Search results for ""author carole"

In Writing Anthropology, fifty-two anthropologists reflect on scholarly writing as both craft and commitment. These short essays cover a wide range of territory, from ethnography, genre, and the politics of writing to affect, storytelling, authorship, and scholarly responsibility. Anthropological writing is more than just communicating findings: anthropologists write to tell stories that matter, to be accountable to the communities in which they do their research, and to share new insights about the world in ways that might change it for the better. The contributors offer insights into the beauty and the function of language and the joys and pains of writing while giving encouragement to stay at it—to keep writing as the most important way to not only improve one’s writing but to also honor the stories and lessons learned through research. Throughout, they share new thoughts, prompts, and agitations for writing that will stimulate conversations that cut across the humanities. Contributors. Whitney Battle-Baptiste, Jane Eva Baxter, Ruth Behar, Adia Benton, Lauren Berlant, Robin M. Bernstein, Sarah Besky, Catherine Besteman, Yarimar Bonilla, Kevin Carrico, C. Anne Claus, Sienna R. Craig, Zoë Crossland, Lara Deeb, K. Drybread, Jessica Marie Falcone, Kim Fortun, Kristen R. Ghodsee, Daniel M. Goldstein, Donna M. Goldstein, Sara L. Gonzalez, Ghassan Hage, Carla Jones, Ieva Jusionyte, Alan Kaiser, Barak Kalir, Michael Lambek, Carole McGranahan, Stuart McLean, Lisa Sang Mi Min, Mary Murrell, Kirin Narayan, Chelsi West Ohueri, Anand Pandian, Uzma Z. Rizvi, Noel B. Salazar, Bhrigupati Singh, Matt Sponheimer, Kathleen Stewart, Ann Laura Stoler, Paul Stoller, Nomi Stone, Paul Tapsell, Katerina Teaiwa, Marnie Jane Thomson, Gina Athena Ulysse, Roxanne Varzi, Sita Venkateswar, Maria D. Vesperi, Sasha Su-Ling Welland, Bianca C. Williams, Jessica Winegar

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Contributions by Lawrence Brown, Sue Colledge, Robert Giegengack, Thomas Higham, Vladimir Hrsak, Anthony Legge†, Drago Margus, Sarah McClure, Carol Palmer, Emil Podrug, Kelly Reed, Jennifer Smith, and Josko Zaninovic. The origins and spread of farming are vital subjects of research, notably because agriculture makes possible our modern world. The Early Farming in Dalmatia Project is investigating the expansion of farming from its centre of origin in western Asia through the Mediterranean into southern Europe. This multidisciplinary ecological project combines comprehensive recovery of archaeological materials through excavation with landscape studies. It addresses several key questions, including when and how farming reached Dalmatia, what was the nature of this new economy, and what was its impact on the local environment. Excavations at Danilo Bitinj and Pokrovnik have demonstrated that their inhabitants were full-time farmers. The two sites were among the largest known Neolithic villages in the eastern Adriatic. A comprehensive program of AMS dating indicates that together they were occupied from c. 8,000 to 6,800 cal BP. Our research has begun to illuminate the details of their farming system, as well as the changes that took place in their way of life through the Neolithic. Their economy was derived from western Asia and it is likely that their ancestors came from there also. It was these people who brought agriculture and village life to the Adriatic and to the rest of the central and western Mediterranean. Once in place, this farming economy persisted in much the same form from the Neolithic down to the present.

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'The best short story writer in the world' Susan Hill 'This book is a spectacular literary revelation' Sunday Times The collected stories of an award-winning, modern classic American writer who has been compared to Alice Munro, John Updike - and even Anton Chekhov Tenderly, incisively, Edith Pearlman captured life on the page like no one else. Spanning forty years of writing, moving from tsarist Russia to the coast of Maine, from Jerusalem to Massachusetts, these astonishing stories reveal one of America's greatest modern writers. Across a stunning array of scenes-an unforeseen love affair between adolescent cousins, an elderly couple's decision to shoplift, an old woman's deathbed confession of her mother's affair-Edith Pearlman crafts a timeless and unique sensibility, shot through with wit, lucidity and compassion. Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe Edith Pearlman (1936-2023) published her debut collection of stories in 1996, aged 60. She won The National Book Critics Circle Award for Fiction for Binocular Vision. She published over 250 works of short fiction in magazines, literary journals, anthologies and online publications. Her work won three O. Henry Prizes, the Drue Heinz Prize for Literature, and a Mary McCarthy Prize, among others. In 2011, Pearlman was the recipient of the PEN/Malamud Award, which put her in the ranks of luminaries like John Updike and Joyce Carol Oates.

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Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified feminist artists, and explore her signature works, series, techniques, images, and materials. Redefining the practice of weaving, Jimenez Underwood works with repurposed barbed wire, yellow caution tape, safety pins, and plastic bags and crosses Indigenous, Chicana, European, and Euro-American art practices, pushing the arts of the Americas beyond Eurocentric aesthetics toward culturally hybrid and Indigenous understandings of art making. Jimenez Underwood’s redefinition of weaving and painting alongside the socially and environmentally engaged dimensions of her work position her as one of the most vital artists of our time. Contributors. Constance Cortez, Karen Mary Davalos, Carmen Febles, M. Esther Fernández, Christine Laffer, Ann Marie Leimer, Amalia Mesa-Bains, Robert Milnes, Jenell Navarro, Laura E. Pérez, Marcos Pizarro, Verónica Reyes, Clara Román-Odio, Carol Sauvion, Cristina Serna, Emily Zaiden

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Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified feminist artists, and explore her signature works, series, techniques, images, and materials. Redefining the practice of weaving, Jimenez Underwood works with repurposed barbed wire, yellow caution tape, safety pins, and plastic bags and crosses Indigenous, Chicana, European, and Euro-American art practices, pushing the arts of the Americas beyond Eurocentric aesthetics toward culturally hybrid and Indigenous understandings of art making. Jimenez Underwood’s redefinition of weaving and painting alongside the socially and environmentally engaged dimensions of her work position her as one of the most vital artists of our time. Contributors. Constance Cortez, Karen Mary Davalos, Carmen Febles, M. Esther Fernández, Christine Laffer, Ann Marie Leimer, Amalia Mesa-Bains, Robert Milnes, Jenell Navarro, Laura E. Pérez, Marcos Pizarro, Verónica Reyes, Clara Román-Odio, Carol Sauvion, Cristina Serna, Emily Zaiden

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'Could not be more enjoyable, engaging or moving' Observer"It's 1979, I'm three years old, and like all breakfast times during my youth it begins with Mum combing my hair, a ritual for which I have to sit down on the second-hand, floral-patterned settee, and lean forward, like I'm presenting myself for execution."For Sathnam Sanghera, growing up in Wolverhampton in the eighties was a confusing business. On the one hand, these were the heady days of George Michael mix-tapes, Dallas on TV and, if he was lucky, the occasional Bounty Bar. On the other, there was his wardrobe of tartan smocks, his 30p-an-hour job at the local sewing factory and the ongoing challenge of how to tie the perfect top-knot.And then there was his family, whose strange and often difficult behaviour he took for granted until, at the age of twenty-four, Sathnam made a discovery that changed everything he ever thought he knew about them. Equipped with breathtaking courage and a glorious sense of humour, he embarks on a journey into their extraordinary past - from his father's harsh life in rural Punjab to the steps of the Wolverhampton Tourist Office - trying to make sense of a life lived among secrets.'I absolutely loved it. Heartbreaking and wonderful. He writes beautifully' Maggie O'Farrell'Tragic, funny and disturbing. It will challenge you, and may even change you' Carole Angier, IndependentPublished in hardback as If You Don't Know Me by Now

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WINNER OF THE NOBEL PEACE PRIZE 2021 What will you sacrifice for the truth? Maria Ressa has spent decades speaking truth to power. But her work tracking disinformation networks seeded by her own government, spreading lies to its own citizens laced with anger and hate, has landed her in trouble with the most powerful man in the country: President Duterte. Now, hounded by the state, she has multiple arrest warrants against her name, and a potential 100+ years behind bars to prepare for - while she stands trial for speaking the truth. How to Stand Up to a Dictator is the story of how democracy dies by a thousand cuts, and how an invisible atom bomb has exploded online that is killing our freedoms. It maps a network of disinformation - a heinous web of cause and effect - that has netted the globe: from Duterte's drug wars, to America's Capitol Hill, to Britain's Brexit, to Russian and Chinese cyber-warfare, to Facebook and Silicon Valley, to our own clicks and our own votes. Told from the frontline of the digital war, this is Maria Ressa's urgent cry for us to wake up and hold the line, before it is too late. Praise for Maria Ressa: Winner of the UNESCO Press Freedom Award 2021 'A personal hero of mine ... she's an important warning for the rest of us' Hillary Clinton 'Maria Ressa is 5ft 2in, but she stands taller than most in her pursuit of the truth' Amal Clooney 'Maria is a key voice ... she is so incredible in so many ways' Carole Cadwalladr

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The Poetry Book Society was founded by T.S. Eliot to share the joy of poetry. It's a unique poetry book club and every quarter our expert selectors choose the very best new books to deliver to our members across the globe. Our lively quarterly magazine is packed full of sneak preview poems from all the selected poets, alongside exclusive interviews, insightful reviews by the Ledbury Critics and extensive listings of every book and pamphlet published this quarter. The Spring 2023 Bulletin magazine is a globe trotting extravaganza with thought-provoking poems and commentaries from leading international poets. The PBS Spring Choice Jason Allen-Paisant maps experiences of black masculinity from Africa to the streets of Europe and leads us back to the Renaissance Venice of Othello. The Translation Choice Agnes Agboton travels across three languages via Lawrence Schimel's skilful translations from Benin to Spain. Sarala Estruch takes us to her ancestry in Amritsar in India and Liz Berry relives her great aunt's journey to Canada as a Home Child in her unique new novel-in-verse. The Spring Pamphlet Choice Ellora Sutton offers a rare "songthrush" of a debut which explores queerness, history and nature with formal dexterity. Will Harris revels in persona and other in his playful Brother Poems and there's a poignant tribute to Carole Satyamurti's posthumous collection The Hopeful Hat. You can find out more and join our poetry community today at www.poetrybooks.co.uk.

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Bringing fresh insight to a century of writing by Native AmericansThe Political Arrays of American Indian Literary History challenges conventional views of the past one hundred years of Native American writing, bringing Native American Renaissance and post-Renaissance writers into conversation with their predecessors. Addressing the political positions such writers have adopted, explored, and debated in their work, James H. Cox counters what he considers a “flattening” of the politics of American Indian literary expression and sets forth a new method of reading Native literature in a vexingly politicized context. Examining both canonical and lesser-known writers, Cox proposes that scholars approach these texts as “political arrays”: confounding but also generative collisions of conservative, moderate, and progressive ideas that together constitute the rich political landscape of American Indian literary history. Reviewing a broad range of genres including journalism, short fiction, drama, screenplays, personal letters, and detective fiction—by Lynn Riggs, Will Rogers, Sherman Alexie, Thomas King, Leslie Marmon Silko, Louise Erdrich, Winona LaDuke, Carole laFavor, and N. Scott Momaday—he demonstrates that Native texts resist efforts to be read as advocating a particular set of politicsMeticulously researched, The Political Arrays of American Indian Literary History represents a compelling case for reconceptualizing the Native American Renaissance as a literary–historical constellation. By focusing on post-1968 Native writers and texts, argues Cox, critics have often missed how earlier writers were similarly entangled, hopeful, frustrated, contradictory, and unpredictable in their political engagements.

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Remember radicalism? A time when the Toronto art scene was in formation - and destruction? When there were no models and anything was possible? The late 1970s was a key period when Toronto thought itself Canada's most important art centre, but history has shown that the nascent downtown art community - not the established uptown scene of commercial galleries - was where it was happening. It was a political period. Beyond the art politics, art itself was politicised in its contents and context. Art's political dimension was continually polemically posed - or postured - by artists in these years. Beyond politics, posturing, in fact, was a constant presence as the community invented itself. It was also a period rich in invention of new forms of art. Punk, semiotics, and fashion were equally influential, not to mention transgressive sexuality. It was the beginning of the photo-blowup allied to the deconstructed languages of advertising. Video and performance aligned in simulations of television production as the "underground" mimicked the models of the mainstream for its own satiric, critical purposes. With no dominant art form and the influence of New York in decline, there were no models and anything was possible: even the invention of the idea of an art community as a fictional creation. Is Toronto Burning? takes you on a journey through this period rich in invention of new forms of art. It brings together artworks by Susan Britton, David Buchan, Colin Campbell, Elizabeth Chitty, Carole Conde and Karl Beveridge, Judith Doyle, General Idea, Isobel Harry, Ross McLaren, Missing Associates (Peter Dudar & Lily Eng), Clive Robertson, Tom Sherman, and Rodney Werden alongside archival documents. The artworks were all shown at the exhibition of the same name at the end of 2014 at The Art Gallery of York University, curated by Director Philip Monk. In partnership with The Art Gallery of York University.

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Giant oaks draped with Spanish moss, wrought-iron-clad mansions, lush plantations, vistas of marsh and ocean, and miles and miles of flat, well-kept roadwayall combine to make the coastal lowlands of Georgia and South Carolina one of the best bicycle-touring spots in the nation. Jane and Buddy Kahn guide cyclists through the region's most rewarding land- and cityscapes. Visit Savannah's graceful squares; the mysterious Okefenokee Swamp; the sunny Golden Isles of Georgia; and the Carolina Low Country, rich with history and warm with hospitality. For this new second edition the Kahns have added one bonus tour, for a total of 26. Tours range in length from 6 to 60 miles, offering something for cyclists of all abilities. Each tour includes a detailed map, mile-by-mile directions, and information on natural and historic points of interest you'll see along the way. 3 new tours in this edition. 25 black and white photographs 26 maps. The first edition of this book was titled 25 Bicycle Tours in Coastal Georgia and the Carolina Low Country.

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2014 Carol Award Winner for Romance 2014 Inspirational Reader's Choice Award Winner for Long Contemporary When Meg Cole's father dies unexpectedly, she's forced to return home to Texas and to Whispering Creek Ranch to take up the reins of his empire. The last thing she has the patience or the sanity to deal with? Her father's Thoroughbred racehorse farm. She gives its manager, Bo Porter, six months to close the place down. Bo knows he ought to resent the woman who's determined to take from him the only job he ever wanted. But instead of anger, Meg evokes within him a profound desire to protect. The more time he spends with her, the more he longs to overcome every obstacle that separates them and earn her love. Just when Meg realizes she can no longer deny the depth of her feelings for Bo, their fragile bond is broken by a force from Meg's past. Can their relationship--and their belief that God can work through every circumstance--survive? "Definitely one for the keeper shelf!"--USA Today HEA Blog "Wade does a wonderful job of creating relatable characters as she explores the forces that shape a life." "Wade does a wonderful job of creating relatable characters as she explores the forces that shape a life."--Booklist "Wade's series starter is an enthralling story of overcoming challenges and trusting God... [Meg and Cole] are a couple you'll be rooting for to have a Texas fairy-tale ending."--RT Book Reviews

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A PhD student uncovers dark secrets in this 'richly atmospheric and irresistibly readable' (Joyce Carol Oates) Gothic mystery set in Scotland, Italy, and France. For fans of The Secret History. Fleeing a disastrous affair with a colleague in Boston, Isabel Henley moves to Scotland to begin a PhD, only to learn upon arrival that her advisor has died mysteriously. Soon afterwards, Isabel is informed that another scholar is about to publish a book on her dissertation topic, leaving her disconcerted and in search of a new subject. After such a rocky start to life overseas, Isabel needs a good friend, and finds one when she reconnects with Rose Brewster, a charismatic former classmate. But when Rose reveals she is in trouble, then goes missing, Isabel's already unsteady life is sent into a tailspin. A suicide note surfaces, followed by a coded message: Rose is alive but captive, and unless Isabel can complete her friend's research, both women will be killed. Isabel follows Rose's paper trail through Genoa, Florence and Paris. She uncovers family secrets, the legend of an enormous cursed emerald, and a chain of betrayal and treason lasting centuries. If she can put the pieces together in time, Isabel may solve a 400-year-old mystery... and save her life and her friend's in the process. Combining epistolary elements, Gothic suspense, and an atmospheric dark academia setting, The Bequest is a gripping literary thriller that will appeal to fans of Alex Michaelides and Donna Tartt.

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Mill Grange is putting on a show this holiday season! When young Dylan Harris's former babysitter (and soon to be step-sister), Harriet, needs a last-minute venue for her acting troupe's outdoor production of Shakespeare's A Winter's Tale, the staff at Mill Grange throw open its doors, keen to fill their halls with guests over the holiday season... but they may get more drama than they'd bargained for! With pageants and plays to arrange, a much-anticipated book launch, an unexpected arrival, a heart-warming offer, and a little bit of the manor's magic, this Christmas is one that Thea, Tina, Sam, Shaun, Helen and Tom – along with retirees Bert and Mabel Hastings – won't soon forget... Readers love Jenny Kane! 'Absolutely loved this story... Compulsive. I highly recommended this start to a new series from Jenny Kane... Flawless' Carol McGrath, 5* Review 'I loved this charming story and found it hard to put down. It was full of brilliant characters and really interesting plot lines and kept my attention throughout' Goodreads 5* Review 'Like coming home to old friends' NetGalley 5* Review 'My Kindle wasn't exactly glued to my hand but it might as well have been because it travelled everywhere with me... Couldn't stop reading... A very well deserved 5* out of 5*' Ginger Book Geek, 5* Review 'Heart-warming, emotional and wonderfully uplifting, it's impossible not to fall under Jenny Kane's spell with her cosy and addictive new novel' Goodreads 5* Review

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Think Like a Feminist is an irreverent yet rigorous primer that unpacks over two hundred years of feminist thought. In a time when the word feminism triggers all sorts of responses, many of them conflicting and misinformed, Professor Carol Hay provides this balanced, clarifying and inspiring examination of what it truly means to be a feminist today. She takes the reader from conceptual questions of sex, gender, intersectionality and oppression to the practicalities of talking to children, navigating consent and fighting for adequate space on public transport, without deviating from her clear, accessible, conversational tone. Think Like a Feminist is equally a feminist starter kit and an advanced refresher course, connecting longstanding controversies to today’s headlines. Hay takes on many of the essential questions that feminism has risen up to answer: Is it nature or nurture that’s responsible for our gender roles and identities? How is sexism connected to racism, classism, homophobia, transphobia and other forms of oppression? Who counts as a woman, and who gets to decide? Why have men got away with rape and other forms of sexual violence for so long? What responsibility do women themselves bear for maintaining sexism? What, if anything, can we do to make society respond to women’s needs and desires? Ferocious, insightful, practical and unapologetically opinionated, this is the perfect book for anyone who wants to understand the continuing effects of misogyny in society. By exploring the philosophy underlying the feminist movement, Hay brings today’s feminism into focus, so we can deliberately shape the feminist future.

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The political, economic and social transformations that have taken place in China over the last half-century have had a major impact upon the formal methods, institutions and mechanisms used to deal with alleged criminal infractions. This path-breaking book, based upon the largest and most systematic empirical inquiry ever undertaken in China, analyzes the extent to which changes to the formal legal structure have resulted in changes to the law in practice. With unprecedented access to prosecution case files, observation of live trials and interviews with judges, prosecutors and defence lawyers, the book paints a uniquely detailed picture of China's criminal justice system as it operates in everyday cases. Among the major themes explored are: bail; detention; torture; confessions; the role of police, prosecutors and judges; the work of defence lawyers; pre-trial and trial practice; and sentencing practices, including the death penalty. The book shows, through volumes of quantitative data and the voices of judges, prosecutors and defence lawyers, how the party-state continues to influence and control both the process and outcome of criminal trials through an elaborate system of audit and sanction, the result of which is a system of aggregate rather than individual justice. With a wealth of original empirical data, this book will be of significant interest to academics and postgraduate students in the general area of Chinese Studies, human rights, criminal justice and comparative criminal justice. Policy makers, politicians and development agencies will also find it invaluable.With contributions from: Satnam Choongh, Pinky Choy Dick Wan, Eric Chui Wing Hong, Ian Dobinson and Carol Jones

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"The interpreter's dream-text," as one critic called Edgar Allan Poe's The Narrative of Arthur Gordon Pym has prompted critical approaches almost as varied as the experiences it chronicles. This is the first book to deal exclusively with Pym, Poe's longest fictional work and in many ways his most ambitious. Here leading Poe scholars provide solutions and interpretations for many challenging enigmas in this mysterious novel.The product of a decade of research and planning, Poe's "Pym" offers a factual basis for some of the most fantastic elements in the novel and uncovers surprising connections between Poe's text and exploration literature, nautical lore, Arthurian narrative, nineteenth-century journalism, Moby Dick, and other writings. Representing a rich cross-section of current modes of literary study—from source study to psychoanalytic criticism to new historicism—these sixteen essays probe issues such as literary influence, the limits of language, racism, the holocaust, prolonged mourning, and the structure of the human mind. Poe's "Pym" will be an invaluable resource for students of both contemporary criticism and nineteenth-century American culture. Contributors. John Barth, Susan F. Beegel, J. Lasley Dameron, Grace Farrell, Alexander Hammond, David H. Hirsch, John T. Irwin, J. Gerald Kennedy, David Ketterer, Joan Tyler Mead, Joseph J. Moldenhauer, Carol Peirce, Burton R. Pollin, Alexander G. Rose III, John Carlos Rowe, G. R. Thompson, Bruce I. Weiner

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How the optimism gap between rich and poor is creating an increasingly divided society The Declaration of Independence states that all people are endowed with certain unalienable rights, and that among these is the pursuit of happiness. But is happiness available equally to everyone in America today? How about elsewhere in the world? Carol Graham draws on cutting-edge research linking income inequality with well-being to show how the widening prosperity gap has led to rising inequality in people's beliefs, hopes, and aspirations. For the United States and other developed countries, the high costs of being poor are most evident not in material deprivation but rather in stress, insecurity, and lack of hope. The result is an optimism gap between rich and poor that, if left unchecked, could lead to an increasingly divided society. Graham reveals how people who do not believe in their own futures are unlikely to invest in them, and how the consequences can range from job instability and poor education to greater mortality rates, failed marriages, and higher rates of incarceration. She describes how the optimism gap is reflected in the very words people use--the wealthy use words that reflect knowledge acquisition and healthy behaviors, while the words of the poor reflect desperation, short-term outlooks, and patchwork solutions. She also explains why the least optimistic people in America are poor whites, not poor blacks or Hispanics. Happiness for All? highlights the importance of well-being measures in identifying and monitoring trends in life satisfaction and optimism--and misery and despair--and demonstrates how hope and happiness can lead to improved economic outcomes.

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With the 2003 invasion and subsequent occupation of Iraq, the most controversial question in world politics fast became whether the United States stands within the order of international law or outside it. Does America still play by the rules it helped create? American Exceptionalism and Human Rights addresses this question as it applies to U.S. behavior in relation to international human rights. With essays by eleven leading experts in such fields as international relations and international law, it seeks to show and explain how America's approach to human rights differs from that of most other Western nations. In his introduction, Michael Ignatieff identifies three main types of exceptionalism: exemptionalism (supporting treaties as long as Americans are exempt from them); double standards (criticizing "others for not heeding the findings of international human rights bodies, but ignoring what these bodies say of the United States); and legal isolationism (the tendency of American judges to ignore other jurisdictions). The contributors use Ignatieff's essay as a jumping-off point to discuss specific types of exceptionalism--America's approach to capital punishment and to free speech, for example--or to explore the social, cultural, and institutional roots of exceptionalism. These essays--most of which appear in print here for the first time, and all of which have been revised or updated since being presented in a year-long lecture series on American exceptionalism at Harvard University's John F. Kennedy School of Government--are by Stanley Hoffmann, Paul Kahn, Harold Koh, Frank Michelman, Andrew Moravcsik, John Ruggie, Frederick Schauer, Anne-Marie Slaughter, Carol Steiker, and Cass Sunstein.

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Monstrous Tales is a collection of traditional folktales about bewitching and bloodthirsty creatures.Translated and transcribed in the late 19th and early 20th centuries, these tales celebrate the diversity of—and surprising resonances among—folklore traditions around the world. Welcome to a world of magical adventure: a mysterious wolf pursues a bridegroom through a dark forest, a princess is trapped in a monster's body, and a dragon is coming with a storm in its wake. • The tales come alive alongside spellbinding contemporary art by Chinese illustrator Sija Hong. • Each story transports readers to a different enthralling world. • Part of the popular Tales series, featuring Tales of Japan, Celtic Tales, and Tales of IndiaAs readers roam from Japan to Nigeria and Ireland to Guyana, they'll witness deadly pacts, heroic feats, and otherworldly journeys. Features tales from Australia, China, Estonia, Finland, France, Great Sioux Nation, Guyana, Iceland, India, Inuit Nunangat, Ireland, Italy, Japan, Nigeria, Philippines, Pueblo of Isleta, Scotland, South Africa, Syria, Turkey, and Ukraine. • A special illustrated edition, complete with an embossed, textured case and a ribbon marker • Perfect gift for fairy tale and folklore lovers, fans of monsters and creatures, collectors of illustrated classics, adults and teens alike, and bibliophiles • A visually gorgeous book that will be at home on the shelf or on the coffee table • Great for those who enjoyed books like Through the Woods by Emily Carroll; The World of Lore: Monstrous Creatures by Aaron Mahnke; and Giants, Monsters, and Dragons: An Encyclopedia of Folklore, Legend, and Myth by Carol Rose

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Anxious to write that Great American Novel but don't know where to begin? Help is on the way with our Writer's Block! This guide to beating writer's block comes packaged in the shape of an actual block: 3" x 3" x 3", with 672 pages and more than 200 photographs throughout. Next time you're stuck, just flip open The Writer's Block to any page to find an idea or exercise that will jump-start your imagination. Many of these assignments come straight from the creative writing classes of celebrated novelists like Ethan Canin, Richard Price, Toni Morrison, and Kurt Vonnegut: Joyce Carol Oates explains how she uses running to destroy writer's block. Elmore Leonard describes how he often finds ideas just by reading the newspaper. E. Annie Proulx discusses finding inspiration at garage sales. Isabel Allende tells why she always begins a new novel on January 8th. John Irving explains why he prefers to write the last sentence first. Fresh, fun, and irreverent, The Writer's Block also features advice from contemporary editors and literary agents, lessons from the awful novels of Joan Collins and Robert James Waller, a filmography of movies concerning writer's block (e.g., The Shining, Barton Fink), and countless other surprises. With this chunky little book at your side, you may never experience writer's block again!

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'Riveting, thought-provoking, and impeccably written. I loved it' Carol Mason'This twisty tale explores the dark side of friendship and is just asking to be demolished in the back garden with a chilled glass of rose' Heat Magazine 'A real page turner' BellaHow well do you know your friends?Everyone knows Melissa Silk and her two best friends: a walking poster for friendship and community. People might hate them if they weren't so infectiously likeable.But when a fatal accident causes their perfect world to shatter, Melissa can't move on. Everyone urges Melissa not to let obsession and paranoia pull their friendship group apart. But she knows that something about the accident doesn't quite add up. What if learning the truth means losing everything she cherishes?Because friends don't lie. Or do they?This is a gripping novel of friendship and heartache, perfect for fans of Susan Lewis, Amanda Prowse and Kate Hewitt.Praise for Cath Weeks:'A tense thriller that will keep you intrigued' The Sun'[Friends Don't Lie] took my breath away. This is an absolute must-read' Claire Dyer'It'll make you weep' Elle'[The writing] gnaws away at you, forcing you to question your own morals' Evening Standard'Beautifully written and refreshingly unique' Peterborough Evening Telegraph'You ride a rollercoaster of emotions throughout the book as you wonder how you would react in similar circumstances' Woman's Way

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Nancy Caroline’s Emergency Care in the Streets, Ninth Edition is the newest evolution of the premier paramedic education training program. This legendary paramedic textbook was first developed by Dr. Nancy Caroline in the early 1970s and transformed paramedic education. Today, lead editors Bob Elling and Barb Aehlert, along with the American Academy of Orthopaedic Surgeons, are proud to continue this legacy and set the new gold standard for the paramedics of tomorrow. The Ninth Edition offers cutting-edge, evidence-based content that meets or exceeds the most current scientific recommendations developed by the International Liaison Committee on Resuscitation (ILCOR) and the ECC Guidelines established by the American Heart Association and other resuscitation councils around the world. Clear chapter objectives align with the 2019 National EMS Scope of Practice Model and 2021 EMS Education Standards. Thoroughly reviewed by medical doctors and subject-matter experts, the Ninth Edition teaches students the technical skills required of today’s paramedic while emphasizing other important professional attributes, including critical thinking, empathy, teamwork, communication, problem solving, and personal well-being. Taking a systemic approach to the assessment and management of traumatic and medical emergencies, and devoting entire chapters to special topics, such as mass-casualty incidents, the Ninth Edition covers the full scope of paramedic practice. Some of the key high-level updates to the Ninth Edition include the following: Language carefully reviewed throughout text to ensure gender neutrality, racial inclusivity, and nonstigmatizing descriptions of patient conditions NEW Street Smarts boxes throughout the text to emphasize the “soft skills” expected of today’s paramedics Images updated to reflect appropriate PPE in the current COVID-19 setting Added emphasis on current spinal motion restriction guidelines Thoroughly reviewed and updated references, statistics, and case studies CPR and ACLS algorithms updated throughout text to reflect the current AHA guidelines

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Five years since his daughter's death. Now it's happening again.**A Sunday Times pick of the week**'The Next to Die is a remarkably assured debut. It oozes the sour tang of authenticity, mingling psychiatry and crime with the mean streets of London.' Andrew Taylor'Pitch-perfect tone and quality, a terrific debut.' Amer Anwar'A superb, heart-thumping thriller. Without doubt my favourite read of the year.' Carol Wyer'Hooked me immediately with its formidable pace and fluid style.' James Oswald'Outstanding. Gritty and compelling with a cast of richly-drawn characters, this is an exceptional book. That ending - wow!' D. S. ButlerDylan Kasper is stuck. Living in self-imposed reclusion from his former life in the police, he's been in a downward spiral since his daughter's death five years ago.All that changes when the son of an esteemed professor jumps under an inner-city train. His former colleagues call it suicide, but Kasper knows different. This has all happened before - to him, and his dead daughter.Taking on the investigation himself, Kasper soon realises the terrible trouble young Tommy had found himself in. With nowhere to run, he thought suicide was the only way to keep his family safe.But before long, Kasper's investigation makes him target number one. Can he keep his demons in check and stay alive long enough to bring those responsible to justice?

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The “First Lady of Show Business” and the “Last of the Red Hot Mamas,” Sophie Tucker was a star in vaudeville, radio, film, and television. A gutsy, song-belting stage performer, she entertained audiences for sixty years and inspired a host of younger women, including Judy Garland, Carol Channing, and Bette Midler. Tucker was a woman who defied traditional expectations and achieved success on her own terms, becoming the first female president of the American Federation of Actors and winning many other honors usually bestowed on men. Dedicated to social justice, she advocated for African Americans in the entertainment industry and cultivated friendships with leading black activists and performers. Tucker was also one of the most generous philanthropists in show business, raising over four million dollars for the religious and racial causes she held dear.Drawing from the hundreds of scrapbooks Tucker compiled, Red Hot Mama presents a compelling biography of this larger-than-life performer. Lauren Rebecca Sklaroff tells an engrossing story of how a daughter of Russian Jewish immigrants set her sights on becoming one of the most formidable women in show business and achieved her version of the American dream. More than most of her contemporaries, Tucker understood how to keep her act fresh, to change branding when audiences grew tired and, most importantly, how to connect with her fans, the press, and entertainment moguls. Both deservedly famous and unjustly forgotten today, Tucker stands out as an exemplar of the immigrant experience and a trailblazer for women in the entertainment industry.

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Details 40 sea kayaking tours along the coast and in the inland waterways of North Carolina. Mile-by-mile descriptions, maps, trip ratings, and much more.

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Winner: Richard Barksdale Harwell AwardOn a cold day in early January 1864, Robert E. Lee wrote to Confederate president Jefferson Davis “The time is at hand when, if an attempt can be made to capture the enemy’s forces at New Berne, it should be done.” Over the next few months, Lee’s dispatch would precipitate a momentous series of events as the Confederates, threatened by a supply crisis and an emerging peace movement, sought to seize Federal bases in eastern North Carolina. This book tells the story of these operations—the late war Confederate resurgence in the Old North State.Using rail lines to rapidly consolidate their forces, the Confederates would attack the main Federal position at New Bern in February, raid the northeastern counties in March, hit the Union garrisons at Plymouth and Washington in late April, and conclude with another attempt at New Bern in early May. The expeditions would involve joint-service operations, as the Confederates looked to support their attacks with powerful, homegrown ironclad gunboats. These offensives in early 1864 would witness the failures and successes of southern commanders including George Pickett, James Cooke, and a young, aggressive North Carolinian named Robert Hoke. Likewise they would challenge the leadership of Union army and naval officers such as Benjamin Butler, John Peck, and Charles Flusser. Newsome does not neglect the broader context, revealing how these military events related to a contested gubernatorial election; the social transformations in the state brought on by the war; the execution of Union prisoners at Kinston; and the activities of North Carolina Unionists.Lee’s January proposal triggered one of the last successful Confederate offensives. The Fight for the Old North State captures the full scope, as well as the dramatic details of this struggle for North Carolina.

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The remarkable story of a North Carolina Cherokee community who avoided forced removal on the Trail of Tears. During the 1838 forced Cherokee removal by the US government, a number of close-knit Cherokee communities in the Southern Appalachian Mountains refused to relinquish their homelands, towns, and way of life. Using a variety of tactics, hundreds of Cherokees avoided the encroaching US Army and remained in the region. In his book Their Determination to Remain: A Cherokee Community’s Resistance to the Trail of Tears in North Carolina, Lance Greene explores the lives of wealthy plantation owners Betty and John Welch who lived on the southwestern edge of the Cherokee Nation. John was Cherokee and Betty was White. Although few Cherokees in the region participated in slavery, the Welches held nine African Americans in bondage. During removal, the Welches assisted roughly 100 Cherokees hiding in the steep mountains. Afterward, they provided land for these Cherokees to rebuild a new community, Welch’s Town. Betty became a wealthy and powerful plantation mistress because her husband could no longer own land. Members of Welch’s Town experienced a transitional period in which they had no formal tribal government or clear citizenship yet felt secure enough to reestablish a townhouse, stickball fields, and dance grounds. Greene’s innovative study uses an interdisciplinary approach, incorporating historical narrative and archaeological data, to examine how and why the Welches and members of Welch’s Town avoided expulsion and reestablished their ways of life in the midst of a growing White population who resented a continued Cherokee presence. The Welch strategy included Betty’s leadership in demonstrating outwardly their participation in modern Western lifestyles, including enslavement, as John maintained a hidden space—within the boundaries of their land—for the continuation of traditional Cherokee cultural practices. Their Determination to Remain explores the complexities of race and gender in this region of the antebellum South and the real impacts of racism on the community.

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From the acclaimed author of Spring Wildflowers of the Northeast, a beautifully illustrated follow-up introduction to the summer-blooming wildflowers of the northeastern United States and CanadaThis exquisitely illustrated volume provides an accessible, in-depth introduction to summer-blooming wildflowers of the northeastern United States and Canada. Featuring more than 700 detailed color photos and a large, beautifully designed format, the book delves into the life histories of more than thirty-five wildflowers and their relatives, from common roadside favorites, such as asters and milkweeds, to interesting, lesser-known species, including Indian pipe and ginseng. Drawing on a wealth of personal experience and the latest scientific research, and presenting it all in terms anyone can understand, acclaimed naturalist and photographer Carol Gracie invites readers to enhance their appreciation of the beauty of these wildflowers by learning not just their names or how many petals they have, but what pollinates them, how their seeds are dispersed, how they interact with other plants and animals, how Native Americans and other people have used them, and other interesting facts.Each species is illustrated with a range of detailed color photos that not only capture its beauty but illustrate the features discussed in the text and show the plant in its environment alongside the pollinators, herbivores, or seed dispersers with which, in many cases, the wildflower has evolved. Other topics covered include the naming of wildflowers; pathogens and pests; related species in other parts of the world; and wildflowers in history, literature, and art.Presenting authoritative information in an inviting style, Summer Wildflowers of the Northeast is an ideal volume for wildflower lovers, outdoor enthusiasts, naturalists, students, and more. Showcases the most spectacular summer-blooming wildflowers of the northeastern United States and Canada Features more than 700 stunning full-color photos Covers the life histories, lore, and uses of more than 35 species and their relatives Combines the latest scientific research with an easy-to-read style Features species accounts for these wildflowers:Alpine Wildflowers ● American Cranberry ● American Ginseng ● American Lotus ● Asters ● Beechdrops ● Blackberry-lily ● Bog Orchids ● Broad-leaved Helleborine ● Buckbean ● Bunchberry ● Cardinal Flower ● Chicory ● Common Milkweed ● Common Mullein ● Evening-Primrose ● Fringed Gentian ● Fringed Orchids ● Goldenrods ● Grass-of-Parnassus ● Indian Pipe ● Jewelweed ● Jimsonweed ● Lilies ● Patridge-berry ● Passion-flowers ● Pipsissewa ● Prickly Pear ● Purple Pitcher Plant ● Queen Anne’s Lace ● Showy Lady-slipper ● Swamp Rose-mallow ● Wild Leek ● Wild Lupine ● Yellow Pond-lily

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Professor Nightshade - tea time terror for all the family, and the most loved show in Britain. But Professor Nightshade's days are long over, and Edmund Trevithick is now just an unemployed actor in a retirement home, fondly remembering his past.It's the same through the entire village - people are falling prey to their memories. At first harmlessly, and then, the bodies begin to turn up. The Doctor and Ace arrive on the scene - but, with the Doctor planning his retirement, it may be time for Professor Nightshade to solve one last case. Nightshade is based on the novel by Mark Gatiss from the Virgin New Adventures series of Doctor Who books. Sylvester McCoy originally played the Doctor in 1987 - 1989, (then again in 1996) while his other work includes Radagast the Brown in Peter Jackson's epic The Hobbit films. Sophie Aldred's Ace companion is often viewed as Doctor Who's first contemporary young friend for the Doctor, setting out the template followed in later years by Rose Tyler (Billie Piper) and Clara Oswald (Jenna-Louise Coleman). In 2012 Sophie Aldred added another Doctor to those she's worked with when she and David Tennant starred in Tree Fu Tom. The original novel Doctor Who - Nightshade was written for Virgin Publishing in 1992 by Mark Gatiss - one of the stars of Sherlock and The League of Gentlemen, as well as a prolific writer for Doctor Who in a number of formats. CAST: Sylvester McCoy (The Doctor), Sophie Aldred (Ace), John Castle (Edmund Trevithick), Samuel Barnett (Robin), Katherine Jakeways (Jill), Edward Harrison (Dr. Hawthorne), Jonny Magnanti (Lawrence), Tom Price (Sgt Barclay) and Carole Ann Ford (Susan).

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Published by Boydell & Brewer Inc.

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Re/presenting Class is a collection of essays that develops a poststructuralist Marxian conception of class in order to theorize the complex contemporary economic terrain. Both building upon and reconsidering a tradition that Stephen Resnick and Richard Wolff—two of this volume’s editors—began in the late 1980s with their groundbreaking work Knowledge and Class, contributors aim to correct previous research that has largely failed to place class as a central theme in economic analysis. Suggesting the possibility of a new politics of the economy, the collection as a whole focuses on the diversity and contingency of economic relations and processes.Investigating a wide range of cases, the essays illuminate, for instance, the organizational and cultural means by which unmeasured surpluses—labor that occurs outside the formal workplace‚ such as domestic work—are distributed and put to use. Editors Resnick and Wolff, along with J. K. Gibson-Graham, bring theoretical essays together with those that apply their vision to topics ranging from the Iranian Revolution to sharecropping in the Mississippi Delta to the struggle over the ownership of teaching materials at a liberal arts college. Rather than understanding class as an element of an overarching capitalist social structure, the contributors—from radical and cultural economists to social scientists—define class in terms of diverse and ongoing processes of producing, appropriating, and distributing surplus labor and view class identities as multiple, changing, and interacting with other aspects of identity in contingent and unpredictable ways. Re/presenting Class will appeal primarily to scholars of Marxism and political economy.Contributors. Carole Biewener, Anjan Chakrabarti, Stephen Cullenberg, Fred Curtis, Satyananda Gabriel, J. K. Gibson-Graham, Serap Kayatekin, Bruce Norton, Phillip O’Neill, Stephen Resnick, David Ruccio, Dean Saitta, Andriana Vlachou, Richard Wolff

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The Codex epistolaris Carolinus preserves ninety-nine letters, dated between 739 and 791 and sent by the popes to the Frankish king Charlemagne and his predecessors. The compilation was commissioned by Charlemagne in 791, but the sole surviving medieval manuscript of the letters was made at Cologne in the later ninth century and is now in Vienna (Österreichische Nationalbibliothek Cod. 449). The headings or lemmata provided for each letter by the Frankish compilers in 791 and faithfully preserved in the codex, add a distinctive Frankish commentary on events in Rome and Italy in the second half of the eighth century. This book not only provides the first full English translation of the letters and lemmata in the Codex epistolaris Carolinus but also re-creates the original Carolingian order of presentation of the letters according to the manuscript. A substantial introduction discusses the historical significance of the collection, the compilation and contexts of the Vienna manuscript, especially the significance of the lemmata, the peculiarities of the Latin of the papal letters and the biblical citations, and the historical context of the letters themselves. The lemmata and letter translations are augmented with introductions to each letter and a comprehensive historical commentary and glossary.

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Bringing to light an often-ignored aspect of Hollywood studio system history, this book focuses on female stars who broke the mold of a male-dominated, often manipulative industry to dictate the path of their own careers through freelancing. Runner-up, Richard Wall Memorial Award, Theatre Library Association, 2016During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure.Through extensive, original archival research, Independent Stardom uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry.

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'An engrossing tale of a woman striving for the recognition she deserves in the face of male indifference and betrayal' SUNDAY TIMES 'Best historical fiction for February 2024'THE ESSEX SERPENT MEETS AMMONITE IN THE STUNNING HISTORICAL NOVEL EVERYBODY IS TALKING ABOUT:'Singular and astonishing . . . I've never met a character quite like Ada' ANNIE GARTHWAITE'The Bone Hunters has cemented Joanne Burn's place as one of my favourite writers' SONIA VELTON'Joanne Burn is fast becoming my go-to historical fiction writer' EMMA CARROLL'The Bone Hunters is that rare combination . . . beautifully written but also a gripping page-turner' LAURA SHEPPERSON________In 1824, Lyme Regis is as tumultuous as the sea that surrounds it. When twenty-four-year-old Ada Winters - poor, peculiar and brilliant - uncovers a set of unusual fossils on the cliffs, she believes she has found the answer to her scientific frustrations and her family's financial struggles. Meanwhile, Doctor Edwin Moyle has come to Dorset in search of the discovery that will place him amongst the greatest geologists of the age. What he finds instead is a strange young woman who seems to hold the key to everything he desires. But what is the creature that Ada and Edwin seek to unearth? And will it lead them to greatness, or destruction?________'Delicate and beautiful, I loved it' POLLY CROSBY'An extraordinary book . . . I fell in love with Ada from the first page' ELIZABETH LEE'A beautifully written tale of obsession, friendship, betrayal, ambition and love' ROZ WATKINS'So beautifully and brilliantly written. Every word dripped with atmosphere' CAROLE MATTHEWS

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The Sunday Times bestseller. 'A compulsively readable, carefully researched account of how a malignant combination of rightwing ideology, secretive money (much of it from the US) and weaponisation of social media have shaped contemporary British (and to a limited extent, European) politics... Remarkable' Observer, Book of the Week Democracy is in crisis, and unaccountable and untraceable flows of money are helping to destroy it. This is the story of how money, vested interests and digital skulduggery are eroding trust in democracy. Antiquated electoral laws are broken with impunity, secretive lobbying is bending our politics out of shape and Silicon Valley tech giants collude in selling out democracy. Politicians lie gleefully, making wild claims that can be shared instantly with millions on social media. Peter Geoghegan is a diligent, brilliant guide through the shadowy world of dark money and digital disinformation stretching from Westminster to Washington, and far beyond. Praise for Democracy for Sale: 'Thorough, gripping and vitally important' Oliver Bullough 'A brilliant description of the dark underbelly of modern democracy. Everyone should read it' Anne Applebaum 'A compelling and very readable story of the ongoing corruption of our government and therefore ourselves' Anthony Barnett 'As urgent as it is illuminating' Fintan O'Toole 'This urgent, vital book is essential reading for anyone who wants to make sense of our politics' Carole Cadwalladr 'This forensic and highly readable book shows how so many of our democratic processes have moved into the murky, unregulated spaces of globalisation and digital innovation' Peter Pomerantsev 'A call to arms for all those who value democracy' The Herald 'Geoghegan's words are those of someone who is prepared to keep fighting to defend and revitalise what shadows of democracy still remain'Scotsman

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An investigation into the manifestations of religious art in East Anglia and how they are connected to and inspired by their locations. The relationship between religious or spiritual artworks and the locality where such objects are made and used is the central question this volume addresses. While it is a well-known fact that religious artworks, objects and buildings can have a power or agency of their own (iconoclasm, the violent defacement of an object which paradoxically testifies to the fear and loathing it has generated, being an extreme example), the sources of this power are less well understood. It is this problem which the book seeks to begin to remedy, using East Anglia, an area of Britain with an exceptionally long history of religious diversity, as its prism. Case-studies are taken from prehistory right up to the twenty-first century, and from a variety of media, including wall-paintings, church architecture, and stained glass; famous sites examined include Seahenge and Sutton Hoo. Overall, the book shows how profoundly religious artworks are embedded in local communities, belief systems, histories and landscapes. T.A. Heslop is Professor of Visual Arts, Elizabeth Mellings a Post-doctoral Research Fellow, and Margit Thofner Senior Lecturer, at the School of World Art Studies, University of East Anglia. Contributors: Margit Thofner, T.A. Heslop, Elizabeth de Bièvre, Daphne Nash Briggs, Adrian Marsden, Timothy Pestell, Matthew Champion, Carole Hill, ElizabethRutledge, David King, John Peake, Nicola Whyte, Chris King, Francesca Vanke, Stefan Muthesius, Kate Hesketh-Harvey, Karl Bell, Elizabeth Mellings, Robert Wallis, Trevor Ashwin. Cover artwork: Glowing Embers (Seahenge), 2000. Painting by Susan Laughlin.

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Atlantic Canada is enjoying a renaissance unknown since the days of Alden Nowlan, Milton Acorn, and John Thompson. Coastlines: The Poetry of Atlantic Canada features work by 60 of the region's finest poets in a volume that will whet appetites for more. The earlier poetry renaissance began in 1945, with the establishment of The Fiddlehead magazine. In this new volume, the present Fiddlehead editor Ross Leckie, and his collaborators Ann Compton, Laurence Hutchman, and Robin McGrath, showcase the lasting effects of that earlier renaissance and confidently forecast that the newest generation of Atlantic poets will help to make poetry a pre-eminent literary form in Canada once again. Coastlines provides expansive reading pleasure because of the astonishing range of poetic intelligences it represents and the myriad ways poets find to work and rework the topography of Atlantic culture and landscape. The earliest poems in the anthology were written in the 1950s by the acknowledged greats — Acorn, Nowlan, and Thompson — and by Alfred Bailey, Elizabeth Bishop, and Charles Bruce. The collection also features work by senior poets such as Kay Smith, M. Travis Lane, Fred Cogswell, and Douglas Lochhead, and mid-career poets such as Elisabeth Harvor, Harry Thurston, and John Steffler. Poets of the post-1995 renaissance include Anne Simpson, Sue Sinclair, Michael Crummey, and George Elliott Clarke, who won the 2001 Governor General's Award; Lynn Davies, Sue Goyette, and Carole Langille have all been recent finalists, and both Brian Bartlett and matt robinson have won the Petra Kenney Memorial International Poetry Prize. The newest voices in Coastlines belong to Tammy Armstrong and Geoff Cook, whose work was selected from manuscripts published in 2002.

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The everyday lives of enslaved people were filled with the backbreaking tasks that their enslavers forced them to complete. But in spare moments, they found time in which to earn money and obtain goods for themselves. Enslaved people led vibrant economic lives, cultivating produce and raising livestock to trade and sell. They exchanged goods with nonslaveholding whites and even sold products to their enslavers. Did these pursuits represent a modicum of freedom in the interstices of slavery, or did they further shackle enslaved people by other means?Justene Hill Edwards illuminates the inner workings of the slaves’ economy and the strategies that enslaved people used to participate in the market. Focusing on South Carolina from the colonial period to the Civil War, she examines how the capitalist development of slavery influenced the economic lives of enslaved people. Hill Edwards demonstrates that as enslavers embraced increasingly capitalist principles, enslaved people slowly lost their economic autonomy. As slaveholders became more profit-oriented in the nineteenth century, they also sought to control enslaved people’s economic behavior and capture the gains. Despite enslaved people’s aptitude for enterprise, their market activities came to be one more part of the violent and exploitative regime that shaped their lives. Drawing on wide-ranging archival research to expand our understanding of racial capitalism, Unfree Markets shows the limits of the connection between economic activity and freedom.

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