Search results for ""author carole"

In Race Becomes Tomorrow Gerald M. Sider weaves together stories from his civil rights activism, his youth, and his experiences as an anthropologist to investigate the dynamic ways race has been constructed and lived in America since the 1960s. Tacking between past and present, Sider describes how political power, economic control, and racism inject chaos into the lives of ordinary people, especially African Americans, with surprising consequences. In addition to recounting his years working on voter registration in rural North Carolina, Sider makes connections between numerous issues, from sharecropping and deindustrialization to the recessions of the 1970s and 2008, the rise of migrant farm labor, and contemporary living-wage campaigns. Sider's stories—whether about cockroach races in immigrant homes, degrading labor conditions, or the claims and failures of police violence—provide numerous entry points into gaining a deeper understanding of how race and power both are and cannot be lived. They demonstrate that race is produced and exists in unpredictability, and that the transition from yesterday to tomorrow is anything but certain.

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In Race Becomes Tomorrow Gerald M. Sider weaves together stories from his civil rights activism, his youth, and his experiences as an anthropologist to investigate the dynamic ways race has been constructed and lived in America since the 1960s. Tacking between past and present, Sider describes how political power, economic control, and racism inject chaos into the lives of ordinary people, especially African Americans, with surprising consequences. In addition to recounting his years working on voter registration in rural North Carolina, Sider makes connections between numerous issues, from sharecropping and deindustrialization to the recessions of the 1970s and 2008, the rise of migrant farm labor, and contemporary living-wage campaigns. Sider's stories—whether about cockroach races in immigrant homes, degrading labor conditions, or the claims and failures of police violence—provide numerous entry points into gaining a deeper understanding of how race and power both are and cannot be lived. They demonstrate that race is produced and exists in unpredictability, and that the transition from yesterday to tomorrow is anything but certain.

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Caroline Herschel was a prolific writer and recorder of her private and academic life, through diaries, autobiographies for family members, notebooks and observation notes. Yet for reasons unknown she destroyed all of her notebooks and diaries from 1788 to 1797. As a result, we have almost no record of the decade in which she made her most influential mark on science when she discovered eight comets and became the first woman to have a paper read at the Royal Society. Here, for the first time, historian Dr Emily Winterburn looks deep into Caroline’s life and wonders why, in the year following the marriage of her brother and constant companion, Caroline wanted no record of her life to remain. Was she consumed with grief and jealousy? By piecing together – from letters, reminiscences and museum objects – a detailed account of that time, we get to see a new side to history’s ‘most admirable lady astronomer’ and one of the greatest pioneering female scientists of all time.

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The centerpiece of this generously annotated book is the diary kept by the celebrated agricultural reformer Edmund Ruffin during the eight months in 1843 when, at the request of Governor James Henry Hammond, he conducted an economic survey of South Carolina, traveling to every corner of the state to examine the different farming methods in use and the resources available for their improvement. Ruffin's succinct and pointed narrative, driven by a passionate interest in the perpetuation of slavery, recaptures for the modern reader the physical and social environment of the Palmetto State two decades before the outbreak of the Civil War in the Charleston harbor.

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This book examines how and why autonomy matters in contemporary social science research. It considers how autonomy impacts upon the individual researcher, the cultures and values of the university, and research motivation and sponsorship. The authors provide a better understanding of the interplay between individual and institutional autonomy, the issues arising from this interplay, and the value of an independent academic sector to the external community. Successive chapters consider: the variation in social scientists understanding of academic freedom; the researchers view on academic autonomy and decision making; the influence of Hayek on thinking about freedom and markets; the idea of academic freedom in 14th century Oxford; the policy basis for academic freedom and autonomy in Australia; the extent to which autonomy can be seen in the career of one academic; the particular case of research into higher education itself; and, the impact of the research assessment exercise in the United Kingdom. The book sheds light on a critically important but under-studied issue, seeking to offer a clarification of the meaning of academic freedom and autonomy, and the roles of institutional regulatory and managerial environments in supporting them. The authors include experts from the UK and Australia; chapters go in to autonomy within specific contexts (14th century Oxford, Australia, etc.).

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This book was produced on the occasion of the first solo exhibition of Obregón's work in a North American public institution and includes essays by the curators Jesús Fuenmayor and Kaira M. Cabañas, in which the work is approached from the artist's own methodology and from its relevance in the current cultural context. In addition, it contains an extensive section in which all the works presented are exhaustively recorded in accordance with the curatorial structure, derived from years of work in the classification of the Archivo Obregón by Israel Ortega and Leonor Solá, and thanks to which it has been possible to open this window to investigate the intimacy and the interstices of Obregón's work. Since 2011, the Obregón Archive has formed part of the Carolina and Fernando Eseverri Collection.

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"She declares, so the bishops will write in their report on the council, that she is unworthy to continue as a married woman. 'Before God and his angels' she bares her heart and confesses to them 'every secret relating to the rumor that had arisen.' The 'rumor'—as will become apparent—concerns her sexual relations with her brother. True, the 'inner wound' which she 'confesses' to God and the bishops was not dealt her of her own volition but under duress, but it is in any event so terrible that she no longer feels herself worthy to share a royal or a marital bed or to marry anyone at all. The bishops and abbots allow her, as she had supposedly requested, to enter a convent."—from The Divorce of Lothar II The Divorce of Lothar II illuminates the origin and development of Western notions of marriage and divorce and the separation of church and state in the context of a notorious royal divorce in late Carolingian Europe. In 857, Lothar II, king of Lotharingia, decided to divorce Theutberga—either because she had allegedly engaged in an incestuous liaison with her brother or simply because Lothar had wished to marry his concubine Waldrada. Karl Heidecker's dramatic and engaging narrative untangles the chaos that resulted: two popes, a host of often quarreling bishops, and Lothar's conniving uncles soon became involved in an epic struggle that did not end even with the death of Lothar. The extraordinary series of events sheds light on the fact that the laws on marriage and divorce were still uncertain. The Church itself was hardly unified in its approach, and its efforts to formulate and impose rules repeatedly foundered against the political machinations characteristic of the Carolingian world. In The Divorce of Lothar II, Heidecker not only discusses the legal aspects of the case but also pays much attention to the often heavy-handed ways in which the players of the story achieved their goals. This ninth-century scandal becomes a study of family dynamics, changing values, and the tenuous relationships between kings, nobles, and bishops around the topic of royal marriage. Though the drama ended with no clear resolution of the Church's position, Lothar's quest is revealed as an early chapter in the emergence of the belief that marriage rests on the personal will of the partners, is monogamous, and should not be dissolved.

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Collins Big Cat Phonics for Letters and Sounds features exciting fiction and non-fiction decodable readers to enthuse and inspire children. The 7+ books are designed for children aged 7+ who need more practice to acquire phonics skills. They have age-appropriate content, more mature images, and are fully aligned to Letters and Sounds Phases 3–5. Twins Kay and Aiden are keen to come up with a compelling story for their school blog. When they get the chance to attend a concert by their favourite local band to interview the members, they are intrigued by the band leader's gleaming expensive trumpet. When the lights go off, the children feel someone rush past them, and when the lights return, the trumpet is gone! Aiden and Kay follow the direction of the thief and uncover their identity to save the show. This exciting graphic novel is written by Carol Mitchell. Green/Band 5 books offer early readers patterned language and varied characters. The focus sounds in this book are: /ai/ ay, a-e, ey /ee/ ea, ie /igh/ i-e, i /oa/ o, ow, o-e /oo/ ou, u, oul /ar/ a /ow/ ou /or/ al, our /ear/ ere, eer /oi/ oy /o/ a. Pages 30 and 31 allow children to re-visit the content of the book, supporting comprehension skills, vocabulary development and recall. Reading notes within the book provide practical support for reading Big Cat Phonics for Letters and Sounds with children, including a list of all the sounds and words that the book will cover.

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‘DARK AND DEVIOUS’ Stephen King ‘UTTERLY ENGROSSING’ Daily Mail ‘TWISTY AND RICHLY ATMOSPHERIC’ Ruth Ware ‘TIGHTLY PLOTTED AND UTTERLY GRIPPING' Sarah Pinborough ‘A HAUNTING THRILLER’ Women’s Weekly ‘TOTALLY ABSORBING’ T.M. Logan ‘AN UNSETTLING, LABYRINTHINE TALE’ New York Times____________________________________________________________________ One twin ran. The other vanished. Neither escaped… DON’T TRUST ANYONECat’s twin sister El has disappeared. But there’s one thing Cat is sure of: her sister isn’t dead. She would have felt it. She would have known. DON’T TRUST YOUR MEMORIESTo find her sister, Cat must return to their dark, crumbling childhood home and confront the horrors that wait there. Because it’s all coming back to Cat now: all the things she has buried, all the secrets she’s been running from. DON’T TRUST THIS STORY…The closer Cat comes to the truth, the closer to danger she is. Some things are better left in the past…________________________________________________________ ‘AN ADDICTIVE SLICE OF GOTHIC’ i paper ‘TOLD WITH THUMPING HEART AND EXTRAORDINARY TENDERNESS’ Kiran Millwood Hargrave ‘THE LOVE CHILD OF GILLIAN FLYNN AND STEPHEN KING’ Greer Hendricks READERS ARE FALLING IN LOVE WITH MIRRORLAND… ‘Dark, dazzling, full of surprises and perfectly executed’ Sheri K ‘An adult fairy tale, a domestic noir and a heartbreaker, all in one’ Rebecca W ‘Creepy as hell and absolutely brilliant’ Vikkie W ‘Poignant and compelling… What an imagination to have crafted such a story’ Carol C ‘A beautifully written story that holds you enthralled from first page to last’ Sarah M ‘This is a book that will keep you awake all night’ Maria P ‘Hugely compelling…I found the entire book officially unputdownable!’ Alexandra G

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Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENT The richness and interdisciplinarity of the Arthurian tradition are well represented by the essays collected here, which range from early Celtic texts to twentieth-century children's books, and include discussion of Welsh, Irish,English, French and Latin material in both literary and historical contexts. Many of the articles focus on less well-known late medieval versions of the legend, a somewhat neglected area until recently: an Irish Grail narrative, the Burgundian prose Erec, the enormous prequel Perceforest, Ysaïe le Triste, Le Conte du Papegau, and Froissart's Mélyador (the last three discussed as exercises in nostalgia). Meanwhile, anotherchapter approaches Sir Gawain and the Green Knight from the perspective of forest ecology. The contributions represent expanded and revised versions of selected papers given at the XXIIIrd Triennial Congress of the International Arthurian Society held in Bristol in July 2011; they include two of the plenary lectures, one on "Celtic Magic" and one on the reception of Geoffrey of Monmouth in the eighteenth and nineteenth centuries. Elizabeth Archibald is Professor of English Studies at Durham University, and Principal of St Cuthbert's Society; David F. Johnson is Professor of English at Florida State University, Tallahassee. Contributors: Richard Barber, Nigel Bryant, Aisling Byrne, Carol J. Chase, Siân Echard, Helen Fulton, Michael W. Twomey, Patricia Victorin.

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Plan a weekend of hiking, cycling, climbing, and paddling! Whether you’re a novice or an experienced adventurer, North Carolina offers a variety of outdoor pursuits to enjoy—from camping in Pisgah National Forest to canoeing down the Nantahala River and hiking in the Croatan National Forest. There’s no need to spend hours researching the best destinations or go on long, expensive trips. North Carolina Adventure Weekends by Jessie Johnson and Matt Schneider is for hikers who love to climb, paddlers who love to pedal, and anyone else whose idea of unwinding is an action-packed weekend in the great outdoors. With 12 exciting trips to choose from, you’ll know where to stay and which adventures are truly weekend-worthy. Spend more time playing and less time driving from place to place. Each chapter in this full-color guide highlights a specific destination and includes hiking, cycling, climbing, and paddling opportunities rated for difficulty, as well as lodging options, restaurants, breweries, and coffee shops. You’ll also get suggestions for where to stock up on supplies and what to do on a rainy day. With ideal outings for individuals, couples, families, and groups, get maximum adventure out of your weekends!

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GIS and Environmental Modeling: Progress and Research Issues Michael F. Goodchild, Louis T. Steyaert, Bradley O. Parks, Carol Johnston, David Maidment, Michael Crane, and Sandi Glendinning, Editors With growing pressure on natural resources and landscapes there is an increasing need to predict the consequences of any changes to the environment. Modelling plays an important role in this by helping our understanding of the environment and by forecasting likely impacts. In recent years moves have been made to link models to Geographical Information Systems to provide a means of analysing changes over an area as well as over time. GIS and Environmental Modeling explores the progress made to date in integrating these two software systems. Approaches to the subject are made from theoretical, technical as well as data stand points. The existing capabilities of current systems are described along with important issues of data availability, accuracy and error. Various case studies illustrate this and highlight the common concepts and issues that exist between researchers in different environmental fields. The future needs and prospects for integrating GIS and environmental models are also explored with developments in both data handling and modelling discussed. The book brings together the knowledge and experience of over 100 researchers from academic, commercial and government backgrounds who work in a wide range of disciplines. The themes followed in the text provide a fund of knowledge and guidance for those involved in environmental modelling and GIS. The book is easily accessible for readers with a basic GIS knowledge and the ideas and results of the research are clearly illustrated with both colour and black and white graphics.

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In the 1980s, The Nature Conservancy began work on the fast-growing Outer Banks by protecting Nags Head Woods, one of the last intact maritime forests on the East Coast that was in danger of becoming a housing development. In the late nineteenth century the woods was home to about forty families and remnants of their time there can be seen during a walk in the preserve to this day. Based on oral histories, this book documents the social and cultural history of a community that worked the land and waters of this unique place. Originally published in 1987, this reissue edition contains a foreword by David S. Cecelski and an afterword by the authors.

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Staging the Old Faith is the first book length study to examine Caroline theatre as a space where the concerns of the English Roman Catholic community are staged.Rebecca Bailey juxtaposes a detailed analysis of Queen Henrietta Maria’s ground-breaking performances which showcased to an elite audience her role as defender of English Catholics, against an exploration of how this community responded to such a startling vision, in particular through the politically charged texts of James Shirley and William Davenant.This engagement on the stage with the anxieties and hopes of the English Catholic community (properly contextualised within the wider and increasingly fragmented religious landscape in the years leading to civil war) opens up Caroline commercial theatre as a site which energetically discussed the explosive religio-political topics of the cultural moment.

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Stunning and inspirational French-style interiors and chic décor from Carolyn Westbrook. When it comes to styling interiors, designer Carolyn Westbrook has a distinct signature look that combines her love of French style and vintage charm. In Part One of this new book, Carolyn first leads us on a tour through 10 specially photographed locations that are perfect examples of her vintage French style. Carolyn’s own Texan plantation family home is included, alongside other stunning houses that evoke the look – a grand château, French farmhouse-style, a mid-century modern take on French design, and more. The homes all feature individual and eclectic styles, skilfully partnering inherited treasures alongside new purchases, and successfully mixing pretty junkstore finds with designer pieces. In Part Two, Details and Vignettes, pretty displays and vignettes from the homes featured on earlier pages are captured, teaching you how to group collections and showcase treasured items to best effect.

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Wish you had time to re-read and enjoy that daunting stack of Charles Dickens novels? Take heart: Dickens enthusiast Gina Dalfonzo has done the heavy lifting for you. In short, readable excerpts she presents the essence of the great novelist’s prodigious output, teasing out dozens of the most memorable scenes to reveal the Christian vision and values that suffuse all his work. Dickens can certainly entertain, but his legacy endures because of his power to stir consciences with the humanity of his characters and their predicaments. While he could be ruthless in his characterization of greed, injustice, and religious hypocrisy, again and again the hope of redemption shines through. In spite of – or perhaps because of – his own failings, Dickens never stopped exploring the themes of sin, guilt, repentance, redemption, and restoration found in the gospel. In some passages the Christian elements are explicit, in others implicit, but, as Dickens himself said, they all reflect his understanding of and reverence for the gospel. The Gospel in Dickens includes selections from Oliver Twist, David Copperfield, A Tale of Two Cities, Great Expectations, A Christmas Carol, Nicholas Nickleby, The Old Curiosity Shop, Martin Chuzzlewit, Dombey and Son, Bleak House, Hard Times, Little Dorrit, Our Mutual Friend, The Mystery of Edwin Drood, and Sketches by Boz – with a cast of unforgettable characters such as Ebenezer Scrooge, Sydney Carton, Jenny Wren, Fagin, Pip, Joe Gargery, Mr. Bumble, Miss Havisham, betsey Trotwood, and Madame Defarge.

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"The works of Plautus," writes Palmer Bovie, "mark the real beginning of Roman literature." Now Bovie and David Slavitt have brought together a distinguished group of translators for the final two volumes of a four-volume set containing all twenty-one surviving comedies of one of Western literature's greatest dramatists. Born in Sarsina, Umbria, in 254 B.C., Plautus is said to have worked in Rome as a stage carpenter and later as a miller's helper. Whether authentic or not, these few details about the playwright's life are consistent with the image of him one might infer from his plays. Plautus was not "literary" but rather an energetic and resourceful man of the world who spoke the language of the people. His dramatic works were his way of describing and portraying that world in a language the people understood. Since Plautus's career unfolded against the background of the Second Punic War, it is not surprising that his prologues often end with a wish for the audience's "good luck against your enemies" or that the plays have their share of arrogant generals, boastful military captains, and mercenary adventurers. But other unforgettable characters are here as well-among them Euclio, in the Aulularia, the model for Moliere's miser. In these lively new translations, which effectively communicate the vitality and verve of the originals, the plays of Plautus are accessible to a new generation. Plays and translators: Volume 4: Persa, Palmer Bovie. Menaechmi, Palmer Bovie. Cistellaria, R. H. W. Dillard. Pseudolus, Richard Beacham. Stichus, Carol Poster. Vidularia, John Wright.

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This guide to more than ninety-five public campgrounds in South Carolina is perfect for tent and RV campers alike. Within each campground listing is vital information on location, road conditions, fees, reservations, available facilities, and recreational activities. The listings are organized by geographic area, and thorough site maps will simplify your search for the perfect campground. From the far southern reaches of Hunting Island State Park to the mountains of the Upcountry and everything in between—from creeks and waterfalls with endless mountain views to the fresh salty air of the infinite Atlantic Ocean—Camping South Carolina opens the door to these places. Look inside for:* Campground locations* Detailed maps* GPS coordinates for each campground * Driving directions* Facilities and hookups* Dates of operation* Fees and reservations * Recreational activities* What equipment and clothing to bring * Tips on wildlife and safety

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Against all odds, the seeds of social change found purchase in mid-twentieth century South Carolina. Newspaperman John McCray and his allies at the Lighthouse and Informer challenged readers to "rebel and fight"--to reject the "slavery of thought and action" and become "progressive fighters" for equality. Newspaper Wars traces the role journalism played in the fight for civil rights in South Carolina from the 1930s through the 1960s. Moving the press to the center of the political action, Sid Bedingfield tells the stories of the long-overlooked men and women on the front lines of a revolution. African American progress sparked a battle to shape South Carolina's civic life, with civil rights activists arrayed against white journalists determined to preserve segregation through massive resistance. As that strategy failed, white newspapers turned to overt political action and crafted the still-prevalent narratives that aligned southern whites with the national conservative movement. A fascinating portrait of a defining time, Newspaper Wars analyzes the role journalism played--and still can play--during times of social, cultural, and political change.

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Against all odds, the seeds of social change found purchase in mid-twentieth century South Carolina. Newspaperman John McCray and his allies at the Lighthouse and Informer challenged readers to "rebel and fight"--to reject the "slavery of thought and action" and become "progressive fighters" for equality. Newspaper Wars traces the role journalism played in the fight for civil rights in South Carolina from the 1930s through the 1960s. Moving the press to the center of the political action, Sid Bedingfield tells the stories of the long-overlooked men and women on the front lines of a revolution. African American progress sparked a battle to shape South Carolina's civic life, with civil rights activists arrayed against white journalists determined to preserve segregation through massive resistance. As that strategy failed, white newspapers turned to overt political action and crafted the still-prevalent narratives that aligned southern whites with the national conservative movement. A fascinating portrait of a defining time, Newspaper Wars analyzes the role journalism played--and still can play--during times of social, cultural, and political change.

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Staging the Old Faith is the first book length study to examine Caroline theatre as a space where the concerns of the English Roman Catholic community are staged.Rebecca Bailey juxtaposes a detailed analysis of Queen Henrietta Maria’s ground-breaking performances which showcased to an elite audience her role as defender of English Catholics, against an exploration of how this community responded to such a startling vision, in particular through the politically charged texts of James Shirley and William Davenant.This engagement on the stage with the anxieties and hopes of the English Catholic community (properly contextualised within the wider and increasingly fragmented religious landscape in the years leading to civil war) opens up Caroline commercial theatre as a site which energetically discussed the explosive religio-political topics of the cultural moment.

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The irresistible literary debut about the hidden desires of church-going Black women 'Left me wanting more. Masterfully written' Candice Carty-Williams, author of Queenie 'Joyous... It's a book in love with life' The Times 'Exquisite... delicious' Bolu Babalola, author of Love in Colour The Secret Lives of Church Ladies explores the raw and tender places where Black women and girls dare to follow their desires, and pursue a momentary reprieve from being good. There is fourteen-year-old Jael, who nurses a crush on the preacher's wife; the mother who bakes a sublime peach cobbler every Monday for her date with the married Pastor; and Eula and Caroletta, single childhood friends who seek solace in each other's arms every New Year's Eve. With their secret longings, new love, and forbidden affairs, these church ladies are as seductive as they want to be, as vulnerable as they need to be, as unfaithful and unrepentant as they care to be - and as free as they deserve to be.

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A stunning tribute to our eternal fascination with the human body Anatomy, Exploring the Human Body is a visually compelling survey of more than 5,000 years of image-making. Through 300 remarkable works, selected and curated by an international panel of anatomists, curators, academics, and specialists, the book chronicles the intriguing visual history of human anatomy, showcasing its amazing complexity and our ongoing fascination with the systems and functions of our bodies. Exploring individual parts of the human body from head to toe, and revealing the intricate functions of body systems, such as the nerves, muscles, organs, digestive system, brain, and senses, this authoritative book presents iconic examples alongside rarely seen, breathtaking works. The 300 entries are arranged with juxtapositions of contrasting and complementary illustrations to allow for thought-provoking, lively, and stimulating reading. Advisory panel: Sara Barnes, Dame Sue Black, Gordon Campbell, Andrew Graciano, Elizabeth Hallam, Peter Heinl, Mieneke te Hennepe, Nick Hopwood, Taylor McCall, Jeffrey Reznick, Vanessa Ruiz, Michael Sappol, Thomas Schnalke, Jill Shapiro, Johanna Simkin and Carla Valentine Additional texts: Eva Åhrén, Sara Barnes, Dame Sue Black, Gordon Campbell, Tim Cooke, Anita Dalal, Louisa Elderton, Diane Fortenberry, Andrew Graciano, Nick Hopwood, Tom Jackson, Taylor McCall, Michele Robecchi, Carole Reeves, Vanessa Ruiz, Michael Sappol, Thomas Schnalke, Johanna Simkin, James Smith, David Trigg and Martin Walters

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Camille Saint-Saens--perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music--is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saens and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saens, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saens and His World restores the composer to his vital role as innovator and curator of Western music. The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gerard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Leo Houziaux, Florence Launay, Stephane Leteure, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.

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Three men. 470 kilometres. Twenty-one days.Welcome to the Downhill Hiking Club . . .At a boozy, cricket-filled afternoon at Lord's, Dom Joly convinces his two closest friends to agree to the unthinkable: a challenging hike across Lebanon, from the Israeli border in the south, along the spine of the country's mountain range, all the way to the Syrian border in the north. For Joly it is something of a homecoming, having grown up in Beirut. It was a happy childhood, though he did go to school with Osama bin Laden.Arriving in Lebanon armed with copious amounts of Vaseline - and no walking experience, bar taking the dog for the occasional stroll - Dom, Chris and Harry don't quite know what they've got themselves into. Joined by their bemused chaperone Caroll, they meet a variety of characters along the way including Ali, a stony-faced Hezbollah Museum guide who seems unperturbed by circling Israeli jets, and part-time Londoner Raf, who challenges Dom and the boys to a brain-freeze drinking contest. From a hair-raising creep along the 'Valley of the Skulls' to accidentally flashing an unsuspecting Ethiopian cook, the three friends just about manage to keep going.With more than a smattering of persiflage and some cringe-worthy moments, The Downhill Hiking Club is a big-hearted, witty and affectionate love letter to Lebanon and its rich history with a meditation on family and homeland at its heart. Written with Dom's trademark humour, it is a paean to both the simple joys of friendship and to growing old disgracefully.

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The Children Of Dynmouth - a classic prize-winning novel by William TrevorWilliam Trevor's The Children of Dynmouth (Winner of the Whitbread Award and shortlisted for the Booker Prize) was first published in 1976 and is a classic account of evil lurking in the most unlikely places. In it we follow awkward, lonely, curious teenager Timothy Gedge as he wanders around the bland seaside town of Dynmouth. Timothy takes a prurient interest in the lives of the adults there, who only realise the sinister purpose to which he seeks to put his knowledge too late.'A small masterpiece of understatement ... a work of rare compassion' Joyce Carol Oates, New York TimesIf you enjoyed The Story of Lucy Gault and Love and Summer, you will love this book. It will also be adored by readers of Colm Toibin and William Boyd. William Trevor was born in Mitchelstown, County Cork. He has written eighteen novels and novellas, and hundreds of short stories, for which he has won a number of prizes including the Hawthornden Prize, the Yorkshire Post Book of the Year Award, the Whitbread Book of the Year Award and the David Cohen Literature Prize in recognition of a lifetime's literary achievement. In 2002 he was knighted for his services to literature. His books in Penguin are: After Rain; A Bit on the Side; Bodily Secrets; Cheating at Canasta; The Children of Dynmouth; The Collected Stories (Volumes One and Two); Death in Summer; Felicia's Journey; Fools of Fortune; The Hill Bachelors; Love and Summer; The Mark-2 Wife; Selected Stories; The Story of Lucy Gault and Two Lives.

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In this "incisive" (Vanity Fair) and "authoritative" (New York Times) instant New York Times bestseller, America's top historians set the record straight on the most pernicious myths about our nation's pastThe United States is in the grip of a crisis of bad history. Distortions of the past promoted in the conservative media have led large numbers of Americans to believe in fictions over facts, making constructive dialogue impossible and imperilling our democracy.In Myth America, Kevin M. Kruse and Julian E. Zelizer have assembled an all-star team of fellow historians to push back against this misinformation. The contributors debunk narratives that portray the New Deal and Great Society as failures, immigrants as hostile invaders, and feminists as anti-family warriors-among numerous other partisan lies. Based on a firm foundation of historical scholarship, their findings revitalize our understanding of American history.Replacing myths with research and reality, Myth America is essential reading amid today's heated debates about our nation's past. With Essays By: Akhil Reed Amar Kathleen Belew Carol Anderson Kevin M. Kruse Erika Lee Daniel Immerwahr Elizabeth Hinton Naomi Oreskes Erik M. Conway Ari Kelman Geraldo Cadava David A. Bell Joshua Zeitz Sarah Churchwell Michael Kazin Karen L. Cox Eric Rauchway Glenda Gilmore Natalia Mehlman Petrzela Lawrence B. Glickman ?Julian E. Zelizer

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"We used to canonize our heroes," Oscar Wilde wrote. "The modern method is to vulgarize them. Cheap editions of great books may be delightful, but cheap editions of great men are absolutely detestable." Since Wilde's condemnation of modern biography, the genre would appear to have accelerated its descent into bad taste. As Carl Rollyson points out, writers as various as Rebecca West, Ted Hughes, and Joyce Carol Oates have deplored biographers' tendency to cut up lives and render the bloody data so as to make their subjects seem unhealthy, unwholesome, and unsound. Janet Malcolm has compared biographers to burglars; modern novels feature the biographer as grave robber and victimizer. Exactly when did biography take this turn for the worse? Inquiring into the history of the art, and examining his own practices as well as those of biographers from Samuel Johnson to Richard Ellmann, Jeffrey Meyers, and many others, Mr. Rollyson casts considerable doubt on the indictments handed down by Oates, Malcolm and Co. By its very nature, Mr. Rollyson argues, biography is a problematic and controversial genre. That contemporary critics believe it has gone astray only reveals their ignorance of history and their hostility to the biographical enterprise itself—an animosity born of a misguided modernism and a rejection of Enlightenment values. A Higher Form of Cannibalism? explores the nexus between scholarship and biography, and demonstrates how the similarities of method between Leon Edel and Kitty Kelley outweigh the differences. Viewed through the prism of biography, the scholarly and the popular may not be as clearly separated as people suppose.

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The Sunday Times bestseller and the definitive story behind the ITV factual drama White House Farm, about the horrific killings that took place in 1985. On 7 August 1985, Nevill and June Bamber, their daughter Sheila and her two young sons Nicholas and Daniel were discovered shot to death at White House Farm in Essex. The murder weapon was found on Sheila's body, a bible lay at her side. All the windows and doors of the farmhouse were secure, and the Bambers' son, 24-year-old Jeremy, had alerted police after apparently receiving a phone call from his father, who told him Sheila had 'gone berserk' with the gun. It seemed a straightforward case of murder-suicide, but a dramatic turn of events was to disprove the police's theory. In October 1986, Jeremy Bamber was convicted of killing his entire family in order to inherit his parents' substantial estates. He has always maintained his innocence.Drawing on interviews and correspondence with many of those closely connected to the events – including Jeremy Bamber – and a wealth of previously unpublished documentation, Carol Ann Lee brings astonishing clarity to a complex and emotive case. She describes the years of rising tension in the family that culminated in the murders, and provides clear insight into the background of each individual and their relationships within the family unit.Scrupulously fair in its analysis, The Murders at White House Farm is an absorbing portrait of a family, a time and a place, and a gripping account of one of Britain's most notorious crimes.

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Paul’s letters, the earliest writings in the New Testament, are filled with allusions, images, and quotations from the Old Testament, or, as Paul called it, Scripture. In this book, Richard B. Hays investigates Paul’s appropriation of Scripture from a perspective based on recent literary-critical studies of intertextuality. His uncovering of scriptural echoes in Paul’s language enriches our appreciation of the complex literary texture of Paul’s letters and offers new insights into his message. "A major work on hermeneutics. . . . Hays’s study will be a work to use and to reckon with for every Pauline scholar and for every student of Paul’s use of Old Testament traditions. It is sophisticated, in both a literary and theological sense, and written with considerable wit and confidence."—Carol L. Stockenhausen, Journal of Biblical Literature"Hays has without doubt posed the right question at the right time within the horizon of a particularly important problematic. . . . A new beginning for the question concerning the reception of the Old Testament in the New."—Hans Hübner, Theologische Literaturzeitung"A powerful reading. . . . [Hays’s] careful and fresh exegesis . . . challenges not a few traditional or highly regarded readings. . . . A major contribution both to Pauline studies and to our understanding of earliest Christian theology as a living dialogue with the scriptures of Israel."—James D. G. Dunn, forthcoming in Literature and Theology"A fresh interpretation of Paul’s references to the Jewish Scriptures. . . . Written in a lively, semipopular style, this important study succeeds in showing that Paul’s scriptural quotations and allusions are often more ’polyphonic’ and rhetorically meaningful than traditional exegesis has allowed."—David M. Hay, Interpretation: A Journal of Bible and Theology

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South Carolina is state of great natural beauty and rich biodiversity. From mountainous rainforests to isolated barrier islands, the Palmetto State is a remarkable place to encounter abundant plant and animal life. Wild South Carolina, compiled by a mother-daughter team of naturalists, delves into the most intriguing outdoor destinations, offering advice on how, when, and where to experience the state’s ecological treasures. Organized by region and illustrated with more than 150 color photographs, this guidebook presents handpicked tours of 38 special parks, wildlife refuges, heritage preserves, and other public lands. Discover the federally endangered peregrine falcon in the ACE Basin, the breathtaking synchronized displays of fireflies at Congaree National Park, the world’s largest showing of rocky shoals spider lilies on the Catawba River, the rare Oconee bells nestled in the Blue Ridge Mountains, the world’s oldest cypress-tupelo forest, and many more spectacular sights. Bike, hike, paddle, or even ride a horse while visiting the state’s dramatic waterfalls, boardwalk swamp trails, lighthouses, limestone caverns, a Moorish-styled castle, and much more. Observe deceptively-beautiful carnivorous plants in full bloom, tundra swans lounging in former rice paddies, and hundreds of raptors flying en masse along rocky cliffs. Grab a pair of binoculars, a water bottle, and your copy of Wild South Carolina to explore the best of South Carolina’s natural areas! Experience the wealth of South Carolina’s wonders first hand.

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Contributions by Lawrence Brown, Sue Colledge, Robert Giegengack, Thomas Higham, Vladimir Hrsak, Anthony Legge†, Drago Margus, Sarah McClure, Carol Palmer, Emil Podrug, Kelly Reed, Jennifer Smith, and Josko Zaninovic. The origins and spread of farming are vital subjects of research, notably because agriculture makes possible our modern world. The Early Farming in Dalmatia Project is investigating the expansion of farming from its centre of origin in western Asia through the Mediterranean into southern Europe. This multidisciplinary ecological project combines comprehensive recovery of archaeological materials through excavation with landscape studies. It addresses several key questions, including when and how farming reached Dalmatia, what was the nature of this new economy, and what was its impact on the local environment. Excavations at Danilo Bitinj and Pokrovnik have demonstrated that their inhabitants were full-time farmers. The two sites were among the largest known Neolithic villages in the eastern Adriatic. A comprehensive program of AMS dating indicates that together they were occupied from c. 8,000 to 6,800 cal BP. Our research has begun to illuminate the details of their farming system, as well as the changes that took place in their way of life through the Neolithic. Their economy was derived from western Asia and it is likely that their ancestors came from there also. It was these people who brought agriculture and village life to the Adriatic and to the rest of the central and western Mediterranean. Once in place, this farming economy persisted in much the same form from the Neolithic down to the present.

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'The best short story writer in the world' Susan Hill 'This book is a spectacular literary revelation' Sunday Times The collected stories of an award-winning, modern classic American writer who has been compared to Alice Munro, John Updike - and even Anton Chekhov Tenderly, incisively, Edith Pearlman captured life on the page like no one else. Spanning forty years of writing, moving from tsarist Russia to the coast of Maine, from Jerusalem to Massachusetts, these astonishing stories reveal one of America's greatest modern writers. Across a stunning array of scenes-an unforeseen love affair between adolescent cousins, an elderly couple's decision to shoplift, an old woman's deathbed confession of her mother's affair-Edith Pearlman crafts a timeless and unique sensibility, shot through with wit, lucidity and compassion. Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe Edith Pearlman (1936-2023) published her debut collection of stories in 1996, aged 60. She won The National Book Critics Circle Award for Fiction for Binocular Vision. She published over 250 works of short fiction in magazines, literary journals, anthologies and online publications. Her work won three O. Henry Prizes, the Drue Heinz Prize for Literature, and a Mary McCarthy Prize, among others. In 2011, Pearlman was the recipient of the PEN/Malamud Award, which put her in the ranks of luminaries like John Updike and Joyce Carol Oates.

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Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified feminist artists, and explore her signature works, series, techniques, images, and materials. Redefining the practice of weaving, Jimenez Underwood works with repurposed barbed wire, yellow caution tape, safety pins, and plastic bags and crosses Indigenous, Chicana, European, and Euro-American art practices, pushing the arts of the Americas beyond Eurocentric aesthetics toward culturally hybrid and Indigenous understandings of art making. Jimenez Underwood’s redefinition of weaving and painting alongside the socially and environmentally engaged dimensions of her work position her as one of the most vital artists of our time. Contributors. Constance Cortez, Karen Mary Davalos, Carmen Febles, M. Esther Fernández, Christine Laffer, Ann Marie Leimer, Amalia Mesa-Bains, Robert Milnes, Jenell Navarro, Laura E. Pérez, Marcos Pizarro, Verónica Reyes, Clara Román-Odio, Carol Sauvion, Cristina Serna, Emily Zaiden

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Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified feminist artists, and explore her signature works, series, techniques, images, and materials. Redefining the practice of weaving, Jimenez Underwood works with repurposed barbed wire, yellow caution tape, safety pins, and plastic bags and crosses Indigenous, Chicana, European, and Euro-American art practices, pushing the arts of the Americas beyond Eurocentric aesthetics toward culturally hybrid and Indigenous understandings of art making. Jimenez Underwood’s redefinition of weaving and painting alongside the socially and environmentally engaged dimensions of her work position her as one of the most vital artists of our time. Contributors. Constance Cortez, Karen Mary Davalos, Carmen Febles, M. Esther Fernández, Christine Laffer, Ann Marie Leimer, Amalia Mesa-Bains, Robert Milnes, Jenell Navarro, Laura E. Pérez, Marcos Pizarro, Verónica Reyes, Clara Román-Odio, Carol Sauvion, Cristina Serna, Emily Zaiden

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In Writing Anthropology, fifty-two anthropologists reflect on scholarly writing as both craft and commitment. These short essays cover a wide range of territory, from ethnography, genre, and the politics of writing to affect, storytelling, authorship, and scholarly responsibility. Anthropological writing is more than just communicating findings: anthropologists write to tell stories that matter, to be accountable to the communities in which they do their research, and to share new insights about the world in ways that might change it for the better. The contributors offer insights into the beauty and the function of language and the joys and pains of writing while giving encouragement to stay at it—to keep writing as the most important way to not only improve one’s writing but to also honor the stories and lessons learned through research. Throughout, they share new thoughts, prompts, and agitations for writing that will stimulate conversations that cut across the humanities. Contributors. Whitney Battle-Baptiste, Jane Eva Baxter, Ruth Behar, Adia Benton, Lauren Berlant, Robin M. Bernstein, Sarah Besky, Catherine Besteman, Yarimar Bonilla, Kevin Carrico, C. Anne Claus, Sienna R. Craig, Zoë Crossland, Lara Deeb, K. Drybread, Jessica Marie Falcone, Kim Fortun, Kristen R. Ghodsee, Daniel M. Goldstein, Donna M. Goldstein, Sara L. Gonzalez, Ghassan Hage, Carla Jones, Ieva Jusionyte, Alan Kaiser, Barak Kalir, Michael Lambek, Carole McGranahan, Stuart McLean, Lisa Sang Mi Min, Mary Murrell, Kirin Narayan, Chelsi West Ohueri, Anand Pandian, Uzma Z. Rizvi, Noel B. Salazar, Bhrigupati Singh, Matt Sponheimer, Kathleen Stewart, Ann Laura Stoler, Paul Stoller, Nomi Stone, Paul Tapsell, Katerina Teaiwa, Marnie Jane Thomson, Gina Athena Ulysse, Roxanne Varzi, Sita Venkateswar, Maria D. Vesperi, Sasha Su-Ling Welland, Bianca C. Williams, Jessica Winegar

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In Writing Anthropology, fifty-two anthropologists reflect on scholarly writing as both craft and commitment. These short essays cover a wide range of territory, from ethnography, genre, and the politics of writing to affect, storytelling, authorship, and scholarly responsibility. Anthropological writing is more than just communicating findings: anthropologists write to tell stories that matter, to be accountable to the communities in which they do their research, and to share new insights about the world in ways that might change it for the better. The contributors offer insights into the beauty and the function of language and the joys and pains of writing while giving encouragement to stay at it—to keep writing as the most important way to not only improve one’s writing but to also honor the stories and lessons learned through research. Throughout, they share new thoughts, prompts, and agitations for writing that will stimulate conversations that cut across the humanities. Contributors. Whitney Battle-Baptiste, Jane Eva Baxter, Ruth Behar, Adia Benton, Lauren Berlant, Robin M. Bernstein, Sarah Besky, Catherine Besteman, Yarimar Bonilla, Kevin Carrico, C. Anne Claus, Sienna R. Craig, Zoë Crossland, Lara Deeb, K. Drybread, Jessica Marie Falcone, Kim Fortun, Kristen R. Ghodsee, Daniel M. Goldstein, Donna M. Goldstein, Sara L. Gonzalez, Ghassan Hage, Carla Jones, Ieva Jusionyte, Alan Kaiser, Barak Kalir, Michael Lambek, Carole McGranahan, Stuart McLean, Lisa Sang Mi Min, Mary Murrell, Kirin Narayan, Chelsi West Ohueri, Anand Pandian, Uzma Z. Rizvi, Noel B. Salazar, Bhrigupati Singh, Matt Sponheimer, Kathleen Stewart, Ann Laura Stoler, Paul Stoller, Nomi Stone, Paul Tapsell, Katerina Teaiwa, Marnie Jane Thomson, Gina Athena Ulysse, Roxanne Varzi, Sita Venkateswar, Maria D. Vesperi, Sasha Su-Ling Welland, Bianca C. Williams, Jessica Winegar

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Multi-award-winning Scottish playwright Kieran Hurley has been making waves since the early 2010s with his vivid storytelling and searing honesty, creating plays acutely concerned with society and community, and deeply enmeshed in Scotland's local political context. Tracking the evolution of Hurley's work from his early solo shows to his later large-cast plays and featuring an introduction by Scottish theatre critic Joyce McMillan, this is an exciting collection showcasing one of the UK's most exciting creators of politically-engaged theatre. The plays collected are: Hitch (2010): a previously unpublished solo show about Hurley's hitchhiking trip to the 2009 G8 meeting in L'Aquila, exploring the meaning of political protest. Beats (2012): a coming-of-age story exploring the aftermath of the 1994 Criminal Justice Act outlawing raves. It was adapted into a film in 2019, garnering nominations for BIFA Best Debut Screenplay and WGGB Best Screenplay. Heads Up (2016): a ferocious piece of storytelling asking what we would do if we found ourselves at the end of our world as we know it. (Winner of the Fringe First Award 2016.) Mouthpiece (2018): an unflinching Edinburgh-centric two-hander which examines whether it's possible to tell someone else's story without exploiting them along the way. (Winner of the Carol Tambor Best of Edinburgh Award 2019.) The Enemy (2021): a provocative and timely drama offering a uniquely Scottish take on Henrik Ibsen's timeless work An Enemy of the People.

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In New Legends of England, Catherine Sanok examines a significant, albeit previously unrecognized, phenomenon of fifteenth-century literary culture in England: the sudden fascination with the Lives of British, Anglo-Saxon, and other native saints. Embodying a variety of literary forms—from elevated Latinate verse, to popular traditions such as the carol, to translations of earlier verse legends into the medium of prose—the Middle English Lives of England's saints are rarely discussed in relation to one another or seen as constituting a distinct literary genre. However, Sanok argues, these legends, when grouped together were an important narrative forum for exploring overlapping forms of secular and religious community at local, national, and supranational scales: the monastery, the city, and local cults; the nation and the realm; European Christendom and, at the end of the fifteenth century, a world that was suddenly expanding across the Atlantic. Reading texts such as the South English Legendary, The Life of St. Etheldrede, the Golden Legend, and poems about Saints Wenefrid and Ursula, Sanok focuses especially on the significance of their varied and often experimental forms. She shows how Middle English Lives of native saints revealed, through their literary forms, modes of affinity and difference that, in turn, reflected a diversity in the extent and structure of medieval communities. Taking up key questions about jurisdiction, temporality, and embodiment, New Legends of England presents some of the ways in which the Lives of England's saints theorized community and explored its constitutive paradox: the irresolvable tension between singular and collective forms of identity.

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“Do you think it’s a secret that you are slowly poisoning Mrs Lackland?” When Dr Tom Faithful received the third anonymous letter, he knew it was time to call the police. The wealthy Mrs Cornelia Lackland was recovering steadily from a serious illness, diligently cared for by the doctor, family members and her household staff. But something is amiss in Minsterbridge. Mrs Lackland rules her house with an iron fist, keeping granddaughters Jenny and Carol as virtual prisoners and bullying her attendant Emily Bullen. Scornful and dismissive of everyone, she is planning to make one final change to her will. But before she can meet her solicitor Cornelia Lackland is dead, the apparent victim of a poisoner. As Chief Inspector Dan Pardoe of Scotland Yard and his colleague Sergeant Salt investigate, they find motives for murder much broader than first anticipated. This is a town where everybody’s business is known by everyone else. Pardoe is a satisfying and likeable creation, described by a Sunday Times reviewer as having ‘humanity and common sense as impressive as his intelligence’. Dorothy Bowers was an advocate of the ‘fair play’ school of detective novels, and displayed great ingenuity in piecing together the necessary elements of a baffling mystery, with clues shared freely with the reader. When Inspector Pardoe indicates he knows who the murderer is, the reader knows virtually everything he does. Bower’s great skill is in obscuring her characters' motives, while writing perceptively about their feelings and situation, which allows her to hide the identity of the murderer until exactly the right moment.

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Three men. 470 kilometres. Twenty-one days.Welcome to the Hezbollah Hiking Club . . .At a boozy, cricket-filled afternoon at Lord's, Dom Joly convinces his two closest friends to agree to the unthinkable: a challenging hike across Lebanon, from the Israeli border in the south, along the spine of the country's mountain range, all the way to the Syrian border in the north. For Joly it is something of a homecoming, having grown up in Beirut. It was a happy childhood, though he did go to school with Osama bin Laden.Arriving in Lebanon armed with copious amounts of Vaseline - and no walking experience, bar taking the dog for the occasional stroll - Dom, Chris and Harry don't quite know what they've got themselves into. Joined by their bemused chaperone Caroll, they meet a variety of characters along the way including Ali, a stony-faced Hezbollah Museum guide who seems unperturbed by circling Israeli jets, and part-time Londoner Raf, who challenges Dom and the boys to a brain-freeze drinking contest. From a hair-raising creep along the 'Valley of the Skulls' to accidentally flashing an unsuspecting Ethiopian cook, the three friends just about manage to keep going.With more than a smattering of persiflage and some cringe-worthy moments, The Hezbollah Hiking Club is a big-hearted, witty and affectionate love letter to Lebanon and its rich history with a meditation on family and homeland at its heart. Written with Dom's trademark humour, it is a paean to both the simple joys of friendship and to growing old disgracefully.

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The scent of sugar cookies baking, the sweet sound of children singing carols, a crackling fire in the fireplace...these are some of our favorite comforts at Christmas, and we can't wait until it's that time again!For Christmas Comfort Foods, we've gathered scrumptious recipes for all occasions. Invite friends to a holiday brunch, with Spinach & Swiss Quiche and Pineapple-Nut Coffee Cake on the buffet...yum! Or host an afternoon open house, serving up delicious Brown Sugar Sausages, Roasted Red Pepper Dip and everyone's favorite, Classic Party Mix.For busy weeknights, you'll find warm and hearty dishes like Beef & Broccoli Stir-Fry, Aunt Barb's Pizza Casserole and Easy Turkey Tacos. Slow-Cooker Chicken Noodle Soup is perfect for taking the chill off on a frosty day. And for special family gatherings, a menu of Braised Pork Roast with Onion Gravy, Grandma Miller’s Waldorf Salad and Mom's Baked Corn will help you create happy memories together.Sweets are what we really look forward to at Christmas, though! Tie on your apron and bake up a batch of German Chocolate Brownies, Coconut Macaroons or jam-filled Thumbprint Cookies. Gram’s Gingerbread & Pear Cobbler and Warm Winter Lemon Cake are special enough for holiday dinners, yet easy enough for weeknights. What are you waiting for?We've included easy-to-follow directions using familiar ingredients, plus tips for every holiday occasion and a collection of sweet Christmas memories.

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A dazzling celebration of the clothes that made America’s favorite doll and the incredible woman behind them, timed to the movie release of Barbie, starring Margot Robbie and Ryan Gosling and directed by Greta Gerwig.If you’ve ever had a Barbie doll, or you know someone who did, chances are that Barbie was dressed in one of the thousands of designs created by Carol Spencer during her unparalleled reign as a Barbie fashion designer spanning more than thirty-five years.Illustrated with more than 100 full-color photographs, including many never-before-seen images of rare and one-of-a-kind pieces from Spencer’s private archive, Dressing Barbie is a treasure trove of some of the best and most iconic Barbie looks from the early 1960s until the late 1990s. Along with behind-the-scenes stories of how these designs came to be, Spencer reminisces about her thrilling time at Mattel working with legendary figures such as Ruth Handler, Barbie’s creator, and Charlotte Johnson, the original Barbie designer, for a full, inside look into life with the beloved doll. Over the course of her career, Spencer won many accolades. She was the first designer to have her signature on the doll, the first to go on a signing tour, the first to design a limited-edition Barbie for collectors, and the designer of the biggest-selling Barbie of all time. Now, she is the first member of the inner circle to reveal the fashion world of the quintessential California girl as never before.

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