Search results for ""Author Robert"

This book presents the Gianfranco Luzzetti collection housed in the historic complex of the former convent of the Clarisse in Grosseto, a new museum in the city. The collection is the result of the donation to the Municipality, in 2018, of over 60 works from the personal heritage of Luzzetti, an antiquarian from Grosseto, deeply linked to his land. The paintings, of great quality, trace Italian art from the 14th to the 19th century, with particular attention to Florentine art of the 17th century. The collection includes masterpieces by Antonio Rossellino, Giambologna, Rutilio Manetti, Passignano, Niccolò di Pietro Lamberti, Corrado Giaquinto, Camillo Rusconi, Pier Dandini and Giovanni di Tano Fei, as well as important works by Donatello and Beccafumi and works already donated to the Municipality of Grosseto in past years, of Santi di Tito and Cigoli. This volume, with introductory texts regarding the history of the site, the birth of the Museum and the Collection, is complemented by an anthology of writings by Luzzetti and bibliographic apparatuses. Research and texts: Sandro Bellesi, Marco Ciampolini, Roberto Contini, Elena Dubaldo, Lucia Ferri, Claudia Ganci, Cecilia Luzzetti, Gianfranco Luzzetti, Andrea Marchi, Mauro Papa, Marcella Parisi, Francesca Perillo, Gianluca Sposato, Angelo Tartuferi. Italian edition, with English translation in the appendix.

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Set in Dundee, this fast-paced crime novel is the first to feature Polish Detective Sergeant Dania Gorska.Volatile times in the city of discovery . . .DS Dania Gorska is a stranger in a foreign land. Born in Poland and transferred from London to Dundee's specialist crime division, she is called upon to investigate a series of grotesque killings where the victims are first brutally murdered and then displayed in a bizarre manner. Although seemingly unrelated, clues point to the victims having been members of a local druidic cult.While solving these murders is Dania's priority, she finds herself increasingly drawn to the case of two runaway teenage girls. But when she learns they were also members of the same druid group she becomes convinced their disappearance is linked to the murders. And, despite what the evidence suggests, Dania starts to fear that the girls have not run away but are actually the newest, undiscovered victims of the killer . . . Praise for Hania Allen'Nicely nasty in all the right places . . . The story rattles along until bringing the curtain down with an unnerving twist' Craig Robertson'Captivating characters and an intriguing plot. A great new find for crime fans' Lin Anderson 'Pitch-perfect . . . a witty, tense crime novel written in a highly readable style' Russel D McLean

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Set in Dundee, this fast-paced crime novel is the first to feature Polish Detective Sergeant Dania Gorska.Volatile times in the city of discovery . . .DS Dania Gorska is a stranger in a foreign land. Born in Poland and transferred from London to Dundee's specialist crime division, she is called upon to investigate a series of grotesque killings where the victims are first brutally murdered and then displayed in a bizarre manner. Although seemingly unrelated, clues point to the victims having been members of a local druidic cult.While solving these murders is Dania's priority, she finds herself increasingly drawn to the case of two runaway teenage girls. But when she learns they were also members of the same druid group she becomes convinced their disappearance is linked to the murders. And, despite what the evidence suggests, Dania starts to fear that the girls have not run away but are actually the newest, undiscovered victims of the killer . . . Praise for Hania Allen'Nicely nasty in all the right places . . . The story rattles along until bringing the curtain down with an unnerving twist' Craig Robertson'Captivating characters and an intriguing plot. A great new find for crime fans' Lin Anderson 'Pitch-perfect . . . a witty, tense crime novel written in a highly readable style' Russel D McLean

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Ruben C. Cordova traces the history of Con Safo, one of the earliest and most significant of the Chicano art groups, from 1968, when it formed as El Grupo, to the mid-1970s, when Con Safo gradually disbanded. Founded by Felipe Reyes, the original group was made up of six San Antonio artists. The fluxuating membership over the decade of the group's existence included Mel Casas, Jose Esquivel, Rudy Treviño, and Roberto Ríos. Although the structure of the original group changed, its mission did not: Con Safo defined possibilities for Chicano art at a time when Chicano culture was largely invisible. Cordova’s painstaking research, which included extensive archival work and interviews with group members and activists, resolves many of the contradictions and fills in many of the gaps that exist in earlier accounts of the group. Con Safo: The Chicano Art Group and the Politics of South Texas is an important resource for anyone interested in Chicano art and Chicano history. The book concludes with reproductions of original documents related to the group, including Casas’s “Brown Paper Report."

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LivingThingsfollows four recent graduates Munir, G,Ernesto and Álex who travel from Madrid to the southof France to work the grape harvest. Except things don'tgo as planned: they end up working on an industrialchicken farm and living on a campsite, where a generalsense of menace takes hold. What follows is a compellingand incisive examination of precarious employment,capitalism, immigration and the mass production oflivingthings, all interwoven with the protagonist's thoughts onliterature and the nature of storytelling.A genre-bendingand dystopian eco-thriller,LivingThingsis a punk-likeblend of Roberto Bolaño'sThe Savage DetectivesandSamanta Schweblin'sFever Dream, heralding an excitingnew voice in international fiction.

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Gathering together an incredible array of contributors from the past century of the Tavistock to cover all aspects of amazing work they do. With chapters from David Armstrong, James Astor, Andrew Balfour, Fred Balfour, Sara Barratt, David Bell, Sandy Bourne, Wesley Carr, Andrew Cooper, Gwyn Daniel, Dilys Daws, Domenico di Ceglie, Emilia Dowling, Andrew Elder, Caroline Garland, Peter Griffiths, Rob Hale, Sarah Helps, Beth Holgate, Juliet Hopkins, Marcus Johns, Sebastian Kraemer, James Krantz, Mary Lindsay, Julian Lousada, Louise Lyon, David Malan, Gillian Miles, Lisa Miller, Mary Morgan, Nell Nicholson, Anton Obholzer, Paul Pengelly, Maria Rhode, Margaret Rustin, Michael Rustin, Edward R. Shapiro, Valerie Sinason, Jenny Sprince, John Steiner, Jon Stokes, David Taylor, Judith Trowell, Margot Waddell, and Gianna Williams The Tavistock Century traces the developmental path taken from the birth of a progressive and inspirational institution. From their wartime and post-war experience, John Rickman, Wilfred Bion, Eric Trist, Isabel Menzies, John Bowlby, Esther Bick, Michael Balint, and James Robertson left us a legacy of innovation based on intimate observation of human relatedness. The book contains entries across the full range of disciplines in the lifecycle, extending, for example, from research to group relations, babies, adolescents, couples, even pantomime. It will be of enormous value to anyone working in the helping professions; clinicians, social workers, health visitors, GPs, teachers, as well as social science scholars and a host of others who are directly or indirectly in touch with the Tavistock wellspring.

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The Border Reader brings together canonical and cutting-edge humanities and social science scholarship on the US-Mexico border region. Spotlighting the vibrancy of border studies from the field’s emergence to its enduring significance, the essays mobilize feminist, queer, and critical ethnic studies perspectives to theorize the border as a site of epistemic rupture and knowledge production. The chapters speak to how borders exist as regions where people and nation-states negotiate power, citizenship, and questions of empire. Among other topics, these essays examine the lived experiences of the diverse undocumented people who move through and live in the border region; trace the gendered and sexualized experiences of the border; show how the US-Mexico border has become a site of illegality where immigrant bodies become racialized and excluded; and imagine anti- and post-border futures. Foregrounding the interplay of scholarly inquiry and political urgency stemming from the borderlands, The Border Reader presents a unique cross section of critical interventions on the region. Contributors. Leisy J. Abrego, Gloria E. Anzaldúa, Martha Balaguera, Lionel Cantú, Leo R. Chavez, Raúl Fernández, Rosa-Linda Fregoso, Roberto G. Gonzales, Gilbert G. González, Ramón Gutiérrez, Kelly Lytle Hernández, José E. Limón, Mireya Loza, Alejandro Lugo, Eithne Luibhéid, Martha Menchaca, Cecilia Menjívar, Natalia Molina, Fiamma Montezemolo, Américo Paredes, Néstor Rodríguez, Renato Rosaldo, Gilberto Rosas, María Josefina Saldaña-Portillo, Sonia Saldívar-Hull, Alicia Schmidt Camacho, Sayak Valencia Triana, Carlos G. Vélez-Ibáñez, Patricia Zavella

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A fascinating study of women in the arts, International Women Stage Directors is a comprehensive examination of women directors in twenty-four diverse countries. Organized by country, chapters provide historical context and emphasize how social, political, religious, and economic factors have impacted women's rise in the theatre, particularly in terms of gender equity. Contributors tell the stories of their home country's pioneering women directors and profile the most influential women directors practicing today, examining their career paths, artistry, and major achievements.Contributors are Ileana Azor, Dalia Basiouny, Kate Bredeson, Mirenka Cechová, Marié-Heleen Coetzee, May Farnsworth, Anne Fliotsos, Laura Ginters, Iris Hsin-chun Tuan, Maria Ignatieva, Adam J. Ledger, Roberta Levitow, Jiangyue Li, Lliane Loots, Diana Manole, Karin Maresh, Gordon McCall, Erin B. Mee, Ursula Neuerburg-Denzer, Claire Pamment, Magda Romanska, Avra Sidiropoulou, Margaretta Swigert-Gacheru, Alessandra Vannucci, Wendy Vierow, Vessela S. Warner, and Brenda Werth.

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Modern Cosmology, Second Edition, provides a detailed introduction to the field of cosmology. Beginning with the smooth, homogeneous universe described by a Friedmann-Lemaître-Robertson-Walker metric, this trusted resource includes careful treatments of dark energy, big bang nucleosynthesis, recombination, and dark matter. The reader is then introduced to perturbations about an FLRW universe: their evolution with the Einstein-Boltzmann equations, their primordial generation by inflation, and their observational consequences: the acoustic peaks in the CMB; the E/B decomposition in polarization; gravitational lensing of the CMB and large-scale structure; and the BAO standard ruler and redshift-space distortions in galaxy clustering. The Second Edition now also covers nonlinear structure formation including perturbation theory and simulations. The book concludes with a substantially updated chapter on data analysis. Modern Cosmology, Second Edition, shows how modern observations are rapidly revolutionizing our picture of the universe, and supplies readers with all the tools needed to work in cosmology.

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The folklore of the north-east has provided a rich tapestry for the tales within; from Celtic and Pictish origins meet witches, selkies, smugglers, fairies, monsters, despicable rogues, riddles and heroes. Tragic events, spellbinding characters, humour, romance and clever minds are bound together by two well-established storytellers living and working in the city and shire of Aberdeen. Some of the tales in this collection are based on historical fact while others are embedded in myth and legend. All the stories are set against the backdrop of this lovely and varied landscape; the silver city and surrounding farm lands, the forested and mountainous terrain through which the River Dee flows, the rolling, gentler land surrounding the meandering River Don and the beautiful but sometimes forbidding Aberdeenshire coastline. Sheena and Grace have both been inspired in their storytelling and singing by the traveller, raconteur and balladeer, Stanley Robertson.

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Roberta, Phyllis and Peter have their comfortable lives in London thrown into disarray by the unexpected disappearance of their father. They are forced to move to a small cottage in the countryside with their mother, who struggles to make ends meet by writing books. The children find solace in a stretch of railway track and the station nearby, and befriend the railway porter, who teaches them about running the station, and an old gentleman who takes the 9.15 train every day. Through this love of the trains they are led on many exciting adventures, including a quest to discover the secret of their father's disappearance. One of the most popular children's books ever written, E. Nesbit's tale has enchanted generations of readers since it was first released in 1906. It has been adapted for the screen and the stage many times, and its story of innocence, intrigue and discovery remains perfectly poignant today.

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Master storyteller Tom Palmer returns with a deeply moving and beautifully told novel of friendship and belonging, inspired by the incredible true story of the Windermere Boys. "The best children’s fiction book I’ve yet read about the Holocaust" – Tim Robertson, CEO Anne Frank Trust Summer 1945. The Second World War is finally over and Yossi, Leo and Mordecai are among three hundred children who arrive in the English Lake District. Having survived the horrors of the Nazi concentration camps, they've finally reached a place of safety and peace, where they can hopefully begin to recover. But Yossi is haunted by thoughts of his missing father and disturbed by terrible nightmares. As he waits desperately for news from home, he fears that Mordecai and Leo – the closest thing to family he has left – will move on without him. Will life by the beautiful Lake Windermere be enough to bring hope back into all their lives?

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Shortlisted for the Information Book Awards 2023Come on an eye-catching adventure!Masterpieces in Pieces takes you on a journey through great art from all around the world and across the ages. Some of the masterpieces are famous, some may surprise you. Explore the themed galleries or just plunge in anywhere and enjoy the visual feast.From early cave paintings to Grayson Perry, see the exciting developments of art throughout history and look for connections that can be made across each masterpiece. This truly global collection will widen the eyes to many different cultures and approaches to art from across Europe, North and South America, Africa, Asia and Australia.Features artwork by Kerry James Marshall, Georges Seurat, John Singer Sargent, Francisco de Goya, Su Hanchen, Andreas Gursky, Diego Rivera, Natalia Goncharova, Rembrandt, Cristóvão Estevão Canhavato, Faith Ringgold, Pablo Picasso, Ford Maddox Brown, Farrukh Beg, Dorothea Tanning, Zheng Zhong, Njideka Akunyili Crosby, Henri Matisse, Vincent Van Gogh, Franz Marc, Emily Kame Kngwarreye, Wassily Kandinsky, Alice Neel, and many, many more.Find out how to look at and take great art to pieces - and decide for yourself what makes a masterpiece."I love this book. For anyone at any age who is as obsessed with the nuances of art history as I am, this book is for you, inspiring, fascinating, and thought-provoking, this book is your personal archaeologist, gently revealing new ways to see and look at art."Russell Tovey, actor "The wide and refreshing choice of artworks, the focus on revealing often surprising details and the lively and informative commentaries throughout, make this an essential book for any art-loving family."Louisa Buck, writer, and broadcaster"Zoom in and take art apart! This book focuses in on areas of surprising storytelling and amazing skill. How and why art is created has been made visible through loving inspection of some wonderful art works. This is a totally enjoyable book for children but also for parents, enabling conversations about ideas pictured in art."Bob & Roberta Smith RA, artist "Fun, engaging, and beautifully illustrated. Masterpieces in Pieces is a totally inspired way of looking at art history - I wish it had existed when I was young!" Jonathan Baldock, artist"This is a lovely book that looks at art from many angles. It is infinitely clever and knowledgeable, and at the same time innocent, in the best way." Matthew Collings, artist, writer, and broadcaster

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Cosy up in front of a fire and discover Christmas the Norwegian way…full of romance, cosy traditions and hygge! In the bleak midwinter… A really frosty wind is making Holly’s life absolutely miserable After all the years of hard work it took Londoner Holly Greene to become a doctor, now it could all be taken away and she only has herself to blame. She’s retreating to her brother’s rustic home on an island off the coast of Norway to lick her wounds. Only, it’s the middle of winter and icy slush plus endless darkness isn’t exactly the cheery, festive getaway she had imagined. Nearly stumbling off the edge of a cliff in the dark, Holly is saved by Frøy, a yellow-eyed cat of fearsome but fluffy proportions, and his owner – grouchy, bearded recluse, Tor. Tor has his own problems to face but the inexplicable desire to leave a bag of freshly baked gingerbread men on Holly’s doorstep is seriously getting in the way of his hermit routine. Call it kindness, call it Christmas, but Holly’s arrival means midwinter has never looked less bleak. Readers LOVE this book: ⭐⭐⭐⭐⭐ 'The perfect Christmassy escape!' – Laura, Amazon Reviewer ⭐⭐⭐⭐⭐ 'A beautiful and relaxing read, full of Christmassy togetherness. I really recommend it' – Roberta Reads ⭐⭐⭐⭐⭐ 'Definitely a book to cosy up with on an English cold damp day… I was sorry when it ended' Amazon Reviewer

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A New York Times New & Noteworthy Book • "Strange and affectionate, like Almost Famous penned by Shakespeare. A love letter to music in all its myriad iterations."—Kirkus Reviews • "This book has no business being as good as it is."—Christian Wiman In the year 2063, on the edge of the Crater formerly known as Montréal, a middle-aged man and his ex’s daughter search for a cult hero: the leader of a short-lived band named after a forgotten work of poetry and known to fans through a forgotten work of music criticism. In this exuberantly plotted verse novel, Guriel follows an obsessive cult-following through the twenty-first century. Some things change (there’s metamorphic smart print for music mags; the Web is called the “Zuck”). Some things don’t (poetry readings are still, mostly, terrible). But the characters, including a robot butler who stands with Ishiguro’s Stevens as one of the great literary domestics, are unforgettable. Splicing William Gibson with Roberto Bolaño, Pale Fire with Thomas Pynchon, Forgotten Work is a time-tripping work of speculative fiction. It’s a love story about fandom, an ode to music snobs, a satire on the human need to value the possible over the actual—and a verse novel of Nabokovian virtuosity.

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The path of a doctoral student can feel challenging and isolating. This guide provides doctoral students with key ideas and support to kick-start a doctoral journey, inspire progress and complete their thesis or dissertation. Featuring observations from experienced supervisors, as well as the reflections of current and recent postgraduate researchers, this intimate and entertaining book offers vital insights into the critical moments in any doctoral experience. Bringing together the voices of doctoral supervisors and candidates past and present from around the globe, How to Keep your Doctorate on Track will be a trusted companion for any PhD, DBA or EdD student. Supervisors and those offering support and guidance to doctoral candidates will also glean valuable insight into fresh approaches and their own practice. Contributors include: A. Alecsandru, F. Archontoulis, C. Atkinson, A. Byrnes-Johnstone, J. Callahan, A. Casey, R. Cole, O.S. Crocco, M. Cseh, Z. Djebali, G. Dobson, J. Donaghey, D.C. Duke, U. Furnier, V.O. Gekara, T. Gray, T.W. Greer, A. Hallin, B. Harney, G. Henry, C. Hughes, P. Jordan, M. Knox, S.F. Lambert, A. Lee, Q.Y. Lee, A. Lobo, R. Markey, N.S. Mauthner, E. McDonald, L. McKerr, D. Nickson, K. Nimon, E. Partlow, H. Prescott, N. Reynolds, S. Riaz, A. Robertson, J. Robinson, K. Rosenbusch, G. Ryan, J.J. Saunders, M. Shirmohammadi, M.K. Tran, A. Trif, M. Valverde, P. Watson Black, V. Webster, R. Whiting, C.F. Wright

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The contributors to Otherwise Worlds investigate the complex relationships between settler colonialism and anti-Blackness to explore the political possibilities that emerge from such inquiries. Pointing out that presumptions of solidarity, antagonism, or incommensurability between Black and Native communities are insufficient to understand the relationships between the groups, the volume's scholars, artists, and activists look to articulate new modes of living and organizing in the service of creating new futures. Among other topics, they examine the ontological status of Blackness and Indigeneity, possible forms of relationality between Black and Native communities, perspectives on Black and Indigenous sociality, and freeing the flesh from the constraints of violence and settler colonialism. Throughout the volume's essays, art, and interviews, the contributors carefully attend to alternative kinds of relationships between Black and Native communities that can lead toward liberation. In so doing, they critically point to the importance of Black and Indigenous conversations for formulating otherwise worlds. Contributors. Maile Arvin, Marcus Briggs-Cloud, J. Kameron Carter, Ashon Crawley, Denise Ferreira da Silva, Chris Finley, Hotvlkuce Harjo, Sandra Harvey, Chad B. Infante, Tiffany Lethabo King, Jenell Navarro, Lindsay Nixon, Kimberly Robertson, Jared Sexton, Andrea Smith, Cedric Sunray, Se’mana Thompson, Frank B. Wilderson

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The moving image has become a key marketing tool for luxury fashion, central in enabling brands to shape their visual codes and extend their brand awareness. Fashion Film is the first detailed study of the shifting shape of fashion imagery in the digital age, investigating the role of the moving image in the promotion, communication and spectacle of contemporary fashion. Combining interdisciplinary analysis of cinema and digital culture, this ground-breaking book traces the emergence of fashion film in the 21st century through its historical roots in pre-digital forms of photography, experimental cinema, mass-media advertising and documentary film-making, right up to today’s visual spread of contemporary fashion on video blogs, online magazines and live-streamed catwalk shows. Examining collaborations between fashion designers and pioneering image-makers such as Guy Bourdin, Jean-Paul Goode, William Klein and Nick Knight, the book highlights the critical tension between the fashion film conceived as a creative endeavour and as commercial enterprise. Fashion Film also includes a parallel focus on factual representations of fashion through the recent rise of documentary fashion film that goes behind the scenes to follow the processes and personalities involved in making fashion. Accessible and well-illustrated, Fashion Film will appeal to students and scholars of fashion, film, media, photography, celebrity, sociology and cultural studies.

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In The Great and the Good, Ireland's leading football pundit and legend of the game John Giles looks back on more than fifty years of football, at developments in the game from the post-War period to the present day, the great players who drove it forward, the visionary managers and their teams, and the age-old question of what makes a player good and what makes one great.From his earliest days, John Giles can recall pondering the subject. 'You'd hear about certain 'great' players, such as Stanley Matthews, but no one would ever explain why they were great. And it's a thing that has always frustrated me: trying to define what makes a player great, and what separates the great from the good.'Now the man himself brings us the answers and celebrates the great ones, from Stanley Matthews, Tom Finney, Dave Mackay, John Charles, Johnny Haynes and Jimmy Greaves to Pele, Franz Beckenbauer, John Robertson, Diego Maradona, Marco van Basten, Lionel Messi, Paul Scholes and many more. It will include a section on Irish players including detailed analysis of such greats as Roy Keane, Liam Brady and Paul McGrath. And, finally, Giles names the player he considers the greatest of them all.

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This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931–1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth. Hidden behind 20-foot-high granite walls, Milne’s house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast – both queer and otherwise – featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now. Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre.

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Some call it the American obsession, but men everywhere recognize the hypnotic allure of a large and shapely breast. In The Big Book of Breasts, Dian Hanson explores the origins of mammary madness through three decades of natural big-breasted nudes. Starting with the World War II Bosom-Mania that spawned Russ Meyer, Howard Hughes’s The Outlaw and Frederick’s of Hollywood, Dian guides you over, around, and in between the dangerous curves of infamous models including Michelle Angelo, Candy Barr, Virginia Bell, Joan Brinkman, Lorraine Burnett, Lisa De Leeuw, Uschi Digard, Candye Kane, Jennie Lee, Sylvia McFarland, Margaret Middleton, Paula Page, June Palmer, Roberta Pedon, Rosina Revelle, Candy Samples, Tempest Storm, Linda West, June Wilkinson, Julie Wills, and dozens more, including Guinness World Record holder Norma Stitz, possessor of the World`s Largest Natural Breasts. The 396 pages of this book contain the most beautiful and provocative photos ever created of these iconic women, plus nine original interviews, including the first with Tempest Storm and Uschi Digard in over a decade, and the last with Candy Barr before her untimely death in 2005. In a world where silicone is now the norm, these spectacular real women stand as testament that nature knows best.

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*NEW EDITION FEATURING UPDATED MATERIAL*'Erudite, interesting and, above all, entertaining' ALAN JOHNSON, FORMER UK HOME SECRETARY'A racy, engrossing read' PROFESSOR IAN ROBERTSON'Incredibly absorbing, leaving even the most confident orator with food for thought' PSYCHOLOGIES Communication can make the difference between failure and success. When communication goes badly, it's a nightmare. When it goes well, it's the stuff of dreams. In this revelatory and entertaining guide, top speechwriter Simon Lancaster reveals that the secret to great communication lies not in logic alone, but in skilfully connecting with people's deepest instincts and emotions. Through the power of connections, it is possible to transform people's perceptions about almost anything, making the scary safe, the unfamiliar familiar, and even turning a 'no' into a 'yes'. Drawing on cutting-edge neuroscience and ancient rhetoric, Lancaster examines ten powerful connections you can instantly make to change how people think, feel and act. Forget incomprehensible acronyms, mixed metaphors and jumbled jargon; with these connections, you can literally get people's mouths watering, make their hearts race and leave them addicted to your presence. Packed with wisdom, humour and actionable methods, Connect is the ultimate guide to great communication, giving you the power to inspire, influence and energise anyone, anywhere, anytime.

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Reclaiming the notion of literature as an institution essential for reflecting on the violence of culture, history, and politics, Violence and Naming exposes the tension between the irreducible, constitutive violence of language and the reducible, empirical violation of others. Focusing on an array of literary artifacts, from works by journalists such as Elena Poniatowska and Sergio González Rodríguez to the Zapatista communiqués to Roberto Bolaño's The Savage Detectives and 2666, this examination demonstrates that Mexican culture takes place as a struggle over naming—with severe implications for the rights and lives of women and indigenous persons.Through rereadings of the Conquest of Mexico, the northern Mexican feminicide, the Zapatista uprising in Chiapas, the disappearance of the forty-three students at Iguala in 2014, and the 1999 abortion-rights scandal centering on “Paulina,” which revealed the tenuousness of women’s constitutionally protected reproductive rights in Mexico, Violence and Naming asks how societies can respond to violence without violating the other. This essential question is relevant not only to contemporary Mexico but to all struggles for democracy that promise equality but instead perpetuate incessant cycles of repression.

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It is unusual for styles in opera to carry over from one era into another. It would be even more unusual for one era's characteristics to linger two generations into the next. Yet this is precisely what happened during the first half of the nineteenth century, when the intricacies of the fleet bel canto style were combined with the Romantic era's heroic declamation and formidable orchestral emphasis resulting in the creation of the assoluta voice.This work traces the emergence of the impressive vocal writing that resulted from the marriage of the bel canto and Romantic eras. It also covers the uniquely versatile divas who were given the opportunities to make their mark on opera from the time of Cherubini to that of a young Verdi. Here, both the wide-ranging vocalism in the scores themselves and the artists capable of performing this style are referred to as assoluta. The chapters consider Luigi Cherubini's ""Medee"", Gioacchino Rossini's ""Armida"", Carl Maria von Weber's ""Oberon"", Gaetano Donizetti's ""Anna Bolena"", Vincenzo Bellini's ""Norma"", Donizetti's ""Gemma di Vergy"" and ""Roberto Devereux"", the time of transition in the late 1800s and early 1900s, and Giuseppe Verdi's ""Nabucco"" and ""Macbeth"".

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Be Here Now will show you how to discover your 'now', building resilience and nurturing your own inner sanctuary by treasuring the world, just as it is now, in all its simplicity and authenticity. Beautifully written and illustrated by acclaimed artist Meredith Gaston Masnata with photographs by Roberto Masnata, Be Here Now shows you how easy it is to reconnect with the moment, pushing aside life's challenges to rediscover the simple things in life. This inspiring book will assist you to relax and enjoy the moment, a skill that should never be forgotten.

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The Storm at Sea: Political Aesthetics in the Time of Shakespeare counters a tradition of cultural analysis that judges considerations of aesthetic autonomy in the early modern context to be either anachronistic or an index of political disengagement. Pye argues that for a post-theocratic era in which the mise-en-forme of the social domain itself was for the first time at stake, the problem of the aesthetic lay at the very core of the political; it is precisely through its engagement with the question of aesthetic autonomy that early modern works most profoundly explore their relation to matters of law, state, sovereignty, and political subjectivity. Pye establishes the significance of a “creationist” political aesthetic—at once a discrete historical category and a phenomenon that troubles our familiar forms of historical accounting—and suggests that the fate of such an aesthetic is intimately bound up with the emergence of modern conceptions of the political sphere. The Storm at Sea moves historically from Leonardo da Vinci to Thomas Hobbes; it focuses on Shakespeare and English drama, with chapters on Hamlet, Othello, A Winter’s Tale, and The Tempest, as well as sustained readings of As You Like It, King Lear, Thomas Kyd’s Spanish Tragedy, and Christopher Marlowe’s Doctor Faustus. Engaging political thinkers such as Carl Schmitt, Giorgio Agamben, Claude Lefort, and Roberto Esposito, The Storm at Sea will be of interest to political theorists as well as to students of literary and visual theory.

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El hecho de que todas las teorías morales contemporáneas continúen dialogando aún hoy con las premisas y planteamientos formulados por Immanuel Kant (1724-1804) permite hablar, en la historia de la ética, de un antes y un después del filósofo de Königsberg, cesura que viene marcada por el carácter de punto de inflexión que, para la filosofía moral, representa su formalismo ético. En este sentido, cabe calificar la ?Crítica de la razón práctica? (1788) ?uno de los textos kantianos capitales? como una verdadera ?biblia? por lo que atañe al pensamiento moral de la modernidad. La presente edición, a cargo de Roberto R. Aramayo, une al depurado rigor de la traducción y las notas unos útiles índices que contribuyen al manejo y estudio de la obra, así como una cronología que la sitúa en su adecuado contexto.

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Publicado en 1798, "El conflicto de las Facultades" es el último libro que dio a la imprenta Immanuel Kant (1724-1804). Dividida en tres partes, la obra trata del papel que deben desempeñar los filósofos en la universidad, reivindicando un espíritu crítico que hace ocupar a la filosofía el ala izquierda del parlamento universitario con el fin de preservar los intereses de la razón y de la verdad frente a los dictados dogmáticos del poder político, siempre según los objetivos programáticos de la Ilustración. En esta nueva edición revisada, Roberto R. Aramayo presenta la obra ateniéndose al esquema planteado por el autor para la misma e incluye dos textos kantianos adicionales relacionados con ella: la Reflexión 8077 y unos Borradores de la Segunda sección de la obra.

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In Rudolf Steiner's teachings he speaks about the 'Christ impulse', a universal force that exists independently of Christian churches, working for all humanity.This rich collection of essays explores the question, what does Rudolf Steiner mean by the Christ Impulse and how can one speak about it in Waldorf teacher education programs and schools without it being misconstrued? The essays are written by experienced Waldorf teachers and leaders in the Steiner-Waldorf movement including Roberto Trostli, Douglas Sloan, Betty Staley and Dorit Winter. Chapters include: How Do Teachers Transform Themselves and Come to Experience the Christ Impulse, The Chariot of Michael, and Anthroposophy Is Not a Religion.

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Since the collapse of communism in Eastern Europe, the validity of Marxism and Marxist theory has undergone intense scrutiny both within and outside the academy. In Lukács After Communism, Eva L. Corredor conducts ten lively and engaging interviews with a diverse group of international scholars to address the continued relevance of György Lukács’s theories to the post-communist era. Corredor challenges these theoreticians, who each have been influenced by the man once considered the foremost theoretician of Marxist aesthetics, to reconsider the Lukácsean legacy and to speculate on Marxist theory’s prospects in the coming decades.The scholars featured in this collection—Etienne Balibar, Peter Bürger, Terry Eagleton, Fredric Jameson, Jacques Leenhardt, Michael Löwy, Roberto Schwarz, George Steiner, Susan Suleiman, and Cornel West—discuss a broad array of literary and political topics and present provocative views on gender, race, and economic relations. Corredor’s introduction provides a biographical synopsis of Lukács and discusses a number of his most important theoretical concepts. Maintaining the ongoing vitality of Lukács’s work, these interviews yield insights into Lukács as a philosopher and theorist, while offering anecdotes that capture him in his role as a teacher-mentor.

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In this volume, Garnet C. Butchart shows how human communication can be understood as embodied relations and not merely as a mechanical process of transmission. Expanding on contemporary philosophies of speech and language, self and other, and community and immunity, this book challenges many common assumptions, constructs, and problems of communication theory while offering compelling new resources for future study.Human communication has long been characterized as a problem of transmitting information, or the “outward” sharing of “inner thought” through mediated channels of exchange. Butchart questions that model and the various theories to which it gives rise. Drawing from the work of Giorgio Agamben, Roberto Esposito, Jean-Luc Nancy, and Jacques Lacan—thinkers who, along with Martin Heidegger and Michel Foucault, have critiqued the modern notion of a rational subject—Butchart shows that the subject is shaped by language rather than preformed, and that humans embody, and not just use, the signs and contexts of interaction that form what he calls a “communication community.”Accessibly written and engagingly researched, Embodiment, Relation, Community is relevant for researchers and advanced students of communication, cultural studies, translation, and rhetorical studies, especially those who work with a humanistic or interpretive paradigm.

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Success in elite football demands both mental and physical excellence. Players must make decisions at lightning speed, and execute those decisions with perfect technique, combined with an ultra-clear understanding of where others - their team-mates and their opponents - are at all times. In The Futsal Way, world-renowned futsal coach Sergio Gargelli and veteran writer Paul Challen make the case that today's elite football clubs require futsal coaches on their staff to take their teams to the next level - as many have already done. With photos, diagrams and clear explanations, they demonstrate how top-level coaches can use futsal to produce exceptional players in the 11-a-side game - as seen in the amazing technical ability of many Brazilian and Spanish players who grew up playing futsal. With a foreword by Euro 2020-winning manager Roberto Mancini, this book is a must for any team or coach looking to keep pace with modern training techniques and tactical developments. It combines in-depth instruction with real-life examples.

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Through what Joyce described as their "style of scrupulous meanness," the stories present a direct, sometimes searing view of Dublin in the early twentieth century. The text of this Norton Critical Edition is based on renowned Joyce scholar Hans Walter Gabler’s edited text and includes his editorial notes and the introduction to his scholarly edition, which details and discusses Dubliners’ complicated publication history. "Contexts" offers a rich collection of materials that bring the stories and the Irish capital to life for twenty-first century readers, including photographs, newspaper articles and advertising, early versions of two of the stories, and a satirical poem by Joyce about his publication woes. "Criticism" brings together eight illuminating essays on the most frequently taught stories in Dubliners—"Araby," "Eveline," "After the Race," "The Boarding House," "Counterpoints," "A Painful Case," and "The Dead." Contributors include David G. Wright, Heyward Ehrlich, Margot Norris, James Fairhall, Fritz Senn, Morris Beja, Roberta Jackson, and Vincent J. Cheng.

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An estimated 9 million children every year are affected by pediatric spinal deformities, encompassing a broad spectrum of pathologies. New classification systems, innovative imaging modalities, and advances in surgical techniques have contributed to a continually evolving, evidence-based treatment paradigm. Patient variables such as the age of onset, severity, course of deformity progression, as well as the availability of technology pose individualized challenges. AOSpine Masters Series, Volume 9: Pediatric Spinal Deformity is a concise yet comprehensive review of fundamental surgical and nonsurgical approaches, contemporary issues, and treatment obstacles. Internationally renowned spine surgeons Luis Roberto Vialle, Marinus de Kleuver, and Sigurd Berven and a cadre of esteemed contributors deliver a state-of-the-art reference on deformities of the pediatric spine. From early childhood to adolescent spine disorders, 17 richly illustrated chapters cover diagnosis, preoperative evaluation, imaging, spine surgery interventions, non-fusion procedures, and long-term management. Key Highlights Overviews on the classification and natural history of early onset scoliosis and adolescent idiopathic scoliosis, with subsequent chapters covering non-operative management and contemporary surgical techniques Evidence-based discussion of long-term surgical care outcomes, indications for revision surgery, and strategies for achieving optimal results Management of congenital and developmental kyphosis, lordosis, syndromic conditions, and low and high grade spondylolisthesis Clinical pearls on spine surgery in the developing world, safety issues and complications, and the importance of developing outcome metrics The AOSpine Masters series, a copublication of Thieme and the AOSpine Foundation, addresses current clinical issues featuring international masters sharing their expertise in the core areas in the field. The goal of the series is to contribute to an evolving, dynamic model of evidence-based approach to spine care. This outstanding textbook is a must have for spine surgeons, in particular those who specialize in treating childhood spine disorders. Orthopaedic and neurosurgery residents, as well as veteran surgeons with extensive knowledge will find this an indispensable tool for daily practice.

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Through extensive interviews with one player in every key position on and off the pitch - including Manuel Neuer, Vincent Kompany, Xabi Alonso, Chicharito, Christian Pulisic, Roberto Martinez and Michael Zorc - Grant Wahl (Sports Illustrated) breaks down the technical and tactical revolution that has transformed modern football.

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Shattered Dreams delves into the personal stories and recollections of several men and women who were in line to fly a specific or future space mission but lost that opportunity due to personal reasons, mission cancellations, or even tragedies. While some of the subjects are familiar names in spaceflight history, the accounts of others are told here for the first time. Colin Burgess features spaceflight candidates from the United States, Russia, Indonesia, Australia, and Great Britain.Shattered Dreams brings to new life such episodes and upheavals in spaceflight history as the saga of the three Apollo missions that were cancelled due to budgetary constraints and never flew; NASA astronaut Patricia Hilliard Robertson, who died of burn injuries after her airplane crashed before she had a chance to fly into space; and a female cosmonaut who might have become the first journalist to fly in space. Another NASA astronaut was preparing to fly an Apollo mission before he was diagnosed with a disqualifying illness. There is also the amazing story of the pilot who could have bailed out of his damaged aircraft but held off while heroically avoiding a populated area and later applied to NASA to fulfill his cherished dream of becoming an astronaut despite having lost both legs in the accident. These are the incredibly human stories of competitive realists fired with an unquenchable passion. Their accounts reveal in their own words—and those of others close to them—how their shared ambition would go awry through personal accidents, illness, the Challenger disaster, death, or other circumstances.

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Corporate social responsibility now touches upon most aspects of the interaction between business and society. The approaches taken to research in this area are as varied as the topics that are researched; yet this is the first book to address the whole range of methods available. The Handbook identifies the methods available, evaluates their use and discusses the circumstances in which they might be appropriate.The design of a research project is an essential part of undertaking research, as is choosing appropriate methods for investigation and analysis. In addition, business and management research raises theoretical and practical problems that are not encountered in other fields. The chapters address this challenge over distinct parts. Part I on methodology planning is concerned with various aspects of planning the research project, including secondary data and ethics in the research process. Parts II and III outline quantitative and qualitative methods respectively, covering the vast majority of relevant approaches. Part IV provides forward-thinking guidance from experienced academics on the future directions of research in the area.Aimed specifically at researchers, this comprehensive and in-depth Handbook provides and essential resource for anyone working at the forefront of CSR research.Contributors include: K. Abadi, G.K. Amoako, A. Behl, S. Bhattacharya, C. Boachie, N. Capaldi, J.G. Clavel, J. Claydon, D. Crowther, F. de Paiva Duarte, M. Green, J. Gunawan, M.A. Islam, R. Kalinauskaite, H.Z. Khan, Md.R. Khan, L.M. Lauesen, S. Moggi, E. Ortiz, I. Oruc, D.E.R. Ospina, J.F.M. Ospina, L. Raimi, J.D. Rendtorff, F. Robertson, M. Samy, S. Seifi, H. Semeen, M. Sethi, H.J. Shaw, J.J.A. Shaw, L. Tauginiene, D. Turker, V.G. Venkatesh, K. Yekini, V. Zydziunaite

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Corporate social responsibility now touches upon most aspects of the interaction between business and society. The approaches taken to research in this area are as varied as the topics that are researched; yet this is the first book to address the whole range of methods available. The Handbook identifies the methods available, evaluates their use and discusses the circumstances in which they might be appropriate.The design of a research project is an essential part of undertaking research, as is choosing appropriate methods for investigation and analysis. In addition, business and management research raises theoretical and practical problems that are not encountered in other fields. The chapters address this challenge over distinct parts. Part I on methodology planning is concerned with various aspects of planning the research project, including secondary data and ethics in the research process. Parts II and III outline quantitative and qualitative methods respectively, covering the vast majority of relevant approaches. Part IV provides forward-thinking guidance from experienced academics on the future directions of research in the area.Aimed specifically at researchers, this comprehensive and in-depth Handbook provides and essential resource for anyone working at the forefront of CSR research.Contributors include: K. Abadi, G.K. Amoako, A. Behl, S. Bhattacharya, C. Boachie, N. Capaldi, J.G. Clavel, J. Claydon, D. Crowther, F. de Paiva Duarte, M. Green, J. Gunawan, M.A. Islam, R. Kalinauskaite, H.Z. Khan, Md.R. Khan, L.M. Lauesen, S. Moggi, E. Ortiz, I. Oruc, D.E.R. Ospina, J.F.M. Ospina, L. Raimi, J.D. Rendtorff, F. Robertson, M. Samy, S. Seifi, H. Semeen, M. Sethi, H.J. Shaw, J.J.A. Shaw, L. Tauginiene, D. Turker, V.G. Venkatesh, K. Yekini, V. Zydziunaite

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Today’s warfare has moved away from being an event between massed national populations and toward small numbers of combatants using high-tech weaponry. The editors of and contributors to the timely collection Transformations of Warfare in the Contemporary World show that this shift reflects changes in the technological, strategic, ideological, and ethical realms.The essays in this volume discuss:·the waning connection between citizenship and soldiering; ·the shift toward more reconstructive than destructive activities by militaries; ·the ethics of irregular or asymmetrical warfare; ·the role of novel techniques of identification in military settings; ·the stress on precision associated with targeted killings and kidnappings; ·the uses of the social sciences in contemporary warfare. In his concluding remarks, David Jacobson explores the extent to which the contemporary transformation of warfare is a product of a shift in the character of the combatants themselves. Contributors include: Ariel Colonomos, Roberto J. González, Travis R. Hall, Saskia Hooiveld, Rob Johnson, Colonel C. Anthony Pfaff, Ian Roxborough, and the editors

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A leading member of the new Afro-Cuban cultural movement, visual artist Juan Roberto Diago (b. 1971) has produced a body of work that offers a revisionist history of the Cuban nation. His “history”—a term he frequently inserts in his works using the visual language of graffiti—is not the official narrative of a racially harmonious nation, built thanks to the selfless efforts of generous white patriots. Diago’s Cuba is a nation built on pain, rape, greed, and the enslavement of millions of displaced Africans, a nation still grappling with the long-term effects of slavery and colonialism. To him, slavery is not the past, but a daily experience of racism and discrimination. Africa is not a root, but a wellspring of cultural renovation and personal affirmation, the ancestors that sustain him in his journey.In the first examination of Diago’s creative work during his entire career, Alejandro de la Fuente provides parallel English- and Spanish-language text, illustrated throughout. The book traces Diago’s singular efforts to construct new pasts—the pasts required to explain the racial tensions of contemporary Cuba and the pasts of this Afro-Cuban present.

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Featuring essays by some of the most prominent names in contemporary political and cultural theory, Sovereignty in Ruins presents a form of critique grounded in the conviction that political thought is itself an agent of crisis. Aiming to develop a political vocabulary capable of critiquing and transforming contemporary political frameworks, the contributors advance a politics of crisis that collapses the false dichotomies between sovereignty and governmentality and between critique and crisis. Their essays address a wide range of topics, such as the role history plays in the development of a politics of crisis; Arendt's controversial judgment of Adolf Eichmann; Strauss's and Badiou's readings of Plato's Laws; the acceptance of the unacceptable; the human and nonhuman; and flesh as a biopolitical category representative of the ongoing crisis of modernity. Altering the terms through which political action may take place, the contributors think through new notions of the political that advance countermodels of biopolitics, radical democracy, and humanity. Contributors. Judith Butler, George Edmondson, Roberto Esposito, Carlo Galli, Klaus Mladek, Alberto Moreiras, Andrew Norris, Eric L. Santner, Adam Sitze, Carsten Strathausen, Rei Terada, Cary Wolfe

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The verb esperar means to wait. It also means to hope.—“The Past Was a Small Notebook, Much Scribbled-Upon”, Cora Siré Waiting, that most human of experiences, saturates all of our lives. We spend part of each day waiting—for birth, death, appointments, acceptance, forgiveness, redemption. This collection of thirty-two personal essays is as much about hope as it is about waiting. Featuring literary voices from the renowned to the emerging, this anthology of contemporary creative nonfiction will resonate with anyone who has ever had to wait. Contributors: Samantha Albert, Rona Altrows, Sharon Butala, Jane Cawthorne, Weyman Chan, Rebecca Danos, Patti Edgar, John Graham-Pole, Leslie Greentree, Edythe Anstey Hanen, Vivian Hansen, Jane Harris, Richard Harrison, Elizabeth Haynes, Lee Kvern, Anne Lévesque, Margaret Macpherson, Alice Major, Wendy McGrath, Stuart Ian McKay, Lorri Neilsen Glenn, Susan Olding, Roberta Rees, Julie Sedivy, Kathy Seifert, Cora Siré, Steven Ross Smith, Anne Sorbie, Glen Sorestad, Kelly S. Thompson, Robin van Eck, Aritha van Herk

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Mert Alas, born in Turkey, and Marcus Piggott, born in Wales, met in 1994, at a party on a pier in Hastings, England. Piggott asked Alas for a light, the pair got talking, and rapidly discovered they had plenty in common, not least a love of fashion. Three years later, the duo now known as Mert and Marcus had moved into a derelict loft in East London, converted it into a studio, and had their first collaborative photographic work published in Dazed & Confused. These days, Mert and Marcus shape the global image of such renowned brands as Giorgio Armani, Roberto Cavalli, Fendi, Miu Miu, Gucci, Yves Saint Laurent, Givenchy, and Lancôme, and public figures including Lady Gaga, Madonna, Jennifer Lopez, Linda Evangelista, Gisele Bündchen, Björk, Angelina Jolie, and Rihanna. Their photographs encompass a wide range of styles and influences but are renowned particularly for their use of digitized augmentation of images, and a fascination for strong, sexually charged, confident female subjects: “powerful women, women with a meaning, a you-don’t-have-to-talk-or-move-too-much-to-tell-who-you-are kind of woman.” Bringing our best-selling Collector’s Edition to an affordable, compact format, this collection explores the unique vision of a creative partnership that has defined and redefined standards for glamour, fashion, and luxury. Approximately 300 images from the megawatt Mert and Marcus portfolio are accompanied by an introduction by Charlotte Cotton.

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The end of the Second World War saw the emergence of neorealist film in Italy. In Italian Neorealist Cinema, Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films as assemblies of sounds and images rather than as representations of historical reality. If Roberto Rossellini's Roma citt aperta and Pais , and Vittorio De Sica's Ladri di biciclette are still, half a century after they were made, among the most highly valued artefacts in the history of cinema, Wagstaff suggests that this could be due to the aesthetic and rhetorical qualities of their assembled narratives, performances, locations, lighting, sound, mise en sc ne, and montage. This volume begins by situating neorealist cinema in its historical, industrial, commercial and cultural context, and makes available for the first time a large amount of data on post-war Italian cinema. Wagstaff offers a theoretical discussion of what it means to treat realist films as aesthetic artefacts before moving on to the core of the book, which consists of three studies of the films under discussion. Italian Neorealist Cinema not only offers readers in Film Studies and Italian Studies a radically new perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric, as well as cinema in general.

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‘The game isn’t what it seems from the outside. The game isn’t quite what I was expecting. The game doesn’t always work like the people on television think it does. The game is better, worse and stranger than you can imagine, and that is coming from someone who saw it all with their own eyes.’ Ever wondered what really goes on inside a Premier League dressing room, what it’s like to train under Roy Hodgson, Roberto Mancini and Fabio Capello – and what happens when you kick a sandwich at one of them? When it comes to football, former Manchester City and England star Micah Richards has seen it all – and laughed about most of it. In The Game, Micah shares his funniest and frankest stories from on and off the pitch, be it arriving at his first England training session with two left boots, attempting to supervise the infamous Mario Balotelli or winding up Roy Keane on Super Sunday. From how he spent his first Premier League paycheque and how he prepared – financially and mentally – for the day they stopped coming, to the euphoria of lifting the Premier League trophy and the physical and emotional impact of injury, Micah reflects openly on the many wins and losses in professional football. Full of Micah’s signature cheeky wit, this intimate, unmissable memoir goes behind the scenes of the beautiful game and a remarkable life and career.

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The articles in the 2015 SMC Journal contain a blend of excitement and reflection. Julian Lines takes us on a witty deep water soloing course; Guy Robertson is on Beinn Eighe in winter; Graham Little goes climbing in the Balkans and Andy Nisbet has discovered another new winter crag. In completely different mode Iain Smart reflects on the changes taking place in the climbing world by casting ironic glances at his experiences in the public bar at the Kingshouse over the last 50 years. See if you can work out the allusions in The Heights of Allusion by M J Cobb, or follow Iain Crofton's drift in The Hills are Alive.Mike Dixon describes his research into the life of Tom Patey. Jimmy Cruickshank discusses Robin Smith. Hamish Johnston examines the life of Matthew Heddle, distinguished geologist and early explorer of Scotland's mountains and Peter Foster explores the life of another great character from the past the Vagabond Professor T Graham Brown. A wealth of other articles takes the reader from Himalayan peaks to Skye, Knoydart and the Western Isles. For the Munro enthusiast there is the indispensable Munro Matters: the one and only comprehensive guide to the List of those who have completed and told.The Journal carries the most up to date list in print of new climbs made in Scotland in the last year, while the reviews section has over 20 reviews by knowledgeable reviewers of recently published mountaineering books.

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In 1960, when World War II might seem to have been receding into history, a number of artists and writers instead turned back to it. They chose to confront the unprecedented horror and mass killing of the war, searching for new creative and political possibilities after the conservatism of the 1950s in the long shadow of genocide.Al Filreis recasts 1960 as a turning point to offer a groundbreaking account of postwar culture. He examines an eclectic group of artistic, literary, and intellectual figures who strove to create a new language to reckon with the trauma of World War II and to imagine a new world. Filreis reflects on the belatedness of this response to the war and the Holocaust and shows how key works linked the legacies of fascism and antisemitism with American racism. In grappling with the memory of the war, he demonstrates, artists reclaimed the radical elements of modernism and brought forth original ideas about testimony to traumatic history.1960 interweaves the lives and works of figures across high and popular culture—including Chinua Achebe, Hannah Arendt, James Baldwin, Amiri Baraka, Paul Celan, John Coltrane, Frantz Fanon, Roberto Rossellini, Muriel Rukeyser, Rod Serling, and Louis Zukofsky—and considers art forms spanning poetry, fiction, memoir, film, painting, sculpture, teleplays, musical theater, and jazz. A deeply interdisciplinary cultural, literary, and intellectual history, this book also offers fresh perspective on the beginning of the 1960s.

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