advantage; dynamic resource management; organisational design; performance measurement system; the life cycle of organisations from start-ups; maturity for maintaining profitability and growth; and finally, regeneration. Developed from the author's own Strategy Analytics course at Warwick Business School, personal experience as consultant, and in consultation with other leading scholars Uses management science to facilitate the process of strategic decision making Chapters structured with chapter objectives, summaries, short case studies, tables, student exercises, references and management science models Accompanied by a supporting website Aimed at both academics and practitioners, Strategic Analytics is an ideal text for postgraduates and advanced undergraduate students of business and management.

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Compelling inside views of what characterises opera and music theatre in African and African diasporic contexts. Music is often cited as a central artistic mode in African theatre and performance practices. However, little attention has been paid to music theatre on the continent in general, and to opera in particular, with the exceptions ofa few noted genres, such as Concert Party or the Yorùbá "folk opera" of the 1960s, and the emerging research on opera culture in South Africa. This volume of African Theatre highlights the diversity across the continent from a variety of perspectives - including those of genre, media, and historiography. Above all, it raises questions and encourages debate: What does "opera" mean in African and African diasporic contexts? What are its practices and legacies - colonial, postcolonial and decolonial; what is its relation to the intersectionalities of race and class? How do opera and music theatre reflect, change or obscure social, political and economic realities? How are they connected to educational and cultural institutions, and non-profit organisations? And why is opera contradictorily, at various times, perceived as both "grand" and "elitist, "folk" and "quotidian", "Eurocentric" and "indigenous"? Contributors also address aesthetic transformation processes, the porousness of genre boundaries and the role of space and place, with examples ranging from Egypt to South Africa, from Uganda to West Africa and the USA. The playscript in this volume is We Take Care of Our Own by Zainabu Jallo GUEST EDITORS: Christine Matzke, Lena van der Hoven, Christopher Odhiambo & Hilde Roos Series Editors: Yvette Hutchison, Reader, Department of Theatre & Performance Studies, University of Warwick; Chukwuma Okoye, Reader in African Theatre & Performance University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds.

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An examination into aspects of the sexual as depicted in a variety of medieval texts, from Chaucer and Malory to romance and alchemical treatises. It is often said that the past is a foreign country where they do things differently, and perhaps no type of "doing" is more fascinating than sexual desires and behaviours. Our modern view of medieval sexuality is characterised bya polarising dichotomy between the swooning love-struck knights and ladies of romance on one hand, and the darkly imagined and misogyny of an unenlightened "medieval" sexuality on the other. British medieval sexual culture also exhibits such dualities through the influential paradigms of sinner or saint, virgin or whore, and protector or defiler of women. However, such sexual identities are rarely coherent or stable, and it is in the grey areas, the interstices between normative modes of sexuality, that we find the most compelling instances of erotic frisson and sexual expression. This collection of essays brings together a wide-ranging discussion of the sexual possibilitiesand fantasies of medieval Britain as they manifest themselves in the literature of the period. Taking as their matter texts and authors as diverse as Chaucer, Gower, Dunbar, Malory, alchemical treatises, and romances, the contributions reveal a surprising variety of attitudes, strategies and sexual subject positions. Amanda Hopkins teaches in English and French at the University of Warwick; Robert Allen Rouse is Associate Professor of English atthe University of British Columbia, Vancouver, British Columbia, Canada; Cory James Rushton is Associate Professor of English at St Francis Xavier University in Nova Scotia, Canada. Contributors: Aisling Byrne, Anna Caughey, Kristina Hildebrand, Amy S. Kaufman, Yvette Kisor, Megan G. Leitch, Cynthea Masson, Hannah Priest, Samantha J. Rayner, Robert Allen Rouse, Cory James Rushton, Amy N. Vines

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New articles on du Fay and Desprez, on sacred and secular music, and reception history, form a fitting tribute to one of the field's foremost scholars. This volume celebrates the work of David Fallows, one of the most influential scholars in the field of medieval and Renaissance music. It draws together articles by scholars from around the world, focusing on key topics to which Fallows has contributed significantly: the life and works of Guillaume Du Fay and of Josquin Desprez, archival studies and biography, sacred and secular music of the late mediaeval and Renaissance period, and reception history. Studies include major archival discoveries concerning the identity of the composer Fremin Caron; a reconsideration of the authorship of works within the Josquin canon, notably Mille regretz and Absalon fili mi; a freshlook at key works from Du Fay's youth and early maturity; accounts of newly discovered sources and works; and an appraisal of David Fallows' contribution to the early music performance movement by Christopher Page, former directorof Gothic Voices. The collection also includes two newly published compositions dedicated to the honorand. Fabrice Fitch teaches at the Royal Northern College of Music; Jacobijn Kiel is an independent scholar. Contributors: Rob C. Wegman, Jane Alden, Bonnie J. Blackburn, Honey Meconi, Gianluca D'Agostino, Andrew Kirkman, Jaap van Benthem, Margaret Bent, James Haar, Alenjandro Enrique Planchart, Jesse Rodin, Lorenz Welker, Kinuho Endo, Joshua Rifkin, Thomas Schmidt-Beste, Richard Sherr, Peter Wright, Fabrice Fitch, Tess Knighton, Warwick Edwards, Adam Knight Gilbert, Markus Jans, Oliver Neighbour, Anthony Rooley, Keith Polk, John Milsom, Jeffrey J. Dean, EricJas, Peter Gülke, Iain Fenlon, Barbara Haggh, Dagmar Hoffmann-Axthelm, Leofranc Holford-Strevens, Andrea Lindmayr-Brandl, Esperanza Rodríguez-García, Eugeen Schreurs, Reinhard Strohm

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This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW For four decades, Michael Hicks has been a figure central to the study of fifteenth-century England. His scholarly output is remarkable both for its sheer bulk and for the diversity of the fields it covers. This extraordinary breadth is reflected by the variety of subjects covered by the papers in the present volume, offered to Professor Hicks by friends, colleagues and former students to mark his retirement from the University of Winchester. Fifteenth-century royalty, nobility and gentry, long at the heart of his own work, naturally take centre stage, but his contribution to economic and regional history, both in the early part of his career as a research fellow at the Victoria County History and more recently as director of a succession of major research projects, is also reflected in the essays presented here. The individual contributions are populated by some of the major characters of Yorkist England, many of them made household names by Professor Hicks's own writings - King Edward IV and his mistresses; the Neville earls of Warwick and Salisbury; the Stafford, Herbert, Percy, Tiptoft and de Vere earls of Devon, Pembroke,Northumberland, Worcester and Oxford - while the themes covered span the full panoply of medieval life: from treason to trade, warfare to widowhood and lordship to law enforcement. Equally broad is the papers' geographical spread,covering regions from Catalonia to Normandy, from Hampshire to Yorkshire and from Worcestershire and the Welsh marches to East Anglia. Contributors: Anne Curry, Christopher Dyer, Peter Fleming, Ralph Griffiths, JohnHare, Winifred Harwood, Matthew Holford, Hannes Kleineke, Gordon McKelvie, Mark Page, Simon Payling, A.J. Pollard, James Ross, Karen Stöber, Anne F. Sutton

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Robert Skidelsky's Keynes: The Return of the Master shows how the great economist's ideas not only explain why the current financial crisis occurred - but are our best way out. 'One would expect brokers to be wrong. If, in addition to their other inside advantages, they were capable of good advice, clearly they would have retired long ago with a large fortune' John Maynard Keynes When unbridled capitalism falters, is there an alternative? The twentieth century's most influential economist tells us that there is. John Maynard Keynes argued that an unmanaged market system is inherently unstable because of irreduceable uncertainty; that fiscal and monetary ammunition is needed to counter economic shocks; and that governments need to maintain enough total spending power in the economy to minimize the chance of serious recessions happening. 'The great economist's theories have never been more relevant ... and Robert Skidelsky is the guide of choice ... A must read' Paul Krugman, Observer 'Keynes's economic policies helped lift Britain from its 1930s slump. This accessible, timely study argues he could do the same again' Dominic Lawson, Sunday Times 'Masterly ... conveys complex ideas with clarity and controlled anger' Oliver Kamm, The Times 'Skidelsky knows more about Keynes than anyone alive ... he is righteous in his thunder ... provocative ... refreshing' Dwight Gardner, The New York Times 'Thought-provoking ... the best account I have read of the development of the credit crunch' Samuel Brittan, Financial Times Robert Skidelsky is Emeritus Professor of Political Economy at the University of Warwick. His three volume biography of the economist John Maynard Keynes (1983, 1992, 2000) received numerous prizes, including the Lionel Gelber Prize for International Relations and the Council on Foreign Relations Prize for International Relations. He is also the author of the The World After Communism (1995).

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An examination into aspects of the sexual as depicted in a variety of medieval texts, from Chaucer and Malory to romance and alchemical treatises. It is often said that the past is a foreign country where they do things differently, and perhaps no type of "doing" is more fascinating than sexual desires and behaviours. Our modern view of medieval sexuality is characterised bya polarising dichotomy between the swooning love-struck knights and ladies of romance on one hand, and the darkly imagined and misogyny of an unenlightened "medieval" sexuality on the other. British medieval sexual culture also exhibits such dualities through the influential paradigms of sinner or saint, virgin or whore, and protector or defiler of women. However, such sexual identities are rarely coherent or stable, and it is in the grey areas, the interstices between normative modes of sexuality, that we find the most compelling instances of erotic frisson and sexual expression. This collection of essays brings together a wide-ranging discussion of the sexual possibilitiesand fantasies of medieval Britain as they manifest themselves in the literature of the period. Taking as their matter texts and authors as diverse as Chaucer, Gower, Dunbar, Malory, alchemical treatises, and romances, the contributions reveal a surprising variety of attitudes, strategies and sexual subject positions. Amanda Hopkins teaches in English and French at the University of Warwick; Robert Allen Rouse is Associate Professor of English atthe University of British Columbia, Vancouver, British Columbia, Canada; Cory James Rushton is Associate Professor of English at St Francis Xavier University in Nova Scotia, Canada. Contributors: Aisling Byrne, Anna Caughey, Kristina Hildebrand, Amy S. Kaufman, Yvette Kisor, Megan G. Leitch, Cynthea Masson, Hannah Priest, Samantha J. Rayner, Robert Allen Rouse, Cory James Rushton, Amy N. Vines

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'Dice has a forensic depth that is compelling, that challenges and deeply moves the reader. But what sets this novel apart is the precision and power of the writing. This is fiction that doesn't want to be journalism, it affirms the truth and nuance and possibility of imagination.'Christos Tsiolkas, author of The SlapFour teenage boys invent a sex game based on the toss of a dice.The police charge them with multiple sexual offences against three teenage girls.Twelve jurors must work out what actually happened.How does the jury find?Dice is a stunning courtroom drama told from the perspective of a diverse group of ordinary people - the jury. How will twelve women and men of different ages, backgrounds and beliefs decide whether consent was given or crimes were committed?In this dazzlingly accomplished and gripping debut novel, the story is told through the eyes of each juror as the trial unfolds and evidence is presented, withheld, fragmented and retold by different witnesses.Will the verdict deliver justice or punish the innocent? Where does the truth lie?'Dice achieves what the best fiction achieves: it draws us into the story on a deeply personal level, coaxing us to consider what we would do in the same situation ... the moving and powerful final moment delivers a sense of narrative completion while also reminding us of the flawed nature of the justice system.' Catherine Chidgey, award-winning author of Remote Sympathy'An utterly compelling, nuanced and appropriately complex read that effortlessly depicts the unique combination of the sensational and the mundane, which often characterises the criminal trial.' Professor Vanessa Munro, Warwick University

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Looks at the lives, challenges and contributions of African women from across the continent to making and participating in theatre in the 21st century. Drawing on expertise from across the African continent this collection reflects the realities for women working and making theatre: how Egyptian director Dalia Basiouny has documented the "Tahrir Stories" of the Egyptian Revolution; how in Uganda women have used various theatrical devices, such as oral poetry, to seek common ground in a rural-urban inter-generational theatre project; and the use of physical theatre to examine disavowed memory in South Africa. The contributors also look at how practitioners are re-thinking performance space and modes of performance for gendered advocacy in Botswanan theatre, and how women are addressing gender-based violence and rape culture, comparing performance and street-based activism in South Africa and India. A particular strength of the volume is its interviews: with Jalila Baccar of Tunisia, by Marvin Carlson; six Ethiopian actresses are interviewed and introduced by Jane Plastow and Mahlet Solomon; and Ariane Zaytzeff explores "Making art to reinvent culture" with Odile Gakire Katese of Rwanda. The new play to be published is The Sentence by Sefi Atta, introduced and contextualized by Christine Matzke. Volume Editors: JANE PLASTOW & YVETTE HUTCHISON Guest Editor: CHRISTINE MATZKE Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor of Drama at the University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds; Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick

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A nuanced look at how nature has been culturally constructed in South and Southeast Asia, Nature in the Global South is a major contribution to understandings of the politics and ideologies of environmentalism and development in a postcolonial epoch. Among the many significant paradigms for understanding both the preservation and use of nature in these regions are biological classification, state forest management, tropical ecology, imperial water control, public health, and community-based conservation. Focusing on these and other ways that nature has been shaped and defined, this pathbreaking collection of essays describes projects of exploitation, administration, science, and community protest. With contributors based in anthropology, ecology, sociology, history, and environmental and policy studies, Nature in the Global South features some of the most innovative and influential work being done in the social studies of nature. While some of the essays look at how social and natural landscapes are created, maintained, and transformed by scientists, officials, monks, and farmers, others analyze specific campaigns to eradicate smallpox and save forests, waterways, and animal habitats. In case studies centered in the Philippines, India, Pakistan, Thailand, Indonesia, and South and Southeast Asia as a whole, contributors examine how the tropics, the jungle, tribes, and peasants are understood and transformed; how shifts in colonial ideas about the landscape led to extremely deleterious changes in rural well-being; and how uneasy environmental compromises are forged in the present among rural, urban, and global allies. Contributors:Warwick AndersonAmita BaviskarPeter BrosiusSusan DarlingtonMichael R. DoveAnn Grodzins GoldPaul GreenoughRoger JefferyNancy PelusoK. SivaramakrishnanNandini SundarAnna Lowenhaupt TsingCharles Zerner

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BY THE AUTHOR OF THE DOOR, ONE OF NYTBR'S TEN BEST BOOKS OF 2015** WINNER OF THE 2018 PEN TRANSLATION PRIZE **** SHORTLISTED FOR THE WARWICK WOMEN IN TRANSLATION PRIZE 2019 **"Extraordinary" New York Times"Quite unforgettable" Daily Telegraph"Unusual, piercing . . . oddly percipient" Irish Times"A gorgeous elegy" Publishers Weekly"A brightly shining star in the Szabo universe" World Literature TodayIn prewar Budapest three families live side by side on gracious Katalin Street, their lives closely intertwined. A game is played by the four children in which Bálint, the promising son of the Major, invariably chooses Irén Elekes, the headmaster's dutiful elder daughter, over her younger sister, the scatterbrained Blanka, and little Henriette Held, the daughter of the Jewish dentist.Their lives are torn apart in 1944 by the German occupation, which only the Elekes family survives intact. The postwar regime relocates them to a cramped Soviet-style apartment and they struggle to come to terms with social and political change, personal loss, and unstated feelings of guilt over the deportation of the Held parents and the death of little Henriette, who had been left in their protection. But the girl survives in a miasmal afterlife, and reappears at key moments as a mute witness to the inescapable power of past events.As in The Door and Iza's Ballad, Magda Szabó conducts a clear-eyed investigation into the ways in which we inflict suffering on those we love. Katalin Street, which won the 2007 Prix Cévennes for Best European novel, is a poignant, sombre, at times harrowing book, but beautifully conceived and truly unforgettable.Translated from the Hungarian by Len Rix

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A collection attesting to the richness and lasting appeal of these short forms of Middle English verse. The body of short Middle English poems conventionally known as lyrics is characterized by wonderful variety. Taking many different forms, and covering an enormous number of subjects, these poems have proved at once attractive andchallenging for modern readers and scholars. This collection of essays explores a range of Middle English lyrics from the thirteenth to the early sixteenth century, both religious and secular in flavour. It directs attention to the intrinsic qualities of these short poems and at the same time explores their capacity to illuminate important aspects of medieval cultural practice and production: forms of piety, contemporary conditions and events, the historyof feelings and emotions, and the relationships of image, song, performance and speech to the written word. The issues covered in the essays include editing lyrics; lyric manuscripts; affect; visuality; mouvance and transformation; and the relationships between words, music and speech. A particularly distinctive feature of the collection is that most of the essays take as a point of departure a specific lyric whose particularities are explored within wider-ranging critical argument. JULIA BOFFEY is Professor of Medieval Studies in the Department of English at Queen Mary University of London; CHRISTIANIA WHITEHEAD is Professor of Middle English Literature at the University of Warwick. Contributors: Anne Baden-Daintree, Julia Boffey, Anne Marie D'Arcy, Thomas G. Duncan, Susanna Fein, Mary C. Flannery, Jane Griffiths, Joel Grossman, John C. Hirsh, Hetta Elizabeth Howes, Natalie Jones, Michael P. Kuczynski, A.S. Lazikani, Daniel McCann, Denis Renevey, Elizabeth Robertson, Annie Sutherland, Mary Wellesley, Christiania Whitehead, Katherine Zieman.

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Expanding the insights of Arlette Farge and Michel Foucault’s Disorderly Families into policing, public order, (in)justice, and daily life What might it mean for ordinary people to intervene in the circulation of power between police and the streets, sovereigns and their subjects? How did the police come to understand themselves as responsible for the circulation of people as much as things—and to separate law and justice from the maintenance of a newly emergent civil order? These are among the many questions addressed in the interpretive essays in Archives of Infamy.Crisscrossing the Atlantic to bring together unpublished radio broadcasts, book reviews, and essays by historians, geographers, and political theorists, Archives of Infamy provides historical and archival contexts to the recent translation of Disorderly Families by Arlette Farge and Michel Foucault. This volume includes new translations of key texts, including a radio address Foucault gave in 1983 that explains the writing process for Disorderly Families; two essays by Foucault not readily available in English; and a previously untranslated essay by Farge that describes how historians have appropriated Foucault.Archives of Infamy pushes past old debates between philosophers and historians to offer a new perspective on the crystallization of ideas—of the family, gender relations, and political power—into social relationships and the regimes of power they engender. Contributors: Roger Chartier, Collège de France; Stuart Elden, U of Warwick; Arlette Farge, Centre national de recherche scientifique; Michel Foucault (1926–1984); Jean-Philippe Guinle, Catholic Institute of Paris; Michel Heurteaux; Pierre Nora, École des Hautes Études en Sciences Sociales; Michael Rey (1953–1993); Thomas Scott-Railton; Elizabeth Wingrove, U of Michigan.

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Expanding the insights of Arlette Farge and Michel Foucault’s Disorderly Families into policing, public order, (in)justice, and daily life What might it mean for ordinary people to intervene in the circulation of power between police and the streets, sovereigns and their subjects? How did the police come to understand themselves as responsible for the circulation of people as much as things—and to separate law and justice from the maintenance of a newly emergent civil order? These are among the many questions addressed in the interpretive essays in Archives of Infamy.Crisscrossing the Atlantic to bring together unpublished radio broadcasts, book reviews, and essays by historians, geographers, and political theorists, Archives of Infamy provides historical and archival contexts to the recent translation of Disorderly Families by Arlette Farge and Michel Foucault. This volume includes new translations of key texts, including a radio address Foucault gave in 1983 that explains the writing process for Disorderly Families; two essays by Foucault not readily available in English; and a previously untranslated essay by Farge that describes how historians have appropriated Foucault.Archives of Infamy pushes past old debates between philosophers and historians to offer a new perspective on the crystallization of ideas—of the family, gender relations, and political power—into social relationships and the regimes of power they engender. Contributors: Roger Chartier, Collège de France; Stuart Elden, U of Warwick; Arlette Farge, Centre national de recherche scientifique; Michel Foucault (1926–1984); Jean-Philippe Guinle, Catholic Institute of Paris; Michel Heurteaux; Pierre Nora, École des Hautes Études en Sciences Sociales; Michael Rey (1953–1993); Thomas Scott-Railton; Elizabeth Wingrove, U of Michigan.

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Leading scholars show how laughter and satire in early modern Britain functioned in a variety of contexts both to affirm communal boundaries and to undermine them. This interdisciplinary collection considers the related topics of satire and laughter in early modern Britain through a series of case studies ranging from the anti-monastic polemics of the early Reformation to the satirical invasion prints of the Napoleonic wars. Moving beyond the traditional literary canon to investigate printed material of all kinds, both textual and visual, it considers satire as a mode or attitude rather than a literary genre and is distinctive in its combination of broad historial range and thick description of individual instances. Within an over-arching investigation of the dual role of laughter and satire as a defence of communal values and as a challenge to political, religious and social constructions of authority, the individual chapters by leading scholars provide richly contextualised studies of the uses of laughter and satire in various settings - religious, political, theatrical and literary. Drawing on some unfamiliar and intriguing source material and on recent work on the history of the emotions, the contributors consider not just the texts themselves but their effect on their audiences, andchart both the changing use of humour and satire across the whole early modern period and, importantly, the less often noticed strands of continuity, for instance in the persistence of religious tropes throughout the period. MARK KNIGHTS is Professor of History at the University of Warwick. ADAM MORTON is Lecturer in the History of Britain at the University of Newcastle. Contributors: ANDREW BENJAMIN BRICKER, MARK KNIGHTS, FIONA MCCALL, ANDREW MCRAE, ADAM MORTON, SOPHIE MURRAY, ROBERT PHIDDIAN, MARK PHILP, CATHY SHRANK.

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If you currently employ knowledge workers who do most of their work on computers or with computers, access the Internet, utilize internal and external databases, use e-mail or other new messaging technology, then this book is for you. Quite simply, this handbook is for any organization with a lot of Web DNA that wishes to cut costs, improve performance, and stay perpetually competitive. It is for change agents or managers within those organizations who work with information and want to leverage the latest crop of tool sets to deliver on the promise of Lean for the modern, information-rich office.… packed with new ideas … breaks new ground in so many directions … .— John Bicheno, Director, Lean Enterprise Research Centre, Cardiff Business School … excellent … on several levels … … teaches us how to visualize the depth of hidden wastes in our complex information flows and the large opportunity for improvement that this suggests.— Keith Russell, PhD, Global Continuous Improvement Leader R&D, AstraZeneca Pharmaceuticals Very interesting view on operational excellence, helpful to readers without a background in this area of expertise.— Bert Nordberg, President and CEO. Sony EricssonCongratulations to all the readers holding this book! ... These Lean ideas must be an integral part of the daily operations of your business. I am going to get each and every one of my management team a copy of this brilliant book at the start for our own Lean journey.— Lennart Käll, CEO, Wasa KreditIt’s one thing to develop a concept. It’s another to make it sing. This is the hymnal.— Dr. Don V. Steward, CEO Problematics, Professor Emeritus, Sacramento State University, inventor of DSM … a must read for CIOs everywhere." — Julian Amey, Principal Fellow, Warwick University

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In calling this collection Yoruba from Cuba, a phrase from the poem 'Son Número 6', the translator, Salvador Ortiz-Carboneres, draws attention to Guillén's pioneering embrace, more than sixty years ago, of an African identity in Cuba. His selection shows Guillén constantly returning to the theme of race and the historical legacies of slavery in both the Caribbean and the USA. But in poems such as 'Balada de los Dos Abuelos', Guillén is also seen stressing the mulatez heterogeneity of Cuban culture in drawing on African, European and other immigrant traditions. As a life-long Marxist and anti-imperialist, Guillén celebrated the Cuban revolution, including the heroic example of Che Guevara, but he also addressed the tendency to a repressive puritanism within the ruling party in such important poems as 'Digo que yo no soy un hombre puro'. In this dual language selection of one of the outstanding poets of the Hispanic world, Salvador Ortiz-Carboneres has created lively, very readable English versions that capture both the colloquial vigour of Guillén's language and the incantatory rhythms of those of the poems where he draws on the dance patterns of the Cuban 'son'. The selection covers the range of Guillén's work from Poemas de Transición (1927-1931) up to poems from La Rueda Dentada and El Diario que a Diario, both of 1972. With a translator's preface, an introduction by the distinguished scholar of Cuban culture, Professor Alistair Hennessy, notes, a chronology and a reading list, this is an edition that will bring Guillén's powerful and epochal poetry to both the general reader and to the student. His work is unquestionably one of the towering landmarks of Caribbean poetry.Salvador Ortiz-Carboneres teaches Spanish language and Latin American poetry at the Language Centre, University of Warwick.

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A milestone in U.S. historiography, Haunted by Empire brings postcolonial critiques to bear on North American history and draws on that history to question the analytic conventions of postcolonial studies. The contributors to this innovative collection examine the critical role of “domains of the intimate” in the consolidation of colonial power. They demonstrate how the categories of difference underlying colonialism—the distinctions advanced as the justification for the colonizer’s rule of the colonized—were enacted and reinforced in intimate realms from the bedroom to the classroom to the medical examining room. Together the essays focus attention on the politics of comparison—on how colonizers differentiated one group or set of behaviors from another—and on the circulation of knowledge and ideologies within and between imperial projects. Ultimately, this collection forces a rethinking of what historians choose to compare and of the epistemological grounds on which those choices are based.Haunted by Empire includes Ann Laura Stoler’s seminal essay “Tense and Tender Ties” as well as her bold introduction, which carves out the exciting new analytic and methodological ground animated by this comparative venture. The contributors engage in a lively cross-disciplinary conversation, drawing on history, anthropology, literature, philosophy, and public health. They address such topics as the regulation of Hindu marriages and gay sexuality in the early-twentieth-century United States; the framing of multiple-choice intelligence tests; the deeply entangled histories of Asian, African, and native peoples in the Americas; the racial categorizations used in the 1890 U.S. census; and the politics of race and space in French colonial New Orleans. Linda Gordon, Catherine Hall, and Nancy F. Cott each provide a concluding essay reflecting on the innovations and implications of the arguments advanced in Haunted by Empire.Contributors. Warwick Anderson, Laura Briggs, Kathleen Brown, Nancy F. Cott, Shannon Lee Dawdy, Linda Gordon, Catherine Hall, Martha Hodes, Paul A. Kramer, Lisa Lowe, Tiya Miles, Gwenn A. Miller, Emily S. Rosenberg, Damon Salesa, Nayan Shah, Alexandra Minna Stern, Ann Laura Stoler, Laura Wexler

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This book explains the growing field of syndemic theory and research, a framework for the analysis and prevention of disease interactions that addresses underlying social and environmental causes. This perspective complements single-issue prevention strategies, which can be effective for discrete problems, but often are mismatched to the goal of protecting the public's health in its widest sense. "Merrill Singer has astutely described why health problems should not be seen in isolation, but rather in the context of other diseases and the social and economic inequities that fuel them. An important read for public health and social scientists." —Michael H. Merson, director, Duke Global Health Institute "Not only does this book provide a persuasive theoretical biosocial model of syndemics, but it also illustrates the model with a wide variety of fascinating historical and contemporary examples." —Peter J. Brown, professor of Anthropology and Global Health and director, Center for Health, Culture, and Society, Emory University "The concept of syndemics is Singer's most important contribution to critical medical anthropology as it interfaces with an ecosocial approach to epidemiology." —Mark Nichter, Regents Professor, Department of Anthropology, University of Arizona "Merrill Singer offers the public the most comprehensive work ever written on this key area of research and policy making." —Francisco I. Bastos, chairman of the graduate studies on epidemiology, Fundacao Oswaldo Cruz "Exquisitely describes how this new approach is a critical tool that brings together veterinary, medical, and social sciences to solve emerging infectious and non-infectious diseases of today's world." —Bonnie Buntain, MS, DVM, diplomate, American College of Veterinary Preventive Medicine "For too long the great integrative perspectives on modern biomedicine and public health disease ecology and social medicine-have remained more or less separate. In this innovative and provocative book, Merrill Singer develops a valuable synthesis that will reshape the way we think about health and disease." —Warwick H. Anderson, MD, PhD, professorial research fellow, Department of History and Centre for Values, Ethics, and the Law in Medicine, University of Sidney

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Emma, Lady Hamilton, rose from poverty to become a media celebrity, and her relationship with Admiral Nelson, and her renowned beauty, made her the most instantly-recognisable woman of her era, with the press following her every move. She was a friend of Queen Maria Carolina of Naples, longed-after by the Prince of Wales, and was a high society fashion icon. Born in 1765, Emma was the daughter of the village blacksmith in Neston, Cheshire, who died just two months later, leaving the family in difficult circumstances. After failing to find a permanent position locally, Emma took the stagecoach to London and the start of her remarkable journey to international fame. Emma worked for various actresses at Dury Lane theatre, before becoming a dancer, a model and, later, a hostess. Her beauty brought her to the attention of Charles Grenville, the second son of the Earl of Warwick, who took her as his mistress, and became the model for the painter George Romney. These paintings thrust Emma into the social spotlight and she soon became London's top celebrity. When Grenville needed to find a rich wife, Emma was passed onto Sir William Hamilton, British Envoy to Naples. The couple fell in love and were married in September 1791. When in Naples, Lady Hamilton, as she now was, became a close friend of Queen Maria Carolina, sister of Marie Antoinette. It was also in Naples that she met Admiral Nelson - and the great love affair began. Much has been written about this later period of her life, but with Hugh Tours making full use of the letters Emma wrote as well as those she received throughout her life, the fascinating story of her early years is also revealed. This is history as moving as a great tragic novel; most moving of all, being the return, after Trafalgar, of Emma's last letter to Nelson, unopened.

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Examines how images of accumulation help open up the climate to political mobilization The current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help open up the climate to cultural inquiry and political mobilization and have formed a cultural infrastructure focused on the relationships between humans, other species, and their environments.The essays in Accumulation address this cultural infrastructure and the methodological challenges of its analysis. They offer a response to the relative invisibility of the climate now seen as material manifestations of social behavior. Contributors outline opportunities and ambitions of visual scholarship as a means to encounter the challenges emergent in the current moment: how can climate become visible, culturally and politically? Knowledge of climatic instability can change collective behavior and offer other trajectories, counteraccumulations that draw the present into a different, more livable, future.Contributors: Emily Apter, New York U; Hans Baumann; Amanda Boeztkes, U of Guelph; Dominic Boyer, Rice U; Lindsay Bremner, U of Westminster; Nerea Calvillo, U of Warwick; Beth Cullen, U of Westminster; T. J. Demos, U of California, Santa Cruz; Jeff Diamanti, U of Amsterdam; Jennifer Ferng, U of Sydney; Jennifer Gabrys, U of Cambridge; Ian Gray, U of California, Los Angeles; Gökçe Günel, Rice U; Orit Halpern, Concordia U; Gabrielle Hecht, Stanford U; Cymene Howe, Rice U; Wendy Hui Kyong Chun, Simon Fraser U; Robin Kelsey, Harvard U; Bruno Latour, Sciences Po, Paris; Hannah le Roux, U of the Witwatersrand, Johannesburg; Stephanie LeMenager, U of Oregon; Nashin Mahtani; Kiel Moe, McGill U; Karen Pinkus, Cornell U; Stephanie Wakefield, Life U; McKenzie Wark, The New School; Kathryn Yusoff, Queen Mary U of London.

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