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Their greatest fear was contaminating an ancient Antarctic lake, buried beneath the ice for millions of years. They little knew the catastrophe they were about to unleash. Welcome to the high octane world of Olivia Wolfe. As an investigative journalist, Wolfe lives her life in constant peril. Hunted by numerous enemies who are seldom what the first seem, she must unravel a complex web of lies to uncover an even more terrifying truth. From the poppy palaces of Afghanistan and Antarctica's forbidding wind-swept ice sheets, to a top-secret military base in the Nevada desert, Wolfe's journey will ultimately lead her to a man who would obliterate civilisation. She must make an impossible choice: save a life - or prevent the death of millions. Praise for L. A. Larkin: 'In Larkin, Michael Crichton has an heir apparent' The Guardian 'Larkin's fast action style is accompanied by impressive research' The Times 'Olivia Wolfe delivers action and intrigue in spades' Peter James

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A major, new, and comprehensive look at six decades of macroeconomic policies across the region What went wrong with the economic development of Latin America over the past half-century? Along with periods of poor economic performance, the region’s countries have been plagued by a wide variety of economic crises. This major new work brings together dozens of leading economists to explore the economic performance of the ten largest countries in South America and of Mexico. Together they advance the fundamental hypothesis that, despite different manifestations, these crises all have been the result of poorly designed or poorly implemented fiscal and monetary policies. Each country is treated in its own section of the book, with a lead chapter presenting a comprehensive database of the country’s fiscal, monetary, and economic data from 1960 to 2017. The chapters are drawn from one-day academic conferences—hosted in all but one case, in the focus country—with participants including noted economists and former leading policy makers. Cowritten with Nobel Prize winner Thomas J. Sargent, the editors’ introduction provides a conceptual framework for analyzing fiscal and monetary policy in countries around the world, particularly those less developed. A final chapter draws conclusions and suggests directions for further research.A vital resource for advanced undergraduate and graduate students of economics and for economic researchers and policy makers, A Monetary and Fiscal History of Latin America, 1960–2017 goes further than any book in stressing both the singularities and the similarities of the economic histories of Latin America’s largest countries.Contributors: Mark Aguiar, Princeton U; Fernando Alvarez, U of Chicago; Manuel Amador, U of Minnesota; Joao Ayres, Inter-American Development Bank; Saki Bigio, UCLA; Luigi Bocola, Stanford U; Francisco J. Buera, Washington U, St. Louis; Guillermo Calvo, Columbia U; Rodrigo Caputo, U of Santiago; Roberto Chang, Rutgers U; Carlos Javier Charotti, Central Bank of Paraguay; Simón Cueva, TNK Economics; Julián P. Díaz, Loyola U Chicago; Sebastian Edwards, UCLA; Carlos Esquivel, Rutgers U; Eduardo Fernández Arias, Peking U; Carlos Fernández Valdovinos (former Central Bank of Paraguay); Arturo José Galindo, Banco de la República, Colombia; Márcio Garcia, PUC-Rio; Felipe González Soley, U of Southampton; Diogo Guillen, PUC-Rio; Lars Peter Hansen, U of Chicago; Patrick Kehoe, Stanford U; Carlos Gustavo Machicado Salas, Bolivian Catholic U; Joaquín Marandino, U Torcuato Di Tella; Alberto Martin, U Pompeu Fabra; Cesar Martinelli, George Mason U; Felipe Meza, Instituto Tecnológico Autónomo de México; Pablo Andrés Neumeyer, U Torcuato Di Tella; Gabriel Oddone, U de la República; Daniel Osorio, Banco de la República; José Peres Cajías, U of Barcelona; David Perez-Reyna, U de los Andes; Fabrizio Perri, Minneapolis Fed; Andrew Powell, Inter-American Development Bank; Diego Restuccia, U of Toronto; Diego Saravia, U de los Andes; Thomas J. Sargent, New York U; José A. Scheinkman, Columbia U; Teresa Ter-Minassian (formerly IMF); Marco Vega, Pontificia U Católica del Perú; Carlos Végh, Johns Hopkins U; François R. Velde, Chicago Fed; Alejandro Werner, IMF.

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It began as poisonous rotgut in Medieval Russia—Ivan the Terrible liked it, Peter the Great loved it—but this grain alcohol "without distinctive character, aroma, taste, or color" has become our uncontested king of spirits. Over a thousand brands fight for market share, shelved in glass skulls, Tommy guns, bulletproof bottles; flavored with pears, currants, chipotle; or quintuple distilled by Donald Trump. But it wasn't always thus. For 200 years, America drank the brown stuff, which gave us Colonial rumrunners, the Whiskey Rebellion, and Bourbon County, Kentucky. So how did Russia's "little water," originally a medieval rotgut medicine, unseat America's favorite hooch? Vic Matus takes us on an incredible visual journey from vodka's humble American origins in a Depression-era Connecticut factory—using the family recipe from a poor Russian exile in France named Vladimir Smirnov—through its rise to glamour and fame at the hands of James Bond and the 1990s boom enshrined in Sex and the City's Grey Goose Cosmos to today's craft distillery movement, which approaches the drink as an art form. You'll see in clear, intoxicating detail how hippie culture, women's lib, and an absolutely ingenious Swedish company all played their part, transforming the booze into a status symbol. By 1975, the war had ended: Vodka officially became our favorite spirit. Today, a third of all cocktails ordered contain it. Last year $20 billion in sales poured in from more than 140 million gallons of the stuff. Here is the crisply distilled, bracing story of how risk-taking entrepreneurs defied the odds and turned medieval medicine into a multibillion-dollar industry.

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An alternative autobiography of the well-loved actor and man of the theatre, winner of the Sheridan Morley Prize for Theatre Biography. In My Life in Pieces Simon Callow retraces his life through the multifarious performers, writers, productions and events which have left their indelible mark on him. The story begins with Peter Pan – his first ever visit to the theatre – before transporting us to southern Africa and South London, where Callow spent much of his childhood. Later, he charms his way into a job at the National Theatre box office courtesy of his hero, Laurence Olivier – and thus consummated a lifetime’s love affair with theatre. Alongside Olivier, we encounter Paul Scofield, Michael Gambon, Alan Bennett and Richard Eyre, all of whom Callow has worked with, as well as John Gielgud, Ralph Richardson and Alec Guinness, David Hare, Simon Gray and many more. He writes too about figures he did not meet but who greatly influenced his life and work, figures such as Stanislavsky, Nureyev and Cocteau, as well as Charles Laughton and Orson Welles. And he even makes room for not-quite- legit performers like Tony Hancock, Tommy Cooper, Frankie Howard – and Mrs Shufflewick. The result is a passionate, instructive and beguiling book which, in tracing Simon Callow’s own ‘sentimental education’, leaves us enriched by his generosity and wisdom. 'first rate... the best writer-actor we have' David Hare 'Simon Callow combines zest, originality and passion and has elegantly turned his views and life in the theatre into an astonishing memoir' Richard Eyre

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Explore the magical worlds of Disney and Pixar with 50 mazes from your favourite animated films.Your Disney and Pixar friends need you! Help Snow White escape from the Queen, get Cinderella to the ball, free Elsa from the ice grip, find Dory with Marlin and Nemo, learn to sail with Moana, help the Incredible Family catch Screenslaver, and find Forky with Buzz and the other toys.Relive the magic of your favourite Disney and Pixar animated films with these intricate full-colour mazes. Enter a world of fantasy and navigate a path that passes through 50 Disney and Pixar animation movie lands. Each maze is cleverly designed so that the end of one maze is the beginning of the next. Perfect for readers aged 7+.Includes mazes from the following feature films: Snow White and the Seven Dwarfs; Pinocchio; Dumbo; Bambi; Cinderella, Alice in Wonderland; Peter Pan; Lady and the Tramp; Sleeping Beauty; 101 Dalmatians; The Sword in the Stone; The Jungle Book; The Aristocats; The Fox and the Hound; The Little Mermaid; Beauty and the Beast; Aladdin; The Lion King; Pocahontas; Toy Story; Hercules; Mulan; A Bug's Life; Toy Story 2; Monsters, Inc.; Finding Nemo; The Incredibles; Chicken Little; Cars; Ratatouille; Wall·E; Up; The Princess and the Frog; Toy Story 3; Tangled; Winnie the Pooh; Brave; Wreck-It Ralph; Monsters University; Frozen; Big Hero 6; Inside Out; The Good Dinosaur; Zootopia; Finding Dory; Moana; Cars 3; Coco; Incredibles 2; Toy Story 4

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Over the years the high walls of Liverpool's Walton Gaol have contained some of the most infamous criminals from the north of England. Taking over from the fearsome Kirkdale House of Correction as the main centre of execution for Liverpool and other parts of Lancashire and neighbouring counties, a total of sixty-two murderers paid the ultimate penalty here. The history of execution at Walton began with the hanging of an Oldham nurse in 1887, and over the next seventy years many infamous criminals took the short walk to the gallows here. They include Blackburn child killer Peter Griffiths, whose guilt was secured following a massive fingerprint operation; Liverpool's Sack Murderer George Ball; George Kelly, since cleared of the Cameo Cinema murders, as well as scores of forgotten criminals: soldiers, gangsters, cut-throat killers and many more.Steve Fielding has fully researched all these cases, and they are collected here in one volume for the first time. Infamous executioners also played a part in the gaol's history. James Berry of Bradford was the first to officiate here, followed in due course by the Billington family of Bolton, Rochdale barber John Ellis and three members of the well-known Pierrepoint family, whose names appeared on the official Home Office list for over half a century. In 1964 one of the last two executions in the county took place at Liverpool. Fully illustrated with photographs, new cuttings and engravings, Hanged at Liverpool is bound to appeal to anyone interested in the darker side of both Liverpool and the north of England's history.

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Europe is entering a new political epoch. The centre-left, now in government in many EU countries, has struggled to modernize itself and is now defining the shape of politics for the future. Bodo Hombach's book is one of the most important early attempts to flesh out the Third Way - moving it from being a successful electoral project to become a governing philosophy. Hombach, one of Gerhard Schr"der's closest advisers, who was Minister of State in the Chancellor's office, is a colourful and controversial figure. He has been described as the 'German Peter Mandelson' because he was the architect of Schr"der's election victory in 1997, which brought the Social Democrats to power after a decade and a half in opposition. His book, a bestseller in Germany, is the clearest definition of the popular 'Die Neue Mitte' project on which Schröder was elected, and on which the German voters will judge the government. It is striking in its bold rejection of many of the left's traditional approaches - the confrontational traditions of employers versus workers, the private sector versus the public sector, free market forces versus state direction - and this explains why Hombach and his book have been at the centre of the fierce debate about the soul and the future direction of social democracy. Professor Anthony Giddens and Mark Leonard, in the preface and introduction, put the book in the context of the global debate about the development of the Third Way, and also draw comparisons with events in the United Kingdom. Hombach's book is destined to become a key text on the future of European social democracy, of interest to political activists, policy-makers and students of politics.

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'Every new Agatha Raisin escapade is a total joy' ASHLEY JENSEN'No wonder she's been crowned Queen of Cosy Crime' MAIL ON SUNDAY'A Beaton novel is like The Archers on speed' DAILY MAIL'The detective novels of M C Beaton have reached cult status' THE TIMESNothing could be more relaxing or sedate than a quiet game of bowls on a pristine bowling green bathed in the sunshine of an English summer's afternoon in the Cotswolds - unless there's a dead body lying on the grass.Agatha Raisin becomes embroiled in a turmoil of jealousy and lies when the tranquility of her local bowls club explodes into a storm of accusation and intrigue - and murder. Her private life is no less turbulent when a past suitor reappears just as her ex-husband seems intent on rekindling their romance, and her close friend, Bill Wong, is in danger of losing the woman he loves.Events take an even darker turn when Agatha realises that, in pursuing the bowling green killer, she is putting her own life in danger...Praise for M. C. Beaton's Agatha Raisin mysteries:'Irresistible, unputdownable, a joy' Anne Robinson'Full of perfectly pitched interest, intrigue, and charm' Lee Child'Agatha is like Miss Marple with a drinking problem, a pack-a-day habit and major man lust. In fact, I think she could be living my dream life' Entertainment Weekly'M. C. Beaton's imperfect heroine is an absolute gem' Publishers Weekly'[Agatha] is a glorious cross between Miss Marple, Auntie Mame, and Lucille Ball . . . She's wonderful' St. Petersburg Times'Few things in life are more satisfying than to discover a brand-new Agatha Raisin mystery' Tampa Tribune-Times'Beaton has a winner in the irrepressible, romance-hungry Agatha' Chicago Sun-Times

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In this important new work, Kevin Madigan studies the development and union of scholastic, apocalyptic, and Franciscan interpretations of the Gospel of Matthew from 1150 to 1350. These interpretations are placed within the context of high-medieval religious life and attitudes of the papacy toward the Franciscan Order. Madigan uses the fortunes of the Franciscan Peter Olivi (d. 1298) and his commentary on Matthew as a lens through which to observe the larger theological and ecclesiastical developments of this era. Structured in three sections, Olivi and the Interpretation of Matthew in the High Middle Ages begins with an analysis of the scholastic gospel commentary tradition in the schools of Laon and Paris. The second section of the book offers a detailed examination of the Treatise on the Four Gospels by the famed apocalyptic writer Joachim of Fiore. Finally, Madigan turns his attention to the disputes which plagued the Franciscan Order during the first century of its existence. Madigan also focuses on Olivi’s Commentary on Matthew. He argues that this little-known work is perhaps the only Matthew commentary in the high Middle Ages to have been influenced by Joachim’s apocalyptic thought and shaped by internal and external disagreements over the highest form of religious life. Filled with severe criticisms of the hierarchy and leadership of the church, Olivi’s Matthew commentary was examined and eventually condemned by papally appointed theologians in the early fourteenth century. Olivi and the Interpretation of Matthew in the High Middle Ages is not only a worthy contribution to the study of gospel exegesis, but also a valuable cultural and ecclesiastical history.

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Perhaps Norman Weber - as a native of Schwäbisch Gmünd - was born with a love of jewellery. Following a traditional training as a gold and silversmith in Kaufbeuren-Neugablonz, where he teaches today at the State Vocational College for Glass and Jewellery, he studied with professors Hermann Jünger, Otto Künzli and Horst Sauerbruch at the Academy of Fine Arts in Munich. Here the then 25-year-old began his search, together with his colleagues Karl Fritsch, Peter Bauhuis and Karen Pontoppidan, for new paths and definitions in contemporary jewellery. Today Norman Weber is the storyteller in the contemporary studio jewellery scene. For example with the brooches from his series "Portraits", which investigates clichés such as Barbie dolls. Focusing on a particular area of interest - popular images, comics and populist icons - the artist enmeshes the images in perfectly executed constructions - Weber is after all a goldsmith through and through - thereby giving them a new home. At times the critical jewellery artist places these figures in a completely new context. In this way jewellery is moved in the direction of pop and takes on the character of shrill fashion emblems. Precious stones made of velour in jewellery conjure up a smile on the lips of a viewer before he even begins to reflect on the meaning of the spurious stones. But Norman Weber not only tells stories. Other pieces are shaped by underlying constructivist elements - convincing jewellery because their mechanical elements are infused with an exciting dynamic. This monograph provides a first survey of the oeuvre of this talented jewellery master. Exhibition in the Deutsches Goldschmiedehaus Hanau from 2nd September 2010 and further venues thereafter, in Munich and Schwäbisch Gmünd. Text in English & German.

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Ever wondered what it's REALLY like to be a Premier League footballer?My name is James Milner and I'm not a Ribena-holic.Let me share insights into what it's like being a professional footballer, across my different experiences with Newcastle, Aston Villa, Manchester City and now Liverpool (not forgetting a six-match loan spell at Swindon). Plus my highs - and a few too many lows - playing for England.There isn't a current player who's been playing Premier League football as long as I have, and that gives me a pretty rare perspective into how the top-flight game has changed over the past seventeen years.In this book, I explain how a footballer's working week unfolds - what we eat and how we prepare for matches technically, tactically, mentally and physically - and talk you through the ups and downs of a matchday. I reveal my penalty-taking techniques, half-time team talks and the differences between playing against Lionel Messi, Wilfried Zaha and Jimmy Bullard.I've played for managers ranging from Terry Venables, Peter Reid and Sir Bobby Robson to Martin O'Neill, Fabio Capello and Jurgen Klopp. I tell you what it's like sharing a training ground and a dressing-room with team-mates such as Lee Bowyer, Mario Balotelli and Mo Salah. I also reveal the behind-the-scenes work that went into Liverpool's Champions League success - and the celebrations that followed.So this isn't an autobiography. The whole point of Ask A Footballer is that you, the fans, asked me questions and I have used my own experiences to answer them. I hope you like it, and don't find it too boring.

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Some say they deserve their fate. But isn't everyone entitled to justice?Forensic psychologist Paula Maguire is in a race against time to solve a deadly crime in THE SILENT DEAD, the third novel in Claire McGowan's terrific, hard-hitting crime series. The perfect read for fans of Val McDermid and Elly Griffiths. 'Astonishing, powerful and immensely satisfying' - Peter James Victim: Male. Mid-thirties. 5'7". Cause of death: Hanging. Initial impression - murder. ID: Mickey Doyle. Suspected terrorist and member of the Mayday Five.The officers at the crime scene know exactly who the victim is. Doyle was one of five suspected bombers who caused the deaths of sixteen people.The remaining four are also missing and when a second body is found, decapitated, it's clear they are being killed by the same methods their victims suffered.Forensic psychologist Paula Maguire is assigned the case but she is up against the clock - both personally and professionally.With moral boundaries blurred between victim and perpetrator, will Paula be able to find those responsible? After all, even killers deserve justice...What readers are saying about The Silent Dead:'Great atmosphere - it's tense and chilling. I simply did not want to put this book down. Superb fast-paced plot and wonderful storytelling''A gripping story covering grief and frustration as it explores the moral dilemma of people failed by the system to may just be taking justice into their own hands. A great read''Absorbing story that constantly holds your attention. Steady, tense layering, building up to the nerve-wrecking end'

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The Brian Jonestown Massacre are probably best known for their leader Anton Newcombe s incendiary persona, as captured in the controversial 2004 rockumentary Dig! - which won the Grand Jury Prize at Sundance - but what isn t known is the truth behind the making of the film, or the true story of the band since their formation in early 1990s San Francisco. Until now. Writer, actor, and musician Jesse Valencia spent ten years uncovering the mysteries of the band and the film, during which time he has traveled from San Francisco to Denver, Portland to Tucson, and beyond, gathering pieces of the band s history and putting them together, clue by clue, until he found it. Presented as a personal narrative and compiled from hundreds of sources and interviews with key members of The Brian Jonestown Massacre - including Joel Gion, Rick Maymi, Frankie Emerson, Jeff Davies, Dean Taylor, Miranda Lee Richards, and Peter Hayes - as well as members of The Dandy Warhols, Dig! director Ondi Timoner, and countless other figures from both the film and from the band s greater history, Keep Music Evil is the definitive work on the band and their enigmatic leader. Keep Music Evil also tells the stories of the creation of every album the band have released during their three-decade career, offering insight in Anton and his collaborators working methods, and provides an in-depth look at the making of Dig!, giving deeper context to the events as portrayed, correcting misinformation, and deconstructing the film as a whole. It also features rare, candid, and never-before-seen photographs of the band from throughout their career.

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THE NEW THRILLER FROM THE NO.1 SUNDAY TIMES BESTSELLERThey say the camera never lies.But on this show, you can't trust anything you see.Stranded in the Welsh mountains, seven reality show contestants have no idea what they've signed up for.Each of these strangers has a secret. If another player can guess the truth, they won't just be eliminated - they'll be exposed live on air. The stakes are higher than they'd ever imagined, and they're trapped.The disappearance of a contestant wasn't supposed to be part of the drama. Detective Ffion Morgan has to put aside what she's watched on screen, and find out who these people really are - knowing she can't trust any of them.And when a murderer strikes, Ffion knows every one of her suspects has an alibi . . . and a secret worth killing for.'Twisty and clever . . . another deeply enjoyable mystery from a talented storyteller' KARIN SLAUGHTER'Sharply written, wickedly fun, and smartly plotted - A GAME OF LIES is a joy from beginning to end' LUCY CLARKE'Great fun - clever plot, engaging characters and smart, sharp writing' SHARI LAPENAPraise for The Last Party (a DC Ffion Morgan thriller):'Superb, with echoes of Agatha Christie' PATRICIA CORNWELL'A dark delight of a murder mystery' JANICE HALLETT'Detectives Leo and Ffion make a storming debut' BELINDA BAUER'Mackintosh is just getting better and better' PETER JAMES'An absolute triumph' CLAIRE DOUGLAS'I fell in love with courageous, complicated DC Ffion Morgan' RUTH WARE'This is the new crime series you need in your life' WILL DEAN'Expertly plotted and relentlessly gripping' LUCY CLARKE

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A thoroughly updated and substantially expanded edition of an acclaimed anthologyThis is a thoroughly updated and substantially expanded new edition of one of the most popular, wide-ranging, and engaging anthologies of Western political thinking, one that spans from antiquity to the twenty-first century. In addition to the majority of the pieces that appeared in the original edition, this new edition features exciting new selections from more recent thinkers who address vital contemporary issues, including identity, cosmopolitanism, global justice, and populism. Organized chronologically, the anthology brings together a fascinating array of writings—including essays, book excerpts, speeches, and other documents—that have indelibly shaped how politics and society are understood. Each chronological section and thinker is presented with a brief, lucid introduction, making this a valuable reference as well as an essential reader. A thoroughly updated and substantially expanded edition of an acclaimed anthology of political thought Features a wide range of thinkers, including Thucydides, Plato, Aristotle, Cicero, Augustine, Aquinas, Christine de Pizan, Machiavelli, Luther, Calvin, Hobbes, Spinoza, Locke, Swift, Hume, Rousseau, Adam Smith, Jefferson, Burke, Olympes de Gouges, Wollstonecraft, Kant, Hegel, Bentham, Mill, de Tocqueville, Frederick Douglass, Lincoln, Marx, Nietzsche, Lenin, John Dewey, Gaetano Mosca, Roberto Michels, Weber, Emma Goldman, Freud, Einstein, Mussolini, Arendt, Hayek, Franklin D. Roosevelt, T. H. Marshall, Orwell, Leo Strauss, de Beauvoir, Fanon, Martin Luther King Jr., Malcolm X, Havel, Fukuyama, Habermas, Foucault, Rawls, Nozick, Walzer, Iris Marion Young, Martha Nussbaum, Peter Singer, Amartya Sen, and Jan-Werner Müller Includes brief introductions for each thinker

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*As heard on DESERT ISLAND DISCS*CHOSEN AS ONE OF WATERSTONES' BEST BOOKS OF 2023'If Michael Palin had been a volcanologist, this is the book he would have written... A darn good read.'LITERARY REVIEW'What the French adventurer Jacques Cousteau was to the hidden world under our seas, Oppenheimer is to the hidden, molten world bubbling under our feet.'SUNDAY TIMES'A book that will make all readers want to become volcanologists.'PETER FRANKOPAN'Gripping ... like a thriller ... Oppenheimer is better than good. This is terrific.'SPECTATOR'Beautiful. Mountains of Fire is bursting with poetry, with storytelling. ' WERNER HERZOG__________Volcanoes mean so much more than threat and calamity. Like our parents, they've led whole lives before we get to know them. We are made of the same stuff as the breath and cinders of volcanoes. They have long shaped the path of humanity, provoked pioneering explorations and fired up our imaginations. They are fertile ground for agriculture, art and spirituality, as well as scientific advances, and they act as time capsules, capturing the footprints of those who came before us.World-renowned volcanologist Clive Oppenheimer has worked at the crater's edge in the wildest places on Earth, from remote peaks in the Sahara to mystical mountains in North Korea. His work reveals just how entangled volcanic activity is with our climate, economy, politics, culture and beliefs. From Antarctica to Italy, he paints volcanoes as otherworldly, magical places where our history is laid bare and where nature speaks to something deep within us.Blending cultural history, science, myth and adventure, Mountains of Fire reminds us that, wherever we are on the planet, our stories are profoundly intertwined with volcanoes.

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'Dazzling' The Guardian on Borderlands'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane'Some of the very best crime fiction being written today' Lee Child on Bad Blood________Detective Sergeant Lucy Black is visiting her father, a patient in a secure unit in Gransha Hospital on the banks of the River Foyle. He's been hurt badly in an altercation with another patient, and Lucy is shocked to discover him chained to the bed for safety. But she barely has time to take it all in, before an orderly raises the alarm - a body has been spotted floating in the river below...The body of an elderly man in a grey suit is hauled ashore: he is cold dead. He has been dead for several days. In fact a closer examination reveals that he has already been embalmed. A full scale investigation is launched - could this really be the suicide they at first assumed, or is this some kind of sick joke?Troubled and exhausted, Lucy goes back to her father's shell of a house to get some sleep; but there'll be no rest for her tonight. She's barely in the front door when a neighbour knocks, in total distress - his wife's sister has turned up badly beaten. Can she help?___________In Preserve The Dead, Brian McGilloway weaves a pacy, intricate plot, full of tension to the very last page. DS Lucy Black's third outing since the bestselling Little Girl Lost confirms her as one of the decade's most original female detectives: strong, sensitive and ever determined.Praise for Preserve the Dead:'Storytelling of the highest order from one of Irish crime writing's most unassuming masters' Irish Independent

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***Discover your next reading obsession with Alex Gray's bestselling Scottish detective series*** ***Don't miss the latest from Alex Gray. Book 20 in the Lorimer series, QUESTIONS FOR A DEAD MAN, is out now and Book 21, OUT OF DARKNESS, is available to pre-order.*** Whether you've read them all or whether this is your first Lorimer novel, THE BIRD THAT DID NOT SING is perfect if you love Ian Rankin, Val McDermid and Ann Cleeves WHAT THEY'RE SAYING ABOUT THE LORIMER SERIES:'Warm-hearted, atmospheric' ANN CLEEVES'Relentless and intriguing' PETER MAY'Move over Rebus' DAILY MAIL'Exciting, pacey, authentic' ANGELA MARSONS'Superior writing' THE TIMES'Immensely exciting and atmospheric' ALEXANDER MCCALL SMITH_______________ They stole her voice. Now they want her dead . . . 2014: The Commonwealth Games are coming to Glasgow and security is extra tight, particularly after a mysterious bomb explodes in nearby rural Stirlingshire. As the opening ceremony for the Games draws ever closer, the police desperately seek the culprits. But Detective Superintendent Lorimer has other concerns on his mind. One is a beautiful red-haired woman from his past whose husband dies suddenly on his watch. Then there is the body of a young woman found dumped in countryside just south of the city who is proving impossible to identify. Elsewhere in Glasgow people prepare for the events in their own way, whether for financial gain or to welcome home visitors from overseas. And, hiding behind false identities, are those who pose a terrible threat not just to the Games but to the very fabric of society.

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'TERRY'S PLACE IS AT THE HEAD OF THE FANTASY WORLD' Philip PullmanFollowing The Black Elfstone and The Skaar Invasion comes the third book in the triumphant four-part conclusion to the Shannara series, from one of the all-time masters of fantasy.The Skaar have arrived in the Four Lands, determined to stop at nothing less than all-out conquest. They badly need a new home, but peaceful coexistence is not a concept they understand. An advance force under the command of princess Ajin has already established a foothold, but now the full Skaar army is on the march - and woe betide any who stands in its way.But perhaps the Skaar victory is not a foregone conclusion. The Druid Drisker Arc has freed both himself and Paranor from exile. Drisker's student, Tarsha Kaynin, has been reunited with the chief defender of the Druid order, and is learning to control her powerful Wishsong magic. If they can only survive Tarsha's brother and the Druid who betrayed Drisker Arc, they might stand a chance of defeating the Skaar. But that is a very big if . . . as Tarsha's brother now carries the Stiehl - one of the most powerful weapons in all the Four Lands - and is determined to take his revenge on everyone who has wronged him.Praise for Terry Brooks:'I can't even begin to count how many of Terry Brooks's books I've read (and re-read) over the years' Patrick Rothfuss'I would not be writing epic fantasy today if not for Shannara' Peter V. Brett'A master of the craft . . . required reading' Brent Weeks

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Making Believe responds to a remarkable flowering of art by Mennonites in Canada. After the publication of his first novel in 1962, Rudy Wiebe was the only identifiable Mennonite literary writer in the country. Beginning in the 1970s, the numbers grew rapidly and now include writers Patrick Friesen, Sandra Birdsell, Di Brandt, Sarah Klassen, Armin Wiebe, David Bergen, Miriam Toews, Carrie Snyder, Casey Plett, and many more. A similar renaissance is evident in the visual arts (including artists Gathie Falk, Wanda Koop, and Aganetha Dyck) and in music (including composers Randolph Peters, Carol Ann Weaver, and Stephanie Martin). Confronted with an embarrassment of riches that resist survey, Magdalene Redekop opts for the use of case studies to raise questions about Mennonites and art. Part criticism, part memoir, Making Believe argues that there is no such thing as Mennonite art. At the same time, her close engagement with individual works of art paradoxically leads Redekop to identify a Mennonite sensibility at play in the space where artists from many cultures interact. Constant questioning and commitment to community are part of the Mennonite dissenting tradition. Although these values come up against the legacy of radical Anabaptist hostility to art, Redekop argues that the Early Modern roots of a contemporary crisis of representation are shared by all artists. Making Believe posits a Spielraum or play space in which all artists are dissembling tricksters, but differences in how we play are inflected by where we come from. The close readings in this book insist on respect for difference at the same time as they invite readers to find common ground while making believe across cultures.

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Escape to the Cornish coast with this irresistible summer read, perfect for fans of Jill Mansell and Philippa Ashley. The Cornish fishing village of Tremarnock seems to have it all. Charming houses cling to the hillside and cluster round the harbour where fishermen unload their catch each day. Everyone knows everyone, and mostly they look out for each other. But throw a stranger – a beautiful stranger – into the mix and all bets are off. Chabela Penhallow arrives for a holiday from Mexico to find out more about her Cornish ancestors. But no sooner has she arrived than rumours start to fly. Why has she really come? And what is she running from? Can the inhabitants of Tremarnock discover her secrets before their peaceful seaside village is thrown into turmoil? Reviews for the Tremarnock series: 'A charming, warm-hearted read... Pure escapism' Alice Peterson. 'Burstall is a great writer, and this is not your usual run-of-the-mill chick lit... I was gripped from the start' Daily Mail. 'The literary equivalent of a gin and tonic on a hot summer's day... A delicious, delightful and decadent tale' Bookish Jottings. 'Burstall has created a little sanctuary, which will have readers eager to book a Cornish holiday as soon as possible... A heart-warming, "feel-good" novel that makes you feel warm and fuzzy inside. I can't wait for the next book in the series so that I can return' Bookbag. 'Burstall has a true knack for transporting you to her world, amidst beautiful Cornish countryside' Jane Corry.

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The first sustained interrogation of travel in Sebald's literary and essayistic work, employing multivalent and new critical perspectives. W.G. Sebald (1944-2001) is the most prominent and perhaps the most enigmatic German-language writer of recent decades. His books have had a more profound impact outside the German-speaking world than those of any other. His innovative approach to writing brings to the fore concerns that are central to contemporary culture: the relationship between memory, history, and trauma; the experience of exile and our relation to place; and the role of literature (and photography) in the remembrance of the past. This collection of essays places travel at the center of Sebald's poetics and shows how his appropriation of travel in its myriad historical and cultural forms -- tourism, the pilgrimage, the walking vacation, travel as escape -- works to craft intertextual narratives in which the pursuit of individual life stories is mapped onto a wider European cultural history of loss and destruction. Following these cues,the contributors wander the various modalities of travel in Sebald's writing in order to discover how walking, flying, sojourning, and other kinds of peregrination inform the relationship between writing, reading, memory, and place in Sebald's work. At the same time, the essays uncover in innovative ways the affinities between Sebald and literary travelers like Bruce Chatwin, Franz Kafka, Adalbert Stifter, Christoph Ransmayr, and Joseph Conrad. Contributors: Christian Moser, J. J. Long, Carolin Duttlinger, Martin Klebes, Alan Itkin, James Martin, Brad Prager, Neil Christian Pages, Margaret Bruzelius, Barbara Hui, Dora Osborne, Peter Arnds. Markus Zisselsbergeris Assistant Professor of German at the University of Miami, Florida.

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Shortlisted for the Ondaatje Prize 2020 ‘An astonishing novel that is beautifully written but underpinned by a quiet simmering anger about injustice and unrealistic expectations of a family – and of life in contemporary India’ Peter Frankopan ‘A shattering study of disaffection and belonging … This is a concise novel of staggering depth …Disturbing, deep and utterly extraordinary’ Bidisha, Observer An Irish Times Book of the Year 2019 Escaping her failing marriage, Grace has returned to Pondicherry to cremate her mother. Once there, she finds herself heir to an unexpected inheritance. First, there is the strange pink house, blue-shuttered, out on a spit of the wild beach, haunted by the rattle of fishermen in their catamarans. And then there is the sister she never knew she had: Lucia, who has spent her life in a residential facility. Soon Grace sets up a new and precarious life in this lush, melancholy wilderness, with Lucia, the village housekeeper Mallika, the drily witty Auntie Kavitha and an ever-multiplying litter of puppies. Here in Paramankeni, with its vacant bus stops colonised by flying foxes, its temples and step-wells shielded by canopies of teak and tamarind, where every dusk the fishermen line the beach smoking and mending their nets, Grace feels that she has come to the very end of the world. But Grace’s attempts to play house prove first a struggle, then a strain, as she discovers the chaos, tenderness, fury and bewilderment of life with Lucia. Luminous, funny, surprising and heartbreaking, Small Days and Nights is the story of a woman caught in a moment of transformation, and the sacrifices we make to forge lives that have meaning.

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"Through meticulous scholarship and fine writerly craft, Gregory offers a riveting story of two creative geniuses at work."― Slavonic and East European Journal Accessible and engaging, Antosha and Levitasha will appeal to scholars and general readers interested in art history, late nineteenth-century Russian culture, and biographies. Antosha and Levitasha is the first book in English devoted to the complex relationship between Anton Chekhov and Isaac Levitan, one of Russia's greatest landscape painters. Outside of Russia, a general lack of familiarity with Levitan's life and art has undermined an appreciation of the cultural significance of his friendship with Chekhov. Serge Gregory's highly readable study attempts to fill that gap for Western readers by examining a friendship that may have vacillated between periods of affection and animosity, but always reflected an unwavering shared aesthetic. In Russia, where entire rooms of galleries in Moscow and St. Petersburg are devoted to Levitan's paintings, the lives of the famous writer and the equally famous artist have long been tied together. To those familiar with the work of both men, it is evident that Levitan's "landscapes of mood" have much in common with the way that Chekhov's characters perceive nature as a reflection of their emotional state. Gregory focuses on three overarching themes: the artists' similar approach to depicting landscape; their romantic and social rivalries within their circle of friends, which included many of Moscow's leading cultural figures; and the influence of Levitan's personal life on Chekhov's stories and plays. He emphasizes the facts of Levitan's life and his place in late nineteenth-century Russian art, particularly with respect to his dual loyalties to the competing Itinerant and World of Art movements.

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2017 EISNER AWARD NOMINEE for Best Academic/Scholarly Work In the late 1970s and early 1980s, writer-artist Frank Miller turned Daredevil from a tepid-selling comic into an industry-wide success story, doubling its sales within three years. Lawyer by day and costumed vigilante by night, the character of Daredevil was the perfect vehicle for the explorations of heroic ideals and violence that would come to define Miller’s work. Frank Miller’s Daredevil and the Ends of Heroism is both a rigorous study of Miller’s artistic influences and innovations and a reflection on how his visionary work on Daredevil impacted generations of comics publishers, creators, and fans. Paul Young explores the accomplishments of Miller the writer, who fused hardboiled crime stories with superhero comics, while reimagining Kingpin (a classic Spider-Man nemesis), recuperating the half-baked villain Bullseye, and inventing a completely new kind of Daredevil villain in Elektra. Yet, he also offers a vivid appreciation of the indelible panels drawn by Miller the artist, taking a fresh look at his distinctive page layouts and lines. A childhood fan of Miller’s Daredevil, Young takes readers on a personal journey as he seeks to reconcile his love for the comic with his distaste for the fascistic overtones of Miller’s controversial later work. What he finds will resonate not only with Daredevil fans, but with anyone who has contemplated what it means to be a hero in a heartless world. Other titles in the Comics Culture series include Twelve-Cent Archie, Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948, and Considering Watchmen: Poetics, Property, Politics.

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Since the publication in 1975 of Paul Virilio's Bunker Archeology, the range of Virilio's critical works and their impact is now clear within a variety of subjects. Making astonishing interventions into art and architecture, geography, cultural studies, media, literature, aesthetics, and sociology, the momentous implications of which have yet to be entirely understood, Virilio is the cultural theorist for our troubled twenty-first century. Responding to this growing interdisciplinary interest, Virilio Now: Current Perspectives in Virilio Studies comprises Sean Cubitt's critical overview of Virilio's oeuvre, an important newly translated text by Virilio interrogating the impact of contemporary art, and eight other major original essays by noted scholars on the wide scope of Virilio's writings, inclusive of Adam Sharr on Virilio and the architect Peter Zumthor's Bruder Klaus chapel, and Nigel Thrift's crucial assessment of Virilio's City of Panic. Substantial coverage of Virilio's essential texts such as The Information Bomb is presented alongside his hypermodern conjectures on television and speed, globalization, media, and representation. Navigating Virilio's 'accident of art', the 'aesthetics of disappearance', and widespread cultural devastation, additional essays bring together considerations of financial adversity, war, calamity, and the apocalypse. Dazzling yet perceptive, these texts on the 'post-nuclear imagination', terror, and dread are simultaneously creative and theoretical extrapolations from Virilio's 'scenic imagination' and companion essays to his most contemporary, highly original, and powerful books such as The Original Accident and The University of Disaster. Clearly introduced by the editor, Virilio Now is the preeminent single-volume on Virilio's work and world available today.

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Europe is entering a new political epoch. The centre-left, now in government in many EU countries, has struggled to modernize itself and is now defining the shape of politics for the future. Bodo Hombach's book is one of the most important early attempts to flesh out the Third Way - moving it from being a successful electoral project to become a governing philosophy. Hombach, one of Gerhard Schr"der's closest advisers, who was Minister of State in the Chancellor's office, is a colourful and controversial figure. He has been described as the 'German Peter Mandelson' because he was the architect of Schr"der's election victory in 1997, which brought the Social Democrats to power after a decade and a half in opposition. His book, a bestseller in Germany, is the clearest definition of the popular 'Die Neue Mitte' project on which Schröder was elected, and on which the German voters will judge the government. It is striking in its bold rejection of many of the left's traditional approaches - the confrontational traditions of employers versus workers, the private sector versus the public sector, free market forces versus state direction - and this explains why Hombach and his book have been at the centre of the fierce debate about the soul and the future direction of social democracy. Professor Anthony Giddens and Mark Leonard, in the preface and introduction, put the book in the context of the global debate about the development of the Third Way, and also draw comparisons with events in the United Kingdom. Hombach's book is destined to become a key text on the future of European social democracy, of interest to political activists, policy-makers and students of politics.

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The first major history of the bravura movement in European paintingThe painterly style known as bravura emerged in sixteenth-century Venice and spread throughout Europe during the seventeenth century. While earlier artistic movements presented a polished image of the artist by downplaying the creative process, bravura celebrated a painter’s distinct materials, virtuosic execution, and theatrical showmanship. This resulted in the further development of innovative techniques and a popular understanding of the artist as a weapon-wielding acrobat, impetuous wunderkind, and daring rebel. In Bravura, Nicola Suthor offers the first in-depth consideration of bravura as an artistic and cultural phenomenon. Through history, etymology, and in-depth analysis of works by such important painters as Franҫois Boucher, Caravaggio, Francisco Goya, Frans Hals, Peter Paul Rubens, Tintoretto, and Diego Velázquez, Suthor explores the key elements defining bravura’s richness and power.Suthor delves into how bravura’s unique and groundbreaking methods—visible brushstrokes, sharp chiaroscuro, severe foreshortening of the body, and other forms of visual emphasis—cause viewers to feel intensely the artist’s touch. Examining bravura’s etymological history, she traces the term’s associations with courage, boldness, spontaneity, imperiousness, and arrogance, as well as its links to fencing, swordsmanship, henchmen, mercenaries, and street thugs. Suthor discusses the personality cult of the transgressive, self-taught, antisocial genius, and the ways in which bravura artists, through their stunning displays of skill, sought applause and admiration.Filled with captivating images by painters testing the traditional boundaries of aesthetic excellence, Bravura raises important questions about artistic performance and what it means to create art.

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"I'd say you were a carnival barker, except that wouldn't be fair tocarnival barkers. A carnie will at least tell you up front that he's running a shell game. You, Mr. Lay, were running what purported to be the seventh largest corporation in America."-Senator Peter Fitzgerald (R-IL) to Enron CEO Kenneth Lay, Senate Commerce Science & Transportation's Subcommittee, Hearing on Enron, 2/12/02 The speed of Enron's rise and fall is truly astonishing and perhaps the single most important story of corporate failure in the twenty-first century. In Enron investigative journalist Loren Fox promises readers nothing short of the most compelling and insightful investigation into Enron's meteoric ascent-regarded by Wall Street and the media as the epitome of innovation-and its spectacular fall from grace. In a lively and authoritative manner, Fox discusses how the biggest corporate bankruptcy in American business history happened, why for so long no one (except for an enlightened few) saw it coming, and what its impact will be on financial markets, the U.S. economy, U.S. energy policy, and the public for years to come. With access to many company insiders, Fox's intriguing account of this corporate debacle also provides an overview of the corporate culture and business model that led to Enron's high-flying success and disastrous failure. The story of Enron is one that will reverberate in global financial and energy markets as well as in criminal and civil courts for years to come. Rife with all the elements of a classic thriller-scandal, dishonest accounting, personal greed, questionable campaign contributions, suicide-Enron captures the essence of a company that went too far too fast.

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In this important new work, Kevin Madigan studies the development and union of scholastic, apocalyptic, and Franciscan interpretations of the Gospel of Matthew from 1150 to 1350. These interpretations are placed within the context of high-medieval religious life and attitudes of the papacy toward the Franciscan Order. Madigan uses the fortunes of the Franciscan Peter Olivi (d. 1298) and his commentary on Matthew as a lens through which to observe the larger theological and ecclesiastical developments of this era. Structured in three sections, Olivi and the Interpretation of Matthew in the High Middle Ages begins with an analysis of the scholastic gospel commentary tradition in the schools of Laon and Paris. The second section of the book offers a detailed examination of the Treatise on the Four Gospels by the famed apocalyptic writer Joachim of Fiore. Finally, Madigan turns his attention to the disputes which plagued the Franciscan Order during the first century of its existence. Madigan also focuses on Olivi’s Commentary on Matthew. He argues that this little-known work is perhaps the only Matthew commentary in the high Middle Ages to have been influenced by Joachim’s apocalyptic thought and shaped by internal and external disagreements over the highest form of religious life. Filled with severe criticisms of the hierarchy and leadership of the church, Olivi’s Matthew commentary was examined and eventually condemned by papally appointed theologians in the early fourteenth century. Olivi and the Interpretation of Matthew in the High Middle Ages is not only a worthy contribution to the study of gospel exegesis, but also a valuable cultural and ecclesiastical history.

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The New Hollywood boom of the late 1960s and 1970s is celebrated as a time when maverick directors bucked the system. Against the backdrop of counterculture sensibilities and the prominence of auteur theory, New Hollywood directors such as Robert Altman and Francis Ford Coppola seemed to embody creative individualism. In Post-Fordist Cinema, Jeff Menne rewrites the history of this period, arguing that auteur theory served to reconcile directors to Hollywood’s corporate project.Menne traces the surprising affinities between auteur theory and management gurus such as Peter Drucker, who envisioned a more open and flexible corporate style. In founding production companies, New Hollywood filmmakers took part in the creation of new corporate models that emphasized entrepreneurial creativity. For firms such as Kirk Douglas’s Bryna Productions, Altman’s Lion’s Gate Films, the Zanuck-Brown Company, and BBS Productions, the counterculture ethos limbered up the studio system’s sclerotic production process—with striking parallels to how management theory conceived of the role of the individual within the firm. Menne offers insightful readings of how films such as Lonely Are the Brave, Brewster McCloud, Jaws, and The King of Marvin Gardens narrate the conditions in which they were created, depicting shifting notions of work and corporate structure. While auteur theory allowed directors to cast themselves as independent creators, Menne argues that its most consequential impact came as a management doctrine. An ambitious rethinking of New Hollywood, Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the “creative economy.”

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The line that separated Eastern Christendom from Western on the medieval map is similar to the "iron curtain" of recent times. Linguistic barriers, political divisions, and liturgical differences combined to isolate the two cultures from each other. Except for such episodes as the schism between East and West or the Crusades, the development of non-Western Christendom has been largely ignored by church historians. In The Spirit of Eastern Christendom, Jaroslav Pelikan explains the divisions between Eastern and Western Christendom, and identifies and describes the development of the distinctive forms taken by Christian doctrine in its Greek, Syriac, and early Slavic expression. "It is a pleasure to salute this masterpiece of exposition. . . . The book flows like a great river, slipping easily past landscapes of the utmost diversity—the great Christological controversies of the seventh century, the debate on icons in the eighth and ninth, attitudes to Jews, to Muslims, to the dualistic heresies of the high Middle Ages, to the post-Reformation churches of Western Europe. . . . His book succeeds in being a study of the Eastern Christian religion as a whole."—Peter Brown and Sabine MacCormack, New York Review of Books"The second volume of Professor Pelikan's monumental work on The Christian Tradition is the most comprehensive historical treatment of Eastern Christian thought from 600 to 1700, written in recent years. . . . Pelikan's reinterpretation is a major scholarly and ecumenical event."—John Meyendorff "Displays the same mastery of ancient and modern theological literature, the same penetrating analytical clarity and balanced presentation of conflicting contentions, that made its predecessor such an intellectual treat."—Virgina Quarterly Review

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Art historian Darby English is celebrated for working against the grain and plumbing gaps in historical narratives. In this book, he explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of black cultural politics: Contemporary Black Artists in America, shown at the Whitney Museum of American Art, and The DeLuxe Show, an integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.1971 takes an insightful look at many black artists' desire to gain freedom from overt racial representation, as well as their and their advocates' efforts to further that aim through public exhibitions. Amid calls to define a "black aesthetic" or otherwise settle the race question, these experiments with modernist art favored cultural interaction and instability. Contemporary Black Artists in America highlighted abstraction as a stance against normative approaches, while The DeLuxe Show positioned abstraction in a center of urban blight. The power and social importance of these experiments, English argues, came partly from color's special status as a racial metaphor and partly from investigations of color that were underway in formalist American art and criticism. From Frank Bowling to Virginia Jaramillo, Sam Gilliam to Peter Bradley, black modernists and their supporters rose above the demand to represent or be represented, compromising nothing in their appeals for racial reconciliation. At a time when many debates about identity sought closure, these exhibitions offered openings; when icons and slogans touted simple solutions, they chose difficulty. But above all, as English demonstrates in this provocative book, these exhibitions and artists responded with optimism rather than cynicism to the surrounding culture's preoccupation with color.

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It is said that asphyxiation brings on a state of hallucinatory intoxication...in which case the 71 year old artist who lay in his sprawling Provencal villa died happy. In the early afternoon of Monday 4 October 1999, wracked with Parkinson's, and unable to paint because of a fall in which he had broken his wrist, Bernard Buffet calmly placed a plastic bag over his head, taped it tight around his neck and patiently waited the few minutes it took for death to arrive. Bernard Buffet:The Invention of the Modern Mega-artist tells the remarkable story of a French figurative painter who tasted unprecedented critical and commercial success at an age when his contemporaries were still at art school. Then, with almost equal suddenness the fruits of fame turned sour and he found himself an outcast. Scarred with the contagion of immense commercial success no leper was more untouchable. He was the first artist of the television age and the jet age and his role in creating the idea of a post-war France is not to be underestimated. As the first of the so-called Fabulous Five (Francoise Sagan, Roger Vadim, Brigitte Bardot and Yves Saint Laurent) he was a leader of the cultural revolution that seemed to forge a new France from the shattered remains of a discredited and demoralized country. Rich in incident Buffet’s remarkable story of bisexual love affairs, betrayal, vendettas lasting half a century, shattered reputations, alcoholism, and drug abuse, is played out against the backdrop of the beau monde of the 1950s and 1960s in locations as diverse as St Tropez, Japan, Paris, Dallas, St Petersburg and New York, before coming to its miserable conclusion alone in his studio.

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In the period following the Second World War, the Architectural Association (AA) became the only British school of architecture of truly global renown. It was one of only two schools in the world which fully embraced and promoted the pedagogical ideals put forward by CIAM (Congrès Internationaux d’Architecture Moderne) — the other being Walter Gropius’s Harvard Graduate School of Design — and emerged as an admired example for architectural education in other countries. Many of the most famous British architects and critics of the past 60 years attended the AA, including Ahrends, Burton + Koralek, Alan Colquhoun and John Miller, Jeremy Dixon and Edward Jones, Frank Duffy, Eldred Evans, Kenneth Frampton, Bill Howell, John Killick, Robert Maguire, Cedric Price, Graeme Shankland and Oliver Cox, Quinlan Terry, John Voelcker, and almost a dozen recipients of the RIBA Gold Medal, viz. Neave Brown, Peter Cook, Edward Cullinan, Philip Dowson, Nicholas Grimshaw, Michael and Patricia Hopkins, Powell + Moya, Richard Rogers, and Joseph Rykvert.The book traces the history of the school from the end of the war until the mid-1960s, when it surrendered its position as the pacemaker in British architectural education in order to safeguard its institutional independence. Alvin Boyarsky, who became chairman in 1971, remodelled the AA as a postmodern, ‘internationalist’ school and detached it from its modernist, British origins. In keeping with this (and partly as a result of it), there has been no research into the AA’s postwar history, which remains dominated by myths and half-truths. The book replaces these myths with an in-depth account of what really happened.

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YEATS 150 is a collection of essays, many of them illustrated, commemorating the life and work of Irish poet and Nobel Laureate, William Butler Yeats (1865-1939). The book, dedicated to Seamus Heaney, is divided into a number of sections: Academic Essays; Plays; the Yeats family; Scholarly Essays; Yeats Poetry Prizes and, appropriately, the topographical ‘Sligo’, by Sligo natives and visitors to the International Yeats Summer School. The book includes Helen Vendler’s tribute to Seamus Heaney; essays on Yeats’ poetry and plays; on his wife George, his children Anne and Michael, his contemporary, AE, and on the Sligo landscape that so influenced his imagination. It also details his elaborately crafted book designs. A section, appropriately titled Tír na nÓg, includes pieces by the late T.R. Henn, Vincent Buckley and Alec King, connecting to the post-1945 writing on W.B. Yeats. This remarkably wide-ranging collection honours the poet Yeats and those who have lectured and tutored across the world on the man and his work. The US, Canada, UK, Hungary, Japan, New Zealand and Australia are represented in the essays. The thirty-six contributors include former Yeats Summer School Directors: Helen Vendler, Denis Donoghue and James Pethica, Ann Margaret Daniels, as well as Patrick M. Keane, Harvard professors Deirdre Toomey and Daniel Albright, Yeats Annual editor Warwick Gould, publisher Colin Smythe, professor and director of Otago University, New Zealand, Peter Kuch, Tokyo professor Tomoko Iwatsubo, biographer Ann Saddlemyer, critics Lucy McDiarmid, Bruce Stewart and Martin Mansergh: in all, a glittering gathering of writers lend weight to this important commemorative and historical work.

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"Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises." — Peter Sheridan, Daily Express Once, when asked how he’d like to be remembered, Paul Newman replied: "I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being." As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

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'An excellent read, a page-turner of real quality. Raise your drinking horns in a toast! Theodore Brun has earned his place in the mead hall' BEN KANE'A fever dream of dark lusts and an ancient evil. A Savage Moon drips with passion, betrayal, loyalty and loss. A wonderful book!' MATTHEW HARFFY 'A heart pounding mix of action, adventure and historical detail. The prose is riveting and the battle scenes thrilling!' PETER GIBBONSAn epic, spellbinding Viking fantasy of blood and battle, weaving together history, fantasy and ancient myth. Perfect for fans of The Northman and Game of Thrones. Byzantium, 718ADThe great siege is over.Crippled warrior, Erlan Aurvandil, is weary of war. But he must rally his strength to lead a band of misfit adventurers back to the North, to reclaim the stolen kingdom of his lover, Lilla Sviggarsdottir. For this, they need an army. To raise an army, they need gold.Together they plot a daring heist to steal the Emperor's tribute to his ally. Barely escaping with their lives, they voyage north, ready for the fight. But when fate strands them in a foreign land already riven by war, Erlan and Lilla are drawn inexorably into the web of a dark and gruesome foe.As blades fall and shadows close in, only one thing for them is certain: a savage moon is rising. And it demands an ocean of blood.Praise for Theodore Brun:'A masterly debut... If Bernard Cornwall and George R.R. Martin had a lovechild, it would look like A Mighty Dawn. I devoured it late into the night, and eagerly await the sequel' THE TIMES'Gripping. Gut-wrenching' ERIC SCHUMACHER

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"A vivid and intoxicating account of these beautiful islands" - Victoria Hislop. "A must-read for anyone who loves the Greek islands" - Richard Clark 'There's something about abandoned places which moves me and captures the imagination.' So says seasoned travel writer Jennifer Barclay as she walks with her dog and her backpack through the deserted spaces of the Dodecanese, islands that were once bustling but are now half forgotten and reclaimed by the wild due to a mix of misfortune and the lure of opportunity elsewhere. Join her on a journey through abandoned villages and farms, cave-houses and captains' mansions, the homes of displaced Muslim fishermen and poets, as she discovers beauty in the ruins, emptiness and silence, and inspiration in the stories of people's lives. A long-term resident of Greece, Jennifer Barclay spent more than four years researching Wild Abandon, visiting islands multiple times and talking to local people to hear their stories. She travels from the very west to the very east of the Dodecanese, from the very south almost to the very north, taking in some of the smallest and the biggest islands, and highlighting different stories along the way to show the complex history behind these havens of tranquillity. She discovers a villa intended for Benito Mussolini's retirement, an island that links a gramophone from St Petersburg and a portrait in the American National Gallery via a pack of cigarettes, and reflects on the days when an economy based on sponges and burnt rock supported thousands. Wild Abandon is an elegy in praise of abandoned places and a search for lost knowledge through the wildest and most deserted locations.

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Rabbit is the story of the winsome long-eared animal that hops through children's stories, myths and legends, and back yards. In this richly illustrated book, Victoria Dickenson explores the natural and cultural history of this most familiar creature. From the giant extinct rabbits of Minorca to the tiny endangered Volcano rabbits of Mexico, the book explores the history of the species, with a special focus on the European rabbit, whose history has been so closely intertwined with that of its greatest predator, humanity. Celebrated for its fur and its flesh, the rabbit owes its worldwide distribution to human intervention. Captain Cook took rabbits to New Zealand to provide food for sailors and settlers. Their introduction in the late nineteenth century to Australia resulted in a disastrous plague of rabbits, which could only be brought under control by the introduction of myxomatosis. The rabbit is a paradox. It is prey, chased by a thousand enemies from eagles to foxes to domestic cats. But it is also trickster, who outwits all rivals, and escapes every trap. The rabbit is lucky, and his foot will charm away evil. It haunts the graveyard and dances in the moonlight. The rabbit is suitable as a cuddly companion for children but also as a symbol of unbridled animal passion. From Peter Rabbit to B'rer Rabbit to Watership Down and the Energizer Bunny, rabbits hop through our imagination. Discover the Jade Moon rabbit, celebrate the Year of the Rabbit and enjoy the poetry of rabbits in this fascinating study of an animal that, after the dog and cat, has been granted a privileged place in our homes and our hearts.

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'I'd follow her anywhere' GILLIAN FLYNN'One of the boldest thriller writers working today' TESS GERRITSEN'Her characters, plot, and pacing are unrivalled' MICHAEL CONNELLY_________________________________________The first book in Karin Slaughter's #1 bestselling GRANT COUNTY series.She was found in the local diner. Brutally murdered. Ritually mutilated.And she won't be the last.The sleepy town of Heartsdale, Georgia, is jolted into panic when Sara Linton, paediatrician and medical examiner, finds a woman dead in the local diner. She has been cut: two deep knife wounds form a lethal cross over her stomach. But it's only once Sara starts to perform the post-mortem that the full extent of the killer's brutality becomes clear. Police chief Jeffrey Tolliver - Sara's ex-husband - is in charge of the investigation, and when a second victim is found, crucified, only a few days later, both Jeffrey and Sara have to face the fact that themurder wasn't a one-off attack. What they're dealing with is a seasoned sexual predator. A violent serial killer..._________________________________________Crime and thriller masters know there's nothing better than a little Slaughter:'Passion, intensity, and humanity' LEE CHILD'A writer of extraordinary talents' KATHY REICHS'Fiction doesn't get any better than this' JEFFERY DEAVER'A great writer at the peak of her powers' PETER JAMES'Raw, powerful and utterly gripping' KATHRYN STOCKETT'With heart and skill Karin Slaughter keeps you hooked from the first page until the last' CAMILLA LACKBERG'Amongst the world's greatest and finest crime writers' YRSA SIGURÐARDÓTTIR

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A reconsideration of the writ of habeas corpus casts new light on a range of current issues Habeas corpus, the storied Great Writ of Liberty, is a judicial order that requires government officials to produce a prisoner in court, persuade an independent judge of the correctness of their claimed factual and legal justifications for the individual’s imprisonment, or else release the captive. Frequently the officials resist being called to account. Much of the history of the rule of law, including the history being made today, has emerged from the resulting clashes. This book, heavily based on primary sources from the colonial and early national periods and significant original research in the New Hampshire State Archives, enriches our understanding of the past and draws lessons for the present. Using dozens of previously unknown examples, Professor Freedman shows how the writ of habeas corpus has been just one part of an intricate machinery for securing freedom under law, and explores the lessons this history holds for some of today’s most pressing problems including terrorism, the Guantanamo Bay detentions, immigration, Brexit, and domestic violence. Exploring landmark cases of the past - like that of John Peter Zenger - from new angles and expanding the definition of habeas corpus from a formal one to a functional one, Making Habeas Work brings to light the stories of many people previously overlooked (like the free black woman Zipporah, defendant in “the case of the headless baby”) because their cases did not bear the label “habeas corpus.” The resulting insights lead to forward-thinking recommendations for strengthening the rule of law to insure that it endures into the future.

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More than a century after his death in 1881, Fyodor Dostoevsky continues to fascinate readers and reviewers. Countless studies of his writing have been published—more than a dozen in the past few years alone. In this important new work, Thomas Marullo provides a diary-portrait of Dostoevsky's early years drawn from the letters, memoirs, and criticism of the writer, as well as from the testimony and witness of family and friends, readers and reviewers, and observers and participants in his life. Marullo's exhaustive search of published materials on Dostoevsky sheds light on many unexplored corners of Dostoevsky's childhood, adolescence, and youth. Speakers of excerpts are given maximum freedom: Anything they said about the writer—the good and the bad, the truth and the lies—are included, with extensive footnotes providing correctives, counter-arguments, and other pertinent information. The first part of this volume, "All in the Family," focuses on Dostoevsky's early formation and schooling, i.e., his time in city and country, and his ties to his family, particularly his parents. The second section, "To Petersburg!," features Dostoevsky's early days in Russia's imperial city, his years at the Main Engineering Academy, and the death of his father. The third part, "Darkness before Dawn," deals with the writer's youthful struggles and strivings, culminating in the success of his work, Poor Folk. This clear and comprehensive portrait of one of the world's greatest writers will appeal to students, teachers, and scholars of Dostoevsky's early life, as well as general readers interested in Dostoevsky, literature, and history.

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Ranging from fatherhood to machismo and from public health to housework, Changing Men and Masculinities in Latin America is a collection of pioneering studies of what it means to be a man in Latin America. Matthew C. Gutmann brings together essays by well-known U.S. Latin Americanists and newly translated essays by noted Latin American scholars. Historically grounded and attuned to global political and economic changes, this collection investigates what, if anything, is distinctive about and common to masculinity across Latin America at the same time that it considers the relative benefits and drawbacks of studies focusing on men there. Demonstrating that attention to masculinities does not thwart feminism, the contributors illuminate the changing relationships between men and women and among men of different ethnic groups, sexual orientations, and classes.The contributors look at Mexico, Argentina, Ecuador, Brazil, Colombia, Peru, Venezuela, Chile, and the United States. They bring to bear a number of disciplines—anthropology, history, literature, public health, and sociology—and a variety of methodologies including ethnography, literary criticism, and statistical analysis. Whether analyzing rape legislation in Argentina, the unique space for candid discussions of masculinity created in an Alcoholics Anonymous group in Mexico, the role of shame in shaping Chicana and Chicano identities and gender relations, or homosexuality in Brazil, Changing Men and Masculinities highlights the complex distinctions between normative conceptions of masculinity in Latin America and the actual experiences and thoughts of particular men and women.Contributors. Xavier Andrade, Daniel Balderston, Peter Beattie, Stanley Brandes, Héctor Carrillo, Miguel Díaz Barriga, Agustín Escobar, Francisco Ferrándiz, Claudia Fonseca, Norma Fuller, Matthew C. Gutmann, Donna Guy, Florencia Mallon, José Olavarría, Richard Parker, Mara Viveros

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In the political landscape emerging from the end of the Cold War, making U.S. foreign policy has become more difficult, due in part to less clarity and consensus about threats and interests. In After the End James M. Scott brings together a group of scholars to explore the changing international situation since 1991 and to examine the characteristics and patterns of policy making that are emerging in response to a post–Cold War world.These essays examine the recent efforts of U.S. policymakers to recast the roles, interests, and purposes of the United States both at home and abroad in a political environment where policy making has become increasingly decentralized and democratized. The contributors suggest that foreign policy leadership has shifted from White House and executive branch dominance to an expanded group of actors that includes the president, Congress, the foreign policy bureaucracy, interest groups, the media, and the public. The volume includes case studies that focus on China, Russia, Bosnia, Somalia, democracy promotion, foreign aid, and NAFTA. Together, these chapters describe how policy making after 1991 compares to that of other periods and suggest how foreign policy will develop in the future. This collection provides a broad, balanced evaluation of U.S. foreign policy making in the post–Cold War setting for scholars, teachers, and students of U.S. foreign policy, political science, history, and international studies.Contributors. Ralph G. Carter, Richard Clark, A. Lane Crothers, I. M. Destler, Ole R. Holsti, Steven W. Hook, Christopher M. Jones, James M. McCormick, Jerel Rosati, Jeremy Rosner, John T. Rourke, Renee G. Scherlen, Peter J. Schraeder, James M. Scott, Jennifer Sterling-Folker, Rick Travis, Stephen Twing

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An original anthology of essays illuminating the role of nativism in America's history Nativism—an intense opposition to immigrants and other non- native members of society—has been deeply imbedded in the American character from the earliest days of the nation. Correspondingly, nativism, overtly or covertly, has always permeated our national discourse. Dating from the Alien and Sedition controversy of 1798 to California's recent Proposition 187, nativism has long been a driving force in policy making, a particular irony in a country founded and populated by immigrants. This anthology of original essays is informed at its core by George Santayana's famous edict that those who cannot remember the past are condemned to repeat it. Examining the current surge in nativism in light of past waves of anti- immigrant sentiment, the volume takes an unflinchingly critical look at the realities and rhetoric of the new nativism. How can the imprisonment of Japanese-Americans during World War II illuminate our understanding of the English Only movement today? How has the symbolism of the Statue of Liberty evolved since its dedication and what can it tell us about the American disposition to immigration? What is the new nativism? What are the semantic and rhetorical similarities, if any, between the most shrill nativist voices of the present, such as Pat Buchanan's or Peter Brimelow's in his widely publicized book Alien Nation, and National Socialist propaganda in 1930s Germany? Juan Perea has here assembled a truly interdisciplinary group of contributors to emphasize the changing relationship between citizens and immigrants, and the effects of economics, history, and demographics on that relationship. Immigrants Out! provides a needed antidote to the often poisonous attacks on America's most vulnerable.

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'This is the most cheerful book about murder I've ever read. If the writings of Agatha Christie and Peter Kay ever had a baby, I like to think it would read something like this' The Bookbag Welcome to Castle Kidbury - a pretty town in a green West Country valley. It's home to all sorts of people, with all the stresses and joys of modern life, but with a town square and a proper butcher's. It also has, for our purposes, a rash of gory murders ... ***Fast-paced and funny, this is a must-read for all fans of a classic murder mystery - think The Vicar of Dibley meets Midsomer Murders *** Jess Castle is running away. Again. This time she's running back home, like she swore she never would. Castle Kidbury, like all small towns, hums with gossip but now it's plagued with murder of the most gruesome kind. Jess instinctively believes that the hippyish cult camped out on the edge of town are not responsible for the spate of crucifixions that blights the pretty landscape. Her father, a respected judge, despairs of Jess as she infiltrates the cult and manages, not for the first time, to get herself arrested. Rupert Lawson, a schooldays crush who's now a barrister, bails her out. Jess ropes in a reluctant Rupert as she gatecrashes the murder investigation of DS Eden. A by-the-book copper, Eden has to admit that intuitive, eccentric Jess has the nose of a detective. As the gory murders pile up, there’s nothing to connect the victims. And yet, the clues are there if you look hard enough. Perfect for fans of MC Beaton, this is cosy crime at its most entertaining and enthralling.

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The final book in his acclaimed trilogy on the rise and fall of Nazi Germany, Richard J. Evans's The Third Reich at War: How the Nazis Led Germany from Conquest to Disaster shows how Germany rushed headlong into destroying itself, shattering an entire continent. In 1939 Hitler mobilized Germany into all-out war. Richard Evans's astonishing, acclaimed history conjures up a whole society plunged into conflict - from generals and front-line soldiers to Hitler Youth activists and middle-class housewives - tracing events from the invasion of Poland and the Battle of Stalingrad to Hitler's plans for genocide and his eventual suicide. 'Masterly ... will surely be the standard history for many years to come ... This is a warning for the future, as much as a judgement on the past' Richard Overy, Daily Telegraph 'We all know how the story ends ... but Richard Evans brings it masterfully home ... magnificent' Peter Preston, Observer 'A chilling, brilliant read' Dominic Sandbrook, Sunday Telegraph Books of the Year 'It is hard to do justice to the humanity and scholarly range of The Third Reich at War ... triumphant ... a masterful historical narrative and the most comprehensive account of Nazi Germany' Nicholas Stargardt, The Times Literary Supplement 'It gives the reader persuasive answers to questions asked for so long, that will continue to be asked, about this most violent and inexplicable of regimes' Mark Mazower, Guardian Sir Richard J. Evans is Professor of Modern History at Cambridge University. His previous books include In Defence of History, Telling Lies about Hitler and the companions to this title, The Coming of the Third Reich and The Third Reich in Power.

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