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This book is a critical account of the history, evolution and challenges of higher education in mainland China, Taiwan and Hong Kong, with important reflections on other systems, notably those in the US, UK, Korea and Japan. In addition to hardware and software, it introduces the concept of "Soulware" in global higher education and analyses its importance for internationalization and the pursuit of excellence. In an age where robots and artificial intelligence are impacting our jobs and our daily lives, its critical analysis and insightful reflections provide considerable value for a range of global stakeholders interested in higher education reform to nurture talent and promote innovation to prepare students for an unpredictable future. "Professor Kuo’s perspective provides considerable value for a range of global stakeholders both in the east and the west. As American universities awake to the realization that the demand for higher education is an increasingly global phenomena, his contribution could not be more timely."Mike Crow, PhD President, Arizona State University "Way Kuo advances a powerful historical argument for the means to achieve excellence in Asian universities. His recipe is bold leadership, combining excellence in teaching and research, and embracing the lessons of western university successes and failures. A superb combination of history and forward thinking."Michael Kotlikoff, VMD, PhD Provost, Cornell University "Way’s book is not just about the past or the present. Rather, it offers useful insights into the future. In an age where robots and artificial intelligence are impacting our jobs and our daily lives, he introduces the concept of “soulware” and analyzes its importance for higher education."G. P. “Bud” Peterson, PhD President, Georgia Institute of Technology "Differing from their Western counterparts, Chinese universities will demonstrate their own cultural characteristics. In this regard, Professor Kuo’s book offers us many valuable insights." Yong Qiu, PhD President, Tsinghua University, Beijing "Wisdom is the ultimate goal of higher education. It is the illumination of that wisdom among audiences, English-speaking or Chinese-speaking, to which Way Kuo’s book hopes to kindle a spark." Frank H. Shu, PhD President, 2002-06, National Tsing Hua University, Hsinchu, and University Professor Emeritus, University of California, Berkeley and San Diego

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THE NEW YORK TIMES BESTSELLER NOW A MAJOR TV SERIES starring Pierce Brosnan and co-written by Philipp Meyer The critically acclaimed, New York Times-bestselling epic, a saga of land, blood and power, follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the oil booms of the 20th century. Eli McCullough is just twelve years old when a marauding band of Comanche storm his Texas homestead, brutally murder his mother and sister and take him captive. Despite their torture and cruelty, Eli - against all odds - adapts to life with the Comanche, learning their ways and language, taking on a new name, finding a place as the adopted son of the band's chief and fighting their wars against not only other Indians but white men too, which complicates his sense of loyalty, his promised vengeance and his very understanding of self. But when disease, starvation and westward expansion finally decimate the Comanche, Eli is left alone in a world in which he belongs nowhere, neither white nor Indian, civilized nor fully wild. Deftly interweaving Eli’s story with those of his son Peter and his great-granddaughter JA, The Son maps the legacy of Eli’s ruthlessness, his drive to power and his lifelong status as an outsider, even as the McCullough family rises to become one of the richest in Texas, a ranching and oil dynasty that is as resilient and dangerous as the land they claim. Yet, like all empires, the McCulloughs must eventually face the consequences of their choices. Panoramic, deeply evocative and utterly transporting, The Son is a masterpiece American novel - part epic of Texas, part classic coming-of-age story - that combines the narrative prowess of Larry McMurtry with the knife-edge sharpness of Cormac McCarthy. 'Stunning ... a book that for once really does deserve to be called a masterpiece' Kate Atkinson 'Magnificent ... McCarthy's Border Trilogy is a point of reference, as is There Will Be Blood, but it is not fanciful to be reminded of certain passages from Moby-Dick - it's that good'The Times 'Brilliant ... a wonderful novel' Lionel Shriver

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CONTENTS:Preface by Pamela O'NeillCelts in the Material Record??The image of a Celtic society: medieval West Highland sculpture by David H Caldwell, Fiona M McGibbon, Suzanne Miller and Nigel A RuckleyJust what did a nemeton look like anyway? By Kristen ErskineCelts, Romans and Germans in the Rhineland by Michael NelsonThe ancient Celts: classical perceptions and modern definitions by David Sheehan'Celts in the Gobi desert': a linguistico-archaeological mess by Aedeen CreminCelts in History??Gendering the foundation myths of Scotland in the fifteenth and sixteenth centuries by Michelle SmithEdmund Burke and Mary Wollstonecraft's Irish education by Mary SpongbergEamhain Mhacha in this world and in the otherworld by Penny PollardMyth and legend in the landscape of the Rhondda Valley, south Wales, as a source of cultural identity by Graham Aubrey'And anyway she was always going about with the Mother of God': the Brigid and Mary stories in Gaelic culture by Mary O'ConnellCelts in Law??The idea of continuation and extinguishment of 'Welsh' customary land law in the face of Norman-English conquest and legal regime change by Michael StuckeyThe Welsh laws of women by Gwenyth RichardsThe Scottish Highlands and the conscience of the nation, 1886 to 2003 by Ewen A CameronCelts in Literature??Irish myths: fantastic nonsense or a real record of astronomical catastrophes? by Patrick McCaffertyImperial Roman elements in the architecture of the city in Saltair na Rann by Tessa MorrisonFiction, feminism and the 'Celtic Church': the Sister Fidelma novels of Peter Tremayne by Carole CusackMorgan le Fay: Celtic origins and literary images by Dominique Beth WilsonWicca in Eileanan and the problems of history by Lauren BernauerCelts in the Diaspora??Irish and Scottish child migrants at Pinjarra: maintaining a Celtic identity by Paula-Lee M MageeThe Irish language in Australia: survey of a community language by Dymphna Lonergan'A class equal to any for making prosperous colonists...': Ulster Protestant migrants in the Antipodes by Brad Patterson'Migrant fairies': an anthropological investigation of contemporary Celtic identity in the Australian setting as endorsed by mythical symbolism by Jeffrey ParkerCompeting Celticities: Cornish and Irish constructions of Australia by Philip Payton

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'A perfect detective for our time' Stephen Fry A cold case that has been ignored. . . A detective who fights for the voiceless. THE DETECTIVE Bristol detective DS George Cross might be difficult to work with – but his unfailing logic and determined pursuit of the truth means he is second to none at convicting killers. THE CRIME When the police dismiss a man's death as a squabble among the homeless community, Cross is not convinced; there are too many unanswered questions. Who was the unknown man whose weather-beaten body was discovered on Clifton Downs? And was the same tragedy that resulted in his life on the streets also responsible for his death? THE COLD CASE As Cross delves into the dead man's past, he discovers that the answers lie in a case that has been cold for fifteen years. Cross is the only person who can unpick the decades-old murder – after all, who better to decipher the life of a person who society has forgotten than a man who has always felt like an outsider himself? Perfect for fans of M.W. Craven, Peter James and Joy Ellis, The Dentist is part of the DS George Cross thriller series, which can be read in any order. Why readers love George Cross... 'A clever mystery full of tension but also humour and compassion. George Cross is becoming one of my favourite detectives.’ Elly Griffiths 'In DS George Cross, Tim Sullivan has created a character who is as endearing as any I’ve ever come across in this genre. His quirks are his gift, and with Sullivan’s tremendous plotting and superb writing, this series is a gift to readers.' Liz Nugent 'The fact that Cross has been diagnosed with autism spectrum disorder makes him just as intriguing as the murder mystery' The Times 'A British detective for the 21st century who will be hard to forget' Daily Mail 'A compelling, suspenseful police procedural with an intimate, positive insight into living on the autistic spectrum' Woman 'An excellent, excellent read' Reader Review

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'An extraordinary account of heroism and sacrifice. An unexpected and important story, rivetingly told. Rip roaring stuff. Get this into the paws of the sea dog in your life.' - Griff Rhys Jones 'A book that had to be written' - Let's Talk 'People ashore don’t realise what a grim war we are waging at sea with the Germans. A cold-blooded war, in a way I think requiring the maximum of bravery from the men of both sides in the long run, as it is so ceaseless and intangible. You just don’t know whether the next moment will be your last.' Robert Hichens, RNVSR Several years ago, Julia Jones was searching through long-forgotten items stored at her house and discovered some suitcases of old written material, which turned out to be accounts by her father of his experiences in the RNVSR (Royal Naval Volunteer Supplementary Reserve). She realised that as a child she’d met some of the people mentioned, and although she was too young to truly know them, these youthful impressions spurred her on to rediscovery and understanding. In this absorbing book Julia tells the compelling stories of the yachtsmen. Some were famous (such as Sir Peter Scott), others were wealthy (such as August Courtauld, who returned his pay to help with the war effort) but the majority were just 'ordinary' professionals such as publishers, lawyers and advertising agents, who signed up because they loved sailing. Few could ever have dreamed that they would end up acting in areas that were so far beyond their normal lives, as they found themselves commanding destroyers and submarines, and undertaking covert missions of sabotage. Some undertook the dangerous daily drudgery of minesweeping; others tackled unexploded bombs, engaged the enemy in high-speed attacks or played key roles in Ian Fleming's famous intelligence commandos. This varied crew of men were given tasks vital to the war effort, requiring endurance, extraordinary bravery, resourcefulness and quick thinking. Some died in the process, but for the ones who survived, Julia asks how their experiences changed them. Could their love of sailing and the sea survive the harsh realities of war?

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THE NEW YORK TIMES BESTSELLER NOW A MAJOR TV SERIES starring Pierce Brosnan and co-written by Philipp Meyer The critically acclaimed, New York Times-bestselling epic, a saga of land, blood and power, follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the oil booms of the 20th century. Eli McCullough is just twelve years old when a marauding band of Comanche storm his Texas homestead, brutally murder his mother and sister and take him captive. Despite their torture and cruelty, Eli - against all odds - adapts to life with the Comanche, learning their ways and language, taking on a new name, finding a place as the adopted son of the band's chief and fighting their wars against not only other Indians but white men too, which complicates his sense of loyalty, his promised vengeance and his very understanding of self. But when disease, starvation and westward expansion finally decimate the Comanche, Eli is left alone in a world in which he belongs nowhere, neither white nor Indian, civilized nor fully wild. Deftly interweaving Eli’s story with those of his son Peter and his great-granddaughter JA, The Son maps the legacy of Eli’s ruthlessness, his drive to power and his lifelong status as an outsider, even as the McCullough family rises to become one of the richest in Texas, a ranching and oil dynasty that is as resilient and dangerous as the land they claim. Yet, like all empires, the McCulloughs must eventually face the consequences of their choices. Panoramic, deeply evocative and utterly transporting, The Son is a masterpiece American novel - part epic of Texas, part classic coming-of-age story - that combines the narrative prowess of Larry McMurtry with the knife-edge sharpness of Cormac McCarthy. 'Stunning ... a book that for once really does deserve to be called a masterpiece' Kate Atkinson 'Magnificent ... McCarthy's Border Trilogy is a point of reference, as is There Will Be Blood, but it is not fanciful to be reminded of certain passages from Moby-Dick - it's that good'The Times 'Brilliant ... a wonderful novel' Lionel Shriver

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Inspired by a true story Daughter Midwife Princess ‘A fascinating story reflecting the past moving alongside the present day’ USA Today Bestseller Glynis Peters Born Nigerian royalty, Princess Adenrele Ademola trained as a nurse at Guy’s Hospital in London and stepped up to serve the people of Britain when war broke out – facing both the devastation of the Blitz and the prejudice of some of the people she was trying to help. 80 years later, Ade’s great-niece Yemi arrives in London clutching the Princess’s precious diaries and longs to uncover the mysteries they hold… A richly-detailed, compelling historical novel shining a light on a hidden voice of WW2 and one woman’s courageous contribution to Britain ‘A wonderful unfurling of such an important history … I was utterly absorbed in Ade's life!’ Chioma Okereke Readers love A Nurse’s Tale: ‘I must admit I knew very little about Nigeria, its history, culture, heritage and traditions and now I do…a great debut novel and perfect for readers who enjoy historical fiction full of long buried secrets, and learning about different cultures and I want to make Jollof rice’⭐⭐⭐⭐ ‘This is one of the best historical books I have read in a long time’ ⭐⭐⭐⭐⭐ ‘Incredible to learn more about Nigeria and the repercussions of the war on the country. The writing itself is magic, the perspective unique and the characters beautifully written. This is a special novel, one to cling to and savour’ ⭐⭐⭐⭐ ‘Don’t miss this fantastic true story! Awonubi not only shares history, she honours Princess Ademola’s legacy and champions the recognition she deserves’ ⭐⭐⭐⭐⭐ ‘I can say that I have learned quite a bit with reading this story…Wholeheartedly recommend this novel’⭐⭐⭐⭐⭐ ‘A great historical novel, it had everything that I was hoping for’ ⭐⭐⭐⭐⭐ ‘Very enjoyable and thought-provoking’ ⭐⭐⭐⭐⭐ ‘I was so sad this book ended…I love historical fiction, especially when it’s well written, and this was’ ⭐⭐⭐⭐⭐ ‘How do I explain it except to say READ IT! It’s phenomenal’ ⭐⭐⭐⭐⭐ ‘I read a lot of World War II historical fiction but this book gave me a very different viewpoint…I love character-driven novels and the women in this one are treasures’ ⭐⭐⭐⭐⭐ ‘

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'One of the nation's favourite saga writers' Lancashire Post'A real heartbreaker' Peterborough TelegraphA powerful saga from Jennie Felton in the grand tradition of Josephine Cox, Dilly Court and Rosie Goodwin, of love, loss, tragedy, drama, secrets and twists and turns.Readers are hooked by The Stolen Child!'Like the twists and turns . . . a great read' ⭐ ⭐ ⭐ ⭐ ⭐'Keeps you on the edge . . . could not put it down' ⭐ ⭐ ⭐ ⭐ ⭐'A heartbreaking read. 5 stars' ⭐ ⭐ ⭐ ⭐ ⭐'A must read' ⭐ ⭐ ⭐ ⭐ ⭐.............................................Will anyone believe her baby is gone?When Stella Swift is discovered holding a shard of broken glass near her newborn baby boy, fears that she might harm William result in her being taken to Catcombe - the local asylum. Although the regime is not as harsh as it once was, it's not somewhere that Tom wants to send his wife - but he has no choice.Turning to his kind-hearted sister-in-law Grace for help taking care of his other three children whilst he keeps working at the mine seems like the simplest solution until Stella is well - if only there wasn't the shared history between Tom and Grace...At first Catcombe seems to offer the respite Stella needs - until one day she becomes convinced that the baby the nurses have given to her is not William. Is Stella losing her mind? Or is it true that a mother will always know her own child?.............................................'Brimming with high drama, anguish, love, loss, tragedy, and gripping twists and turns, this is an absorbing and poignant story . . . Felton, a born storyteller, has a warm and compassionate heart . . . and an eye for the rich period detail that brings the past to life' Lancashire PostDon't miss Jennie's Families of Fairley Terrace series, which began with Maggie's story in All The Dark Secrets and continued with Lucy's story in The Miner's Daughter, Edie's story in The Girl Below Stairs, Carina's story in The Widow's Promise and Laurel's story in The Sister's Secret.Plus look out for more or Jennie's page-turning standalones - A Mother's Sacrifice, out now and The Smuggler's Girl - coming soon!

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New Testament studies have debated the Koine Greek verb for 25 years--reaching an impasse when it came to both tense and aspect.Now, a group of scholars offer a new take on this debate. Originally presented as part of a conference on the Greek verb at Tyndale House, Cambridge, the chapters in The Greek Verb Revisited represent scholarly collaboration from the fields of linguistics, classics, and New Testament studies--resulting in a new perspective that allows the reader to approach the Greek verb in a fresh way.The Greek Verb Revisited not only offers a rare glimpse into the background of the debate over the Greek verb, but also explains the significance of this discussion and provides a linguistically-sound way forward.Contributors include:--Rutger J. Allan (Vrije Universiteit, Amsterdam)--Michael Aubrey (Faithlife Corporation)--Rachel Aubrey (Canada Institute of Linguistics, Trinity Western University)--Randall Buth (Biblical Language Center)--Robert Crellin (Faculty of Classics, Cambridge)--Nicholas J. Ellis (BibleMesh)--Buist Fanning (Dallas Theological Seminary)--Christopher J. Fresch (Bible College of South Australia)--Peter J. Gentry (Southern Baptist Theological Seminary)--Geoffrey Horrocks (Faculty of Classics, Cambridge)--Patrick James (The Greek Lexicon Project; Faculty of Classics, Cambridge)--Stephen H. Levinsohn (SIL International)--Amalia Moser (National and Kapodistrian University of Athens)--Christopher J. Thomson (University of Edinburgh)--Elizabeth Robar (Tyndale House, Cambridge)--Steven E. Runge (Lexham Research Institute; Stellenbosch University)

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A cutting-edge view of the digital humanities at a time of global pandemic, catastrophe, and uncertaintyWhere do the digital humanities stand in 2023? Debates in the Digital Humanities 2023 presents a state-of-the-field vision of digital humanities amid rising social, political, economic, and environmental crises; a global pandemic; and the deepening of austerity regimes in U.S. higher education. Providing a look not just at where DH stands but also where it is going, this fourth volume in the Debates in the Digital Humanities series features both established scholars and emerging voices pushing the field’s boundaries, asking thorny questions, and providing space for practitioners to bring to the fore their research and their hopes for future directions in the field. Carrying forward the themes of political and social engagement present in the series throughout, it includes crucial contributions to the field—from a vital forum centered on the voices of Black women scholars, manifestos from feminist and Latinx perspectives on data and DH, and a consideration of Indigenous data and artificial intelligence, to essays that range across topics such as the relation of DH to critical race theory, capital, and accessibility.Contributors: Harmony Bench, Ohio State U; Christina Boyles, Michigan State U; Megan R. Brett, George Mason U; Michelle Lee Brown, Washington State U; Patrick J. Burns, New York U; Kent K. Chang, U of California, Berkeley; Rico Devara Chapman, Clark Atlanta U; Marika Cifor, U of Washington; María Eugenia Cotera, U of Texas; T. L. Cowan, U of Toronto; Marlene L. Daut, U of Virginia; Quinn Dombrowski, Stanford U; Kate Elswit, U of London; Nishani Frazier, U of Kansas; Kim Gallon, Brown U; Patricia Garcia, U of Michigan; Lorena Gauthereau, U of Houston; Masoud Ghorbaninejad, University of Victoria; Abraham Gibson, U of Texas at San Antonio; Nathan P. Gibson, Ludwig-Maximilians-Universität, Munich; Kaiama L. Glover, Barnard College; Hilary N. Green, Davidson College; Jo Guldi, Southern Methodist U; Matthew N. Hannah, Purdue U Libraries; Jeanelle Horcasitas, DigitalOcean; Christy Hyman, Mississippi State U; Arun Jacob, U of Toronto; Jessica Marie Johnson, Johns Hopkins U and Harvard U; Martha S. Jones, Johns Hopkins U; Annette K. Joseph-Gabriel, Duke U; Mills Kelly, George Mason U; Spencer D. C. Keralis, Digital Frontiers; Zoe LeBlanc, U of Illinois at Urbana-Champaign; Jason Edward Lewis, Concordia U; James Malazita, Rensselaer Polytechnic Institute; Alison Martin, Dartmouth College; Linda García Merchant, U of Houston Libraries; Rafia Mirza, Southern Methodist U; Mame-Fatou Niang, Carnegie Mellon U; Jessica Marie Otis, George Mason U; Marisa Parham, U of Maryland; Andrew Boyles Petersen, Michigan State U Libraries; Emily Pugh, Getty Research Institute; Olivia Quintanilla, UC Santa Barbara; Jasmine Rault, U of Toronto Scarborough; Anastasia Salter, U of Central Florida; Maura Seale, U of Michigan; Celeste Tường Vy Sharpe, Normandale Community College; Astrid J. Smith, Stanford U Libraries; Maboula Soumahoro, U of Tours; Mel Stanfill, U of Central Florida; Tonia Sutherland, U of Hawaiʻi at Mānoa; Gabriela Baeza Ventura, U of Houston; Carolina Villarroel, U of Houston; Melanie Walsh, U of Washington; Hēmi Whaanga, U of Waikato; Bridget Whearty, Binghamton U; Jeri Wieringa, U of Alabama; David Joseph Wrisley, NYU Abu Dhabi. Cover alt text: A text-based cover with the main title repeating right-side up and upside down. The leftmost iteration appears in black ink; all others are white.

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Die Einzigartigkeit dieses Ensembles liegt sowohl in den enormen Ausmassen von Schloss und Park als auch in ihrer unverwechselbaren Architektur und kostbaren Ausstattung. Die prachtvollen Raume und Sale des Schlosses mit hochkaratigen Werken franzoesischer Malerei bieten den Rahmen fur eine sichtbare hoefische Kulturgeschichte im Wechsel der Zeiten. Der Bau, der 1699 als Schloss Lietzenburg fur Koenigin Sophie Charlotte entstand, wurde nach ihrem Tod in Charlottenburg umbenannt. Zahlreiche Schlosserweiterungen und herausragende Architekturen wie die Orangerie, der Neue Flugel, das Belvedere, das Mausoleum mit dem Sarkophag der beliebten Koenigin Luise oder der Neue Pavillon von Schinkel hoben die Bedeutung und Schoenheit des Komplexes weiter. Peter Joseph Lenne wandelte den ohnehin naturlichen und abwechslungsreichen Park in einen beispielhaften Landschaftsgarten. Der Zweite Weltkrieg hinterliess auch hier grosse Schaden, doch konnten viele Bereiche wieder rekonstruiert werden.

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter is faced with an ancient Inca curse, which is causing its victims to fall into a life-threatening coma. The tomb of Rascar Capac has been unearthed! But one by one, the finders fall into a terrifying coma. Can this be the curse of the Inca gods? Tintin must somehow fathom out the meaning behind his only clue: the shattered crystal ball lying beside each of the victims … Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter struggles to keep his feet on the ground as his adventures take him to the moon! Following on from the events of Destination Moon, Tintin finds himself in a rocket on a collision course with the moon. And with Snowy the dog, Captain Haddock, Professor Calculus and the Thompson twins aboard, things quickly spiral further and further out of control. Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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It began as poisonous rotgut in Medieval Russia—Ivan the Terrible liked it, Peter the Great loved it—but this grain alcohol "without distinctive character, aroma, taste, or color" has become our uncontested king of spirits. Over a thousand brands fight for market share, shelved in glass skulls, Tommy guns, bulletproof bottles; flavored with pears, currants, chipotle; or quintuple distilled by Donald Trump. But it wasn't always thus. For 200 years, America drank the brown stuff, which gave us Colonial rumrunners, the Whiskey Rebellion, and Bourbon County, Kentucky. So how did Russia's "little water," originally a medieval rotgut medicine, unseat America's favorite hooch? Vic Matus takes us on an incredible visual journey from vodka's humble American origins in a Depression-era Connecticut factory—using the family recipe from a poor Russian exile in France named Vladimir Smirnov—through its rise to glamour and fame at the hands of James Bond and the 1990s boom enshrined in Sex and the City's Grey Goose Cosmos to today's craft distillery movement, which approaches the drink as an art form. You'll see in clear, intoxicating detail how hippie culture, women's lib, and an absolutely ingenious Swedish company all played their part, transforming the booze into a status symbol. By 1975, the war had ended: Vodka officially became our favorite spirit. Today, a third of all cocktails ordered contain it. Last year $20 billion in sales poured in from more than 140 million gallons of the stuff. Here is the crisply distilled, bracing story of how risk-taking entrepreneurs defied the odds and turned medieval medicine into a multibillion-dollar industry.

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An alternative autobiography of the well-loved actor and man of the theatre, winner of the Sheridan Morley Prize for Theatre Biography. In My Life in Pieces Simon Callow retraces his life through the multifarious performers, writers, productions and events which have left their indelible mark on him. The story begins with Peter Pan – his first ever visit to the theatre – before transporting us to southern Africa and South London, where Callow spent much of his childhood. Later, he charms his way into a job at the National Theatre box office courtesy of his hero, Laurence Olivier – and thus consummated a lifetime’s love affair with theatre. Alongside Olivier, we encounter Paul Scofield, Michael Gambon, Alan Bennett and Richard Eyre, all of whom Callow has worked with, as well as John Gielgud, Ralph Richardson and Alec Guinness, David Hare, Simon Gray and many more. He writes too about figures he did not meet but who greatly influenced his life and work, figures such as Stanislavsky, Nureyev and Cocteau, as well as Charles Laughton and Orson Welles. And he even makes room for not-quite- legit performers like Tony Hancock, Tommy Cooper, Frankie Howard – and Mrs Shufflewick. The result is a passionate, instructive and beguiling book which, in tracing Simon Callow’s own ‘sentimental education’, leaves us enriched by his generosity and wisdom. 'first rate... the best writer-actor we have' David Hare 'Simon Callow combines zest, originality and passion and has elegantly turned his views and life in the theatre into an astonishing memoir' Richard Eyre

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Explore the magical worlds of Disney and Pixar with 50 mazes from your favourite animated films.Your Disney and Pixar friends need you! Help Snow White escape from the Queen, get Cinderella to the ball, free Elsa from the ice grip, find Dory with Marlin and Nemo, learn to sail with Moana, help the Incredible Family catch Screenslaver, and find Forky with Buzz and the other toys.Relive the magic of your favourite Disney and Pixar animated films with these intricate full-colour mazes. Enter a world of fantasy and navigate a path that passes through 50 Disney and Pixar animation movie lands. Each maze is cleverly designed so that the end of one maze is the beginning of the next. Perfect for readers aged 7+.Includes mazes from the following feature films: Snow White and the Seven Dwarfs; Pinocchio; Dumbo; Bambi; Cinderella, Alice in Wonderland; Peter Pan; Lady and the Tramp; Sleeping Beauty; 101 Dalmatians; The Sword in the Stone; The Jungle Book; The Aristocats; The Fox and the Hound; The Little Mermaid; Beauty and the Beast; Aladdin; The Lion King; Pocahontas; Toy Story; Hercules; Mulan; A Bug's Life; Toy Story 2; Monsters, Inc.; Finding Nemo; The Incredibles; Chicken Little; Cars; Ratatouille; Wall·E; Up; The Princess and the Frog; Toy Story 3; Tangled; Winnie the Pooh; Brave; Wreck-It Ralph; Monsters University; Frozen; Big Hero 6; Inside Out; The Good Dinosaur; Zootopia; Finding Dory; Moana; Cars 3; Coco; Incredibles 2; Toy Story 4

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Over the years the high walls of Liverpool's Walton Gaol have contained some of the most infamous criminals from the north of England. Taking over from the fearsome Kirkdale House of Correction as the main centre of execution for Liverpool and other parts of Lancashire and neighbouring counties, a total of sixty-two murderers paid the ultimate penalty here. The history of execution at Walton began with the hanging of an Oldham nurse in 1887, and over the next seventy years many infamous criminals took the short walk to the gallows here. They include Blackburn child killer Peter Griffiths, whose guilt was secured following a massive fingerprint operation; Liverpool's Sack Murderer George Ball; George Kelly, since cleared of the Cameo Cinema murders, as well as scores of forgotten criminals: soldiers, gangsters, cut-throat killers and many more.Steve Fielding has fully researched all these cases, and they are collected here in one volume for the first time. Infamous executioners also played a part in the gaol's history. James Berry of Bradford was the first to officiate here, followed in due course by the Billington family of Bolton, Rochdale barber John Ellis and three members of the well-known Pierrepoint family, whose names appeared on the official Home Office list for over half a century. In 1964 one of the last two executions in the county took place at Liverpool. Fully illustrated with photographs, new cuttings and engravings, Hanged at Liverpool is bound to appeal to anyone interested in the darker side of both Liverpool and the north of England's history.

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Europe is entering a new political epoch. The centre-left, now in government in many EU countries, has struggled to modernize itself and is now defining the shape of politics for the future. Bodo Hombach's book is one of the most important early attempts to flesh out the Third Way - moving it from being a successful electoral project to become a governing philosophy. Hombach, one of Gerhard Schr"der's closest advisers, who was Minister of State in the Chancellor's office, is a colourful and controversial figure. He has been described as the 'German Peter Mandelson' because he was the architect of Schr"der's election victory in 1997, which brought the Social Democrats to power after a decade and a half in opposition. His book, a bestseller in Germany, is the clearest definition of the popular 'Die Neue Mitte' project on which Schröder was elected, and on which the German voters will judge the government. It is striking in its bold rejection of many of the left's traditional approaches - the confrontational traditions of employers versus workers, the private sector versus the public sector, free market forces versus state direction - and this explains why Hombach and his book have been at the centre of the fierce debate about the soul and the future direction of social democracy. Professor Anthony Giddens and Mark Leonard, in the preface and introduction, put the book in the context of the global debate about the development of the Third Way, and also draw comparisons with events in the United Kingdom. Hombach's book is destined to become a key text on the future of European social democracy, of interest to political activists, policy-makers and students of politics.

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'Every new Agatha Raisin escapade is a total joy' ASHLEY JENSEN'No wonder she's been crowned Queen of Cosy Crime' MAIL ON SUNDAY'A Beaton novel is like The Archers on speed' DAILY MAIL'The detective novels of M C Beaton have reached cult status' THE TIMESNothing could be more relaxing or sedate than a quiet game of bowls on a pristine bowling green bathed in the sunshine of an English summer's afternoon in the Cotswolds - unless there's a dead body lying on the grass.Agatha Raisin becomes embroiled in a turmoil of jealousy and lies when the tranquility of her local bowls club explodes into a storm of accusation and intrigue - and murder. Her private life is no less turbulent when a past suitor reappears just as her ex-husband seems intent on rekindling their romance, and her close friend, Bill Wong, is in danger of losing the woman he loves.Events take an even darker turn when Agatha realises that, in pursuing the bowling green killer, she is putting her own life in danger...Praise for M. C. Beaton's Agatha Raisin mysteries:'Irresistible, unputdownable, a joy' Anne Robinson'Full of perfectly pitched interest, intrigue, and charm' Lee Child'Agatha is like Miss Marple with a drinking problem, a pack-a-day habit and major man lust. In fact, I think she could be living my dream life' Entertainment Weekly'M. C. Beaton's imperfect heroine is an absolute gem' Publishers Weekly'[Agatha] is a glorious cross between Miss Marple, Auntie Mame, and Lucille Ball . . . She's wonderful' St. Petersburg Times'Few things in life are more satisfying than to discover a brand-new Agatha Raisin mystery' Tampa Tribune-Times'Beaton has a winner in the irrepressible, romance-hungry Agatha' Chicago Sun-Times

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In this important new work, Kevin Madigan studies the development and union of scholastic, apocalyptic, and Franciscan interpretations of the Gospel of Matthew from 1150 to 1350. These interpretations are placed within the context of high-medieval religious life and attitudes of the papacy toward the Franciscan Order. Madigan uses the fortunes of the Franciscan Peter Olivi (d. 1298) and his commentary on Matthew as a lens through which to observe the larger theological and ecclesiastical developments of this era. Structured in three sections, Olivi and the Interpretation of Matthew in the High Middle Ages begins with an analysis of the scholastic gospel commentary tradition in the schools of Laon and Paris. The second section of the book offers a detailed examination of the Treatise on the Four Gospels by the famed apocalyptic writer Joachim of Fiore. Finally, Madigan turns his attention to the disputes which plagued the Franciscan Order during the first century of its existence. Madigan also focuses on Olivi’s Commentary on Matthew. He argues that this little-known work is perhaps the only Matthew commentary in the high Middle Ages to have been influenced by Joachim’s apocalyptic thought and shaped by internal and external disagreements over the highest form of religious life. Filled with severe criticisms of the hierarchy and leadership of the church, Olivi’s Matthew commentary was examined and eventually condemned by papally appointed theologians in the early fourteenth century. Olivi and the Interpretation of Matthew in the High Middle Ages is not only a worthy contribution to the study of gospel exegesis, but also a valuable cultural and ecclesiastical history.

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Perhaps Norman Weber - as a native of Schwäbisch Gmünd - was born with a love of jewellery. Following a traditional training as a gold and silversmith in Kaufbeuren-Neugablonz, where he teaches today at the State Vocational College for Glass and Jewellery, he studied with professors Hermann Jünger, Otto Künzli and Horst Sauerbruch at the Academy of Fine Arts in Munich. Here the then 25-year-old began his search, together with his colleagues Karl Fritsch, Peter Bauhuis and Karen Pontoppidan, for new paths and definitions in contemporary jewellery. Today Norman Weber is the storyteller in the contemporary studio jewellery scene. For example with the brooches from his series "Portraits", which investigates clichés such as Barbie dolls. Focusing on a particular area of interest - popular images, comics and populist icons - the artist enmeshes the images in perfectly executed constructions - Weber is after all a goldsmith through and through - thereby giving them a new home. At times the critical jewellery artist places these figures in a completely new context. In this way jewellery is moved in the direction of pop and takes on the character of shrill fashion emblems. Precious stones made of velour in jewellery conjure up a smile on the lips of a viewer before he even begins to reflect on the meaning of the spurious stones. But Norman Weber not only tells stories. Other pieces are shaped by underlying constructivist elements - convincing jewellery because their mechanical elements are infused with an exciting dynamic. This monograph provides a first survey of the oeuvre of this talented jewellery master. Exhibition in the Deutsches Goldschmiedehaus Hanau from 2nd September 2010 and further venues thereafter, in Munich and Schwäbisch Gmünd. Text in English & German.

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Ever wondered what it's REALLY like to be a Premier League footballer?My name is James Milner and I'm not a Ribena-holic.Let me share insights into what it's like being a professional footballer, across my different experiences with Newcastle, Aston Villa, Manchester City and now Liverpool (not forgetting a six-match loan spell at Swindon). Plus my highs - and a few too many lows - playing for England.There isn't a current player who's been playing Premier League football as long as I have, and that gives me a pretty rare perspective into how the top-flight game has changed over the past seventeen years.In this book, I explain how a footballer's working week unfolds - what we eat and how we prepare for matches technically, tactically, mentally and physically - and talk you through the ups and downs of a matchday. I reveal my penalty-taking techniques, half-time team talks and the differences between playing against Lionel Messi, Wilfried Zaha and Jimmy Bullard.I've played for managers ranging from Terry Venables, Peter Reid and Sir Bobby Robson to Martin O'Neill, Fabio Capello and Jurgen Klopp. I tell you what it's like sharing a training ground and a dressing-room with team-mates such as Lee Bowyer, Mario Balotelli and Mo Salah. I also reveal the behind-the-scenes work that went into Liverpool's Champions League success - and the celebrations that followed.So this isn't an autobiography. The whole point of Ask A Footballer is that you, the fans, asked me questions and I have used my own experiences to answer them. I hope you like it, and don't find it too boring.

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Some say they deserve their fate. But isn't everyone entitled to justice?Forensic psychologist Paula Maguire is in a race against time to solve a deadly crime in THE SILENT DEAD, the third novel in Claire McGowan's terrific, hard-hitting crime series. The perfect read for fans of Val McDermid and Elly Griffiths. 'Astonishing, powerful and immensely satisfying' - Peter James Victim: Male. Mid-thirties. 5'7". Cause of death: Hanging. Initial impression - murder. ID: Mickey Doyle. Suspected terrorist and member of the Mayday Five.The officers at the crime scene know exactly who the victim is. Doyle was one of five suspected bombers who caused the deaths of sixteen people.The remaining four are also missing and when a second body is found, decapitated, it's clear they are being killed by the same methods their victims suffered.Forensic psychologist Paula Maguire is assigned the case but she is up against the clock - both personally and professionally.With moral boundaries blurred between victim and perpetrator, will Paula be able to find those responsible? After all, even killers deserve justice...What readers are saying about The Silent Dead:'Great atmosphere - it's tense and chilling. I simply did not want to put this book down. Superb fast-paced plot and wonderful storytelling''A gripping story covering grief and frustration as it explores the moral dilemma of people failed by the system to may just be taking justice into their own hands. A great read''Absorbing story that constantly holds your attention. Steady, tense layering, building up to the nerve-wrecking end'

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The Brian Jonestown Massacre are probably best known for their leader Anton Newcombe s incendiary persona, as captured in the controversial 2004 rockumentary Dig! - which won the Grand Jury Prize at Sundance - but what isn t known is the truth behind the making of the film, or the true story of the band since their formation in early 1990s San Francisco. Until now. Writer, actor, and musician Jesse Valencia spent ten years uncovering the mysteries of the band and the film, during which time he has traveled from San Francisco to Denver, Portland to Tucson, and beyond, gathering pieces of the band s history and putting them together, clue by clue, until he found it. Presented as a personal narrative and compiled from hundreds of sources and interviews with key members of The Brian Jonestown Massacre - including Joel Gion, Rick Maymi, Frankie Emerson, Jeff Davies, Dean Taylor, Miranda Lee Richards, and Peter Hayes - as well as members of The Dandy Warhols, Dig! director Ondi Timoner, and countless other figures from both the film and from the band s greater history, Keep Music Evil is the definitive work on the band and their enigmatic leader. Keep Music Evil also tells the stories of the creation of every album the band have released during their three-decade career, offering insight in Anton and his collaborators working methods, and provides an in-depth look at the making of Dig!, giving deeper context to the events as portrayed, correcting misinformation, and deconstructing the film as a whole. It also features rare, candid, and never-before-seen photographs of the band from throughout their career.

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THE NEW THRILLER FROM THE NO.1 SUNDAY TIMES BESTSELLERThey say the camera never lies.But on this show, you can't trust anything you see.Stranded in the Welsh mountains, seven reality show contestants have no idea what they've signed up for.Each of these strangers has a secret. If another player can guess the truth, they won't just be eliminated - they'll be exposed live on air. The stakes are higher than they'd ever imagined, and they're trapped.The disappearance of a contestant wasn't supposed to be part of the drama. Detective Ffion Morgan has to put aside what she's watched on screen, and find out who these people really are - knowing she can't trust any of them.And when a murderer strikes, Ffion knows every one of her suspects has an alibi . . . and a secret worth killing for.'Twisty and clever . . . another deeply enjoyable mystery from a talented storyteller' KARIN SLAUGHTER'Sharply written, wickedly fun, and smartly plotted - A GAME OF LIES is a joy from beginning to end' LUCY CLARKE'Great fun - clever plot, engaging characters and smart, sharp writing' SHARI LAPENAPraise for The Last Party (a DC Ffion Morgan thriller):'Superb, with echoes of Agatha Christie' PATRICIA CORNWELL'A dark delight of a murder mystery' JANICE HALLETT'Detectives Leo and Ffion make a storming debut' BELINDA BAUER'Mackintosh is just getting better and better' PETER JAMES'An absolute triumph' CLAIRE DOUGLAS'I fell in love with courageous, complicated DC Ffion Morgan' RUTH WARE'This is the new crime series you need in your life' WILL DEAN'Expertly plotted and relentlessly gripping' LUCY CLARKE

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A thoroughly updated and substantially expanded edition of an acclaimed anthologyThis is a thoroughly updated and substantially expanded new edition of one of the most popular, wide-ranging, and engaging anthologies of Western political thinking, one that spans from antiquity to the twenty-first century. In addition to the majority of the pieces that appeared in the original edition, this new edition features exciting new selections from more recent thinkers who address vital contemporary issues, including identity, cosmopolitanism, global justice, and populism. Organized chronologically, the anthology brings together a fascinating array of writings—including essays, book excerpts, speeches, and other documents—that have indelibly shaped how politics and society are understood. Each chronological section and thinker is presented with a brief, lucid introduction, making this a valuable reference as well as an essential reader. A thoroughly updated and substantially expanded edition of an acclaimed anthology of political thought Features a wide range of thinkers, including Thucydides, Plato, Aristotle, Cicero, Augustine, Aquinas, Christine de Pizan, Machiavelli, Luther, Calvin, Hobbes, Spinoza, Locke, Swift, Hume, Rousseau, Adam Smith, Jefferson, Burke, Olympes de Gouges, Wollstonecraft, Kant, Hegel, Bentham, Mill, de Tocqueville, Frederick Douglass, Lincoln, Marx, Nietzsche, Lenin, John Dewey, Gaetano Mosca, Roberto Michels, Weber, Emma Goldman, Freud, Einstein, Mussolini, Arendt, Hayek, Franklin D. Roosevelt, T. H. Marshall, Orwell, Leo Strauss, de Beauvoir, Fanon, Martin Luther King Jr., Malcolm X, Havel, Fukuyama, Habermas, Foucault, Rawls, Nozick, Walzer, Iris Marion Young, Martha Nussbaum, Peter Singer, Amartya Sen, and Jan-Werner Müller Includes brief introductions for each thinker

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*As heard on DESERT ISLAND DISCS*CHOSEN AS ONE OF WATERSTONES' BEST BOOKS OF 2023'If Michael Palin had been a volcanologist, this is the book he would have written... A darn good read.'LITERARY REVIEW'What the French adventurer Jacques Cousteau was to the hidden world under our seas, Oppenheimer is to the hidden, molten world bubbling under our feet.'SUNDAY TIMES'A book that will make all readers want to become volcanologists.'PETER FRANKOPAN'Gripping ... like a thriller ... Oppenheimer is better than good. This is terrific.'SPECTATOR'Beautiful. Mountains of Fire is bursting with poetry, with storytelling. ' WERNER HERZOG__________Volcanoes mean so much more than threat and calamity. Like our parents, they've led whole lives before we get to know them. We are made of the same stuff as the breath and cinders of volcanoes. They have long shaped the path of humanity, provoked pioneering explorations and fired up our imaginations. They are fertile ground for agriculture, art and spirituality, as well as scientific advances, and they act as time capsules, capturing the footprints of those who came before us.World-renowned volcanologist Clive Oppenheimer has worked at the crater's edge in the wildest places on Earth, from remote peaks in the Sahara to mystical mountains in North Korea. His work reveals just how entangled volcanic activity is with our climate, economy, politics, culture and beliefs. From Antarctica to Italy, he paints volcanoes as otherworldly, magical places where our history is laid bare and where nature speaks to something deep within us.Blending cultural history, science, myth and adventure, Mountains of Fire reminds us that, wherever we are on the planet, our stories are profoundly intertwined with volcanoes.

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'Dazzling' The Guardian on Borderlands'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane'Some of the very best crime fiction being written today' Lee Child on Bad Blood________Detective Sergeant Lucy Black is visiting her father, a patient in a secure unit in Gransha Hospital on the banks of the River Foyle. He's been hurt badly in an altercation with another patient, and Lucy is shocked to discover him chained to the bed for safety. But she barely has time to take it all in, before an orderly raises the alarm - a body has been spotted floating in the river below...The body of an elderly man in a grey suit is hauled ashore: he is cold dead. He has been dead for several days. In fact a closer examination reveals that he has already been embalmed. A full scale investigation is launched - could this really be the suicide they at first assumed, or is this some kind of sick joke?Troubled and exhausted, Lucy goes back to her father's shell of a house to get some sleep; but there'll be no rest for her tonight. She's barely in the front door when a neighbour knocks, in total distress - his wife's sister has turned up badly beaten. Can she help?___________In Preserve The Dead, Brian McGilloway weaves a pacy, intricate plot, full of tension to the very last page. DS Lucy Black's third outing since the bestselling Little Girl Lost confirms her as one of the decade's most original female detectives: strong, sensitive and ever determined.Praise for Preserve the Dead:'Storytelling of the highest order from one of Irish crime writing's most unassuming masters' Irish Independent

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***Discover your next reading obsession with Alex Gray's bestselling Scottish detective series*** ***Don't miss the latest from Alex Gray. Book 20 in the Lorimer series, QUESTIONS FOR A DEAD MAN, is out now and Book 21, OUT OF DARKNESS, is available to pre-order.*** Whether you've read them all or whether this is your first Lorimer novel, THE BIRD THAT DID NOT SING is perfect if you love Ian Rankin, Val McDermid and Ann Cleeves WHAT THEY'RE SAYING ABOUT THE LORIMER SERIES:'Warm-hearted, atmospheric' ANN CLEEVES'Relentless and intriguing' PETER MAY'Move over Rebus' DAILY MAIL'Exciting, pacey, authentic' ANGELA MARSONS'Superior writing' THE TIMES'Immensely exciting and atmospheric' ALEXANDER MCCALL SMITH_______________ They stole her voice. Now they want her dead . . . 2014: The Commonwealth Games are coming to Glasgow and security is extra tight, particularly after a mysterious bomb explodes in nearby rural Stirlingshire. As the opening ceremony for the Games draws ever closer, the police desperately seek the culprits. But Detective Superintendent Lorimer has other concerns on his mind. One is a beautiful red-haired woman from his past whose husband dies suddenly on his watch. Then there is the body of a young woman found dumped in countryside just south of the city who is proving impossible to identify. Elsewhere in Glasgow people prepare for the events in their own way, whether for financial gain or to welcome home visitors from overseas. And, hiding behind false identities, are those who pose a terrible threat not just to the Games but to the very fabric of society.

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'TERRY'S PLACE IS AT THE HEAD OF THE FANTASY WORLD' Philip PullmanFollowing The Black Elfstone and The Skaar Invasion comes the third book in the triumphant four-part conclusion to the Shannara series, from one of the all-time masters of fantasy.The Skaar have arrived in the Four Lands, determined to stop at nothing less than all-out conquest. They badly need a new home, but peaceful coexistence is not a concept they understand. An advance force under the command of princess Ajin has already established a foothold, but now the full Skaar army is on the march - and woe betide any who stands in its way.But perhaps the Skaar victory is not a foregone conclusion. The Druid Drisker Arc has freed both himself and Paranor from exile. Drisker's student, Tarsha Kaynin, has been reunited with the chief defender of the Druid order, and is learning to control her powerful Wishsong magic. If they can only survive Tarsha's brother and the Druid who betrayed Drisker Arc, they might stand a chance of defeating the Skaar. But that is a very big if . . . as Tarsha's brother now carries the Stiehl - one of the most powerful weapons in all the Four Lands - and is determined to take his revenge on everyone who has wronged him.Praise for Terry Brooks:'I can't even begin to count how many of Terry Brooks's books I've read (and re-read) over the years' Patrick Rothfuss'I would not be writing epic fantasy today if not for Shannara' Peter V. Brett'A master of the craft . . . required reading' Brent Weeks

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"We had been instructed to start promptly at six, since the hall was needed again at eight. We pushed through the curtained doorway, like instrumentalists without instruments, and onto the stepped stage. The audience was still coming in. Uncertain of our running time, and with no one to introduce us, I thought we had better start. I got as far as 'Byr - ' when Alan decided he did indeed need his glasses. He delivered his rehearsed ad lib, claiming that his vanity was second only to Byron's, and put on his specs." It is July 1981, and Alan Bates succumbs to a fit of nerves as he and Frederic Raphael attempt to carry off an underrehearsed performance at the Queen Elizabeth Hall. This wry glimpse behind the scenes of the London literary scene sits, in Raphael's notebooks, amid clear-eyed analysis of the riots and social unrest then erupting in Britain's cities under Margaret Thatcher's government. Compulsively readable, by turns mischievous and coruscating, this latest volume of Raphael's reflections casts light on a period that saw the beginnings of a decisive shift in British and American culture. Along the way, there are finely incised pen-portraits of public figures ranging from Shirley Conran to Peter Sellers and from Robert Redford to Mary Whitehouse.

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Teaching pastor at the influential New Life Church in Colorado Springs, Colorado, Daniel Grothe explains the Bible's blueprint for becoming the kind of person who can deal with all of life's challenges.Some people have learned how to live. They can handle all that life brings. They are composed. They radiate strength. They are whole, with lives worth emulating, and when they speak people listen. They are, in a word, wise. How did these people get wisdom? And perhaps more importantly, how can we?In his long-awaited first book, Daniel Grothe of New Life church in Colorado Springs, Colorado, shows us how to get wisdom for ourselves by examining what the Bible has to say about it and by providing practical steps for acquiring it, among them: learning to ask for help, loving Scripture, going to Church, living quietly, and, above all, seeking those who are themselves wise. Drawing upon Scripture and upon his own experience learning from his friend and mentor Eugene Peterson, Grothe shows how our lives can be secured by the resource that will keep us from collapsing under the onslaught of the difficulties of life. Wisdom is available to us. It takes work to pursue it. Chasing Wisdom reveals how.

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The purpose of the Whurr series in Psychoanalysis edited by Peter Fonagy and Mary Target of University College London, is to publish clinical and research based texts of academic excellence in the field. Each title makes a significant contribution and the series is open-ended. The readership is academic and graduate students in psychoanalysis, together with clinical practitioners, in Europe, North America and indeed worldwide.This book brings together a number of international writers who are concerned with understanding and treating psychoses. The orientation of the book is psychoanalytic, but it is also cognisant of the need for a multi-disciplinary approach to these disorders for which there remains no comprehensive cure. One of the greatest obstacles clinicians and patients face lies less in our ignorance than in failure by mental health services to integrate existing knowledge into workable treatment plans. Too often clinical disciplines (psychiatry, psychoanalysis, clinical psychology, neuropsychology, nursing etc.) work separately rather than together, employing languages that are mutually incomprehensible. As a result, patients are unlikely to have their different needs properly met. At the heart of the multi-disciplinary approach lies the therapeutic relationship between patient and psychoanalyst, psychodynamically-minded psychiatrist or psychotherapist. Detailed clinical cases are presented together with contemporary conceptualisations of psychotic states.

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The Arrest isn't post-apocalypse. It isn't a dystopia. It isn't a utopia. It's just what happens when much of what we take for granted - cars, guns, computers, and airplanes, for starters - stops working... Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A. An old college friend and writing partner, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. That didn't hurt.Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine. There he assists the butcher and delivers the food grown by his sister, Maddy, at her organic farm. But then Todbaum shows up in an extraordinary vehicle: a retrofitted tunnel-digger powered by a nuclear reactor. Todbaum has spent the Arrest smashing his way across a fragmented and phantasmagorical United States, trailing enmities all the way. Plopping back into the siblings' life with his usual odious panache, his motives are entirely unclear. Can it be that Todbaum wants to produce one more extravaganza? Whatever he's up to, it may fall to Journeyman to stop him. Written with unrepentant joy and shot through with just the right amount of contemporary dread, The Arrest is speculative fiction at its absolute finest.

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Through exploring the application of a complex systems lens on important global challenges, this timely book offers key insights into successful governance in our changing world. It illustrates a number of theoretical and methodological approaches to help understand the role of decision-making, policies, institutions and networks in navigating complexity. Bringing together leading international scholars, Global Challenges, Governance, and Complexity elaborates important features of complex adaptive systems and their connections to key governmental and political issues. These include: complexity leadership, environmental and sustainability challenges, the role of economics, policy-making, legal and social dimensions of systemic risks, and the effectiveness of polycentricity. Chapters look at novel research in the field, highlighting how a diverse range of disciplinary approaches to governance can improve our understanding of complex global challenges. Political science and sustainability science scholars, particularly those with a keen interest in environmental politics and sustainability, will greatly benefit from reading this book. The insights offered will also be of use to policy makers wishing to gain a more thorough understanding of the field. Contributors include: C. Chambers, M. Centeno, M. Cox, A.-S. Crépin, C. Folke, V. Galaz, D. Huitema, A. Jordan, D.M. Katz, R.E. Kim, S.A. Levin, M. Milkoreit, S. Nooteboom, J. Patterson, T. Patterson, B.G. Peters, J. Pierre, R. Preiser, L. Rade, J.B. Ruhl, H. Schmitz, M. Schoon, I. Scoones, G. Teisman, H. van Asselt, M. Woermann

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Critics of narcology—as addiction medicine is called in Russia—decry it as being "backward," hopelessly behind contemporary global medical practices in relation to addiction and substance abuse, and assume that its practitioners lack both professionalism and expertise. On the basis of his research in a range of clinical institutions managing substance abuse in St. Petersburg, Eugene Raikhel increasingly came to understand that these assumptions and critiques obscured more than they revealed. Governing Habits is an ethnography of extraordinary sensitivity and awareness that shows how therapeutic practice and expertise is expressed in the highly specific, yet rapidly transforming milieu of hospitals, clinics, and rehabilitation centers in post Soviet Russia. Rather than interpreting narcology as a Soviet survival or a local clinical world on the wane in the face of globalizing evidence-based medicine, Raikhel examines the transformation of the medical management of alcoholism in Russia over the past twenty years. Raikhel's book is more than a story about the treatment of alcoholism. It is also a gripping analysis of the many cultural, institutional, political, and social transformations taking place in the postSoviet world, particularly in Putin's Russia. Governing Habits will appeal to a wide range of readers, from medical anthropologists, clinicians, to scholars of post-Soviet Russia, to students of institutions and organizational change, to those interested in therapies and treatments of substance abuse, addiction, and alcoholism.

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Arguing in favour of renewed critical attention to the 'nation' as a category in art history, this study examines the intertwining of art theory, national identity and art production in Britain from the early eighteenth century to the present day. The book provides the first sustained account of artwriting in the British context over the full extent of its development and includes new analyses of such central figures as Hogarth, Reynolds, Gilpin, Ruskin, Roger Fry, Herbert Read, Art & Language, Peter Fuller and Rasheed Araeen. Mark A. Cheetham also explores how the 'Englishing' of art theory-which came about despite the longstanding occlusion of the intellectual and theoretical in British culture-did not take place or have effects exclusively in Britain. Theory has always travelled with art and vice versa. Using the frequently resurgent discourse of cosmopolitanism as a frame for his discourse, Cheetham asks whether English traditions of artwriting have been judged inappropriately according to imported criteria of what theory is and does. This book demonstrates that artwriting in the English tradition has not been sufficiently studied, and that 'English Art Theory' is not an oxymoron. Such concerns resonate today beyond academe and the art world in the many heated discussions of resurgent Englishness.

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Loose-Fit Architecture: Designing Buildings for Change September/October 2017Profile 249 Volume 87 No 5ISBN 978 1119 152644 Guest-Edited by Alex Lifschutz The idea that a building is 'finished' or 'complete' on the day it opens its doors is hardwired into existing thinking about design, planning and construction. But this ignores the unprecedented rate of social and technological change. A building only begins its life when the contractors leave. With resources at a premium and a greater need for a sustainable use of building materials, can we still afford to construct new housing or indeed any buildings that ignore the need for flexibility or the ability to evolve over time? Our design culture needs to move beyond the idealisation of a creative individual designer generating highly specific forms with fixed uses. The possibilities of adaptation and flexibility have often been overlooked, but they create hugely exciting 'loose-fit' architectures that emancipate users to create their own versatile and vibrant environments. Contributors include: Stewart Brand, Renee Chow, Ellen Dunham-Jones and June Williamson, John Habraken, Edwin Heathcote, Despina Katsakakis, Stephen Kendall, Ian Lambot, Giorgio Macchi, Alexi Marmot, Andrea Martin, Kazunobu Minami, Peter Murray, Brett Steele, and Simon Sturgis.

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In his virtuosic new book noted cultural critic Mark Seltzer shows how suspense, as art form and form of life, depicts and shapes the social systems that organize our modern world. Modernity's predicament, Seltzer writes, is a society so hungry for reality that it cannot stop describing itself, and that makes for a world that continuously establishes itself by staging its own conditions. Employing the social theories of Georg Simmel, Erving Goffman, Niklas Luhmann, and Peter Sloterdijk, Seltzer shows how suspense novels, films, and performance art by Patricia Highsmith, Tom McCarthy, Cormac McCarthy, J. G. Ballard, Karl Ove Knausgaard, and others outline how we currently live and reveal the stress-points and mood-systems of the modern epoch. In its focus on social games, depictions of violent and explosive persons, along with its cast of artists, reporters, detectives, and others who observe and report and reenact, the suspense mode creates and recreates modern systems of action and autonomy, and defines the self-turned world's practices and aesthetics. By epitomizing a reflexive, self-legislating, and autonomous world, a suspense art with humans in the systems epoch provides the models and sets the rules for our modern, official world.

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Media screens—film, video, and computer screens—have increasingly pervaded both artistic production and everyday life since the 1960s. Yet the nature of viewing artworks made from these media, along with their subjective effects, remains largely unexplored. Screens addresses this gap, offering a historical and theoretical framework for understanding screen-reliant installation art and the spectatorship it evokes. Examining a range of installations created over the past fifty years that investigate the rich terrain between the sculptural and the cinematic, including works by artists such as Eija-Liisa Ahtila, Doug Aitken, Peter Campus, Dan Graham, VALIE EXPORT, Bruce Nauman, and Michael Snow, Kate Mondloch traces the construction of screen spectatorship in art from the seminal film and video installations of the 1960s and 1970s to the new media artworks of today’s digital culture. Mondloch identifies a momentous shift in contemporary art that challenges key premises of spectatorship brought about by technological objects that literally and metaphorically filter the subject’s field of vision. As a result she proposes that contemporary viewers are, quite literally, screen subjects and offers the unique critical leverage of art as an alternative way to understand media culture and contemporary visuality.

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Peter Sloterdijk is one of the most challenging and contentious thinkers currently working within the European tradition. This is the first collection devoted to his work for English-language audiences and will act as an introduction to his work, set an agenda for engagement with his ideas, and relate his writings to a range of political, theoretical and practical contexts. Since his philosophical bestseller Critique of Cynical Reason (1983), Sloterdijk has exercised an important influence over German and other European thought and recently interest in his diverse oeuvre has grown considerably. The past few years have seen a number of his books translated into English, with many more to come. The book seeks to do justice to the breadth of Sloterdijk’s work throughout his career, orientated around the central topics of cynicism, ressentiment, the posthuman, space and world, art and literature, language, social science and his role as a public intellectual. Contributors include Babette Babich, Sjoerd van Tuinen, Eduardo Mendieta, Marie-Eve Morin, Efrain Kristol, Wieland Hoban, Nigel Thrift, Jean-Pierre Couture, and Sloterdijk himself. An explicitly interdisciplinary project, Sloterdijk Now is a crucial introduction to the work of this central thinker, in its complexity, variety and notoriety. It is set to spark debate amongst students and scholars across the humanities and social sciences.

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NEW AND UPDATED EDITIONA magisterial and profoundly perceptive survey of Britain's post-war role on the global stage, from Suez to Brexit. 'The fullest long-run political and diplomatic narrative yet of Britain's fateful, tragi-comic road to Brexit.' DAVID KYNASTON'An instant classic . . . Stephens is a master of historical codebreaking.' PETER HENNESSEYAward-winning Financial Times journalist Philip Stephens paints a fascinating portrait of sixty years - from Suez to Brexit - as Britain struggles to reconcile its waning power with its past glory. Drawing on decades of personal contact and interviews with senior politicians and diplomats in Britain, the United States and across the capitals of Europe, Britain Alone is a magisterial and deeply perceptive history of our nation and how we arrived at the state we are in.'Commanding . . . Rarely if ever, in the history of the British state since 1707, has one half of Britain's ruling elite committed an act of policy viewed with such absolute contempt by the other half; and rarely has that contempt been expressed with such elegance, such fluency, and such a devastating wealth of supporting detail, as in this mighty survey.' SCOTSMAN'Profoundly knowledgeable.' CHRIS PATTEN'Compelling.' LAWRENCE FREEDMAN'A fascinating history.' IRISH TIMES'A magnificent, exhilarating book' PROSPECT

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In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.

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The first critical examination of death and remembrance in the digital age—and an invitation to imagine Black digital sovereignty in life and death. In Resurrecting the Black Body, Tonia Sutherland considers the consequences of digitally raising the dead. Attending to the violent deaths of Black Americans—and the records that document them—from slavery through the social media age, Sutherland explores media evidence, digital acts of remembering, and the right and desire to be forgotten. From the popular image of Gordon (also known as "Whipped Peter") to photographs of the lynching of Jesse Washington to the video of George Floyd's murder, from DNA to holograms to posthumous communication, this book traces the commodification of Black bodies and lives across time. Through the lens of (anti-)Blackness in the United States, Sutherland interrogates the intersections of life, death, personal data, and human autonomy in the era of Google, Twitter, and Facebook, and presents a critique of digital resurrection technologies. If the Black digital afterlife is rooted in bigotry and inspires new forms of racialized aggression, Resurrecting the Black Body asks what other visions of life and remembrance are possible, illuminating the unique ways that Black cultures have fought against erasure and oblivion.

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"...fascinating. Like Malcolm Gladwell on speed." —THE GUARDIAN "HERD is a rare thing: a book that transforms the reader's perception of how the world works". —Matthew D'Ancona, THE SPECTATOR "This book is a must. Once you have read it you will understand why Mark Earls is regarded as a marketing guru." —Daniel Finkelstein, THE TIMES This paperback version of Mark Earls' groundbreaking and award winning book comes updated with new stats and figures and provides two completely revised chapters that deal with the rise of social networking. Since the Enlightenment there has been a very simple but widely held assumption that we are a species of thinking individuals and human behaviour is best understood by examining the psychology of individuals. It appears, however, that this insight is plain wrong. The evidence from a number of leading behavioural and neuroscientists suggests that our species is designed as a herd or group animal. Mark Earls applies this evidence to the traditional mechanisms of marketing and consumer behaviour, with a result that necessitates a complete rethink about these subjects. HERD provides a host of unusual examples and anecdotes to open the mind of the business reader, from Peter Kay to Desmond Tutu, Apple to UK Sexual Health programmes, George Bush to Castle Lager, from autism to depression to the real explanation for the placebo effect in pharmaceutical testing.

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The former Bernarda teacher-training centre in Menzingen was built between 1955 and 1958 by the two renowned Zug architectural teams of Hanns A. Brütsch and Alois Stadler, and Leo Hafner and Alfons Wiederkehr. The school on a gentle slope in the midst of the attractive landscape between Lake Zug and Lake Zurich is an exceptional example of 1950s Swiss architecture. The facility impresses with its staging of the exposed location, the coherent arrangement of five highly individualised buildings around a circular centre, and the notable design of the open spaces by Ernst Cramer. Between 2015 and 2018, the facility was extended and refurbished by the architects Bünzli & Courvoisier, transforming it for its new use as a cantonal school. The architects were strongly guided by the urban-planning and architectural design principles of the existing structures, while framing and expanding them with great respect and an undogmatic approach to consciously blur the boundaries between old and new. The book documents the existing facility with original plans and the clear-contoured, black & white pictures by the renowned Lucerne photographer Peter Ammon. Furthermore, the volume extensively reflects upon and documents in detail the school’s exciting, exemplary renovation. Text in English and German.

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The Conservative Establishment’s consensus of the past two generations has almost totally broken down. Conservatism was unable to stop or even slow the Left’s rolling revolutions in nearly every sector of American society—from classrooms to boardrooms, from the military to the culture at large. The Left has successfully transformed the nation over the past few generations, racking up victory after victory, with no clear end in sight. This is not sustainable for the country or the constituency represented by the Republican Party. For the Right to have a serious future, it needs to rethink its positions and think more deeply about the essential policy questions which will define the future of the country: race, men and women, sexuality, religion, the economy, foreign policy, and other major issues. This collection of essays, written by some of the Right’s most interesting thinkers and practitioners, seeks to reframe the ideological and policy direction of the American Right.With essays by Michael Anton, Richard Hanania, Carson Holloway, John Fonte, David Azerrad, Helen Andrews, Scott Yenor, Joshua Mitchell, Aaron Renn, Arthur Milikh, David P. Goldman, Matthew Peterson, James Poulos, Theo Wold, Robert Delahunty, Jesse Merriam, Jeremy Carl, Eric Kaufmann, and Roger Kimball.

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California is still the world's biggest hideout. The only thing more western is the Pacific Ocean, where, if the Big One happens, California might find a home at the bottom. One of those hiding out is Peter Bowman, a former army brat, and lecturer at Woodrow Wilson Community College, who is being hunted for a quality most men would crave. But for Bowman, nicknamed Boa, it has become burdensome. When an opportunity comes, he has to choose between becoming financially solvent or exposing himself to his pursuers. Along the way, he runs into some memorable characters both in reality and in his dreams, including Ishmael Reed. In Ishmael Reed's Conjugating Hindi, stories, histories and myths of different cultures are mixed and sampled. Modern issues like gentrification addressed. It is the closest that a fiction writer has gotten to the hip-hop form on the page. Once again, Ishmael Reed has pioneered a new form. If his first novel, The Free-Lance Pallbearers, was an early Afro-Futurist novel, Mumbo Jumbo recognized as “a graphic novel before we used the term” (according to Pulitzer Prize-winning critic Margo Jefferson), Yellow Back Radio Broke Down Blazing Saddles's “important precursor,” Flight To Canada his "Neo Slave Narrative," a concept that he coined–Conjugating Hindi is his global novel. One that crosses all borders.

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