Search results for ""author paul"

Poetry is an ideal artistic medium for expressing the fear, sorrow, and triumph of revolutionary times. Words of Protest, Words of Freedom is the first comprehensive collection of poems written during and in response to the American civil rights struggle of 1955–75. Featuring some of the most celebrated writers of the twentieth century—including Maya Angelou, Amiri Baraka, Gwendolyn Brooks, Allen Ginsberg, Robert Lowell, and Derek Walcott—alongside lesser-known poets, activists, and ordinary citizens, this anthology presents a varied and vibrant set of voices, highlighting the tremendous symbolic reach of the civil rights movement within and beyond the United States.Some of the poems address crucial movement-related events—such as the integration of the Little Rock schools, the murders of Emmett Till and Medgar Evers, the emergence of the Black Panther party, and the race riots of the late 1960s—and key figures, including Martin Luther King Jr., Malcolm X, and John and Robert Kennedy. Other poems speak more broadly to the social and political climate of the times. Along with Jeffrey Lamar Coleman's headnotes, the poems recall the heartbreaking and jubilant moments of a tumultuous era. Altogether, more than 150 poems by approximately 100 poets showcase the breadth of the genre of civil rights poetry.Selected contributors. Maya Angelou, W. H. Auden, Amiri Baraka, Gwendolyn Brooks, Lucille Clifton Lawrence Ferlinghetti, Allen Ginsberg, Langston Hughes, June Jordan, Philip Levine, Audre Lorde, Robert Lowell, Pauli Murray, Huey P. Newton, Adrienne Rich, Sonia Sanchez, Léopold Sédar Senghor, Derek Walcott, Alice Walker, Yevgeny Yevtushenko

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Queering the Color Line transforms previous understandings of how homosexuality was “invented” as a category of identity in the United States beginning in the late nineteenth century. Analyzing a range of sources, including sexology texts, early cinema, and African American literature, Siobhan B. Somerville argues that the emerging understanding of homosexuality depended on the context of the black/white “color line,” the dominant system of racial distinction during this period. This book thus critiques and revises tendencies to treat race and sexuality as unrelated categories of analysis, showing instead that race has historically been central to the cultural production of homosexuality.At about the same time that the 1896 Supreme Court Plessy v. Ferguson decision hardened the racialized boundary between black and white, prominent trials were drawing the public’s attention to emerging categories of sexual identity. Somerville argues that these concurrent developments were not merely parallel but in fact inextricably interrelated and that the discourses of racial and sexual “deviance” were used to reinforce each other’s terms. She provides original readings of such texts as Havelock Ellis’s late nineteenth-century work on “sexual inversion,” the 1914 film A Florida Enchantment, the novels of Pauline E. Hopkins, James Weldon Johnson’s Autobiography of an Ex-Coloured Man, and Jean Toomer’s fiction and autobiographical writings, including Cane. Through her analyses of these texts and her archival research, Somerville contributes to the growing body of scholarship that focuses on discovering the intersections of gender, race, and sexuality.Queering the Color Line will have broad appeal across disciplines including African American studies, gay and lesbian studies, literary criticism, cultural studies, cinema studies, and gender studies.

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Book 9 of Silius Italicus' first-century Latin epic poem Punica begins the narrative of the Battle of Cannae (August 216 BC). This book is an integral part of the epic's three-book movement that narrates one of the largest battles in Roman history. It opens with the dispute between the consuls Paulus and Varro over giving battle, in the face of hostile omens and Hannibal's record of successful combat. On the eve of the battle, the Roman soldier Solymus accidentally kills his father Satricus, thereby presenting an omen of disaster for the Roman army. After Hannibal and Varro encourage their troops, the initial phase of the battle commences. The gods descend to the battlefield, and Mars and Minerva fight the sole full-scale theomachy in Latin epic. Aeolus summons the Vulturnus wind at Juno's request to devastate the Roman ranks. After the gods have departed, Hannibal's elephant troops advance and scatter the Roman forces. The book ends by recapitulating the opening episode: Varro admits his mistake in giving battle and flees the battlefield. This volume is the first full-scale commentary in English devoted exclusively to Punica 9. It features the Latin text with a critical apparatus and a parallel English translation. Detailed commentary notes provide information on literary style, use of language, poetic intertexts, and scholarly interpretation. The Introduction offers further context and background, including sections on Silius Italicus and his era, the historiographic and rhetorical traditions that he adopted, the inter- and intra-textuality of the Cannae episode, and the book's use of diction and metre.

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Conversations with leading women artists, composers and writers from Judy Chicago, Anohni and Lynne Tillman to Ellie Ga, Tauba Auerbach and Renee Green This massive volume comprises over 80 interviews published across a 13-year span of Lauren O’Neill-Butler’s career as a writer, educator, editor and cofounder of November magazine. The majority of the interviews first appeared on Artforum.com’s interviews column, which O’Neill-Butler edited for 11 years. The book is divided into two sections, “Q&A” and “As Told To”—the first comprising interviews in a traditional format and the second recast by O’Neill-Butler in the interviewee’s voice. Interviewees include: Judy Chicago, Shannon Ebner, Carolee Schneemann, Lucy R. Lippard, Joan Semmel, Liz Deschenes, Eleanor Antin, Andrea Fraser, Anohni, Claudia Rankine, Lorrie Moore, Adrian Piper, fierce pussy, Nan Goldin, Nell Painter, Frances Stark, Sara Greenberger Rafferty, Alex Bag, Agnès Varda, Lisi Raskin, Mary Mattingly, Carol Bove, Jennifer West, Aki Sasamoto, Mary Ellen Carroll, Rebecca Solnit, Rita McBride and Kim Schoenstadt, Karla Black, Julia Bryan-Wilson, Lynda Benglis, Sturtevant, Rachel Foullon, Ellie Ga, Lisa Tan, Mira Schor, Jo Baer, Ruby Sky Stiler, Suzanne Lacy, Rebecca Warren, Katy Siegel, Marlene McCarty, Rachel Mason, Mary Kelly, Dianna Molzan, Lynne Tillman, Polly Apfelbaum, Jesse Jones, Dorothea Rockburne, Sarah Crowner, Lucy Skaer, Sophie Calle, Mary Beth Edelson, W.A.G.E., Mary Heilmann, Pauline Oliveros, Kathryn Andrews, Jessamyn Fiore, Aura Rosenberg, Lucy McKenzie, Rhonda Lieberman, Lucy Dodd, Hong-Kai Wang, Sakiko Sugawa, Beverly Semmes, Virginia Dwan, Jeanine Oleson, Tauba Auerbach, Renee Green, Iman Issa, Monir Shahroudy Farmanfarmaian, Joan Jonas, Yoko Ono, Donna J. Haraway and more.

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An invaluable resource for general readers investigating climate change, this book examines the impact of climate change on popular culture and analyzes how writers and directors treat the disasters caused by climate change in their novels and films. Climate Change in Popular Culture: A Warming World in the American Imagination is the first study that includes analyses of both fiction and popular nonfiction works devoted to climate change. In addition, the book examines a number of classic works from the perspective of the growing field of climate change literature and includes a brief history of climate change science as well basic scientific definitions, all intended for general readers. The text provides an introduction to the science, politics, and economics of climate change. It also includes both historical overviews and potential probable futures projected by leading climate scientists and environmental writers. In addition, the text looks at how such creative writers and directors as Margaret Atwood, John Steinbeck, Paulo Bacigalupi, Kim Stanley Robinson, T. C. Boyle, Michael Crichton, and Octavia Butler, among others, have used the disasters caused by climate change in their work.

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As the world faces another water crisis, it is easy to understand why this precious and highly-disputed resource could determine the fate of entire nations. In reality, however, water conflicts rarely result in violence and more often lead to collaborative governance, however precarious. In this comprehensive and accessible text, David Feldman introduces readers to the key issues, debates, and challenges in water politics today. Its ten chapters explore the processes that determine how this unique resource captures our attention, the sources of power that determine how we allocate, use, and protect it, and the purposes that direct decisions over its cost, availability, and access. Drawing on contemporary water controversies from every continent – from Flint, Michigan to Mumbai, Sao Paulo, and Beijing –the book argues that cooperation and more equitable water management are imperative if the global community is to adequately address water challenges and their associated risks, particularly in the developing world. While alternatives for enhancing water supply, including waste-water re-use, desalination, and conservation abound, without inclusive means of addressing citizens' concerns, their adoption faces severe hurdles that can impede cooperation and generate additional conflicts.

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From the bachelor pad that Jack Lemmon's C. C. Baxter loans out to his superiors in Billy Wilder's The Apartment (1960) to the crumbling tenement in a dystopian Taipei in Tsai Ming-liang's The Hole (1998), the apartment in films and television series is often more than just a setting: it can motivate or shape the narrative in key ways. Such works belong to a critical genre identified by Pamela Robertson Wojcik as the apartment plot, which comprises specific thematic, visual, and narrative conventions that explore modern urbanism's various forms and possibilities. In The Apartment Complex a diverse group of international scholars discuss the apartment plot in a global context, examining films made both within and beyond the Hollywood studios. The contributors consider the apartment plot's intersections with film noir, horror, comedy, and the musical, addressing how different national or historical contexts modify the apartment plot and how the genre's framework allows us to rethink the work of auteurs and identify productive connections and tensions between otherwise disparate texts. Contributors. Steven Cohan, Michael DeAngelis, Veronica Fitzpatrick, Annamarie Jagose, Paula J. Massood, Joe McElhaney, Merrill Schleier, Lee Wallace, Pamela Robertson Wojcik

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From the bachelor pad that Jack Lemmon's C. C. Baxter loans out to his superiors in Billy Wilder's The Apartment (1960) to the crumbling tenement in a dystopian Taipei in Tsai Ming-liang's The Hole (1998), the apartment in films and television series is often more than just a setting: it can motivate or shape the narrative in key ways. Such works belong to a critical genre identified by Pamela Robertson Wojcik as the apartment plot, which comprises specific thematic, visual, and narrative conventions that explore modern urbanism's various forms and possibilities. In The Apartment Complex a diverse group of international scholars discuss the apartment plot in a global context, examining films made both within and beyond the Hollywood studios. The contributors consider the apartment plot's intersections with film noir, horror, comedy, and the musical, addressing how different national or historical contexts modify the apartment plot and how the genre's framework allows us to rethink the work of auteurs and identify productive connections and tensions between otherwise disparate texts. Contributors. Steven Cohan, Michael DeAngelis, Veronica Fitzpatrick, Annamarie Jagose, Paula J. Massood, Joe McElhaney, Merrill Schleier, Lee Wallace, Pamela Robertson Wojcik

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Building on Paulo Freire’s educational theory and critical pedagogy movements, this book provides a short and accessible introduction to ecopedagogy – Freirean environmental teaching and environmentalism overall. Ecopedagogy offers a political and educational vision that strives for a critical, culturally relevant forms of knowledge centred on sustainability for securing the future of our planet, ending all forms of oppression, and ensuring peace globally. Using examples from around the globe, Misiaszek shows how different populations (e.g., gender, race, ethnicity) are affected in unbalanced ways by ongoing environmental destruction and argues that these systematic socio-environmental inequalities are ignored in much of environmental teaching. He argues through reinventing Freire’s work that environmental justice is inseparable to social justice and should be seen as part of wider debates around, for example, globalization, development, citizenship, racism, feminism, neo/colonialization, and linguistics. The book calls for global and local approaches to understanding socio-environmental issues beyond anthropocentric models (beyond humans) and epistemologies of the North (e.g., Western knowledges). Written for anyone with an interest in environmentalism this book offers news ways of thinking and teaching about environmental crises we are living through.

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Self-portraiture has long been a means for the male artist to assert an identity as masterful creator or tortured soul; women have overwhelmingly been presented as objects, and rarely as subjects of self-portraiture. In recent years, however, women artists have used their work to disrupt this tradition. With 43 illustrations of works by Louise Bourgeois, Frida Kahlo, Alice Neel, Cindy Sherman, and Jo Spence, among others, "The Art of Reflection" is the first sustained inquiry into the appropriation of self-portraiture by women. In suggestive critical meditations on paintings, photographic work, sculpture, performance art, and body art, Marsha Meskimmon shows how twentieth-century women artists have undermined male-centered definitions of how "the artist" depicts the self.Drawing upon feminist theory and philosophy from Simone de Beauvoir to Luce Irigaray, "The Art of Reflection" casts doubt on the idea of self-portrait as a mirror, in which the static self is rendered accurately and naturalistically. Meskimmon evokes a series of myths about what an artist is, how "he" should be represented, and how "his" work is to be read as autobiography. Through close readings of the imaginative self-representations of women artists - as male artist and god, as central player in the studio and in the Christian passion - she shatters these myths. In an absorbing assessment of the ways women artists have negotiated the complex group of roles ascribed to "woman," Meskimmon considers the partially nude painting by pregnant artist Paula Modersohn-Becker and performance artist Annie Sprinkle's confrontation of the thin line between celebration of female sexuality and objectification of the female body. As a nuanced appreciation of the interpretations of self-portraiture among women artists, "The Art of Reflection" will prove an invaluable resource on a subject that has received little attention from art criticism. Meskimmon's work also presents a bold challenge to critical tradition, compelling readers to rethink the meaning of the genre as a whole.

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"Flame Wars," the verbal firefights that take place between disembodied combatants on electronic bulletin boards, remind us that our interaction with the world is increasingly mediated by computers. Bit by digital bit we are being "Borged," as devotees of Star Trek: The Next Generation would have it—transformed into cyborgian hybrids of technology and biology through our ever more frequent interaction with machines, or with one another through technological interfaces. The subcultural practices of the "incurably informed," to borrow the cyberpunk novelist Pat Cadigan’s coinage, offer a precognitive glimpse of mainstream culture in the near future, when many of us will be part-time residents in virtual communities. Yet, as the essays in this expanded edition of a special issue of the South Atlantic Quarterly confirm, there is more to fringe computer culture than cyberspace. Within these pages, readers will encounter flame warriors; new age mutant ninja hackers; technopagans for whom the computer is an occult engine; and William Gibson’s "Agrippa," a short story on software that can only be read once because it gobbles itself up as soon as the last page is reached. Here, too, is Lady El, an African American cleaning woman reincarnated as an all-powerful cyborg; devotees of on-line swinging, or "compu-sex"; the teleoperated weaponry and amok robots of the mechanical performance art group, Survival Research Laboratories; an interview with Samuel Delany, and more.Rallying around Fredric Jameson’s call for a cognitive cartography that "seeks to endow the individual subject with some new heightened sense of place in the global system," the contributors to Flame Wars have sketched a corner of that map, an outline for a wiring diagram of a terminally wired world. Contributors. Anne Balsamo, Gareth Branwyn, Scott Bukatman, Pat Cadigan, Gary Chapman, Erik Davis, Manuel De Landa, Mark Dery, Julian Dibbell, Marc Laidlaw, Mark Pauline, Peter Schwenger, Vivian Sobchack, Claudia Springer

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"Flame Wars," the verbal firefights that take place between disembodied combatants on electronic bulletin boards, remind us that our interaction with the world is increasingly mediated by computers. Bit by digital bit we are being "Borged," as devotees of Star Trek: The Next Generation would have it—transformed into cyborgian hybrids of technology and biology through our ever more frequent interaction with machines, or with one another through technological interfaces. The subcultural practices of the "incurably informed," to borrow the cyberpunk novelist Pat Cadigan’s coinage, offer a precognitive glimpse of mainstream culture in the near future, when many of us will be part-time residents in virtual communities. Yet, as the essays in this expanded edition of a special issue of the South Atlantic Quarterly confirm, there is more to fringe computer culture than cyberspace. Within these pages, readers will encounter flame warriors; new age mutant ninja hackers; technopagans for whom the computer is an occult engine; and William Gibson’s "Agrippa," a short story on software that can only be read once because it gobbles itself up as soon as the last page is reached. Here, too, is Lady El, an African American cleaning woman reincarnated as an all-powerful cyborg; devotees of on-line swinging, or "compu-sex"; the teleoperated weaponry and amok robots of the mechanical performance art group, Survival Research Laboratories; an interview with Samuel Delany, and more.Rallying around Fredric Jameson’s call for a cognitive cartography that "seeks to endow the individual subject with some new heightened sense of place in the global system," the contributors to Flame Wars have sketched a corner of that map, an outline for a wiring diagram of a terminally wired world. Contributors. Anne Balsamo, Gareth Branwyn, Scott Bukatman, Pat Cadigan, Gary Chapman, Erik Davis, Manuel De Landa, Mark Dery, Julian Dibbell, Marc Laidlaw, Mark Pauline, Peter Schwenger, Vivian Sobchack, Claudia Springer

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Erika Bachiochi offers an original look at the development of feminism in the United States, advancing a vision of rights that rests upon our responsibilities to others. In The Rights of Women, Erika Bachiochi explores the development of feminist thought in the United States. Inspired by the writings of Mary Wollstonecraft, Bachiochi presents the intellectual history of a lost vision of women’s rights, seamlessly weaving philosophical insight, biographical portraits, and constitutional law to showcase the once predominant view that our rights properly rest upon our concrete responsibilities to God, self, family, and community. Bachiochi proposes a philosophical and legal framework for rights that builds on the communitarian tradition of feminist thought as seen in the work of Elizabeth Fox-Genovese and Jean Bethke Elshtain. Drawing on the insight of prominent figures such as Sarah Grimké, Frances Willard, Florence Kelley, Betty Friedan, Pauli Murray, Ruth Bader Ginsburg, and Mary Ann Glendon, this book is unique in its treatment of the moral roots of women’s rights in America and its critique of the movement’s current trajectory. The Rights of Women provides a synthesis of ancient wisdom and modern political insight that locates the family’s vital work at the very center of personal and political self-government. Bachiochi demonstrates that when rights are properly understood as a civil and political apparatus born of the natural duties we owe to one another, they make more visible our personal responsibilities and more viable our common life together. This smart and sophisticated application of Wollstonecraft’s thought will serve as a guide for how we might better value the culturally essential work of the home and thereby promote authentic personal and political freedom. The Rights of Women will interest students and scholars of political theory, gender and women’s studies, constitutional law, and all readers interested in women’s rights.

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Erika Bachiochi offers an original look at the development of feminism in the United States, advancing a vision of rights that rests upon our responsibilities to others. In The Rights of Women, Erika Bachiochi explores the development of feminist thought in the United States. Inspired by the writings of Mary Wollstonecraft, Bachiochi presents the intellectual history of a lost vision of women’s rights, seamlessly weaving philosophical insight, biographical portraits, and constitutional law to showcase the once predominant view that our rights properly rest upon our concrete responsibilities to God, self, family, and community. Bachiochi proposes a philosophical and legal framework for rights that builds on the communitarian tradition of feminist thought as seen in the work of Elizabeth Fox-Genovese and Jean Bethke Elshtain. Drawing on the insight of prominent figures such as Sarah Grimké, Frances Willard, Florence Kelley, Betty Friedan, Pauli Murray, Ruth Bader Ginsburg, and Mary Ann Glendon, this book is unique in its treatment of the moral roots of women’s rights in America and its critique of the movement’s current trajectory. The Rights of Women provides a synthesis of ancient wisdom and modern political insight that locates the family’s vital work at the very center of personal and political self-government. Bachiochi demonstrates that when rights are properly understood as a civil and political apparatus born of the natural duties we owe to one another, they make more visible our personal responsibilities and more viable our common life together. This smart and sophisticated application of Wollstonecraft’s thought will serve as a guide for how we might better value the culturally essential work of the home and thereby promote authentic personal and political freedom. The Rights of Women will interest students and scholars of political theory, gender and women’s studies, constitutional law, and all readers interested in women’s rights.

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This work centres on the post-Roman period of Narbonne and its territory, up to its capture by the Arabs in 720, encompassing not only recent archaeological findings but also perspectives of French, Spanish and Catalan historiography that have fashioned distinct national narratives. Seeking to remove Narbonne from any subsequent birth of France, Catalonia and Spain, the book presents a geopolitical region that took shape from the late fifth century, evolving towards the end of the eighth century into an autonomous province of the nascent Carolingian Empire. Capturing this change throughout a 300-year period somewhat lacking in written sources, the book takes us beyond an exclusive depiction of the classical city to an examination of settlement in various forms. Discourses of literary criticism also lie behind aspects of this study, mapped around textual commentaries which highlight a more imaginative biography of a city. Narbonne's role as a point of departure and travel across the Mediterranean is examined through a reading of the correspondence of Paulinus of Nola and the writings of Sulpicius Severus, enabling the reader to gain a fuller picture of the city and its port. The topography of Narbonne in the fifth century is surveyed together with Bishop Rusticus’s church-building programme. Later chapters emphasise the difficulties in presenting a detached image of Narbonne, as sources become mainly Visigothic, defining the city and its region as part of a centralised kingdom. Particular attention is given to the election of Liuva I as king in Narbonne in 568, and to the later division into upper and lower sub-kingdoms shared by Liuva and his brother Leovigild, a duality that persisted throughout the sixth and seventh centuries. The study therefore casts new light on Narbonne and its place within the Visigothic Kingdom of Toledo, suggesting that it was the capital of a territory with roots in the post-Roman settlement of barbarian successor states.

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The instant Sunday Times bestselling debut novel 'A page-turning read about the dark side of social media' STYLIST ‘The Book Of The Summer’ VOGUE ‘Topical, heartfelt, provocative’ BERNARDINE EVARISTO ‘Impossible to put down’ PAULA HAWKINS ‘A page-turner that you can’t second guess’ THE TIMES ‘Fans of Yellowface will love The List’ RED MAGAZINE ONLINE RUMOURS. REAL LIFE TROUBLE. Ola Olajide, a high-profile journalist, is marrying the love of her life in one month's time. Young, beautiful, successful – she and her fiancé Michael seem to have it all. That is, until one morning when they both wake up to the same message: ‘Oh my god, have you seen The List?’ It began as a list of anonymous allegations about abusive men. Now it has been published online. Ola made her name breaking exactly this type of story. She would usually be the first to cover it, calling for the men to be fired. Except today, Michael’s name is on there. With their future on the line, Ola gives Michael an ultimatum to prove his innocence by their wedding day, but will the truth of what happened change everything for both of them? An Evening Standard and The Times book of the year. *SOON TO BE A MAJOR TV SERIES* ‘Explosive … Every book club should read this’ SYMEON BROWN ‘The book that everyone’s talking about’ INDEPENDENT ‘As taut as a thriller’ IRISH TIMES ‘Addictive, ultra-modern and hyper-relatable’ EVENING STANDARD ‘A razor-sharp, witty page-turner’ BOLU BABALOLA READERS ARE OBSESSED WITH THE LIST: ‘WOW! I could not put this down. I would give it six stars if I could!’ ‘Gripping, with twists and turns that keep you hooked until the very end’ ‘SO GOOD. Perfect for book clubs, especially ones who liked Such a Fun Age’ ‘A first class novel’ ‘Will find itself on every end of the year list!’

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These are the stories that defy conventional logic. The proverbial vanished without a trace incidences, which happen a lot more (and a lot closer to your backyard) than almost anyone thinks. These are the missing whose situations are the hardest on loved ones left behind. The cases that are an embarrassment for park superintendents, rangers and law enforcement charged with Search & Rescue. The ones that baffle the volunteers who comb the mountains, woods and badlands. The stories that should give you pause every time you venture outdoors.Through Jacob Gray's disappearance in Olympic National Park, and his father Randy Gray who left his life to search for him, we will learn about what happens when someone goes missing. Braided around the core will be the stories of the characters who fill the vacuum created by a vanished human being. We'll meet eccentric bloodhound-handler Duff and R.C., his flagship purebred, who began trailing with the family dog after his brother vanished in the San Gabriel Mountains. And there's Michael Neiger North America's foremost backcountry Search & Rescue expert and self-described "bushman" obsessed with missing persons. And top researcher of persons missing on public wildlands Ex-San Jose, California detective David Paulides who is also one of the world's foremost Bigfoot researchers.It's a tricky thing to write about missing persons because the story is the absence of someone. A void. The person at the heart of the story is thinner than a smoke ring, invisible as someone else's memory. The bones you dig up are most often metaphorical. While much of the book will embrace memory and faulty memory--history--The Cold Vanish is at its core a story of now and tomorrow. Someone will vanish in the wild tomorrow. These are the people who will go looking.

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LONGLISTED FOR THE POLARI FIRST BOOK PRIZE 2021'Beautiful, heart-breaking and hilarious.' SCARLETT CURTIS'A love-letter to our non-binary siblings.' PAULA AKPAN'Jamie is a pioneer' JUNO DAWSON"There is no one way to be non-binary, and that's truthfully one of the best things about it. It's an identity that is yours to shape."Combining light-hearted anecdotes with their own hard-won wisdom, Jamie Windust explores everything from fashion, dating, relationships and family, through to mental health, work and future key debates. From trying on clothes in secret to iconic looks, first dates to polyamorous liaisons, passports to pronouns, Jamie shows you how to navigate the world and your evolving identity in every type of situation.Frank, funny, and brilliantly feisty, this must-read book is a call to arms for non-binary self-acceptance, self-appreciation and self-celebration.

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We''re stressed! We all need to restWe keep getting tangled in tape.Oh it just isn''t fair! All toys should be square!But here comes another weird shape!Join the Christmas chaos in this flap-filled festive adventure!It's Christmas Eve but all is not well in Santa's workshop . . . The toy-building elves are exhausted, the gift-wrappers are tangled in tape and the reindeer-wranglers are ready to strike! Will Christmas be cancelled, or can one elf's quick thinking and festive spirit save the day? Lift the flaps to discover every corner of the workshop, from the reindeer stables to the wrapping room. Children will love this engaging, inventive story, and parents may well empathise with the stressed, overworked elves!This funny, festive book full of flaps pairs humorous text by Nicola Edwards with charming illustrations by Pauline Gregory to capture the essence

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THE SUNDAY TIMES BESTSELLING HILARIOUS AND HEARTFELT MEMOIR FROM LINDA ROBSON__________Linda Robson's nickname is Baggy Mouth for good reason.She may be one of the nation's favourite TV personalities whether playing Tracey Stubbs in Birds of a Feather or being a regular on Loose Women but she can't help hilariously oversharing. Luckily, this is an ideal trait for her first-ever memoir . . .Taking us back to the very beginning, growing up in a North London council house, Linda explains how she came to attend theatre school aged nine, where she met Pauline Quirke.As their friendship blossomed and evolved into a professional partnership, small parts in theatre and film productions culminated in the pair being cast in the enduring and beloved sitcom Birds of a Feather.With a wicked glint in her eye, Linda recounts the twists and turns of an actor's life, sharing tales of backstage antics, on-set stories and

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Celebrating the one-hundredth birthday of Brazil’s most important female architect and designer. The Italo-Brazilian architect Lina Bo Bardi (1914–1992) forged a unique path with her bold designs. Spanning architecture, stage sets, fashion, and furniture, her work drew inspiration from the International Style, which she translated into her own visual language. Fundamental to her work was her thoughtful engagement with her adopted country of Brazil, its culture, society, and politics, and she productively and provocatively voiced her sometimes radical views through designs, exhibitions, and writings. On the occasion of Lina Bo Bardi’s one hundredth birthday, this richly illustrated volume presents an overview of her oeuvre and highlights iconic buildings, such as her own home, the so-called Casa de Vidro, the Museo de Arte de São Paulo, and the cultural center SESC Pompéia.

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'Brilliant'Paula HawkinsIn 1964, the eccentric American novelist Patricia Highsmith is hiding out in a cottage in Suffolk, to concentrate on her writing and escape her fans. She has another motive too - a secret romance with a married lover based in London. Unfortunately it soon becomes clear that all her demons have come with her. Prowlers, sexual obsessives, frauds, imposters, suicides and murderers: the tropes of her fictions clamour for her attention, rudely intruding on her peaceful Suffolk retreat. After the arrival of Ginny, an enigmatic young journalist bent on interviewing her, events take a catastrophic turn. Except, as always in Highsmith's troubled life, matters are not quite as they first appear . . .Masterfully recreating Highsmith's much exercised fantasies of murder and madness, Jill Dawson probes the darkest reaches of the imagination in this novel - at once a brilliant portrait of a writer and an atmospheric, emotionally charged, riveting tale.

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'It has been slowly dawning on me over many years that there is a fundamental problem deep at the heart of Christian faith and practice as I have known them . . . we have all forgotten what the four Gospels are about.' With that surprising assertion, Tom Wright launches this ground-breaking work in which he helps us to see the gospel story in radically a new light, and to acknowledge that, for many generations, the Church has been avoiding its full impact and holding back from proclaiming its full meaning. 'Classic Wright: clear, accessible, robust, engaging and challenging.' Paula Gooder in Third Way 'Scholarly, accessible, insightful and provocative.' Christianity 'Wright argues compellingly that the twin themes of kingdom and cross are inseparably linked. . . This is a much-needed reorientation. The book makes its case for 'rethinking' cogently and deserves widespread attention.' Theology

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Phospholipidshavelongbeenknownfortheirkeyroleinmaintainingthebilayer structureofmembranesandinphysicallyseparatingthecytosolfromorganelles andtheextracellularspace. Inthepastdecade,acompletelynovelandunexpected functionemerged,full?llingacrucialroleincellsignaling. Itwasthediscoveryin animalcells,thatagonist-activatedcellsurfacereceptorsledtotheactivationofa phospholipase C (PLC), to hydrolyze the minor lipid, phosphatidylinositol 4- bisphosphateintotwosecondmessengers,inositol1,4,5-trisphosphate(InsP)and 3 2+ diacylglycerol(DAG). WhileInsP diffusesintothecytosol,whereitreleasesCa 3 2+ from an intracellular store by activating a ligand-gated Ca -channel, DAG remainsinthemembranetorecruitandactivatemembersoftheproteinkinase Cfamily. Overtheyears,avarietyofotherlipidbased-signalingcascadesweredisc- ered. Theseinclude,phospholipaseA,generatinglyso-phospholipidsandfreefatty acids(tobeconvertedintoprostaglandinsandleukotrienes),phospholipaseD,to generatethelipidsecondmessenger,phosphatidicacid(PA),andphosphoinositide 3-kinase (PI3K), generating a distinct set of polyphosphoinositides (PPI) ph- phorylated at the D3-position of the inositol ring, all with separate signaling functions. Sphingolipids,representinganotherimportantgroupofsignalinglipids, alsocameacross. Themajorityoftheselipid-basedsignalingpathwayshavebeendiscoveredin plantcellstoo. Moreover,theyhavebeenfoundtobeactivatedinresponsetoa widevarietyofbioticandabioticstresssignals,butalsotobebasicallyinvolvedin plantgrowthanddevelopment. Whilemanyoftheenzymes,lipids,andtheirtargets involved arewell conserved, major differences with the mammalian paradigms havealsoemerged. Thisbookhighlightsthecurrentstatusofplantlipidsignaling. Allchaptershave beenwrittenbyexpertsinthe?eldandcoverinformationforbothbeginnersand advancedlipidologists. PartIincludesphospholipases(Chaps. 1-3),partII,lipid kinases (Chaps. 4-7), part III, lipid phosphatases (Chaps. 8-9), part IV, ix x Preface inositolphosphates and PPI metabolism (Chaps. 10-13), part V, PA signaling (Chaps. 14-17),andpartVI,additionallipidsignals,e. g. oxylipins,NAPEand sphingolipids(Chaps18-20). Ithasbeenagreatpleasuretobetheeditorofthis bookandtobeawitnessofthislipid-signalingadventure. Amsterdam,June2009 TeunMunnik Contents PartI Phospholipases PhospholipaseAinPlantSignalTransduction...3 Gu..ntherF. E. Scherer TheEmergingRolesofPhospholipaseCinPlantGrowth andDevelopment...23 PeterE. DowdandSimonGilroy PlantPhospholipaseD...39 WenhuaZhang,XiaoboWan,YueyunHong,WeiqiLi,andXueminWang PartII Kinases Phosphatidylinositol4-PhosphateisRequiredforTip GrowthinArabidopsisthaliana ...65 AmyL. SzumlanskiandErikNielsen PIP-KinasesasKeyRegulatorsofPlantFunction ...79 TillIschebeckandIngoHeilmann PlantPhosphatidylinositol3-Kinase...95 YureeLee,TeunMunnik,andYoungsookLee DiacylglycerolKinase...107 StevenA. AriszandTeunMunnik xi xii Contents PartIII Phosphatases SignalingandthePolyphosphoinositidePhosphatasesfromPlants ...117 GlendaE. Gillaspy PhosphatidicAcidPhosphatasesinSeedPlants...131 YukiNakamuraandHiroyukiOhta PartIV PPIMetabolism InsP inPlantCells ...145 3 YangJuIm,BrianQPhillippy,andImaraYPerera InositolPolyphosphatesandKinases...161 JillStevenson-PaulikandBrianQ. Phillippy PhosphoinositidesandPlantCellWallSynthesis ...175 RuiqinZhong,RyanL. McCarthy,andZheng-HuaYe ImagingLipidsinLivingPlants ...185 JoopE. M. VermeerandTeunMunnik PartV PASignaling PhosphatidicAcid:AnElectrostatic/Hydrogen-BondSwitch?...2 03 EdgarEduardKooijmanandChristaTesterink NitricOxideandPhosphatidicAcidSignalinginPlants...223 AyelenM. Diste'fano,M. LucianaLanteri,ArjentenHave, CarlosGarc?'a-Mata,LorenzoLamattina,andAnaM. Laxalt 3-Phosphoinositide-DependentProteinKinaseisaSwitchboard fromSignalingLipidstoProteinPhosphorylationCascades...243 ChristineZalejskiandLa'szlo'Bo..gre PartVI AdditionalLipidSignals DiacylglycerolPyrophosphate,ANovelPlantSignalingLipid...263 EmmanuelleJeannette,SophieParadis,andChristineZalejski OxylipinSignalingandPlantGrowth...277 AlinaMosblech,IvoFeussner,andIngoHeilmann Contents xiii FattyAcidAmideHydrolaseandtheMetabolismof N-AcylethanolamineLipidMediatorsinPlants...293 KentD. ChapmanandElisonB. Blanca?or SphingolipidSignalinginPlants...307 LouiseV. MichaelsonandJohnathanA. Napier Index ...323 Contributors Steven A. Arisz Section Plant Physiology, Swammerdam Institute for Life Sciences,UniversityofAmsterdam,SciencePark904,NL-1098XH,Amsterdam, TheNetherlands ElisonB. Blanca?or SamuelRobertsNobleFoundation,PlantBiologyDivision, Ardmore,OK73401,USA,eblanca?or@noble.

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Other Cities, Other Worlds brings together leading scholars of cultural theory, urban studies, art, anthropology, literature, film, architecture, and history to look at non-Western global cities. The contributors focus on urban imaginaries, the ways that city dwellers perceive or imagine their own cities. Paying particular attention to the historical and cultural dimensions of urban life, they bring to their essays deep knowledge of the cities they are bound to in their lives and their work. Taken together, these essays allow us to compare metropolises from the so-called periphery and gauge processes of cultural globalization, illuminating the complexities at stake as we try to imagine other cities and other worlds under the spell of globalization. The effects of global processes such as the growth of transnational corporations and investment, the weakening of state sovereignty, increasing poverty, and the privatization of previously public services are described and analyzed in essays by Teresa P. R. Caldeira (São Paulo), Beatriz Sarlo (Buenos Aires), Néstor García Canclini (Mexico City), Farha Ghannam (Cairo), Gyan Prakash (Mumbai), and Yingjin Zhang (Beijing). Considering Johannesburg, the architect Hilton Judin takes on themes addressed by other contributors as well: the relation between the country and the city, and between racial imaginaries and the fear of urban violence. Rahul Mehrotra writes of the transitory, improvisational nature of the Indian bazaar city, while AbdouMaliq Simone sees a new urbanism of fragmentation and risk emerging in Douala, Cameroon. In a broader comparative frame, Okwui Enwezor reflects on the proliferation of biennales of contemporary art in African, Asian, and Latin American cities, and Ackbar Abbas considers the rise of fake commodity production in China. The volume closes with the novelist Orhan Pamuk’s meditation on his native city of Istanbul.Contributors: Ackbar Abbas, Teresa P. R. Caldeira, Néstor García Canclini, Okwui Enwezor, Farha Ghannam, Andreas Huyssen, Hilton Judin, Rahul Mehrotra, Orhan Pamuk, Gyan Prakash, Beatriz Sarlo, AbdouMaliq Simone, Yingjin Zhang

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This is the first book about the emerging field of utility indifference pricing for valuing derivatives in incomplete markets. Rene Carmona brings together a who's who of leading experts in the field to provide the definitive introduction for students, scholars, and researchers. Until recently, financial mathematicians and engineers developed pricing and hedging procedures that assumed complete markets. But markets are generally incomplete, and it may be impossible to hedge against all sources of randomness. Indifference Pricing offers cutting-edge procedures developed under more realistic market assumptions. The book begins by introducing the concept of indifference pricing in the simplest possible models of discrete time and finite state spaces where duality theory can be exploited readily. It moves into a more technical discussion of utility indifference pricing for diffusion models, and then addresses problems of optimal design of derivatives by extending the indifference pricing paradigm beyond the realm of utility functions into the realm of dynamic risk measures. Focus then turns to the applications, including portfolio optimization, the pricing of defaultable securities, and weather and commodity derivatives. The book features original mathematical results and an extensive bibliography and indexes. In addition to the editor, the contributors are Pauline Barrieu, Tomasz R. Bielecki, Nicole El Karoui, Robert J. Elliott, Said Hamadene, Vicky Henderson, David Hobson, Aytac Ilhan, Monique Jeanblanc, Mattias Jonsson, Anis Matoussi, Marek Musiela, Ronnie Sircar, John van der Hoek, and Thaleia Zariphopoulou. * The first book on utility indifference pricing * Explains the fundamentals of indifference pricing, from simple models to the most technical ones * Goes beyond utility functions to analyze optimal risk transfer and the theory of dynamic risk measures * Covers non-Markovian and partially observed models and applications to portfolio optimization, defaultable securities, static and quadratic hedging, weather derivatives, and commodities * Includes extensive bibliography and indexes * Provides essential reading for PhD students, researchers, and professionals

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How the actions of a few in Europe destroyed the prosperity of the many (and how it's happening again now in America) After the fall of the Roman Empire, vicious barbaric tribes including the Hunds lead by Atilla, the Mongols, Charlemagne and the Vikings invaded Europe, plundering property and destroying homes. But, they didn't just steal and destroy property in the villages; they also stole and destroyed any prosperity the villagers had previously enjoyed. What's worse is the barbarians of the Dark Ages did all of this not out of any deeply held religious or political belief, but, rather, for the oldest reason in the book – their own personal financial gain. Some things never change. Barbarians of Wealth examines how the greedy, self-serving decisions of a select group of politicians and financial institutions negatively impacts the economy and, ultimately, destroys America's prosperity and the American way of life. Compelling and engaging, the book Details how Goldman Sachs peddled mortgage backed securities up and down Wall Street while secretly betting against their demise Discusses how Sanford Weill, founder of Citigroup spent $100 million lobbying for the repeal of the Glass-Steagall Act that prevented the merger of commercial and investment banks and got his way. Examines Christopher Dodd, head of the U.S. Senate Banking Committee, has enriched himself while driving down the prosperity of his constituents Offers up examples of other modern barbarians, including the Federal Reserve, Alan Greenspan, Hank Paulson, and Timothy Geithner. Highlights greed driven tactics of Wall Street corporations including JP Morgan, Merrill Lynch, and Salomon Brothers. Barbarians of Wealth is a timely must read for hard-working Americans concerned with their prosperity, as well as for those fascinated with the inner workings of Washington and Wall Street.

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This dazzling visual compendium highlights the work of designers and 3-D render artists around the globe who visualize utopian architectural, landscape, and interior designs set in dreamlike and futuristic environments. This compilation book is curated by London-based designer Charlotte Taylor, whose Instagram account @maison_de_sable features many of her own designs and collaborations with render artists as well as those of her contemporaries. Featured designers and artists include the following listed per their influential Instagram accounts: @sixnfive, @paulmilinski, @teaaalexis, @joemortell and many more. 3D architectural renderings were originally conceived as a communication tool between designers and clients to help them visualize a proposed buildable design. This genre continues to be extremely useful for this purpose but has now also become an art form in its own right that can convey dreamlike imaginary settings. This collection features many of the most prolific and skilled 3D artists that showcase a high-end, modern and futuristic aesthetic that blurs the line between reality and fantasy. In this virtual world, building and budget constraints do not impede the imagination of the creators. Design Dreams is an inspirational and aspirational volume for architects and designers as well as fans of high design in interiors, furniture, landscape, travel, and lifestyle. UNIQUE VIEWPOINT: This book captures the growing genre of architectural visualizations from an international roster of 3-D render artists around the world who create evocative and coveted dream homes and fantasy destinations. Perfect for: Digital design enthusiasts Design-savvy shoppers Decorators and interior design fans Architects Designers A distinctive special occasion, holiday, or birthday gift for someone interested in 3D render software, and design visualization. Instagram followers of @maison_de_sable and other influential accounts

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Since its founding by Joseph Papp in the 1950s, The Public Theater has been an American artistic leader defined by its breadth of programming, from Hair and A Chorus Line, to Free Shakespeare in the Park. With the recent critical and financial success of Fun Home and Hamilton, and its emphasis on new play development, The Public’s contemporary history has been equally remarkable, even as world crises and social changes have tested the mettle of its foundation of accessible and “radically inclusive” theatre for all. One Public: New York’s Public Theater in the Era of Oskar Eustis presents the broader organization, its creative methodology, and its enormous growth over the past 20 years. Framed by the tenure and leadership of its current artistic director, the book tells the contemporary story, recorded over many interviews with iconic practitioners and performers ranging from Diane Paulus, Tony Kushner and Lynn Nottage to Kevin Kline, Chelsea Clinton and Lin-Manuel Miranda. Case-study driven, One Public uses oral history accounts and authorial experience to illuminate The Public Theater, Eustis and their cultural influence on the city of New York and the greater United States. The story highlights the successes and challenges of an institution at once espousing a mission of inclusivity and community-based arts creation, while also developing Broadway hits and international fame.

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Imagine a classroom that explores the twinned ideas of embodied teaching and a pedagogy of tenderness. Becky Thompson envisions such a curriculum--and a way of being--that promises to bring about a sea change in education. Teaching with Tenderness follows in the tradition of bell hooks's Teaching to Transgress and Paulo Freire's Pedagogy of the Oppressed, inviting us to draw upon contemplative practices (yoga, meditation, free writing, mindfulness, ritual) to keep our hearts open as we reckon with multiple injustices. Teaching with tenderness makes room for emotion, offers a witness for experiences people have buried, welcomes silence, breath and movement, and sees justice as key to our survival. It allows us to rethink our relationship to grading, office hours, desks, and faculty meetings, sees paradox as a constant companion, moves us beyond binaries; and praises self and community care.Tenderness examines contemporary challenges to teaching about race, gender, class, nationality, sexuality, religion, and other hierarchies. It examines the ethical, emotional, political, and spiritual challenges of teaching power-laden, charged issues and the consequences of shifting power relations in the classroom and in the community. Attention to current contributions in the areas of contemplative practices, trauma theory, multiracial feminist pedagogy, and activism enable us to envision steps toward a pedagogy of liberation. The book encourages active engagement and makes room for self-reflective learning, teaching, and scholarship.

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Winner, 2023 Columbia University Press Distinguished Book AwardFinalist, 2023 Pauli Murray Book Prize in Black Intellectual History, African American Intellectual History SocietyShortlisted, Historical Nonfiction Legacy Award, Hurston / Wright FoundationRalph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.

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"A 'must have' in the design arsenal."—Cat Normoyle, Professor of Graphic Design, East Carolina University "Provides enough thinking techniques to break out of even the worst creative rut."—Creative Woman's Circle Legendary designer Ellen Lupton demystifies the creative process in another essential graphic design book. Graphic Design Thinking explores a variety of techniques to stimulate fresh thinking to arrive at compelling and viable solutions. Each approach is explained with a brief narrative text followed by a variety of visual demonstrations and case studies. Lupton's hands-on, close-up approach, made famous with Thinking with Type, makes the creative process accessible to anyone and removes the myth that creativity is an in-born talent. Presents a wide range of methods applicable to any brainstorming scenario. • Techniques are grouped around the three basic phases of the design process: defining the problem, inventing ideas, and creating form • From informal strategies that are ideal for quick, seat-of-the-pants thinking, to formal research methods • Learn to approach problems through focus groups, interviewing, brand mapping, and co-design Includes discussions with leading professional designers. Art Chantry, Ivan Chermayeff, Jessica Helfand, Steven Heller, Abbott Miller, Christoph Niemann, Paula Scher, and Martin Venezk reveal how they get ideas and overcome blocks to creativity. Graphic Design Thinking is directed at working designers, design students, and anyone who wants to apply inventive thought patterns to everyday creative challenges in the design process.

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Real, compulsive and intense: Cat Clarke is the queen of emotional suspense. For fans of Jandy Nelson, Paula Hawkins, and Megan Abbott.'Emotive, creepy AND funny. A quality page-turner' SARAH CROSSAN'A new Cat Clarke novel is always something to celebrate and Girlhood could be her best yet' JUNO DAWSONHarper has tried to forget the past and fit in at expensive boarding school Duncraggan Academy. Her new group of friends are tight; the kind of girls who Harper knows have her back. But Harper can't escape the guilt of her twin sister's Jenna's death, and her own part in it - and she knows noone else will ever really understand. But new girl Kirsty seems to get Harper in ways she never expected. She has lost a sister too. Harper finally feels secure. She finally feels...loved. As if she can grow beyond the person she was when Jenna died. Then Kirsty's behaviour becomes more erratic. Why is her life a perfect mirror of Harper's? And why is she so obsessed with Harper's lost sister? Soon, Harper's closeness with Kirsty begins to threaten her other relationships, and her own sense of identity. How can Harper get back to the person she wants to be, and to the girls who mean the most to her?A darkly compulsive story about love, death, and growing up under the shadow of grief.

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This timely volume reviews current data on the effects of estrogen on the central nervous system, highlighting clinical aspects of this topic. Experts from the fields of psychiatry, pharmacology, neurology, and geriatrics collaborate to clarify the known risks and benefits of hormone therapy and explore questions that remain to be elucidated. Among the topics discussed:" Preclinical data on estrogen's effects on cognitive performance" The short-lived effects of hormone replacement therapy on cognitive function" Structural and functional brain imaging data regardingestrogen's effects on the central nervous system " Preclinical efforts to develop effective NeuroSERMs for the brain " The effects of estrogen on mood Citing the ongoing confusion over the risks and benefits of estrogen therapy, the contributors emphasize the need for additional research on medication, doses, preparations, methods of administration, alternative therapies, and supplements. This volume educates researchers, clinicians, and students on the current knowledge-including the effects of estrogen on mood, cognition, and brain metabolism-and provides guidelines for clinical practice and future research. Contributors: Roberta Diaz Brinton, Ph.D., University of Southern California; Cheri L. Geist, B.A., David Geffen School of Medicine, University of California at Los Angeles; Robert B. Gibbs, Ph.D., University of Pittsburgh School of Pharmacy; Eva Hogervorst, Ph.D., University of Loughborough and University of Oxford; Pauline M. Maki, Ph.D., Neuropsychiatric Institute, University of Illinois-Chicago; Peter J. Schmidt, M.D., National Institute of Mental Health; Daniel H. S. Silverman, M.D., Ph.D., David Geffen School of Medicine, University of California at Los Angeles; Katherine E. Williams, M.D., Stanford University School of Medicine; Kristine Yaffe, M.D., University of California, San Francisco, and San Francisco VA Medical Center; Laurel N. Zappert, B.A., Stanford University School of Medicine; Liqin Zhao, Ph.D., University of Southern California

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In Race, Nation, History, Oded Y. Steinberg examines the way a series of nineteenth-century scholars in England and Germany first constructed and then questioned the periodization of history into ancient, medieval, and modern eras, shaping the way we continue to think about the past and present of Western civilization at a fundamental level. Steinberg explores this topic by tracing the deep connections between the idea of epochal periodization and concepts of race and nation that were prevalent at the time—especially the role that Germanic or Teutonic tribes were assumed to play in the unfolding of Western history. Steinberg shows how English scholars such as Thomas Arnold, Williams Stubbs, and John Richard Green; and German scholars such as Christian Karl Josias von Bunsen, Max Müller, and Reinhold Pauli built on the notion of a shared Teutonic kinship to establish a correlation between the division of time and the ascent or descent of races or nations. For example, although they viewed the Germanic tribes' conquest of the Roman Empire in A.D. 476 as a formative event that symbolized the transformation from antiquity to the Middle Ages, they did so by highlighting the injection of a new and dominant ethnoracial character into the decaying empire. But they also rejected the idea that the fifth century A.D. was the most decisive era in historical periodization, advocating instead for a historical continuity that emphasized the significance of the Germanic tribes' influence on the making of the nations of modern Europe. Concluding with character studies of E. A. Freeman, James Bryce, and J. B. Bury, Steinberg demonstrates the ways in which the innovative schemes devised by this community of Victorian historians for the division of historical time relied on the cornerstone of race.

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In Book Two of the third volume of his magisterial Stalingrad Trilogy, David Glantz continues and concludes his definitive history of one of the most infamous battles of World War Two, the Stalingrad campaign that signaled Germany's failure on the Eastern Front and marked a turning point in the war. Book Two finds Germany's most famous army—General Friedrich Paulus's Sixth—in dire straits, trapped in the Stalingrad kessel, or pocket, by a Red Army that has seized the initiative in what the Soviets now term the Great Patriotic War. The Red Army's counteroffensive, Operation Uranus, is well underway, having largely destroyed the bulk of two Romanian armies and encircled the German Sixth and half of the German Fourth Panzer Army.Drawing on materials previously unavailable or believed lost, Glantz gives a closely observed account of the final ten weeks of Germany's ill-fated Stalingrad campaign. In short order, the Red Army parried and then defeated two German attempts to rescue the Sixth Army, crushed the Italian Eighth and Hungarian Second Armies, severely damaged the German Fourth Panzer and Second Armies, and finally destroyed the German Sixth Army in the ruins of Stalingrad. With well over half-a-million soldiers torn from its order of battle, Hitler's Axis could only watch in horror as its status abruptly changed from victor to vanquished. This book completes a vivid and detailed picture of the Axis defeat that would prove decisive as a catastrophe from which Germany and its Wehrmacht could never recover.As in the preceding volumes, Glantz extensively mines newly available materials to provide a clearer and more accurate picture of what actually happened at Stalingrad at this crucial moment in World War II—a ""ground truth"" that gets beyond the myths and misinformation surrounding this historic confrontation. And this concluding chapter, relating events even more steeped in myth than those that came before, is especially bracing as it takes on controversial questions about why Operation Uranus succeeded and the German relief attempts failed, whether the Sixth Army could have escaped encirclement or been rescued, and who, finally was most responsible for its ultimate defeat. The answers Glantz provides, embedded in a fully-realized account of the endgame at Stalingrad, make this book the last word on one of history's epic clashes.

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In Unchecked and Unbalanced, Arnold Kling provides a blueprint for those who are skeptical of political and financial elitism. At the heart of Kling's argument is the growing discrepancy between two phenomena: knowledge is becoming more diffuse, while political power is becoming more concentrated. Kling sees this knowledge/power discrepancy at the heart of the financial crisis of 2008. Financial industry executives and regulatory officials lacked the ability to fathom the complexity of the system that had emerged. And, in response, Treasury Secretary Henry Paulson and Federal Reserve Board Chairman Ben Bernanke, said that they required still more power, including $700 billion to purchase "toxic assets" from banks. Kling warns that increased concentration of power is a problem, not a panacea, for our modern world and suggests reforms designed to curb the growth of government and allow citizens greater control over the allocation of public goods. Published in cooperation with the Hoover Institution

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This compact, pocket-sized Hong Kong & Macau travel guidebook is ideal for travellers on shorter trips and those trying to make the most of Hong Kong & Macau. It''s light, easily portable and comes equipped with a pull-out map. This Hong Kong & Macau guidebook covers: Hong Kong Island: Central to Kennedy Town, Hong Kong Island: Wan Chai, Causeway Bay and Happy Valley, Hong Kong Island: the south side, Kowloon: Tsim Sha Tsui, Kowloon: Jordan to Diamond Hill, The New Territories, Lantau, Lamma and Cheung Chau, Macau.Inside this Hong Kong & Macau travel book you will find:- Curated recommendations of places - main attractions, off-the-beaten-track adventures, child-friendly family activities, chilled-out breaks in popular tourist areas - Things not to miss in Hong Kong & Macau - Views from The Peak, Star Ferry, São Paulo façade, Maritime Museum, Lan Kwai Fong, Fireworks at Chinese New Year

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'In this magisterial work Paulo Sandler continues to distinguish himself as a foremost scholar on the works of Bion. Already well known for his encyclopedic zeal, this present book continues Sandler's tireless search of Bion's contributions by this noteworthy clinical application of Bion's ideasE 'A major feature of Sandler's approach to studying Bion has been to contextualise the background of Bion's assumptions. In so doing, he extensively investigates the cultural and historical antecedents, especially including the philosophical and scientific points of view. From them Sandler selects Romanticism and its dialectical relationship with the Enlightenment. Among the many characteristics of Romanticism is imagination, at best creative, but also idealisation and hyperbole. 'Sandler also discusses Bion's way of being "scientific", one notable aspect of which is his distinctive use of theories, which he distinguishes from models. 'Sandler has written another brilliant textbook on Bion's thinking that constitutes a highly useful and practical handbook on the subject.' From the foreword by James Grotstein

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Autonomy: Capital, Class and Politics explores and critiques one of the most dynamic terrains of political theory, sometimes referred to as 'Autonomist Marxism' or post-Operaismo. This theory shot to prominence with the publication of Empire by Hardt and Negri and has been associated with cutting edge developments in political and cultural practice; yet there exists no work that critically examines it in its contemporary breadth. Taking three divergent manifestations of Autonomist Marxism found in the works of Antonio Negri and Paulo Virno, the Midnight Notes Collective and John Holloway, David Eden examines how each approach questions the nature of class and contemporary capitalism and how they extrapolate politics. Not only is such juxtaposition both fruitful and unprecedented but Eden then constructs critiques of each approach and draws out deeper common concerns. Suggesting a novel rethinking of emancipatory praxis, this book provides a much needed insight into the current tensions and clashes within society and politics.

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A NATIONAL BESTSELLERI could not put this book down. It's so funny Ru PaulI LOVE this book for its honesty and dark (and light!) comedy Rachel Dratch (Instagram)It's f*cking great!!! Raw, intimate, hilarious, actually inspiring. Jon StewartA RECOMMENDED READ FROM: NPR * PUREWOW * USWEEKLY * PEOPLE * BUSTLE * SHEREADS * NYLON * BOOKRIOT * AND MOREThe dynamic memoir-in-essays by comedian, screenwriter, and podcaster Chelsea Devantez, detailing her tumultuous upbringing and uproarious career path into Hollywood. There are things Chelsea Devantez probably shouldn't be telling you. Many of them are in this book: some are embarrassing (like when she tried to break her three year spell of celibacy using a guide of seduction tips). Some are confessional (getting sentenced to the hell hill at Mormon church camp). Some are TMI (a series of outrageous doctor visits that ended with one doctor misdiagnosing her as pregnant. Woopsies!). Then there are things Chelsea really shouldn't be telling y

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From a personal obsession with film, to an unorthodox mentorship with the legendary Pauline Kael, to establishing himself with the upstart Entertainment Weekly, Movie Freak is the memoir by veteran film critic Owen Gleiberman that will speak to anyone whose life has been changed by a great film. What molds a critic? Perhaps it takes parents willing to buy nine-year-old Gleiberman drive-in tickets for Rosemary's Baby. Like millions of us, Gleiberman loves movies and in this frank and funny memoir he not only reveals the details of how he became a critic but attempts to show why we find cinema so defining as a society. As one of the premiere tastemakers for more than three decades, Gleiberman, a self-confessed movie freak, explains why he, and so many others, equate film with life. Readers will revel in the juicy details of the behind-the-scenes life of a critic and cheer as he lifts the curtain on life along the red carpet.

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A recently transitioned girl tries to figure out who she is—while trying to manage who everyone else wants her to be—in this funny, unexpected, and affecting new graphic novel from Eisner-nominated writer Magdalene Visaggio and artist Paulina Ganucheau.The last thing Phoebe Zito wants is to be noticed. The newest kid at Sally Ride High School, newly arrived in Los Angeles, and newly transitioned, she''s just trying to blend in while she figures out exactly who she is. But with her mom checked out, her dad still adjusting to having a daughter, and no guidebook on how to be a girl, that isn''t going to be easy.Enter Mackenize Ishikawa. She’s the girl who all girls want to be, and all the boys want to be with—and, Mackenzie has decided, Phoebe''s new best friend. Mackenzie knows what it takes to survive and thrive as a girl in high school, most of all that no matter who Phoebe wants to be, or who she wants to date, she''s going to

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The fourth psychological suspense novel from the phenomenal word-of-mouth bestselling Sophie Hannah. A must-read for fans of Clare Mackintosh and Paula Hawkins. 'Utterly gripping' The Times'Thrilling' Sunday TelegraphWhy would anyone confess to a murder that never happened?Ruth Bussey knows what it means to be in the wrong and to be wronged. She once did something she regrets, and her punishment nearly destroyed her. Now Ruth is rebuilding her life, and has found a love she doesn't believe she deserves: Aidan Seed. Aidan is also troubled by a past he hates to talk about, until one day he decides he must confide in Ruth. He tells her that years ago he killed someone: a woman called Mary Trelease.Ruth is confused. She's certain she's heard the name before, and when she realises why it sounds familiar, her fear and confusion deepen - because the Mary Trelease that Ruth knows is very much alive . . .

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A COMPANION TO SATIRE A COMPANION TO SATIRE “This book forms a substantial contribution to literary studies and is likely to be the standard work on the subject for a decade or two …. The chapters are densely detailed, the vocabulary elevated.”Reference Reviews “This sturdy volume should be of use to a variety of readers from advanced undergraduates to scholars seeking refresher (or crash) courses on either major” Studies in English Literature 1500-1900 “Offering a valuable contribution to the critical study of satire, Quintero has assembled insightful essays by an impressive roster of scholars...This book serves as a cogent, instructive overview of satire.”Choice “This book obviously brings to readers a dazzling variety of topics relating to satire. There is a rich abundance of material here, surely something for everyone. Indeed, the quality of these essays is uniformly high.” Notes and Queries This collection of twenty-nine original essays surveys satire from its emergence in Western literature to the present. The Companion is extraordinary in its historical scope, tracking satire from its first appearances in the prophetic books of the Old Testament through the Renaissance and the English tradition in satire to Michael Moore’s satirical movie Fahrenheit 9/11. While many essays explore literary developments in satire from an historical view, other essays reflect directly on topics such as irony and satire, modes of satirical mockery, the mock-biblical, and the character sketch. All of the contributors are experts published in their field, and all are experienced teachers who can treat complex and rich subjects with insight and clarity. Contributors to this volume: Joseph F. Bartolomeo, W. Scott Blanchard, Frank Boyle, Peter Brier, Valentine Cunningham, Edwin M. Duval, James Engell, Alberta Gatti, Russell Goulbourne, Dustin Griffin, Christopher J. Herr, Thomas Jemielity, Ejner J. Jensen, Steven E. Jones, Claudia Thomas Kairoff, Catherine Keane, Laura Kendrick, José Lanters, Jean I. Marsden, Linda A. Morris, Frank Palmeri, Blanford Parker, Ronald Paulson, Zoja Pavlovskis-Petit, Ruben Quintero, Melinda Alliker Rabb, Timothy Steele, Michael F. Suarez, David F. Venturo.

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The discipline of urban design is undergoing a rapid expansion and realignment. It is experiencing a shift from a profession dominated by architects and planners, directed at urban development, to a more expansive set of practices engaging new forms of social and environmental ecologies, as cities worldwide adapt to economic restructuring, mass migrations and climate change. Bringing together classic and new texts from the last 40 years, this AD Reader focuses attention on the critical tools needed to understand how cities have been designed and constructed and then changed over time. This enables new ways of envisioning how cities must be conceived and adapted in the future to the dual conditions of rapid urbanisation and economic restructuring, coupled with unpredictable environmental conditions due to climate change. With its emphasis on both urban design and the ecological, this book brings together key articles that point the way forward for reconciling the often conflicting concerns of urbanism and environmentalism. Twenty-three texts are organised into four distinct sections, covering metropolitan architecture, the sprawling megalopolis, the megacity and the recently emerging metacity. These are broadly chronological and highlight the recent thinking behind some of the key urban developments, ranging from the art of traditional city-making covered by European architects and historians in the late 20th century to contemporary Tokyo described by Atelier Bow-Wow. Features original texts from: Reyner Banham, Rem Koolhaas, Aldo Rossi, Colin Rowe, David Grahame Shane, Bernard Tschumi, Oswald Mathias Ungers, and Robert Venturi, Denise Scott Brown and Steven Izenour. Contains newly commissioned texts from: Mary Cadenasso, Sharon Haar and Victoria Marshall, Carlos Leite, Steward TA Pickett and Albert Pope. Includes new translations of important essays by Vittorio Gregotti and Paola Viganò. Topics range from the European historic city to the Las Vegas Strip and the megacity of São Paulo, taking in the global sustainable city.

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Dad always said if things get desperate, it's okay to drink the water in the toilet. I never thought it would come to that. I thought I'd sooner die than let one drop of toilet water touch my lips. Yet here I am, kneeling before a porcelain throne, holding a tin mug for scooping in one hand, and my half-gallon canteen in the other. The Lockwood brothers are supposed to be able to survive anything. Their dad, a hardcore believer in self-reliance, has stockpiled enough food and water at their isolated Nevada home to last for months. But when they are robbed of all their supplies during a massive blackout while their dad is out of town, John and Stew must walk 96 miles in the stark desert sun to get help. Along the way, they're forced to question their dad's insistence on self-reliance and ask just what it is that we owe to our neighbors, our kin, and to ourselves. From talented newcomer J. L. Esplin comes this story of survival and determination as two young brothers confront the unpredictability of human nature in the face of desperate circumstances. For fans of Gary Paulsen's classic Hatchet and Lauren Tarshis's bestselling I Survived series, a story of survival and desperation as two young brothers confront the worst in humanity-and themselves.

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Dad always said if things get desperate, it's okay to drink the water in the toilet. I never thought it would come to that. I thought I'd sooner die than let one drop of toilet water touch my lips. Yet here I am, kneeling before a porcelain throne, holding a tin mug for scooping in one hand, and my half-gallon canteen in the other. The Lockwood brothers are supposed to be able to survive anything. Their dad, a hardcore believer in self-reliance, has stockpiled enough food and water at their isolated Nevada home to last for months. But when they are robbed of all their supplies during a massive blackout while their dad is out of town, John and Stew must walk 96 miles in the stark desert sun to get help. Along the way, they're forced to question their dad's insistence on self-reliance and ask just what it is that we owe to our neighbors, our kin, and to ourselves. From talented newcomer J. L. Esplin comes this story of survival and determination as two young brothers confront the unpredictability of human nature in the face of desperate circumstances. For fans of Gary Paulsen's classic Hatchet and Lauren Tarshis's bestselling I Survived series, a story of survival and desperation as two young brothers confront the worst in humanity-and themselves.

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