Search results for ""author paul"

From using football to promote peace on the gangland streets of Medellin, to building a global network of 'Football for Good' organisations, Jurgen Griesbeck is now, through Common Goal, leading transformational change across the football industry. Set up in partnership with World Cup-winner Juan Mata - and with the likes of Megan Rapinoe, Mats Hummels, Pernille Harder, Paulo Dybala. Jurgen Klopp, Casey Stoney, Julian Nagelsmann and even entire competitions and clubs already taking the one per cent pledge of earnings - Common Goal aims to reconstruct football's role in society and put purpose, people and the planet at the heart of the game. This incredible story of one of the world's leading social entrepreneurs captures Jurgen's passion, drive and leadership, and presents a hopeful vision for the future of football, with contributions from some of the most disruptive, innovative and progressive thinkers in the game - the Radical XI. This remarkable book shows how the power of football can - and must - be unleashed for social change.

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Consummate wiseguy, documentarian of working people, and "vaguely anonymous human" Dont Fret is one of Chicago's most visible street artists, best known for his wheat-pasted characters and snarky musings that populate city streets worldwide. Simultaneously sardonic, biting, and fond, the bluntness of his figures and texts—often "belonging" to the neighborhood they inhabit—skewers the obvious and reflects the normalized-until-numbed issues of the city back at the passerby experiencing them firsthand. While his work has stretched from São Paulo to Helsinki, he remains a true Wicker Park native, digging into the character(s) of Chicago—the stew of down-and-out and up-and-up, the meatpackers, the artists, the street-wise, and the stupid. The first comprehensive survey of Dont Fret's work/life thus far, this monograph showcases a decade of his street and gallery work and features memories and anecdotes from fellow artists and friends, as well as a foreword by writer and Brooklyn Street Art co-founder Steven P. Harrington.

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Perfect for fans of Agatha Christie's mysteries, as well as Clare Mackintosh and Paula Hawkins, the ninth psychological thriller from Sophie Hannah is a literary mystery and a puzzle that's impossible to solve . . . 'Fiendishly clever' Sunday Express'Exceptional' Elle Knowing the secret will kill you.All she wanted to do was take her son's forgotten sports kit to school.So why does Nicki Clements drive past the home of controversial newspaper columnist Damon Blundy eight times in one day? Blundy has been murdered, and the words 'HE IS NO LESS DEAD' daubed on his wall - in red paint, not blood. And, though Blundy was killed with a knife, he was not stabbed. Why?Nicki, called in for questioning, doesn't have any of the answers police are looking for. Nor can she tell them the truth, because although she is not guilty of murder, she is far from innocent. And the words on the wall are disturbingly familiar to her, if only she could remember where she has heard them before . . .

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This is an excellent book that provides a much needed overview of theoretical frameworks that help us understand the behavior of family firms. This book will be invaluable as a resource to doctoral students and researchers who are trying to analyze decision making in family firms and the factors that shape management processes in these organizations. The book is very comprehensive in its coverage, addressing most major theoretical frameworks that have recently been applied to examine phenomena unique to family firms. These include, among others, organizational ecology, behavioral theory, agency theory, behavioral agency theory, and social identity theory. This book is a must read for family business scholars.'- Luis Gomez-Mejia, University of Notre Dame, US'A common criticism of family business as a field of study is the lack of well-developed, theoretically grounded research. This important book edited by Nordqvist, Melin, Waldkirch and Kumeto promises to change this widely held view. The book brings into focus important theoretical perspectives that have rich implications for research on family firms. Well established and emerging perspectives are covered in the book, highlighting different debates that are likely to shape future scholarship in the field. Chapters are easy to read and concepts as well as theories are clearly explained and their usefulness is made evident. I compliment the editors on a job well done in recognizing the challenges of theorizing about family business and mapping out the territory of tomorrow's research.'- Shaker A. Zahra, University of Minnesota, USFamily business has become an increasingly studied field over the last decade and forms one of the fastest growing research areas today. The uniqueness of family business is the interaction between two systems: the family and the firm, leading to specific characteristics that we rarely see in other types of businesses. In order to understand the unique interaction between these two systems, researchers have adopted a diverse range of theories drawn from different fields.The contributors to this volume provide a thorough discussion of 13 theoretical perspectives that have been used in family business research. Each chapter introduces a theory, demonstrates its previous application in family business research and offers compelling ideas for future research that could contribute to both the family business field and the original theory behind it.This book aims to spark new insights for researchers and PhD students in the field of family business, and is also a good introduction for researchers who are new to the field. Policymakers and practitioners will find this an enlightening resource.Contributors: R. Adiguna, N. Akhter, G. Criaco, P. Hansson, A. Kallmuenzer, A. Kuiken, G. Kumeto, A. Mazzelli, L. Melin, H. Nilson, M. Nordqvist, E. Rondi, K. Staffansson Pauli, M. Waldkirch, A. Wielsma

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Una espléndida colección de cuentos que convierte la vida cotidiana en pura literatura.No parecía que hubiera desacuerdo entre ellos, pero algo raro debía de haber...La cita de James Salter que encabeza Anatomía de las distancias cortas resume el espíritu de este espléndido libro de relatos. Nada pasa, nada importante al menos, pero lo que cuenta son los pequeños gestos que convierten una escena cotidiana en un drama o un misterio; basta con mirar esa mano femenina que se mueve con discreción cerca, demasiado cerca, del marido de Lali, o el andar incierto de Paula hacia las escaleras del metro; basta con espiar el cuerpo desnudo de una mujer que duerme en la silla del estudio de Andreu sin que él sepa su nombre, o el andar travieso de una silla de ruedas por las calles de la ciudad.Hay lugar para lo improbable en el día a día de estos espléndidos personajes que necesitan pocas palabras para comunicarse: Marta Orriols, heredera de la prosa de Alice M

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In An Archive of Possibilities, anthropologist and surgeon Rachel Marie Niehuus explores possibilities of healing and repair in the eastern Democratic Republic of Congo against a backdrop of 250 years of Black displacement, enslavement, death, and chronic war. Niehuus argues that in a context in which violence characterizes everyday life, Congolese have developed innovative and imaginative ways to live amid and mend from repetitive harm. Drawing on ethnographic fieldwork and the Black critical theory of Achille Mbembe, Christina Sharpe, Alexis Pauline Gumbs and others, Niehuus explores the renegotiation of relationships with land as a form of public healing, the affective experience of living in insecurity, the hospital as a site for the socialization of pain, the possibility of necropolitical healing, and the uses of prophesy to create collective futures. By considering the radical nature of cohabitating with violence, Niehuus demonstrates that Congolese practices of healing imagine and articulate alternative ways of living in a global regime of antiblackness.

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An extraordinary 750-piece puzzle that portrays an intricate, geometric-patterned quilt in mesmerizing shades of teal, lavender, pink, and royal blue stitched by Essie Bendolph Pettway, a member of the historic Gee''s Bend quilting community, and published by Paulson Fontaine Press in Berkeley, California.Michal Kimmelman of the New York Times described the quilts from Gee’s Bend as “some of the most miraculous works of modern art America has produced.” The Gee''s Bend community has a history of quilting that goes back to its formerly enslaved ancestors. The quilts, originally intended for comfort and household use, are celebrated for their bold abstract patterns and dramatic colorways. This 20 x 26-inch puzzle, featuring a quilt pieced together in glowing shades of royal blue, lavender, pink, and teal, is a superb example of this tradition. As you assemble it you will see a work of art come together under your hands. 

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Like their Hollywood counterparts, Latin American film and TV melodramas have always been popular and highly profitable. The first of its kind, this anthology engages in a serious study of the aesthetics and cultural implications of Latin American melodramas. Written by some of the major figures in Latin American film scholarship, the studies range across seventy years of movies and television within a transnational context, focusing specifically on the period known as the "Golden Age" of melodrama, the impact of classic melodrama on later forms, and more contemporary forms of melodrama. An introductory essay examines current critical and theoretical debates on melodrama and places the essays within the context of Latin American film and media scholarship.Contributors are Luisela Alvaray, Mariana Baltar, Catherine L. Benamou, Marvin D’Lugo, Paula Félix-Didier, Andrés Levinson, Gilberto Perez, Darlene J. Sadlier, Cid Vasconcelos, and Ismail Xavier.

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The No.1 football series - over 1 million copies sold. The greatest football player of the 20th century.Considered as one of the greatest players of all time, Brazilian striker Pelé holds the Guinness World record for most goals scored, with a total of 1,283 goals in 1,363 matches. Raised in poverty in the state of São Paulo, Pelé was taught to play football by his father - as they could not afford a ball they played with a grapefruit or a sock stuffed with newspaper. Pelé tells the incredible story of how Edson Arantes do Nascimento, nicknamed Pelé, grew up to become the greatest player of the 20th century.Ultimate Football Heroes is a series of biographies telling the life stories of the biggest and best footballers in the world and their incredible journeys from childhood fan to superstar professional player. Written in fast-paced, action-packed style these books are perfect for all the family to collect and share.

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Refuting the common perception that the American left has a religion problem, Vaneesa Cook highlights an important but overlooked intellectual and political tradition that she calls "spiritual socialism." Spiritual socialists emphasized the social side of socialism and believed the most basic expression of religious values—caring for the sick, tired, hungry, and exploited members of one's community—created a firm footing for society. Their unorthodox perspective on the spiritual and cultural meaning of socialist principles helped make leftist thought more palatable to Americans, who associated socialism with Soviet atheism and autocracy. In this way, spiritual socialism continually put pressure on liberals, conservatives, and Marxists to address the essential connection between morality and social justice. Cook tells her story through an eclectic group of activists whose lives and works span the twentieth century. Sherwood Eddy, A. J. Muste, Myles Horton, Dorothy Day, Henry Wallace, Pauli Murray, Staughton Lynd, and Martin Luther King, Jr. spoke and wrote publicly about the connection between religious values and socialism. Equality, cooperation, and peace, they argued, would not develop overnight, and a more humane society would never emerge through top-down legislation. Instead, they believed that the process of their vision of the world had to happen in homes, villages, and cities, from the bottom up. By insisting that people start treating each other better in everyday life, spiritual socialists transformed radical activism from projects of political policy-making to grass-roots organizing. For Cook, contemporary public figures such as Senator Bernie Sanders, Pope Francis, Reverend William Barber, and Cornel West are part of a long-standing tradition that exemplifies how non-Communist socialism has gained traction in American politics.

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Arriving as a young writer in an ancient Dutch town, Benjamin Moser found himself visiting—casually at first, and then more and more obsessively—the country’s great museums. Inside these old buildings, he discovered the remains of the Dutch Golden Age and began to unearth the strange, inspiring, and terrifying stories of the artists who gave shape to one of the most luminous moments in the history of human creativity. Beyond the sainted Rembrandt—who harbored a startling darkness—and the mysterious Vermeer, whose true subject, it turned out, was lurking in plain sight, Moser got to know a whole galaxy of geniuses: the doomed virtuoso Carel Fabritius, the anguished wunderkind Jan Lievens, the deaf prodigy Hendrik Avercamp. And through their artwork, he got to know their country, too: from the translucent churches of Pieter Saenredam to Paulus Potter’s muddy barnyards, and from Pieter de Hooch’s cozy hearths to Jacob van Ruisdael’s tragic trees. Year after year, as he tried to make a life for himself in the Netherlands, Moser found friends among these centuries-dead artists. And he found that they, too, were struggling with the same questions that he was. Why do we make art? What even is art, anyway—and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail? Is art a consolation—or a mortal danger? The Upside-Down World is an invitation to ask these questions, and to turn them on their heads: to look, and then to look again. This is Holland and its great artists as we’ve never seen them before. And it’s a sumptuously illustrated, highly personal coming-of-age-story, twenty years in the making: a revealing self-portrait by one of the most acclaimed writers of his generation.

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Egypt Land is the first comprehensive analysis of the connections between constructions of race and representations of ancient Egypt in nineteenth-century America. Scott Trafton argues that the American mania for Egypt was directly related to anxieties over race and race-based slavery. He shows how the fascination with ancient Egypt among both black and white Americans was manifest in a range of often contradictory ways. Both groups likened the power of the United States to that of the ancient Egyptian empire, yet both also identified with ancient Egypt’s victims. As the land which represented the origins of races and nations, the power and folly of empires, despots holding people in bondage, and the exodus of the saved from the land of slavery, ancient Egypt was a uniquely useful trope for representing America’s own conflicts and anxious aspirations.Drawing on literary and cultural studies, art and architectural history, political history, religious history, and the histories of archaeology and ethnology, Trafton illuminates anxieties related to race in different manifestations of nineteenth-century American Egyptomania, including the development of American Egyptology, the rise of racialized science, the narrative and literary tradition of the imperialist adventure tale, the cultural politics of the architectural Egyptian Revival, and the dynamics of African American Ethiopianism. He demonstrates how debates over what the United States was and what it could become returned again and again to ancient Egypt. From visions of Cleopatra to the tales of Edgar Allan Poe, from the works of Pauline Hopkins to the construction of the Washington Monument, from the measuring of slaves’ skulls to the singing of slave spirituals—claims about and representations of ancient Egypt served as linchpins for discussions about nineteenth-century American racial and national identity.

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A sparkling new take on an age-old publication: The Other Almanac brings together a stellar group of young writers, artists and activists to pick up themes of environmentalism, gardening, recipes, folklore, seasonal savvy, and off- the-beaten-track amusement, all presented in brilliant color and eye-popping design. Out with the Old, in with the Other!The original Almanac is the oldest continuously printed publication in the US . It comprises a popular mix of ancient wisdom, garden advice, poems, jokes, how-to's, recipes, and calendars. It is, however, still tailored to its traditional audience: largely rural, white and conservative. It eschews stances on anything overtly progressive, be it political, ecological, or social. The Other Almanac puts right these omissions. Whilst retaining the quirkiness and liveliness of the original, it aims to bridge the urban/rural divide in America, delving into issues of politics and culture that unite us all. Its pages are filled with buoyant contributions from climate organizers, indigenous activists, migrant farmworkers, historians, scientists, medicine makers, incarcerated painters, astrologers, lawyers, borderland midwives and more. Original, full color art surrounds their writing, creating an inviting, accessible yearbook that will entertain and educate a wide new readership for an age-old chronicle. Contributors: 10th Floor Studio, adrienne maree brown, Alexis Pauline Gumbs, Alfredo Jaar, Amaryllis R. Flowers, Andrea Aliseda, Bill McKibben, Bread and Puppet Press, Carla J. Simmons, Chloë Boxer, Chris Lloyd, Dyani White Hawk, Dylan Smith, Daniel Barreto, Esther Elia, Food With Fam, Francesca DiMattio, Hangama Amiri, Hannah Beerman, Jennifer Givhan, Jessie Kindig, Jumana Manna, Kirk Gordon, Keegan Dakkar Lomanto, Lily Consuelo Saporta Tagiuri, Philip Poon, Sophia Giovannitti, Tania Willard, Tyrrell Tapaha, Veladya Chapman, Who Tattoo, Yaku Perez Guartambel.

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James Joyce's Dubliners is an enthralling collection of modernist short stories which create a vivid picture of the day-to-day experience of Dublin life. This Penguin Classics edition includes notes and an introduction by Terence Brown.Joyce's first major work, written when he was only twenty-five, brought his city to the world for the first time. His stories are rooted in the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. From 'The Sisters', a vivid portrait of childhood faith and guilt, to 'Araby', a timeless evocation of the inexplicable yearnings of adolescence, to 'The Dead', in which Gabriel Conroy is gradually brought to a painful epiphany regarding the nature of his existence, Joyce draws a realistic and memorable cast of Dubliners together in an powerful exploration of overarching themes. Writing of social decline, sexual desire and exploitation, corruption and personal failure, he creates a brilliantly compelling, unique vision of the world and of human experience.James Joyce (1882-1941), the eldest of ten children, was born in Dublin, but exiled himself to Paris at twenty as a rebellion against his upbringing. He only returned to Ireland briefly from the continent but Dublin was at heart of his greatest works, Ulysses and Finnegans Wake. He lived in poverty until the last ten years of his life and was plagued by near blindness and the grief of his daughter's mental illness.If you enjoyed Dubliners, you might like Joyce's Ulysses, also available in Penguin Modern Classics.'Joyce redeems his Dubliners, assures their identity, and makes their social existence appear permanent and immortal, like the streets they walk'Tom Paulin'Joyce's early short stories remain undimmed in their brilliance'Sunday Times

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A breathtaking psychological thriller about one girl's search for justice, perfect for fans of JP Delaney's The Girl Before and Michelle Frances's The Girlfriend. IF YOU WERE INNOCENT, YOU'D REMEMBER . . . WOULDN'T YOU?'This story is in the hands of a true thriller master. And the payoff is glorious'Daily MailThe crash that killed himTwo years ago, Jane Norton crashed her car on a lonely road, killing her friend David and leaving her with amnesia. At first, everyone was sympathetic. Then they found Jane's note: I wish we were dead together. A girl to blameFrom that day the town turned against her. But even now Jane is filled with questions: why were they on that road? Why was she with David? Did she really want to die? The secrets she should forgetMost of all, she must find out who has just written her an anonymous message . . . I know what really happened. I know what you don't remember.A gripping and emotional psychological thriller, perfect for fans of JP Delaney, Michelle Frances, TM Logan, Rachel Abbott, Patricia Gibney and Paula Hawkins.Praise for Jeff Abbott'An instant classic' Lee Child'One of the best thriller writers of our time' Harlan Coben'Jeff Abbott has put together a hell of a page turner' Michael ConnellyJeff Abbott is a master storyteller. Blame is a great introduction to his talents for the first-time Abbott reader. Rest assured that when you finish his latest, you'll be hooked.Mystery People'Impossible to put down. A one-sit read that'll have readers up way past their bedtimes, Blame is Jeff Abbott's best novel so far' The Real Book Spy blog

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Jesus Becoming Jesus, Volume 3 follows upon the previous two volumes of this series entitled Jesus Becoming Jesus. Volume 1 was a theological interpretation of the Gospels of Matthew, Mark and Luke, and volume 2 was a theological interpretation of the Prologue and Book of Signs of John's Gospel (chapters 1–12). Unlike many conventional biblical commentaries, Weinandy concentrates on the theological content contained within John's Gospel. This is accomplished through a close reading of John's Gospel, theologically interpreting each chapter of the Gospel sequentially. In so doing he also takes into account the Johannine corpus as a whole. He also relates John's Gospel to relevant material found within the Synoptic Gospels, the Pauline Corpus and other New Testament writings.In this present volume, Weinandy's original theological interpretation focuses first on the Evangelist's narrative of the Last Supper, which includes Jesus' washing of his disciples' feet, followed upon his lengthy farewell address and his ensuing High Priestly Prayer (chapter 13–17). Although Jesus speaks of his leaving his disciples, yet their hearts should not be troubled, for he is going to prepare a place for them in his Father's house, and he will also send them another Counselor, the Holy Spirit. The Holy Spirit will not only convict the world sin, but he will also empower the disciples to profess their faith in Jesus as the Father's Son, even in the midst of persecution. All that Jesus tells his disciple in his final discourse, he then prays that his Father will accomplish through his forthcoming death and resurrection—above all that his disciples will share in the same oneness of love that he and his Father possess.Weinandy masterfully treats John's Passion and Resurrection Narratives. He not only theologically interprets the uniqueness of the Evangelist's narratives, but also how his narratives insect with the Synoptic accounts. Moreover, Weinandy's theological reading of Jesus' crucifixion and resurrection weaves together John's soteriology, ecclesiology, and sacramentality—all of which are founded upon the Incarnation, that Jesus is the Father's Spirit-filled incarnate Son. As the title suggests, Jesus, being named Jesus, in his death and resurrection, definitively enacts his name and so becoming who he is—YHWH-Saves.

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Since its founding by Joseph Papp in the 1950s, The Public Theater has been an American artistic leader defined by its breadth of programming, from Hair and A Chorus Line, to Free Shakespeare in the Park. With the recent critical and financial success of Fun Home and Hamilton, and its emphasis on new play development, The Public’s contemporary history has been equally remarkable, even as world crises and social changes have tested the mettle of its foundation of accessible and “radically inclusive” theatre for all. One Public: New York’s Public Theater in the Era of Oskar Eustis presents the broader organization, its creative methodology, and its enormous growth over the past 20 years. Framed by the tenure and leadership of its current artistic director, the book tells the contemporary story, recorded over many interviews with iconic practitioners and performers ranging from Diane Paulus, Tony Kushner and Lynn Nottage to Kevin Kline, Chelsea Clinton and Lin-Manuel Miranda. Case-study driven, One Public uses oral history accounts and authorial experience to illuminate The Public Theater, Eustis and their cultural influence on the city of New York and the greater United States. The story highlights the successes and challenges of an institution at once espousing a mission of inclusivity and community-based arts creation, while also developing Broadway hits and international fame.

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Imagine a classroom that explores the twinned ideas of embodied teaching and a pedagogy of tenderness. Becky Thompson envisions such a curriculum--and a way of being--that promises to bring about a sea change in education. Teaching with Tenderness follows in the tradition of bell hooks's Teaching to Transgress and Paulo Freire's Pedagogy of the Oppressed, inviting us to draw upon contemplative practices (yoga, meditation, free writing, mindfulness, ritual) to keep our hearts open as we reckon with multiple injustices. Teaching with tenderness makes room for emotion, offers a witness for experiences people have buried, welcomes silence, breath and movement, and sees justice as key to our survival. It allows us to rethink our relationship to grading, office hours, desks, and faculty meetings, sees paradox as a constant companion, moves us beyond binaries; and praises self and community care.Tenderness examines contemporary challenges to teaching about race, gender, class, nationality, sexuality, religion, and other hierarchies. It examines the ethical, emotional, political, and spiritual challenges of teaching power-laden, charged issues and the consequences of shifting power relations in the classroom and in the community. Attention to current contributions in the areas of contemplative practices, trauma theory, multiracial feminist pedagogy, and activism enable us to envision steps toward a pedagogy of liberation. The book encourages active engagement and makes room for self-reflective learning, teaching, and scholarship.

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Winner, 2023 Columbia University Press Distinguished Book AwardFinalist, 2023 Pauli Murray Book Prize in Black Intellectual History, African American Intellectual History SocietyShortlisted, Historical Nonfiction Legacy Award, Hurston / Wright FoundationRalph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.

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"A 'must have' in the design arsenal."—Cat Normoyle, Professor of Graphic Design, East Carolina University "Provides enough thinking techniques to break out of even the worst creative rut."—Creative Woman's Circle Legendary designer Ellen Lupton demystifies the creative process in another essential graphic design book. Graphic Design Thinking explores a variety of techniques to stimulate fresh thinking to arrive at compelling and viable solutions. Each approach is explained with a brief narrative text followed by a variety of visual demonstrations and case studies. Lupton's hands-on, close-up approach, made famous with Thinking with Type, makes the creative process accessible to anyone and removes the myth that creativity is an in-born talent. Presents a wide range of methods applicable to any brainstorming scenario. • Techniques are grouped around the three basic phases of the design process: defining the problem, inventing ideas, and creating form • From informal strategies that are ideal for quick, seat-of-the-pants thinking, to formal research methods • Learn to approach problems through focus groups, interviewing, brand mapping, and co-design Includes discussions with leading professional designers. Art Chantry, Ivan Chermayeff, Jessica Helfand, Steven Heller, Abbott Miller, Christoph Niemann, Paula Scher, and Martin Venezk reveal how they get ideas and overcome blocks to creativity. Graphic Design Thinking is directed at working designers, design students, and anyone who wants to apply inventive thought patterns to everyday creative challenges in the design process.

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Real, compulsive and intense: Cat Clarke is the queen of emotional suspense. For fans of Jandy Nelson, Paula Hawkins, and Megan Abbott.'Emotive, creepy AND funny. A quality page-turner' SARAH CROSSAN'A new Cat Clarke novel is always something to celebrate and Girlhood could be her best yet' JUNO DAWSONHarper has tried to forget the past and fit in at expensive boarding school Duncraggan Academy. Her new group of friends are tight; the kind of girls who Harper knows have her back. But Harper can't escape the guilt of her twin sister's Jenna's death, and her own part in it - and she knows noone else will ever really understand. But new girl Kirsty seems to get Harper in ways she never expected. She has lost a sister too. Harper finally feels secure. She finally feels...loved. As if she can grow beyond the person she was when Jenna died. Then Kirsty's behaviour becomes more erratic. Why is her life a perfect mirror of Harper's? And why is she so obsessed with Harper's lost sister? Soon, Harper's closeness with Kirsty begins to threaten her other relationships, and her own sense of identity. How can Harper get back to the person she wants to be, and to the girls who mean the most to her?A darkly compulsive story about love, death, and growing up under the shadow of grief.

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Investigative journalist Terry Nelson is divorced, depressed and disillusioned. He has abandoned his career to smoke copious amounts of crack cocaine and engage in meaningless sex in order to reach ‘pleasure’s cutting edge’. Obsessed with the beautiful yet vapid Paula, Terry is soon drawn into a shadowy underworld to fund their growing drug habits. Mikey, a Jamaican gangster, befriends Terry and recruits him as a driver for drug deals. This allows Terry access to large amounts of crack cocaine, as well as information about the local drugs scene. Peterfield – a once prosperous manufacturing hub in the North of England – has descended into extreme urban decay and become a place where the residents turn to sex and drugs to escape their dead-end, mundane existence. Drug dealers supplied by international crime gangs are only too pleased to meet the population’s needs and regenerate the area to further line their pockets. Terry is convinced the gangs are led by a mysterious figure – Bonique. Who is Bonique? This is the question that haunts Terry and threatens to destroy his life. As Terry searches for contacts to Bonique his life becomes increasingly violent and leads him to question the path he has chosen. A vigilante group is increasingly active, targeting suspected drug dealers and criminals plaguing Peterfield. Who are they and who are they led by? Terry’s relationship with his mother and father is very strained. Why is his father so distant? Does the reason involve an unidentified girl Terry witnessed arguing with his father when he was in his teens? Terry struggles to piece together any strands of information that might yield an answer. A Government Task Force arrives in Peterfield to break the drug gangs’ hold on the city. Terry’s involvement with drugs is taken advantage of by the organisation for information. The cash he’s paid keeps his drug habit financed. Terry’s Task Force handler, Mark, is reluctant to share information and appears to be hiding something. Can Terry pull together all the pieces and soothe his growing obsessions? Or will he lose control of the forces pulling him in the wrong direction, causing harm to himself and his family?

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“Editorial design is the art of storytelling, and DJ’s brand of it is uniquely American. Western American. It starts out slow and builds. It wins you with a bit of humility (almost ‘shucks-gee-whiz’) and then comes back at you with a surprise punch. The pacing and analogies feel like a Will Rogers narrative. . . . When he first began presenting his work to his London Pentagram partners, they thought he could have just as easily been from the moon. But the storytelling was so strong, so funny, so completely designed but guileless at the same time that the Londoners, and the rest of us, found ourselves confronted with something real, authoritative, and probably definable only as pure American Graphic Design.” —Paula Scher, from the introductionAn internationally renowned graphic designer and partner in Pentagram, the world’s most famous graphic design firm, DJ Stout is a fifth-generation Texan whose strong sense of place has inspired his design work for over thirty-five years. His contributions to Texas Monthly, where he was art director for thirteen years, helped the magazine win three National Magazine Awards. American Photo magazine named Stout one of its “100 Most Important People in Photography,” and I.D. (International Design) magazine selected him for “The I.D. Fifty,” its annual listing of design innovators. The Society of Illustrators honored Stout with the national Richard Gangel Art Director Award, and he was made a Fellow of the Austin chapter of the AIGA (American Institute of Graphic Arts) for his lifetime achievements.Variations on a Rectangle presents both a career retrospective of DJ Stout’s work and his inimitable, often humorous perspectives on publication design. Using nearly eight hundred images to illustrate more than two hundred fifty major design projects, Stout describes the inspiration and creative process behind his highly innovative designs for magazines, books, brochures, posters, and even a fiberglass “batcow.” He tells fascinating, behind-the-scenes stories of Texas personalities such as Tommy Lee Jones, Sissy Spacek, and Ann Richards, who figured prominently in Texas Monthly’s pages, while also discussing how his Texas heritage has influenced his more recent design work US and international clients. An essential primer for younger graphic designers and a revelation for everyone who values exceptional design, Variations on a Rectangle proves Stout’s maxim, “A publication without style is just a document, and documents don’t do well on the newsstand. And that’s why you need editorial art directors. Amen.”

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Every menopause has its own story. It's time we told them . . .The menopause. What even is it? One big theme unites Still Hot!'s 42 stories - that, somehow, the world doesn't ready us for this. The menopause - let alone the perimenopause - simply isn't talked about; instead, it's reduced to a comic hot flush. More and more of us are proudly stepping free of the menopausal closet, but the Big M is still a conversation whispered below the radar. No one tells you it will be like this. No one prepares you for it.That silence is lifting, slowly. So let's be bold, let's overshare. Let's find solidarity among Still Hot!'s myriad voices - wise, rebellious, measured, fierce, upfront - telling how the menopause is not just one story, but many. Telling, in fact, that this is not the menopause, it is YOUR menopause.FEATURINGSahira Ahmad Belcher Yasmin Alibhai-Brown Shalini Bhalla-Lucas Sharon Blackie Erica Clarkson Marie Louise Cochrane Bunny Cook Tracey Cox Jody Day Paulette Edwards Felicity Everett Helen FitzGerald India Gary-Martin Tania Glyde Julie Graham Angie Greaves Shahzadi Harper Michelle Heaton Yvonne John Lorraine Kelly Jane Lewis Pinky Lilani Andrea Macfarlane Danusia Malina-Derben Nimmy March Alison Martin-Campbell Pippa Marriott Val McDermid Sharmila Mehta Louise Minchin Louise Newson Susie Orbach Penny Pepper Miranda Sawyer Carol Smillie Anthea Turner Melissa Wall Kirsty Wark Sayeeda Warsi Denise Welch Trinny Woodall Xinran Xue"There's a menopause club. Once you've been through it, you go, That's it, I can do anything now." KIRSTY WARK"Once we stop bleeding, once we stop having children, once we go through the menopause, it's not over. In fact, it can be a very empowering time." JULIE GRAHAM"We mustn't be scared of the menopause . . . I always say, Don't suffer in silence. Get help. There is help out there. There is understanding." LORRAINE KELLY"Many women, when they go through menopause, happen to be going through things in their life anyway. You wonder, does one galvanise the other?" TRINNY WOODALL"There is no one-size-fits-all for menopause." DENISE WELCH"It's not THE menopause. It's YOUR menopause." KAYE ADAMS

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In Book Two of the third volume of his magisterial Stalingrad Trilogy, David Glantz continues and concludes his definitive history of one of the most infamous battles of World War Two, the Stalingrad campaign that signaled Germany's failure on the Eastern Front and marked a turning point in the war. Book Two finds Germany's most famous army—General Friedrich Paulus's Sixth—in dire straits, trapped in the Stalingrad kessel, or pocket, by a Red Army that has seized the initiative in what the Soviets now term the Great Patriotic War. The Red Army's counteroffensive, Operation Uranus, is well underway, having largely destroyed the bulk of two Romanian armies and encircled the German Sixth and half of the German Fourth Panzer Army.Drawing on materials previously unavailable or believed lost, Glantz gives a closely observed account of the final ten weeks of Germany's ill-fated Stalingrad campaign. In short order, the Red Army parried and then defeated two German attempts to rescue the Sixth Army, crushed the Italian Eighth and Hungarian Second Armies, severely damaged the German Fourth Panzer and Second Armies, and finally destroyed the German Sixth Army in the ruins of Stalingrad. With well over half-a-million soldiers torn from its order of battle, Hitler's Axis could only watch in horror as its status abruptly changed from victor to vanquished. This book completes a vivid and detailed picture of the Axis defeat that would prove decisive as a catastrophe from which Germany and its Wehrmacht could never recover.As in the preceding volumes, Glantz extensively mines newly available materials to provide a clearer and more accurate picture of what actually happened at Stalingrad at this crucial moment in World War II—a ""ground truth"" that gets beyond the myths and misinformation surrounding this historic confrontation. And this concluding chapter, relating events even more steeped in myth than those that came before, is especially bracing as it takes on controversial questions about why Operation Uranus succeeded and the German relief attempts failed, whether the Sixth Army could have escaped encirclement or been rescued, and who, finally was most responsible for its ultimate defeat. The answers Glantz provides, embedded in a fully-realized account of the endgame at Stalingrad, make this book the last word on one of history's epic clashes.

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An ambitious page-turning fantasy, full of deadly magic, court politics and ruthless women, perfect for fans of House of the Dragon, R.F. Kuang, and Tasha Suri Return to the Five Queendoms in the sequel to Scorpica, a sweeping epic fantasy that Rebecca Roanhorse called "ambitious and engaging," in which a centuries-long peace is shattered in a matriarchal society when a decade passes without a single girl being born. The Drought of Girls has ended, but the rift it broke open between the Queendoms is not so easily healed. Political tensions roil the senate of Paxim, where Queen Heliane vows to make her son Paulus the nation's first ruling King or die trying. Scorpican troops amass on the border of Arca, ready to attack. And within Arca itself, its young, unready queen finds her court a nest of vipers and her dreams besieged by a mysterious figure with unknown intentions. As iron and magic clash on the battlefield and powerful women scheme behind the scenes, danger and violence abound. Can anyone stop chaos from ripping the Queendoms apart?

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In Punishment and Freedom, Devora Steinmetz offers a fresh look at classical rabbinic texts about criminal law from the perspective of legal and moral philosophy. Steinmetz holds that the criminal and judicial procedures they describe were never designed to be applied in a real state. Rather, these texts deal with broader philosophical, theological, and ethical conceptions of the law. Through close readings of passages describing criminal procedure and punishment, Steinmetz argues that the Rabbis constructed an extreme positivist view of sinaitic law based in divine command. This view of law is related to a conception of the human being as fully free and responsible. Steinmetz contrasts this philosophy with the reflections on law in the Pauline letters and argues that the Rabbis see their own view of law as a key marker of Jewish identity that is tied to the rabbinic notion that human beings are charged with shaping the world and their own destiny. Punishment and Freedom is a valuable guide through talmudic discourse for scholars of Jewish thought, early Christianity, and legal philosophy.

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A vibrant history of English landscape preservation over the last 150 years, told through the lives of four remarkable women In Britain today, a mosaic of regulations protects the natural environment and guarantees public access to green spaces. But this was not always so. Over the last 150 years, activists have campaigned tirelessly for the right to roam through the countryside and the vital importance of preserving Britain’s natural beauty. Matthew Kelly traces the history of landscape preservation through the lives of four remarkable women: Octavia Hill, Beatrix Potter, Pauline Dower, and Sylvia Sayer. From the commons of London to the Lake District, Northumberland, and Dartmoor, these women protected the English landscape at a crucial period through a mixture of environmental activism, networking, and sheer determination. They grappled with the challenges that urbanization and industrial modernity posed to human well-being as well as the natural environment. By tirelessly seeking to reconcile the needs of particular places to the broader public interest they helped reimagine the purpose of the English countryside for the democratic age.

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There are two things Hamptons innkeeper and sleuth Antonia Bingham can't resist—carbs and an unsolved murder!Despite a busy high-season schedule and an inn booked to capacity, Antonia has agreed to investigate a cold case in her beloved adopted hometown, East Hampton, NY: the killing of Susie Whitaker, whose brutal 1990 slaying on a tennis court in the poshest part of town was never solved.And the person who has hired Antonia? Prime suspect Pauline Framingham, a manipulative pharmaceutical heiress from a powerful family. As Antonia attempts to unravel the mysteries of the past she unearths even darker secrets and ultimately wonders if it would have been best to let sleeping dogs lie. To make matters worse, past acquaintances and love interests reappear in the Hamptons, disrupting Antonia's world and causing her to scurry to the fridge for comfort.Join Antonia for this gripping new installment in the Hamptons Murder Mystery series from Carrie Doyle! Death on West End Road is an entertaining mystery that will keep you guessing right up until the end.

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Fields of Gold critically examines the history, ideas, and political struggles surrounding the financialization of farmland. In particular, Madeleine Fairbairn focuses on developments in two of the most popular investment locations, the US and Brazil, looking at the implications of financiers' acquisition of land and control over resources for rural livelihoods and economic justice. At the heart of Fields of Gold is a tension between efforts to transform farmland into a new financial asset class, and land's physical and social properties, which frequently obstruct that transformation. But what makes the book unique among the growing body of work on the global land grab is Fairbairn's interest in those acquiring land, rather than those affected by land acquisitions. Fairbairn's work sheds ethnographic light on the actors and relationships—from Iowa to Manhattan to São Paulo—that have helped to turn land into an attractive financial asset class. Thanks to generous funding from UC Santa Cruz, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.

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The scale of death and destruction during the Battle of Stalingrad during late 1942 and early 1943 remains unprecedented in the history of warfare. The annihilation of General von Paulus' 6th Army epitomised the devastating defeat of Hitler's ambition to conquer Stalin's Soviet Union. After the successful Operation Blue offensive 6th Army reached the River Volga north of Stalingrad in summer 1942\. With over-extended supply lines and facing steely opposition, increasingly desperate attempts to seize the city repeatedly failed. Slowly 6th Army became encircled. The German High Command attempted a number of relief attempts, notably Field Marshal von Manstein's Winter Storm' but all were defeated by the tenacity of the enemy and the Russian winter. To their credit the men of 6th Army fought to the end but by February 1943 the last pockets of German resistance were either destroyed or had surrendered. Thanks to a superb collection of unpublished photographs, this Images of War book provides an absorbing insight into the dramatic events of the last months of 6th Army's doomed existence.

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Critically acclaimed queen of psychological crime Sophie Hannah's fifth suspense novel - a must-read for those who love Clare Mackintosh and Paula Hawkins.'Beautifully written' Daily Express'Terrifying' Heat Murder begins at home . . . TV producer Fliss Benson receives an anonymous card at work. The card has sixteen numbers on it, arranged in four rows of four - numbers that mean nothing to her.On the same day, Fliss finds out she's going to be working on a documentary about miscarriages of justice involving cot-death mothers wrongly accused of murder. The documentary will focus on three women: Helen Yardley, Sarah Jaggard and Rachel Hines. All three women are now free, and the doctor who did her best to send them to prison for life, child protection zealot Dr Judith Duffy, is under investigation for misconduct. For reasons she has shared with nobody, this is the last project Fliss wants to be working on. And then Helen Yardley is found dead at her home, and in her pocket is a card with sixteen numbers on it, arranged in four rows of four . . .

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Dad always said if things get desperate, it's okay to drink the water in the toilet. I never thought it would come to that. I thought I'd sooner die than let one drop of toilet water touch my lips. Yet here I am, kneeling before a porcelain throne, holding a tin mug for scooping in one hand, and my half-gallon canteen in the other. The Lockwood brothers are supposed to be able to survive anything. Their dad, a hardcore believer in self-reliance, has stockpiled enough food and water at their isolated Nevada home to last for months. But when they are robbed of all their supplies during a massive blackout while their dad is out of town, John and Stew must walk 96 miles in the stark desert sun to get help. Along the way, they're forced to question their dad's insistence on self-reliance and ask just what it is that we owe to our neighbors, our kin, and to ourselves. From talented newcomer J. L. Esplin comes this story of survival and determination as two young brothers confront the unpredictability of human nature in the face of desperate circumstances. For fans of Gary Paulsen's classic Hatchet and Lauren Tarshis's bestselling I Survived series, a story of survival and desperation as two young brothers confront the worst in humanity-and themselves.

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Dad always said if things get desperate, it's okay to drink the water in the toilet. I never thought it would come to that. I thought I'd sooner die than let one drop of toilet water touch my lips. Yet here I am, kneeling before a porcelain throne, holding a tin mug for scooping in one hand, and my half-gallon canteen in the other. The Lockwood brothers are supposed to be able to survive anything. Their dad, a hardcore believer in self-reliance, has stockpiled enough food and water at their isolated Nevada home to last for months. But when they are robbed of all their supplies during a massive blackout while their dad is out of town, John and Stew must walk 96 miles in the stark desert sun to get help. Along the way, they're forced to question their dad's insistence on self-reliance and ask just what it is that we owe to our neighbors, our kin, and to ourselves. From talented newcomer J. L. Esplin comes this story of survival and determination as two young brothers confront the unpredictability of human nature in the face of desperate circumstances. For fans of Gary Paulsen's classic Hatchet and Lauren Tarshis's bestselling I Survived series, a story of survival and desperation as two young brothers confront the worst in humanity-and themselves.

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Capturing today's scientific imagination...PROGRESS in InorganicChemistry Nowhere is creative scientific talent busier than in the world ofinorganic chemistry experimentation. And the traditional forum forexchanging innovative research has been the respected Progress inInorganic Chemistry series. With contributions from internationallyrenowned chemists, this latest volume offers an in-depth,far-ranging examination of the changing face of the field,providing a tantalizing glimpse of the emerging state of thescience. CONTENTS OF VOLUME 46 * Anion Binding and Recognition by Inorganic Based Receptors (PaulD. Beer and David K. Smith) * Copper (I), Lithium and Magnesium Thiolate Complexes: An Overviewwith Due Mention of Selenolate and Tellurolate Analogues andRelated Silver (I) and Gold (I) Species (Maurits D. Janssen, DavidM. Grove, and Gerard van Koten) * The Role of the Pyrazolate Ligand in Building PolynuclearTransition Metal Systems (Girolamo La Monica and G. AttilloArdizzoia) * Recent Trends in Metal Alkoxide Chemistry (Ram C. Mehrotra andAnirudh Singh). "This series is distinguished not only by its scope and breadth,but also by the depth and quality of the reviews." --Journal of theAmerican Chemical Society. "This series is a valuable addition to the library of thepracticing research chemist, and is a good starting point forstudents wishing to understand modern inorganic chemistry."--Canadian Chemical News. "[This series] has won a deservedly honored place on the bookshelfof the chemist attempting to keep afloat in the torrent of originalpapers on inorganic chemistry." --Chemistry in Britain.

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Our relationship with trees is a lengthy, complex one. Since we first walked the earth we have, at various times, worshiped them, felled them and even talked to them. For many of us, though, our first memories of interacting with trees will be of climbing them. Exploring how tree climbers have been represented in literature and art in Europe and North America over the ages, The Tree Climbing Cure unpacks the curative value of tree climbing, examining when and why tree climbers climb, and what tree climbing can do for (and say about) the climber’s mental health and wellbeing. Bringing together research into poetry, novels, and paintings with the science of wellbeing and mental health and engaging with myth, folklore, psychology and storytelling, Tree Climber also examines the close relationship between tree climbing and imagination, and questions some longstanding, problematic gendered injunctions about women climbing trees. Discussing, among others, the literary works of Margaret Atwood; Charlotte Bronte; Geoffrey Chaucer; Angela Carter; Kiran Desai; and J.R.R. Tolkien, as well as work by artists such as Peter Doig; Paula Rego; and Goya, this book stands out as an almost encyclopedic examination of cultural representations of this quirky and ultimately restorative pastime.

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Poetry is an ideal artistic medium for expressing the fear, sorrow, and triumph of revolutionary times. Words of Protest, Words of Freedom is the first comprehensive collection of poems written during and in response to the American civil rights struggle of 1955–75. Featuring some of the most celebrated writers of the twentieth century—including Maya Angelou, Amiri Baraka, Gwendolyn Brooks, Allen Ginsberg, Robert Lowell, and Derek Walcott—alongside lesser-known poets, activists, and ordinary citizens, this anthology presents a varied and vibrant set of voices, highlighting the tremendous symbolic reach of the civil rights movement within and beyond the United States.Some of the poems address crucial movement-related events—such as the integration of the Little Rock schools, the murders of Emmett Till and Medgar Evers, the emergence of the Black Panther party, and the race riots of the late 1960s—and key figures, including Martin Luther King Jr., Malcolm X, and John and Robert Kennedy. Other poems speak more broadly to the social and political climate of the times. Along with Jeffrey Lamar Coleman's headnotes, the poems recall the heartbreaking and jubilant moments of a tumultuous era. Altogether, more than 150 poems by approximately 100 poets showcase the breadth of the genre of civil rights poetry.Selected contributors. Maya Angelou, W. H. Auden, Amiri Baraka, Gwendolyn Brooks, Lucille Clifton Lawrence Ferlinghetti, Allen Ginsberg, Langston Hughes, June Jordan, Philip Levine, Audre Lorde, Robert Lowell, Pauli Murray, Huey P. Newton, Adrienne Rich, Sonia Sanchez, Léopold Sédar Senghor, Derek Walcott, Alice Walker, Yevgeny Yevtushenko

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Queering the Color Line transforms previous understandings of how homosexuality was “invented” as a category of identity in the United States beginning in the late nineteenth century. Analyzing a range of sources, including sexology texts, early cinema, and African American literature, Siobhan B. Somerville argues that the emerging understanding of homosexuality depended on the context of the black/white “color line,” the dominant system of racial distinction during this period. This book thus critiques and revises tendencies to treat race and sexuality as unrelated categories of analysis, showing instead that race has historically been central to the cultural production of homosexuality.At about the same time that the 1896 Supreme Court Plessy v. Ferguson decision hardened the racialized boundary between black and white, prominent trials were drawing the public’s attention to emerging categories of sexual identity. Somerville argues that these concurrent developments were not merely parallel but in fact inextricably interrelated and that the discourses of racial and sexual “deviance” were used to reinforce each other’s terms. She provides original readings of such texts as Havelock Ellis’s late nineteenth-century work on “sexual inversion,” the 1914 film A Florida Enchantment, the novels of Pauline E. Hopkins, James Weldon Johnson’s Autobiography of an Ex-Coloured Man, and Jean Toomer’s fiction and autobiographical writings, including Cane. Through her analyses of these texts and her archival research, Somerville contributes to the growing body of scholarship that focuses on discovering the intersections of gender, race, and sexuality.Queering the Color Line will have broad appeal across disciplines including African American studies, gay and lesbian studies, literary criticism, cultural studies, cinema studies, and gender studies.

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Book 9 of Silius Italicus' first-century Latin epic poem Punica begins the narrative of the Battle of Cannae (August 216 BC). This book is an integral part of the epic's three-book movement that narrates one of the largest battles in Roman history. It opens with the dispute between the consuls Paulus and Varro over giving battle, in the face of hostile omens and Hannibal's record of successful combat. On the eve of the battle, the Roman soldier Solymus accidentally kills his father Satricus, thereby presenting an omen of disaster for the Roman army. After Hannibal and Varro encourage their troops, the initial phase of the battle commences. The gods descend to the battlefield, and Mars and Minerva fight the sole full-scale theomachy in Latin epic. Aeolus summons the Vulturnus wind at Juno's request to devastate the Roman ranks. After the gods have departed, Hannibal's elephant troops advance and scatter the Roman forces. The book ends by recapitulating the opening episode: Varro admits his mistake in giving battle and flees the battlefield. This volume is the first full-scale commentary in English devoted exclusively to Punica 9. It features the Latin text with a critical apparatus and a parallel English translation. Detailed commentary notes provide information on literary style, use of language, poetic intertexts, and scholarly interpretation. The Introduction offers further context and background, including sections on Silius Italicus and his era, the historiographic and rhetorical traditions that he adopted, the inter- and intra-textuality of the Cannae episode, and the book's use of diction and metre.

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Every year at least 20,000 people go missing in São Paulo, Brazil. Many will be found, sometimes in mundane mass graves, but thousands will not. Keep the Bones Alive explores this phenomenon and why there is little concern for those who vanish. Ethnographer Graham Denyer Willis works beside family members, state workers, and gravediggers to examine the rationalization behind why bodies are missing in space—from cemeteries, the criminal coroner's office, prisons, and elsewhere. By accompanying the bereaved as they confront an indifferent state and a suspicious society and search for loved ones against all odds, this gripping book reveals where missing bodies go and the reasons why people can disappear without being pursued. Recognizing that disappearance has long been central to Brazil's everyday political order, this humanistic account of the silences surrounding disappearance shows why a demand for a politics of life is needed now more than ever.

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Laissez-vous guider par nos auteurs ! Au cours de leurs innombrables tournées, ils ont déniché pour vous des lieux inoubliables ou insolites : - Les incontournables (classés 1, 2 ou 3 étoiles) : Cité de Carcassonne***, Massif du Canigou***, Collioure**... - Les coups de coeur : Plonger dans les eaux claires de la baie de Paulilles ; Pédaler, cheveux au vent, sur le chemin de halage qui longe le canal du Midi ; Tutoyer le ciel en parcourant les ruines des « citadelles du vertige »... - Les bonnes adresses pour tous les budgets : se restaurer, prendre un verre, shopping, sortir, se loger - Les meilleurs spots en famille (activités pour les 6-14 ans) : Safari dans la réserve africaine de Sigean ; Canyoning dans les gorges de Galamus ; Visite animée du fort Lagarde... - Des suggestions d’itinéraires : Les Corbières et les châteaux cathares en 6 jours ; Escapade au sud de Perpignan en 6 jours ; Du Canigou aux Pyrénées catalanes en 7 jours... - De nombreux cartes et plans pour retrouver les principaux sites étoilés de la destination. - Toutes les infos mises à jour dans cette nouvelle édition. Ce guide est divisé en 5 micro-régions : Narbonne, Carcassonne et le canal du Midi ; Les Corbières et le Pays cathare ; Perpignan, la plaine du Roussillon et la Côte Vermeille ; Les Pyrénées orientales ; La principauté d’Andorre. En plus : Escapade en Catalogne espagnole. Pensez à utilisez en complément notre Carte Régional Languedoc-Roussillon 2023. MICHELIN vous GuideVert la France de vos rêves !

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Since slavery, Black women have struggled to liberate themselves from racism and sexism. Yet despite these hurdles and under the most difficult circumstances, they managed to achieve greatness. TRAILBLAZERS shines a light on these their accomplishments, which often led to widespread cultural change. TRAILBLAZERS is a six-volume series that examines the lives and careers of over four hundred brilliant women from the eighteenth century to the present who blazed uncharted paths in every conceivable way. Each TRAILBLAZERS volume is organized into several sections. Along with biographical information and powerful photographs, David provides a historical timeline for each section—written from the viewpoint of Black women—that maps out the significance of the featured women that follow. Volume 1 features an assortment of sixty-five activists, dancers, and athletes. We learn about the significance of activists like Ella Baker, Pauli Murray, Rosina Tucker, and Clara Day, who represent the hundreds of unnamed women who participated in the civil rights and labor movements. We re-discover dancers Jeni Legon and Margot Webb, who are honored alongside dance legends Josephine Baker, Katherine Dunham, Janet Collins, and a new generation of dancers including Misty Copeland, Dormeshia Sumbry-Edwards, and choreographers like Camille A. Brown, and Cynthia Oliver. And then there are the Black women athletes who disrupted the world of sports, from the nearly forgotten tennis champion Ora Washington and Alice Coachman—the first to compete and win in the Olympics—to Simone Biles, the most decorated gymnast in Olympic history. Throughout the series, as David re-introduces many of these women into the public sphere, they are not always in predictable ways. For example, Debbie Allen makes a brief appearance in this volume, not for her acting or as a director, but rather as the dancer she initially trained to be, reminding us that Black women are multifaceted, multitalented, and complex. What binds these women together is that as they struggled on the front lines, they shook up the status quo of Black people in America. Throughout the volume, David also challenges the socially conditioned assumptions, stereotypes, and false binaries that denigrate Black women’s bodies particularly in dance and sports, including the barriers they face in how they wear their hair. In this regard, David addresses the totality of Black womanhood: physically, culturally, and politically. With painstaking research, David has created an affordable, visually rich, and accessible reference book. From the foremothers who blazed trails and broke barriers, to the women who follow in their footsteps, TRAILBLAZERS offers powerful and inspiring role models for women and girls from all cultural backgrounds and for the intellectually curious. TRAILBLAZERS is a clarion call for recognition of the transformative work Black women have done and continue to do. Written in accessible prose that contains personal reflections for a broad audience, TRAILBLAZERS also serves as a vital reference guide for use in schools and libraries.

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Since the financial meltdown of 2008, political protests have spread around the world like chain lightning, from the "Occupy" movements of the United States, Great Britain, and Spain to more destabilizing forms of unrest in Tunisia, Egypt, Russia, Thailand, Bulgaria, Turkey, and Ukraine. In Democracy Disrupted: The Politics of Global Protest, commentator and political scientist Ivan Krastev proposes a provocative interpretation of these popular uprisings—one with ominous implications for the future of democratic politics. Challenging theories that trace the protests to the rise of a global middle class, Krastev proposes that the insurrections express a pervasive distrust of democratic institutions. Protesters on the streets of Moscow, Sofia, Istanbul, and São Paulo are openly suspicious of both the market and the state. They reject established political parties, question the motives of the mainstream media, refuse to recognize the legitimacy of any specific leadership, and reject all formal organizations. They have made clear what they don't want—the status quo—but they have no positive vision of an alternative future. Welcome to the worldwide libertarian revolution, in which democracy is endlessly disrupted to no end beyond the disruption itself.

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THE TOP TEN BESTSELLER ’Dark, clever, terrifying’ Paula Hawkins ‘Gripping and moving’ Erin Kelly ‘You won’t want to eat, sleep or blink’ Tammy Cohen Imagine your doorbell rings in the middle of the night. You open the door to the police. With them is your husband’s eleven-year-old love child. A daughter you never knew he had. Her mother has been found dead in their south London flat. She has nowhere else to go. WOULD YOU TAKE HER IN? Compulsive, dark and devastating, Give Me the Child is a uniquely skilful thriller with an unforgettable twist.___ What readers are saying about Give Me the Child: 'Chilling and unnerving. I loved it.' 'A brilliantly crafted psychological thriller full of surprises, with a breathless climax.' 'A tension-filled family drama with plenty of twists and turns along the way, that will have you racing to the end.' 'A brilliant suspense-thriller. I highly recommend this book.' ‘I read this in one sitting. It's an excellent read, chilling and well written.' 'A psychological thriller with a difference and an evil twist, it kept me on the edge of my seat.' 'Excellent, a real page turner. All the more riveting as so very real.' 'I could not put it down…I loved it!!'

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It is early September 1942 and the German commander of the Sixth Army, General Paulus, assisted by the Fourth Panzer Army, is poised to advance on the Russian city of Stalingrad. His primary mission was to take the city, crushing this crucial centre of communication and manufacturing, and to secure the valuable oil fields in the Caucasus. What happens next is well known to any student of modern history: a brutal war of attrition, characterised by fierce hand-to-hand combat, that lasted for nearly two years, and the eventual victory by a resolute Soviet Red Army. A ravaged German Army was pushed into full retreat. This was the first crucial defeat of Hitler's territorial ambitions in Europe and a marked a critical turning point in the Second World War. But the outcome could have been very different, as Peter Tsouras demonstrates in this thought-provoking and highly readable alternate history of the fateful battle. By introducing minor but realistic' adjustments, he presents a scenario in which the course of the battle runs quite differently - which in turn sets in motion new and unexpected possibilities for the outcome of the entire war. Cleverly conceived and expertly executed, this is alternate history at its best.

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Agatha Christie fans will love Queen of Crime Sophie Hannah's third stunning psychological suspense novel. Also perfect for fans of Clare Mackintosh and Paula Hawkins.'Addictive' Marie Claire'Irresistible' GuardianIt began with an affair. And ended in murder.Sally is watching the news with her husband when she hears a name she ought not to recognise: Mark Bretherick. Last year, a work trip Sally had planned was cancelled at the last minute. Desperate for a break from her busy life juggling work and a young family, Sally didn't tell her husband that the trip had fallen through. Instead, she booked a week off work and treated herself to a secret holiday. All she wanted was a bit of peace - some time to herself - but it didn't work out that way. Because Sally met a man. Mark Bretherick. All the details are the same: where he lives, his job, his wife Geraldine and daughter Lucy. Except that the man on the news is a man Sally has never seen before. And Geraldine and Lucy Bretherick are both dead . . .

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A collective intellectual biography that sheds new light on the Annales school, structuralism, and racial democracy. Would the most recognizable ideas in the French social sciences have developed without the influence of Brazilian intellectuals? While any study of Brazilian social sciences acknowledges the influence of French scholars, Ian Merkel argues the reverse is also true: the “French” social sciences were profoundly marked by Brazilian intellectual thought, particularly through the University of São Paulo. Through the idea of the “cluster,” Merkel traces the intertwined networks of Claude Lévi-Strauss, Fernand Braudel, Roger Bastide, and Pierre Monbeig as they overlapped at USP and engaged with Brazilian scholars such as Mário de Andrade, Gilberto Freyre, and Caio Prado Jr.. Through this collective intellectual biography of Brazilian and French social sciences, Terms of Exchange reveals connections that shed new light on the Annales school, structuralism, and racial democracy, even as it prompts us to revisit established thinking on the process of knowledge formation through fieldwork and intellectual exchange. At a time when canons are being rewritten, this book reframes the history of modern social scientific thought.

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A collective intellectual biography that sheds new light on the Annales school, structuralism, and racial democracy. Would the most recognizable ideas in the French social sciences have developed without the influence of Brazilian intellectuals? While any study of Brazilian social sciences acknowledges the influence of French scholars, Ian Merkel argues the reverse is also true: the “French” social sciences were profoundly marked by Brazilian intellectual thought, particularly through the University of São Paulo. Through the idea of the “cluster,” Merkel traces the intertwined networks of Claude Lévi-Strauss, Fernand Braudel, Roger Bastide, and Pierre Monbeig as they overlapped at USP and engaged with Brazilian scholars such as Mário de Andrade, Gilberto Freyre, and Caio Prado Jr.. Through this collective intellectual biography of Brazilian and French social sciences, Terms of Exchange reveals connections that shed new light on the Annales school, structuralism, and racial democracy, even as it prompts us to revisit established thinking on the process of knowledge formation through fieldwork and intellectual exchange. At a time when canons are being rewritten, this book reframes the history of modern social scientific thought.

Read more less