Search results for ""yale university press""

Celebrated anthropologist Margaret Mead, who studied sex in Samoa and child-rearing in New Guinea in the 1920s and '30s, was determined to show that anthropology could tackle the psychology of the most complex, modern societies in ways useful for waging the Second World War. This fascinating book follows Mead and her closest collaborators—her lover and mentor Ruth Benedict, her third husband Gregory Bateson, and her prospective fourth husband Geoffrey Gorer—through their triumphant climax, when Mead became the cultural ambassador from America to Britain in 1943, to their downfall in the Cold War.Part intellectual biography, part cultural history, and part history of the human sciences, Peter Mandler's book is a reminder that the Second World War and the Cold War were a clash of cultures, not just ideologies, and asks how far intellectuals should involve themselves in politics, at a time when Mead's example is cited for and against experts' involvement in Iraq and Afghanistan.

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Sweeping research on the frozen continent of Antarctica is yielding insights of global importance. Antarctica is the only continent without permanent human habitation, yet it may hold the key to our survival. More than just a frontier for exploration, Antarctica is now understood to be a crucial part of a global climate and environment. Each year hundreds of scientists travel to the bottom of the world to investigate the climate, examine the continent's hardy life forms, and seek answers to far-reaching questions about the universe. Veronika Meduna has accompanied some of them on their expeditions, and in this engaging book she tells their stories and explains their dramatic discoveries.In remote field camps and icy laboratories on the frozen continent, geologists and glaciologists learn about past temperatures and levels of greenhouse gases, and about the implications of today's climate change for the future. Some scientists study migration patterns of emperor penguins as others focus on the antifreeze inside endemic fish species. Still others investigate the microbial "masters of survival" that may help to reveal how life evolved on Earth and what it may look like on other planets. In compelling, everyday language, Meduna provides a firsthand view of the wide range of scientific activity in Antarctica today along with fascinating portraits of the intrepid men and women conducting it. More than 150 stunning color photographs complete this arresting book.

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On Being a Language Teacher provides an innovative, personal approach to second-language teaching. Through illustrative personal anecdotes, this text guides new and aspiring language teachers through key pedagogical strategies while encouraging productive reflection by classroom veterans. An ancillary website provides online videos to complement the text by showing an experienced teacher applying the book’s lessons. In a market dominated by dense theoretical approaches to language pedagogy, this text provides an instantly accessible, practical set of teaching tools for educators at all levels. Its accessible style and affordability give it the flexibility to serve as either a primary or a supplemental text for teaching assistants, students in credential programs, or undergraduates in applied linguistics courses.

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The first comprehensive account of Protestant and Catholic attitudes toward Jews and Judaism in the European Reformation"Austin’s examination of Christian attitudes to Jews during the Reformation throws fascinating new light on the turbulent history of early modern Europe."—Tony Barber, Financial Times "Best Books of 2020: History" ​In this rich, wide-ranging, and meticulously researched account, Kenneth Austin examines the attitudes of various Christian groups in the Protestant and Catholic Reformations towards Jews, the Hebrew language, and Jewish learning. Martin Luther’s writings are notorious, but Reformation attitudes were much more varied and nuanced than these might lead us to believe. This book has much to tell us about the Reformation and its priorities—and has important implications for how we think about religious pluralism more broadly.

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A showcase of the "golden age" of the circus in America The circus is a source of nostalgia for Americans of all ages, either from memories of attending P. T. Barnum's "Greatest Show on Earth," or through the colorful evocations in many movies, television programs, and books. Interest in the circus phenomenon is unflagging, yet there have been few publications that look closely at how the circus's European origins were refashioned for an American audience. Lavishly illustrated and carefully researched, this volume explores how American culture, values, demography, and business practices altered the fundamental nature of the European circus, and how, by the end of the 19th century, they had transformed it into a distinctly American pastime.At the peak of its cultural significance, the circus was a sophisticated combination of theater and business, and made effective use of advertising, train travel, and hyperbole. The subjects in The American Circus reflect this complexity, ranging widely from thematic explorations of circus music and elephants to more closely focused studies of objects such as circus toys, souvenirs, and performers' costumes. The book also explores the dark and even nefarious side of the circus, and its associations with marginalized dimensions of American life and culture. With contributions from leading scholars, this stylishly designed volume aims to identify the salient features of an Americanized cultural product and to analyze its appeal for American audiences.Published for the Bard Graduate Center, NYExhibition Schedule:Bard Graduate Center, NY(09/21/12–02/03/13)

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The South Ulster volume of the Buildings of Ireland covers the inland counties of Cavan, Monaghan and Armagh, an area stretching from the thinly populated uplands around the Cuilcagh Mountains and the cradle of the Shannon to the fertile Blackwater Valley and the southern shores of Lough Neagh. The architecture of the region is as varied as the landscapes that receive it, with building materials adding to the variety while ensuring that the buildings – whether vernacular in spirit or more formally designed – express a deep sense of belonging.

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That Ireland is picturesque is a well-worn cliché, but little is understood of how this perception was created, painted, and manipulated during the long 18th century. This book positions Ireland at the core of the picturesque's development and argues for a far greater degree of Irish influence on the course of European landscape theory and design. Positioned off-axis from the greater force-field, and off-shore from mainland Europe and America, where better to cultivate the oblique perspective? This book charts the creation of picturesque Ireland, while exploring in detail the role and reach of landscape painting in the planning, publishing, landscaping and design of Ireland's historic landscapes, towns, and tourist routes. Thus it is also a history of the physical shaping of Ireland as a tourist destination, one of the earliest, most calculated, and most successful in the world.Published for the Paul Mellon Centre for Studies in British Art

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An indispensable illustratedsource of information for hundreds of species of North American trees

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A wide-ranging study of the painted panorama’s influence on art, photography, and film This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.

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The Han dynasty was the first to forge a stable empire governing all of China. It ruled during a golden age that shaped much of the nation's cultural history and development. In an effort to preserve their legacy of beauty and power, the Han created elaborate tombs containing exquisite artistic treasures intended for use in the afterlife. The finest of these treasures to have survived include exquisite jades, bronzes, and ceramics, found in the tombs of the Han imperial family and of a rival "emperor" of Nanyue.Many of the items, including warrior statues, dancing figures, and priceless jewels—intended to ensure protection, entertainment, and continued wealth and status, respectively—are brought together for the first time in this stunning publication. Featuring newly commissioned photography and essays by leading scholars, this sumptuously illustrated catalogue presents a ground-breaking account of the finest treasures from the Han dynasty.Published in association with The Fitzwilliam Museum, CambridgeExhibition Schedule:The Fitzwilliam Museum, Cambridge(05/05/12–11/11/12)

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In this revelatory work of social history, C. M. Woolgar shows that food in late-medieval England was far more complex, varied, and more culturally significant than we imagine today. Drawing on a vast range of sources, he charts how emerging technologies as well as an influx of new flavors and trends from abroad had an impact on eating habits across the social spectrum. From the pauper’s bowl to elite tables, from early fad diets to the perceived moral superiority of certain foods, and from regional folk remedies to luxuries such as lampreys, Woolgar illuminates desire, necessity, daily rituals, and pleasure across four centuries.

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James Joyce’s Ulysses first appeared in print in the pages of an American avant-garde magazine, The Little Review, between 1918 and 1920. The novel many consider to be the most important literary work of the twentieth century was, at the time, deemed obscene and scandalous, resulting in the eventual seizure of The Little Review and the placing of a legal ban on Joyce’s masterwork that would not be lifted in the United States until 1933. For the first time, The Little Review “Ulysses” brings together the serial installments of Ulysses to create a new edition of the novel, enabling teachers, students, scholars, and general readers to see how one of the previous century’s most daring and influential prose narratives evolved, and how it was initially introduced to an audience who recognized its radical potential to transform Western literature. This unique and essential publication also includes essays and illustrations designed to help readers understand the rich contexts in which Ulysses first appeared and trace the complex changes Joyce introduced after it was banned.

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The first major career-spanning collection of the poems of Adonis, widely acknowledged as the most important poet working in Arabic today “Poetry for [Adonis] is not merely a genre or an art form but a way of thinking, something almost like mystical revelation.”—Charles McGrath, New York Times Born in Syria in 1930, Adonis is one of the most celebrated poets of the Arabic-speaking world. His poems have earned international acclaim, and his influence on Arabic literature has been likened to that of T. S. Eliot’s on English-language verse. This volume serves as the first comprehensive survey of Adonis’s work, allowing English readers to admire the arc of a remarkable literary career through the labors of the poet’s own handpicked translator, Khaled Mattawa. Daring in form and prophetic in tone, Adonis’s poetry sings of both the sweet promise of eros and the problems of the self. He writes of childhood (“Your childhood is a village. / You will never cross its boundaries / no matter how far you go”); of blood, bombs, and mutilation (“Murder has changed the city’s shape”); and of the anguish of exile (“‘I write poetry in the language of the country that sheltered me,’ said a young man who looked old”). Adonis demonstrates the poet’s affection for Arabic and European lyrical traditions even as his poems work to destabilize those sensibilities. This collection positions the work of Adonis within the pantheon of the great poets of exile, including César Vallejo, Joseph Brodsky, and Paul Celan, providing for English readers the most complete vision yet of the work of the man whom the cultural critic Edward Said called “today’s most daring and provocative Arab poet.”

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From the Charge of the Light Brigade to Scott of the Antarctic and beyond, it seems as if glorious disaster and valiant defeat have been essential aspects of the British national character for the past two centuries. In this fascinating book, historian Stephanie Barczewski argues that Britain’s embrace of heroic failure initially helped to gloss over the moral ambiguities of imperial expansion. Later, it became a strategy for coming to terms with diminishment and loss. Filled with compelling, moving, and often humorous stories from history, Barczewski’s survey offers a fresh way of thinking about the continuing legacy of empire in British culture today.

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A comprehensive survey of art in Moscow in the era of the Soviet Union that champions the unquenchable spirit of artistic experimentation in the face of political repression Ambitious and interdisciplinary, Moscow Vanguard Art: 1922-1992 tells the story of generations of artists who resisted Soviet dictates on aesthetics, spanning the Russian avant-garde, socialist realism, and Soviet postwar art in one volume. Drawing on art history, criticism, and political theory, Margarita Tupitsyn unites these three epochs, mapping their differences and commonalities, ultimately reconnecting the postwar vanguard with the historical avant-garde. With a focus on Moscow artists, the book chronicles how this milieu achieved institutional and financial independence, and reflects on the theoretical and visual models it generated in various media, including painting, photography, conceptual, performance, and installation art. Generously illustrated, this ground-breaking volume, published in the year that marks the centennial of the October Revolution, demonstrates that, regardless of political repression, the spirit of artistic experiment never ceased to exist in the Soviet Union.

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The newest volume in the Art Institute of Chicago's successful A+D series, Fashioning the Object invites readers to visit three of the most visionary design studios at work today: Bless, Boudicca, and Sandra Backlund. Fiercely independent and far-reaching in their influences, these young designers from Berlin, London, Paris, and Stockholm are producing fashion objects that straddle the line between traditional craft and cutting-edge technique, both in their use of materials and in the promotion of their brands.Zoë Ryan establishes the context for understanding the exciting departures these design houses represent, as the young creators draw inspiration from an array of other disciplines, including architecture, performance, film, and fine art. From Bless's numbered editions, to Boudicca's graffiti-can perfume, to Backlund's ready-to-wear pieces of knitted copper, these designers adapt storied objects to new uses and break old conventions, promulgating their ideas in playful, groundbreaking ways.Distributed for the Art Institute of ChicagoExhibition Schedule:The Art Institute of Chicago04/14/12-09/13/12

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ART AND ARCHITECTURE OF IRELAND is an authoritative and fully illustrated survey that encompasses the period from the early Middle Ages to the end of the 20th century. The five volumes explore all aspects of Irish art – from high crosses to installation art, from illuminated manuscripts to Georgian houses and Modernist churches, from tapestries and sculptures to oil paintings, photographs and video art. This monumental project provides new insights into every facet of the strength, depth and variety of Ireland’s artistic and architectural heritage. MEDIEVAL c. 400-c. 1600 An unrivalled account of all aspects of the rich and varied visual culture of Ireland in the Middle Ages. Based on decades of original research, the book contains over 300 lively and informative essays and is magnificently illustrated. Readers will enjoy expanding their knowledge of medieval Ireland through explorations of the objects and buildings produced there and the people who created them.Published for the Paul Mellon Centre for Studies in British Art in association with the Royal Irish Academy

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This multifaceted book reviews the vast range of types of printmaking that flourished in France during the 19th century. Studies of this period’s printmaking tend to be confined to histories of individual processes, such as lithography or steel engraving. This study surveys the field as a whole and discusses the relationships between the various media in the context of an overall “visual economy.”Lithography, etching, and engraving are all examined through new research on noteworthy artists of the period, including Hyacinthe Aubry-Lecomte, Léopold Flameng, Ferdinand Gaillard, Aimé de Lemud, Nadar, and Charles Waltner. Rather than simply tracing the rise of Modernism in the 19th century, Distinguished Images reconstitutes the period’s cultural milieu through a series of case studies written with an eye to overarching forces at play. The result is the most original analysis of printmaking to appear in many years—a striking new account of a system in which printmaking, printmakers, and art critics played heretofore unrecognized or misunderstood roles.

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George and Maida Abrams amassed perhaps the finest private collection of Dutch Old Master drawings in the world. This catalogue presents a selection of these superb works, and explores the role of drawing in the creative process in Rembrandt's studio and wider circle. The artists featured include Ferdinand Bol, Govert Flinck, Samuel van Hoogstraten, Jan Lievens, and Nicolas Maes: the key figures in Rembrandt's circle, who at times were deeply influenced by his remarkable style and on other occasions explored different approaches. Their works range from figure studies to landscapes, from narrative and biblical scenes to lively genre scenes. At the heart of the catalogue are ten exceptional drawings by Rembrandt, including two highly finished landscape drawings and a variety of figure studies. The accompanying text is written by two leading scholars of Dutch art, both of whom have worked closely with the Abrams collection. Published in association with the Bruce MuseumExhibition Schedule:Bruce Museum, Greenwich, CT(09/24/11-01/08/12)

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French in Action is a model for video-based language instruction, and the new edition updates the text and workbook for today's students. Since it was first published, French in Action: A Beginning Course in Language and Culture—The Capretz Method has been widely recognized in the field as a model for video-based foreign-language instructional materials. The third edition has been revised by Pierre Capretz and Barry Lydgate and includes new, contemporary illustrations throughout and more-relevant information for today's students in the Documents sections of each lesson. A completely new feature is a journal by the popular character Marie-Laure, who observes and humorously comments on the political, cultural, and technological changes in the world between 1985 and today. The new edition also incorporates more content about the entire Francophone world. In use by hundreds of colleges, universities, and high schools, French in Action remains a powerful educational resource, and the third edition updates the course for a new generation of learners.

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The 18th-century painter Johan Zoffany (1733–1810) was an astute observer of the many social circles in which he functioned as an artist over the course of his long career. This catalogue investigates his sharp wit, shrewd political appraisal, and perceptive social commentary (including subtle allusions to illicit relationships)—all achieved while presenting his subjects as delightful and sophisticated members of polite society. A skilled networker, Zoffany established himself at the court of George III and Queen Charlotte soon after his arrival in England from his native Germany. At the same time, he befriended the leading actor David Garrick and through him became the foremost portrayer of Georgian theater. His brilliant effects and deft style were well suited to theatricality of all sorts, enabling him to secure patronage in England and on the continent. Following a prolonged visit to Italy he travelled to India, where he quickly became a popular and established member within the circle of Warren Hastings, the governor-general. Zoffany's Indian paintings are among his most spectacular and allowed him to return to England enriched and warmly welcomed. This volume provides a sparkling overview of his finest works.Published for the Yale Center for British Art and the Royal AcademyExhibition Schedule:Yale Center for British Art(10/27/11-02/12/12)Royal Academy(03/10/12-06/10/12)

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This fascinating book recounts the extensive building program that took place at Canterbury Cathedral Priory, England, from 1153 to 1167, during the time when Thomas Becket served as Royal Chancellor and then as archbishop of Canterbury. Masterminded by Prior Wibert, the renewal included the physical expansion of the cathedral's precinct, the construction of new buildings, and the installation of a pioneering pressurized water system. This ambitious undertaking utilized a Late Romanesque style, lavish materials, and sculpture, and drew on the optimism and creative energy of the young Angevin rulers of England, Henry II and his queen, Eleanor of Aquitaine. Canterbury Cathedral Priory in the Age of Becket reassesses the surviving remains and relates them to important changes in Benedictine monasticism concerned with hospitality, hygiene, the administration of law, liturgy, and the care of the sick. It also restores to history a neglected major patron of unusual breadth and accomplishments. Peter Fergusson sheds fresh light on the social and cultural history of the mid-12th century.Published for the Paul Mellon Centre for Studies in British Art

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Honorable Mention, Exhibition Catalogues — 2014 AAM Museum Publications Design CompetitionWhile photographs have been exchanged, appropriated, and mobilized in different contexts since the 19th century, their movement is now occurring at an unprecedented speed. The Itinerant Languages of Photography examines photography’s capacity to circulate across time and space as well as across other media, such as art, literature, and cinema. Taking its point of departure from Latin American and Spanish photographic archives, the volume offers an alternative history of photography by focusing on the transnational dimension of technological traffic and image production at a time when photography is at the center of current debates on the role of representation, authorship, and reception in a global contemporary culture.Featuring a wide-range of photographs—images that converse across temporal, political, and cultural boundaries by artists such as Lola and Manuel Alvarez Bravo, Henri Cartier-Bresson, Marcelo Brodsky, Joan Colom, Marc Ferrez, and Joan Fontcuberta—the book argues that the photographic image comes into being only as a consequence of reproduction, displacement, and itinerancy.Distributed for the Princeton University Art MuseumExhibition Schedule: Princeton University Art Museum (09/07/13–01/19/14)

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Personal prayer books and the jottings in their margins tell us about their owners and about life in late medieval and Reformation England In this richly illustrated book, religious historian Eamon Duffy discusses the Book of Hours, unquestionably the most intimate and most widely used book of the later Middle Ages. He examines surviving copies of the personal prayer books which were used for private, domestic devotions, and in which people commonly left traces of their lives. Manuscript prayers, biographical jottings, affectionate messages, autographs, and pious paste-ins often crowd the margins, flyleaves, and blank spaces of such books. From these sometimes clumsy jottings, viewed by generations of librarians and art historians as blemishes at best, vandalism at worst, Duffy teases out precious clues to the private thoughts and public contexts of their owners, and insights into the times in which they lived and prayed. His analysis has a special relevance for the history of women, since women feature very prominently among the identifiable owners and users of the medieval Book of Hours.Books of Hours range from lavish illuminated manuscripts worth a king’s ransom to mass-produced and sparsely illustrated volumes costing a few shillings or pence. Some include customized prayers and pictures requested by the purchaser, and others, handed down from one family member to another, bear the often poignant traces of a family’s history over several generations. Duffy places these volumes in the context of religious and social change, above all the Reformation, discusses their significance to Catholics and Protestants, and describes the controversy they inspired under successive Tudor regimes. He looks closely at several special volumes, including the cherished Book of Hours that Sir Thomas More kept with him in the Tower of London as he awaited execution.

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Horace Walpole's Strawberry Hill Press, founded in 1757, is the most celebrated of the early English private presses, unique for the importance of the books, pamphlets, and ephemera it produced. This illustrated study of the Press draws on a remarkable array of surviving images of the Printing House, many of them newly discovered and previously unstudied. But more than that, this book provides an original and sustained analysis of Walpole's extraordinary literary endeavor, and of the complex variety of purposes that the Press fulfilled. The volume not only assesses all known images to discover what they can tell us about Walpole's Press, but also reveals that, quite unexpectedly, a large part of Walpole's Printing House survives to this day.Distributed for the Lewis Walpole Library

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James Stirling (1926–1992) was one of the most influential architects of the late 20th century. His formally inventive yet historically informed designs inspired a generation of architects in his native England and throughout the world. James Stirling: Revisionary Modernist is the first in-depth, book-length analysis of the architect's work. Amanda Reeser Lawrence focuses on six of Stirling's projects from the early 1950s through the late 1970s, offering detailed formal analysis of the buildings and drawings while also mapping his relationship to a broader architectural and cultural context. Though it is widely held that Stirling took a mid-career turn toward postmodernism, Lawrence shows that he was undeniably modern throughout his career. She clarifies the ways in which Stirling understood modernism as inextricably linked to the past and placed his own work in what he termed a "dialogue with architectural tradition."

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The garden suburb has its origins in London, and, contrary to widespread belief, its earliest phase took place not at the beginning of the 20th century, with the much discussed garden-city movement, but one century earlier, with the creation of the Eyre brothers' villa estate in the London suburb of St. John's Wood. Drawing on the resources of the newly catalogued Eyre archive, Mireille Galinou describes how London acquired one of its most attractive and influential suburbs and how generations of the Eyre family shaped, fought over, lost, and revitalized their inheritance. Little did they know that they were making world history with their winning formula, which set the green suburb agenda for middle classes around the world.

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In Britain today the output of excellent ceramics seems more eclectic than elsewhere. This stylish and wide-ranging survey comprises examples of clay art by one hundred major artists, covering the period from the late 1980s through 2009. Drawn from the Diane and Marc Grainer Collection, it includes works by Allison Britton, Edmund de Waal, Kate Malone, Grayson Perry, Julian Stair, Steve Dixon, and Nick Arroyave-Portela, among others. The selection balances functional objects and sculpture; hand-built, thrown, and molded techniques; varieties of scale and color; and cerebral and emotional content. All the ceramics here are rooted in the materiality of clay. The properties of the raw material, from its soft, malleable texture to the alchemy of slips and glazes, are at the core of the artists’ passion. And, as the text reveals, the younger generation is moving into new directions of art practice.Published in association with the Mint MuseumExhibition Schedule:Mint Museum Uptown, Charlotte, NC(10/01/10 – 03/13/11)

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The American art collector Norton Simon assembled his astonishing collection of more than 8,000 artworks in just thirty-five years. In 1966, with no permanent home for the growing collection, Simon created his “museum without walls” program—lending works to American museums—which continued until 1974, when his collection was housed in the Norton Simon Museum in Pasadena, today considered one of the finest museums in the United States. This beautiful book gives the history of Simon’s art collection, including the most interesting acquisitions and deaccessions. It describes Simon’s early life and business career, chronicles the collection’s development until his last purchase in 1989, and analyzes the collection and the collector. A fully illustrated catalogue of artworks, including those deaccessioned, completes the account. The book draws from the archives of the Norton Simon Museum and transcripts of interviews with friends, colleagues, art dealers, and museum professionals, as well as unpublished writings by Norton Simon.Distributed for The Norton Simon Art Foundation

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A new examination of a fascinating group of paintings from a pioneering mid-century artist In 1960 Eva Hesse (1936–1970) created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these “spectre” paintings as manifestations of a private, haunted interiority in the context of the artist’s burgeoning maturity.The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these underappreciated works, readers will gain new insight into their pivotal role in Hesse’s oeuvre.Published in association with the University of New Mexico Art Museum, AlbuquerqueExhibition Schedule:Hammer Museum, Los Angeles09/25/10-01/03/11University of New Mexico Art Museum(03/25/11-07/24/11)Brooklyn Museum of Art(09/16/11-01/08/12)

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Among all the great transitions that have marked Western history, only one—the triumph of Christianity—can be called in the fullest sense a “revolution” In this provocative book one of the most brilliant scholars of religion today dismantles distorted religious “histories” offered up by Christopher Hitchens, Richard Dawkins, and other contemporary critics of religion and advocates of atheism. David Bentley Hart provides a bold correction of the New Atheists’s misrepresentations of the Christian past, countering their polemics with a brilliant account of Christianity and its message of human charity as the most revolutionary movement in all of Western history.Hart outlines how Christianity transformed the ancient world in ways we may have forgotten: bringing liberation from fatalism, conferring great dignity on human beings, subverting the cruelest aspects of pagan society, and elevating charity above all virtues. He then argues that what we term the “Age of Reason” was in fact the beginning of the eclipse of reason’s authority as a cultural value. Hart closes the book in the present, delineating the ominous consequences of the decline of Christendom in a culture that is built upon its moral and spiritual values.

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For much of early modern history, the opportunity to be immortalized in a portrait was explicitly tied to social class: only landed elite and royalty had the money and power to commission such an endeavor. But in the second half of the 16th century, access began to widen to the urban middle class, including merchants, lawyers, physicians, clergy, writers, and musicians. As portraiture proliferated in English cities and towns, the middle class gained social visibility—not just for themselves as individuals, but for their entire class or industry.In Citizen Portrait, Tarnya Cooper examines the patronage and production of portraits in Tudor and Jacobean England, focusing on the motivations of those who chose to be painted and the impact of the resulting images. Highlighting the opposing, yet common, themes of piety and self-promotion, Cooper has revealed a fresh area of interest for scholars of early modern British art.Published for the Paul Mellon Centre for Studies in British Art

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In the climactic part of his three-book series exploring the importance of public image in the Tudor and Stuart monarchies, Kevin Sharpe employs a remarkable interdisciplinary approach that draws on literary studies and art history as well as political, cultural, and social history to show how this preoccupation with public representation met the challenge of dealing with the aftermath of Cromwell's interregnum and Charles II's restoration, and how the irrevocably changed cultural landscape was navigated by the sometimes astute yet equally fallible Stuart monarchs and their successors.

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Live the Language Designed for English-speaking students ready to embark on the adventure of learning Mandarin Chinese, Encounters accelerates proficiency and cultural understanding through authentic language and cultural experiences. This fully integrated program includes combined textbook/workbook student editions, audio and video instruction, online workbooks, and a comprehensive website with extensive educational resources. The communicative approach of Encounters immerses learners in the Chinese-speaking world through dynamic videos that correspond to units in each textbook. By combining a compelling story line with a wealth of educational materials, Encounters weaves a tapestry of Chinese language and culture.The Intermediate level includes: ·Two full-color combined textbook/workbook Student Books ·Annotated Instructor’s Editions featuring suggested class activities, answer keys, and teaching tips (free with adoption) ·10+ hours of immersive video exercises and cultural segments that motivate students to learn ·300+ minutes of audio material for listening and speaking practice ·A comprehensive website that provides access to all multimedia (included in the price of new print editions For more information or to access the Encounters multimedia, visit www.EncountersChinese.com

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During the 18th century, the arts of industry encompassed both liberal and mechanical realms—not simply the representation of work in the fine art of painting, but the skills involved in the processes of industry itself. Drawing on a wealth of primary sources, Celina Fox argues that mechanics and artisans used four principal means to describe and rationalize their work: drawing, model-making, societies, and publications. These four channels, which form the four central themes of this engrossing book, provided the basis for experimentation and invention, for explanation and classification, for validation and authorization, and for promotion and celebration, thus bringing them into the public domain and achieving progress as a true part of the Enlightenment.

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This compact yet comprehensive history brings ancient Greek civilization alive, from its Stone Age roots to the fourth century B.C. "A highly readable account of ancient Greece."—Kirkus Reviews Focusing on the development of the Greek city-state and the society, culture, and architecture of Athens in its Golden Age, Thomas R. Martin integrates political, military, social, and cultural history in a book that will appeal to students and general readers alike. Now in its second edition, this classic work now features new maps and illustrations, a new introduction, and updates throughout. “A limpidly written, highly accessible, and comprehensive history of Greece and its civilizations from prehistory through the collapse of Alexander the Great’s empire. . . . A highly readable account of ancient Greece, particularly useful as an introductory or review text for the student or the general reader.”—Kirkus Reviews “A polished and informative work that will be useful for general readers and students.”—Daniel Tompkins, Temple University

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Paula Murphy, the leading expert on Irish sculpture, offers an extensive survey of the history of sculpture in Ireland in the nineteenth century, with particular emphasis on the large public works produced during the Victorian period. The works of such major figures as Patrick MacDowell, John Henry Foley, Thomas Kirk, and Thomas Farrell are discussed —as well as works by a host of lesser-known sculptors, including John Edward Carew, Christopher Moore, James Cahill, and Joseph Robinson Kirk. Lavishly illustrated, the book covers the work of many Irish sculptors who practiced abroad, particularly in London, and the work of English sculptors, including John Flaxman, Francis Chantrey, E. H. Baily, and Richard Westmacott, who were located in Ireland. Murphy makes extensive use of contemporary documentation, much of it from newspapers, to present the sculptors and their work in the religious and political context of their time.Published for the Paul Mellon Centre for Studies in British Art

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A gripping personal account of success and failure in Iraq during the crucial first year after the fall of the Ba’athist regime This compelling book presents an unparalleled record of what happened after U.S. forces seized Baghdad in the spring of 2003. Army Colonel Peter R. Mansoor, the on-the-ground commander of the 1st Brigade, 1st Armored Division—the “Ready First Combat Team”—describes his brigade’s first year in Iraq, from the sweltering, chaotic summer after the Ba’athists’ defeat to the transfer of sovereignty to an interim Iraqi government a year later. Uniquely positioned to observe, record, and assess the events of that fateful year, Mansoor now explains what went right and wrong as the U.S. military confronted an insurgency of unexpected strength and tenacity.Drawing not only on his own daily combat journal but also on observations by embedded reporters, news reports, combat logs, archived e-mails, and many other sources, Mansoor offers a contemporary record of the valor, motivations, and resolve of the 1st Brigade and its attachments during Operation Iraqi Freedom. Yet this book has a deeper significance than a personal memoir or unit history. Baghdad at Sunrise provides a detailed, nuanced analysis of U.S. counterinsurgency operations in Iraq, and along with it critically important lessons for America’s military and political leaders of the twenty-first century.

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In this elegant book, modernism is illuminated through little-known but striking works by Ezra Pound, Gertrude Stein, and others who revived the “closet drama”—plays written largely for private reading—as a means of exploring forbidden sexualities.

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In the European Enlightenments it was often argued that moral conduct rather than adherence to certain theological doctrines was the true measure of religious belief. Thomas Ahnert argues that this characteristically “enlightened” emphasis on conduct in religion was less reliant on arguments from reason alone than is commonly believed. In fact, the champions of the Scottish Enlightenment were deeply skeptical of the power of unassisted natural reason in achieving “enlightened” virtue and piety. They advocated a practical program of “moral culture,” in which revealed religion was of central importance. Ahnert traces this to theological controversies going back as far as the Reformation concerning the key question of early modern theology, the conditions of salvation. His findings present a new point of departure for all scholars interested in the intersection of religion and Enlightenment.

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How was Great Britain made? And what does it mean to be British? This brilliant and seminal book examines how a more cohesive British nation was invented after 1707 and how this new national identity was nurtured through war, religion, trade, and empire. Lavishly illustrated and powerful, Britons remains a major contribution to our understanding of Britain’s past, and continues to influence ongoing controversies about this polity’s survival and future. This edition contains an extensive new preface by the author. “A sweeping survey, . . . evocatively illustrated and engagingly written.”—Harriet Ritvo, New York Times Book Review “Challenging, fascinating, enormously well informed.”—John Barrell, London Review of Books “Linda Colley writes with clarity and grace...Her stimulating book will be, and deserves to be influential”—E. P. Thompson, Dissent Linda Colley is Shelby M. C. Davis 1958 Professor of History at Princeton University. Winner of the Wolfson History PrizeNew York Times NotableBook

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The art of Willie Doherty (b. 1959), one of Northern Ireland’s most important artists, joins history, memory, and language into an enveloping experience. This catalogue features two bodies of Doherty’s work: Ghost Story, a tensely beautiful 15-minute media work based on landscape and memory, and a selection of photographs of the borderlands between Northern Ireland and the Republic of Ireland. Arising from the region’s Troubles, Doherty’s art is nonetheless universal in effect and can be seen independent of any specific context. Charles Wylie’s essay deals with how Ghost Story evokes a mind at work trying to recall unsettling things, and the impact of memory on the present. Through vivid imagery, Doherty creates a cinematic tale of quiet suspense whose evocative text (written by Doherty and published here in its entirety) is narrated by the actor Stephen Rea. Critically acclaimed at the 2007 Venice Biennale, Ghost Story is paired with eleven similar yet distinct large-scale color photographs from the 1990s that in still form powerfully depict the famed Irish landscape as a site of unease amidst lyrical beauty. Distributed for the Dallas Museum of ArtExhibition Schedule:Dallas Museum of Art (5/23/09 – 8/16/09)Snite Museum of Art, University of Notre Dame, Indiana (fall 2010)

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Since the 2004 presidential campaign, when the Bush presidential advance team prevented anyone who seemed unsympathetic to their candidate from attending his ostensibly public appearances, it has become commonplace for law enforcement officers and political event sponsors to classify ordinary expressions of dissent as security threats and to try to keep officeholders as far removed from possible protest as they can. Thus without formally limiting free speech the government places arbitrary restrictions on how, when, and where such speech may occur.

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In 1891, Paul Gauguin (1848–1903) traveled to Tahiti in an effort to live simply and to draw inspiration from what he saw as the island’s exotic native culture. Although the artist was disappointed by the rapidly westernizing community he encountered, his works from this period nonetheless celebrate the myth of an untainted Tahitian idyll, a myth he continued to perpetuate upon his return to Paris. He created a travel journal entitled Noa Noa (fragrant scent), a largely fictionalized account that recalled his immersion into the spiritual world of the South Seas. To illustrate his text, Gauguin turned for the first time to the woodcut medium, creating a series of ten dark and brooding prints that he intended to publish alongside his journal—a publication that was never realized. The woodcuts crystallized important themes from his work and are the focus of this major new study. Gauguin's Paradise Remembered addresses both the artist’s representation of Tahiti in the woodcut medium and the impact these works had on his artistic practice. Through its combined sense of immediacy (in the apparent directness of the printing process) and distance (through the mechanical repetition of motifs), the woodcut offered Gauguin the ideal medium to depict a paradise whose real attraction lay in its remaining always unattainable. With two insightful essays, this book posits that Gauguin’s Noa Noa prints allowed him to convey his deeply Symbolist conception of his Tahitian experience while continuing his experiments with reproductive processes and other technical innovations that engaged him at the time.Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum(09/25/10-01/02/11)

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Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea Palladio. Much less well known is the profound influence of native British arts and crafts on Jones's architecture. Likewise, his hostility to the more opulent forms of Italian architecture he saw on his travels has largely gone unnoted. This book examines both of these overlooked issues. Vaughan Hart identifies well-established links between the classical column and the crown prior to Jones, in early Stuart masques, processions, heraldry, paintings, and poems. He goes on to discuss Jones's preference for a "masculine and unaffected" architecture, demonstrating that this plain style was consistent with the Puritan artistic sensitivities of Stuart England. For the first time, the work of Inigo Jones is understood in its national religious and political context.Published for the Paul Mellon Centre for Studies in British Art

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