Search results for ""author simon"

The massive grassy African savanna is filled with the hunting activity of predators and their prey. The stamina of the hyena allows the animal to hunt until its prey is too tired to fight. The lion’s strength makes its attacks swift and severe. But which animal is the fiercest of the ecosystem? Compare and contrast each animal’s features and skills before you declare the winning predator.

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Some animals live in water. Some animals live on land. The land that animals live on can be very different. What makes a place the right home for an animal? Let’s investigate habitats!

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Animals are living things. Rocks are non-living. Why? Let’s investigate the differences between living and non-living things!

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Black Networked Resistance​ explores the creative range of Black digital users and their responses to varying forms of oppression, utilizing cultural, communicative, political, and technological threads both on and offline. Raven Maragh-Lloyd demonstrates how Black users strategically rearticulate their responses to oppression in ways that highlight Black publics’ historically rich traditions and reveal the shifting nature of both dominance and resistance, particularly in the digital age. Through case studies and interviews, Maragh-Lloyd reveals the malleable ways resistance can take shape and the ways Black users artfully demonstrate such modifications of resistance through strategies of survival, reprieve, and community online. Each chapter grounds itself in a resistance strategy, such as Black humor, care, or archiving, to show the ways that Black publics reshape strategies of resistance over time and across media platforms. Linking singular digital resistance movements while arguing for Black publics as strategic content creators who connect resistance strategies from our past to suit our present needs, Black Networked Resistance encourages readers to create and cultivate lasting communities necessary for social and political change by imagining a future of joy, community, and agency through their digital media practices.

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Black Networked Resistance​ explores the creative range of Black digital users and their responses to varying forms of oppression, utilizing cultural, communicative, political, and technological threads both on and offline. Raven Maragh-Lloyd demonstrates how Black users strategically rearticulate their responses to oppression in ways that highlight Black publics’ historically rich traditions and reveal the shifting nature of both dominance and resistance, particularly in the digital age. Through case studies and interviews, Maragh-Lloyd reveals the malleable ways resistance can take shape and the ways Black users artfully demonstrate such modifications of resistance through strategies of survival, reprieve, and community online. Each chapter grounds itself in a resistance strategy, such as Black humor, care, or archiving, to show the ways that Black publics reshape strategies of resistance over time and across media platforms. Linking singular digital resistance movements while arguing for Black publics as strategic content creators who connect resistance strategies from our past to suit our present needs, Black Networked Resistance encourages readers to create and cultivate lasting communities necessary for social and political change by imagining a future of joy, community, and agency through their digital media practices.

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The dark floor and muddy rivers of the rainforest are perfect for hunting, and the jaguar and crocodile both stalk their prey with ease. But which animal is the fiercest of the ecosystem? Does the jaguar's speed give it the edge? Or does the crocodile's strength make it superior? Compare and contrast each animal’s features and skills before you declare the winning predator.

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This collection of artwork from European comics master Sergio Toppi focuses on illustrations of beasts both real and imaginary presented in Toppi's inimitable pen-and-ink style. Sergio Toppi’s work has been hailed as an influence by such artistic masters as Sean Gordon Murphy and Walter Simonson.

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While Russian computer scientists are notorious for their interference in the 2016 US presidential election, they are ubiquitous on Wall Street and coveted by international IT firms and often perceive themselves as the present manifestation of the past glory of Soviet scientific prowess. Drawing on over three hundred in-depth interviews, the contributors to From Russia with Code trace the practices, education, careers, networks, migrations, and lives of Russian IT professionals at home and abroad, showing how they function as key figures in the tense political and ideological environment of technological innovation in post-Soviet Russia. Among other topics, they analyze coders' creation of both transnational communities and local networks of political activists; Moscow's use of IT funding to control peripheral regions; brain drain and the experiences of coders living abroad in the United Kingdom, United States, Israel, and Finland; and the possible meanings of Russian computing systems in a heterogeneous nation and industry. Highlighting the centrality of computer scientists to post-Soviet economic mobilization in Russia, the contributors offer new insights into the difficulties through which a new entrepreneurial culture emerges in a rapidly changing world. Contributors. Irina Antoschyuk, Mario Biagioli, Ksenia Ermoshina, Marina Fedorova, Andrey Indukaev, Alina Kontareva, Diana Kurkovsky, Vincent Lépinay, Alexandra Masalskaya, Daria Savchenko, Liubava Shatokhina, Alexandra Simonova, Ksenia Tatarchenko, Zinaida Vasilyeva, Dimitrii Zhikharevich

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Published in association with the Strategic Management Society, The Wiley Strategic Management Series aims to illustrate the 'best in global strategic management' for academics, business practitioners and consultants. This book addresses the theme of core competence and the processes and issues involved in managing core competence. It is an interesting and effective integration of strategic perspectives that exemplify many of the most important issues facing strategic management, both now and in the future. The contributions present the premise that corporate strategy should place technology, skill and synergy ahead of cash flow and control. Contributors Maurizio Barbeschi Richard Klavens Ilse Bogaert Jeremy Klein William C. Bogner Rudy Martens Vittorio Chiesa Richard P. Rumelt Michael Crawford Bernard L. Simonin Francesco De Leo Howard Thomas Richard Hall Dennis Turner Gary Hamel Andre Van Cauwenbergh Aime Heene Paul Verdin Duane A. Helleloid Peter Williamson Peter Hiscocks Beverly C. Winterscheid

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Early French Feminisms, 1830-1940 is a source book of personal and political writings by Flora Tristan, Pauline Roland, Jeanne Deroin, Helene Brion and Madeleine Pelletier, five key individuals in the development of women's rights in France. Though their writings and political activity ranged over more than a century, these women were linked by their commitment to feminism and to socialism and can be considered as seminal figures in French political thought. Their journals, letters and diaries have not been available in print or in English translation and the same is true of many of their published works. As well as extensive extracts from the original source material, Early French Feminisms, 1830-1940 contains biographical and contextual historical material which sets the writers in their period and links them to contemporary feminist and socialist debates. Tristan, Deroin, Roland, Pelletier and Brion were active in the growth of trade union organization, Saint-Simonian utopian socialism, the birth of the parliamentary Socialist Parties, pacifism during the First World War and the neo-Malthusian or birth control movement. Ranging across personal and public genres of writings, the texts reproduced for this volume, placed in historical context, demonstrate the difficulty which these largely self-educated women faced in entering the public sphere and the political persecution which they faced courageously. Early French Feminisms, 1830-1940 clarifies an important chapter in feminist and socialist militancy which will be of interest to students and scholars of women's studies and modern French history.

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The New Griffon volume 12 seeks to highlight several discoveries in a variety of areas and time periods: Father Konstantinos Terzopoulos explores 16 manuscripts of Byzantine chant; Leonora Navari presents the published works of Cardinal Bessarion, one of the heroes of Joannes Gennadius because of his active role in promoting the study of Hellenism in Italy; Cristina Pallini dissects an early hand-drawn map of Smyrna; Massimo Pinto considers the works of the 19th-century forger Constantinos Simonidis, a complete set of which was eagerly sought by Gennadius; Stephen Duckworth follows Edward Lear's wanderings on Crete through a careful study of his watercolors; American School Director Jack Davis analyzes topographical drawings connected with the presence of the French in the Peloponnesus in the early 19th century; Aliki Asvesta presents a wealth of information from the archive of cartographer Barbié du Bocage; Maria-Christina Chatziioannou explores the personal archive of Joannes Gennadius to paint a portrait of the Gennadeion's founder in the context of British society; and Eleftheria Daleziou examines the archives of Greek politician Ion Dragoumis, focusing on his exile on Corsica in the early 20th century. The volume is not all-inclusive, as the unique holdings of the Gennadeion could not possibly fit within the pages of a single issue of a journal. Our hope is that readers will be tempted to browse the Library's catalogue in person or online (www.gennadius.gr) in order to find their very own hidden treasures.

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Set in Paris on the eve of World War II and sizzling with love, anger, and revenge, She Came to Stay explores the changes wrought in the soul of a woman and a city soon to fall. Although Françoise considers her relationship with Pierre an open one, she falls prey to jealousy when the gamine Xaviere catches his attention. The moody young woman from the countryside pries her way between Françoise and Pierre, playing up to each one and deviously pulling them apart, until the only way out of the triangle is destruction. "Behind the sympathy there is curiosity. . . . A writer whose tears for her characters freeze as they drop." — Sunday London Times

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This book traces the trajectories of modern globalization since the late nineteenth century, and considers hegemonic cultural beliefs and practices during the various phases of the history of capitalism. It offers a way to study world popular music from the perspective of critical social theory. Moving chronologically, the book adopts the three phases in the history of capitalist hegemony since the nineteenth century-liberal, organized, and neoliberal capitalism-to consider world popular music in each of these cultural contexts. While capitalism is now everywhere, its history has been one borne out of racism and masculine hegemony. Early Europeanization and globalization have had a major impact upon western race/gender/sexuality/capitalist hegemony, while nascent technologies of capital have led to a renewed reification and exploitation of racialized, sexualized, and classed populations. This book offers a critique of the relationship between emergent capitalist formations and culture over the past hundred years. It explores the way that world popular music mediates economic, cultural, and ideological conditions, through which capitalism has been created in multiple and heterogeneous ways, understanding world popular music as the production of meaning through language and representation. The various dimensions considered in the book are the work of critical social science-a critique of capitalism's impact upon popular music in historical and world perspective. This book provides a powerful contemporary framework for contemporary popular music studies with a distinctive global and interdisciplinary awareness, covering empirical research from across the world in addition to well-established and newer theory from the music disciplines, social sciences, and humanities. It offers fresh conceptualizations about world popular music seen within the context of globalization, capitalism, and identity.

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Contains hundreds of photos of the Mosquito production line and design concepts. Appendices include first hand pilot accounts, details of the unique variants put into production, and information relating to the Mosquito's deployment in a civilian context with BOAC.

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This book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on “May Fourth” and on the Irish Renaissance by establishing that the Irish Literary Revival (1900-1922) provided an alternative decolonizing model of resistance for the Chinese Renaissance to that provided by the western imperial center. The book also argues that Chinese May Fourth intellectuals translated Irish Revivalist plays by W. B. Yeats, Lady Gregory, Seán O’Casey and Synge and that Chinese peasants performed these plays throughout China during the 1920s and 1930s as a form of anti-imperial resistance. Yet this literary exchange was not simply going one way, since Yeats, Lady Gregory, Synge and O’Casey were also influenced by Chinese developments in literature and politics. Therefore this was a reciprocal encounter based on the circulation of Anti-colonial ideals and mutual transformation.

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A witty, sexy, intelligent and moving novel set against the foreground of a short-listed writer's bizarre dash across London to attend a literary prize-giving ceremony. Taking place across decades, across London and across America, this novel asks the question - are we forever responsible for those we have tamed?

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THE SECOND SEX is a hymn to human freedom and a classic of the existentialist movement. It also has claims to be the most important s ingle book in the history of feminism. In the forty years since its publication De Beauvoir's then revolutionary thesis - that the subordination of women is not a fact of nature but the product of social conditioning has become part of our everyday thinking.

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The preeminent lyric poet of ancient Greece.Of the Greek lyric poets, Pindar (ca. 518–438 BC) was “by far the greatest for the magnificence of his inspiration” in Quintilian’s view; Horace judged him “sure to win Apollo’s laurels.” The esteem of the ancients may help explain why a good portion of his work was carefully preserved. Most of the Greek lyric poets come down to us only in bits and pieces, but nearly a quarter of Pindar’s poems survive complete. William H. Race now brings us, in two volumes, a new edition and translation of the four books of victory odes, along with surviving fragments of Pindar’s other poems.Like Simonides and Bacchylides, Pindar wrote elaborate odes in honor of prize-winning athletes for public performance by singers, dancers, and musicians. His forty-five victory odes celebrate triumphs in athletic contests at the four great Panhellenic festivals: the Olympic, Pythian (at Delphi), Nemean, and Isthmian games. In these complex poems, Pindar commemorates the achievement of athletes and powerful rulers against the backdrop of divine favor, human failure, heroic legend, and the moral ideals of aristocratic Greek society. Readers have long savored them for their rich poetic language and imagery, moral maxims, and vivid portrayals of sacred myths.Race provides brief introductions to each ode and full explanatory footnotes, offering the reader invaluable guidance to these often difficult poems. His Loeb Pindar also contains a helpfully annotated edition and translation of significant fragments, including hymns, paeans, dithyrambs, maiden songs, and dirges.

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Con Arduino podra realizar cualquier prototipo y objeto interactivo: desde un termostato o una impresora 3D, hasta drones y robots. No obstante, para construir circuitos, conectar sensores y actuadores, y escribir software debera contar con un bagaje de habilidades y una buena dosis de intuicion.Tras el exito del Manual de Arduino, Paolo Aliverti pone a su disposicion mas de 120 trucos y secretos para convertirse en un verdadero experto en Arduino. Tanto si es principiante como usuario avanzado, con esta guia aprendera paso a paso nuevas tecnicas y resolvera los problemas mas habituales entre los disenadores.Algunos temas tratadosh Programar Arduino: bucles, arrays, pruebas y algoritmosh LED y botones: medir el tiempo de pulsacion de un boton, encender una caldera y jugar al Simonh Sensores: detectar la temperatura, la humedad, la presion, la inclinacion, los obstaculos y las etiquetas RFIDh Actuadores y visualizacion de informaciones: controlar motores y pantallas, generar sonidos, re

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This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor

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This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor

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Biographies of A. Alexander, C. Hodge, S. Schmucker, J. W. Nevin, S. Jackson, A. G. Simonton, S. Colwell, H. Van Dyke, F. J. Grimke, W. Lowrie, T. Kagawa, and J. Hromadka. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The new characters, new enemies, and a new era of Firefly continues as the crew of the Serenity find themselves stranded on The-Earth-That-Was!New York Times best-selling writer Greg Pak (Darth Vader) along with artist Simona Di Gianfelice (Power Rangers), Jordi Perez (Queen of Bad Dreams), and Jahnoy Lindsay (Marvel’s Voices) continue the Firefly saga featuring the original crew of the Serenity. In an attempt to evade the Alliance the crew of Serenity find themselves stranded on The-Earth-That-Was, a strange world filled with ancient artifacts, a new civilization and…maybe some semblance of hope. As strangers in a strange land they encounter individual and shared challenges galore! Will Captain Kaylee be able hold her crew together and not strangle Captain Mal in the process? Does Zoë find out what it truly means to be a Washburne? Can the legacy of Shepherd Book unite Lank and Mal and a new world? Collects Firefly #29-32.

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In 1758 Diderot's friend the Marquis de Croismare became interested in the cause célèbre of a nun who was appealing to be allowed to leave a Paris convent. Less than a year later, in an affectionate attempt to trick his friend, Diderot created this masterpiece - a fictitious set of desperate and pleading letters to the Marquis from a teenage girl forced into the nunnery because she is illegitimate. In these letters, the impressionable and innocent Suzanne Simonin describes the cruelty and abuse she has suffered in an institution poisoned by vicious gossip, intrigues, persecutions and deviance. Considered too subversive during Diderot's lifetime, The Nun first appeared in print in 1796 following the Revolution. Part gripping novel, part licentious portrayal of sexual fervour and part damning attack on oppressive religious institutions, it remains one of the most utterly original works of the many eighteenth-century.

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When Fracking Comes to Town traces the response of local communities to the shale gas revolution. Rather than cast communities as powerless to respond to oil and gas companies and their landmen, it shows that communities have adapted their local rules and regulations to meet the novel challenges accompanying unconventional gas extraction through fracking. The multidisciplinary perspectives of this volume's essays tie together insights from planners, legal scholars, political scientists, and economists. What emerges is a more nuanced perspective of shale gas development and its impacts on municipalities and residents. Unlike many political debates that cast fracking in black-and-white terms, this book's contributors embrace the complexity of local responses to fracking. States adapted legal institutions to meet the new challenges posed by this energy extraction process while under-resourced municipal officials and local planning offices found creative ways to alleviate pressure on local infrastructure and reduce harmful effects of fracking on the environment. The essays in When Fracking Comes to Town tell a story of community resilience with the rise and decline of shale gas production. Contributors: Ennio Piano, Ann M. Eisenberg, Pamela A. Mischen, Joseph T. Palka, Jr., Adelyn Hall, Carla Chifos, Teresa Córdova, Rebecca Matsco, Anna C. Osland, Carolyn G. Loh, Gavin Roberts, Sandeep Kumar Rangaraju, Frederick Tannery, Larry McCarthy, Erik R. Pages, Mark C. White, Martin Romitti, Nicholas G. McClure, Ion Simonides, Jeremy G. Weber, Max Harleman, Heidi Gorovitz Robertson

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Gender Gap, curated by Laura Andreini, documents an exhibition of projects and maquettes by 20 international female architects. Created in conjunction with “The Architect’s Table”, a series of events held at the Museo Novecento in Florence in 2021, the architects featured here address the personal challenges they have encountered in the course of their careers in a field where men are still the predominant players, and offer their observations on women in architecture in the 21st century. In separate chapters, the show highlights work by Carmen Andriani, Sandy Attia, Cristina Celestino, Izaskun Chinchilla, Maria Claudia Clemente, Isotta Cortesi, Elizabeth Diller, Lina Ghothmeh, Carla Juaçaba, Fuesanta Nieto, Simona Ottieri, Carme Pigem, Guendalina Salimei, Marella Santangelo, Maria Alessandra Segantini, Benedetta Tagliabue, Monica Tricario, Patricia Viel, Paola Viganò and Laura Andreini, curator of the exhibition and catalogue.

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An electrifying account of black ops, black dogs and weaponised folklorethat is unlike anything you''ve ever seen. Best in show. Alan MooreAjoy to read. The GuardianMeet Lou: a street musician savaged by asupernatural terror.Meet Lou: crossing war-torn Afghanistan with a unit ofshapeshifting soldiers.Meet Lou: a monstress held captive by the rogue beastshe was sent to kill.CRY HAVOC interweaves three stages of a remarkablelife into a critically-exalted saga of military, myth and mania.SIMONSPURRIER (X-Men Legacy, Marvel Zombies, Doctor Who) and RYAN KELLY (Local,Northlanders, Saucer Country) collaborate with multiple superstar coloristsFILARDI, LOUGHRIDGE & WILSON to push the envelope of comicbook storytellingin an unprecedented, monstrous direction.Sharp, compulsive, human,edgy. Wow. We''re sold. - The QuietusFlawless. - TheNerdistStructurally ambitious, the intelligence and artistry of thiscreative team brings depth

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