Search results for ""Author Robert"

A rich examination of the securitization of the everyday lives of the citizens of Cairo and how to build a more equitable urban orderUntil the year 2000, Cairo had been a model megacity, relatively crime free, safe, and public facing. It featured a thriving public culture and vibrant street life. In recent decades, however, the Egyptian state has accelerated a wholesale dismantlement of public education and public sector jobs and reversed the modest land reforms of the Nasser era. As a result, the vast majority of Cairo’s people have been forcibly deprived of their social rights, social goods, and educational capital.Eschewing the traditional focus on top-down regime and state security, the contributors to this volume, who represent a wide array of academics, activists, artists, and journalists, explore how repressive policies affect the everyday lives of citizens. They show the ways in which urban security crises are politically fashioned and do not emanate from the urban social fabric on their own: city crime, violence, and fear are created by specific means of extraction, production, and control.Another kind of city can live again. But how? By tackling a range of issues, including public health, transportation, labor safety, and housing and property distribution, Cairo Securitized unsettles simplistic binaries of thug and police, public versus private, and slum versus enclave, and proposes compelling new ways in which securitizing processes can be reversed, reengineered, and replaced with a participatory and equitable urban order.Contributors:Sara Soumaya Abed African Leadership Centre, Kings College London Zeinab Abul-Magd Oberlin College, USAMohamed Ahmed Political Scientist and historian, Cairo Egypt Rania Ahmed Independent Researcher, Cairo EgyptNicholas Simcik Arese University of Cambridge, UKAhmed Awadalla University of Strathclyde, Glasgow, UKAhmad Borham The American University in Cairo, Cairo EgyptMiguel A. Fuentes Carreño University of California, Santa Barbara, USARoberta Duffield Scholar on urbanism, public space, Cairo EgyptMomen El-Husseiny The American University in Cairo, Cairo EgyptMohamed Elmeshad SOAS, London UK Ifdal Elsaket Netherlands-Flemish Institute, Cairo Egypt Mohamed Elshahed Independent Writer and Curator, Mexico CityAmy Fallas University of California Santa Barbara, USATina Guirguis University of California, Santa Barbara, USAElena Habersky The American University in Cairo, Cairo EgyptHanan Hammad Texas Christian University, USAHatem Hassan Impact Justice, Pittsburgh, USAAmira Hetaba Federal Government of Lower Austria, AustriaDeena Khalil The American University in Cairo, Cairo EgyptOmnia Khalil City University of New York, USA Sabrina Lilleby University of Texas, Austin, USA Paul Miranda Nonviolent Peaceforce, South Mosul, IraqMostafa Mohie American University in Cairo, Cairo EgyptLaura Monfleur University François-Rabelais, Tours, FranceAya Nassar Royal Holloway, University of London, UKNora Noralla human rights researcher, Berlin, GermanyAly El Reggal Scuola Normale Superiore, Florence ItalyAfsaneh Rigot Harvard University, Cambridge USA Yahia Saleh Malmö University, SwedenBassem al-Samragy political analyst at the International Criminal Court, The Hague, The NetherlandsYahia Shawkat Technische Universität Berlin, Germany Maïa Sinno Géographie Cités Lab, CNRS / Sorbonne University, Paris FranceMark Westmoreland Leiden University, The Netherlands

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El viajero del siglo nos propone un ambicioso experimento literario: leer el siglo XIX con la mirada del XXI. Un diálogo entre la gran novela clásica y las narrativas de vanguardia. Un puente entre la historia y los debates de nuestro presente global: la extranjería, el multiculturalismo y los nacionalismos, la emancipación de la mujer.XII Premio Alfaguara de Novela.Tocado por la gracia. La literatura del siglo XXI pertenecerá a Neuman y a unos pocos de sus hermanos de sangre.Roberto BolañoUn viajero enigmático. Una ciudad en forma de laberinto de la que parece imposible salir.Cuando el viajero está a punto de marcharse, un insólito personaje lo detiene, cambiando para siempre su destino. Lo demás será amor y literatura: un amor memorable, que agitará por igual camas y libros; y un mundo imaginario que condensará, a pequeña escala, los conflictos de la Europa moderna.Andrés Neuman despliega un mosaico cultural al servicio de un intenso arg

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Un texto fundacional de la narrativa norteamericana, arquetipo de la adolescencia y la libertad. Una lectura deliciosa, imprescindible a cualquier edad.Dijimos que no había hogar como una balsa, después de todo. Otros sitios parecen estrechos y asfixiantes; pero una balsa, no. Criticada y elogiada por igual, esta novela no solo constituye la culminación de la narrativa de Mark Twain, sino también el clásico por excelencia de la literatura estadounidense. Mark Twain, con su irónico sentido del humor y su prosa ágil y precisa, nos lleva por el Mississippi de la mano del inolvidable Huck Finn y su fiel amigo Jim, quien huye de la esclavitud. Novela sobre el racismo, la violencia, la amistad y la libertad en unos años turbulentos, Las aventuras de Huckleberry Finn es una lectura imprescindible a cualquier edad.Roberto Bolaño, autor del prólogo de esta edición, dijo...Sobrevivir. Esa es una de las magias que el lector encuentra en esta novela. Capaci

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Following the fi rst volume of Bill Hare's exploration Scottish Artists, Scottish Artists in an Age of Radical Change, this new volume, Scottish Art and Artists in Historical and Contemporary Context will expand on the invaluable contribution to the cultural development of modern and contemporary Scotland.Joan Eardley, Alan Davies, the Boyle Family, Ken Currie, Anthony Hatwell, Doug Crocker, Jack Knox, Lys Hansen, William Turnbull, Iain Robertson, Douglas Gordon and John Kennedy are just some of the artists who Bill Hare explores in both their historical and contemporary contexts. From body politics to the Athenian way to Scottish artists in Venice, this book will reveal the importance and intellectual power this generation of Scottish artists have had over decades of time through a compilation of in-depth essays and interviews.

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‘Gruesome, terrifying, pulse-pounding’ Stephen King Shortlisted for the CWA Steel Dagger Award for Best Thriller of the Year ‘Frightening’ Mail on Sunday They thought it was contained. They were wrong. After decades underground in a forgotten sub-basement, a highly mutative organism – capable of extinction-level destruction – has found its way out. Only Pentagon bioterror operative Roberto Diaz can stop it. With the help of two unwitting security guards, he has one night to quarantine this horror, before it destroys all of humanity. ‘You need to get on this right away’ Stephen King ‘Chilling end-of-the-world terror’ Linwood Barclay ‘Pure entertainment’ New York Times ‘A gripping, fast-paced outbreak thriller’ Sci-Fi Now ‘chilling’Daily Mail ‘Frightening’ Mail on Sunday ‘Riotously entertaining’ Blake Crouch

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An anthology of landmark scholarship on the histories of the common soldier in the U.S. Civil War In 1943, Bell Wiley's groundbreaking book Johnny Reb launched a new area of study: the history of the common soldier in the U.S. Civil War. This anthology brings together landmark scholarship on the subject, from a 19th century account of life as a soldier to contemporary work on women who, disguised as men, joined the army. One of the only available compilations on the subject, The Civil War Soldier answers a wide range of provocative questions: What were the differences between Union and Confederate soldiers? What were soldiers' motivations for joining the army—their "will to combat"? How can we evaluate the psychological impact of military service on individual morale? Is there a basis for comparison between the experiences of Civil War soldiers and those who fought in World War II or Vietnam? How did the experiences of black soldiers in the Union army differ from those of their white comrades? And why were southern soldiers especially drawn to evangelical preaching? Offering a host of diverse perspectives on these issues, The Civil War Soldier is the perfect introduction to the topic, for the student and the Civil War enthusiast alike. Contributors: Michael Barton, Eric T. Dean, David Donald, Drew Gilpin Faust, Joseph Allen Frank, James W. Geary, Joseph T. Glaatthaar, Paddy Griffith, Earl J. Hess, Thomas Wentworth Higginson, Perry D. Jamieson, Elizabeth D. Leonard, Gerald F. Linderman, Larry Logue, Pete Maslowski, Carlton McCarthy, James M. McPherson, Grady McWhiney, Reid Mitchell, George A. Reaves, Jr., James I. Robertson, Fred A. Shannon, Maris A. Vinovskis, and Bell Irvin Wiley.

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An inspiring anthology of writings by trailblazing women astronomers from around the globeThe Sky Is for Everyone is an internationally diverse collection of autobiographical essays by women who broke down barriers and changed the face of modern astronomy. Virginia Trimble and David Weintraub vividly describe how, before 1900, a woman who wanted to study the stars had to have a father, brother, or husband to provide entry, and how the considerable intellectual skills of women astronomers were still not enough to enable them to pry open doors of opportunity for much of the twentieth century. After decades of difficult struggles, women are closer to equality in astronomy than ever before. Trimble and Weintraub bring together the stories of the tough and determined women who flung the doors wide open. Taking readers from 1960 to today, this triumphant anthology serves as an inspiration to current and future generations of women scientists while giving voice to the history of a transformative era in astronomy.With contributions by Neta A. Bahcall, Beatriz Barbuy, Ann Merchant Boesgaard, Jocelyn Bell Burnell, Catherine Cesarsky, Poonam Chandra, Xuefei Chen, Cathie Clarke, Judith Gamora Cohen, France Anne Córdova, Anne Pyne Cowley, Bożena Czerny, Wendy L. Freedman, Yilen Gómez Maqueo Chew, Gabriela González, Saeko S. Hayashi, Martha P. Haynes, Roberta M. Humphreys, Vicky Kalogera, Gillian Knapp, Shazrene S. Mohamed, Carole Mundell, Priyamvada Natarajan, Dara J. Norman, Hiranya Peiris, Judith Lynn Pipher, Dina Prialnik, Anneila I. Sargent, Sara Seager, Gražina Tautvaišienė, Silvia Torres-Peimbert, Virginia Trimble, Meg Urry, Ewine F. van Dishoeck, Patricia Ann Whitelock, Sidney Wolff, and Rosemary F. G. Wyse.

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Una nit, des de la finestra de la cripta, vaig veure una ombra que es passejava pel cementiri. Feia cara de ser un fantasma... però els meus amics i jo vam pensar que era una altra cosa. Una vegada més ens tocarà entrar en acció!No et perdis aquesta edició especial d'El tresor del cementiri amb un conte inèdit inclòs de Roberto Pavanello on ens explica com es va fer detectiu en Bat Pat.

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Nipple pain is one of the most common reasons for premature cessation of breastfeeding. Breast and Nipple Pain II is a follow up monograph for Breast and Nipple Pain and is a collection of articles with the latest insights on how to help mothers who experience it. Topics include: • Topical treatments for sore and damaged nipples • Mammary Dysbiosis • Ultrasound as an alternative treatment • Early Frenotomy improving breastfeeding outcomes • Management of common breastfeeding problems • The relationship between IBCLCs and Craniosacral Therapists • Acute, Subclinical, and Subacute Mastitis • Chronic Mastitis, Mastalgia, and Breast Pain Articles include: Topical Treatments Used by Breastfeeding Women to Treat Sore and Damaged Nipples Miranda L. Buck, RN, BA, MPhil, IBCLC Mammary Dysbiosis An Unwelcome Visitor During Lactation Marsha Walker, RN, IBCLC, RLCa Revisiting Nipple and Breast Pain A Conversation With Anne Eglash, MD An Alternative Treatment Using Ultrasound for Plugged Ducts—An Interview With Karen Lin Barbara D. Robertson, MA, IBCLC, RLC Early Frenotomy Improves Breastfeeding Outcomes for Tongue-Tied Infants Asti Praborini, MD, IBCLC Management of Common Breastfeeding Problems Nipple Pain and Infections—A Clinical Review Tipu V. Khan, MD, FAAFP IBCLCs and Craniosacral Therapists Strange Bedfellows or a Perfect Match? Patricia Berg-Drazin, IBCLC, RLC, CST Acute, Subclinical, and Subacute Mastitis Definitions, Etiology, and Clinical Management Carmela Baeza, MD, IBCLC, RLC Chronic Mastitis, Mastalgia, and Breast Pain A Narrative Review of Definitions, Bacteriological Findings, and Clinical Management Carmela Baeza, MD, IBCLC, RLC

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Cosy up in front of a fire and discover Christmas the Norwegian way…full of romance, cosy traditions and hygge! In the bleak midwinter… A really frosty wind is making Holly’s life absolutely miserable After all the years of hard work it took Londoner Holly Greene to become a doctor, now it could all be taken away and she only has herself to blame. She’s retreating to her brother’s rustic home on an island off the coast of Norway to lick her wounds. Only, it’s the middle of winter and icy slush plus endless darkness isn’t exactly the cheery, festive getaway she had imagined. Nearly stumbling off the edge of a cliff in the dark, Holly is saved by Frøy, a yellow-eyed cat of fearsome but fluffy proportions, and his owner – grouchy, bearded recluse, Tor. Tor has his own problems to face but the inexplicable desire to leave a bag of freshly baked gingerbread men on Holly’s doorstep is seriously getting in the way of his hermit routine. Call it kindness, call it Christmas, but Holly’s arrival means midwinter has never looked less bleak. Readers LOVE this book: ⭐⭐⭐⭐⭐ 'The perfect Christmassy escape!' – Laura, Amazon Reviewer ⭐⭐⭐⭐⭐ 'A beautiful and relaxing read, full of Christmassy togetherness. I really recommend it' – Roberta Reads ⭐⭐⭐⭐⭐ 'Definitely a book to cosy up with on an English cold damp day… I was sorry when it ended' Amazon Reviewer

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A New York Times New & Noteworthy Book • "Strange and affectionate, like Almost Famous penned by Shakespeare. A love letter to music in all its myriad iterations."—Kirkus Reviews • "This book has no business being as good as it is."—Christian Wiman In the year 2063, on the edge of the Crater formerly known as Montréal, a middle-aged man and his ex’s daughter search for a cult hero: the leader of a short-lived band named after a forgotten work of poetry and known to fans through a forgotten work of music criticism. In this exuberantly plotted verse novel, Guriel follows an obsessive cult-following through the twenty-first century. Some things change (there’s metamorphic smart print for music mags; the Web is called the “Zuck”). Some things don’t (poetry readings are still, mostly, terrible). But the characters, including a robot butler who stands with Ishiguro’s Stevens as one of the great literary domestics, are unforgettable. Splicing William Gibson with Roberto Bolaño, Pale Fire with Thomas Pynchon, Forgotten Work is a time-tripping work of speculative fiction. It’s a love story about fandom, an ode to music snobs, a satire on the human need to value the possible over the actual—and a verse novel of Nabokovian virtuosity.

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Por el olvido es un laberinto. Un laberinto donde la amistad, la muerte y el amor se cruzan. Es también una historia sobre niños perdidos que buscan el camino a casa, o la dirección contraria, siguiendo el reguero de migas de pan que les dejó la literatura. Y es el libro no escrito sobre uno de esos autores que devoran, Roberto Bolaño, y sobre cómo su poesía y sus novelas nos llevan a un lugar mucho más lejos del punto de partida. Un lugar del que seguramente ya no regresemos, porque hay caminos que al recorrerlos es imposible desandar: la muerte de un amigo, visitar el infierno, seguir la pista a unos poetas desaparecidos o buscar, como decía el propio Bolaño, la juventud perdida y el amor.---Que terminaría haciendo algo con Paula Bonet era inevitable y solo cuestión de tiempo. Cuando digo ?algo? es porque podría haber sido cualquier cosa: irnos a vivir a Chile, dejarlo todo y dedicarnos solo a pintar cuadros que nadie nunca compraría, perdernos en un bosque en mit

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THIS UNIQUE DOCTOR WHO GRAPHIC NOVEL BRINGS A FRESH TAKE ON THE BELOVED TIME-TRAVELER WITH A BRAND-NEW NEVER-BEFORE-SEEN ADVENTURE STARRING THE FUGITIVE DOCTOR! Eisner-nominate writer Jody House (Supergirl, Stranger Things) and fan-favorite artist Roberta Ingranata (Witchblade) return for another spectacular time-traveling adventure which deepens the lore of the Doctor Who universe. The clandestine Time Lord organization called Division has sent the Doctor to eliminate a threat to Gallifrey. Joined by her new partner, Taslo, they soon discover something amiss. What secret are the Time Lords hiding? And how much danger does it put them in? Discover exactly why the Doctor became hunted by Division and branded a fugitive... Buy it, read it, then travel back in time to read it for the first time all over again...!

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Winner of the 2013 Aqua Books Lansdowne Prize for Poetry (Manitoba Book Awards) If Lisa Robertson were to collide with David Lynch in a dark alley, the result would be a lot like The Politics of Knives. From shattered narratives to surrealistic fantasies, the poems in The Politics of Knives bridge the gap between the conventional and the experimental, combining the intellectual with the visceral. The complicity of language in violence, and the production of stories as both a defensive and offensive gesture, trouble the stability of these poetic sequences that dwell in the borderland between speaking and screaming. She made hyphens and made me use them. From her back she pulled brackets. Saying: "These in your throat and these around your neck." Jonathan Ball teaches English, film, and writing at two universities.

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The Little Big Book of Breasts features over 150 celebrated big breast models from the 1950s, ’60s, and ’70s, including Michelle Angelo, Virginia Bell, Roxanne Brewer, Joan Brinkman, Lorraine Burnett, Lisa DeLeeuw, Uschi Digard, Sylvia McFarland, Chesty Morgan, Roberta Pedon, Rosina Revelle, Janie Reynolds, Candy Samples, Tempest Storm, Mary Waters, June Wilkinson, and Julie Wills, plus Guinness Book of World Records bra-buster Norma Stitz in a compact and inexpensive format. Photos come not just from the original 398-page edition, but from subsequent Big Breast Calendars, meaning that 40% of the content is unique to this edition. Add reduced text to make more room for the stunning black-and-white and color photos and how could anyone—big, small, or in-between—ask for a better deal?

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Nichiren Daishonin Buddhism encourages the belief that, through its faith and practices, spiritual and material blessings and benefits can be available to everyone in this life. Needs can be met, and success achieved, not merely for oneself but for others (and the world) through dedication to the Lotus Sutra, a central teaching of Buddhism. It combines these personal objectives with the commitment to world peace, ecology and the easing of suffering, especially, AIDS. Attracting such well known followers as Jeff Banks, Sandie Shaw, Tina Turner and Roberto Baggio, Nichiren Daishonin Buddhism is rooted in a Buddhist tradition going back to the teachings of Nichiren in the 13th century, and is part of an international movement based in Japan.

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Reclaiming the notion of literature as an institution essential for reflecting on the violence of culture, history, and politics, Violence and Naming exposes the tension between the irreducible, constitutive violence of language and the reducible, empirical violation of others. Focusing on an array of literary artifacts, from works by journalists such as Elena Poniatowska and Sergio González Rodríguez to the Zapatista communiqués to Roberto Bolaño's The Savage Detectives and 2666, this examination demonstrates that Mexican culture takes place as a struggle over naming—with severe implications for the rights and lives of women and indigenous persons.Through rereadings of the Conquest of Mexico, the northern Mexican feminicide, the Zapatista uprising in Chiapas, the disappearance of the forty-three students at Iguala in 2014, and the 1999 abortion-rights scandal centering on “Paulina,” which revealed the tenuousness of women’s constitutionally protected reproductive rights in Mexico, Violence and Naming asks how societies can respond to violence without violating the other. This essential question is relevant not only to contemporary Mexico but to all struggles for democracy that promise equality but instead perpetuate incessant cycles of repression.

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It is unusual for styles in opera to carry over from one era into another. It would be even more unusual for one era's characteristics to linger two generations into the next. Yet this is precisely what happened during the first half of the nineteenth century, when the intricacies of the fleet bel canto style were combined with the Romantic era's heroic declamation and formidable orchestral emphasis resulting in the creation of the assoluta voice.This work traces the emergence of the impressive vocal writing that resulted from the marriage of the bel canto and Romantic eras. It also covers the uniquely versatile divas who were given the opportunities to make their mark on opera from the time of Cherubini to that of a young Verdi. Here, both the wide-ranging vocalism in the scores themselves and the artists capable of performing this style are referred to as assoluta. The chapters consider Luigi Cherubini's ""Medee"", Gioacchino Rossini's ""Armida"", Carl Maria von Weber's ""Oberon"", Gaetano Donizetti's ""Anna Bolena"", Vincenzo Bellini's ""Norma"", Donizetti's ""Gemma di Vergy"" and ""Roberto Devereux"", the time of transition in the late 1800s and early 1900s, and Giuseppe Verdi's ""Nabucco"" and ""Macbeth"".

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In 1960, when World War II might seem to have been receding into history, a number of artists and writers instead turned back to it. They chose to confront the unprecedented horror and mass killing of the war, searching for new creative and political possibilities after the conservatism of the 1950s in the long shadow of genocide.Al Filreis recasts 1960 as a turning point to offer a groundbreaking account of postwar culture. He examines an eclectic group of artistic, literary, and intellectual figures who strove to create a new language to reckon with the trauma of World War II and to imagine a new world. Filreis reflects on the belatedness of this response to the war and the Holocaust and shows how key works linked the legacies of fascism and antisemitism with American racism. In grappling with the memory of the war, he demonstrates, artists reclaimed the radical elements of modernism and brought forth original ideas about testimony to traumatic history.1960 interweaves the lives and works of figures across high and popular culture—including Chinua Achebe, Hannah Arendt, James Baldwin, Amiri Baraka, Paul Celan, John Coltrane, Frantz Fanon, Roberto Rossellini, Muriel Rukeyser, Rod Serling, and Louis Zukofsky—and considers art forms spanning poetry, fiction, memoir, film, painting, sculpture, teleplays, musical theater, and jazz. A deeply interdisciplinary cultural, literary, and intellectual history, this book also offers fresh perspective on the beginning of the 1960s.

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The YMCA and the YWCA have been an integral part of America's urban landscape since their emergence almost 150 years ago. Yet the significant influence these organizations had on American society has been largely overlooked. Men and Women Adrift explores the role of the YMCA and YWCA in shaping the identities of America's urban population. Examining the urban experiences of the single young men and women who came to the cities in search of employment and personal freedom, these essays trace the role of the YMCA and the YWCA in urban America from the mid-nineteenth century to the present. The contributors detail the YMCA's early competition with churches and other urban institutions, the associations' unique architectural style, their services for members of the working class, African Americans, and immigrants, and their role in defining gender and sexual identities. The volume includes contributions by Michelle Busby, Jessica Elfenbein, Sarah Heath, Adrienne Lash Jones, Paula Lupkin, Raymond A. Mohl, Elizabeth Norris, Cliff Putney, Nancy Robertson, Thomas Winter, and John D. Wrathall.

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Fifteen centuries ago, the island of Saint Andrew (Isola di Sant’Andrea), located in the basin of Lake Loppio, drained in 1956, was the seat of a fortified settlement, and in the Middle Ages a church dedicated to St. Andrew was built on its top. After sporadic discoveries beginning in the 19th century, in 1998 the Archaeology Department of the Rovereto Civic Museum began a research and study project on the site, comprising a series of summer excavation campaigns. The archaeological investigations, completed in 2017, have brought to light a multi-layered archaeological site with finds ranging from the prehistoric age to Late Antiquity, medieval times and even until the First World War. While the first volume (published in 2016) was about the results of the research concerning the 5th-7th century castrum, this second work takes into consideration the results of the archaeological research in the area of the church (Sectors C and C1). Contains contributions by Milena Anesi, Maurizio Battisti, Cinzia Borchia, Roberto Cabella, Florence Caillaud, Sabrina Calzà, Claudio Capelli, Simone Cavalieri, Anna Maria Fioretti, Luca Gardumi, Stefano Marconi, Marco Morghen, Michele Piazza, Alberta Silvestri, Eleonora Tomasini, Fabiana Zandonai.

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In the early twenty-first century, the citizens of many Latin American countries, such as Argentina, Bolivia, Brazil, Ecuador, and Venezuela, elected left-wing governments, explicitly rejecting and attempting to reverse the policies of neoliberal structural economic adjustment that had prevailed in the region during the 1990s. However, in other countries such as Chile, Colombia, Mexico, and Peru continuity and even extension of the neoliberal agenda have been the norm. What were the consequences of rejecting the neoliberal consensus in Latin America? Why did some countries stay on the neoliberal course? Contributors to Latin America Since the Left Turn address these questions and more as they frame the tensions and contradictions that currently characterize Latin American societies and politics. Divided into three sections, the book begins with an examination of the political economy, from models of development, to taxation and spending patterns, to regionalization of trade and human migration. The second section analyzes the changes in democracy and political identities. The last part explores the themes of citizenship, constitutionalism, and new forms of civic participation. With essays by the foremost scholars in the field, Latin America Since the Left Turn not only delves into the cases of specific countries but also surveys the region as a whole. Contributors: Isabella Alcañiz, Sandra Botero, Marcella Cerrutti, George Ciccariello-Maher, Tula G. Falleti, Roberto Gargarella, Adrian Gurza Lavalle, Juliet Hooker, Evelyne Huber, Ernesto Isunza Vera, Nora Lustig, Paulina Ochoa Espejo, Emilio A. Parrado, Claudiney Pereira, Thamy Pogrebinschi, Irina Carlota Silber, David Smilde, John D. Stephens, Maristella Svampa, Oscar Vega Camacho, Gisela Zaremberg.

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'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig RobertsonSt. Andrews, Scotland: When a man's preserved body is discovered in a whisky ageing cask in the local Gleneden Distillery, DCI Andy Gilchrist and his partner, DS Jessie Janes, are assigned to the investigation. But when the dead man is identified as Hector Dunmore, the once heir-apparent of Gleneden Distillery, their investigation takes a dramatic turn, for Dunmore was reported missing 25 years earlier when his Land Rover was found abandoned on the outskirts of Mallaig, almost two hundred miles away on the Scottish west coast.Why hide a body in a 25-year ageing cask? And who would want Dunmore dead?Suspicion falls on Duncan Milne, the distillery manager at the time, but when Gilchrist learns that Milne died under suspicious circumstances the year Dunmore disappeared, he suspects they are looking at a double murderer. Gilchrist's efforts to resolve the murders forces him to dig deep into the Dunmore family's past, only to come up against a frightening killer who will stop at nothing to keep the darkest of family secrets from ever coming to light.PRAISE FOR T.F. MUIR:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'DCI Gilchrist gets under your skin. Though, determined, and a bit vulnerable, this character will stay with you long after the last page.' Anna Smith'Gripping!' Peterborough Telegraph

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The third gripping novel in the Polish detective series featuring DI Dania Gorska.In the north of Dundee, DI Dania Gorska is leading the search for a missing girl, with the police and volunteers combing the dramatic landscape in hope of finding the child. What they discover in a derelict hut in the hills isn't the girl, but is the remains of a body, chained to a wall.This body isn't the missing child but is identified as another young boy, Cameron Affleck, who disappeared many years before in a case that could never be solved. Dania contacts the boy's father, who still spends much time digging around the fields where his son was last seen, in hope of finding his body. Dania begins to unearth the old case, determined to discover Cameron's killer and looking for possible connections to the present-day missing child. But as she digs into the past, she realises that the Affleck family are hiding more than they let on and that there are some dark secrets that everyone wants to stay buried...Praise for Hania Allen'Nicely nasty in all the right places . . . The story rattles along until bringing the curtain down with an unnerving twist' Craig Robertson'A fresh new find for crime fans ... the plot is intriguing, the characters are well drawn, and the end comes with an unnerving twist. Extremely readable' Sunday Post'Captivating characters and an intriguing plot. A great new find for crime fans' Lin Anderson'Pitch-perfect . . . a witty, tense crime novel written in a highly readable style' Russel D McLean

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When Joe Christie's fishing boat is swept onto Tentsmuir beach during a fierce storm, a man's mutilated body is found in the hold. DCI Andy Gilchrist of St Andrews CID is called in to investigate. But his murder investigation deepens when he learns that Joe Christie and his boat have been missing for three years. The police pathologist, Dr Rebecca Cooper, retrieves a five pound note from the dead man's throat. Is this the killer's calling card? And whatever happened to Joe Christie? Cooper offers Gilchrist a clue to the dead man's identity - a scar from a recent operation to repair a bone shattered by a bullet.The dead man is found to have been on the payroll of big Jock Shepherd, Scotland's premier crime patriarch, and when three more of Shepherd's men turn up brutally murdered, Gilchrist fears a tectonic shift in the criminal underworld.Gilchrist and his partner, DS Jessie Janes, set off along a murderous trail where they uncover a plot involving drug shipments and police corruption, and come face to face with a man for whom human life means nothing.PRAISE FOR T.F. MUIR:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig Robertson'DCI Gilchrist gets under your skin. Though, determined, and a bit vulnerable, this character will stay with you long after the last page.' Anna Smith'Gripping!' Peterborough Telegraph

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Better Late Than Never is the extraordinary true story of how a man born into poverty in London's East End went on to find stardom late in life when he was chosen to be head judge on BBC1's Strictly Come Dancing. Len Goodman tells all about his new-found fame, his experiences on Strictly Come Dancing, and also on the no.1 US show Dancing with the Stars and his encounters with the likes of Heather Mills-McCartney and John Sergeant. But the real story is in his East End roots. And Len's early life couldn't be more East End. The son of a Bethnal Green costermonger he spent his formative years running the fruit and veg barrow and being bathed at night in the same water Nan used to cook the beetroot. There are echoes of Billy Elliot too. Though Len was a welder in the London Docks, he dreamt of being a professional footballer, and came close to making the grade had he not broken his foot on Hackney Marshes. The doctor recommended ballroom dancing as a light aid to his recovery. And Len, it turned out, was a natural. At first his family and work mates mocked, but soon he had made the final of a national competition and the welders descended en masse to the Albert Hall to cheer him on. With his dance partner, and then wife Cheryl, Len won the British Championships in his late twenties and ballroom dancing became his life. Funny and heart-warming, Len Goodman's autobiography has all the honest East End charm of Tommy Steele, Mike Read or Roberta Taylor.

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Manuel Álvarez Tardío y Roberto Villa García, dos historiadores españoles de la Universidad Rey Juan Carlos, son los autores de un libro que cambiará nuestra perspectiva de las elecciones de febrero de 1936, que dieron la victoria al Frente Popular, describiendo y demostrando la existencia de fraude electoral y el ambiente de extrema violencia que imperó en los meses anteriores y posteriores.Un libro que causará polémica y debates encendidos.

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The contributors to Re-Understanding Media advance a feminist version of Marshall McLuhan’s key text, Understanding Media: The Extensions of Man, repurposing his insight that “the medium is the message” for feminist ends. They argue that while McLuhan’s theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist critics can take it up to show how technologies alter and determine the social experiences of race, gender, class, and sexuality. This volume showcases essays, experimental writings, and interviews from media studies scholars, artists, activists, and those who work with and create technology. Among other topics, the contributors extend McLuhan’s discussion of transportation technology to the attics and cargo boxes that moved Black women through the Underground Railroad, apply McLuhan’s concept of media as extensions of humans to analyze Tupperware as media of containment, and take up 3D printing as a feminist and decolonial practice. The volume demonstrates how power dynamics are built into technological media and how media can be harnessed for radical purposes. Contributors. Nasma Ahmed, Morehshin Allahyari, Sarah Banet-Weiser, Wendy Hui Kyong Chun, Brooke Erin Duffy, Ganaele Langlois, Sara Martel, Shannon Mattern, Cait McKinney, Jeremy Packer, Craig Robertson, Sarah Sharma, Ladan Siad, Rianka Singh, Nicholas Taylor, Armond R. Towns, and Jennifer Wemigwans

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Wenxin diaolong by Liu Xie (ca. 465-ca. 521) is arguably the most complex and comprehensive work of literary criticism in ancient China. For centuries it has intrigued and inspired Chinese literati, and modern English-speaking scholars have also found it an important source for inquiries into traditional Chinese poetics and aesthetics. The present volume of ten essays is the first book-length study in English of this classic work. The first two parts of the book focus on cultural traditions, showing how Liu canonized the Chinese literary tradition, assessing where Liu's work stands in that tradition, and demonstrating his debts to the intellectual currents of his time. The third part explores Liu's theory of literary creation by using contemporary critical perspectives to analyze Liu's conception of imagination. The fourth part presents three detailed studies of Liu's views on rhetoric: a close reading of his chapter on rhetorical parallelism, a discussion of his own use of parallelism as a means of analysis and textual production, and an investigation of his views on changes and continuities in Chinese literary styles. The book concludes with a critical survey of Asian-language scholarship on Wenxin diaolong in this century. The contributors are Zong-qi Cai, Kang-i Sun Chang, Ronald Egan, Wai-yee Li, Shuen-fu Lin, Richard John Lynn, Victor H. Mair, Stephen Owen, Andrew H. Plaks, Maureen Robertson, and Zhang Shaokang.

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Hot flashes. Vaginal atrophy. Social stigma. The comics in this unapologetic anthology prove that when it comes to menopause and its attendant symptoms, no one needs to sweat it alone. Featuring works by comics luminaries such as Lynda Barry, Joyce Farmer, Ellen Forney, and Carol Tyler, Menopause is the perfect antidote to the simplistic, cheap-joke approach that treats menopause as a cultural taboo. This anthology challenges stereotypes with perspectives from a range of life experiences, ages, gender identities, ethnicities, and health conditions. Other contributors include Maureen Burdock, Jennifer Camper, KC Councilor, MK Czerwiec, Leslie Ewing, Ann M. Fox, Keet Geniza, Roberta Gregory, Teva Harrison, Rachael House, Leah Jones, Monica Lalanda, Cathy Leamy, Ajuan Mance, Jessica Moran, Mimi Pond, Sharon Rosenzweig, Joyce Schachter, Susan Merrill Squier, Emily Steinberg, Nicola Streeten, A. K. Summers, Kimiko Tobimatsu, Shelley L. Wall, and Dana Walrath.

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In Foucault's Futures, Penelope Deutscher reconsiders the role of procreation in Foucault's thought, especially its proximity to risk, mortality, and death. She brings together his work on sexuality and biopolitics to challenge our understanding of the politicization of reproduction. By analyzing Foucault's contribution to the politics of maternity and its influence on the work of thinkers such as Roberto Esposito, Giorgio Agamben, and Judith Butler, Deutscher provides new insights into the conflicted political status of reproductive conduct and what it means for feminism and critical theory.

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For ten years James Robertson walked the twenty-one-mile round-trip from his Detroit home to his factory job; when his story went viral, it brought him an outpouring of attention and support. But what of Robertson’s Detroit neighbors, likewise stuck in a blighted city without services as basic as a bus line? What they’re left with, after decades of disinvestment and decline, is DIY urbanism—sweeping their own streets, maintaining public parks, planting community gardens, boarding up empty buildings, even acting as real estate agents and landlords for abandoned homes.DIY Detroit describes a phenomenon that, in our times of austerity measures and market-based governance, has become woefully routine as inhabitants of deteriorating cities “domesticate” public services in order to get by. The voices that animate this book humanize Detroit’s troubles—from a middle-class African American civic activist drawn back by a crisis of conscience; to a young Latina stay-at-home mom who has never left the city and whose husband works in construction; to a European woman with a mixed-race adopted family and a passion for social reform, who introduces a chicken coop, goat shed, and market garden into the neighborhood. These people show firsthand how living with disinvestment means getting organized to manage public works on a neighborhood scale, helping friends and family members solve logistical problems, and promoting creativity, compassion, and self-direction as an alternative to broken dreams and passive lifestyles.Kimberley Kinder reveals how the efforts of these Detroiters and others like them create new urban logics and transform the expectations residents have about their environments. At the same time she cautions against romanticizing such acts, which are, after all, short-term solutions to a deep and spreading social injustice that demands comprehensive change.

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A leading member of the new Afro-Cuban cultural movement, visual artist Juan Roberto Diago (b. 1971) has produced a body of work that offers a revisionist history of the Cuban nation. His “history”—a term he frequently inserts in his works using the visual language of graffiti—is not the official narrative of a racially harmonious nation, built thanks to the selfless efforts of generous white patriots. Diago’s Cuba is a nation built on pain, rape, greed, and the enslavement of millions of displaced Africans, a nation still grappling with the long-term effects of slavery and colonialism. To him, slavery is not the past, but a daily experience of racism and discrimination. Africa is not a root, but a wellspring of cultural renovation and personal affirmation, the ancestors that sustain him in his journey.In the first examination of Diago’s creative work during his entire career, Alejandro de la Fuente provides parallel English- and Spanish-language text, illustrated throughout. The book traces Diago’s singular efforts to construct new pasts—the pasts required to explain the racial tensions of contemporary Cuba and the pasts of this Afro-Cuban present.

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In the postdictatorial era, Latin American cultural production and criticism have been defined by a series of assumptions about politics and art—expecially the claim that political freedom can be achieved by promoting a more direct experience between the textual subject (often a victim) and the reader by eliminating the division between art and life. The Vanishing Frame argues against this conception of freedom, demonstrating how it is based on a politics of human rights complicit with economic injustices. Presenting a provocative counternarrative, Eugenio Claudio Di Stefano examines literary, visual, and interdisciplinary artists who insist on the autonomy of the work of art in order to think beyond the politics of human rights and neoliberalism in Latin American theory and culture.Di Stefano demonstrates that while artists such as Diamela Eltit, Ariel Dorfman, and Albertina Carri develop a concept of justice premised on recognizing victims’ experiences of torture or disappearance, they also ignore the injustice of economic inequality and exploitation. By examining how artists such as Roberto Bolaño, Alejandro Zambra, and Fernando Botero not only reject an aesthetics of experience (and the politics it entails) but also insist on the work of art as a point of departure for an anticapitalist politics, this new reading of Latin American cultural production offers an alternative understanding of recent developments in Latin American aesthetics and politics that puts art at its center and the postdictatorship at its end.

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Mert Alas, born in Turkey, and Marcus Piggott, born in Wales, met in 1994, at a party on a pier in Hastings, England. Piggott asked Alas for a light, the pair got talking, and rapidly discovered they had plenty in common, not least a love of fashion. Three years later, the duo now known as Mert and Marcus had moved into a derelict loft in East London, converted it into a studio, and had their first collaborative photographic work published in Dazed & Confused. These days, Mert and Marcus shape the global image of such renowned brands as Giorgio Armani, Roberto Cavalli, Fendi, Miu Miu, Gucci, Yves Saint Laurent, Givenchy, and Lancôme, and public figures including Lady Gaga, Madonna, Jennifer Lopez, Linda Evangelista, Gisele Bündchen, Björk, Angelina Jolie, and Rihanna. Their photographs encompass a wide range of styles and influences but are renowned particularly for their use of digitized augmentation of images, and a fascination for strong, sexually charged, confident female subjects: “powerful women, women with a meaning, a you-don’t-have-to-talk-or-move-too-much-to-tell-who-you-are kind of woman.” Bringing our best-selling Collector’s Edition to an affordable, compact format, this collection explores the unique vision of a creative partnership that has defined and redefined standards for glamour, fashion, and luxury. Approximately 300 images from the megawatt Mert and Marcus portfolio are accompanied by an introduction by Charlotte Cotton.

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The end of the Second World War saw the emergence of neorealist film in Italy. In Italian Neorealist Cinema, Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films as assemblies of sounds and images rather than as representations of historical reality. If Roberto Rossellini's Roma citt aperta and Pais , and Vittorio De Sica's Ladri di biciclette are still, half a century after they were made, among the most highly valued artefacts in the history of cinema, Wagstaff suggests that this could be due to the aesthetic and rhetorical qualities of their assembled narratives, performances, locations, lighting, sound, mise en sc ne, and montage. This volume begins by situating neorealist cinema in its historical, industrial, commercial and cultural context, and makes available for the first time a large amount of data on post-war Italian cinema. Wagstaff offers a theoretical discussion of what it means to treat realist films as aesthetic artefacts before moving on to the core of the book, which consists of three studies of the films under discussion. Italian Neorealist Cinema not only offers readers in Film Studies and Italian Studies a radically new perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric, as well as cinema in general.

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‘The game isn’t what it seems from the outside. The game isn’t quite what I was expecting. The game doesn’t always work like the people on television think it does. The game is better, worse and stranger than you can imagine, and that is coming from someone who saw it all with their own eyes.’ Ever wondered what really goes on inside a Premier League dressing room, what it’s like to train under Roy Hodgson, Roberto Mancini and Fabio Capello – and what happens when you kick a sandwich at one of them? When it comes to football, former Manchester City and England star Micah Richards has seen it all – and laughed about most of it. In The Game, Micah shares his funniest and frankest stories from on and off the pitch, be it arriving at his first England training session with two left boots, attempting to supervise the infamous Mario Balotelli or winding up Roy Keane on Super Sunday. From how he spent his first Premier League paycheque and how he prepared – financially and mentally – for the day they stopped coming, to the euphoria of lifting the Premier League trophy and the physical and emotional impact of injury, Micah reflects openly on the many wins and losses in professional football. Full of Micah’s signature cheeky wit, this intimate, unmissable memoir goes behind the scenes of the beautiful game and a remarkable life and career.

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The articles in the 2015 SMC Journal contain a blend of excitement and reflection. Julian Lines takes us on a witty deep water soloing course; Guy Robertson is on Beinn Eighe in winter; Graham Little goes climbing in the Balkans and Andy Nisbet has discovered another new winter crag. In completely different mode Iain Smart reflects on the changes taking place in the climbing world by casting ironic glances at his experiences in the public bar at the Kingshouse over the last 50 years. See if you can work out the allusions in The Heights of Allusion by M J Cobb, or follow Iain Crofton's drift in The Hills are Alive.Mike Dixon describes his research into the life of Tom Patey. Jimmy Cruickshank discusses Robin Smith. Hamish Johnston examines the life of Matthew Heddle, distinguished geologist and early explorer of Scotland's mountains and Peter Foster explores the life of another great character from the past the Vagabond Professor T Graham Brown. A wealth of other articles takes the reader from Himalayan peaks to Skye, Knoydart and the Western Isles. For the Munro enthusiast there is the indispensable Munro Matters: the one and only comprehensive guide to the List of those who have completed and told.The Journal carries the most up to date list in print of new climbs made in Scotland in the last year, while the reviews section has over 20 reviews by knowledgeable reviewers of recently published mountaineering books.

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From statistical databases to story archives, from fan sites to the real-time reactions of Twitter-empowered athletes, the digital communication revolution has changed the way sports fans relate to their favorite teams. In this volume, contributors from Australia, Ireland, New Zealand, the United Kingdom, and the United States analyze the parallel transformation in the field of sport history, showing the ways powerful digital tools raise vital philosophical, epistemological, ontological, methodological, and ethical questions for scholars and students alike. Chapters consider how the philosophical and theoretical understanding of the meaning of history influence a willingness to engage with digital history, and conceptualize the relationship between history making and the digital era. As the writers show, digital media's mostly untapped potential for studying the recent past via blogs, chat rooms, gambling sites, and the like forge a symbiosis between sports and the internet, and offer historians new vistas to explore and utilize.Sport History in the Digital Era also shows how the best digital history goes beyond a static cache of curated documents. Instead, it becomes a truly public history that serves as a dynamic site of enquiry and discussion. In such places, scholars enter into a give-and-take with individuals while inviting the audience to grapple with, rather than passively absorb, the evidence being offered.Timely and provocative, Sport History in the Digital Era affirms how the information revolution has transformed sport and sport history--and shows the road ahead.Contributors include Douglas Booth, Mike Cronin, Martin Johnes, Matthew Klugman, Geoffery Z. Kohe, Tara Magdalinski, Fiona McLachlan, Bob Nicholson, Rebecca Olive, Gary Osmond, Murray G. Phillips, Stephen Robertson, Synthia Sydnor, Holly Thorpe, and Wayne Wilson.

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The Contemporary British Novel Since 2000 is divided into five parts, with the first part examining the work of four particularly well-known and highly regarded twenty-first century writers: Ian McEwan, David Mitchell, Hilary Mantel and Zadie Smith. It is with reference to each of these novelists in turn that the terms realist postmodernist, historical and postcolonialist fiction are introduced, while in the remaining four parts, other novelists are discussed and the meaning of the terms amplified. From the start it is emphasised that these terms and others often mean different things to different novelists, and that the complexity of their novels often obliges us to discuss their work with reference to more than one of the terms. Also discusses the works of: Maggie O'Farrell, Sarah Hall, A.L. Kennedy, Alan Warner, Ali Smith, Kazuo Ishiguro, Kate Atkinson, Salman Rushdie, Adam Foulds, Sarah Waters, James Robertson, Mohsin Hamid, Andrea Levy, and Aminatta Forna.

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Discover our collectable Puffin Clothbound Classic edition of The Railway Children Puffin Clothbound Classics are stunning collectable gift editions of some of the best-loved classics in the world - including this charming edition of The Railway ChildrenFather is in trouble, and Roberta, Peter, and Phyllis have to leave their home in London and go into hiding in the countryside.''Boys and girls are only little men and women. And we are much harder and hardier than they are.''Each day, the children run down to the nearby railway station, where they say good morning to the Station Master and hello to Perks the Porter and wave at the passing London train, sending their love to Father.Little do they know that the stranger on board the 9:15 a.m. train might be able to help track him down...Collect our Puffin Clothbound Classics:9780241444313 The Little Prince9780241663554 The Jungle Book97802415688

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Why are some species admired or beloved while others are despised? An eagle or hawk circling overhead inspires awe while urban pigeons shuffling underfoot are kicked away in revulsion. Fly fishermen consider carp an unwelcome trash fish, even though the trout they hope to catch are often equally non-native. Wolves and coyotes are feared and hunted in numbers wildly disproportionate to the dangers they pose to humans and livestock. In Trash Animals, a diverse group of environmental writers explores the natural history of wildlife species deemed filthy, unwanted, invasive, or worthless, highlighting the vexed relationship humans have with such creatures. Each essay focuses on a so-called trash species—gulls, coyotes, carp, cockroaches, magpies, prairie dogs, and lubber grasshoppers, among others—examining the biology and behavior of each in contrast to the assumptions widely held about them. Identifying such animals as trash tells us nothing about problematic wildlife but rather reveals more about human expectations of, and frustrations with, the natural world. By establishing the unique place that maligned species occupy in the contemporary landscape and in our imagination, the contributors challenge us to look closely at these animals, to reimagine our ethics of engagement with such wildlife, and to question the violence with which we treat them. Perhaps our attitudes reveal more about humans than they do about the animals. Contributors: Bruce Barcott; Charles Bergman, Pacific Lutheran U; James E. Bishop, Young Harris College; Andrew D. Blechman; Michael P. Branch, U of Nevada, Reno; Lisa Couturier; Carolyn Kraus, U of Michigan–Dearborn; Jeffrey A. Lockwood, U of Wyoming; Kyhl Lyndgaard, Marlboro College; Charles Mitchell, Elmira College; Kathleen D. Moore, Oregon State U; Catherine Puckett; Bernard Quetchenbach, Montana State U, Billings; Christina Robertson, U of Nevada, Reno; Gavan P. L. Watson, U of Guelph, Ontario, Canada.

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Analyzing how 1980s visual culture provided a vital space for women artists to theorize and visualize their own bodies and sexualities In 1982, the protests of antiporn feminists sparked the censorship of the Diary of a Conference on Sexuality, a radical and sexually evocative image-text volume whose silencing became a symbol for the irresolvable feminist sex wars. In Visible Archives documents the community networks that produced this resonant artifact and others, analyzing how visual culture provided a vital space for women artists to theorize and visualize their own bodies and sexualities. Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade’s worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin. The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women’s rights face challenges and restrictions across the nation.

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Inspiration and Information to Help You Cope With the EmotionalEffects of Cancer Cancer changes our lives-physically and emotionally. The more youunderstand about your psychological reactions to cancer, the moreeffectively you can cope. In this powerful book, Dr. Roger Granet,a psychiatrist who specializes in the emotional side effects ofcancer and its treatment, draws on two decades of experience as heexplains what you can expect emotionally at each phase. Here'sadvice on: * Dealing with the diagnosis * Finding the coping style that's right for you * Handling the many demands of treatment * Knowing when to ask for help-and how to find it * Surviving and coming to terms with a different you * Handling the fear of recurrence Written with compassion and clarity, Surviving Cancer Emotionallyreveals how we can cope with a devastating illness and turn it intoa positive catalyst for embracing life. "Dr. Granet provides ways to help people heal emotionally as theycope with an illness that carries great fears with it. Patients andfamilies will find this book a helpful companion as they undertakethe cancer journey with all its twists and turns."-Jimmie Holland,M.D., Chairman, Department of Psychiatry, Memorial Sloan-KetteringCancer Center "Dr. Granet is a caring physician with a heart and soul, and anunusual gift for telling a story. This book should be read byanybody who has cancer, or who has a loved one with cancer."-RobertMichels, M.D., University Professor of Medicine and Psychiatry,Cornell University, and former Dean and Provost, Cornell UniversityMedical College

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For anyone with a tiny galley kitchen and an appetite for fresh, gorgeous food, there’s good news: it’s all here! These fabulous and easy recipes, all made with minimum fuss and maximum flavour, will allow you to spoil yourself in harbour, keep things simple at sea, and make delicious meals and snacks in advance – not to mention rustle up a mean rum punch. Taking no longer than 20–30 minutes and using a maximum of two pans, you’ll find yourself cooking up a storm, with your hungry crew tucking into crab macaroni cheese, lamb with sumac and butter bean mash, cherry clafoutis, and chocolate fruitcake. With its handy ideas on setting up the galley, tips on hosting the perfect beach barbecue and fascinating nautical trivia scattered about, this is the must-have guide for sailors and seaside-lovers alike. In this brand new edition, Fiona Sims shares her own tried-and-tested onboard classics, along with recipe contributions from top chefs (Chris Galvin, Angela Hartnett, Kevin Mangeolles, Ed Wilson and Judy Joo) and sailing legends (Sir Robin Knox-Johnston, Mike Golding, Brian Thompson, Shirley Robertson and Dee Caffari). With a foreword by Chris Galvin, and accompanied by wonderful photography and beautiful hand-drawn illustrations, this continues to be an invaluable addition to the food lover's kitchen or galley. Inspired by the sea and happy times on the water, The Boat Cookbook promises fresh, mouthwatering galley grub that can be prepared almost as quickly as it will be devoured by your eager crew.

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'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig RobertsonSt. Andrews, Scotland: When an elderly woman's naked body is found in her home, crucified to the floor, DCI Andy Gilchrist and his associate, DS Jessie Janes, find themselves in a hunt for a brutal serial killer. As the body count rises, suspicion falls on Tap 'Dancer' McCrear, a career criminal recently released from prison after serving fifteen years for a murder he swore he never committed.As Gilchrist begins to uncover the terrifying truth behind each of the killings, his worst fears are realised when he learns that McCrear is killing everyone involved in his murder trial... for it was Gilchrist who arrested McCrear all those years ago. High-flying Detective Superintendent Rommie Frazier, who leads the multi-constabulary task force searching for McCrear, clashes with Gilchrist over the detail of the investigation, and demands his removal. But Gilchrist won't leave without a fight, for he knows it is up to him to find Tap McCrear... before his own name is struck off the murder list.PRAISE FOR T.F. MUIR:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'DCI Gilchrist gets under your skin. Though, determined, and a bit vulnerable, this character will stay with you long after the last page.' Anna Smith'Gripping!' Peterborough Telegraph

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How well do you know the man you love? A woman's body is washed up on the rocks by the castle ruins in St Andrews with evidence of strangulation, and no ID. Two days into the case, a call from another woman claiming to be the victim's friend could be DCI Andy Gilchrist's first solid lead. But when she fails to turn up for an interview, Gilchrist fears the worst. The next day, they find her battered body. Gilchrist's focus centres on his prime suspect, a local handyman with a reputation of being a ladies' man, who seems to have no history beyond three years, the length of time he's been living in the East Neuk. But before Gilchrist can bring him in for questioning, he vanishes. Would you trust the man you love with your life? If you do, he might just take it. Praise for T.F. Muir:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map' Daily Record'A bright new recruit to the swelling army of Scots crime writers' Quintin Jardin'Gripping and grisly, with plenty of twists and turns that race along with black humour' Craig Robertson'Gilchrist is intriguing, bleak and vulnerable... if I were living in St Andrews I'd sleep with the lights on' Anna Smith

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Con frecuencia, Agustín Díaz Pacheco alcanza la dignidad de los clásicos. Actualmente, su obra comienza a ser objeto de estudio en algunas universidades de Estados Unidos. No sin paradoja ?o como reacción natural- este autor, fuera de los circuitos de consumo, no encuentra dificultades en ser comprendido y admirado por jóvenes lectores, insatisfechos con lo que hay. Varios de sus cuentos integran el syllabus de The University of Georgia, además de haber sido seleccionado ?con Roberto Arlt, Juan Rulfo, Julio Cortázar, Ernesto Sábato y Elena Poniatowska- para encabezar diferentes proyectos de análisis de la literatura hispánica. Libros como El camarote de la memoria, Proa en nieblas, Breves atajos y Línea de naufragio, obras de Díaz Pacheco, por citar algunos de sus libros, significan una forma de resistencia, una negación y una confirmación: es esa otra voz que la propaganda ignora o pretende acallar. Es esa voz incómoda, admirable, que no encaja ni en la literatura de consumo ni se reb

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