Search results for ""Author Bernd"

Lucian Freud is not only the most celebrated artist working in England, but one of the most private. He has frequently stated his reluctance to be photographed and he has almost never agreed to be interviewed. Following the publication of the last ten years of his work by Jonathan Cape in the autumn of 2005, the painter has agreed to talk to Sebastian Smee, a writer on art whom he greatly respects, in a series of conversations rather than formal interviews. He wants to talk about painting itself, the demands of his own work and the painters he admires. Two photographers have had access to Freud's studio. The late Bruce Bernard was a friend for many years and the subject of two of Freud's paintings. Bernard was an authority on photography, a great picture editor, and also a very fine photographer. He made a number of studies of Freud at work. Over the last five years in particular, Freud's assistant, the painter David Dawson, has been photographing the artist constantly. The results reveal various stages of works in progress, including paintings of Dawson himself, and the intensity of the activity in this very secret domain. The only precedent to such a document might be David Douglas Duncan's photographs of Picasso at work, but nothing as extensive has been published on such a major painter before.

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Die Frage nach Herkunft und Wirklichkeit des Guten und des Bösen sowie nach ihrem Verhältnis zueinander hat in der Philosophie- und Religionsgeschichte von Anfang an eine zentrale Rolle gespielt. Ihre Beantwortung hatte entscheidenden Einfluss darauf, wie man Welt und Kultur, Mensch und Ethik in der Beziehung zu Gott bzw. den Göttern wahrnahm. Die Beiträge des Konferenzbandes stellen dar, welche Auffassungen hierzu in Altertum und Antike entwickelt wurden. Dabei reicht der Bogen von den frühen Literaturen aus Ägypten und Mesopotamien, Iran und Griechenland über biblische, qumranische und antik-christliche Texte bis zu dem Werk Manis und dem Koran. So vermittelt der Band einen repräsentativen Eindruck von den Antworten der alten Welt auf eine Lebensfrage der Menschheit. Mit Beiträgen von: Wilhelm Blümer, Devorah Dimant, Jan Dochhorn, Therese Fuhrer, Philip Kreyenbroek, Catherine Mittermeyer, Angelika Neuwirth, Bernd Schipper, Konrad Schmid, Markus Stein, Martin Tamcke, Ulrich Volp

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Gian Lorenzo Bernini (1598–1680), sculptor, architect, painter, and playwright, was the most influential artist of seventeenth-century Rome and, indeed, one of the leading creative forces in European art for most of that century. He is universally recognized as one of the creators of the vastly popular Roman Baroque style, which was quickly disseminated throughout all of Europe. His influence lasted well beyond his death, and the popularity of his numerous works—fountains, statues, churches, and public squares—is today as great as it was during his own lifetime, if not more so. Domenico Bernini (1657–1723) was the artist’s youngest child. Domenico’s full-length biography of his famous father represents one of the most important and most intimate primary sources for the artist’s life and work. In this edition, Franco Mormando presents the first critical translation in any language of the complete Italian text, together with annotated translations of two other significant but brief biographical sketches. Mormando provides a lengthy Introduction that closely examines the author and his career, his editorial agenda and critical reception, Baroque biography as a literary genre, the other extant primary sources, and the artistic vocabulary of early modern Europe, among other relevant topics. Extensive commentary accompanies and illuminates the text from a multiplicity of historical, linguistic, and cultural perspectives. This edition is, in effect, a one-volume encyclopedia on the artist’s life and work. As such, it stands alone within the immense bibliography of Bernini scholarship.

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The only novel from the world-renowned writer C.L.R. James - this extraordinary, big-hearted exploration of class was the first novel by a black West Indian to be published in the UK'A novel written nearly a hundred years ago that brings the past alive with such charm, vitality and humour.' Bernardine Evaristo, from the Introduction'As he walked home he looked up at the myriads of stars, shining in the moonlight. Did people live there? And if they did, what sort of life did they live?'It is the 1920s in the Trinidadian capital, and Haynes' world has been upended. His mother has passed away, and his carefully mapped-out future of gleaming opportunity has disappeared with her.Unable to afford his former life, he finds himself moving into Minty Alley - a bustling barrack yard teeming with energy and a spectacular cast of characters. In this sliver of West Indian working-class society, outrageous love affairs and passionate arguments are a daily fixture, and Haynes begins to slip from curious observer to the heart of the action.Minty Alley is a gloriously observed portrayal of class, community and the ways in which we are all inherently connected. An undisputed modern classic, this is an exceptional story told by one of the twentieth century's greatest Caribbean thinkers.Selected by Booker Prize-winning author Bernardine Evaristo, this series rediscovers and celebrates pioneering books depicting black Britain that remap the nation.

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A collection of Bernard Crick's writings comprising everything he ever wrote for The Political Quarterly from the late 1950s to 2008 - newly re-edited and with an Introduction, the collection reveals the intellectual and political development, as well as the wit and style, of one of the most intriguing public intellectuals of the postwar period. Includes articles, reviews, all assignable commentaries, and the first chapter of his abandoned history of the Political Quarterly journal, from the late 1950s to 2008 The earliest pieces coincide with his beginnings as a new lecturer at the LSE, follows his ideas, insights and preoccupations through his years as author of the classic In Defence of Politics and his biography of Orwell, to his later work with the Home Office on citizenship and articles written in the last year of his life. Explores how a person universally described in his 2008 obituaries as ambitious, self-centred and personally difficult could assume such an important role in the collective enterprise of The Political Quarterly. A definitive collection, unrivalled in its depth and span of years, covering such perennial (and PQ) issues as public policy, governance, parliamentary reform, education, citizenship, the fortunes of the Labour party, and the evolution of leftward politics in the UK.

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George Bernard Shaw's frequently stormy but always creative relationship with the British Broadcasting Corporation was in large part responsible for making him a household name on both sides of the Atlantic. From the founding of the BBC in 1922 to his death in 1950, Shaw supported the BBC by participating in debates, giving talks, permitting radio and television broadcasts of many of his plays - even advising on pronunciation questions. Here, for the first time, Leonard Conolly illuminates the often grudging, though usually mutually beneficial, relationship between two of the twentieth century's cultural giants. Drawing on extensive archival materials held in England, the United States, and Canada, Bernard Shaw and the BBC presents a vivid portrait of many contentious issues negotiated between Shaw and the public broadcaster. This is a fascinating study of how controversial works were first performed in both radio and television's infancies. It details debates about freedom of speech, the editing of plays for broadcast, and the protection of authors' rights to control and profit from works performed for radio and television broadcasts. Conolly also scrutinizes Second World War-era censorship, when the British government banned Shaw from making any broadcasts that questioned British policies or strategies. Rich in detail and brimming with Shaw's irrepressible wit, this book also provides links to online appendices of Shaw's broadcasts for the BBC, texts of Shaw's major BBC talks, extracts from German wartime propaganda broadcasts about Shaw, and the BBC's obituaries for Shaw.

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'Jacob Ross is a truly amazing writer. Black Rain Falling is an outstanding novel' BERNARDINE EVARISTO, WINNER OF THE BOOKER PRIZE'Jacob Ross is a unique and thrilling new voice in crime fiction' MARK BILLINGHAMDelving into issues of family, class and loyalty, Black Rain Falling is a stunning crime novel that asks how far one should go to protect those they love.On the Caribbean island of Camaho, forensics expert Michael 'Digger' Digson is in deep trouble.His fellow CID detective Miss Stanislaus kills a man in self-defence - their superiors believe it was murder, and Digger given just six weeks to prove his friend is innocent.While the authorities bear down on them, Digger and Miss Stanislaus investigate a shocking roadside murder, the first tremors of a storm of crime and corruption that will break over Camaho at any moment.

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Get started with Git—today! Walk through installation and explore the variety of development environments available. Understand the concepts that underpin Git’s workflows, from branching to commits, and see how to use major platforms, like GitHub. Learn the ins and outs of working with Git for day-to-day development. Get your versioning under control! · Get hands-on practical experience with Git· Understand branches, commands, commits, workflows, and more· Learn to use GitHub, GitLab, and alternative Git platforms Installation and SetupInstall Git on your machine and explore the interfaces and development environments available: IntelliJ, VS Code, Atom, and more. Understand the interactions between Git and the command line. Key Functionality Walk through the core functionality of Git and GitHub: repositories, commits, pushes and pulls, branches, merging, hooks, and the importance of properly-written commit messages.Best Practices and TroubleshootingGet the most out of Git using best practices for managing Unix dotfiles, switching a project from SVN to Git, and more. Explore common error messages and learn how to avoid and rectify them. Git: Everyone knows it—with this book you’ll learn to master it! Git is a version control system widely used amongst developers to manage project code. It is an indispensable tool, whether you want to track changes in your own files, work on open source projects, or collaborate on complex application development with a software development team. As useful as Git is, mastering it is no easy task. You know the feeling: the Git command line returns an incomprehensible error message and you break out into a cold sweat. Did you just destroy the repository for the entire team? Will your code ever be the same again? Git: Project Management for Developers and DevOps Teams is here to put your mind at ease! The more you know about Git and its internal mechanisms, the better equipped you will be to use Git commands to your advantage. Before long, you’ll be able to resolve errors, avoid merge conflicts, and manage even the largest projects with ease. In this hands-on manual, expert authors Michael Kofler and Bernd Öggl provide you with step-by-step Git guidance. You’ll learn to install Git, use its interfaces and environments, work with the command line, and more. Brimming with tips and tricks, best practices, and key techniques for versioning and project management, this is your resource for all things Git. Highlights: Installation Development environments Repositories Commits Branches Merging Hooks GitHub GitLab Workflows Best practices Command reference

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Few works of art better illustrate the splendor of eleventh-century painting than the manuscript often referred to as the “precious gospels” of Bishop Bernward of Hildesheim, with its peculiar combination of sophistication and naïveté, its dramatically gesturing figures, and the saturated colors of its densely ornamented surfaces. In The Bernward Gospels, Jennifer Kingsley offers the first interpretive study of the pictorial program of this famed manuscript and considers how the gospel book conditioned contemporary and future viewers to remember the bishop. The codex constructs a complex image of a minister caring for his diocese not only through a life of service but also by means of his exceptional artistic patronage; of a bishop exercising the sacerdotal authority of his office; and of a man fundamentally preoccupied with his own salvation and desire to unite with God through both his sight and touch. Kingsley insightfully demonstrates how this prominent member of the early medieval episcopate presented his role to the saints and to the communities called upon to remember him.

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An advanced introduction to Benjamin's work and its actualization for our own times. Walter Benjamin (1892-1940) has emerged as one of the leading cultural critics of the twentieth century. His work encompasses aesthetics, metaphysical language and narrative theories, German literary history, philosophies of history, the intersection of Marxism and Messianic thought, urban topography, and the development of photography and film. Benjamin defined the task of the critic as one that blasts endangered moments of the past out of the continuum of history so that they attain new significance. This volume of new essays employs this principle of actualization as its methodological program in offering a new advanced introduction to Benjamin's own work. The essays analyze Benjamin's central texts, themes, terminologies, and genres in their original contexts while simultaneously situating them in new parameters, such as contemporary media, memory culture, constructions of gender, postcoloniality, and theories of urban topographies. The Companion brings together an international group of established and emerging scholars to explicate Benjamin's actuality from a multidisciplinary perspective. Designed for audiences interested in literary criticism, cultural studies, and neighboring disciplines, the volume serves as a stimulus for new debates about Benjamin's intellectual legacy today. Contributors: Wolfgang Bock, Willi Bolle, Dianne Chisholm, Adrian Daub, Dominik Finkelde, Eric Jarosinski, Lutz Koepnick, Vivian Liska, Karl Ivan Solibakke, Marc de Wilde, Bernd Witte Rolf J. Goebel is Distinguished Professor of German and Chair of the Department of WorldLanguages and Cultures at the University of Alabama in Huntsville.

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Bernd Schröder erschließt die Religionspädagogik unter fünf verschiedenen, methodisch reflektierten Perspektiven. Sein Lehrbuch entfaltet das Fach mit historischer Tiefenschärfe und unter vergleichender Wahrnehmung religiöser Erziehung in anderen Religionen (Judentum und Islam) und Ländern (England und Frankreich); er verbindet empirische Bestandsaufnahmen mit systematischer Konzept- und Begriffsentwicklung, ohne darüber sein handlungsorientierendes Interesse aus dem Blick zu verlieren.Auf diese Weise entsteht ein umfassendes Panorama religionspädagogischer Herausforderungen und Lösungsansätze für die Lernorte Schule und Gemeinde, Medien und Familie sowie - erstmals explizit entfaltet - Öffentlichkeit. Religionspädagogik wird als theologische Disziplin profiliert, die mit ihrer unerlässlichen Methodenvielfalt an eine Fülle theologischer wie nicht-theologischer Disziplinen anschließt. Sie sichtet deren Erträge unter dem ihr eigenen Fokus auf Bildung aus christlicher, hier: evangelischer Perspektive, wertet sie kritisch aus und führt sie weiter zu einer integralen Theorie, die mannigfaltiges Handeln der Akteure bestimmt und orientiert.Die 2. Auflage bietet u.a. aktuelle empirische Daten und Analysen; zudem wurden etwa Abschnitte zu Heterogenität und Digitalität als Vorzeichen religiöser Bildung, zur Hochschuldidaktik, zur religiösen Bildung im Lebenslauf sowie Anleitungen für die Erarbeitung von Unterrichtsentwürfen in Schule und Gemeinde ergänzt.

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The Mystical Science of the Soul explores the unexamined influence of medieval discourses of science and spirituality on recogimiento, the unique Spanish genre of recollection mysticism that served as the driving force behind the principal developments in Golden Age mysticism. Building on recent research in medieval optics, physiology, and memory in relation to the devotional practices of the late Middle Ages, Jessica A. Boon probes the implications of an 'embodied soul' for the intellectual history of Spanish mysticism. Boon proposes a fundamental rereading of the key recogimiento text Subida del Monte Sion (1535/1538), which melds the traditionally distinct spiritual techniques of moral self-examination, Passion meditation, and negative theology into one cognitively adept path towards mystical union. She is also the first English-language scholar to treat the author of this influential work - the Renaissance physician Bernardino de Laredo, a pivotal figure in the transition from medieval to early modern spirituality on the Iberian peninsula and a source for Teresa of Avila's mystical language.

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In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s—Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (A&T), and the Artist Placement Group (APG) in the UK. The subjects covered include collaborative projects between artists and scientists, commercial ventures and experiments in intermedia, multidisciplinary undertakings, effacing authorship to activate the spectator, suturing gaps between art and government, and remapping the landscape of everyday life in terms of technological mediation. Among the artists discussed in the volume and of interest to a broad public beyond the art world are Bernd and Hilla Becher, John Cage, Hans Haacke, Robert Irwin, John Latham, Fujiko Nakaya, Carolee Schneemann, James Turrell, Yvonne Rainer, Robert Rauschenberg, and Robert Whitman. Prominent engineers and scientists appearing in the book’s pages include Elsa Garmire, Billy Klüver, Frank Malina, Stanley Milgram, and Ed Wortz. This valuable collection aims to introduce readers not only to hybrid work in and as depth, but also to work in and as breadth, across disciplinary practices where the real questions of hybridity are determined.

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Was heißt "Schöpfung" und wie unterscheidet sie sich vom Begriff "Natur"? Die biblischen Schöpfungstexte bezeugen vielfältige Vorstellungen über die Erschaffung der Welt, die Stellung des Menschen in ihr sowie die Rolle der Tiere und Pflanzen auf dem gemeinsamen Lebensraum Erde. Trotz des Wandels vom geozentrischen zum heliozentrischen Weltbild und von da zum unendlichen Universum und trotz der Einsichten der modernen Naturwissenschaft in den Aufbau des Kosmos sind die biblischen Vorstellungen vom Wirken eines Schöpfergottes nicht einfach obsolet. Vielmehr prägen sie mehr oder weniger deutlich unsere Welterfahrung bis heute. In seinem Lehr- und Studienbuch legt Bernd Janowski eine Gesamtdarstellung des biblischen Schöpfungsglaubens vor, die sowohl die kosmologischen Traditionen der Antike als auch in Auswahl die tier- und umweltethischen Perspektiven der Neuzeit und der Gegenwart berücksichtigt. Die vorliegende Darstellung gliedert sich in vier Haupt- und zwölf Unterabschnitte, die durch drei Anhänge mit zentralen Schöpfungstexten des Alten Testaments von Gen 1 bis Sir 43, mit Texten und Bildern zur Kosmologie der Antike vom alten Ägypten bis zum Koran sowie mit Dokumenten zur Tier- und Umweltethik von Montaigne bis zur Gegenwart ergänzt werden.

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Ethical leadership does not simply emerge from a code of conduct, a good school, or a host of good intentions. It is an individual choice, or rather a series of choices that emerges from the complex interaction of personal values with social imperatives. This book explores how and why some people become ethical leaders in morally challenging and complex social environments. In Ethical Leadership, Aidan McQuade provides insight into the concept of human agency – the individual’s choice of a course of action in response to the options posed by that individual’s engagement with the social world. He puts forth a new model of human agency – the "cruciform of agency" – which recognises that the potential range of individual action emerges from the nature of the resonance that social options strike with personal thoughts. Every action adds to the individual’s personal biography in ways that influence subsequent choices by confirming or changing personal values and hopes, hence influencing the way the individual subsequently thinks about the world. In explaining the potential and limits of human agency for ethical leadership, the book establishes a basis for executives, policy makers and academics to conceptualise and develop more robust and realistic approaches for the mitigation of some of the most pressing moral issues facing humanity today. These include the inter-related challenges of modern slavery and global warming, which pose such critical threats to the Earth itself. In this book McQuade not only sets an agenda for action but empowers individual leaders to find the moral courage to better advance human rights and preserve the environment even when such action requires unpopular choices. Events around the book Link to a De Gruyter Online Event in which the author and independent human rights consultant Aidan McQuade together with Bernd Vogel, Director of the Henley Centre for Leadership at Henley Business School, Joanne Murphy, Director of Research & Co-Director of the Centre for Leadership, Ethics & Organisation at Queen’s Management School; Ambassador Luis C. deBaca, Professor from Practice, University of Michigan Law School discuss topics such as: what potentially deters leaders from making ethical decisions; what can they draw upon both internally and externally to do the right thing when doing so may be unpopular; how, in the light of fake news, can leaders communicate ethically; and much more:https://youtu.be/EYAAGiCX4cI

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Wie bei kaum einer anderen historischen Gestalt der Kirchengeschichte ist die Biographie Luthers mit seiner Theologie verbunden. Das hat auf der einen Seite mit dem spezifischen Zuschnitt der reformatorischen Theologie zu tun, die auf das Innere des individuellen Menschen im Glauben zielt. Auf der anderen Seite ist immer auch der Vorwurf lautgeworden, Luther habe Elemente seiner eigenen Lebensgeschichte theologisch überhöht. Der vorliegende Band nimmt entscheidende Stationen der Biographie Luthers jeweils aus zwei unterschiedlichen Perspektiven in den Blick: der historischen und der theologischen. Dabei ergeben sich interessante Schnittmengen, die zu einer weiteren und sachgerechten Behandlung des Verhältnisses von Lebensgeschichte und Glaubenseinsicht veranlassen.An der historisch-theologischen Erkundung haben sich Gelehrte aus unterschiedlichen Generationen der Lutherforschung beteiligt. Mit Beiträgen von:Martin Brecht, Wolfgang Breul, Hans-Martin Kirn, Armin Kohnle, Dietrich Korsch, Volker Leppin, Bernd Moeller, Andreas Odenthal, Wolf-Friedrich Schäufele, Johannes Schilling, Georg Schmidt, Anselm Schubert, Reinhard Schwarz, Walter Sparn

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In the last twenty years the biofuels industry has developed rapidly in many regions of the world. This timely book provides an in-depth and critical study of the law and policies in many of the key biofuels producing countries, such as Brazil, China and the US, as well as the EU, and a number of other countries where this industry is quickly developing. Drawing on a range of disciplines, the contributors examine the roles of the public and private sectors in the governance of biofuels. They discuss topics such as sustainability and biofuels, and provide a critical review of regulatory regimes for biofuels. They conclude by proposing recommendations for more effective and efficient biofuel policies.Academics working in the area of renewable energy and students in environmental law will find this book to be of interest. It will also be of use to policy makers around the world looking to learn from various existing regimes.Contributors: G. Berndes, M. Brandão, A. Cowie, A. Cowie, K.S. Dahmann, J. De Beer, O. Englund, L.B. Fowler, A. Genest, L. Guo, M.-H. Labrie, Y. Le Bouthillier, E. Le Gal, O.J. Lim Tung, W.E. Mabee, F. Maes, L.D. Malo, M. Mansoor, P. Martin, H. Mcleod-Kilmurray, M.J.F. Montefrio, B.E. Olsen, R.O. Owino, P. Pereira De Andrade, M. Powers, A. Rønne, P.M. Smith, T. Smith, S. Soimakallio, I. Stupak, V.M. Tafur, A.R. Taylor

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Die Autoren des vorliegenden Bandes interpretieren in historischen, exegetischen und hermeneutischen Untersuchungen Aussagen des Neuen Testaments über das Endgültige gegenüber allem Vorläufigen. Die verschiedenen eschatologischen Vorstellungen erhellen zugleich theologische Grundentscheidungen. In allen diesen Texten ist das Verhältnis eschatologischer Vorstellungen zum Christusgeschehen entscheidend. Das Verständnis der Zeit und der Geschichte mit Blick auf ihr Ende, die Frage nach der Auferstehung und nach dem Gericht, nach der endgültigen Versöhnung und der Gottesgemeinschaft sowie nach der spannungsreichen gegenwärtigen eschatologischen Existenz sind damit verbundene Themen. Die individuellen, die universalen und die kosmischen Dimensionen der Eschatologie werden vor ihrem traditions- und religionsgeschichtlichen Hintergrund so entfaltet, dass ihre theologische Bedeutung erhellt wird. Mit Beiträgen von:Jens Adam, John M.G. Barclay, Martin Bauspieß, Stephen C. Barton, Lutz Doering, Hans-Joachim Eckstein, Simon Gathercole, Bernd Janowski, Christof Landmesser, Hermann Lichtenberger, Friederike Portenhauser, Anna Maria Schwemer, Francis Watson, Benjamin G.Wold, Philip G. Ziegler

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Set in the South of France, a fiendishly clever thriller about the back-stabbing literary world, from the bestselling author of the Bernie Gunther series of prize-winning historical novels.Robert Harris's THE GHOST meets Patricia HighsmithIf you want to write a murder mystery, you have to do some research... or pay someone else to do it for you. In a luxury flat in Monaco, John Houston's supermodel wife lies in bed, a bullet in her skull.Houston is the world's most successful thriller writer, the playboy head of a literary empire that produces far more books than he could ever actually write. Now the man who has invented hundreds of bestselling killings is wanted for a real murder and on the run from the police, his life transformed into something out of one of his books.And in London, the ghostwriter who is really behind those books has some questions for him too...

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Ruhrchemie AG, a chemical company based in Oberhausen (Germany) has, since its founding in 1928, consistently maintained a photographic archive of the company's history. In addition to numerous professional and amateur photographers, whose pictures were shown in company magazines and brochures, Ruhrchemie commissioned photographs from luminaries of the profession such as Albert Renger-Patzsch and Robert H usser. This book of photographs presents a selection from the wide range of images in the collection, including factory architecture, industrial landscapes, and employees. Renger-Patzsch's cool approach, which aimed for objectivity, was ideally suited to the representation of both industrial architecture and engineering structures. In contrast to Renger-Patzsch's images, which are mostly devoid of human beings, H usser photographed the workers in the workplace. Apart from his trademark black and white photos, more than one hundred color slides have been preserved in the company's archive. Many of these are published here for the first time. Text in English and German. Contents: A directed view. Industrial photography for the Ruhrchemie AG in Oberhausen; Asrchitectures, Processes, Products; Chemical Images. The Ruhrchemie in photographic records. Photographers: Albert Renger-Patzsch / Karl Hugo Schm lz / Ludwig Windstosser / Bernd and Hilla Becher / Rudolf Holtappel / Robert H usser / Joachim Schumacher / Hermann Dornhege / Christian Diehl.

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The Big Book of Breasts was an immediate best seller when it debuted in 2006. Its 396 pages introduced readers to the top naturally bountiful nude models of the 1950s, ’60s and ’70s, amazingly mammiferous beauties including Virginia Bell, Roberta Pedon, Mary Waters, Keli Stewart and many more. The one and only complaint was that there was no biographical information on these curvaceous cuties, no lists of their magazines and films to give readers a more intimate connection. We listened, and The Bigger Book of Breasts answers! Not only are there more pages with all new photos of your favorite big breast models of the ’50s through ’70s, there are also personal profiles for each and every one. Which model married comedian Richard Pryor? Who inspired Russ Meyer’s first film? Where are those free Mary Waters loops? And yes, Roberta Pedon is alive and well! Further updating the “Bigger” theme, we added the 12 most incredible, natural, and provocative breast models of today, gathered from across the world by Berlin-based photographer, Bernd Daktari Lorenz. Nadine Jansen, Luna Amor, Miosotis Claribel and the incredible Hitomi Tanaka prove breasts are bigger than ever, and bigger is beautiful, for both breasts and books. Wrap it up with stunning photos of our original cover girl Kelly Madison and The Bigger Book of Breasts is a bigger treat for all.

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Seventeenth-Century European Drawings in Midwestern Collections: The Age of Bernini, Rembrandt, and Poussin brings together nearly two hundred treasures of the Baroque age from museum collections throughout the Midwest. The volume presents a fascinating and representative selection of Italian, Dutch, Flemish, and French drawings in Midwestern repositories, offering new insights on many of these works of art. Many are relatively unknown, and some have never before been published. Authored by major scholars in the field, the catalogue presents each drawing along with a concise description with full scholarly apparatus. Four essays, written by Babette Bohn, George S. Keyes, Kristi A. Nelson, and Alvin L. Clark, Jr., respectively, introduce the Italian, Dutch, Flemish, and French schools. The catalogue's introductory essay, by Shelley Perlove, places these works within the historical, iconographic, and stylistic currents of seventeenth-century art. The catalogue is designed to have widespread appeal for art historians, curators, artists, collectors, students, and general readers interested in art and cultural history. Moreover, Seventeenth-Century European Drawings in Midwestern Collections highlights the surprising number of institutions throughout the Midwest that have acquired distinguished European drawings from the seventeenth century worthy of full recognition by collectors and connoisseurs.

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Senator Bernie Sanders won 13 million votes and a majority of young voters in the 2016 Democratic primary, giving a consensus unbeatable party favorite, Hillary Clinton, a shockingly close challenge. He emerged from the presidential election as the most popular politician in the US, despite being a 75-year-old self-professed "democratic socialist." What lessons can be drawn from this surprising but-in the end-losing campaign, and what to make of the direction the Sanders movement has gone since the election?Vermont native Heather Gautney is a senior policy advisor to Bernie Sanders in his Washington, DC office and was a senior researcher on his presidential campaign. The author and editor of several books on social movements and American politics, she brings her scholarly expertise and left politics to bear on the scenes and conflicts she witnessed from inside the campaign and inside the Beltway. This is both an insider's sympathetic view of the Sanders phenomenon and a skeptical left scholar's view of its limitations. In reviewing what enabled Sanders to reach out to an unprecedented number of people with a socialist message, she draws lessons about the prospects and perils of building a leftist movement in the United States. Gautney's reflections on the role that race and class played in this election cycle and analysis of the prospects and perils of the Democratic Party will advance the passionate debate over how to build a progressive opposition to Trump and a lasting left movement in America.

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Der neue Pietismus und Neuzeit-Doppelband 46/47 hat auf sich warten lassen, aber das Warten hat sich gelohnt. Neben einem buch- und verlagsgeschichtlichen Schwerpunkt mit Beiträgen zu Lesern und Empfängern hallischer Bücher in Schlesien im 18. Jahrhundert (Brigitte Klosterberg), zur Zunnerischen Buchhandlung um 1700 (Oliver Kruk) und zu Übersetzungen und Kommentaren jansenistischer Bücher in pietistischen Kontexten (Christoph Schmitt-Maaß) sowie zu Zinzendorfs (erstem) Zeitungsprojekt Der Parther von 1725 (Otto Teigeler) schreiten weitere Aufsätze die historische und thematische Bandbreite des Pietismus und seiner Erforschung aus: beginnend mit einer kritischen Relektüre der Dokumente zur Buttlarschen Rotte um 1700 und ihrer Bewertung in der jüngeren Forschung (Stefanie Siedeck-Strunk), einer Auseinandersetzung mit mittelalterlicher Frauenmystik im Kontext des von dem Wittenberger Theologen Martin Chladni (1669-1725) betriebenen Streites um den Pietismus (Bernd Roling), und Mitte des 19. Jahrhunderts zur Indienstnahme von Magnetismus und Somnambulismus in der Theologie August Tholucks (Sabine Wolsink). Wie üblich runden Rezensionen, Bibliographie und Register den Band ab.

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Captain Douglas Berneville-Claye was serving with the fledgling SAS with fellow officers such as David Stirling and Blair Paddy' Mayne when he was captured in the Western Desert. He was turned' and became a member of the Nazi Waffen-SS. Collaboration with the enemy was confirmed when dressed as an SS captain he approached remnants of the British Free Corps; the Waffen-SS unit composed of renegade British nationals. He exhorted them to serve under his command against Russian forces. Post-war Berneville-Claye was investigated by MI5 for treachery. Following an Army court-martial he was dishonourably dismissed and sentenced to six months imprisonment. Upon release, his escapades and private life were no less contentious. A philanderer and bigamist, he married four times, sired ten children and rubbed shoulders with the criminal underworld in and out of prison. Eventually he succeeded in emigrating to Australia. Thanks to the author's painstaking research, this is a compelling yet shocking biography of one of the most intriguing, colourful and disreputable characters of his era. How he escaped with his life is a question readers will ponder.

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New essays employing a multitude of approaches to the works of Kleist, in the process shedding light on our present modernity. Modernity, according to some views, poses the problem of homo politicus -- the problem of how to act in a moral universe without a "master narrative," without a final foundation. From this angle, the oeuvre of Heinrich vonKleist -- novellas, dramas, and essays -- addresses problems emerging from a new universe of Kantian provenance, in many ways the same universe we inhabit today. This volume of new essays investigates Kleist's position in ourever-changing conception of modernity, employing aesthetic, narrative, philosophical, biographical, political, economic, anthropological, psychological, and cultural approaches and wrestling with the difficulties of historicizingKleist's life and work. Central questions are: To what extent can the multitude of breaking points and turning points, endgames and pre-games, ruptures and departures that permeate Kleist's work and biography be conceptually bundled together and linked to the emerging paradigm of modernity? And to what extent does such an approach to Kleist not only advance understanding of this major German writer and his work, but also shed light on the nature of our present modernity? Contributors: Seán Allan, Peter Barton, Hilda Meldrum Brown, David Chisholm, Andreas Gailus, Bernhard Greiner, Jeffrey L. High, Anette Horn, Peter Horn, Wolf Kittler, Jonathan W. Marshall, Christian Moser, Dorothea von Mücke, Nancy Nobile, David Pan, Ricarda Schmidt, Helmut J. Schneider. Bernd Fischer is Professor of German at the Ohio State University. Tim Mehigan is Professor of German in the Department of Languagesand Cultures at the University of Otago, New Zealand.

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Each of the five volumes in the Stone Art Theory Institutes series brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This fifth and final volume in the series focuses on the identity, nature, and future of visual studies, discussing critical questions about its history, objects, and methods. The contributors question the canon of literature of visual studies and the place of visual studies with relation to theories of vision, visuality, epistemology, politics, and art history, giving voice to a variety of inter- and transdisciplinary perspectives. Rather than dismissing visual studies, as its provocative title might suggest, this volume aims to engage a critical discussion of the state of visual studies today, how it might move forward, and what it might leave behind to evolve in productive ways.The contributors are Emmanuel Alloa, Nell Andrew, Linda Báez Rubí, Martin A. Berger, Hans Dam Christensen, Isabelle Decobecq, Bernhard J. Dotzler, Johanna Drucker, James Elkins, Michele Emmer, Yolaine Escande, Gustav Frank, Theodore Gracyk, Asbjørn Grønstad, Stephan Günzel, Charles W. Haxthausen, Miguel Á. Hernández-Navarro, Tom Holert, Kıvanç Kılınç, Charlotte Klonk, Tirza True Latimer, Mark Linder, Sunil Manghani, Anna Notaro, Julia Orell, Mark Reinhardt, Vanessa R. Schwartz, Bernd Stiegler, Øyvind Vågnes, Sjoukje van der Meulen, Terri Weissman, Lisa Zaher, and Marta Zarzycka.

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In the last twenty years the biofuels industry has developed rapidly in many regions of the world. This timely book provides an in-depth and critical study of the law and policies in many of the key biofuels producing countries, such as Brazil, China and the US, as well as the EU, and a number of other countries where this industry is quickly developing. Drawing on a range of disciplines, the contributors examine the roles of the public and private sectors in the governance of biofuels. They discuss topics such as sustainability and biofuels, and provide a critical review of regulatory regimes for biofuels. They conclude by proposing recommendations for more effective and efficient biofuel policies.Academics working in the area of renewable energy and students in environmental law will find this book to be of interest. It will also be of use to policy makers around the world looking to learn from various existing regimes.Contributors: G. Berndes, M. Brandão, A. Cowie, A. Cowie, K.S. Dahmann, J. De Beer, O. Englund, L.B. Fowler, A. Genest, L. Guo, M.-H. Labrie, Y. Le Bouthillier, E. Le Gal, O.J. Lim Tung, W.E. Mabee, F. Maes, L.D. Malo, M. Mansoor, P. Martin, H. Mcleod-Kilmurray, M.J.F. Montefrio, B.E. Olsen, R.O. Owino, P. Pereira De Andrade, M. Powers, A. Rønne, P.M. Smith, T. Smith, S. Soimakallio, I. Stupak, V.M. Tafur, A.R. Taylor

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Abstract art was never dead. Since its revolutionary beginnings at the dawn of the 20th century, it has repeatedly flourished and survived all animosities, even bans. And more than that: today in particular, artists and museums are increasingly devoting themselves to this theme, in the world’s most important art metropolises and in unprecedented diversity. Aspects of contemporary abstract art, coupled with historical reminiscences, are the focus of the publication on the occasion of the third exhibition, showcasing works from the Deutsche Bank Collection at the PalaisPopulaire. The selection includes works from 1959 to 2021. Included are not only drawings and photographs but also, for the first time, significant paintings and prints. Artists: Markus Amm, Rana Begum, Otto Boll, Kerstin Brätsch, Cabrita, Ernst Caramelle, Carlos Cruz-Diez, Adriana Czernin, Helmut Federle, Günther Förg, Günter Fruhtrunk, Franziska Furter, Rupprecht Geiger, Katharina Grosse, João Maria Gusmão + Pedro Paiva, Erwin Heerich, Bernhard Härtter, Daniel Hunziker, ShŌichi Ida, Jürgen Jansen, Olav Christopher Jenssen, Jennie C. Jones, Kapwani Kiwanga, Imi Knoebel, Norbert Kricke, Tadaaki Kuwayama, Thomas Locher, Fabian Marti, Bernd Minnich, Wilhelm Müller, Nima Nabavi, Albert Oehlen, Susanne Paesler, Blinky Palermo, Jorge Pardo, Georg Karl Pfahler, Charlotte Posenenske, Lothar Quinte, Gerhard Richter, Peter Roehr, Ulrich Rückriem, Fred Sandback, Karin Sander, Kai Schiemenz, Richard Serra, Dieuwke Spaans, Ulrich Wendland, Claudia Wieser, Beat Zoderer Text in English and German.

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Explores the changing relationship between memory and the archive in German-language literature and culture since 1945. In recent years, the discourse of memory - and of German memory culture in particular - has become increasingly concerned with questions of the archive. An archive can refer to a physical place, the material found there, or the system that orders this material; in its broadest sense, it might refer to something public (records housed in a municipal building), or something private (photographs in a family album). The material and documentary qualities of the archive confer on it an authenticating function attributed only cautiously to memory, but theories of the archive have questioned the status of material, documentary vestiges of the past. Memory and the archive are inextricablylinked, but how does this affect the mediation of the past? This volume explores the changing relationship between memory and the archive in German-language literature and culture since 1945. Contributions approach this topic froma range of perspectives (film, visual culture, urban culture, digital technology, as well as literature) and offer illuminating studies of Harun Farocki, Anselm Kiefer, Thomas Demand, Bernd and Hilla Becher, Jürgen Fuchs, StefanWolter, and Sasa Stanisic. Contributors: Priyanka Basu, Carol Anne Costabile-Heming, Regine Criser, Tobias Ebbrecht-Hartmann, Diana Hitzke and Charlton Payne, Caitríona Leahy, Dora Osborne, Annie Ring, Lizzie Stewart, Simon Ward. Dora Osborne is Lecturer in German at Durham University.

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Viele Entrepreneure starten in das Abenteuer Unternehmertum, ohne genügend dafür gerüstet und darauf vorbereitet zu sein. Diese Lücke schließt das Buch von Bernd Trappmaier - es gibt Unternehmern eine Strategie und einen Plan an die Hand, mit denen sie langfristig erfolgreich und auch glücklich sein können. Außerdem ist das Buch ein Aufruf zur Entfesselung des Potenzials, das im eigenen Unternehmen des Lesers schlummert. Es ist ein Manifest für alle, die den wahren Zweck ihres Unternehmertums erkennen und ihre Vision in die Realität umsetzen wollen. Der Autor liefert praktische Anleitungen und Geschichten, die die Leser inspirieren sollen, den Status quo ihres Unternehmens in Frage zu stellen und neue Wege zu beschreiten. Sie werden dabei durch die verschiedenen Phasen des Unternehmenslebenszyklus geführt, von der Entwicklung einer persönlichen Lebensvision über die Unternehmensgründung bis zur Umsetzung innovativer Geschäftsstrategien. Das Buch ist geschrieben für Gründer, Selbständige und etablierte Unternehmer, die die Leidenschaft in ihrem Leben wieder entfachen wollen. Es bietet eine Roadmap, um die eigene Unternehmerreise bewusst zu gestalten und die eigenen Träume (endlich) zu verwirklichen. Es ist somit ein idealer Wegbegleiter für diejenigen, die bereit sind, ihre persönliche und unternehmerische Komfortzone zu verlassen, sich ihren Ängsten zu stellen und ihr eigenes Schicksal zu formen.

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The riveting story of the rivalry between the two most renowned actresses of the nineteenth century: legendary Sarah Bernhardt, whose eccentricity on and off the stage made her the original diva, and mystical Eleonora Duse, who broke all the rules to popularize the natural style of acting we celebrate today.Audiences across Europe and the Americas clamored to see the divine Sarah Bernhardt swoon—and she gave them their money’s worth. The world’s first superstar, she traveled with a chimpanzee named Darwin and a pet alligator that drank champagne, shamelessly supplementing her income by endorsing everything from aperitifs to beef bouillon, and spreading rumors that she slept in a coffin to better understand the macabre heroines she played. Eleonora Duse shied away from the spotlight. Born to a penniless family of itinerant troubadours, she disappeared into the characters she portrayed—channeling their spirits, she claimed. Her new, empathetic style of acting revolutionized the theater—and earned her the ire of Sarah Bernhardt in what would become the most tumultuous theatrical showdown of the nineteenth century. Bernhardt and Duse seduced each other’s lovers, stole one another’s favorite playwrights, and took to the world’s stages to outperform their rival in her most iconic roles. A scandalous, enormously entertaining history full of high drama and low blows, Playing to the Gods is the perfect “book for all of us who binge-watched Feud” (Daniel de Visé, author of Andy & Don: The Making of a Friendship and a Classic American TV Show).

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Ein riesiges Schild mit dem Konterfei von Karl Marx mit der Aufschrift » Seine Ideen haben wir verwirklicht « Und das Ganze vor der Kulisse eines heruntergekommenen Mietshauses mit dunklen Fensterhöhlen. Deutlicher lässt sich das Auseinanderklaffen von Anspruch und Wirklichkeit kaum darstellen.Der soeben erschienene opulent ausgestattete Bildband "Ansprüche eines DDR Jahrzehnts. Fotografien im Widerspruch zum Losungsalltag" des Leipziger Fotografen Sieghart Liebe dokumentiert die Parolen des DDR-Staates und der Montagsdemonstranten. Der Bildband setzt die staatlich verordneten Losungen im öffentlichen Raum, die der Fotograf mit kritisch ironischem Gespür durch das Einbeziehen des Umfeldes hinterfragt, in Kontrast zu den spontanen Willensbekundungen der Montagsdemonstranten im Herbst 1989.» Mit Losungen sollte die DDR stabilisiert werden. Mit Transparenten wurde sie zu Grabe getragen. « so Dr. Friedrich Schorlemmer im Geleitwort."Die Bilder von Sieghard Liebe stellen einen bleibenden und lebendigen Bestandteil deutscher Fotogeschichte dar. « schreibt Prof. Dr. Bernd Lindner, Zeitgeschichtliches Forum Leipzig im Begleittext.Gefördert von der Bundesstiftung zur Aufarbeitung der SED-Diktatur wurde der Bildband jüngst aus-gezeichnet mit dem Prädikat » Deutscher Fotobuchpreis 2012" und wird zusammen mit den Siegertiteln an der Wanderausstellung "Deutscher Fotobuchpreis 2012" teilnehmen.

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Text in English & German. Three places mark the chequered history of the provost church of St Trinitatis Leipzig. Not far from the site of the present new building was the historic church built in 1847 that was largely destroyed in World War Two. It took almost three decades for this church finally to be replaced in 1982. At the insistence of the East-German authorities, however, this building had to be erected in a suburb. Because of its inconvenient location and also because the building had structural damage from the very beginning, the congregation decided in 2008 to take a chance on a new start in the city centre. The third church of St Trinitatis, consecrated in 2015, is the largest Catholic church to be built in East Germany since the political turnover of 1989/90. The new church is located not only in the centre of town, but at a place that could not be more prominent: facing the large complex of the Neues Rathaus. In 2009 a competition held for the new church building with the adjacent parish centre was won by the Leipzig architects Ansgar and Benedikt Schulz. Their clever use of the triangular site particularly impressed the selection committee; at the same time, with the compact body of the church on the east and the tower on the west, they created two striking urban landmarks. Between the tower and the church is the spacious courtyard, which is open on two sides towards the surrounding area, emphasising the congregations programmatic 'openness'. The complex owes its homogenous appearance to the fact that all parts of the buildings are clad with local porphyry, an igneous rock that shimmers in delicate shades of red. While outwardly the church looks quite hermetic, the interior, with an inside height of 14.5 m, surprises the visitor by its vibrant luminosity. The decisive factor here is the skylight on the east side at a height of 22 m. From a source that is invisible to the worshippers, zenith light falls on the entire back wall behind the altar. In its disposition the church interior follows the decisions of the Second Vatican Council: separation between the priests space and the congregations space is abolished, the high altar is replaced by a peoples altar, and the faithful gather of the believers in communio around the liturgical centre. In addition to his main activity as an architecture publicist Wolf-gang Jean Stock was head of the Deutsche Gesellschaft für christ-liche Kunst and its gallery in Munich for nine years. Considering his rigorous artistic attitude, instinctively reminiscent of the work of Hilla and Bernd Becher, there is a certain consistency about the fact that the photographer Stefan Müller congenially creates images of the buildings of Owald Mathias Ungers, Max Dudler, Kleihues + Kleihues or Schulz und Schulz.

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Der 100. Jahrestag der Gründung der Fakultät für Rechtswissenschaft der Universität Hamburg bietet eine willkommene Gelegenheit zu einer Standortbestimmung mit historischer Perspektive. Mit ihren mehr als 40 Beiträgen eröffnet die Festschrift ein bisher unerreichtes Panorama der Rechtswissenschaft in Hamburg. Biographische Einzelstudien und institutionelle Überblicke verschaffen dem Leser eine lebendige Anschauung von einer Fakultät, die sich als Neuling im Kreis der juristischen Fakultäten sehr rasch einen Namen als Einrichtung gemacht hat, die ihre Schwerpunkte stets in den Grundlagenfächern und den internationalen Fragen des Rechts gesehen hat. Ebenso bemerkenswert ist die kontinuierliche Offenheit der Hamburger Fakultät für Innovationen in der Lehre. Wiederholt war die Fakultät hierbei auch Vorreiterin in der Bundesrepublik. Mit Beiträgen von:Ivo Appel, Klaus Bartels, Jürgen Basedow, Alexander Baur, Jörg Berkemann, Wolfgang Berlit, Reinhard Bork, Hans Peter Bull, Jochen Bung, Wilhelm Degener, Dagmar Felix, Gerrit Frotscher, Julia Geneuss, Armin Hatje, Rolf Herber, Heribert Hirte, Wolfgang Hoffmann-Riem, Florian Jeßberger, Hinrich Julius, Rainer Keller, Robert Koch, Markus Kotzur, Maximiliane Kriechbaum, Milan Kuhli, Otto Luchterhandt, Ulrich Magnus, Peter Mankowski, Jean Mohamed, Stefan Oeter, Marian Paschke, Arne Pilniok, Tilman Repgen, Wolf-Georg Ringe, Bernd-Rüdeger Sonnen, Mareike Schmidt, Hans-Heinrich Trute, Stefan Voigt, Moritz Vormbaum, Albrecht Zeuner

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With contributions from Anne Alvarez, Joshua Durban, Jeffrey L. Eaton, Bernard Golse, Didier Houzel, Howard B. Levine, Suzanne Maiello, Sylvain Missonnier, Bernd Nissen, Marganit Ofer, and Jani Santamaría. The capacity to create psychic representations is now understood to be a developmental achievement. Without it, meaning cannot be ascertained and this can lead to “psychic voids” and “unrepresented states”, which can contribute to the development of autism and autistic spectrum disorders (ASD). Unrepresented states are also implicated and encountered in other, non-autistic, non-neurotic conditions, such as psychosomatic disorders, addictions, perversions, and primitive character disorders. The affects that unrepresented states produce or are associated with are often those of terror, emptiness, annihilation and despair. The organisation of the psyche consists of psychotic – i.e. unstructured – as well as neurotic parts of the mind; unintegrated as well as integrated areas; and unrepresented areas with little meaning as well as represented states consisting of specific ideas imbued with affect. Given this organisation, we should expect to find both an unstructured and a dynamic unconscious in all patients. This implies that, to some degree, unrepresented and unintegrated states are universal and will exist and be encountered in all of us. Consequently, the opportunities and challenges presented by the understanding and treatment of autism and ASD, where the unrepresented and its consequences (e.g. defensive organisations employed to protect against annihilation anxiety and catastrophic dread) can be encountered may offer us metaphors and clues relevant to aspects of the treatment of all patients, no matter what their dominant diagnoses may be. Packed with theory and helpful case studies, this carefully edited collection from an international array of experts in the field is essential reading for all practising clinicians.

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First book to explore print-media representations of 1970s German terrorism from an explicitly gendered perspective, while also examining media coverage of other violent women. As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film The Baader Meinhof Complex demonstrates, West Germany's terrorist period, which reached its height in the "German autumn" of 1977, is still a fascinating -- and troubling -- subject. One of the most provocative aspects, still today, is the high proportion of women involved in terrorism, most notoriously Ulrike Meinhof. That the film concentrates on the trajectory of Meinhof's life and mobilizes established and hence reassuring paradigms of femininity in its representation of her (as "mother" and "hysterical woman") suggests that the combination of women and violence is still threatening and that there is still mileage to be had from feminizing the discourse. The present study returns to the West German print media of the 1960s and 1970s and raises questions about the continuing preoccupation with this period. Looking at publications from the right-wing Bild to the liberal Der Spiegel, it explores how violent women -- not only terrorists but also others such as the convicted murderer and media femme fatale Vera Brühne -- were represented in text and image. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to address the period in Germanyat all, despite steadily increasing interest in the UK and the US. Clare Bielby is Lecturer in German Studies at the University of Hull.

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Der systemische Ansatz ist in der Arbeit mit Familien weit verbreitet. Andreas Eickhorst und Ansgar Röhrbein versammeln in einem Band die in diesem Arbeitsfeld erprobten Methoden. Das Buch bietet einen breiten und umfangreichen Ãberblick Ã"ber 24 systemische Methoden in Familienberatung und -therapie. Unterschiedliche institutionelle Kontexte (Erziehungs- und Familienberatungsstellen, Schule, Suchtberatung, Sozialpädagogische Familienhilfe, Kinderschutz, Kinder- und Jugendpsychiatrie etc.) werden genauso berÃ"cksichtigt wie verschiedene Altersbereiche (z. B. Säuglingszeit, frÃ"he Kindheit, Kindergarten, Schule, Pubertät, erwachsene Kinder). Die Kapitel sind in einer anwendungsorientierten Strukturierung aufgebaut und an Fallbeispielen exemplifiziert. Den Methoden sind einleitende Kapitel vorangestellt, die eine entwicklungspsychologische Einordnung geben und die besonderen Anforderungen an Familien benennen.Mit Beiträgen von Anne Baumann, Madeleine Bernard, Heike Bösche, Jörn Borke, Monique Breithaupt-Peters, Filip Caby, Martin Diem, Diana Drexler, Andreas Eickhorst, Birgit Fischer, Martina Furlan, Julian Geigges, Michael Grabbe, Bettina Hattenbach, Thomas Hegemann, Heike Hör, Christina Hunger, Anke Kasner, Lea Linke, Beate Meißner, Thomas Meyer-Deharde, Elisabeth Nicolai, Anja Novoszel, Christian Pröls, Bernd Reiners, Tim Reuter, Ansgar Röhrbein, Christina Rosemann, Erzsébet Roth, Annette Rupp, Felicia Schröck, Jochen Schweitzer, Katja Seidel, Kathrin Stoltze und Mélanie Tripod.

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This volume celebrates the 100th birthday of Professor Chen-Ning Frank Yang (Nobel 1957), one of the giants of modern science and a living legend. Starting with reminiscences of Yang's time at the research centre for theoretical physics at Stonybrook (now named C. N. Yang Institute) by his successor Peter van Nieuwenhuizen, the book is a collection of articles by world-renowned mathematicians and theoretical physicists. This emphasizes the Dialogue Between Physics and Mathematics that has been a central theme of Professor Yang’s contributions to contemporary science. Fittingly, the contributions to this volume range from experimental physics to pure mathematics, via mathematical physics. On the physics side, the contributions are from Sir Anthony Leggett (Nobel 2003), Jian-Wei Pan (Willis E. Lamb Award 2018), Alexander Polyakov (Breakthrough Prize 2013), Gerard 't Hooft (Nobel 1999), Frank Wilczek (Nobel 2004), Qikun Xue (Fritz London Prize 2020), and Zhongxian Zhao (Bernd T. Matthias Prize 2015), covering an array of topics from superconductivity to the foundations of quantum mechanics. In mathematical physics there are contributions by Sir Roger Penrose (Nobel 2022) and Edward Witten (Fields Medal 1990) on quantum twistors and quantum field theory, respectively. On the mathematics side, the contributions by Vladimir Drinfeld (Fields Medal 1990), Louis Kauffman (Wiener Gold Medal 2014), and Yuri Manin (Cantor Medal 2002) offer novel ideas from knot theory to arithmetic geometry.Inspired by the original ideas of C. N. Yang, this unique collection of papers b masters of physics and mathematics provides, at the highest level, contemporary research directions for graduate students and experts alike.

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Fruto capital del universo lorquiano, esta obra sin parangón recoge la historia de Bernarda Alba, enviudada por segunda vez a los sesenta años, y de sus hijas, obligadas a sumirse en un luto que desencadenará la tragedia. Considerada la obra más madura de Lorca, La casa de Bernarda Alba cierra la llamada trilogía de la tragedia -formada también por Bodas de sangre y Yerma-. Su carácter realista y la opresión en el pecho que se siente ante la represión de unas mujeres atrapadas en un frío infierno de luto, celos, silencio y sueños truncados se ha interpretado como un presagio de los oscuros tiempos que se avecinaban y en los que el propio Lorca se convertiría en una víctima prematura. No obstante, la presente edición contrapone este texto tan magnífico como terrible a Los sueños de mi prima Aurelia, una comedia inacabada inspi

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This completely updated, full-color recreation map covers the San Bernardino, Santa Rosa, and San Jacinto mountains, including Lake Arrowhead, Big Bear Lake, San Gorgonio Wilderness, and San Jacinto State Park.

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