Search results for ""author paul"

Der Kommentar Cyrills von Alexandrien († 444) zum 1. Korintherbrief des Apostels Paulus gehörte bisher wohl zu den unbekanntesten Schriften der patristischen Literatur. Die vorliegende Studie stellt die erste umfassende wissenschaftliche Untersuchung dieses fast vergessenen Werkes dar. Sie präsentiert erstmalig alle Handschriften, in denen griechische Fragmente des Kommentars überliefert sind, und bietet die erste kritische Edition der Schrift sowie deren erste Übersetzung in eine moderne Sprache. Sie unternimmt darüber hinaus zum ersten Mal den Versuch, anhand einer eingehenden Analyse der hierfür maßgeblichen Stellen die Abfassungzeit des Werkes zu bestimmen sowie dessen sprachlich-stilistische Merkmale zu benennen. Im Mittelpunkt der Studie steht - neben der Edition der erhaltenen griechischen Fragmente des Kommentars - eine detaillierte exegetisch-theologische Analyse der Schrift. Die Untersuchung schließt mit einer komprimierenden Darstellung der von Cyrill im analysierten Kommentar behandelten Themen sowie mit einer zusammenfassenden Präsentierung der exegetisch-hermeneutischen Prinzipien der Bibelauslegung des alexandrinischen Patriarchen. Als Kurzsynthese der vorliegenden Studie kann festgehalten werden: Der Kommentar Cyrills von Alexandrien zum 1. Korintherbrief ist ein Werk von hoher inhaltlicher Komplexität, eine hervorragende Fundgrube für jeden, der erfahren und lernen möchte, was es konkret bedeutet, die biblische Botschaft aktualisierend auszulegen.

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This volume contains the Proceedings of the 25th Congress of the Union Européenne des Arabisants et Islamisants (Naples, September 8-12, 2010) on Islam and Globalisation: Historical and Contemporary Perspectives. Besides a general view on globalisation (Agostino Cilardo) and the history of the Union on the occasion of its fiftieth anniversary (Urbain Vermeulen), the contributions concern History (Axel Havemann, Pasquale Macaluso, Antonino Pellitteri, Maria Giovanna Stasolla, Maria Vidyasova), Islam (Roswitha Badry, Marek M. Dziekan, Dmitry Frolov, Christopher Melchert, Katarzyna Pachniak, Orsolya Varsanyi), Islamic Law (María Arcas Campoy, Reiner Brunner, Ana María Carballeira Debasa & Camilo Álvarez De Morales, Agostino Cilardo, Vasco Fronzoni, Wilferd Madelung), Literature & Linguistics (Abdessamad Belhaj, Julia Bray, Hélène Condylis, Francesca Maria Corrao, Adelya Gaynutdinova, Ali Kadem Kalati, Vladimir Lebedev, Ewa Machut-Mendecka, Mariangela Masullo, Barbara Michalak-Pikulska, Christina Ossipova, Arie Schippers, Krystyna Skarzynska-Bochenska, Ludmila Torlakova, Urbain Vermeulen, Monika Winet), Travel (Oriana Capezio, Roberta Denaro, Maria Grazia Sciortino, Richard van Leeuwen), Philosophy & Science (Carmela Baffioni, Daniel De Smet, Montse Díaz-Fajardo, Paulina B. Lewicka, Miklós Maróth, Juan Martos Quesada & María del Carmen Escribano Ródenas, Antonella Straface, Johannes Thomann), Art (Vincenza Grassi, Eva-Maria von Kemnitz).

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Featured in Stylist’s ‘Can’t Miss’ Books of 2023 Sometimes I think that carrying — other people, the continuity of history, generational identity, the emotional load of the everyday — is the main thing that women do. In Marina Benjamin’s new set of interlinked essays, she turns her astute eye to the tasks once termed ‘women’s work’. From cooking and cleaning to caring for an ageing relative, A Little Give depicts domestic life anew: as a site of paradox and conflict, but also of solace and profound meaning. Here, productivity sits alongside self-erasure, resentment with tenderness, and the animal self is never far away, perpetually threatening to break through. Drawing on the work of figures such as Natalia Ginzburg, Paula Rego, and Virginia Woolf, Benjamin writes with fierce candour of the struggle to overwrite the gender conditioning that pulls her back into ‘the mud-world of pre-feminism’ even as she attempts to haul herself out. From her upbringing as the child of immigrants with fixed traditional values, to looking after her mother and seeing her teenager move out of home, she examines her relationships with family, community, her body, even language itself. Ultimately, she shows that a woman’s true work may lie at the heart of her humanity, in the pursuit both of transformation and of deep acceptance.

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Dominant history would have us believe that colonialism belongs to a previous era that has long come to an end. But as Native people become mobile, reservation lands become overcrowded and the state seeks to enforce means of containment, closing its borders to incoming, often indigenous, immigrants.In Mark My Words, Mishuana Goeman traces settler colonialism as an enduring form of gendered spatial violence, demonstrating how it persists in the contemporary context of neoliberal globalization. The book argues that it is vital to refocus the efforts of Native nations beyond replicating settler models of territory, jurisdiction, and race. Through an examination of twentieth-century Native women’s poetry and prose, Goeman illuminates how these works can serve to remap settler geographies and center Native knowledges. She positions Native women as pivotal to how our nations, both tribal and nontribal, have been imagined and mapped, and how these women play an ongoing role in decolonization.In a strong and lucid voice, Goeman provides close readings of literary texts, including those of E. Pauline Johnson, Esther Belin, Joy Harjo, Leslie Marmon Silko, and Heid Erdrich. In addition, she places these works in the framework of U.S. and Canadian Indian law and policy. Her charting of women’s struggles to define themselves and their communities reveals the significant power in all of our stories.

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The Yanomami and Kayapó, two indigenous groups of the Amazon rainforest, have become internationally known through their dramatic and highly publicized encounters with “civilization.” Both groups struggle to transcend internal divisions, preserve their traditional culture, and defend their land from depredation, while seeking to benefit from the outside world, yet their prospects for the future seem very different. Placing each group in its historical context, Linda Rabben examines the relationship of the Kayapó and Yanomami to Brazilian society and the wider world. She combines academic research with a wide variety of sources, including celebrated leaders Paulinho Payakan and Davi Kopenawa, to assess how each group has responded to outside incursions. This book is a substantially revised edition of Unnatural Selection: The Yanomami, the Kayapó, and the Onslaught of Civilization, originally published in 1998, and includes a new chapter examining the controversy for anthropologists studying the Yanomami following the publication of Patrick Tierney’s book Darkness in El Dorado. Another new chapter focuses on the resurgence of Northeastern indigenous groups previously thought extinct. The magnitude and significance of indigenous movements has increased greatly, and a new generation of Brazilian indigenous leaders, proficient in Portuguese, is participating in the national political arena. Choice Outstanding Academic Title 2005

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In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard.In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other “shadow libraries” and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb’s commitment to the free-culture movement and giving access to a wide range of artistic works with today’s gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify.

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In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard.In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other “shadow libraries” and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb’s commitment to the free-culture movement and giving access to a wide range of artistic works with today’s gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify.

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An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.This book sets out to understand how the meaning of ‘literature’ was transformed in the Global South in the post-1945 era. It looks at institutional contexts in South Africa (mainly Johannesburg), Brazil (São Paulo), Senegal (Dakar) and Kenya (Nairobi), and engages with critical writing in English, Portuguese and French. Critics studied in the book include Antonio Candido, Tim Couzens, Isabel Hofmeyr, Es’kia Mphahlele, Léopold Senghor, Taban Lo Liyong and Ngugi wa Thiong’o. By reading these intellectuals of the Global South as producers of theory and practice in their own right, the book attempts to demonstrate the contingency of what is her called the worlding of the concept of literature. ‘Decolonisation’ itself is seen as a contingent, non-linear process that unfolds in a recursive dialogue with the past. In a bid to offer a more grounded approach to world literature, a key objective of this study is therefore to investigate the accumulation of temporalities in institutional histories of critical practice. To reach this objective, it engages the method of conceptual history as developed by Reinhart Koselleck and David Scott, demonstrating how the concept of ‘literature’ is resemanticised in ways that dialectically both challenge and consolidate literature as a concept and practice in post-colonised societies.

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Weekend trips to any city, from São Paulo to Seoul to Sydney, can often be daunting, with too much to do and too little time. Enter 36 Hours World, a roundup of 150 cities across six continents, each tailored for a memorable and feasible 36-hour stay. Gathered from the eponymous New York Times column, this updated edition is dedicated entirely to cities: capital, coastal, cosmopolitan, and everything in between, with 26 new stories not published in previous volumes. The Times’s contributors are your guides—foreign correspondents, travel writers, food writers, and photojournalists—who bring together insider knowledge and in-depth research, providing fresh insight to even the most frequently visited metropolises. Whether it’s a comedy club in downtown Chicago, a long-tail boat tour on Bangkok’s Chao Phraya River, or a cable car ride up to Dubrovnik’s Mount Srd, the must-know facts and inspiration can all be found in this A-to-Z collection of urban adventures. 150 international cities Practical recommendations for nearly 600 restaurants and 350 hotels A thumb index for quick navigation and ribbon to bookmark your next adventure More than 800 photos Detailed city-by-city maps that pinpoint every stop on your itinerary All stories have been updated and adapted by Barbara Ireland, a veteran Times travel editor

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A Top Ten Book for Parish Ministry in 2017, Academy of Parish Clergy The loss or disaffiliation of young adults is a much-discussed topic in churches today. Many faith-formation programs focus on keeping the young, believing the youthful spirit will save the church. But do these programs have more to do with an obsession with youthfulness than with helping young people encounter the living God? Questioning the search for new or improved faith-formation programs, leading practical theologian Andrew Root offers an alternative take on the issue of youth drifting away from the church and articulates how faith can be formed in our secular age. He offers a theology of faith constructed from a rich cultural conversation, providing a deeper understanding of the phenomena of the "nones" and "moralistic therapeutic deism." Root helps readers understand why forming faith is so hard in our context and shows that what we have lost is not the ability to keep people connected to our churches but an imagination for how and where God could be present in their lives. He considers what faith is and what steps we can take to move into it, exploring a Pauline concept of faith as encounter with divine action. This is the first book in Root's Ministry in a Secular Age series.

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'Thaim wi a guid Scots tongue in their heid are fit tae gang ower the warld' In The Scottish World, renowned broadcaster Billy Kay takes us on a global journey of discovery, highlighting the extraordinary influence the Scots have had on communities and cultures on almost every continent. While others have questioned the self-confidence of the Scots, Kay has travelled the world from Bangkok to Brazil, Warsaw to Waikiki and found ringing endorsements for the integrity and intellect, the poetry and passion of the Scottish people in every country he has visited. He expands people's view of Scotland by relating remarkable stories of the wealthy Scottish merchant community in Gdansk; of national geniuses of Scots descent, such as Lermontov in Russia and Grieg in Norway; of an American Civil War blamed on Sir Walter Scott and initiated in the St Andrew's Society of Charleston; of inspirational missionaries in Calabar and Budapest; of Scotch professors establishing football in soccer strongholds such as Barcelona and São Paulo; of pioneers like Sandeman and Cockburn, and the Scottish roots of many of the great wines of Europe; and of their amazing involvement in liberation movements in Malawi, Chile, Peru, Greece, Corsica and India. The Scottish World is a celebration of the enormous contribution the Scots have made to the modern world.

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How the actions of a few in Europe destroyed the prosperity of the many (and how it's happening again now in America) After the fall of the Roman Empire, vicious barbaric tribes including the Hunds lead by Atilla, the Mongols, Charlemagne and the Vikings invaded Europe, plundering property and destroying homes. But, they didn't just steal and destroy property in the villages; they also stole and destroyed any prosperity the villagers had previously enjoyed. What's worse is the barbarians of the Dark Ages did all of this not out of any deeply held religious or political belief, but, rather, for the oldest reason in the book – their own personal financial gain. Some things never change. Barbarians of Wealth examines how the greedy, self-serving decisions of a select group of politicians and financial institutions negatively impacts the economy and, ultimately, destroys America's prosperity and the American way of life. Compelling and engaging, the book Details how Goldman Sachs peddled mortgage backed securities up and down Wall Street while secretly betting against their demise Discusses how Sanford Weill, founder of Citigroup spent $100 million lobbying for the repeal of the Glass-Steagall Act that prevented the merger of commercial and investment banks and got his way. Examines Christopher Dodd, head of the U.S. Senate Banking Committee, has enriched himself while driving down the prosperity of his constituents Offers up examples of other modern barbarians, including the Federal Reserve, Alan Greenspan, Hank Paulson, and Timothy Geithner. Highlights greed driven tactics of Wall Street corporations including JP Morgan, Merrill Lynch, and Salomon Brothers. Barbarians of Wealth is a timely must read for hard-working Americans concerned with their prosperity, as well as for those fascinated with the inner workings of Washington and Wall Street.

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Shortlisted for the 2016 T. S. Eliot Prize, this new collection of expert lyric poems from Whitbread Poetry Award winner Bernard O'Donoghue movingly animates the scenery and characters of his childhood in County Cork. The mythologies of family are here: the relative who maybe emigrated to America to be 'set upon at his arrival / for the few pounds sewn inside his coat'; the memory of 'Barty, a hopeless speller', caned so hard he dances; the big top come to the town park; the stolen apples raided from the orchard near the old school. Here too are the collective myths, the groundwater of older texts - Virgil's Aeneid, the Riddles of the Exeter Book, Dante's Purgatorio, the lives of the ancients and the gods - all of which in O'Donoghue's dexterous and discerning care reach forward from their long-ago origins to echo down our own lives.Many of these poems speak in elegy: for Connolly's Bookshop - closed down and mourned - or for lost friends; for the nostalgic places to which one cannot return, the field-corners and long roads of the deep past: 'So wistful is the recognition now / of the places that I hardly noted'.The stunning title piece, and the deft and poignant poems that make up this collection, will confirm O'Donoghue's place as one of the most approachable and agile voices in contemporary Irish and British poetry.'I'm fascinated by O'Donoghue's wry vision, his infinitely gentle manner of displacing our more predictable reactions to things as they are so that we glimpse their underlying tragedy.' Tom Paulin

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A fascinating look at the rich but under-appreciated Eastern sources behind the Narnia book C. S. Lewis was no great traveller but he was a prodigious bibliophile who absorbed the world's traditions of myth, religion, and cosmology. The Chronicles of Narnia are steeped in allusions to the Bible, Greek mythology, and medieval literature, all of which has been amply discussed by critics. But, until now, what has been overlooked are Lewis' significant borrowings from Eastern influences: Arabian Nights and the Persian poets, great travellers from Herodotus and Marco Polo to T. E. Lawrence and Robert Byron, and the famous fictional adventurers Baron Munchausen, Gulliver, and Sindbad. In East of the Wardrobe, Warwick Ball explores hitherto unrecognised and unexpected Eastern aspects in and influences on C. S. Lewis' Narnia books. These include storylines, themes, imagery, religious elements, and even the cities and landscapes of the East, as well as the 'Persian' style adopted by the illustrator of Narnia, Pauline Baynes. Themes borrowed from the great epics can also be found, from The Odyssey and Aeneid to the Kalevala and The Knight in the Panther's Skin. Delve deeper and Christianity is there along with paganism, but so too are Zoroastrian, Manichaean, and even Islamic and Sufi messages. Ultimately, these influences act as a reflection of the complex intellectual world that Lewis inhabited, of both his own unique philosophy and the wider social and intellectual climate of Oxford in the first half of the twentieth century. All readers of Lewis will find in East of the Wardrobe surprising new paths into the world of Narnia.

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This dazzling visual compendium highlights the work of designers and 3-D render artists around the globe who visualize utopian architectural, landscape, and interior designs set in dreamlike and futuristic environments. This compilation book is curated by London-based designer Charlotte Taylor, whose Instagram account @maison_de_sable features many of her own designs and collaborations with render artists as well as those of her contemporaries. Featured designers and artists include the following listed per their influential Instagram accounts: @sixnfive, @paulmilinski, @teaaalexis, @joemortell and many more. 3D architectural renderings were originally conceived as a communication tool between designers and clients to help them visualize a proposed buildable design. This genre continues to be extremely useful for this purpose but has now also become an art form in its own right that can convey dreamlike imaginary settings. This collection features many of the most prolific and skilled 3D artists that showcase a high-end, modern and futuristic aesthetic that blurs the line between reality and fantasy. In this virtual world, building and budget constraints do not impede the imagination of the creators. Design Dreams is an inspirational and aspirational volume for architects and designers as well as fans of high design in interiors, furniture, landscape, travel, and lifestyle. UNIQUE VIEWPOINT: This book captures the growing genre of architectural visualizations from an international roster of 3-D render artists around the world who create evocative and coveted dream homes and fantasy destinations. Perfect for: Digital design enthusiasts Design-savvy shoppers Decorators and interior design fans Architects Designers A distinctive special occasion, holiday, or birthday gift for someone interested in 3D render software, and design visualization. Instagram followers of @maison_de_sable and other influential accounts

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As the world faces another water crisis, it is easy to understand why this precious and highly-disputed resource could determine the fate of entire nations. In reality, however, water conflicts rarely result in violence and more often lead to collaborative governance, however precarious. In this comprehensive and accessible text, David Feldman introduces readers to the key issues, debates, and challenges in water politics today. Its ten chapters explore the processes that determine how this unique resource captures our attention, the sources of power that determine how we allocate, use, and protect it, and the purposes that direct decisions over its cost, availability, and access. Drawing on contemporary water controversies from every continent – from Flint, Michigan to Mumbai, Sao Paulo, and Beijing –the book argues that cooperation and more equitable water management are imperative if the global community is to adequately address water challenges and their associated risks, particularly in the developing world. While alternatives for enhancing water supply, including waste-water re-use, desalination, and conservation abound, without inclusive means of addressing citizens' concerns, their adoption faces severe hurdles that can impede cooperation and generate additional conflicts.

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From the bachelor pad that Jack Lemmon's C. C. Baxter loans out to his superiors in Billy Wilder's The Apartment (1960) to the crumbling tenement in a dystopian Taipei in Tsai Ming-liang's The Hole (1998), the apartment in films and television series is often more than just a setting: it can motivate or shape the narrative in key ways. Such works belong to a critical genre identified by Pamela Robertson Wojcik as the apartment plot, which comprises specific thematic, visual, and narrative conventions that explore modern urbanism's various forms and possibilities. In The Apartment Complex a diverse group of international scholars discuss the apartment plot in a global context, examining films made both within and beyond the Hollywood studios. The contributors consider the apartment plot's intersections with film noir, horror, comedy, and the musical, addressing how different national or historical contexts modify the apartment plot and how the genre's framework allows us to rethink the work of auteurs and identify productive connections and tensions between otherwise disparate texts. Contributors. Steven Cohan, Michael DeAngelis, Veronica Fitzpatrick, Annamarie Jagose, Paula J. Massood, Joe McElhaney, Merrill Schleier, Lee Wallace, Pamela Robertson Wojcik

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From the bachelor pad that Jack Lemmon's C. C. Baxter loans out to his superiors in Billy Wilder's The Apartment (1960) to the crumbling tenement in a dystopian Taipei in Tsai Ming-liang's The Hole (1998), the apartment in films and television series is often more than just a setting: it can motivate or shape the narrative in key ways. Such works belong to a critical genre identified by Pamela Robertson Wojcik as the apartment plot, which comprises specific thematic, visual, and narrative conventions that explore modern urbanism's various forms and possibilities. In The Apartment Complex a diverse group of international scholars discuss the apartment plot in a global context, examining films made both within and beyond the Hollywood studios. The contributors consider the apartment plot's intersections with film noir, horror, comedy, and the musical, addressing how different national or historical contexts modify the apartment plot and how the genre's framework allows us to rethink the work of auteurs and identify productive connections and tensions between otherwise disparate texts. Contributors. Steven Cohan, Michael DeAngelis, Veronica Fitzpatrick, Annamarie Jagose, Paula J. Massood, Joe McElhaney, Merrill Schleier, Lee Wallace, Pamela Robertson Wojcik

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Building on Paulo Freire’s educational theory and critical pedagogy movements, this book provides a short and accessible introduction to ecopedagogy – Freirean environmental teaching and environmentalism overall. Ecopedagogy offers a political and educational vision that strives for a critical, culturally relevant forms of knowledge centred on sustainability for securing the future of our planet, ending all forms of oppression, and ensuring peace globally. Using examples from around the globe, Misiaszek shows how different populations (e.g., gender, race, ethnicity) are affected in unbalanced ways by ongoing environmental destruction and argues that these systematic socio-environmental inequalities are ignored in much of environmental teaching. He argues through reinventing Freire’s work that environmental justice is inseparable to social justice and should be seen as part of wider debates around, for example, globalization, development, citizenship, racism, feminism, neo/colonialization, and linguistics. The book calls for global and local approaches to understanding socio-environmental issues beyond anthropocentric models (beyond humans) and epistemologies of the North (e.g., Western knowledges). Written for anyone with an interest in environmentalism this book offers news ways of thinking and teaching about environmental crises we are living through.

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Phospholipidshavelongbeenknownfortheirkeyroleinmaintainingthebilayer structureofmembranesandinphysicallyseparatingthecytosolfromorganelles andtheextracellularspace. Inthepastdecade,acompletelynovelandunexpected functionemerged,full?llingacrucialroleincellsignaling. Itwasthediscoveryin animalcells,thatagonist-activatedcellsurfacereceptorsledtotheactivationofa phospholipase C (PLC), to hydrolyze the minor lipid, phosphatidylinositol 4- bisphosphateintotwosecondmessengers,inositol1,4,5-trisphosphate(InsP)and 3 2+ diacylglycerol(DAG). WhileInsP diffusesintothecytosol,whereitreleasesCa 3 2+ from an intracellular store by activating a ligand-gated Ca -channel, DAG remainsinthemembranetorecruitandactivatemembersoftheproteinkinase Cfamily. Overtheyears,avarietyofotherlipidbased-signalingcascadesweredisc- ered. Theseinclude,phospholipaseA,generatinglyso-phospholipidsandfreefatty acids(tobeconvertedintoprostaglandinsandleukotrienes),phospholipaseD,to generatethelipidsecondmessenger,phosphatidicacid(PA),andphosphoinositide 3-kinase (PI3K), generating a distinct set of polyphosphoinositides (PPI) ph- phorylated at the D3-position of the inositol ring, all with separate signaling functions. Sphingolipids,representinganotherimportantgroupofsignalinglipids, alsocameacross. Themajorityoftheselipid-basedsignalingpathwayshavebeendiscoveredin plantcellstoo. Moreover,theyhavebeenfoundtobeactivatedinresponsetoa widevarietyofbioticandabioticstresssignals,butalsotobebasicallyinvolvedin plantgrowthanddevelopment. Whilemanyoftheenzymes,lipids,andtheirtargets involved arewell conserved, major differences with the mammalian paradigms havealsoemerged. Thisbookhighlightsthecurrentstatusofplantlipidsignaling. Allchaptershave beenwrittenbyexpertsinthe?eldandcoverinformationforbothbeginnersand advancedlipidologists. PartIincludesphospholipases(Chaps. 1-3),partII,lipid kinases (Chaps. 4-7), part III, lipid phosphatases (Chaps. 8-9), part IV, ix x Preface inositolphosphates and PPI metabolism (Chaps. 10-13), part V, PA signaling (Chaps. 14-17),andpartVI,additionallipidsignals,e. g. oxylipins,NAPEand sphingolipids(Chaps18-20). Ithasbeenagreatpleasuretobetheeditorofthis bookandtobeawitnessofthislipid-signalingadventure. Amsterdam,June2009 TeunMunnik Contents PartI Phospholipases PhospholipaseAinPlantSignalTransduction...3 Gu..ntherF. E. Scherer TheEmergingRolesofPhospholipaseCinPlantGrowth andDevelopment...23 PeterE. DowdandSimonGilroy PlantPhospholipaseD...39 WenhuaZhang,XiaoboWan,YueyunHong,WeiqiLi,andXueminWang PartII Kinases Phosphatidylinositol4-PhosphateisRequiredforTip GrowthinArabidopsisthaliana ...65 AmyL. SzumlanskiandErikNielsen PIP-KinasesasKeyRegulatorsofPlantFunction ...79 TillIschebeckandIngoHeilmann PlantPhosphatidylinositol3-Kinase...95 YureeLee,TeunMunnik,andYoungsookLee DiacylglycerolKinase...107 StevenA. AriszandTeunMunnik xi xii Contents PartIII Phosphatases SignalingandthePolyphosphoinositidePhosphatasesfromPlants ...117 GlendaE. Gillaspy PhosphatidicAcidPhosphatasesinSeedPlants...131 YukiNakamuraandHiroyukiOhta PartIV PPIMetabolism InsP inPlantCells ...145 3 YangJuIm,BrianQPhillippy,andImaraYPerera InositolPolyphosphatesandKinases...161 JillStevenson-PaulikandBrianQ. Phillippy PhosphoinositidesandPlantCellWallSynthesis ...175 RuiqinZhong,RyanL. McCarthy,andZheng-HuaYe ImagingLipidsinLivingPlants ...185 JoopE. M. VermeerandTeunMunnik PartV PASignaling PhosphatidicAcid:AnElectrostatic/Hydrogen-BondSwitch?...2 03 EdgarEduardKooijmanandChristaTesterink NitricOxideandPhosphatidicAcidSignalinginPlants...223 AyelenM. Diste'fano,M. LucianaLanteri,ArjentenHave, CarlosGarc?'a-Mata,LorenzoLamattina,andAnaM. Laxalt 3-Phosphoinositide-DependentProteinKinaseisaSwitchboard fromSignalingLipidstoProteinPhosphorylationCascades...243 ChristineZalejskiandLa'szlo'Bo..gre PartVI AdditionalLipidSignals DiacylglycerolPyrophosphate,ANovelPlantSignalingLipid...263 EmmanuelleJeannette,SophieParadis,andChristineZalejski OxylipinSignalingandPlantGrowth...277 AlinaMosblech,IvoFeussner,andIngoHeilmann Contents xiii FattyAcidAmideHydrolaseandtheMetabolismof N-AcylethanolamineLipidMediatorsinPlants...293 KentD. ChapmanandElisonB. Blanca?or SphingolipidSignalinginPlants...307 LouiseV. MichaelsonandJohnathanA. Napier Index ...323 Contributors Steven A. Arisz Section Plant Physiology, Swammerdam Institute for Life Sciences,UniversityofAmsterdam,SciencePark904,NL-1098XH,Amsterdam, TheNetherlands ElisonB. Blanca?or SamuelRobertsNobleFoundation,PlantBiologyDivision, Ardmore,OK73401,USA,eblanca?or@noble.

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Other Cities, Other Worlds brings together leading scholars of cultural theory, urban studies, art, anthropology, literature, film, architecture, and history to look at non-Western global cities. The contributors focus on urban imaginaries, the ways that city dwellers perceive or imagine their own cities. Paying particular attention to the historical and cultural dimensions of urban life, they bring to their essays deep knowledge of the cities they are bound to in their lives and their work. Taken together, these essays allow us to compare metropolises from the so-called periphery and gauge processes of cultural globalization, illuminating the complexities at stake as we try to imagine other cities and other worlds under the spell of globalization. The effects of global processes such as the growth of transnational corporations and investment, the weakening of state sovereignty, increasing poverty, and the privatization of previously public services are described and analyzed in essays by Teresa P. R. Caldeira (São Paulo), Beatriz Sarlo (Buenos Aires), Néstor García Canclini (Mexico City), Farha Ghannam (Cairo), Gyan Prakash (Mumbai), and Yingjin Zhang (Beijing). Considering Johannesburg, the architect Hilton Judin takes on themes addressed by other contributors as well: the relation between the country and the city, and between racial imaginaries and the fear of urban violence. Rahul Mehrotra writes of the transitory, improvisational nature of the Indian bazaar city, while AbdouMaliq Simone sees a new urbanism of fragmentation and risk emerging in Douala, Cameroon. In a broader comparative frame, Okwui Enwezor reflects on the proliferation of biennales of contemporary art in African, Asian, and Latin American cities, and Ackbar Abbas considers the rise of fake commodity production in China. The volume closes with the novelist Orhan Pamuk’s meditation on his native city of Istanbul.Contributors: Ackbar Abbas, Teresa P. R. Caldeira, Néstor García Canclini, Okwui Enwezor, Farha Ghannam, Andreas Huyssen, Hilton Judin, Rahul Mehrotra, Orhan Pamuk, Gyan Prakash, Beatriz Sarlo, AbdouMaliq Simone, Yingjin Zhang

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This is the first book about the emerging field of utility indifference pricing for valuing derivatives in incomplete markets. Rene Carmona brings together a who's who of leading experts in the field to provide the definitive introduction for students, scholars, and researchers. Until recently, financial mathematicians and engineers developed pricing and hedging procedures that assumed complete markets. But markets are generally incomplete, and it may be impossible to hedge against all sources of randomness. Indifference Pricing offers cutting-edge procedures developed under more realistic market assumptions. The book begins by introducing the concept of indifference pricing in the simplest possible models of discrete time and finite state spaces where duality theory can be exploited readily. It moves into a more technical discussion of utility indifference pricing for diffusion models, and then addresses problems of optimal design of derivatives by extending the indifference pricing paradigm beyond the realm of utility functions into the realm of dynamic risk measures. Focus then turns to the applications, including portfolio optimization, the pricing of defaultable securities, and weather and commodity derivatives. The book features original mathematical results and an extensive bibliography and indexes. In addition to the editor, the contributors are Pauline Barrieu, Tomasz R. Bielecki, Nicole El Karoui, Robert J. Elliott, Said Hamadene, Vicky Henderson, David Hobson, Aytac Ilhan, Monique Jeanblanc, Mattias Jonsson, Anis Matoussi, Marek Musiela, Ronnie Sircar, John van der Hoek, and Thaleia Zariphopoulou. * The first book on utility indifference pricing * Explains the fundamentals of indifference pricing, from simple models to the most technical ones * Goes beyond utility functions to analyze optimal risk transfer and the theory of dynamic risk measures * Covers non-Markovian and partially observed models and applications to portfolio optimization, defaultable securities, static and quadratic hedging, weather derivatives, and commodities * Includes extensive bibliography and indexes * Provides essential reading for PhD students, researchers, and professionals

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The Web of Iniquity is a study of detective fiction written by American women between the Civil War and World War II. Refuting the idea that no American detective fiction of substance was produced between the times of Edgar Allan Poe and Dashiell Hammett, Catherine Ross Nickerson shows how these women writers blended Gothic elements into domestic fiction to create a unique and all-but-ignored subgenre that she labels “domestic detective fiction.” This subgenre allowed women writers to participate in postbellum culture and to critique other aspects of a rapidly changing society. Domestic detective fiction combined elements of sensationalist papers, popular nonfiction crime stories, and the domestic novel. Nickerson shows how it also incorporated the gothic tropes found in the work of Harriet Beecher Stowe, Louisa May Alcott, and Charlotte Brontë and influenced the work of Pauline Hopkins. Mid-nineteenth-century writer Metta Fuller Victor, who represented such important areas of cultural conflict as the role of professions in the formation of class identity and the possibility of women's independence and self-determination, paved the way for the appearance of women detectives in the late-nineteenth-century fiction of Anna Katharine Green. Nickerson credits Mary Roberts Rinehart, in particular, for bringing sophistication to the subgenre by amplifying the humorous, terrifying, and feminist elements inherent in earlier detective novels by women. Throughout the volume, Nickerson focuses on the narrative qualities of the domestic novel tradition and the ways in which it reflected ideologies of domesticity and gender. Also included are a discussion of various rewritings of the Lizzie Borden scandal in this tradition and an afterword on the relation of domestic detective fiction to the hard-boiled style. The Web of Iniquity places the detective fiction written by women between 1850 and 1940 into ongoing discussions regarding women, culture, and literature and will appeal to scholars and students of women's studies, American studies, and literary history.

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In Unchecked and Unbalanced, Arnold Kling provides a blueprint for those who are skeptical of political and financial elitism. At the heart of Kling's argument is the growing discrepancy between two phenomena: knowledge is becoming more diffuse, while political power is becoming more concentrated. Kling sees this knowledge/power discrepancy at the heart of the financial crisis of 2008. Financial industry executives and regulatory officials lacked the ability to fathom the complexity of the system that had emerged. And, in response, Treasury Secretary Henry Paulson and Federal Reserve Board Chairman Ben Bernanke, said that they required still more power, including $700 billion to purchase "toxic assets" from banks. Kling warns that increased concentration of power is a problem, not a panacea, for our modern world and suggests reforms designed to curb the growth of government and allow citizens greater control over the allocation of public goods. Published in cooperation with the Hoover Institution

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This compact, pocket-sized Hong Kong & Macau travel guidebook is ideal for travellers on shorter trips and those trying to make the most of Hong Kong & Macau. It''s light, easily portable and comes equipped with a pull-out map. This Hong Kong & Macau guidebook covers: Hong Kong Island: Central to Kennedy Town, Hong Kong Island: Wan Chai, Causeway Bay and Happy Valley, Hong Kong Island: the south side, Kowloon: Tsim Sha Tsui, Kowloon: Jordan to Diamond Hill, The New Territories, Lantau, Lamma and Cheung Chau, Macau.Inside this Hong Kong & Macau travel book you will find:- Curated recommendations of places - main attractions, off-the-beaten-track adventures, child-friendly family activities, chilled-out breaks in popular tourist areas - Things not to miss in Hong Kong & Macau - Views from The Peak, Star Ferry, São Paulo façade, Maritime Museum, Lan Kwai Fong, Fireworks at Chinese New Year

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'In this magisterial work Paulo Sandler continues to distinguish himself as a foremost scholar on the works of Bion. Already well known for his encyclopedic zeal, this present book continues Sandler's tireless search of Bion's contributions by this noteworthy clinical application of Bion's ideasE 'A major feature of Sandler's approach to studying Bion has been to contextualise the background of Bion's assumptions. In so doing, he extensively investigates the cultural and historical antecedents, especially including the philosophical and scientific points of view. From them Sandler selects Romanticism and its dialectical relationship with the Enlightenment. Among the many characteristics of Romanticism is imagination, at best creative, but also idealisation and hyperbole. 'Sandler also discusses Bion's way of being "scientific", one notable aspect of which is his distinctive use of theories, which he distinguishes from models. 'Sandler has written another brilliant textbook on Bion's thinking that constitutes a highly useful and practical handbook on the subject.' From the foreword by James Grotstein

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Autonomy: Capital, Class and Politics explores and critiques one of the most dynamic terrains of political theory, sometimes referred to as 'Autonomist Marxism' or post-Operaismo. This theory shot to prominence with the publication of Empire by Hardt and Negri and has been associated with cutting edge developments in political and cultural practice; yet there exists no work that critically examines it in its contemporary breadth. Taking three divergent manifestations of Autonomist Marxism found in the works of Antonio Negri and Paulo Virno, the Midnight Notes Collective and John Holloway, David Eden examines how each approach questions the nature of class and contemporary capitalism and how they extrapolate politics. Not only is such juxtaposition both fruitful and unprecedented but Eden then constructs critiques of each approach and draws out deeper common concerns. Suggesting a novel rethinking of emancipatory praxis, this book provides a much needed insight into the current tensions and clashes within society and politics.

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A NATIONAL BESTSELLERI could not put this book down. It's so funny Ru PaulI LOVE this book for its honesty and dark (and light!) comedy Rachel Dratch (Instagram)It's f*cking great!!! Raw, intimate, hilarious, actually inspiring. Jon StewartA RECOMMENDED READ FROM: NPR * PUREWOW * USWEEKLY * PEOPLE * BUSTLE * SHEREADS * NYLON * BOOKRIOT * AND MOREThe dynamic memoir-in-essays by comedian, screenwriter, and podcaster Chelsea Devantez, detailing her tumultuous upbringing and uproarious career path into Hollywood. There are things Chelsea Devantez probably shouldn't be telling you. Many of them are in this book: some are embarrassing (like when she tried to break her three year spell of celibacy using a guide of seduction tips). Some are confessional (getting sentenced to the hell hill at Mormon church camp). Some are TMI (a series of outrageous doctor visits that ended with one doctor misdiagnosing her as pregnant. Woopsies!). Then there are things Chelsea really shouldn't be telling y

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From a personal obsession with film, to an unorthodox mentorship with the legendary Pauline Kael, to establishing himself with the upstart Entertainment Weekly, Movie Freak is the memoir by veteran film critic Owen Gleiberman that will speak to anyone whose life has been changed by a great film. What molds a critic? Perhaps it takes parents willing to buy nine-year-old Gleiberman drive-in tickets for Rosemary's Baby. Like millions of us, Gleiberman loves movies and in this frank and funny memoir he not only reveals the details of how he became a critic but attempts to show why we find cinema so defining as a society. As one of the premiere tastemakers for more than three decades, Gleiberman, a self-confessed movie freak, explains why he, and so many others, equate film with life. Readers will revel in the juicy details of the behind-the-scenes life of a critic and cheer as he lifts the curtain on life along the red carpet.

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A recently transitioned girl tries to figure out who she is—while trying to manage who everyone else wants her to be—in this funny, unexpected, and affecting new graphic novel from Eisner-nominated writer Magdalene Visaggio and artist Paulina Ganucheau.The last thing Phoebe Zito wants is to be noticed. The newest kid at Sally Ride High School, newly arrived in Los Angeles, and newly transitioned, she''s just trying to blend in while she figures out exactly who she is. But with her mom checked out, her dad still adjusting to having a daughter, and no guidebook on how to be a girl, that isn''t going to be easy.Enter Mackenize Ishikawa. She’s the girl who all girls want to be, and all the boys want to be with—and, Mackenzie has decided, Phoebe''s new best friend. Mackenzie knows what it takes to survive and thrive as a girl in high school, most of all that no matter who Phoebe wants to be, or who she wants to date, she''s going to

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The fourth psychological suspense novel from the phenomenal word-of-mouth bestselling Sophie Hannah. A must-read for fans of Clare Mackintosh and Paula Hawkins. 'Utterly gripping' The Times'Thrilling' Sunday TelegraphWhy would anyone confess to a murder that never happened?Ruth Bussey knows what it means to be in the wrong and to be wronged. She once did something she regrets, and her punishment nearly destroyed her. Now Ruth is rebuilding her life, and has found a love she doesn't believe she deserves: Aidan Seed. Aidan is also troubled by a past he hates to talk about, until one day he decides he must confide in Ruth. He tells her that years ago he killed someone: a woman called Mary Trelease.Ruth is confused. She's certain she's heard the name before, and when she realises why it sounds familiar, her fear and confusion deepen - because the Mary Trelease that Ruth knows is very much alive . . .

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In Metaphors of Eucharistic Presence: Language, Cognition, and the Body and Blood of Christ, Stephen R. Shaver brings together the fields of cognitive linguistics and liturgical theology to propose a new approach to the ecumenically controversial issue of eucharistic presence. Drawing from the work of cognitive linguists such as George Lakoff, Gilles Fauconnier, and Mark Turner, and theologians such as Robert Masson and John Sanders, Shaver argues that there is no clear division between literal and figurative language: rather, human cognition is grounded in sensorimotor experience, and phenomena such as metaphor and conceptual blending are basic building blocks of thought. Complex realities are ordinarily understood by means of more than one metaphor. Inherited models of eucharistic presence, then, are not necessarily mutually exclusive but can serve as complementary members of a shared ecumenical repertoire. The central element of this repertoire is the motif of identity--the eucharistic bread and wine are the body and blood of Christ--grounded in the Synoptic and Pauline institution narratives. From a cognitive standpoint, this metaphor can be understood both as figurative and as true in the proper sense, resolving a dichotomy that has divided the churches since the Reformation. The identity motif is complemented by four major non-scriptural motifs: representation, change, containment, and conduit. Inaugurating a new interdisciplinary conversation, this book contributes to ongoing ecumenical reconciliation not only by addressing eucharistic presence but also by demonstrating an approach which may hold promise in other historically controverted areas. Meanwhile for cognitive linguists it offers an intriguing case study in the application of that discipline to theological questions.

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Museums today are more than familiar cultural institutions and showplaces of accumulated objects; they are the sites of interaction between personal and collective identities, between memory and history. The essays in this volume consider museums from personal experience and historical study, and from the memories of museum visitors, curators, and scholars. Representing a variety of fields—history, anthropology, art history, and museum scholarship—the contributors discuss museums across disciplinary boundaries that have separated art museums from natural history museums or local history museums from national galleries. The essays range widely over time (from the Renaissance to the second half of the twentieth century), and place (China, Japan, the United States, and Germany), in exhibitions explored (photography, Native American history, and “Jurassic technology”), and institution (the Chinese Imperial Collection, Renaissance curiosity cabinets, and modern art museums). Memory operates thematically among the essays in diverse and provocative ways. The papers are organized according to three suggestive themes: experimental ways of theorizing and designing contemporary museums with an explicit interest in history and memory; discussions of personal encounters with historical exhibits; and the professional risks at stake for collectors and curators who shape the institutional presentation of history and memory. The contributors are Susan A. Crane, Wolfgang Ernst, Michael Fehr, Paula Findlen, Tamara Hamlish, Alexis Joachimides, Suzanne Marchand, Julia A. Thomas, and Diana Drake Wilson.

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In the late nineteenth and early twentieth centuries, radical women’s movements and the avant-gardes were often in contact with one another, brought together through the socialist internationals. Juno Jill Richards argues that these movements were not just socially linked but also deeply interconnected. Each offered the other an experimental language that could move beyond the nation-state’s rights of man and citizen, suggesting an alternative conceptual vocabulary for women’s rights.Rather than focus on the demand for the vote, The Fury Archives turns to the daily practices and social worlds of feminist action. It offers an alternative history of women’s rights, practiced by female arsonists, suffragette rioters, industrial saboteurs, self-named terrorists, lesbian criminals, and queer resistance cells. Richards also examines the criminal proceedings that emerged in the wake of women’s actions, tracing the way that citizen and human emerged as linked categories for women on the fringes of an international campaign for suffrage.Recovering a transatlantic print archive, Richards brings together a wide range of activists and artists, including Lumina Sophie, Ina Césaire, Rosa Luxemburg, Rebecca West, Angelina Weld Grimké, Elizabeth Gurley Flynn, Hannah Höch, Claude Cahun, Paulette Nardal, and Leonora Carrington. An expansive and methodologically innovative book, The Fury Archives argues that the relationship of women’s rights movements and the avant-gardes offers a radical alternative to liberal discourses of human rights in formation at the same historical moment.

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In the late nineteenth and early twentieth centuries, radical women’s movements and the avant-gardes were often in contact with one another, brought together through the socialist internationals. Juno Jill Richards argues that these movements were not just socially linked but also deeply interconnected. Each offered the other an experimental language that could move beyond the nation-state’s rights of man and citizen, suggesting an alternative conceptual vocabulary for women’s rights.Rather than focus on the demand for the vote, The Fury Archives turns to the daily practices and social worlds of feminist action. It offers an alternative history of women’s rights, practiced by female arsonists, suffragette rioters, industrial saboteurs, self-named terrorists, lesbian criminals, and queer resistance cells. Richards also examines the criminal proceedings that emerged in the wake of women’s actions, tracing the way that citizen and human emerged as linked categories for women on the fringes of an international campaign for suffrage.Recovering a transatlantic print archive, Richards brings together a wide range of activists and artists, including Lumina Sophie, Ina Césaire, Rosa Luxemburg, Rebecca West, Angelina Weld Grimké, Elizabeth Gurley Flynn, Hannah Höch, Claude Cahun, Paulette Nardal, and Leonora Carrington. An expansive and methodologically innovative book, The Fury Archives argues that the relationship of women’s rights movements and the avant-gardes offers a radical alternative to liberal discourses of human rights in formation at the same historical moment.

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Desde la Red Española de Compostaje se observa con interés el creciente acercamiento de la sociedad a la gestión sostenible de los residuos orgánicos, así como a la aparición y paulatina implantación de tecnologías que permiten transformar los residuos en recursos, con la obtención de valor añadido a nivel energético, fertilizante, medioambiental.;Por ello, hemos desarrollado un proyecto editorial denominado DE RESIDUO A RECURSO, EL CAMINO HACIA LA SOSTENIBILIDAD que desde la Ciencia y aprovechando nuestra formación didáctica y de divulgación integra todo el conocimiento científico-técnico necesario para poder comprender y participar a nivel experto de la gestión de los residuos, a través del conocimiento de su naturaleza, sus potenciales alternativas de tratamiento así como ejemplos avanzados de gestión sostenible.;Este volumen recoge los estudios más significativos a nivel nacional e internacional sobre la supresividad natural de los composts, entendida como la reducción de la incide

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La decadencia del analfabetismo y La importancia del Demonio, dos magistrales ensayos del mejor estilo aforístico bergaminiano, fueron publicados en 1933 en la revista Cruz y Raya. El primer ensayo de este libro opone la cultura espiritual y analfabeta propia del niño, que ejercita la palabra y el pensamiento como puro juego, al monopolio de la cultura literal, letrada o literaria, que se inició a partir del sigloXVIII con el Siglo de las Luces y que desde entonces la persigue para erradicarla. Para Bergamín, la decadencia paulatina del analfabetismo supone la quiebra de todos los valores espirituales, pues las letras muertas ;el orden alfabético; sustituyen a la palabra viva, y eso es sencillamente la muerte de la poesía. El segundo es una aguda reflexión sobre la conveniencia de entender cabalmente al Demonio y así comprendernos mejor y comprender cómo es el mundo. Para Bergamín, el Demonio está en todas partes, pues este Príncipe o principio de las tinieblas, que representa entre ot

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El presente libro se propone desentrañar un misterio: el sentido último que da coherencia y dota de significado a una de las trayectorias de cine más sugerentes del Hollywood de los últimos tiempos. Detrás de la filmografía de David Mamet como director, jalonada primero por hitos como "Casa de juego" o "Las cosas cambian" y escorada paulatinamente hacia entretenimientos muchos más sombríos y profundos de lo que parece a primera vista ("El último golpe", "Spartan", la serie televisiva "The Unit"), se esconde una figura compleja y heterodoxa. Su difícil catalogación se debe tanto a su multidisciplinar formación, fundamentada en su famosa carrera como autor teatral ("Glengarry Glen Ross", "American Buffalo", "Oleanna"), como al hecho de hallarnos ante una de las voces más aceradas del cine americano contra la Modernidad imperante. Este libro no sólo pretende situar a David Mamet dentro del hábitat fílmico al que pertenece, sino desvelar sus preocupaciones e inquietudes sobre problemas de

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El mosaico de las piezas de este libro, ordenadas en la sucesión cronológica en la que fueron escritas, adquiere su sentido en el contexto de los Apuntes para una autobiografía? que cerraron mi libro ?Elogio del Ateísmo? (1995). Contribuye así a comprender el trayecto de la andadura intelectual de una vida intensamente vinculada a los avatares históricos de una generación sometida a los virajes de un camino accidentado. Los capítulos de la primera mitad aproximada del libro testimonian del paulatino deslizamiento desde una tradición cultural en la que el autor estaba hondamente enraizado, hasta su ruptura radical con los factores más definitorios de esa tradición. Los capítulos de la segunda mitad discurren temáticamente por los meandros que iba dibujando el curso de una trabajosa, y en ocasiones vacilante, toma de conciencias del significado real de mi percepción madura del mundo. La simple lectura del Índice mostrara las coordenadas básicas de esa conciencia, reflejada en textos aún

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The Last of Us: la humanidad en juego, ensayo escrito por Cristina Ferragut Anglada, Igone Martínez Marín, Jose Luis Ortega López, Álvaro Alonso Pradas y Paula Sáez Pérez y coordinado por Diego González, nos sumerge en el mundo del aclamado videojuego creado por Naughty Dog para explorar los temas e implicaciones de una historia que nos obliga a reflexionar sobre lo que significa ser humano en un mundo al borde del abismo. A través de un análisis detallado de la narrativa, los personajes y la jugabilidad, descubrimos cómo el juego ofrece una visión única sobre la naturaleza humana, la relación entre la empatía y la violencia, y el papel de la familia y la comunidad en momentos de crisis.Además, el libro examina cómo The Last of Us se inscribe dentro de la evolución del género de los videojuegos, tanto en términos de su mecánica como de su narrativa. Asimismo, se analiza cómo el juego utiliza técnicas cinematográficas para crear una experiencia inmersiva que desafía nuestras expectat

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* A menudo se olvida lo provocativos que resultaron los lienzos impresionistas cuando se expusieron por primera vez, en 1874. Los defensores del nuevo estilo rechazaron los principios artísticos establecidos que prevalecían por aquel entonces en Francia. Los impresionistas tuvieron el valor de utilizar el color y las pinceladas rápidas para ejecutarus obras al aire libre, creando pinturas con las que captaron los efectos transitorios de la luz de los sentimientos. Ralph Skea nos muestra cómo los artistas impresionistas transformaron los temas cotidianos y traza el recorrido del movimiento desde sus orígenes, en Francia, hasta su propagación por todo el mundo. El impacto inicial que provocó el impresionismo fue dando paso de forma paulatina a la aceptación y a la popularidad generalizada. Su influencia en el arte moderno es imponderable. En cada apartado se brindan una sucinta explicación, obras características y una lista relevante de artistas destacados, rasgos, disciplinas y coleccio

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Roland Fischer’s “Façades” are spectacular photographic pict ures: a visual grammar of architectural structures, an alphabet of abstract forms full of art ‐ historical references. Roland Fischer (b. 1958), whose work is exhibited worldwide in important museums, lives and works in Munich and Beijing. Since the 1990s t he artist has been photographing the exteriors of buildings, of banks, corporate headquarters and museums in the metropolises of the world, including Beijing, Tokyo, Shanghai, New York, Hong Kong, Melbourne, Osaka, Boston, Brasilia, Los Angeles, Paris, São Paulo, Singapore, Dallas, Madrid, Washington, Mexico City, Chicago, Toronto, Chongqing and Montreal. The results of this breathtaking project form an unusual series of some 100 façades: a vocabulary of global architecture, an inventory of city landmarks. The structures and colours of the contemporary metropolitan universe are transformed into pictures that resemble abstract painting

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This book explores the threat of Christian conversion to Islam in twelve early modern English plays. This book explores the threat of Christian conversion to Islam in 12 early modern English plays. In works by Shakespeare, Marlowe, Massinger, and others, conversion from Christianity to Islam is represented as both tragic and erotic, as a fate worse than death and as a sexual seduction. Degenhardt examines the stage's treatment of this intercourse of faiths to reveal connections between sexuality, race, and confessional identity in early modern English drama and culture. In addition, she shows how England's encounter with Islam reanimated post Reformation debates about the embodiment of Christian faith. As Degenhardt compellingly demonstrates, the erotics of conversion added fuel to the fires of controversies over Pauline universalism, Christian martyrdom, the efficacy of relics and rituals, and even the Knights of Malta.

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Beyond Respectability charts the development of African American women as public intellectuals and the evolution of their thought from the end of the 1800s through the Black Power era of the 1970s. Eschewing the Great Race Man paradigm so prominent in contemporary discourse, Brittney C. Cooper looks at the far-reaching intellectual achievements of female thinkers and activists like Anna Julia Cooper, Mary Church Terrell, Fannie Barrier Williams, Pauli Murray, and Toni Cade Bambara. Cooper delves into the processes that transformed these women and others into racial leadership figures, including long-overdue discussions of their theoretical output and personal experiences. As Cooper shows, their body of work critically reshaped our understandings of race and gender discourse. It also confronted entrenched ideas of how--and who--produced racial knowledge.

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Financial market behavior and key trading strategies—illuminated by interviews with top hedge fund expertsEfficiently Inefficient describes the key trading strategies used by hedge funds and demystifies the secret world of active investing. Leading financial economist Lasse Heje Pedersen combines the latest research with real-world examples to show how certain tactics make money—and why they sometimes don’t. He explores equity strategies, macro strategies, and arbitrage strategies, and fundamental tools for portfolio choice, risk management, equity valuation, and yield curve trading. The book also features interviews with leading hedge fund managers: Lee Ainslie, Cliff Asness, Jim Chanos, Ken Griffin, David Harding, John Paulson, Myron Scholes, and George Soros. Efficiently Inefficient reveals how financial markets really work.

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Praise for We Make the Road by Walking: 'innovative and refreshing' - Christianity magazineIn his 2014 book We Make the Road by Walking Brian McLaren gave a basic orientation on what it means to be 'a new kind of Christian' through 52 sermons, working within the framework of the church year and providing a Genesis-Revelation overview of the Bible. It was designed to be used in church services and small groups, and was praised by New Testament scholar Paula Gooder and enthusiastically adopted by many. Seeking Aliveness is a repurposing of this material for use by individuals, breaking up the text into daily devotions, along with the original suggested Bible readings and with a prayer, thought or action point for each day. Brian's original writing is transformed beautifully into a daily read, for admirers of the original book as well as a new audience. 'An ideal resource' - Church Times

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Since its founding by Joseph Papp in the 1950s, The Public Theater has been an American artistic leader defined by its breadth of programming, from Hair and A Chorus Line, to Free Shakespeare in the Park. With the recent critical and financial success of Fun Home and Hamilton, and its emphasis on new play development, The Public’s contemporary history has been equally remarkable, even as world crises and social changes have tested the mettle of its foundation of accessible and “radically inclusive” theatre for all. One Public: New York’s Public Theater in the Era of Oskar Eustis presents the broader organization, its creative methodology, and its enormous growth over the past 20 years. Framed by the tenure and leadership of its current artistic director, the book tells the contemporary story, recorded over many interviews with iconic practitioners and performers ranging from Diane Paulus, Tony Kushner and Lynn Nottage to Kevin Kline, Chelsea Clinton and Lin-Manuel Miranda. Case-study driven, One Public uses oral history accounts and authorial experience to illuminate The Public Theater, Eustis and their cultural influence on the city of New York and the greater United States. The story highlights the successes and challenges of an institution at once espousing a mission of inclusivity and community-based arts creation, while also developing Broadway hits and international fame.

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Imagine a classroom that explores the twinned ideas of embodied teaching and a pedagogy of tenderness. Becky Thompson envisions such a curriculum--and a way of being--that promises to bring about a sea change in education. Teaching with Tenderness follows in the tradition of bell hooks's Teaching to Transgress and Paulo Freire's Pedagogy of the Oppressed, inviting us to draw upon contemplative practices (yoga, meditation, free writing, mindfulness, ritual) to keep our hearts open as we reckon with multiple injustices. Teaching with tenderness makes room for emotion, offers a witness for experiences people have buried, welcomes silence, breath and movement, and sees justice as key to our survival. It allows us to rethink our relationship to grading, office hours, desks, and faculty meetings, sees paradox as a constant companion, moves us beyond binaries; and praises self and community care.Tenderness examines contemporary challenges to teaching about race, gender, class, nationality, sexuality, religion, and other hierarchies. It examines the ethical, emotional, political, and spiritual challenges of teaching power-laden, charged issues and the consequences of shifting power relations in the classroom and in the community. Attention to current contributions in the areas of contemplative practices, trauma theory, multiracial feminist pedagogy, and activism enable us to envision steps toward a pedagogy of liberation. The book encourages active engagement and makes room for self-reflective learning, teaching, and scholarship.

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