Search results for ""author arthur"

The conscious mind, the part of your mental life you experience directly, is responsible for only a tiny sliver of what science says is going on inside your brain. Most of what you experience, your moods, and the things you like or dislike - most of who you are - comes from a much more mysterious part of your mind: the unconscious. And to really understand the influences of the unconscious, says psychiatrist Daniel Z. Liberman, coauthor of The Molecule of More, we need to look to something often considered science’s alter ego: magic. Drawing on the work of Swiss psychiatrist Carl Jung, and with deep dives into what we can learn from ancient mystical traditions from alchemy to numerology to meditation, Spellbound weaves together ancient magical traditions, psychological research, and the latest neuroscientific discoveries, in order to bridge the gap between the conscious and unconscious mind. Like it or not, your unconscious is currently the source of most of your choices. It’s the source of your passions, your energy, and your “gut instinct.” It can help you solve seemingly impossible problems with the gift of inspiration. But it’s not always working in your favour: The unconscious is wild and untamed, often leading us down self-destructive paths that leave us baffled by our own decisions. Spellbound helps you take a new path: one where you learn how to recognise the influences of the unconscious, and make it an ally in helping you become the person you were meant to be. The human mind is perhaps the most mysterious thing in the universe. Science is only beginning to uncover its secrets, and some believe that we may never fully plumb its depths. But the ancient traditions of magic, traditions of understanding that have been built up over centuries, give us another window into the hidden facets of our humanity. After all, as the visionary Arthur C. Clarke once said, “Any sufficiently advanced technology is indistinguishable from magic.”

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'I cannot be killed indoors,' he said, 'nor out of doors; I cannot be killed on horseback, nor on foot.' 'Well,' she said, 'how can you be killed?' Celtic mythology, Arthurian romance, and an intriguing interpretation of British history - these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as the Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar. Dragons, witches, and giants live alongside kings and heroes, and quests of honour, revenge, and love are set against the backdrop of a country struggling to retain its independence. This new translation, the first for thirty years, recreates the storytelling world of medieval Wales and re-invests the tales with the power of performance. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Erected by man for some long-forgotten purpose, there are large numbers of enigmatic standing stones, stone circles and burial chambers to be found in Wales. This book provides descriptions of some of the largest, tallest and best-preserved examples that can be visited still. Many of them are remarkable feats of construction, involving hewing and transporting large blocks of stone over long distances to be erected for reasons unknown. Chris Barber examines numerous legends, once believed to be true, that are associated with the stones. Some stones are said to uproot themselves on certain nights of the year and go for a drink or swim in a nearby river. Others are reputed to have been thrown to their sites by giants or legendary figures such as King Arthur and the Devil. Some stones bear cryptic signs such as ‘cup and ring marks’, telling mute stories that we cannot read but which provide a link with our prehistoric ancestors. The question arises, why was so much energy devoted to erecting these megalithic monuments? It has been shown that stone circles have an astronomical significance and dowsers claim to have detected a hidden force in the stones, even experiencing violent reactions when they touch them. It is shown how quartz contained in the stones appears to cause fogging on photographs and other strange effects. Dowsers also claim that there are strange spiral powers in the stones that wax and wane according to the phases of the moon. Such forces of nature may well be attributed to electromagnetism. This fascinating book is richly illustrated and gives location details of some of the more unusual sites, which are sometimes in remote locations, requiring map-reading skills to find them. These monuments were erected by man at a time when he must have felt part of nature and perhaps possessed forgotten knowledge that gave him a much closer relationship with the Earth. Read this book and you will feel compelled to go in search of the mysterious megaliths of Wales.

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Michael Alram, "A new drachm of Ardashir I" ; Maryse Blet-Lemarquand, "Premieres frappes locales de l'Inde du Nord-Ouest : l'apport des analyses elementaires" ; Osmund Bopearachchi, "Premieres frappes locales de l'Inde du Nord-Ouest : nouvelles donnees" ; Pierfrancesco Callieri, "Bishapur: the palace and the town" ; Nina Garsoian, "La politique armenienne des Sassanides" ; Philippe Gignoux, "Les documents economiques de Xwaren" ; Frantz Grenet, "Le rituel funeraire zoroastrien du sedra dans l'imagerie sogdienne" ; Florence Hellot-Bellier, "Amedee Querry, Arthur de Gobineau et la Perse (1855-1872)" ; Philip Huyse, "Die konigliche Erbfolge bei den Sassaniden" ; Florence Jullien, "La chronique du Huzistan. Une page d'histoire sassanide" ; Christelle Jullien, "Quelques evenements tires d'ecclesiastike et de cosmostike" ; Gilbert Lazard, "Hafez d'humeur allegre. Trois ghazals traduits pour Rika" ; Judith A. Lerner / Ahmad Saeedi / Nicholas Sims-Williams, "The Bactrian Sealings in the A. Saeedi Collection (London)" ; Malek Iradj Mochiri, "Une monnaie de Khusraw I de l'atelier de Samarcande" ; Karin Mosig-Walburg, "Yazdgerd I., "der Sunder"" ; Antonio Panaino, "Anche "il migliore" si arrabbia. A proposito di Y. 19, 15" ; Parvaneh Pourshariati, "The Mihrans and the Articulation of Islamic Dogma: a Preliminary Prosopographical Analysis" ; Francis Richard, "Les missions catholiques a Isfahan du XVIIeme siecle: la diplomatie au service de l'apostolat" ; Michel Tardieu, "Les localites mandeennes de Jean-Baptiste Tavernier" ; Francois Thierry, "Cinq notes sur Shi Siming (759-761)" ; Dieter Weber, "Zu den Brotrationen in den Pahlavi-Ostraka" ; Joseph Wiesehofer, "Kawad, Khusro I and the Mazdakites: A New Proposal".

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Through engaging interviews, testimonials, and anecdotes from photographers, curators, printers, and colleagues, Object Lesson: On the Influence of Richard Benson pays homage to a legendary figure whose name is synonymous with the evolving history and philosophy of photographic reproduction. From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, Object Lesson stands as a testament to Benson’s wit, wisdom, and incomparable obsession with how photographic images render and connect us to the world. Text, image, and interview contributions by Michele Abeles, Marion Belanger, Barbara Benson, Richard Benson, Dawoud Bey, Andrew Borowiec, Lois Conner, Matthew Connors, Tim Davis, Benjamin Donaldson, Dru Donovan, Martina Droth, Shannon Ebner, Lucas Foglia, Peter Galassi, John Gambell, Jon Goodman, Bryan Graf, Gail Albert Halaban, Gary Haller, Heyward Hart, Robert J. Hennessey, Peter Kayafas, Lisa Kereszi, Justin Kimball, David La Spina, John Lehr, Susan Lipper, Salvatore Lopes, Peter MacGill, Tanya Marcuse, Lesley A. Martin, Miko McGinty, Sue Medlicott, Sarah Meister, Paul Messier, Andrea Modica, Matthew Monteith, Abelardo Morell, Arthur Ou, Thomas Palmer, Tod Papageorge, Ted Partin, Bradley Peters, John Pilson, Kristine Potter, Caitlin Teal Price, Sergio Purtell, Jock Reynolds, John Robinson, Jeff L. Rosenheim, Sasha Rudensky, Gary Schneider, David Benjamin Sherry, Steve Smith, Mark Steinmetz, Sarah Stolfa, Ka-Man Tse, James Welling, and Jeff Whetstone

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Large numbers of people in urbanizing regions in the developing world live and work in unplanned settlements that grow through incremental processes of squatting and self-building. Slums: How Informal Real Estate Markets Work shows that unauthorized settlements in rapidly growing cities are not divorced from market forces; rather, they must be understood as complex environments where state policies and market actors still do play a role. In this volume, contributors examine how the form and function of informal real estate markets are shaped by legal systems governing property rights, by national and local policy, and by historical and geographic particularities of specific neighborhoods. Their essays provide detailed portraits of individuals and community organizations, revealing in granular detail the working of informal real estate markets, and they review programs that have been implemented in unconventional settlements to provide lessons about the effectiveness and implementation challenges of different approaches. Chapters explore the relationships between informality, state policies, and market forces from a range of disciplinary perspectives and on different scales, from an analysis of the relationship between regulations and housing in 600 developing world cities to an ethnographic account of the buying and selling of houses in Rio de Janeiro's favelas. While many of the book's contributors focus on the emerging economies of India and Brazil, the conclusions drawn illustrate dynamics relevant to developing countries throughout the Global South. The diversity of perspectives combines to create a rich understanding of an important, complex, and understudied topic. Contributors: Arthur Acolin, Sai Balakrishnan, Eugenie L. Birch, José Brakarz, Shahana Chattaraj, Sebastian Galiani, David Gouverneur, Yvonne Mautner, Paavo Monkkonen, Vinit Mukhija, Janice E. Perlman, Lucas Ronconi, Bish Sanyal, Ernesto Schargrodsky, Patrícia Cezário Silva, Susan M. Wachter.

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This book provides readers with an introductory overview of art from the perspective of science, technology, engineering, and mathematics. The author ensures that readers will understand the art terms used by comparing them with terms used in STEM fields of study.

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These volumes document John Adams’s thinking and actions during the final years of his congressional service and take him through his first five months as a Commissioner in France in association with Benjamin Franklin and Arthur Lee.While Adams was still in Philadelphia, military matters continued to he his major concern. Most demanding was his presidency of the Board of War, which took up his “whole Time, every Morning and Evening.” In general, though, the documents and reports of his conduct reveal a commitment to a national outlook. Congress should be a national legislature, and personal, state, and regional rivalries should give way to concern for the greater good—these were his deeply held convictions.When chosen a Commissioner to France, Adams was reluctant to go. But duty and the honor of the position, along with the encouragement of an understanding and self-sacrificing wife, persuaded him to accept. With son John Quincy for a companion, he crossed the Atlantic to a new career. His initiation into the complexities of diplomacy brought a growing awareness of European affairs and the problems facing the new nation in the diplomatic arena. Letters deal with such varied topics as the supervision of American commercial agents in French ports, regulation of privateers, settlement of disputes between crews and officers, negotiation of loans, and help for American prisoners in England. Personal letters run the gamut from Adams’s views on the proper conduct of American diplomacy to strangers’ pleas for aid in locating relatives in America. Contrary to the usual impression of Adams as little more than a clerk for the Commission, evidence shows that he was its chief administrator.Acclimation to living abroad among diplomats did not stifle Adams’s yearning for the simplicities of private life in the midst of his family. Yet as the important and interesting documents of this volume show, the groundwork was being laid for his even more significant role in diplomacy.

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This volume presents the latest explorations of the literary turn in ethnographic work by many of the leading people in the area. Centering on autoethnography, personal narrative, ethnographic performance, and the blending of social science and the arts, the articles collected here emphasize embodiment, experiential understanding, participatory ways of knowing, sensuous engagement, and intimate encounter. Drawing from disciplines as diverse as sociology, philosophy, performance studies, communication, family therapy, and English, the authors here demonstrate the many ways in which ethnography can be effectively conducted and expressed. The editors weave narrative and conversations surrounding the conference from which these pieces emerged into a reflexive volume which includes poetry, stories, theatre, and visual media as well as critical pieces. Accessible and jargon free, this book should excite scholars and students as to the expanding possibilities for ethnographic presentation.

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The Second Mrs. Tanqueray was the theatrical sensation of the London stage in 1893. It established Pinero as the leading English dramatist of serious social issues, and created a star out of Mrs. Patrick Campbell in the title role. The play recounts the marriage of a "woman with a past" and how it fails because of the double standard of morality applied unequally and hypocritically by Victorian society to men and women.This Broadview edition includes a thoroughly revised text based on the author's manuscript, the prompt copy for the first production, and the published first edition; it also incorporates pertinent stage directions from the first production. The critical introduction examines all facets of the play and its production, and the appendices make accessible a wide variety of hard-to-find contemporary contextual materials related to the play.

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This attractively priced, full-color guide offers dozens of itineraries that show you how to see the best of Montreal in a short time, with bulleted maps leading the way from sight to sight. Featuring a full range of thematic and neighborhood tours, plus dining, lodging, shopping, nightlife, and practical visitor info, Frommer's Montreal day by day is the only guide that helps travelers organize their time to get the most out of a trip. Inside this book you'll find: · Hundreds of color photos and dozens of maps · One- to three-day itineraries, as well as themed tours of popular cultural sights, the hippest neighborhood hotspots, the best places to eat, and activities that will appeal to kids of all ages · Exact pricing so there’s never any guessing or ugly surprises · Detailed info on day trips to Quebec City, the Laurentian Mountains, and Cantons-de-l'Est · Star ratings for all hotels, restaurants, and attractions to clue you in on great finds and values · A tear-resistant foldout map in a handy, reclosable plastic wallet · Reliable, impartial reviews of the best shops, restaurants, spas, nightlife, and hotels in all price ranges. No entity has paid to be in this guide—or any Frommer’s guide. At Frommer’s we pride ourselves on decades of journalistic integrity. · Helpful planning tips for getting there, getting around, saving money, and getting the most from your trip About Frommer’s: There’s a reason that Frommer’s has been the most trusted name in travel for more than 60 years. Arthur Frommer created the bestselling guide series in 1957 to help American service members fulfill their dreams of travel in Europe. Since then, we have published thousands of titles, becoming a household name by helping millions upon millions of people realize their own dreams of seeing our planet. Travel is easy with Frommer’s.

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'I tried to keep you safe, but I see now that I can't. They won't stop until they have you . . .'When Ivy's search for her mother draws her to a remote Welsh isle, she uncovers a dark secret about her past.An ancient and corrupt power is stalking Ivy, and her only chance of survival is to look deep within herself. For not every story in legend is true, and some evils are not what they seem ...An unputdownable novel steeped in Welsh mythology and Arthurian legend, from the bestselling author of THE TWISTED TREE and THE CROOKED MASK

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In the early modern period, thinkers began to suggest that philosophy abjure the ideal of dispassionate contemplation of the natural world in favor of a more practically minded project that aimed to make human beings masters and possessors of nature. Humanity would seize control of its own fate and overthrow the rule by hostile natural or imaginary forces. The gradual spread of liberal democratic government, the Enlightenment, and the rise of technological modernity are to a considerable extent the fruits of this early modern shift in intellectual concern and focus. But these long-term trends have also brought unintended consequences in their wake as the dynamic forces of social reason, historical progress, and the continued recalcitrance of the natural world have combined to disillusion humans of the possibility—even the desirability—of their mastery over nature. The essays in Mastery of Nature constitute an extensive analysis of the fundamental aspects of the human grasp of nature. What is the foundation and motive of the modern project in the first place? What kind of a world did its early advocates hope to bring about? Contributors not only examine the foundational theories espoused by early modern thinkers such as Machiavelli, Bacon, Descartes, and Hobbes but also explore the criticisms and corrections that appeared in the works of Rousseau, Kant, Nietzsche, and Heidegger. Ranging from ancient Greek thought to contemporary quantum mechanics, Mastery of Nature investigates to what extent nature can be conquered to further human ends and to what extent such mastery is compatible with human flourishing. Contributors: Robert C. Bartlett, Mark Blitz, Daniel A. Doneson, Michael A. Gillespie, Ralph Lerner, Paul Ludwig, Harvey C. Mansfield, Arthur Melzer, Svetozar Y. Minkov, Christopher Nadon, Diana J. Schaub, Adam Schulman, Devin Stauffer, Bernhardt L. Trout, Lise van Boxel, Richard Velkley, Stuart D. Warner, Jerry Weinberger.

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Making Sense of Media is a lively and accessible text that helps readers understand mass media and the texts they carry. Designed expressly for those interested in gaining a solid understanding of the media and how they work, it is an indispensable book. Offers a lively, accessible, and concise textbook to help readers understand mass media and their texts Covers seminal figures, concepts and scholarship in mass media studies, including Vladimir Propp, Mikhail Bakhtin, Raymond Williams, Fredric Jameson, and Stuart Hall Explores the ideas found in nineteen significant books that will provide useful insights and concepts for anyone interested in the study of the media Features chapter-by-chapter short articles by the author, that address an idea or theory in the particular book being discussed Includes charts, boxes features, exercises, and illustrations to round out analyses and engage the beginning student

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Text in English & German. In the years after 1933 several hundred architects were forced to emigrate from Germany by the National Socialist dictatorship. Between seventy and eighty of them went to Great Britain -- in part, prominent representatives of Modernism like Walter Gropius, Erich Mendelsohn, Erwin Gutkind, Arthur Korn and Marcel Breuer, but also less well known architects who had adopted very divergent positions. They found the architectural scene in Great Britain to be surprisingly conservative. Only a small circle of architects, clients and specialist journalists was open to modern design and construction methods and stylistic idioms. A few emigrants very quickly and successfully managed to gain a foothold in an environment that was for the most part unfamiliar to them, while for others exile meant a serious break in their career. Just a few months after his arrival in Great Britain, Erich Mendelsohn, together with Serge Chermayeff, won the prestigious competition for the De La Warr Pavilion in the southern English seaside resort of Bexhill (1933-35). The leisure centre is one of the most important examples of classic Modernism on the British Isles. Impington Village College (1936-39), which Walter Gropius designed in partnership with E. Maxwell Fry, also received a great deal of attention and had an impact on the development of British architecture. Furthermore, the spectrum of projects tackled by the emigrants ranged from houses to traffic structures and industrial buildings to buildings for Jewish communities and designs for exhibitions and shops. During this period German architects also left their mark in Great Britain as university lecturers, scientists and publicists. The book offers an overview of the topic and presents select buildings in detail. Moreover, hitherto largely unpublished documents from the estate of Walter Gropius provide a direct insight in-to his life and work in British exile.

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Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performative realism," a realism that does not simply represent a given reality but enacts actual social tensions. These essays by a range of film scholars propose stimulating new approaches to the critical evaluation of modern realist films and such referential genres as reenactment, historical film, adaptation, portrait film, and documentary. By providing close readings of classic and contemporary works, Rites of Realism signals the need to return to a focus on films as the main innovators of realist representation. The collection is inspired by André Bazin's theories on film's inherent heterogeneity and unique ability to register contingency (the singular, one-time event). This volume features two new translations: of Bazin's seminal essay "Death Every Afternoon" and Serge Daney's essay reinterpreting Bazin's defense of the long shot as a way to set the stage for a clash or risky confrontation between man and animal. These pieces evince key concerns—particularly the link between cinematic realism and contingency—that the other essays explore further. Among the topics addressed are the provocative mimesis of Luis Buñuel's Land Without Bread; the adaptation of trial documents in Carl Dreyer's Passion of Joan of Arc; the use of the tableaux vivant by Wim Wenders and Peter Greenaway; and Pier Paolo Pasolini's strategies of analogy in his transposition of The Gospel According to St. Matthew from Palestine to southern Italy. Essays consider the work of filmmakers including Michelangelo Antonioni, Maya Deren, Mike Leigh, Cesare Zavattini, Zhang Yuan, and Abbas Kiarostami. Contributors: Paul Arthur, André Bazin, Mark A. Cohen, Serge Daney, Mary Ann Doane, James F. Lastra, Ivone Margulies, Abé Mark Normes, Brigitte Peucker, Richard Porton, Philip Rosen, Catherine Russell, James Schamus, Noa Steimatsky, Xiaobing Tang

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“The American Negro,” Arthur Schomburg wrote in 1925, “must remake his past in order to make his future.” Many Harlem Renaissance figures agreed that reframing the black folk inheritance could play a major role in imagining a new future of racial equality and artistic freedom. In Deep River Paul Allen Anderson focuses on the role of African American folk music in the Renaissance aesthetic and in political debates about racial performance, social memory, and national identity.Deep River elucidates how spirituals, African American concert music, the blues, and jazz became symbolic sites of social memory and anticipation during the Harlem Renaissance. Anderson traces the roots of this period’s debates about music to the American and European tours of the Fisk Jubilee Singers in the 1870s and to W. E. B. Du Bois’s influential writings at the turn of the century about folk culture and its bearing on racial progress and national identity. He details how musical idioms spoke to contrasting visions of New Negro art, folk authenticity, and modernist cosmopolitanism in the works of Du Bois, Alain Locke, Zora Neale Hurston, Langston Hughes, Jean Toomer, Sterling Brown, Roland Hayes, Paul Robeson, Carl Van Vechten, and others. In addition to revisiting the place of music in the culture wars of the 1920s, Deep River provides fresh perspectives on the aesthetics of race and the politics of music in Popular Front and Swing Era music criticism, African American critical theory, and contemporary musicology.Deep River offers a sophisticated historical account of American racial ideologies and their function in music criticism and modernist thought. It will interest general readers as well as students of African American studies, American studies, intellectual history, musicology, and literature.

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In the Depression election of 1932, Franklin Roosevelt crushed Herbert Hoover in one of the most lopsided presidential contests in American history. The White House rivals remained enemies long after: Hoover opposed the New Deal, and FDR found Hoover a convenient punching bag in elections throughout the Thirties. From Coolidge’s death in 1933 to Truman’s departure in 1953, Hoover was the only living former president of either party, and he maintained a strong international reputation, thanks to his achievements as an engineer and his efforts during World War I to organize aid for the starving millions of Europe. And yet, in nearly all accounts of the ferocious debate over American aid to Europe before the U.S. entered World War II, Hoover’s role has been overlooked. Hoover versus Roosevelt tells the story of how the U.S. entered World War II through the lens of Herbert Hoover. The debate over entering World War II before Pearl Harbor remains one of the most contentious in American history. Historian Arthur Schlesinger called it “the most savage political debate of my lifetime”—more vicious, that great scholar of American history thought, than the arguments over McCarthyism and Vietnam. Most accounts have focused on isolationism versus internationalism, Lindbergh versus Roosevelt, but the story is deeper and more complex than that and involves the transition of an older era of international relations—exemplified by Hoover, who believed in the Geneva Accord, the Hague Conventions, and public-private partnerships to address world crises—to the modern era of total war.Widely and deeply researched in an array of rarely used secondary and primary sources, both domestic and international, Hoover versus Roosevelt brings a fresh perspective to a time in our nation’s history when our country was deeply divided over what now seems a “done deal.”

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Today’s college students feel as if they are crossing an abyss between their dreams and the reality of an uncertain future. They are a generation seeking stability in a time of profound and accelerating change. They want government and our other social institutions to work in a time when they’re broken; they cling to the American Dream in an age of diminished expectations. They are walking a tightrope, attempting to balance digital connectedness and personal isolation, global citizenship and local vision, commonality and difference in the most diverse generation in American history, and a desire to be treated as mature adults while being more dependent on their parents than previous college students. Generation on a Tightrope offers a compelling portrait of today’s undergraduate college students that sheds light on their attributes, expectations, aspirations, academics, attitudes, values, beliefs, social lives, and politics. Based on research of 5,000 college students and student affairs practitioners from 270 diverse college campuses, the book explores the similarities and differences between today’s generation of students and previous generations. The authors examine the myriad forces that have shaped these students and will continue to shape them as they prepare to meet the future. The first two volumes in this series exploring the psyche of college students, When Dreams and Heroes Died (1980) and When Hope and Fear Collide (1998), offered thoughtful and accurate profiles of the students of the 1980s and 1990s. As Generation on a Tightrope clearly reveals, today’s students need a very different education than the undergraduates who came before them: an education for the 21st Century, which colleges and universities are ill-equipped to offer and which will require major changes of them to provide. Painting a realistic picture of today’s college students, the authors offer guidance to higher education professionals, researchers, practitioners, policymakers, employers, parents, and the public. The book’s insights can help them equip students for the world they face and the world they will help to create.

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If life with your teen has become a battleground, it's time to take action. This empathic book shows how. Trusted psychologists who have worked with thousands of families give you the tools you need to overcome defiance and get teen behavior back on track. By following the authors' clinically proven 10-step program, learn how you can:*Reestablish your authority while building trust.*Identify and enforce nonnegotiable rules.*Use rewards and incentives that work.*Communicate and problem-solve effectively--even in the heat of the moment.*Restore positive feelings in your relationship.*Develop your teen's skills for becoming a successful adult.Vivid stories and answers to frequently asked questions help you put the techniques into action. The updated second edition incorporates new scientific research on why some teens have more problems with self-control than others. Practical forms and worksheets can be downloaded and printed in a convenient 8 1/2 x 11 size.Mental health professionals, see also the authors' Defiant Teens, Second Edition: A Clinician's Manual for Assessment and Family Intervention. For a focus on younger children, see also Dr. Barkley's Defiant Children, Third Edition (for professionals), and Your Defiant Child, Second Edition (for parents).

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Baseball during the late 1800s and the Deadball Era was filled with aggressive, hard-nosed players who had no qualms about exhibiting belligerent behavior while tenaciously achieving victory on the diamond. These unique and eccentric individuals helped the game grow in popularity through their brilliance on the field and their legendary exploits off it. From manager Miller Huggins fighting with a pitcher over thick, juicy steaks to Rube Waddell getting arrested for tossing doughnuts at the coiffure of a waitress, their stories kept baseball fans entertained throughout the season—and still entertain us today. In Characters from the Diamond: Wild Events, Crazy Antics, and Unique Tales from Early Baseball, Ronald T. Waldo chronicles the adventures of an unparalleled group of players, managers, and umpires whose tales continue to define that era of baseball. From the days of Chris Von der Ahe when his St. Louis Browns dominated the American Association to the Great War, this book presents an array of unique stories, peculiar accounts, and humorous anecdotes involving the men who were the very fabric of the game during that time period. Baseball icons such as John McGraw, Willie Keeler, Ty Cobb, Frank Chance, Rube Waddell, and Mike Donlin are profiled in this book, while numerous lesser-known players—including Arthur Evans, Jack Rowan, Bill Kellogg, Bill Bailey, Ping Bodie, and William Dugan—are also given their moment in the sun alongside their more famous baseball brethren. Characters from the Diamond breathes life back into baseball from the late nineteenth century and Deadball Era. Illuminating, entertaining, and noteworthy, these stories surrounding some of the game’s most unique individuals paint a humorous, off-beat picture of an often-forgotten era for baseball lovers everywhere.

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Praise for Don't Count On It! "This collection of Jack Bogle's writings couldn't be more timely. The clarity of his thinking—and his insistence on the relevance of ethical standards—are totally relevant as we strive to rebuild a broken financial system. For too many years, his strong voice has been lost amid the cacophony of competing self-interests, misdirected complexity, and unbounded greed. Read, learn, and support Jack's mission to reform the industry that has been his life's work." —PAUL VOLCKER, Chairman of the President's Economic Recovery Advisory Board and former Chairman of the Federal Reserve (1979–1987) "Jack Bogle has given investors throughout the world more wisdom and plain financial 'horse sense' than any person in the history of markets. This compendium of his best writings, particularly his post-crisis guidance, is absolutely essential reading for investors and those who care about the future of our society." —ARTHUR LEVITT, former Chairman, U.S. Securities and Exchange Commission "Jack Bogle is one of the most lucid men in finance." —NASSIM N.TALEB, PhD, author of The Black Swan "Jack Bogle is one of the financial wise men whose experience spans the post–World War II years. This book, encompassing his insights on financial behavior, pitfalls, and remedies, with a special focus on mutual funds, is an essential read. We can only benefit from his observations." —HENRY KAUFMAN, President, Henry Kaufman & Company, Inc. "It was not an easy sell. The joke at first was that only finance professors invested in Vanguard's original index fund. But what a triumph it has been. And what a focused and passionate drive it took: it is a zero-sum game and only costs are certain. Thank you, Jack." —JEREMY GRANTHAM, Cofounder and Chairman, GMO "On finance, Jack Bogle thinks unconventionally. So, this sound rebel turns out to be right most of the time. Meanwhile, many of us sometimes engage in self-deception. So, this book will set us straight. And in the last few pages, Jack writes, and I agree, that Peter Bernstein was a giant. So is Jack Bogle." —JEAN-MARIE EVEILLARD, Senior Adviser, First Eagle Investment Management Insights into investing and leadership from the founder of The Vanguard Group Throughout his legendary career, John Bogle-founder of the Vanguard mutual fund group and creator of the first index mutual fund-has helped investors build wealth the right way, while, at the same time, leading a tireless campaign to restore common sense to the investment world. A collection of essays based on speeches delivered to professional groups and college students in recent years, in Don't Count on It is organized around eight themes Illusion versus reality in investing Indexing to market returns Failures of capitalism The flawed structure of the mutual fund industry The spirit of entrepreneurship What is enough in business, and in life Advice to America's future leaders The unforgettable characters who have shaped his career Widely acclaimed for his role as the conscience of the mutual fund industry and a relentless advocate for individual investors, in Don't Count on It, Bogle continues to inspire, while pushing the mutual fund industry to measure up to their promise.

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Since the Enlightenment, the idea of progress has spanned right- and left-wing politics, secular and spiritual philosophy, and most every school of art or culture. The belief that humans are capable of making lasting improvements—intellectual, scientific, material, moral, and cultural—continues to be a commonplace of our age. However, events of the preceding century, including but not limited to two world wars, conflicts in Korea and Vietnam, the spread of communism across Eastern Europe and parts of Asia, violent nationalism in the Balkans, and genocides in Cambodia and Rwanda, have called into question this faith in the continued advancement of humankind. In A Road to Nowhere, Matthew W. Slaboch argues that political theorists should entertain the possibility that long-term, continued progress may be more fiction than reality. He examines the work of German philosophers Arthur Schopenhauer and Oswald Spengler, Russian novelists Leo Tolstoy and Aleksandr Solzhenitsyn, and American historians Henry Adams and Christopher Lasch—rare skeptics of the idea of progress who have much to engage political theory, a field dominated by historical optimists. Looking at the figures of Schopenhauer, Tolstoy, and Adams, Slaboch considers the ways in which they defined progress and their reasons for doubting that their cultures, or the world, were progressing. He compares Germany, Russia, and the United States to illustrate how these nineteenth-century critics of the idea of progress contributed to or helped forestall the emergence of forms of government that came to be associated with each country: fascism, communism, and democratic capitalism, respectively. Turning to Spengler, Solzhenitsyn, and Lasch, Slaboch explores the contemporary relevance of the critique of progress and the arguments for and against political engagement in the face of uncertain improvement, one-way inevitable decline, or unending cycles of advancement and decay. A Road to Nowhere concludes that these notable naysayers were not mere defeatists and presents their varied prescriptions for individual and social action.

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Adventure. Vengeance. Sisterhood. In a world devastated by plague, Torvi and her sister Morgunn can only rely on each other. So when Morgunn is captured by a pack of terrifying wolf-priests, Torvi knows she’ll do whatever it takes to get her back – or die trying. Torvi will face dark magic and danger on her quest to save her sister. She’ll encounter sea witches, magical night markets and a mythical sword with untold powers. And she might just discover a life of adventure and wild freedom that’s more glorious than she ever dreamed of. Rich, thrilling fantasy inspired by Arthurian legend, from the author of the critically acclaimed THE BONELESS MERCIES Praise for THE BONELESS MERCIES:"Fierce and glorious, this story of outcast girls defying fate utterly bewitched me. Tucholke is a gorgeous writer." -- LAINI TAYLOR, New York Times-bestselling author of Strange the Dreamer "​​Its every page hints at a deeper magic at work; it contains a whole world and all its myths and histories within its skin." -- MELISSA ALBERT, New York Times-bestselling author of The Hazel Wood"Ruthless and lyrical, heart-warming and blood-chilling, and beautifully redolent of ancient tales and history. It will sing to a new generation of heroes."-- SAMANTHA SHANNON, New York Times-bestselling author of The Bone Season"I fell in love with this stunning novel from the very first page. Fierce and unforgettable, with gorgeous prose and a fantastic premise that more than delivers. Easily one of my favorite YA novels of 2018." -- KATHERINE WEBBER, author of Wing Jones and Only Love Can Break Your Heart

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Bestselling author Elen Sentier looks at Merlin in history and mythology and considers his continuing relevance for people today. Best known as the wizard from the Arthurian stories, Merlin has been written about for well over 1000 years and is considered to be both a magical and historical figure. Over the centuries many people have had relationships with Merlin and in this book the author brings him to life for us once again in yet another way and from yet another perspective.

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About our authors Sheridan Titman holds the McAllister Centennial Chair in Financial Services at the University of Texas. He has a BS from the University of Colorado and an MS and PhD from Carnegie Mellon University. Prior to joining the faculty at the University of Texas, Professor Titman was a Professor at UCLA, the Hong Kong University of Science and Technology, and Boston College, and spent the 1988 to 1989 academic year in Washington, DC as the special assistant to the Assistant Secretary of the Treasury for Economic Policy. In addition, he has consulted for a variety of financial institutions and corporations. He has served on the editorial boards of the leading academic finance and real estate journals, was an editor of the Review of Financial Studies, and was the founding editor of the International Review of Finance. Titman has served as both Presidents and Vice Presidents of the American Finance Association and the Wester

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The Spanish Peninsular War (1808-1814), which saw open confrontation between the Spanish people together with their British and Portuguese allies against Napoleon, was more than just a war of occupation and national liberation. Remembered for its violence and drama, it was unusual given that two countries who had traditionally been allies, France and Spain, entered into armed conflict without their governments declaring war. Histories and memoirs drafted since then in France, England or Spain show clear bias in their interpretations, hence the difficulty in finding reliable information to draft a rigorous analysis of those historic events. However, two centuries having elapsed since the start of this conflict allow us to address the topic today with greater objectivity. At the start of the war, the climate in London was favourable to cooperation with Spain. Yet the feeling of failure soon took hold of British society due to having embarked in another long and costly war, and many felt disappointment with the scarce cooperation of Spanish troops. However, among the few who defended the importance of the Spanish cause were the Wellesley brothers, the 'British Gracchi', who together maintained this fragile alliance between both countries until the final victory over the French. Richard, the eldest brother and Minister of Foreign Affairs for the United Kingdom, changed the war against France and was decisive in the success on the Iberian Peninsula. Beside him, his younger brother Henry coordinated official relations between Britain and Spain in his role as ambassador plenipotentiary in C diz, maintaining a climate of collaboration up to the end of the war. But the efforts of the two brothers would not have borne fruit without the intervention of a third, Arthur Wellesley (Duke of Wellington), who, in a five-year campaign defeated the French troops which outnumbered his, liberating Portugal and Spain from Napoleon's grip. The same man who in 1815 commanded one of the allied armies which came together to defeat Napoleon at Waterloo. Based on original sources, this book aims to clarify the setting in which these important events for the history of Spain unravelled, through the study of anglo-hispanic relations during the years of conflict.

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"Anyone who has ever driven on a U.S. interstate highway or eaten at an exit-ramp McDonald’s will come away from this book with a better understanding of what makes modern America what it is." – Chicago Tribune "A fascinating work... with a subject central to contemporary life but to which few, if any, have devoted so much thoughtful analysis and good humor." – Minneapolis Star-Tribune "Divided Highways is the best and most important book yet published about how asphalt and concrete have changed the United States. Quite simply, the Interstate Highway System is the longest and largest engineered structure in the history of the world, and it has enormously influenced every aspect of American life. Tom Lewis is an engaging prose stylist with a gift for the telling anecdote and appropriate example."—Kenneth T. Jackson, Harvard Design Magazine "Lewis provides a comprehensive and balanced examination of America’s century-long infatuation with the automobile and the insatiable demands for more and better road systems. He has written a sprightly and richly documented book on a vital subject."—Richard O. Davies, Journal of American History "Lewis describes in a convincing, lively, and well-documented narrative the evolution of America’s roadway system from one of the world’s worst road networks to its best."—John Pucher, Journal of the American Planning Association "This brightly written history of the U.S. federal highway program is like the annual report of a successful company that has had grim second thoughts. The first half recounts progress made, while the second suggests that the good news is not quite what it seems."—Publishers Weekly "Lewis is a very talented and engaging writer, and the tale he tells—the vision for the Interstates, Congressional battles, construction, and the impact of new highways on American life—is important to understanding the shape of the contemporary American landscape."—David Schuyler, Arthur and Katherine Shadek Professor of the Humanities and American Studies at Franklin & Marshall College, author of Sanctified Landscape: Writers, Artists, and the Hudson River Valley, 1820–1909 In Divided Highways, Tom Lewis offers an encompassing account of highway development in the United States. In the early twentieth century Congress created the Bureau of Public Roads to improve roads and the lives of rural Americans. The Bureau was the forerunner of the Interstate Highway System of 1956, which promoted a technocratic approach to modern road building sometimes at the expense of individual lives, regional characteristics, and the landscape. With thoughtful analysis and engaging prose Lewis charts the development of the Interstate system, including the demographic and economic pressures that influenced its planning and construction and the disputes that pitted individuals and local communities against engineers and federal administrators. This is a story of America’s hopes for its future life and the realities of its present condition. Originally published in 1997, this book is an engaging history of the people and policies that profoundly transformed the American landscape—and the daily lives of Americans. In this updated edition of Divided Highways, Lewis brings his story of the Interstate system up to date, concluding with Boston’s troubled and yet triumphant Big Dig project, the growing antipathy for big federal infrastructure projects, and the uncertain economics of highway projects both present and future.

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Few cities anywhere are as vibrant, historically rich, and just plain fun as New Orleans. But it’s not a “dummy proof” destination. Too many travelers leave town wondering what all the fuss is about.That doesn’t happen to those carrying this book. Written by long time residents Lavinia Spalding and Tami Fairweather, Frommer’s EasyGuide to New Orleans introduces travelers to the experiences other visitors miss; and has the type of insightful commentary on the iconic sights that brings them to life. The book includes special sections for those who are visiting during Mardi Gras and Jazz Fest; and day trips to nearby plantations and nature sights. Finally, there’s exact pricing for every item in the book, along with transportation tips, to help make your vacation worry free. Exact pricing and public transportation instructions, so there’s never any guessing Complete information on the city’s legendary nightlife scene (including the places only locals’ know about) Opinionated advice on which attractions and restaurants are worth your time and which can be skipped Detailed info on the city’s lodging options, with frank assessments of what’s worth your vacation budget and what isn’t 16-page photo guide with vibrant photographs Printed in large, easy-to-read type Maps throughout and a handy, full-sized pull-out map About Frommer’s: There’s a reason that Frommer’s has been the most trusted name in travel for more than 65 years. Arthur Frommer created the bestselling guide series in 1957 to help American service members fulfill their dreams of travel in Europe. Since then, we have published thousands of titles, becoming a household name by helping millions upon millions of people realize their own dreams of seeing our planet. Travel is easy with Frommer’s.

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In this study of democracy and its critics, the author debunks liberalism, arguing that its exaggerated ideals of authenticity, unity and community have deflected attention from the pervasive incompetence of "the rule of experts". He proposes a ground of communication that emphasizes common interests rather than narrow disputes. The problem of "unity" and the public sphere has driven a wedge between libertarians and communitarians. To mediate this conflict, Willard advocates a shift from the discourse of liberalism to that of epistemics. As a means of organizing the ebb and flow of consensus, epistemics regards democracy as a family of knowledge problems - as ways of managing discourse across differences and protecting multiple views. Building a bridge between warring peoples and warring paradigms, the book also reminds those who presume to instruct government that they are obliged to enlighten it, and that to do so requires an enlightened public discourse.

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Marine general William Rupertus is best known today for writing the Corps’ Rifleman’s Creed, which begins, "This is my rifle. There are many like it, but this one is mine" - which has been made famous by films such as Full Metal Jacket and Jarhead. Rupertus was one of the outstanding Marines of the twentieth century, standing alongside men such as Smedley Butler, Chesty Puller, and Arthur Vandegrift, but he hasn't yet received his due. Rupertus "made his bones" in the USMC's "savage wars of peace" before World War II: Haiti for three years after World War I, China in 1929 (where he lost his wife and children to Spanish flu) and again in 1937 (where he witnessed the beginning of Japan’s war against China that turned into the Pacific War of World War II). In World War II, Rupertus commanded during four important battles: Tulagi and Henderson Field during the Guadalcanal campaign; the Battle of Cape Gloucester; and Peleliu. It was a series of blistering battles - and ultimately victories - that helped break the back of the Japanese and pave the way for American victory. In the course of these battles, Rupertus became the Patton of the Pacific - ruthless in war, always on the attack, merciless against the enemy, undefeated in battles - even as he proved himself very much like Eisenhower, suavely diplomatic and able to balance war with politics. These skills allowed Rupertus to crush the enemy in the malaria-infested jungles of the Pacific and personally escort Eleanor Roosevelt on her tour of the Pacific. Old Breed General is the biography of Rupertus and the story of the Marines at war in the Pacific. This is an American story of love, loss, shock, horror, tragedy, and triumph that focuses on Rupertus and the 1st Marine Division in World War II, but which resonates through the 1st, to Chosin in Korea and James Mattis’s command in Iraq.

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In this century, no region of the country has experienced greater social upheaval or undergone a more dramatic political transformation than the South. Now there is a textbook that critically examines the magnitude of these changes, the individuals who made them happen, and their influence on the rest of the nation. Noted historians Bruce Clayton and John Salmond explore the mind of the "new South," from the pivotal 1920s to the tempestuous `60s. Clayton's focus is on the intellectual and artistic achievements of the period—a time of immense creativity, when southern literary giants like William Faulkner, Zora Neale Hurston, and Robert Penn Warren rose to international prominence. Crucial to his analysis are the key intellectuals of the day—among them W. J. Cash, Julia Peterkin, DuBose Heyward, and the Fugitive-Agrarians—who formed a second component of the "southern renaissance." Clayton does not neglect the thought of regionalists, like Howard Odum and Arthur Raper; and he devotes special attention to the writings of civil rights leaders from Lillian Smith and Richard Wright to Martin Luther King, Jr. Salmond's essay focuses not on ideas but actions, his primary concern is the activists and organizations that created the ambitious agenda formulated by the great thinkers of the day. He pays particular attention to the legacy of southern labor organizers, especially in the textile industry, who led a series of critical strikes between the 1920s and 1940s that reshaped the region's manufacturing landscape. He also addresses the social reform movements that played a major role in transforming the everyday lives of whites and blacks across the South: the Southern Conference on Human Welfare, the Southern Regional Council, and the Southern Christian Leadership Conference. Following the essays are an overview of the subject, with reference to the current state of historical analysis, and a selection of relevant documents that allow students to draw their own conclusions about this complex period in American

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The summation of more than two thousand years of one of the world's most august literary traditions, this volume also represents the achievements of four hundred years of Western scholarship on China. The selections include poetry, drama, fiction, songs, biographies, and works of early Chinese philosophy and history rendered in English by the most renowned translators of classical Chinese literature: Arthur Waley, Ezra Pound, David Hawkes, James Legge, Burton Watson, Stephen Owen, Cyril Birch, A. C. Graham, Witter Bynner, Kenneth Rexroth, and others. Arranged chronologically and by genre, each chapter is introduced by definitive quotes and brief introductions chosen from classic Western sinological treatises. Beginning with discussions of the origins of the Chinese writing system and selections from the earliest "genre" of Chinese literature-the Oracle Bone inscriptions-the book then proceeds with selections from: * early myths and legends; * the earliest anthology of Chinese poetry, the Book of Songs; * early narrative and philosophy, including the I Ching, Tao-te Ching, and the Analects of Confucius; * rhapsodies, historical writings, magical biographies, ballads, poetry, and miscellaneous prose from the Han and Six Dynasties period; * the court poetry of the Southern Dynasties; * the finest gems of Tang poetry; and * lyrics, stories, and tales of the Sui, Tang, and Five Dynasties eras. Special highlights include individual chapters covering each of the luminaries of Tang poetry: Wang Wei, Li Bo, Du Fu, and Bo Juyi; early literary criticism; women poets from the first to the tenth century C.E.; and the poetry of Zen and the Tao. Bibliographies, explanatory notes, copious illustrations, a chronology of major dynasties, and two-way romanization tables coordinating the Wade-Giles and pinyin transliteration systems provide helpful tools to aid students, teachers, and general readers in exploring this rich tradition of world literature.

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SHORTLISTED FOR THE 2014 NATIONAL BOOK AWARD FOR NONFICTION The definitive biography of America’s most impassioned and lyrical twentieth-century playwright from acclaimed theatre critic John Lahr 'A masterpiece about a genius' Helen Mirren 'Riveting ... masterful' Sunday Times, Books of the Year On 31 March 1945, at The Playhouse Theatre on Forty-Eight Street the curtain rose on the opening night of The Glass Menagerie. Tennessee Williams, the show’s thirty-four-year-old playwright, sat hunched in an aisle seat, looking, according to one paper, ‘like a farm boy in his Sunday best’. The Broadway premiere, which had been heading for disaster, closed to an astonishing twenty-four curtain calls and became an instant sell-out. Beloved by an American public, Tennessee Williams’s work – blood hot and personal – pioneered, as Arthur Miller declared, ‘a revolution’ in American theatre. Tracing Williams’s turbulent moral and psychological shifts, acclaimed theatre critic John Lahr sheds new light on the man and his work, as well as the America his plays helped to define. Williams created characters so large that they have become part of American folklore: Blanche, Stanley, Big Daddy, Brick, Amanda and Laura transcend their stories, haunting us with their fierce, flawed lives. Similarly, Williams himself swung high and low in his single-minded pursuit of greatness. Lahr shows how Williams’s late-blooming homosexual rebellion, his struggle against madness, his grief-struck relationships with his combustible father, prim and pious mother and ‘mad’ sister Rose, victim to one of the first lobotomies in America, became central themes in his drama. Including Williams’s poems, stories, journals and private correspondence in his discussion of the work – posthumously Williams has been regarded as one of the best letter writers of his day – Lahr delivers an astoundingly sensitive and lively reassessment of one of America’s greatest dramatists. Tennessee Williams: Mad Pilgrimage of the Flesh is the long-awaited, definitive life and a masterpiece of the biographer's art.

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'What a fun ride! You will not be able to stop turning the pages until you see how it ends' Sarina BowenNew York Times bestselling sensation Kylie Scott's brand new romcom! 'Be quiet and listen: He is cheating on you. The name of your soulmate is Alistair George Arthur Lennox. You will be passed over for the promotion. The winning numbers are 5-8-12-24-39-43. And I'm very sorry to tell you this, but you will die next Sunday.'When Lilah Goodluck saves a woman's life as they're crossing a busy L.A. street, the last thing she expects is five unwanted predictions as a reward. Who gives someone the winning lotto numbers then tells them they've only got a week to live? And who believes in that nonsense anyway?But when three of her predictions come true within twenty-four hours, Lilah's disbelief just turns to mild panic. She's further horrified when she nearly runs a car off the road that belongs to Alistair Lennox, who just happens to be the illegitimate son of the British king.While Alistair is intrigued by her preposterous story, Lilah is adamant about resisting the heat between her and the playboy prince. If she denies he's her soulmate, then the last prediction can't come true, right? As the days count down, they become maybe friends . . . and they maybe more. But between the relentless paparazzi and some disapproving royals, finding time for love isn't easy, especially when her days may be numbered.Praise for KYLIE SCOTT'The perfect balance of wit, steam and heart-warming romance' HELENA HUNTING'Sweet and spicy - the unique setup, top-notch banter and charming enigma had me hooked' ANNA E. COLLINS'Witty, smart and supremely sexy' KATE SPENCER'Angsty, addictive, warm, and loving!' TIJAN'Perfect for fans of Sarah Hogle and Tessa Bailey' Library Journal'Strikingly fresh romance' Publishers Weekly (starred review)

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China's economic growth has been revolutionary, and is the foundation of its increasingly prominent role in world affairs. It is the world's second biggest economy, the largest manufacturing and trading nation, the consumer of half the world's steel and coal, the biggest source of international tourists, and one of the most influential investors in developing countries from southeast Asia to Africa to Latin America. Multinational companies make billions of dollars in profits in China each year, while traders around the world shudder at every gyration of the country's unruly stock markets. Perhaps paradoxically, its capitalist economy is governed by an authoritarian Communist Party that shows no sign of loosening its grip. China is frequently in the news, whether because of trade disputes, the challenges of its Belt and Road initiative for global infrastructure, or its increasing military strength. China's political and technological challenges, created by a country whose political system and values differ dramatically from most of the other major world economies, creates uncertainty and even fear. China's Economy: What Everyone Needs to Know is a concise introduction to the most astonishing economic and political story of the last three decades. Arthur Kroeber enhances our understanding of China's changes and their implications. Among the essential questions he answers are: How did China grow so fast for so long? Can it keep growing and still solve its problems of environmental damage, fast-rising debt and rampant corruption? How long can its vibrant economy co-exist with the repressive one-party state? How do China's changes affect the rest of the world? This thoroughly revised and updated second edition includes a comprehensive discussion of the origins and development of the US-China strategic rivalry, including Trump's trade war and the race for technological supremacy. It also explores the recent changes in China's political system, reflecting Xi Jinping's emergence as the most powerful leader since Mao Zedong. It includes insights on changes in China's financial sector, covering the rise and fall of the shadow banking sector, and China's increasing integration with global financial markets. And it covers China's rapid technological development and the rise of its global Internet champions such as Alibaba and Tencent.

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Before Harborplace and the Convention Center, Oriole Park at Camden Yards and the Ravens, shopping malls and multiplex movie theaters, Baltimore was a very different city. Most Baltimoreans would agree that, until recently, living here was like living in a small town. For more than 25 years, Gilbert Sandler chronicled this bygone life of streetcars and cinema palaces in his Evening Sun (and later Sun) column, "Baltimore Glimpses." Now collected, edited, and expanded in Small Town Baltimore, Sandler's delightful sketches of life in Baltimore from the 1920s through the 1970s take readers back to a time when flagpole-sitting was all the rage, when guests at high society weddings and cotillions were fed by the prominent African American business Hughes Catering and chef David Bruce's famous chicken croquettes, and when the salt rubdown at Rowland's Turkish Bath could take all one's troubles away. This "album of memories" introduces the reader to the people and places-neighborhoods, restaurants, department stores, parks, hotels, night clubs, racetracks, and theaters-that once put the charm in Charm City. Sandler recalls the events that shaped life here, from strikes and demonstrations to baseball games and parades. Through interviews and reminiscences, Sandler catches a double feature at the Valencia; visits Howard Street's Arabian Tent Club to listen to Cab Calloway; attends the funeral of Chick Webb-"the greatest jazz drummer in the world"-along with such jazz luminaries as Duke Ellington, Gene Krupa, and Ella Fitzgerald; listens in on Arthur Godfrey's audition in the studios of WFBR; eats knockwurst at Schellhase's, steamed crabs at Bankert's, and Cantonese cuisine at Jimmy Wu's; takes the Chesapeake Restaurant up on its offer to "Eat our steak with a fork, else tear up your check and walk out"; and rides the Charles Street double-decker bus with Ms. Reuben Ross Holloway, who fought to make "The Star-Spangled Banner" our national anthem. Small Town Baltimore shows us how far Baltimore has come and what's been lost in the process.

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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees

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"Twelve-step" recovery programs for a wide variety of addictive behaviors have become tremendously popular in the 1990s. According to John W. Crowley, the origin of these movements-including Alcoholics Anonymous-lies in the Washingtonian Temperance Society, founded in Baltimore in the 1840s. In lectures, pamphlets, and books (most notably John B. Gough's Autobiography, published in 1845), recovering "drunkards" described their enslavement to and liberation from alcohol. Though widely circulated in their time, these influential temperance narratives have been largely forgotten. In Drunkard's Progress, Crowley presents a collection of revealing excerpts from these texts along with his own introductions. The tales, including "The Experience Meeting," from T. S. Arthur's Six Nights with the Washingtonians (1842), and the autobiographical Narrative of Charles T. Woodman, A Reformed Inebriate (1843), still speak with suprising force to the miseries of drunkenness and the joys of deliverance. Contemporary readers familiar with twelve-step programs, Crowley notes, will feel a shock of recognition as they relate to the experience, strength, and hope of these old-time-but nonetheless timely-narratives of addiction, despair, and recovery. "I arose, reached the door in safety, and, passing the entry, entered my own room and closed the door after me. To my amazement the chairs were engaged in chasing the tables round the room; to my eye the bed appeared to be stationary and neutral, and I resolved to make it my ally; I thought it would be safest to run, as by that means I should reach it sooner, but in the attempt I found myself instantly prostrate on the floor...How long I slept I know not; but when I awoke I was still on the floor, and alone...I have since been through all the heights, and depths, and labyrinths of misery; but never, no never, have I felt again the unutterable agony of that moment. I wept, I groaned, I actually tore my hair; I did every thing but the one thing that could have saved me."-from Confessions of a Female Inebriate, excerpted in Drunkard's Progress

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It is commonly held that there is no place for the 'now’ in physics, and also that the passing of time is something subjective, having to do with the way reality is experienced but not with the way reality is. Indeed, the majority of modern theoretical physicists and philosophers of physics contend that the passing of time is incompatible with modern physical theory, and excluded in a fundamental description of physical reality. This book provides a forceful rebuttal of such claims. In successive chapters the author explains the historical precedents of the modern opposition to time flow, giving careful expositions of matters relevant to becoming in classical physics, the special and general theories of relativity, and quantum theory, without presupposing prior expertise in these subjects. Analysing the arguments of thinkers ranging from Aristotle, Russell, and Bergson to the proponents of quantum gravity, he contends that the passage of time, understood as a local becoming of events out of those in their past at varying rates, is not only compatible with the theories of modern physics, but implicit in them.

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Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

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The rich and fascinating life of Lou Andreas-Salome (1861-1937) has been reconstructed by Professor Binion on a vast documentary basis, and his findings contradict all earlier versions of her life. Frau Lou was a woman of prodigious intellect, a woman of letters, and a powerful personality. She was closely linked with many of the great cultural figures of the time, often before they achieved recognition. This was the case with Nietzsche, Rilke, Freud, Ferdinand Tonnies, Gerhart Hauptmann, Arthur Schnitzler, and Martin Buber. Frau Lou not only relates but interprets Lou's life, and the point of the book is to discover how the works of the mind, whether scientific or imaginative, arise out of personal experience. Contents: I. Father and Father-God. II. God's Vicar, Gillot. III. After Gillot. IV. The Unholy Trinity. V. From Pillar to Post. VI. "A Pity Forever." VII. Lou Without Nietzsche. VIII. The Wayward Disciple. IX. Rites of Love. X. Super-Lou and Raincr. XI. Russia In, Raincr Out. XII. Idly Busy. XIII. At Freud's Elbow. XIV. A Personalized Freudianism. XV. Theorizing for Freud. XVI. Living for Freud. XVII. Aside from Freud. XVIII. Revamping the Past. XIX. "Homecoming." XX. A Retrospect. XXI. Beyond Frau Lou. Bibliography. Index. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The Isle of Wight is England's largest island, but its diamond-shape is at most 23 miles long and 13 miles wide. Anchored close to the Hampshire coast, its location has created a sheltered waterway, the Solent, with its own local roadsteads and a unique double tidal system. This geography has shaped the area's history. Southampton's docks, located on Southampton Water to the north-west, had become the country's largest civilian port by the mid-twentieth century. Just north-east across the stretch of water called Spithead is the island city of Portsmouth with its ideal natural harbour. This was an internationally important port for over three hundred years, while the whole area has been places of naval significance on the world stage for even longer. From when Queen Victoria bought Osborne House in 1845 and had it remodelled as an Italianate mansion the Isle of Wight became a hub of Victorian society. The Poet Laureate Alfred Lord Tennyson lived at Freshwater, while Charles Swinburne grew up at Bonchurch, a place where Charles Dickens vacationed. Charles Darwin began his Origin of Species here, and Karl Marx came to restore his health; it was the expanding rail network that brought them there. Mark Bardell explores the Isle of Wight and Portsmouth and the surrounding maritime landscapes, revealing unexpected historical and literary associations. MARITIME LEGACY: seaside resorts and piers; Queen Victoria's bathing machine; tourism, festivals and Cowes Week; the Titanic and Queen Mary. URBAN DESIGN AND ARCHITECTURE: military and naval imperatives; Portsmouth Dockyard and the Solent forts; lighthouses and fortifications; Victorian mansions and the first garden suburb in Southsea. WRITERS AND ARTISTS: Portsmouth and Rudyard Kipling, H. G. Wells and Arthur Conan Doyle; the Isle of Wight and the young Turner's seascapes; J. D. Fergusson and Eric Ravilious, war artists in Portsmouth.

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LONGLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR PRIZE 2020'One of the funniest books I've read' Arthur Mathews, co-writer of Father TedWidely regarded as one of the best football books ever written, The Far Corner was a vivid portrait of the sport in the north-east and of the people who bring such passion to it. Now, a generation later, Harry Pearson returns to the region to discover how much things have changed - and how much they have remained the same. In the mid-1990s, Kevin Keegan brought sporting romance and expectation of trophies to Newcastle, Sunderland moved the the Stadium of Light backed by a wealthy consortium, Middlesbrough signed one of the best Brazilians of the era and won their first major trophy - even little Darlington had a former safe-cracker turned kitchen magnate in charge, promising the world. The region even provided England's two key players in Euro 96 in Alan Shearer and Paul Gascoigne - the far corner seemed destined to become the centre of England's footballing world. But it never happened. Using travels to and from matches in the 2018-19 season, The Farther Corner will explore the changes in north-east football and society over the past twenty-five years. Visiting new places and some familiar ones, catching the stories, the sentiment and the sound of the supporters, locating where football now sits in the life of a region that was once proud to be what John Arlott suggested was ‘The Hotbed of Soccer’, it will be about love and loss and the happiness to be found eating KitKats and joking about Bobby Mimms on cold February days in coal-scented northern air. The region may have been left behind in the Champions League stakes, but few would doubt the power of its beating heart.

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This book is about contemporary issues in architecture and urbanism, taking the form of a project for The Corviale Void, a one kilometre long strip of urban space, immured in the notorious Corviale housing development in the Southwestern sector of Rome. Corviale is a bizarre object, single-minded in its idea, the history of Corviale can be traced to debates in Italian architecture culture of the 1960’s, including Aldo Rossi’s objection to urbanisation, as articulated in his books and projects. On the one hand the project for the Corviale Void begins with one of the original theorists of modern urbanisation and architecture, Giovanni Battista Piranesi, looking into his fascination with the insides of walls. On the other hand the project begins with a new material form, The Air Grid. Like the forms appearing in Piranesi’s etchings, Air Grid is made from a kind of hatching, but Air Grid is hatched out of colour vectors, literally drawn into the air. The human eye is easily mesmerised by the Air Grid, scanning back and forth it reads the colour form as animated, in some sense alive. At the same time as the Italian architects were engaged in those activities that would eventually give birth to the Corviale Void, the painter Yves Klein, was creating The Architecture of the Air. Klein’s work is of special interest to the project of the Corviale Void because of the important role of colour in the development of his thinking about architecture. By attending to Klein’s parallel inquiry Air Grid is brought into dialogue with the philosophy of Arthur Schopenhauer, who was one of the first thinkers to develop a physiological theory of colour. The important thing about Schopenhauer’s thinking is the careful way he looked at physiological phenomena, regarding them as directly informed by metaphysical powers; for Schopenhauer Architecture too is a physiological matter and hence metaphysical. The concluding proposal for the Corviale Void presents a metaphysical archite

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The definitive overview of one of the world’s most experimental and distinctive graphic-design studios. Originally established in 1992 by Michaël Amzalag and Mathias Augustyniak as a graphic design studio, M/M (Paris) have since defied categorisation, becoming one of the most radical creative practices of today through their influential work across the contemporary cultural sphere. By collaborating with fashion designers and brands such as Alexander McQueen, Loewe, Louis Vuitton, Miuccia Prada, Jonathan Anderson, Nicolas Ghesquière and Yohji Yamamoto; musicians Björk, Étienne Daho, Kanye West, Lou Doillon, Madonna and Vanessa Paradis; contemporary artists including François Curlet, Philippe Parreno, Pierre Huyghe and Sarah Morris; and rethinking the iconic titles Interview magazine, Purple Fashion and Vogue Paris, M/M have been building a visual atlas of the creative landscape since the early 1990s. In this illustrated A to Z, beginning and ending with the letter M, interviews with Michaël Amzalag and Mathias Augustyniak frame over 850 images of their projects. A series of conversations with rarely heard luminaries – designers Peter Saville, Experimental Jetset, Cornel Windlin and Katsumi Asaba; fashion designers Miuccia Prada and Jonathan Anderson; artist Francesco Vezzoli; cinematographer Darius Khondji; chef Jean-François Piège; theatre director Arthur Nauzyciel and curator Hans Ulrich Obrist – are interspersed, providing a thought-provoking insight into the minds of one of the world’s most distinctive creative duos. A foreword by Donatien Grau and an afterword by Éric Troncy bookend contributions by Emanuele Coccia, Jo-Ann Furniss, Alison M. Gingeras, Étienne Hervy, Emily King, Philippe Rouyer and Akira Takamiya. Edited by Grace Johnston, volume two of M to M of M/M (Paris) completes the first volume of M/M’s monograph published in 2012, and now republished by Thames & Hudson.

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This is the first full biography of Charles Williams (1886-1945), an extraordinary and controversial figure who was a central member of the Inklings—the group of Oxford writers that included C.S. Lewis and J.R.R. Tolkien. Charles Williams—novelist, poet, theologian, magician and guru—was the strangest, most multi-talented, and most controversial member of the group. He was a pioneering fantasy writer, who still has a cult following. C.S. Lewis thought his poems on King Arthur and the Holy Grail were among the best poetry of the twentieth century for 'the soaring and gorgeous novelty of their technique, and their profound wisdom'. But Williams was full of contradictions. An influential theologian, Williams was also deeply involved in the occult, experimenting extensively with magic, practising erotically-tinged rituals, and acquiring a following of devoted disciples. Membership of the Inklings, whom he joined at the outbreak of the Second World War, was only the final phase in a remarkable career. From a poor background in working-class London, Charles Williams rose to become an influential publisher, a successful dramatist, and an innovative literary critic. His friends and admirers included T.S. Eliot, W.H. Auden, Dylan Thomas, and the young Philip Larkin. A charismatic personality, he held left-wing political views, and believed that the Christian churches had dangerously undervalued sexuality. To redress the balance, he developed a 'Romantic Theology', aiming at an approach to God through sexual love. He became the most admired lecturer in wartime Oxford, influencing a generation of young writers before dying suddenly at the height of his powers. This biography draws on a wealth of documents, letters and private papers, many never before opened to researchers, and on more than twenty interviews with people who knew Williams. It vividly recreates the bizarre and dramatic life of this strange, uneasy genius, of whom Eliot wrote, 'For him there was no frontier between the material and the spiritual world.'

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Frommer’s books aren’t written by committee, by A.I., or by travel writers who simply pop in briefly to a destination and then consider the job done. We use seasoned, locally-based journalists like Deborah Collcutt, Katie Featherstone, Samantha Priestley, Simon Willmore, and Donald Strachan, plus part-time residents like Jason Cochran and Stephen Brewer because they are all real experts. The seven of them spent months checking out all of England’s and Scotland’s best hotels, attractions, shops, wineries, and restaurants in person, so they could offer authoritative, candid reviews that will help you find the venues that suit your tastes and budget. In short, use this book and you’ll be eating in the places most tourists don’t know about, visiting top attractions at times when the crowds are at their thinnest, and patronizing the bars and clubs Brits and Scots hold dear. Inside the guide: Full-color photos and helpful maps, including a detachable foldout map Detailed itineraries for planning your trip to suit your schedule and interests (and help you avoid lines and crowds) Candid reviews of the best restaurants, historic sights, museums, tours, shops, and experiences―and no-punches-pulled info on the ones not worth your time and money Accurate, up-to-date info on transportation, useful websites, telephone numbers, and more Compelling cultural information so that you’ll better understand the history, cuisine, and traditions of both Britain and Scotland Budget-planning help with the lowdown on prices and ways to save money, whether you’re traveling on a shoestring or in the lap of luxury About Frommer's: There’s a reason Frommer’s has been the most trusted name in travel for more than 65 years. Arthur Frommer created the best-selling guide series in 1957 to help American servicemen fulfill their dreams of travel in Europe, and since then, we have published thousands of titles, become a household name, and helped millions upon millions of people realize their own dreams of seeing our planet. Travel is easy with Frommer’s.

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