Search results for ""Author William Shakespeare""

John Wilders - literary advisor to the BBC TV Shakespeare series - brings thorough scholarship and a practical understanding of performance needs to this new edition. Clarity, accessibility and rigour are the hallmarks of an edition which will provide invaluable guidance for all its readers. "This edition has a very helpful introduction and good clear text, as well as the exceptionally excellent and detailed notes." Dr Michael Herbert, St Andrews University "a useful treatment of a complex play'Barry Gaines, University of New Mexico, Shakespeare Quarterly

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'By far the best edition of King Lear - in respect of both textual and other matters - that we now have.'John Lyon, English Language Notes'This volume is a treasure-trove of precise information and stimulating comments on practically every aspect of the Lear-universe. I know of no other edition which I would recommend with such confidence: to students, professional colleagues and also the 'educated public'.'Dieter Mehl, Shakespeare Jahrbuch, vol 134

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This edition of one of Shakespeare's best known and most frequently performed plays argues for Julius Caesar as a new kind of political play, a radical departure from contemporary practice, combining fast action and immediacy with compelling rhetorical language, and finding a clear context for its study of tyranny in the last decade of the reign of Elizabeth 1. The richly experimental verse and the complex structure of the play are analysed in depth, and a strong case is made for this to be the first play to be performed at Shakespeare's Globe Theatre.'Daniell's edition is a hefty piece of serious scholarship that makes a genuine contribution.'Eric Rasmussen, University of Nevada at Reno, Shakespeare Survey'This is a stimulating new look at a play which is too often exhibited in a critical museum.' Paul Dean, English Studies

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This is one of the earliest plays written by William Shakespeare. It revolves around two sets of identical twins that were separated at birth. Years later, fate brings them to the same city, and this unleashes the drama caused by mistaken identities.Also available as part of a 20 book set, including Romeo and Juliet, Hamlet, The Tragedy of Macbeth, A Midsummer Night’s Dream, A Winter’s Tale, The Taming of the Shrew, The Tempest, Twelfth Night, Timon of Athens, The Two Gentlemen of Verona, The Merchant of Venice, Othello, Much Ado About Nothing, King Lear, Julius Caesar, Cymbeline, The Comedy of Errors, As You Like It, Anthony and Cleopatra and All’s Well That Ends Well. About Sweet Cherry Easy Classics:Sweet Cherry Easy Classics adapts classic literature into stories for children, introducing these timeless tales to a new generation.

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Othello is considered to be one of Shakespeare's greatest tragedies. Beginning with an argument in a street in Venice, the grudges and passionate jealousies that fuel Othello's misfortunate plot are quickly revealed in this fantastical manga version of the classic story. Part of a series of graphic novel adaptations of Shakespeare's best-known plays, this is a cutting-edge book that will intrigue and grip readers. Drawing inspiration from trend-setting Japan, this series is illustrated by leading UK manga artists.

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Shakespeare's enduring characters are set adrift in present-day Athens, but a present with a massive difference - an alternative history. Rigid class systems and 'god given' monarchies of the past have not been lost. Modern technologies meet ancient tradition; and the citizens of Athens are frustrated by continuing restrictions and hierarchies. Only the forest, home to the fairies and fey spirits can offer the illicit lovers what they seek.

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The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Edited and introduced by Martin Butler, this first New Cambridge Shakespeare edition of Cymbeline takes full account of the critical and historical scholarship produced in the late twentieth century. It foregrounds the romance, tragicomedy and Jacobean stagecraft that shape the play and offers a refreshingly unsentimental reading of the heroine, Innogen. Butler pays greater attention than his predecessors to the politics of 1610, especially to questions of British union and nationhood. He also offers a lively account of Cymbeline's stage history from 1610 to the present day. The text has been edited from the 1623 Folio and features a detailed commentary on its linguistic and historical features.

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The Oxford Shakespeare General Editor: Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers - a new, modern-spelling text, collated and edited from all existing printings - On-page commentary and notes explain meaning, staging, language, and allusions - Detailed introduction considers the first performance in 1592 in relation to the 1623 folio, structure, theatrical history, and the role of women in the play - Illustrated with production photographs and related art - Full index to introduction and commentary - Durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Troilus and Cressida is perhaps Shakespeare's most philosophical play, and its preoccupation with war, sex, and time has seemed peculiarly relevant since the First World War. Fine productions have demonstrated the play's theatrical power, and critics have explored and illuminated its ideas and its exceptionally complex language. Kenneth Muir, in his introduction, sets the play in its historical context, discusses its odd career in the theatre, examines Shakespeare's handling of his multiple sources, and assesses the contribution of interpretative criticism to a deeper understanding of this sombre examination of a fallen world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The Oxford Shakespeare General Editor Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the works for modern readers - a new, modern-spelling text, based on the 1623 Folio text - on-page commentary and notes explain meaning, staging, language and allusions - detailed introduction considers composition, sources, and critical and theatrical history - includes full text of Plautus' Menaechmi and extracts from Gesta Grayorum and the Geneva Bible - illustrated with production photographs and related art - full index to introduction and commentary - durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' Times Literary Supplement ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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A Midsummer Night's Dream is perhaps the best loved of Shakepeare's plays. It brings together aristocrats, workers, and fairies in a wood outside Athens, and from there the enchantment begins. Simple and engaging on the surface, it is none the less a highly original and sophisticated work, remarkable for both its literary and its theatrical mastery. It is one of the very few of Shakespeare's plays which do not draw on narrative sources, which suggests that it reflects his deepest imaginative concerns to an unusual degree. In his introduction Peter Holland pays particular attention to dreams and dreamers, and to Shakespeare's construction of a world of night and shadows. Both here and in his commentary he explores the play's extensive performance history to illustrate the wide range of interpretations of which it is capable. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Oxford School Shakespeare is an acclaimed edition especially designed for students, with accessible on-page notes and explanatory illustrations, clear background information, and rigorous but accessible scholarly credentials. King Lear is a popular text for study by secondary students the world over. This edition includes illustrations, preliminary notes, reading lists and classroom notes. This title is suitable for all exam boards and for the most recent AS/A level specifications.

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Oxford School Shakespeare is an acclaimed edition especially designed for students, with accessible on-page notes and explanatory illustrations, clear background information, and rigorous but accessible scholarly credentials. A Midsummer Night's Dream is one of the most popular texts for study by secondary students the world over. This edition includes illustrations, preliminary notes, reading lists (including websites) and classroom notes. This title is suitable for all exam boards and for the most recent AS/A level specifications.

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The culminating drama of the Wars of the Roses, Henry VI Part Three plays out the final breakdown of political and family affiliations. This Penguin Shakespeare edition is edited by Norman Sanders with an introduction by Gillian Day.'There, take the crown, and with the crown my curse'Threatened by the Duke of York, King Henry makes a deal to disinherit his own son and make the Duke his heir. Queen Margaret is so angered by her husband's weakness that she declares war on the House of York. As conflict rages throughout England, political and family ties break down with tragic consequences. Can the vulnerable King hold out against the growing menace of the Duke's son, the future Richard III, to keep his throne - and his life?This book includes a general introduction to Shakespeare's life and the Elizabethan theatre, a separate introduction to Henry VI, Part III, a chronology, suggestions for further reading, an essay by Rebecca Brown discussing performance options on both stage and screen, and a commentary. William Shakespeare was born some time in late April 1564 in Stratford-upon-Avon and died in 1616. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. Stanley Wells is Emeritus Professor of the University of Birmingham and Honorary President of the Shakespeare Birthplace Trust.

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'Cry havoc and let slip the dogs of war, That this foul deed shall smell above the earth With carrion men, groaning for burial'Fearful that Caesar will become a tyrant, his friends plot to assassinate him in order to save Rome. But the conspirators' high principles clash with personal malice and ambition, and as they vie to manipulate the mob, the nation is plunged into bloody civil war. A taut, profound drama exploring power and betrayal, Julius Caesar exposes the chasm between public appearance, political rhetoric and bitter reality.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Norman Sanders Introduction by Martin Wiggins

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King John - today remembered as the villainous opponent of Robin Hood and the Magna Carta - was for Shakespeare and his audience a heroic figure who stood up to England's enemies. This Penguin Shakespeare edition is edited by R. L. Smallwood with an introduction by Eugene Giddens.'This England never did, nor never shall,Lie at the proud foot of a conqueror'Under the rule of King John, England is forced into war when the French challenge the legitimacy of John's claim to the throne and determine to install his nephew Arthur in his place. But political principles, hypocritically flaunted, are soon forgotten, as the French and English kings form an alliance based on cynical self-interest. And as the desire to cling to power dominates England's paranoid and weak-willed king, his country is threatened with disaster. This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to Richard II, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary. William Shakespeare (1564-1616) was born to John Shakespeare and Mary Arden in late April 1564 in Stratford-upon-Avon. He wrote about 38 plays (the precise number is uncertain), many of which are regarded as the most exceptional works of drama ever produced, including Romeo and Juliet (1595), Henry V (1599), Hamlet (1601), Othello (1604), King Lear (1606) and Macbeth (1606), as well as a collection of 154 sonnets, which are among the most profound and influential love poetry in English.

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'Shakespeare invented the human as we continue to know it' Harold BloomSet in a city torn apart by feuds and gang warfare, Shakespeare's immortal drama tells the story of star-crossed lovers, rival dynasties and bloody revenge. Romeo and Juliet is a hymn to youth and the thrill of forbidden love, charged with sexual passion and violence, but also a warning of death: a dazzling combination of bawdy comedy and high tragedy. Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by T. J. B. Spencer Introduction by Adrian Poole

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'If we wish to know the force of human genius we should read Shakespeare' William HazlittA soldier of great standing and a newly married man, Othello seems to be in an enviable position. And yet, when his supposed friend sows doubts in his mind about his wife's fidelity, he is gradually consumed by suspicion. In this tragedy of strange, ornate beauty and remarkable psychological power, innocence is corrupted, and goodness and happiness are wantonly destroyed.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Kenneth Muir Introduction by Tom McAlindon

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'If music be the food of love, play on,Give me excess of it'Separated from her twin brother Sebastian after a shipwreck, Viola disguises herself as a boy to serve the Duke Orsino. Wooing a countess on his behalf, she is stunned to find herself the object of her affections. Amorous intrigues, practical jokes, sexual confusion and riotous disorder ensue in this lyrical, hugely popular romantic comedy, which shows both the delights and the perils of desire. Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by M. M. MahoodIntroduction by Michael Dobson

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'This is tragedy naked, godless and unredeemed' Kenneth TynanAn embittered Roman general returns from war, having captured the Queen of the Goths and her three sons. Sacrificing the eldest in memory of his own sons killed in battle, he provokes the queen's unending hatred. And when she gains power by her marriage to the new emperor of Rome, she quickly begins to plot a murderous revenge of barely conceivable cruelty, in Shakespeare's first and most savagely bloody tragedy. Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Sonia MassaiIntroduction by Jacques Berthoud

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This edition celebrates King Henry VI Part 2 as one of the most exciting and dynamic plays of the English renaissance theatre, with its exploration of power politics and social revolution and its focus on the relationship between divine justice and sin. An extensive discussion of performance history traces the play's progress on stage from abridgement and adaptation to full historical epic. A survey of criticism discusses the wide range of responses provoked by the play's handling of its historical theme, and concludes by focusing on the element of burlesque in the attempted social revolution portrayed.

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As You Like It is set in the enchanted Forest of Arden, where Rosalind, the daughter of an exiled duke, and Orlando, the son of one of her father’s courtiers, become entangled in a game of love and mistaken identity.Also available as part of a 20 book set, including Romeo and Juliet, Hamlet, The Tragedy of Macbeth, A Midsummer Night’s Dream, A Winter’s Tale, The Taming of the Shrew, The Tempest, Twelfth Night, Timon of Athens, The Two Gentlemen of Verona, The Merchant of Venice, Othello, Much Ado About Nothing, King Lear, Julius Caesar, Cymbeline, The Comedy of Errors, As You Like It, Anthony and Cleopatra and All’s Well That Ends Well. About Sweet Cherry Easy Classics:Sweet Cherry Easy Classics adapts classic literature into stories for children, introducing these timeless tales to a new generation.

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Antony and Cleopatra is a famous Shakespeare tragedy which follows actual events from Roman History. It is set in ancient Rome and Egypt, revolving around, Antony, a Roman General, and Cleopatra, the Queen of Egypt. Antony falls in love with Cleopatra, and throughout the play remains torn between his duty and his love for her. A fun way to introduce young readers to Roman History!Also available as part of a 20 book set, including Romeo and Juliet, Hamlet, The Tragedy of Macbeth, A Midsummer Night’s Dream, A Winter’s Tale, The Taming of the Shrew, The Tempest, Twelfth Night, Timon of Athens, The Two Gentlemen of Verona, The Merchant of Venice, Othello, Much Ado About Nothing, King Lear, Julius Caesar, Cymbeline, The Comedy of Errors, As You Like It, Anthony and Cleopatra and All’s Well That Ends Well. About Sweet Cherry Easy Classics:Sweet Cherry Easy Classics adapts classic literature into stories for children, introducing these timeless tales to a new generation.

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A murdered King. A usurped Prince. A promise of revenge. Returning to court to find his father murdered and his mother married to the murderer, Hamlet faces a terrible dilemma. This is Shakespeare's great tragedy of passion, corruption and revenge. Rob Icke's acclaimed adaptation of Shakespeare's most famous play originally ran at London's Almeida Theatre before transferring to the West End. This revised and updated edition was published to coincide with the run at New York's Park Armory in summer 2022.

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Lillian Groag presents a new version of Troilus and Cressida that will resonate with contemporary audiences. One of the most obscure plays in Shakespeare’s canon, Troilus and Cressida may also be the Bard’s darkest comedy. Exploring some of the events of Homer’s Iliad, the play juxtaposes the carnage of the Trojan War with a love story between its two titular characters. Lillian Groag’s translation brings this ancient world to modern audiences. Replacing the archaisms with new and accessible phrasing, Shakespeare’s lines regain their meaning and humor in the twenty-first century. This translation illuminates Troilus and Cressida as one of Shakespeare’s funniest, saddest, and most bitterly modern plays. This translation of Troilus and Cressida was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.

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Edward III comes to life in a new version by playwright Octavio Solis. Written after England’s victory over the Spanish Armada in 1588, Edward III follows the exploits of King Edward III and his son Edward, the Black Prince of Wales. England dominates on the battlefield as the play explores questions of kinghood and chivalry through the actions of King Edward and his son. Octavio Solis’s translation of the play provides all of the complexity and richness of the original while renewing the allusions and metaphors lost through time. This translation of Edward III was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.

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Shakespeare’s tragic story of revenge is reimagined for the twenty-first century. One of Shakespeare’s goriest plays, Titus Andronicus traces the fall of the Andronicus family in ancient Rome. Clinging to the ways of the past, Titus desperately seeks to remain loyal to the throne as his world crumbles around him. Amy Freed’s translation of Titus Andronicus is careful and meticulous, making small but mighty changes in moments that enhance the drama of each scene. Freed’s version gives this extraordinary play an even faster track on which to run. This translation of Titus Andronicus was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.

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Ranjit Bolt updates Much Ado About Nothing with a merry new translation. In Much Ado About Nothing, a series of miscommunications and misunderstandings spiral out of control, leaving two sets of lovers to untangle their words and their hearts. Ranjit Bolt, an accomplished translator, takes on Shakespeare’s well-loved comedy to update much of the obscure language while maintaining the humor, characterization, and wit that audiences know and love. For modern readers, Beatrice, Benedick, Hero, and Claudio are just as enchanting as always—and perhaps funnier than ever before. This translation of Much Ado About Nothing was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.

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The two-part tale of King Henry IV, rewritten with new language for the twenty-first century. Shakespeare’s two Henry IV plays follow the exploits of King Henry IV after usurping the crown from his cousin Richard II. Featuring some of Shakespeare’s most recognizable characters such as Prince Hal and the roguish Sir John Falstaff, Henry IV, Part 1 delves into complicated questions of loyalty and kingship on and off the battlefield. Henry IV, Part 2 follows Prince Hal as he grapples with his eventual ascent to the throne and his increasingly strained relationship with Falstaff. As the king falls sick and Hal’s ascent appears imminent, Hal’s decisions hold significant implications for all those around him. Modernizing the language of the two plays, Yvette Nolan’s translation carefully works at the seeds sown by Shakespeare—bringing to new life the characters and dramatic arcs of the original. These translations of Henry IV were written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.

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Considered by most scholars to be the last play that Shakespeare wrote, The Tempest is a stormy tale of betrayal and forgiveness. After being banished by his brother Antonio, Prospero harnesses the magic of an otherworldly island full of monsters and spirits to seek revenge. In reworking this play for a twenty-first-century audience, Kenneth Cavander focuses on the humor and the magic in the tale, much of which has largely escaped modern audiences in recent years. Cavander’s translation of The Tempest, which premiered at the Alabama Shakespeare Festival in 2017, was written as part of the Play On! Shakespeare project, an ambitious undertaking from the Oregon Shakespeare Festival that commissioned new translations of 39 Shakespeare plays. These translations present the Bard’s work in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.

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In Migdalia Cruz’s Macbeth, the Witches run the world. The Macbeths live out a dark cautionary tale of love, greed, and power, falling from glory into calamity as the Witches spin their fate. Translating Shakespeare’s language for a modern audience, Nuyorican playwright Migdalia Cruz rewrites Macbeth with all the passion of the Bronx. This translation of Macbeth was presented in 2018 as part of the Play On! Shakespeare project, an ambitious undertaking from the Oregon Shakespeare Festival that commissioned new translations of 39 Shakespeare plays. These translations present the Bard’s work in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.

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This is the first stage history of Shakespeare's King Henry V to cover the play's theatrical life since its first performance in 1599. Staging this play has always been a political act, and the substantial introduction traces its theatrical interventions into conflicts from the Napoleonic Wars to Vietnam and the Falklands crisis, offering a complete account of the play's fortunes: from its absence in the seventeenth century to its dominant position as historical spectacle in the Victorian period, through twentieth-century productions, which include the popular films by Olivier and Branagh. Together they raise vital interpretative questions: is Henry V an epic of English nationalism, a knowing and cynical piece of power politics, or an anti-war manifesto? The volume also includes the play text, illustrations and detailed footnotes about major performances.

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This The Tempest Complete Play contains the full text of all five acts, with helpful annotations explaining all the tricky bits in plain English. It includes scene overviews and a context section, so that students can keep track of the plot, characters and historical details. Plus, there is lots of practice, with questions and activities at the end of every scene. We've also added Knowledge Organiser pages, which lay all the essentials out in one handy place, and online audio extracts, which let students hear key scenes performed, just as Shakespeare intended.

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Critically acclaimed as one of Shakespeare's most complex and intriguing plays, Twelfth Night is a classic romantic comedy of mistaken identities. In recent years it has returned to the centre of critical debate surrounding gender and sexuality. The Introduction explores the multiple factors that make up the play's rich textual, theatrical, critical and cultural history. Keir Elam surveys the play's production and reception, emphasizing the role of the spectator both within the comedy and the playhouse.

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A story of friendship and how it can overcome all odds, The Two Gentlemen of Verona is another popular romantic comedy by Shakespeare. It is about two inseparable friends, Valentine and Proteus, and how their friendship is affected when they fall in love. Even though their friendship is tested, they deal with their problems and come out better than ever on the other side.Also available as part of a 20 book set, including Romeo and Juliet, Hamlet, The Tragedy of Macbeth, A Midsummer Night’s Dream, A Winter’s Tale, The Taming of the Shrew, The Tempest, Twelfth Night, Timon of Athens, The Two Gentlemen of Verona, The Merchant of Venice, Othello, Much Ado About Nothing, King Lear, Julius Caesar, Cymbeline, The Comedy of Errors, As You Like It, Anthony and Cleopatra and All’s Well That Ends Well. About Sweet Cherry Easy Classics:Sweet Cherry Easy Classics adapts classic literature into stories for children, introducing these timeless tales to a new generation.

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In the heat of renaissance Italy two houses are at war. One son and one daughter from the opposing families break this bitter conflict by falling in love. Yet, in this whirlwind of enmity, Romeo and Juliet’s passion agitates rather than unites the clashing houses, causing a trail of destruction. Locked in a burning embrace, the two young lovers are tragically doomed to live or die together. For the first time, the world-renowned Arden Shakespeare is producing Performance Editions, aimed specifically for use in the rehearsal room. Published in association with the Shakespeare Institute, the text features easily accessible facing page notes – including short definitions of words, key textual variants, and guidance on metre and pronunciation; a larger font size for easier reading; space for writing notes and reduced punctuation aimed at the actor rather than the reader. With editorial expertise from the worlds of theatre and academia, the series has been developed in association with actors and drama students. The Series Editors are distinguished scholars Professor Michael Dobson and Dr Abigail Rokison-Woodall and leading Shakespearean actor, Simon Russell Beale.

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This tragi-comedy is one of the plays we know Shakespeare worked with a collaborator on -- John Fletcher -- and is based on Chaucer's Knight's Tale. This revised edition includes a new introductory essay bringing the edition up-to-date in terms of both the play's performance and critical history, and in particular with current thinking about the nature of Shakespeare's collaboration with other playwrights. As scholars have begun to discover more about this aspect of his career, interest in the play has grown. This revised edition is ideal for undergraduate study, offering on-page annotations to the play text as well as a lengthy, illustrated introduction.

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This Much Ado About Nothing Complete Play contains the full text of all five acts, with helpful annotations explaining all the tricky bits in plain English. It includes scene overviews and a context section, so that students can keep track of the plot, characters and historical details. Plus, there is lots of practice, with questions and activities at the end of every scene. We've also added Knowledge Organiser pages, which lay all the essentials out in one handy place, and online audio extracts, which let students hear key scenes performed, just as Shakespeare intended. The CGP range for Shakespeare also includes a matching Text Guide (9781782948513), which contains all the notes and practice you need to really master Much Ado About Nothing!

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The complete and comprehensive way to support your studies and assessments in 2021 and exams in 2022. Get straight to the heart of the text with crystal-clear notes, focused analysis and expert summaries. Quickly demystify historical contexts and get to grips with the text's form, language and structure. Efficiently unpick plots, contexts and themes and sharpen your memory of key facts, quotations and characters. Power up your essay-writing skills, learn how to write top-grade answers and feel fully ready and equipped to excel in any test or assessment. York Notes are the long-established experts in English Literature, and we take your success seriously. So whether you're studying Macbeth by William Shakespeare for GCSE at home, online or in the classroom, York Notes is your best bet for the best grades. Packed with more powerful features than any other guide, this essential Macbeth study companion is easy to use, brimming with essential info and will quickly become your go-to buddy as you navigate your GCSE course, build your confidence, stay motivated and get ready to impress in any test, assessment or exam. To make sure you feel really ready for the unique challenges of assessment and to get the grades you know you deserve, why not use this Study Guide with the York Notes Workbook and Practice Tests for Macbeth? Just search for 9781292100814 for the Workbook and 9781292236827 for the Practice Tests. Looking for a speedier way to refresh and remember what really matters? Our unique Rapid Revision Cards are fast, fun and have all the answers. Just search now for 9781292273631.

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Michael Hattaway's Introduction to this bestselling edition of As You Like It accounts for what makes this popular play both innocent and dangerous. This third edition includes a new section on recent critical interpretations, including sections on ecocriticism, peace studies, and myths of gender, on recent as well as past stage productions and films of the play, as well as fresh illustrations. An appendix on an early court performance in 1599, commentary on the play's language, the book trade, and the discursive cultures of its time, as well as an updated reading list are also included.

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The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of King Richard III, Janis Lull has added a new section to her introduction, in which she focuses on contemporary productions of the play as well as recent scholarly criticism. Lull emphasises the importance of women's roles in this popular drama but shows how the text has frequently been cut, rewritten and reshaped by directors and actors to enhance the role of Richard, often at the expense of female characters. The special relationship between King Richard III and Macbeth is also explored while the notes detail the play's language in terms that are easily accessible to contemporary readers.

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Act and scene divisions are not indicated in the Quarto; those of the First Folio have been incorporated, with one exception: scene ii of Act V has been divided into two scenes, with the concluding scenes numbered accordingly. The Third Edition includes expanded annotations. "Contexts and Sources" includes dueling arguments on the play’s completeness (one play or one half of a play?) and the naming of a central character (Falstaff or Oldcastle?). "Criticism" includes twenty-four essays—from E. M. W. Tillyard’s classic argument of an ordered Shakespearean universe to Graham Holderness’s rebuttal to Gus Van Sant’s interview regarding 1 Henry IV as the inspiration for his cult film, My Own Private Idaho—nineteen of them new to the Third Edition. The Selected Bibliography has been thoroughly updated.

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“Sources” helps readers navigate King Lear’s rich history and includes the nine essential primary sources from which Shakespeare borrowed significantly in creating his play, along with two additional likely sources. “Criticism”provides thirteen major critical interpretations and three provocative adaptations and responses to King Lear. Critical interpretation is provided by Samuel Johnson, Charles Lamb, Peter Brook, Michael Warren, Lynda E. Boose, Janet Adelman, and R. A. Foakes, among others. The adaptations and responses are by Nahum Tate, John Keats, and Edward Bond. A Selected Bibliography is also included.

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Considered by Thomas de Quincey to be 'perhaps the most superb work in the language', The Two Noble Kinsmen is set in Athens and was co-written by Shakespeare with John Fletcher. This Penguin Shakespeare edition is edited by N. W. Bawcutt with an introduction by Peter Swaab.'Once, he kissed me. I loved my lips the better ten days after'When Theseus, Duke of Athens, learns that the ruler of Thebes has killed three noble kings he swears to take revenge. But after Athens triumphs over the rival city, Theseus is struck by the bravery of two Theban cousins and orders his surgeons to attend to them. Soon, the cousins' lifelong friendship is threatened, as both become overwhelmed with love for the duke's beautiful sister.This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to the play, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary.

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The Oxford Shakespeare General Editor: Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers - A new, modern-spelling text, collated and edited from all existing printings - On-page commentary and notes explain meaning, staging, language, and allusions - Detailed introduction provides a full account of the play's performance history and explores issues of gender, gift-theory, and ecology - Appendices include source materials and a chronology of major productions worldwide - Illustrated with production photographs and related art - Full index to introduction and commentary - Durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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