Search results for ""author simon"

Enter the world of sports fashion, and exercise in style. This is the story of the biggest names in sport and the brands who have clothed them. Puma, Nike, Adidas, Hugo Boss, Ralph Lauren, Chanel, Prada and many others, reveal the secrets of glamorous sportswear in a book that is as sleek and streamlined as their creations. Power and glamour merge with competition and performance, as the spheres of sport and fashion collide.Contents:IntroductionHistory of Sportswear in High FashionThe American Legacy in SportswearSportswear is Big BusinessLeading Sports: Basketball; Running; Football; Tennis; Skiing; Surfing; Swimming; Golf; Cycling; Polo; Sailing; American Football.Brands: Nike; Puma; Adidas; Lacoste; Bogner; O''Neill; Speedo; Hugo Boss Green; Assos; Ralph Lauren; Paul and Shark; Under Armour.Designers: Patrizia Pepe; Stella McCartney; Ermanno Scervino; James Lee (Bjorn Borg); Simonetta Ravizza; Philipp Plein; Harold MacKeene; Steven Deduytsche; Rick Owens; Hackett; Lagerfeld (Chanel)

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This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor

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This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor

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In 1758 Diderot's friend the Marquis de Croismare became interested in the cause célèbre of a nun who was appealing to be allowed to leave a Paris convent. Less than a year later, in an affectionate attempt to trick his friend, Diderot created this masterpiece - a fictitious set of desperate and pleading letters to the Marquis from a teenage girl forced into the nunnery because she is illegitimate. In these letters, the impressionable and innocent Suzanne Simonin describes the cruelty and abuse she has suffered in an institution poisoned by vicious gossip, intrigues, persecutions and deviance. Considered too subversive during Diderot's lifetime, The Nun first appeared in print in 1796 following the Revolution. Part gripping novel, part licentious portrayal of sexual fervour and part damning attack on oppressive religious institutions, it remains one of the most utterly original works of the many eighteenth-century.

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The country of origin of goods and services can have positive or negative effect on customers' intentions to purchase. This book analyzes the impact of this effect on the international development of Italian companies in emerging markets.The chapters refer to a wide range of issues, including made-in effects in relation to ethnocentrism and to corporate social responsibility in small and medium-sized enterprises; the interactions and synergistic effects between product-related made-in images and the images of places as tourism destinations; distribution channel issues; 'made-in topics' in relation to emerging markets; and a review of the relevant literature on country of origin effects. The contributors propose strategies and tools that companies might leverage to develop their international marketing and suggest policies that might strengthen these efforts.This original work will prove to be a valuable resource for students and researchers of international marketing and strategy as well as policy makers.Contributors: B. Balboni, L. Battaglia, G. Bertoli, G. Bortoluzzi, T. Bursi, E. Cedrola, A. De Chiara, P. de Luca, A. De Nisco, B. Francioni, S. Grappi, G. Mainolfi, V. Marino, E. Martinelli, M. Matarazzo, F. Musso, M.R. Napolitano, A. Pagano, T. Pucci, R. Resciniti, C. Simoni, D. Vianelli, M. Vignola, L. Zanni

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Gender Gap, curated by Laura Andreini, documents an exhibition of projects and maquettes by 20 international female architects. Created in conjunction with “The Architect’s Table”, a series of events held at the Museo Novecento in Florence in 2021, the architects featured here address the personal challenges they have encountered in the course of their careers in a field where men are still the predominant players, and offer their observations on women in architecture in the 21st century. In separate chapters, the show highlights work by Carmen Andriani, Sandy Attia, Cristina Celestino, Izaskun Chinchilla, Maria Claudia Clemente, Isotta Cortesi, Elizabeth Diller, Lina Ghothmeh, Carla Juaçaba, Fuesanta Nieto, Simona Ottieri, Carme Pigem, Guendalina Salimei, Marella Santangelo, Maria Alessandra Segantini, Benedetta Tagliabue, Monica Tricario, Patricia Viel, Paola Viganò and Laura Andreini, curator of the exhibition and catalogue.

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An electrifying account of black ops, black dogs and weaponised folklorethat is unlike anything you''ve ever seen. Best in show. Alan MooreAjoy to read. The GuardianMeet Lou: a street musician savaged by asupernatural terror.Meet Lou: crossing war-torn Afghanistan with a unit ofshapeshifting soldiers.Meet Lou: a monstress held captive by the rogue beastshe was sent to kill.CRY HAVOC interweaves three stages of a remarkablelife into a critically-exalted saga of military, myth and mania.SIMONSPURRIER (X-Men Legacy, Marvel Zombies, Doctor Who) and RYAN KELLY (Local,Northlanders, Saucer Country) collaborate with multiple superstar coloristsFILARDI, LOUGHRIDGE & WILSON to push the envelope of comicbook storytellingin an unprecedented, monstrous direction.Sharp, compulsive, human,edgy. Wow. We''re sold. - The QuietusFlawless. - TheNerdistStructurally ambitious, the intelligence and artistry of thiscreative team brings depth

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Inferno rages as the first X-book crossover event! Chris Claremont, the man who made Marvel''s mutants an industry unto themselves, takes the X-Men to hell and back - and damnation couldn''t look any better than with legends Marc Silvestri and Walter Simonson behind the art boards! The ''Inferno'' saga brings together the many threads that Mr. Sinister has been weaving, the machinations of the demon N''astirh and the lives of X-Men past and present. In one of Marvel''s most devastatingly personal epics, the startling secret of Madelyne Pryor is revealed - and the X-Men and X-Factor will face each other for the first time! This newly restored edition also features the return of the alien Brood, the introduction of the mutant apartheid nation Genosha, and a Savage Land adventure drawn by Arthur Adams! Collecting: Uncanny X-Men (1981) 232-243, X-Men Annual (1970) 12, X-Factor (1986) 37-39

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In ancient Greece different city-states often fought one another in deadly battles. But every four years the Greeks set aside their differences to honor the gods and compete peacefully in the Olympic Games. Learn all about the athletes, competitions, and religious ceremonies of the ancient Olympics.

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Freshwater fishing is the perfect combination of relaxation and excitement. When you’re not peacefully looking out at the water, you’re reeling in the big one! Readers will learn all about the gear and skills they need to help them reel in the fish they’re hoping to hook!

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The mountain habitat can provide shelter and water for cunning predators, and the wolf and the golden eagle thrive there. The wolf can travel 50 miles a day to find prey. The striking force of a golden eagle’s talons can be compared to that of a bullet. But which animal is the fiercest of the ecosystem? Compare and contrast each animal’s features and skills before you declare the winning predator.

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The icy cold Arctic is home to both the powerful polar bear and intelligent orca, two mighty predators. But which animal is the fiercest of the ecosystem? Does the polar bear’s patience in stalking its prey and strength in attack put it on top? Or does the orca’s ability to work in a pod give it the edge? Compare and contrast each animal’s features and skills before you declare the winning predator.

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Animals are living things. They need certain things to grow and live. What are they? Let’s investigate what animals need to survive!

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Animals are living things. They need certain things to grow and live. What are they? Let’s investigate what animals need to survive!

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You push your friend while they swing. You pull open a door. What happens when you push or pull an object? Let’s investigate pushing and pulling forces!

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The icy cold Arctic is home to both the powerful polar bear and intelligent orca, two mighty predators. But which animal is the fiercest of the ecosystem? Does the polar bear’s patience in stalking its prey and strength in attack put it on top? Or does the orca’s ability to work in a pod give it the edge? Compare and contrast each animal’s features and skills before you declare the winning predator.

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This collection of chapters comprises timely aspects of two rapidly growing bodies of academic research: entrepreneurship and economic freedom.Expert editors add to an important field of research, the economics of entrepreneurship, and explore how institutions influence entrepreneurial behavior. This book provides comprehensive and contemporary insights into the interaction between economic behavior of firms and households, economic freedom, and entrepreneurship, and how it generates an environment with greater opportunities for growth and development for individuals, households, and private-sector firms.This advanced and revolutionary book will prove to be a valuable tool for academics conducting research in entrepreneurship and/or economic freedom as well as for graduate students studying in these areas. The volume also provides insight into the measurement and value of economic freedom around the world, making it a useful resource for policymakers and practitioners. Contributors: G.M. Alexander, N.J.Ashby, D.L. Bennett, J. Bologna, R. Boylan, S.B. Caudill, T. Cavusoglu, R.J. Cebula, J.R. Clark, S.O. Crofton, O. Dincer, R.K. Goel, D.M. Gropper, R.W. Hafer, Joshua C. Hall, V. Hartarska, J.C. Heckelman, R.G. Holcombe, J.V. Koch, R. Lawson, D.R. Lee, J.E. Long, F.G. Mixon, Jr., R. Murphy, M.A. Nelson, B. Nikolaev, J.E. Payne, R.M. Robinson, M.G. Simonton, D. Stansel, D. Tarabar, R. Vedder

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Precious snippets of ancient song.The five volumes in the Loeb Classical Library edition of Greek Lyric contain the surviving fragments of solo and choral song. This poetry was not preserved in medieval manuscripts, and few complete poems remain. Later writers quoted from the poets, but only so much as suited their needs; these quotations are supplemented by papyrus texts found in Egypt, most of them badly damaged. The high quality of what remains makes us realize the enormity of our loss. Volume I presents Sappho and Alcaeus. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century). Volume V contains the new school of poets active from the mid-fifth to the mid-fourth century and also collects folk songs, drinking songs, hymns, and other anonymous pieces.

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More than ever, architecture is in need of provocation, a new path beyond the traditional notion that buildings must serve as vessels, or symbols of something outside themselves. Non-Referential Architecture is nothing less than a manifesto for a new architecture. It brings together two leading thinkers, architect Valerio Olgiati and theorist Markus Breitschmid, who have grappled with this problem since their first encounter in 2005. In a world that itself increasingly rejects ideologies of any kind, Olgiati and Breitschmid offer Non-Referential Architecture as a radical, new approach free from rigid ideologies. Non-referential buildings, they argue, are entities that are themselves meaningful outside a vocabulary of fixed symbols and images, and their historical connotations. For more than a decade, Olgiati and Breitschmid's thinking has placed them at the forefront of architectural theory. Indispensable for understanding what the future might hold for architecture, Non-Referential Architecture will become a new classic. The book's first edition, published in May 2018 by Simonett & Baer, was sold-out within months. This revised and slightly redesigned new edition makes this key text available again. Text in Italian.

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Una arruga pot ser molt més del que sembla, perquè cada petit solc d'un rostre amaga la seva pròpia història ...En aquest commovedor àlbum illustrat de la premiada Simona Ciraolo, una nena petita descobreix els preciosos records de la seva àvia quan les arrugues de la vellesa esdevenen meravellosos plecs del temps.L'àvia respon a la curiositat de la seva néta explicant-li la història que s'amaga darrere de cadascuna de les arrugues de la cara. Els records de la vida van apareixent d'una manera gradual mitjançant les illustracions que ens van narrant els episodis més singulars de la vida de l'àvia. Els descobriments de la infància, les amistats de la joventut, el primer amor, els dolorosos comiats ... Cada un d'aquests moments tornen a la memòria de l'àvia d'una forma singular i magistralment plasmats per l'autora mitjançant illustracions molt suggeridores.llibre que transmet les emocions que ens provoca recordar aquells moments més singulars de la nostra vida, i que al mateix

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En un tiempo en que los tercios se consideraban invencibles, una mujer encabezó la rebelión que les inflingiría su primera derrota.En 1572 el ejército español entra a sangre y fuego en Naarden. Mientras las noticias llegan a Haarlem, Kenau acude a Ámsterdam, ciudad ya española, en un intento baldío de salvar a su hija de la hoguera, acusada de hereje.El asedio de Haarlem es inmediato. Y Kenau, junto con su otra hija, Cathelijne claman venganza. Kenau Simonsdochter Hasselaer, La marimacha, como la llamaban los españoles, es la heroína que se alza en armas. Bajo su mano, las mujeres de la ciudad formarán un ejército para defenderse del ataque enemigo. Aceite y paja hirviendo, piedras y alguna que otra flecha serán sus armas. Las mueve el furor por verse asediadas y las inspiradoras palabras de Kenau. Haarlem acabaría cayendo, pero su espíritu alentó al país y nunca más una ciudad se rindió sin luchar.Aunque para la historia haya quedado Rocroi como la primera gran derrota del

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A necessary volume of essays working to decolonize the digital humanities Often conceived of as an all-inclusive “big tent,” digital humanities has in fact been troubled by a lack of perspectives beyond Westernized and Anglophone contexts and assumptions. This latest collection in the Debates in the Digital Humanities series seeks to address this deficit in the field. Focused on thought and work that has been underappreciated for linguistic, cultural, or geopolitical reasons, contributors showcase alternative histories and perspectives that detail the rise of the digital humanities in the Global South and other “invisible” contexts and explore the implications of a globally diverse digital humanities.Advancing a vision of the digital humanities as a space where we can reimagine basic questions about our cultural and historical development, this volume challenges the field to undertake innovation and reform. Contributors: Maria José Afanador-Llach, U de los Andes, Bogotá; Maira E. Álvarez, U of Houston; Purbasha Auddy, Jadavpur U; Diana Barreto Ávila, U of British Columbia; Deepti Bharthur, IT for Change; Sayan Bhattacharyya, Singapore U of Technology and Design; Anastasia Bonch-Osmolovskaya, National Research U Higher School of Economics; Jing Chen, Nanjing U; Carlton Clark, Kazimieras Simonavičius U, Vilnius; Carolina Dalla Chiesa, Erasmus U, Rotterdam; Gimena del Rio Riande, Institute of Bibliographic Research and Textual Criticism; Leonardo Foletto, U of São Paulo; Rahul K. Gairola, Murdoch U; Sofia Gavrilova, Leibniz Institute for Regional Geography; Andre Goodrich, North-West U; Anita Gurumurthy, IT for Change; Aliz Horvath, Eötvös Loránd U; Igor Kim, Russian Academy of Sciences; Inna Kizhner, Siberian Federal U; Cédric Leterme, Tricontinental Center; Andres Lombana-Bermudez, Pontificia, U Javeriana, Bogotá; Lev Manovich, City U of New York; Itay Marienberg-Milikowsky, Ben-Gurion U of the Negev; Maciej Maryl, Polish Academy of Sciences; Nirmala Menon, Indian Institute of Technology, Indore; Boris Orekhov, National Research U Higher School of Economics; Ernesto Priego, U of London; Sylvia Fernández Quintanilla, U of Kansas; Nuria Rodríguez-Ortega, U of Málaga; Steffen Roth, U of Turku; Dibyadyuti Roy, Indian Institute of Technology, Jodhpur; Maxim Rumyantsev, Siberian Federal U; Puthiya Purayil Sneha, Centre for Internet and Society, Bengaluru; Juan Steyn, South African Centre for Digital Language Resources; Melissa Terras, U of Edinburgh; Ernesto Miranda Trigueros, U of the Cloister of Sor Juana; Lik Hang Tsui, City U of Hong Kong; Tim Unwin, U of London; Lei Zhang, U of Wisconsin–La Crosse.

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Under neoliberalism the cult of individualism reigns supreme, forced upon us through culture, media and politics, it fatally limits our capacity to escape the current crisis of democratic politics. In Common Ground, Jeremy Gilbert asks us to reimagine the philosophical relationship between individuality, collectivity, affect and agency, proposing a radically non-individualist mode of imagining social life. The book considers how opponents of neoliberal hegemony, and of the individualist tradition in Western thought, might protect collective creativity and democratic possibility. Examination of the historical roots of individualism's 'Leviathan logic' and fresh readings of theorists such as Hobbes, Lazzarato, Simondon, Lyotard, Laclau and Deleuze and Guattari, force us to confront longstanding assumptions about the nature of the individual and of collectivity. Exploration of this fundamental faultline in contemporary politics is accompanied by analysis of the different ideas and practices of collectivity, from conservative notions of hierarchical and patriarchal communities to the politics of 'horizontality' and 'the commons' which lie at the heart of radical movements today. Through an understanding of the philosophy shaping contemporary relations and disrupting hegemonic values, we can re-imagine the present moment.

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An interdisciplinary exploration of how writers have conveyed sound through text.Edited by Christopher Cannon and Steven Justice, The Sound of Writing explores the devices and techniques that writers have used to represent sound and how they have changed over time. Contributors consider how writing has channeled sounds as varied as the human voice and the buzzing of bees using not only alphabets but also the resources of the visual and musical arts. Cannon and Justice have assembled a constellation of classicists, medievalists, modernists, literary historians, and musicologists to trace the sound of writing from the beginning of the Western record to poetry written in the last century. This rich series of essays considers the writings of Sappho, Simonides, Aldhem, Marcabru, Dante Alighieri, William Langland, Charles Butler, Tennyson, Gertrude Stein, and T. S. Eliot as well as poems and songs in Ancient Greek, Old and Middle English, Italian, Old French, Occitan, and modern English. The book will interest anyone curious about the way sound has been preserved in the past and the kinds of ingenuity that can recover the process of that preservation.Essays focus on questions of language and expression, and each contributor sets out a distinct method for understanding the relationship between sound and writing. Cannon and Justice open the volume with a survey of the various ways sound has been understood as the object of our senses. Each ensuing chapter presents a case study for a sonic phenomenology at a specific time in history. With approaches from a wide variety of disciplines, The Sound of Writing analyzes writing systems and the aural dimensions of literary cultures to reconstruct historical soundscapes in vivid ways.

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Although little known today, Raymond Ruyer was a post–World War II French philosopher whose works and ideas were significant influences on major thinkers, including Deleuze, Guattari, and Simondon. With the publication of this translation of Neofinalism, considered by many to be Ruyer’s magnum opus, English-language readers can see at last how this seminal mind allied philosophy with science.Unfazed by the idea of philosophy ending where science began, Ruyer elaborated a singular, nearly unclassifiable metaphysics and reactivated philosophy’s capacity to reflect on its canonical questions: What exists? How are we to account for life? What is the status of subjectivity? And how is freedom possible? HaNeofinalism offers a systematic and lucidly argued treatise that deploys the innovative concepts of self-survey, form, and absolute surface to shape a theory of the virtual and the transspatial. It also makes a compelling plea for a renewed appreciation of the creative activity that organizes spatiotemporal structures and makes possible the emergence of real beings in a dynamic universe.

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For the first time in English, the introductory volume in a major French philosopher’s groundbreaking series of poetic transdisciplinary works Michel Serres is recognized as one of the giants of postwar French philosophy of knowledge, along with Gilles Deleuze, Jacques Derrida, Michel Foucault, and Gilbert Simondon. His early five-volume series Hermes, which appeared in the 1960s and 1970s, was an intellectual supernova in its proposition that culture and science shared the same mythic and narrative structures. Hermes I: Communication marks the start of a major publishing endeavor to introduce this foundational series into English. Building on the figure of the Greek god Hermes, who presides over the realms of communication and interpretation, Hermes I embarks on a reflection concerning the history of mathematics via Descartes and Leibniz and culminates by way of a Bachelardian logoanalytic reading of Homer, Dumas, Molière, Verne, and the story of Cinderella. We observe a singular poetic philosopher seeking to bridge the gap between the liberal arts and the sciences through a profound mathematical and poetic fable regarding information theory, history, and art, establishing a new way to think about the production of knowledge during the late twentieth century. In these pages, students and scholars of philosophy will discover an extraordinary project of thought as vital to critical reflection today as it was fifty years ago.

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His biting satire, witty dialogue, and irreverent staging have made him a favorite with theatergoers for four centuries. This Norton Critical Edition of Moliere’s most controversial and most often-performed play is based on Constance Congdon’s acclaimed new verse translation. It is accompanied by explanatory annotations and nine illustrations of the seventeenth-century farce. “Backgrounds and Sources” draws readers’ attention to the real-life controversy Moliere faced following the opening of Tartuffe, which was immediately banned by the Church. Both sides of the argument surrounding Tartuffe are presented in contemporary documents translated and annotated by Virginia Scott, among them Moliere’s three petitions to King Louis XIV, Pierre Roullé on the monarchy, letters by Boileau and Charles Robinet, and Hardouin de Péréfixe on the law. Assessments of Tartuffe as a production are given in seminal reviews by Harold Clurman and John Peter. Constantin Stanislavsky and Louis Jovet discuss the challenges they faced in preparing for modern productions of Tartuffe. From the wealth of critical commentary on Tartuffe both in the United States and in France, the editors have chosen nine interpretations focusing on the central issues of translation, religion, social history, staging, and international adaptation. Contributors include Nancy Senior, Emanuel S. Chill, Roger W. Herzel, P. Munoz Simonds, Pamela Saur, William J. Beck, Mechele Leon, Wilma Newberry, and Cheryl Kennedy McFarren. A Chronology of Moliere’s life and work and a Chronology are included.

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Although deeply contested in many ways, the concept of human dignity has emerged as a key idea in fields such as bioethics and human rights. It has been largely absent, however, from literature on development studies. The essays contained in The Practice of Human Development and Dignity fill this gap by showing the implications of human dignity for international development theory, policy, and practice. Pushing against ideas of development that privilege the efficiency of systems that accelerate economic growth at the expense of human persons and their agency, the essays in this volume show how development work that lacks sensitivity to human dignity is blind. Instead, genuine development must advance human flourishing and not merely promote economic betterment. At the same time, the essays in this book also demonstrate that human dignity must be assessed in the context of real human experiences and practices. This volume therefore considers the meaning of human dignity inductively in light of development practice, rather than simply providing a theory or philosophy of human dignity in the abstract. It asks not only “what is dignity” but also “how can dignity be done?” Through a unique multidisciplinary dialogue, The Practice of Human Development and Dignity offers a dialectical and systematic examination of human dignity that moves beyond the current impasse in thinking about the theory and practice of human dignity. It will appeal to scholars in the social sciences, philosophy, and legal and development theory, and also to those who work in development around the globe. Contributors: Paolo G. Carozza, Clemens Sedmak, Séverine Deneulin, Simona Beretta, Dominic Burbidge, Matt Bloom, Deirdre Guthrie, Robert A. Dowd, Bruce Wydick, Travis J. Lybbert, Paul Perrin, Martin Schlag, Luigino Bruni, Lorenza Violini, Giada Ragone, Steve Reifenberg, Elizabeth Hlabse, Catherine E. Bolten, Ilaria Schnyder von Wartensee, Tania Groppi, Maria Sophia Aguirre, and Martha Cruz-Zuniga

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A new crew of the legendary Serenity face new enemies, reunite with old friends, and travel to the EARTH THAT WAS for the first time in Firefly history!Firefly jumps forward in time after the battle with the Reavers that left Wash & Book dead. Serenity soars again, with Kaylee captaining a crew including River, Jayne and the bandit Leonard Chang-Benitez. They’ll soon find themselves drawn into a shocking conflict that puts them on an interception course with old friends… and new enemies! In an attempt to evade the Alliance the crew of Serenity find themselves stranded on The-Earth-That-Was, a strange world filled with ancient artifacts, a new civilization and…maybe some semblance of hope. As strangers in a strange land they encounter individual and shared challenges galore! The groundbreaking future of Firefly by New York Times best-selling writer Greg Pak (Darth Vader) and an all-star group ofartists including Pius Bak (The Magicians), Ethan Young (NANJING: The Burning City), Simona Di Gianfelice (Power Rangers), Jordi Perez (Queen of Bad Dreams), and Jahnoy Lindsay (Marvel’s Voices) is collected for the first time in a special deluxe edition hardcover! Collects Firefly #25-36.

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Etienne Balibar, one of the foremost living French philosophers, builds on his landmark work 'Spinoza and Politics' with this exploration of Spinoza's ontology. Balibar situates Spinoza in relation to the major figures of Marx and Freud as a precursor to the more recent French thinker Gilbert Simondon's concept of the transindividual. Presenting a crucial development in his thought, Balibar takes the concept of transindividuality beyond Spinoza to show it at work at both the individual and the collective level.

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‘The writing glows with emotional intelligence. This atmospheric debut…had me sniffing copiously’ Daily Mail IN WARTIME, SURVIVAL IS AS MUCH ABOUT FRIENDSHIP AS IT IS ABOUT COURAGE… Kent, 1940. In the idyllic village of Chilbury change is afoot. Hearts are breaking as sons and husbands leave to fight, and when the Vicar decides to close the choir until the men return, all seems lost. But coming together in song is just what the women of Chilbury need in these dark hours, and they are ready to sing. With a little fighting spirit and the arrival of a new musical resident, the charismatic Miss Primrose Trent, the choir is reborn. Some see the choir as a chance to forget their troubles, others the chance to shine. Though for one villager, the choir is the perfect cover to destroy Chilbury’s new-found harmony… An uplifting and heart-warming novel perfect for fans of Helen Simonson’s The Summer before the War and The Guernsey Literary and Potato Peel Pie Society.

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This volume celebrates one of the best known and most loved Italian directors in the world, one of the great masters of tension and horror: Dario Argento. Over the years his cinema has established itself - among cinephiles but not only - for its visionary power, for the search for an aesthetic dimension which is reached through excess. And this excess is not so much what materialises in the virtuosity of the staging of murder and death, as in treating such a brutal and disturbing material in such a way that it becomes something abstract, almost a baroque stylisation. The volume, full of critical essays that investigate the poetics and imagination of Dario Argento, retraces the director’s complete filmography. It also welcomes the testimonies of collaborators and the statements of great directors and actors who shared his long career. Biographies complete the volume. With texts by: Mick Garris, Domenico De Gaetano, Marcello Garofalo, Stefano Della Casa, Piera Detassis, Roberto Pugliese, Alan Jones, Domenico Monetti; testimonianze di: Stefania Casini, Franco Bellomo, Luigi Cozzi, Claudio Simonetti, Sergio Stivaletti, Luciano Tovoli, Antonello Geleng, Pupi Oggiano; fotogrammi tematici: Grazia Paganelli, Matteo Pollone, and Fabio Pezzetti Tonion. Text in English and Italian.

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