Search results for ""author arthur"

First full-length study in English of the Middle Dutch Lancelot-Compilation, of great significance for Arthurian studies. The Book of Lancelot is a study of the highly intriguing Middle Dutch Lancelot Compilation, a collection of ten Arthurian verse romances, compiled around 1320. Although the compilation is one of the most important Middle Dutch works, and has important implications for Arthurian studies, it is not well-known outside the Low Countries. This monograph, the first full-length English study of the compilation, aims to bring it to a wider audience,analysing the Middle Dutch work and comparing it to French narrative cycles, Thomas Malory's Morte Darthur, and Ulrich Füetrer's Buch der Abenteuer. The book consists of five chapters. The introductory chapter deals with the study of cyclicity, the literary context of the Lancelot Compilation, and the manuscript tradition. In the following three chapters the ten romances are studied one by one. Each analysis consists of two parts:a description of the compiler's source and a survey of his interventions. In the fifth and last chapter the Lancelot Compilation is characterized as a narrative cycle and compared with French, English and German cycles. The monograph concludes with an attempt to describe the essence of the compilation. BART BESAMUSCA is Associate Professor in the Department of Dutch at Utrecht University.

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As the earliest Arthurian verse-novel in the German language, Hartmann von Aue's Erec was highly influential, not only on the many Arthurian works that followed, but also on courtly narrative verse in general. However, his tale is of more than antiquarian interest. Its subjects—the individual in conflict with society and the destructive force of possessive love—are modern, and its language, when transferred into prose, is more direct and lucid than most contemporary writing. Indeed, it was the conviction that the story deserved a much larger audience than that of medieval scholars which inspired this translation, the first into English.

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12th-century French retellings and variations of the story of Tristan and Iseut. The strong and enduring appeal of the Arthurian legends shows no signs of abating, yet many medieval Arthurian texts remain unedited or printed in editions no longer available, while comparatively few of them have been translatedinto English, thus making them inaccessible to the scholarly or general audience unable to read them in the original. The Arthurian Archives series addresses these problems, aiming to provide authoritative critical editionswith parallel translation of essentialtexts for Arthurian studies; each text will be accompanied by a brief introduction, variants and rejected readings, and critical notes. This first volume offers a collection of the French Tristan texts prior to the Prose Tristan; of particular importance is the recently-discovered Thomas fragment, here edited Ian Short. Contents: Béroul, The Romance of Tristan (Norris Lacy); Thomas, Tristan (Stewart Gregory); `The Carlisle Fragment' of Thomas's Tristan (Ian Short) Marie de France, Chevrefeuil (Richard O'Gorman)The Folie Tristan de Berne and the Folie Tristan d'Oxford (Samuel N. Rosenberg)

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A timely and kaleidoscopic reflection on the importance of the arts in our society In the midst of a devastating pandemic, as theaters, art galleries and museums, dance stages and concert halls shuttered their doors indefinitely and institutional funding for entertainment and culture evaporated almost overnight, a cohort of highly acclaimed scholars, artists, cultural critics, and a journalist sat down to ponder an urgent question: Are the arts essential? Across twenty-five highly engaging essays, these luminaries join together to address this question and to share their own ideas, experiences, and ambitions for the arts. Darren Walker discusses the ideals of justice and fairness advanced through the arts; Mary Schmidt Campbell shows us how artists and cultural institutions helped New York overcome the economic crisis of the 1970s, bringing new investment and creativity to the city; Deborah Willis traces histories of oppression and disenfranchisement documented by photographers; and Oskar Eustis offers a brief history lesson on how theaters have built communities since the Golden Age of Athens. Other topics include the vibrancy and diversity of Muslim culture in America during a time of rising Islamophobia; the strengthening of the common good through the art and cultural heritages of indigenous communities; digital data aggregation informing and influencing new art forms; and the jazz lyricisms of a theater piece inspired by a composer’s two-month coma. Drawing on their experiences across the spectrum of the arts, from the performing and visual arts to poetry and literature, the contributors remind readers that the arts are everywhere and, in one important way after another, they question, charge and change us. These impassioned essays remind us of the human connections the arts can forge—how we find each other through the arts, across the most difficult divides, and how the arts can offer hope in the most challenging times. What answer does this convocation offer to Are the Arts Essential? A resounding Yes.

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Bilingual editions of the Scandinavian versions of the Tristan legend, themselves derived from Old French originals. This three-volume set of editions and translations celebrates the literary and cultural connections between the Nordic countries and France that helped to bring Tristan and the Arthurian romances northward... thus the entire set of texts can be read as a study in Norse literary patronage, of literary renewal and transformation... A major contribution, not only to the Old Norse field, but to the broader world of medieval literature and culture. Norse Romance will endure for years to come. SPECULUM Norse Romances comprises a three-volume set, making available for the first time critical editions and translations of important medieval Arthurian texts from Iceland, Norway and Sweden, under the general editorship of Marianne Kalinke. This volume is devoted to the Tristan legend. It contains Geitarlauf and Janual, Old Norse translations of the French lais Lanval and Chevrefeuil; Tristrams saga ok Isöndar, Brother Thomas's Old Norse translationof Thomas's Tristan, dated 1226 and commissioned by King Hákon Hákonarson the Old of Norway; "Tristrams kvædi", a fourteenth-century Icelandic "Tristan" ballad; and the Saga af Tristram ok Isodd, a fourteenth-century Icelandic version of the Old Norse Tristrams saga ok Isöndar. The translators are: ROBERT COOK, PETER JORGENSEN, JOYCE HILL, MARIANNE E. KALINKE. Professor MARIANNE KALINKE teaches in the Department of Germanic Languages and Literatures at the University of Illinois at Urbana-Champaign.

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With its contextualizing introduction, notes, and gloss, this edition makes the Prose Merlin available to any student of Arthurian legend, no matter their level of proficiency in Middle English. Written in the latter half of the fifteenth century, the Prose Merlin is the first work of Arthurian literature written in English prose. The highly original poem, though based upon the French Vulgate cycle tradition of Arthurian legends, is full of episodes, motifs, and characters found nowhere else in the entire Arthurian corpus. Beginning with the story surrounding Merlin’s birth, and charting the course of his fantastical life until his ambiguous death, Prose Merlin is an enchanting text for any class studying Arthuriana.

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Text and facing translation of an important medieval German Arthurian romance. Ulrich von Zatzikhoven's Lanzelet, dating from the end of the twelfth century, is a verse translation into Middle High German of what was probably an Anglo-Norman romance, now lost. It presents the story of Lanzelet (Lancelot), but in quite a different version from Chrétien de Troyes' Chevalier de la charrette. The first half of the tale concerns Lanzelet's knightly and romantic exploits on his way to discovering his true identity, while at the same time winning the beautiful Iblis as his wife. The second half revolves around Lanzelet's efforts to defend the honor of the Arthurian court and reestablish his own and his wife's kingdoms. As in much literature of the time, sex, violence and magic abound. This volume presents the first full translation into English, with a new, facing edition of the Middle High German text. It is accompanied by an introduction, variant readings and notes to the translation. Kathleen J. Meyer teaches in the Department of Languages and Ethnic Studies, Bemidji State University.

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Lonely Planet's Experience Ireland travel guide reveals exciting new ways to explore this iconic destination with one-of-a-kind adventures at every turn. Cycle the wild Atlantic Coast Route, kayak amid seals in West Cork, discover soft golden sand beaches in County Wexford - using our local experts and planning tools to create your own unique trip.Inside Lonely Planet's Experience Ireland:Local experts share their love for the real Ireland, offering fresh perspectives into the country's traditions, values and modern trends to make your travel experience even more meaningfulIn the know tips to help you build on your experiences when visiting well-known sights and landmarksFun insights that will pique your curiosity and take you to the heart of the place – try delicious local specialities like Guinness bread; dance the night away at a live trad session in Donegal; see shooting stars from the perfect boardwalk spot in Ireland's first International Dark Sky ParkInsider scoop on the best festivals, secret hangouts, hidden locations, tantalising local food scene and photo-worthy viewsHandy seasonal trip planner to guide you on where to go, when to travel and what to packPractical information on money, getting around, unique and local ways to stay, and responsible travelComprehensive selection of maps throughout and beautiful full-colour photography to inspire you as you plan your unforgettable journeyCovers Dublin, Wicklow, The Southeast, Cork, Kerry, West of Ireland, UlsterLonely Planet's Experience Ireland is an essential travel guide for all explorers looking to immerse themselves in the Irish way of life. Each book within the Experience series contains handy trip building tools so that you can take your pick of the must-see attractions and activities as suggested by our local experts – and create your own dream travel itinerary to get away from the everyday. Unlock even more travel secrets using the QR codes throughout each guide and discover story-worthy travel moments that you'll never forget.About Lonely Planet:Lonely Planet, a Red Ventures Company, is the world's number one travel guidebook brand. Providing both inspiring and trustworthy information for every kind of traveller since 1973, Lonely Planet reaches hundreds of millions of travellers each year online and in print and helps them unlock amazing experiences. Visit us at lonelyplanet.com and join our community of followers on Facebook (facebook.com/lonelyplanet), Twitter (@lonelyplanet), Instagram (instagram.com/lonelyplanet), and TikTok (@lonelyplanet)."...these new Experience guides from Lonely Planet are irresistibly attractive." - The Washington Post Book Club'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' – Fairfax Media (Australia)

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The Charlatans' Tim Burgess invites you to the greatest listening party of all time. In 2020 when the world was forced to hit pause on live in-person gigs, Tim Burgess found an ingenious way to bring people together by inviting artists and bands, from Paul McCartney and New Order to Michael Kiwanuka and Kylie, to host real-time album playbacks via Twitter.Relive 100 of the most memorable listening parties here with stories from bands and fans, rarely seen backstage images, and unique insider info from those who created these iconic albums."Hey Twitter, let's all say a big thanks to Tim for these brilliant events this year! We really needed them. So much great music being talked about.'" - Sir Paul McCartney "Twitter being used for something really positive." - Mary Beard

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Composed in a prison cell in 1298 by Venetian merchant Marco Polo and Arthurian romance writer Rustichello of Pisa, The Description of the World relates Polo's experiences in Asia and at the court of Qubilai, the Great Khan of the Mongol Empire. In addition to a new translation based on the Franco-Italian "F" manuscript of Polo's text, this edition includes genealogies of the Mongol rulers and nine maps of Polo's journey, as well as thorough annotation and an extensive bibliography.

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The editors of this volume use its title to honor Bonnie Wheeler for her many scholarly achievements and to celebrate her wide-ranging contributions to medieval studies in the United States. There are sections on Old and Middle English Literature, Arthuriana Then and Now, Joan of Arc Then and Now, Nuns and Spirituality, and Royal Women. As the editors note in the introduction, the volume "confirms Bonnie's commitment to the multidisciplinary study of the Middle Ages" and affirms her conviction "that the medieval and the modern are best viewed not as 'the past' and 'the present' but as interpenetrative categories."

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Composed in a prison cell in 1298 by Venetian merchant Marco Polo and Arthurian romance writer Rustichello of Pisa, The Description of the World relates Polo's experiences in Asia and at the court of Qubilai, the Great Khan of the Mongol Empire. In addition to a new translation based on the Franco-Italian "F" manuscript of Polo's text, this edition includes genealogies of the Mongol rulers and nine maps of Polo's journey, as well as thorough annotation and an extensive bibliography.

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These paired Arthurian legends suggest that erotic desire and the desire for companionship undergird national politics. The maiden Britomart, Queen Elizabeth's fictional ancestor, dons armor to search for a man whom she has seen in a crystal ball. While on this quest, she seeks to understand how one can be chaste while pursuing a sexual goal, in love with a man while passionately attached to a woman, a warrior princess yet a wife. As Spenser's most sensitively developed character, Britomart is capable of heroic deeds but also of teenage self-pity. Her experience is anatomized in the stories of other characters, where versions of love and friendship include physical gratification, torture, mutual aid, competition, spiritual ecstasy, self-sacrifice, genial teasing, jealousy, abduction, wise government, sedition, and the valiant defense of a pig shed.

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One of three romances originating in the mists of Arthurian legend.

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Drawing from Eastern and Western literatures, Heinrich Zimmer presents a selection of stories linked together by their common concern for the problem of our eternal conflict with the forces of evil. Beginning with a tale from the Arabian Nights, this theme unfolds in legends from Irish paganism, medieval Christianity, the Arthurian cycle, and early Hinduism. In the retelling of these tales, Zimmer discloses the meanings within their seemingly unrelated symbols and suggests the philosophical wholeness of this assortment of myth.

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Examines manuscripts of Langland, Chaucer, Gower, Nicholas Love and Arthurian tales, alongside other devotional works and archival evidence.

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The tragic tale of the lovers Tristran and Iseut, a Celtic story that eventually became part of the Arthurian legend, was one the most popular themes of medieval literature, in numerous languages. One of its earliest appearances is the late-twelfth-century Romance of Tristran, written in Old French by Beroul. This volume contains a new, accessible English prose translation of the poem, complete with explanatory notes, based on Sargent-Baur's latest critical edition of the text. A valuable teaching resource for classes in medieval or comparative literature, The Romance of Tristran by Beroul and Beroul II: Student Edition and English Translation will be of interest to anyone fascinated by the origins of Arthurian legend or the literature of the high middle ages.

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Adventure, romance, magic of Arthurian legend are brought to new light in Anna Elliott's retelling of the timeless legends of Trystan and Isolde.

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Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design.In The Canterbury Tales Chaucer created one of the great touchstones of English literature, a masterly collection of chivalric romances, moral allegories and low farce. A story-telling competition between a group of pilgrims from all walks of life is the occasion for a series of tales that range from the Knight's account of courtly love and the ebullient Wife of Bath's Arthurian legend, to the ribald anecdotes of the Miller and the Cook.

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Año 86 después de Cristo. Ha pasado un año desde que Finn y Durandal escaparon de las garras de Roma, sin embargo, allí no acaba la historia del valiente guerrero y el último de los guivernos. Ambos jugarán un papel importante en la vida de Arthury su

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Seminal essays on one of the most crucial issues in Arthurian studies. For the past fifty years, debates about which text of Malory scholars and teachers should prefer have sparked much controversy: which is the most authentic or authoritative, Caxton, the Winchester version, or a mixture of both (asproposed by Vinaver)? The papers in this volume represent the most important contributions to the dialogue; previously published articles have been updated where relevant and new issues are presented in several original essays, while the introductions place the argument in its theoretical and historical contexts. Professor BONNIE WHEELER teaches at the Southern Methodist University; Professor MICHAEL SALDA teaches at the University of SouthernMississippi; Professor ROBERT KINDRICK teaches at the University of Montana. Contributors: MICHAEL N. SALDA, KEVIN GRIMM, SHUNICHI NOGUCHI, CHARLES MOORMAN, P.J.C. FIELD, WILLIAM MATTHEWS, ROBERT KINDRICK, HELEN COOPER, TOSHIYUKI TAKAMIYA, YUJI NAKAO, NORMAN BLAKE

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Sir Gawain and the Green Knight is a masterpiece of medieval English literature and one of the finest Arthurian tales in any language. Though its ingenious plotting and verbal artistry continue to dazzle readers, it is written in a challenging regional dialect and uses many words that were already archaic when the poem was written in the late fourteenth century. This edition is designed to make the poem, in its original Middle English, accessible to students and general readers. Following standards adopted for editing other Middle English poets, the edition lightly normalises spellings to make words more recognisable for a modern audience. Extensive marginal glossing of difficult words, thorough on-page explanatory notes, and a comprehensive glossary offer further support for readers. The historical appendices include other examples of medieval romance from France and Britain.

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'Nevill Coghill's easy, seductive translation ensures that this, the most popular work in English Literature - now 600 years old - will run through yet more centuries' Melvyn BraggIn The Canterbury Tales Chaucer created one of the great touchstones of English literature. A storytelling competition within a group of pilgrims from all walks of life is the occasion for a series of tales that range from the Knight's account of courtly love and the ebullient Wife of Bath's Arthurian legend to the ribald anecdotes of the Miller and the Cook. This masterly and vivid modern English verse translation retains all the vigour and poetry of Chaucer's fourteenth-century Middle English.Translated by NEVILL COGHILL

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Giants are a ubiquitous feature of medieval romance. As remnants of a British prehistory prior to the civilization established, according to the Historium regum Britannie, by Brutus and his Trojan followers, giants are permanently at odds with the chivalric culture of the romance world. Whether they are portrayed as brute savages or as tyrannical pagan lords, giants serve as a limit against which the chivalric hero can measure himself. In Outsiders: The Humanity and Inhumanity of Giants in Medieval French Prose Romance, Sylvia Huot argues that the presence of giants allows for fantasies of ethnic and cultural conflict and conquest, and for the presentation—and suppression—of alternative narrative and historical trajectories that might have made Arthurian Britain a very different place. Focusing on medieval French prose romance and drawing on aspects of postcolonial theory, Huot examines the role of giants in constructions of race, class, gender, and human subjectivity. She selects for study the well-known prose Lancelot and the prose Tristan, as well as the lesser known Perceforest, Le Conte du papegau, Guiron le Courtois, and Des Grantz Geants. By asking to what extent views of giants in Arthurian romance respond to questions that concern twenty-first-century readers, Huot demonstrates the usefulness of current theoretical concepts and the issues they raise for rethinking medieval literature from a modern perspective.

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Text with facing translation of the earliest Italian Tristan romance, providing new evidence for the development of the Tristan strand of the Arthurian legend. This is the first English translation of the earliest Italian Tristan romance, the Tristano Riccardiano, preserved in MS 2543 of the Biblioteca Riccardiana in Florence. In Italy, Tristan was more popular than any other Arthurian hero; the French prose Tristan gained great currency, soon yielding Italian prose translations / adaptations. The Riccardiano, dating from the late 13th century, is notable for representing an early branch of the French prose Tristan, now lost. The translation offers new evidence for the development of the Tristan story in Europe, particularly in the changes it rings on the themes of love, chivalry, honor, betrayal, and adultery.In theme and narrative style the Riccardiano reflects a new audience and a new social context, that of an urban Tuscan middle class, and an important stage in the emergence of Italian prose narrative. The text and translation are presented here with an introduction, a select bibliography, and index. F. REGINA PSAKI is the Giustina Family Professor of Italian Language and Literature at the University of Oregon.

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'So they took the blossoms of the oak, and the blossoms of the broom, and the blossoms of the meadow-sweet, and produced from them a maiden, the fairest and most graceful that man ever saw...' In this superb collection of tales, Celtic mythology and Arthurian romance come together to form a fascinating, deep-seated and powerful interpretation of British history. The tales include the story of the shape-shifter, Gwydion, who created a woman out of flowers; a murdered husband turned into an eagle; Math the magician; a magical board, dragons witches and giants.These wondrous creatures live in the same world as kings and heroes, quests for honour, and stories of revenge, chivalry, honour and love. THE MABINOGIAN remains one of the greatest and most influential works of myth and legend ever created.

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Relying on true courage and true love, as well as some surprising connections to the Arthurian legends, a young Welsh teenager named Rhodri embarks on a quest to remove an ancient curse from Great Britain during the reign of Richard the Lionheart. Reprint.

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The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems.Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.

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The Nart sagas are to the Caucasus what Greek mythology is to Western civilization. Tales of the Narts presents a wide selection of fascinating tales preserved as a living tradition among the peoples of Ossetia in southern Russia, a region where ethnic identities have been maintained for thousands of years in the face of major cultural upheavals. A mythical tribe of tall, nomad warriors, the Narts were courageous, bold, and good-hearted. But they were also capable of cruelty, envy, and forceful measures to settle disputes. In this wonderfully vivid and accessible compilation of stories, colorful and exciting heroes, heroines, villains, and monsters pursue their destinies though a series of peculiar exploits, often with the intervention of ancient gods. The world of the Narts can be as familiar as it is alien, and the tales contain local themes as well as echoes of influence from diverse lands. The ancestors of the Ossetians once roamed freely from eastern Europe to western China, and their myths exhibit striking parallels with ancient Indian, Norse, and Greek myth. The Nart sagas may also have formed a crucial component of the Arthurian cycle. Tales of the Narts further expands the canon of this precious body of lore and demonstrates the passion and values that shaped the lives of the ancient Ossetians.

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Drawing on a wealth of sources from different disciplines, the essays here provide a nuanced picture of how medieval and early modern societies viewed murder and dealt with murderers. Murder - the perpetrators, victims, methods and motives - has been the subject of law, literature, chronicles and religion, often crossing genres and disciplines and employing multiple modes of expression and interpretation. As the chapters in this volume demonstrate, definitions of murder, manslaughter and justified or unjustified homicide depend largely on the legal terminology and the laws of the society. Much like modern nations, medieval societies treated murder and murderers differently based on their social standing, the social standing of the victim, their gender, their mental capacity for understanding their crime, and intent, motive and means. The three parts of this volume explore different aspects of this crime in the Middle Ages. The first provides the legal template for reading cases of murder in a variety of sources. The second examines the public hermeneutics of murder, especially theways in which medieval societies interpreted and contextualised their textual traditions: Icelandic sagas, Old French fabliaux, Arthuriana and accounts of assassination. Finally, the third part focuses on the effects of murder within the community: murder as a social ill, especially in killing kin.

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In a near-future world without privacy or freedom, life is unravelling for Luke, a teenager whose questions and individuality have no place in surveilled society. A virtual encounter with a girl who claims to live beyond the all-controlling grip of E-Government sets him on a quest not only for answers, but for escape. But is Alys real? Why are there echoes of her world in his father, Nazir Malik’s home, especially since Nazir is a celebrity artist trusted by E-Government? And what role can characters from Celtic Arthurian legend possibly play in saving the future? Most urgently, can Luke overcome the threats that surround him and find the Standing Ground?"A wonderful novel… a fresh rendition of the future that draws on technologies that are currently emerging… and on Arthurian legend… akin to Philip Pullman’s street-smart, other-worldly creations, complete with convincing, humorous and likeable characters… a gripping read."Anna Kiernan

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Chretien de Troyes was France's great medieval poet - inventor of the genre of courtly romance and popularizer of the Arthurian legend. The 44 surviving manuscripts of his work (ten of them illuminated) pose a number of questions about who used these books and in what way. In "Sealed in Parchment", Sandra Hindman scrutinizes both text and images to reveal what the manuscripts can tell us about medieval society and politics.

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Flower and flour. Coral and choral. Lashes and luscious. Frost & Pollen is a poetry collection in two acts: "Bloom & Martyr" is a sensuous walk through a menacing garden of flowers and desire, while "Foliage" retells the Arthurian legend of Sir Gawain and the Green Knight from the point of view of the Green Knight, the mysterious figure who teases and torments Gawain. By turns earthy and lush, and punctuated by dark and unsettling undercurrents, these poems converge into an engaging yet evasive feminine exploration of nature and sexuality.

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Cumulatively [the volumes] are of increasing value as repositories of scholarship on the multi-dimensional subject of knighthood ... highly informative and useful. ALBION Studies treating a wide variety of aspects of knighthood. Topics include the way in which the word "knight" has been used, studying the terminology and ritual concerned with "making a knight"; the circumstances and implications ofthe knighting of the social elite of England between 1066 and 1272; the difficulties of distinguishing between knight and clerk, as exemplified by Abelard's multi-faceted image; the debt which Geoffrey de Charny's treatise on chivalry owes to the ideas and ideals of knighthood in Arthurian prose romances; and the linguistic competence of the twelfth-century knightly classes as courtly audience of troubadour song. There are also important contributions onthe warhorse; and on the fortifications of fourteenth-century English towns, arguing that they were more the expression of bourgeois aspirations than a response to serious military threat. Professor STEPHEN CHURCH teaches in the Department of History, University of East Anglia; Dr RUTH HARVEY is lecturer in French, Royal Holloway and Bedford New College. Contributors: RICHARD BARBER, MATTHEW BENNETT, JONATHAN BOULTON, MICHAEL CLANCHY, CHARLES COULSON, RUTH HARVEY, ELSPETH KENNEDY, AD PUTTER

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Edition, with facing translation, of chronicles from the late medieval/early modern period, concerning the history of Scotland. The seven chronicles edited here record Scottish history as it circulated in the late fifteenth century and the early sixteenth century in abbreviated and mostly vernacular texts, intended for a broader, less educated audience than was served by the great Latin chronicles of Fordun, Bower, Boece, and their successors. They reflect the greatly expanded literacy of the end of the Middle Ages, and the consequent necessity of educating a broader public in theoutlines of Scottish history and contemporary Scottish politics. They build their version of medieval events on Scotland's foundation myths and exhibit a distinct anti-English bias - indeed, the Scottis Originale began a type of Scottish anti-Arthurian tradition. They thus present an alternative and distinctly "Scottish" view of "history". The chronicles are presented here with with comprehensive notes and glossaries. They are: La Vraie Cronicque d'Escoce, The Scottis Originale, The Chronicle of the Scots, The Ynglis Chronicle, Nomina Omnium Regum Scotorum, The Brevis Chronica, The St Andrews Chronicle. Dan Embree is Emeritus Professor of English, Mississippi State University; Edward Donald Kennedy is Emeritus Professor of English and Comparative Literature at the University of North Carolina at Chapel Hill; Kathleen Daly was formerly Senior Lecturer in History at the Open University, UK

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When a group of Nationalists use an ancient artifact to bring a villain from Arthurian myth back from the dead, retired monster hunter Bridgette McGuire pulls her unsuspecting grandson Duncan, a museum curator, into a world of magic and mysticism to defeat a legendary threat. Now the two must navigate the complicated history of the McGuire family, all while combating the deadly secrets of England’s past that threaten its very future. New York Times bestselling writer Kieron Gillen (The Wicked + The Divine, Star Wars) and Russ Manning Award-winning artist Dan Mora (Buffy The Vampire Slayer, Klaus) explore the mysteries of the past, the complicated truths of our history and the power of family to save the day…especially if that family has secret bunkers of ancient weapons and decades of experience hunting the greatest monsters in Britain’s history! Collects Once & Future #1-6.

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The four stories that make up the Mabinogi, along with three additional tales from the same tradition, form this collection and compose the core of the ancient Welsh mythological cycle. Included are only those stories that have remained unadulterated by the influence of the French Arthurian romances, providing a rare, authentic selection of the finest works in medieval Celtic literature. This landmark edition translated by Patrick K. Ford is a literary achievement of the highest order.

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Are you ready for a quest? Australian boxer, Perc Morgan is on the canvas. Holed up in a mining town after a disastrous fight, he can only wonder about ever again rising to success, sporting or otherwise. However, as he walks the dusty town by day, by night he begins dreaming about water, signalling the start of a latter-day Arthurian quest. Pretty soon this tale of rowing, redemption and sewage sees him joining forces with a bunch of fellow "knights", encountering a Merlin figure known as Sir Baz and coming to the disconcerting conclusion that finding his holy grail might just depend on the notion of pure filth!

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'Sea-Fever' remains one of the most popular poems of the last century, and John Masefield one of the most popular poets, a superb spinner of yarns and ballads of tall ships, exotic seas, of the deep-rooted life of rural England, and of the great narratives of Troy and Arthurian legend. This book includes his most popular poems and a few previously uncollected rarities. All share Masefield's love of particular lives: he draws the reader into his stories with an incomparable music of language. This is a representative selection of the poems, in chronological sequence spanning his long career. The editor also provides a full introduction to his work.

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A unique and thrilling blend of Arthurian romance and detective noir, The Cold Ever After is a unique fantasy story in the vein of Game of Thrones meets Chinatown. For fans of epic fantasy, queer romance, and hardboiled detective noir!

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