Search results for ""Author Bernd"

New essays by top international Schiller scholars on the reception of the great German writer and dramatist, emphasizing his realist aspects. The works of Friedrich Schiller (1759-1805) -- an innovative and resonant tragedian and an important poet, essayist, historian, and aesthetic theorist -- are among the best known of German and world literature. Schiller's explosive original artistry and feel for timely and enduring personal tragedy embedded in timeless sociohistorical conflicts remain the topic of lively academic debate. The essays in this volume address the many flashpoints and canonicalshifts in the cyclically polarized reception of Schiller and his works, in pursuit of historical and contemporary answers to Samuel Taylor Coleridge's expression of frightened admiration in 1794: "Who is this Schiller?" The responses demonstrate pronounced shifts from widespread twentieth-century understandings of Schiller: the overwhelming emphasis here is on Schiller the cosmopolitan realist, and little or no trace is left of the ultimately untenable view of Schiller as an abstract idealist who turned his back on politics. Contributors: Ehrhard Bahr, Matthew Bell, Frederick Burwick, Jennifer Driscoll Colosimo, Bernd Fischer, Gail K. Hart, Fritz Heuer, Hans H. Hiebel, Jeffrey L. High, Walter Hinderer, Paul E. Kerry, Erik B. Knoedler, Elisabeth Krimmer, Maria del Rosario Acosta López, Laura Anna Macor, Dennis F. Mahoney, Nicholas Martin, John A. McCarthy, Yvonne Nilges, Norbert Oellers, Peter Pabisch, David Pugh, T. J. Reed, Wolfgang Riedel, Jörg Robert, Ritchie Robertson, Jeffrey L. Sammons, Henrik Sponsel. Jeffrey L. High is Associate Professor of German Studies at California State University Long Beach, Nicholas Martin is Reader in European Intellectual History at the University of Birmingham, and Norbert Oellers is Professor Emeritus of German Literature at the University of Bonn.

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Text in German. There is a copious and wide-ranging body of literature on Karl Friedrich Schinkel, Germany's most important 19th-century architect. But there is not a single work that records and assembles material on buildings by Schinkel that are still standing today, one hundred and sixty years after his death, after two world wars and major political upheavals. This volume is intended to fill the gap by providing the fullest possible compilation. It is surprising how many buildings by Schinkel still exist. There are over 170 of them in 112 different places, 62 in Germany and 49 in Poland and Russia, with Berlin and Potsdam each counting as a single location. The picture is very varied as far as the individual buildings are concerned. The churches make up the greatest number: about 86 of them are still standing. Then come 34 museums, theatres, guardhouses, schools and similar buildings, 18 palaces, castles and manor houses, 12 memorials, 12 tombs, 6 interiors and 4 fonts. A glance at a map of the former state of Prussia shows clearly that the buildings are not distributed evenly. In the west, the Rhineland and Westphalia, there were and are relatively few buildings by Schinkel. There is a decided cluster, the first regional concentration, in the present Saxony-Anhalt, between Magdeburg and Weimar. Further to the east come major accumulations in Berlin and Potsdam, and then the Oderbruch in the east of Brandenburg as another cluster. There are also concentrations of buildings by Schinkel in the Posen area as well as in West and East Prussia. Pomerania and Silesia have far fewer. Heinz Schonemann provides an introductory essay about Schinkel in his day, Helmut Borsch-Supan has contributed accounts of the way in which Schinkel's legacy is being handled today. The catalogue texts are by Martina Abri, Elke Blauert, Eva Borsch-Supan, Bernd Evers, Hillert Ibbeken and Heinz Schonemann.

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Sculptor and architect Bernini was the virtual creator and greatest exponent of Baroque in 17th century Italy. He has left his greatest mark on Rome where Papal patronage provided him with enormous architectural commissions.

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This is the first full-length monograph on the paintings of Bernard Frize (b.1949), an artist whose work straddles movements and styles from Colour Field to Minimalism, Fluxus, and Conceptual Art. Frize's works utilise a carefully constructed range of tools, processes, choreography and collaboration to catalogue, in complex and unexpected abstract form and colour, the possibilities of his chosen materials. Emerging from the politicised 1970s onwards, Frize swam against the tide of opinion regarding painting’s apparent obsolescence to develop a painting practice that could express political commitment and social concerns, while avoiding both overt statement and pure decoration. David Rhodes’ text provides a detailed consideration of Frize’s development, from the earliest works onwards. Placing his paintings in a broader art-historical and philosophical context, a wider conversation about painting itself is presented alongside Frize's significant place within the medium's history.

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?Nadie es tan crítico con mis cosas como yo. Podría actuar contra mí mismo como actúo contra mis personajes.??Le gusta ser malvado?? es una larga conversación nocturna, inédita hasta ahora, que tuvo lugar, en 1977, en la casa de Thomas Bernhard, en Ohlsdorf, entre el controvertido escritor austriaco y el crítico literario y escritor alemán Peter Hamm. La importancia de esta entrevista es que a través de la misma podremos conocer por qué escribía Thomas Bernhard, cómo lo hacía, el porqué de sus provocadoras actitudes, de su manera de pensar y de ser, por qué parecía a los demás un misántropo, cómo y por qué Thomas Bernhard vivía como vivía. En el fondo, un valioso documento para conocer mejor a Bernhard y comprender la obra literaria de uno de lo autores más importantes que han dado las letras alemanas.?Nadie es tan crítico con mis cosas como yo. Podría actuar contra mí mismo como actúo contra mis personajes.?

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The first true monograph on the work of celebrated French conceptual artist and sculptor Bernar Venet Bernar Venet is one of France's most celebrated living artists. Having emerged from the late 1960s avant-garde scene in New York, Venet developed a personal aesthetic based on an innovative use of mathematics and science, where control, chance, and chaos converge to form a fine equilibrium while investigating their relationship with the environment. Conversant in many media, Venet is mostly known for his monumental outdoor sculptures in major cities worldwide and, in fall 19, his Arc Majeur is due for completion at a site in Belgium - at almost 200 feet in height (60 metres), Venet's sculpture will be taller than New York's Statue of Liberty.

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Twelve-year-old Bernice Baransky likes the grunge look she’s come by honestly as the only girl at Porchtown Skate Park who can pop an ollie, ride the rails, and grind the slabs. She’d love to impress Wyatt Anderson, a skater who calls her Dude, but Bernice can’t seem to do more than mumble when he’s around. Should she accept help from a new neighbor, the proper and princessy Odelia, who is desperate to befriend her? Odelia keeps a fancy notebook called Odelia's Guide to the Social Graces and spouts off hilarious lessons on poise, posture, manners, and what to do about embarrassing “oopsies” like unexpected burps and spilled soda. This exciting story takes readers on a thrill ride from the skate park’s half-pipe to Smile Academy, a summer camp for Down syndrome children. A novel full of adventure and heart, it asks the question: can two very different people ever be friends?

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This book collects a series of new portraits by the critically acclaimed New York based painter Katherine Bernhardt (born 1975). The drawings depict a man named Francesco D'Angelo, whom she met while traveling in Peru. The two began sending photos back and forth through WhatsApp of their daily lives.The drawings are accompanied by a group of photo pairings that Bernhardt made of him, alongside other depictions of D'Angelo, as well as images found online that point to similarities between him and others (an image of Jesus in Michelangelo's Last Judgment, for example).

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Leonard Bernstein (1918–90), creator of the Broadway masterpiece, West Side Story, was the best loved and most successful conductor of his generation. He inspired fellow American musicians, being the first native American to direct a major American orchestra, and the first to conquer Europe. This biography covers all aspects of Bernstein’s career, from his extraordinary early rise to fame as a conductor to his work as a world-famous composer, including his musicals and the score for On the Waterfront. It examines the paradoxes of a man who was brilliant, articulate, witty and charming but could also be vain, egocentric and demanding.

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Bernie is a dog with a very special talent - he can balance absolutely anything!One day Bernie gets a very unusual request from a furry friend - can Bernie balance this little dog, too? Soon, dogs from all over the park are hurrying up with a woof and a bark to join in Bernie's brilliant balancing act! But don't worry, Bernie would NEVER let them all fall . . .A playful, bouncing read-aloud story, full of dogs of all shapes and sizes, from the creator of the Everybunny series!

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This first English-language monograph on the Northern Irish-born writer Bernard MacLaverty discusses his fiction in its aesthetic, cultural, and political contexts. Richard Rankin Russell emphasizes MacLaverty's dialectic of imprisonment versus freedom, the latter of which is represented by love. Love in the earlier works is often perverted, whether in the name of family or Irish nationalism, but after the publication of the novel Cal (1983), manifestations of love become more positive and characters attain the potential to escape various forms of imprisonment. Russell identifies three distinct phases of MacLaverty's career: the visual, the sonic, and a blending of the two. He concludes by showing how MacLaverty's style, humor, and values enable his deeply humane fiction to model human community. Attentive to language and theoretically well informed, each chapter of this enterprising book discusses a particular short story collection or novel and also explores the salient features of MacLaverty's fiction in general.

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An illuminating new biography of the connoisseur who changed the art world and the way we see art

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The go-to Bernese Oberland travel guide for discovering the best walks and car tours. Strap on your boots and discover Bernese Oberland on foot with the Sunflower Bernese Oberland travel guide. And on the days when your feet may have had enough, enjoy some spectacular scenery on one of our legendary car tours or train tours. The Sunflower Bernese Oberland guide is indispensable for hiking in Bernese Oberland or seeing Bernese Oberland by car. Although a car is the best way to explore much of the Oberland and Valais, Switzerland boasts the world’s best public transport system. You can see a vast majority of its mountain landscapes by public transport. There are many suggested train tours in the guide. But where trains don’t go, buses will – even to remote valleys and hamlets. Switzerland is a hiker’s paradise (you would expect nothing less of a country which has an article in its constitution regulating the responsibilities of those who maintain the thousands of kilometres of hiking paths!). Mountain huts and comfortable hotels sit atop summits reached by spectacular train or cable car rides, but there is still plenty of space where you will hardly meet a soul. The author, who lives in the area and has written several guides for walkers, caters for all abilities – from gentle strolls through the wine villages of the Valais to more strenuous hikes beside the north face of the Eiger or alongside the largest glacier in the Alps. Information ‘boxes’ add interest to the book – whether describing grape varieties and harvesting methods or the engineering feats of the country’s dams and irrigation channels. There are three main car tours, with dozens of side excursions. A map accompanies each car tour, but there are also two pull-out touring maps covering the whole of western Switzerland.) Of course, there are many suggestions for train, funicular and cable car rides, as well as 75 long and short walks (some of which are specially tailored to motorists). All the main walks are illustrated with 1:50,000 topo maps and free GPS tracks are available from this website. Whatever your age or ability we’ve got some glorious walks and car tours to ensure you have a memorable holiday in this beautiful corner of Switzerland. Inside the Sunflower Bernese Oberland guide book you’ll find: 75 long and short walks for all ages and abilities – each walk is graded so you can easily match your ability to the level of walk Topographical walking maps – give you a clear sense of the surrounding terrain Free downloadable gps tracks – for the techies Satnav guidance to walk starts for motorists 6 car tours and fold-out touring map – for easy reference on your tour Strolls to idyllic picnic spots – enjoy our recommendations for where to picnic along the way Timetables for public transport – ideal if you want to link two walks or avoid hiring a car on your holiday Online update service for the latest information Whether you tour the region by car, train or explore on foot, we look forward to showing you around.

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