Search results for ""author paul"

Basada en los juegos de estrategia Total War, desarrollados por Creative Assembly y publicados por SEGA. Cartago, año 146 a.C. Esta es la historia de Fabio Petronio Segundo, legionario romano y de su ascenso al poder: desde su primera batalla contra los macedonios, que selló el destino del imperio de Alejandro Magno, hasta la guerra total en el norte de África y el asedio de Cartago. El éxito de Fabio le aporta admiración y respeto, pero también atrae la codicia y la envidia. Los aliados más íntimos pueden convertirse en los más amargos enemigos. Además, está la oveja negra de la familia de César, Julia, quien ama tanto a Fabio como a su antagonista Paulo, provocando una feroz rivalidad. Al final, Fabio se verá obligado a responder a una sola pregunta: hasta qué punto está dispuesto a sacrificarse por su visión de Roma?

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Collecting Daniel Alexander Jones's plays and performance texts Bel Canto, Black Light, Blood:Shock:Boogie, clayangels, Duat, Phoenix Fabrik, and The Book of Daniel, this volume offers a panoramic view of Jones's shifting, glimmering, transformational body of work. Each play a provocation to the possibility of a more just world with love as civic practice at its center, Jones's writing moves with lithe and associative grace through histories personal, political, cosmological, and sublime. A reunion not only of Jones's revolutionary work in the course of twenty-five years in the avant-gardes of New York, Austin, and Minneapolis, among others, Love Like Light is also a reunion of collaborators and friends, featuring essays by Vicky Boone, Jacques Colimon, Eisa Davis, Omi Osun Joni L. Jones, korde arrington tuttle, Aaron Landsman, Deborah Paredez, and Shay Youngblood and an interview with Faye Price. Awarded the 2021 PEN/Laura Pels Theater Award for his expansive, multidisciplinary, radical body of work, Jones has, in the words of judges Jeremy O. Harris, Ruben Santiago-Hudson, and Leigh Silverman, “continued perfecting a dramaturgy all his own based in the traditions of Africana studies, performance studies, queer theory, and mysticism, challenging established traditions while creating space for audiences to ponder what theater is and who it is for.” A companion volume, Particle and Wave, features a book-length conversation between Daniel Alexander Jones and poet, scholar, and activist Alexis Pauline Gumbs about Love Like Light and the way that love, like light, suffuses everything and is the condition and power of change in the world.

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With almost 300 entries, this architectural A to Z offers an indispensable overview of the key players in the creation of modern space. Covering modern architecture from the 19th into the 21st century, pioneering architects are each featured with a portrait and a concise biography, as well as a description of his or her important work. Like a bespoke global architecture tour, this book will allow you to travel from Manhattan skyscrapers to a Japanese concert hall, from Antoni Gaudí’s Palau Güell in Barcelona to Lina Bo Bardi’s sports and leisure center on a former factory site in São Paulo. You’ll take in Gio Ponti’s colored geometries, Zaha Hadid’s free-flowing futurism, the luminous interiors of SANAA, and Charles Rennie Mackintosh’s unique blend of Scottish tradition and elegant japonisme. The book’s A to Z entries also cover groups, movements, and styles to position these leading individual architects within broader building trends across time and geography, including International Style, Bauhaus, De Stijl, and much more. With illustrations including some of the best architectural photography of the modern era, this is a comprehensive resource for any architecture professional, student, or devotee.

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Writings on people and places, theater and film, in a portfolio of essays and photographs informing Wes Anderson's film Asteroid City. Featuring 8 newly commissioned pieces alongside more than 20 classic essays from the likes of François Truffaut and Jonas Mekas, DO NOT DETONATE explores key influences on celebrated director Wes Anderson's new film Asteroid City. Together they form a detailed, captivating portrait of the mid-century film world and the enduring myths of the American West. Contents: A Conversation Between Wes Anderson and Jake Perlin A Life excerpt - Elia Kazan The Celluloid Brassière - Andy Logan Rainy Day - Lillian Ross The Outskirts: Other Men's Women - Gina Telaroli The Petrified Forest - Jorge Luis Borges Ace in the Hole: Noir in Broad Daylight - Molly Haskell What Makes a Sad Heart Sing: Some Came Running - Michael Koresky One False Start, Never Wear the Same Dress Twice - Durga Chew-Bose Maigret at the Coroner's excerpt - Georges Simenon Sunbelt Noir: Desert Fury - Imogen Sara Smith The Voyage Down and Out: Inferno - Kent Jones Bad Day Near The River's Edge - Nicolas Saada Watching Fail Safe at the End of the World - K. Austin Collins Black Desert, White Desert - Serge Toubiana Marilyn Monroe and the Loveless World - Jonas Mekas Beyond the Stars - Jeremy Bernstein Coming: Nashville - Pauline Kael Coming Around the Mountain: Close Encounters of the Third Kind - Matt Zoller Seitz Selections from Close Encounters of the Third Kind Diary - Bob Balaban Introduction to Small Change: A Film Novel - François Truffaut By The Time I Get to Phoenix - Thora Siemsen My Guy - Hilton Als Wild to the Wild - Sam Shepard

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In over 300 pages, 200 images and a number of original extracts from her sketchbook, Crossroads tells the story and showcases the artwork of Alice Pasquini, one of the top female street artists worldwide. Alice is a prolific illustrator, creative designer and painter who has been gifting cities with her artwork for over a decade: through her work, women and children become an integral feature of any urban surrounding. From large artwork - like the wall of the Italian Museum in Melbourne - to small cameos in London or Marseille, Alice's creativity shines through in every city thanks to her unique style. The images in Crossroads have been taken from renowned photographers including Martha Cooper and Ian Cox. The book is brought together by a foreword from the editor Paulo von Vacano, texts by Jessica Stewart and journalists Nicolas Ballario (Rolling Stone) and Stephen Heyman (New York Times), as well as article extracts by Steven P. Harrington and Jaime Rojo - Co-founders of Brooklyn Street Art [BSA], Serena Dandini, DJ Gruff and Chef Rubio.

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"Matura's play not only offers a potted guide to Trinidadian ethnicity, economics and politics, but also a potent metaphor for the post-colonial process. It is also very funny ... the real power of Matura's play lies in its reminder, under all that surface exuberance, that the movement towards independence carried its own element of fancy-dress masquerade." The Guardian 1950s Port of Spain. Samuel, a young tailor’s assistant, dreams of Trinidad’s independence. On the eve of carnival everyone fills the streets, dressed up to play mas. This annual celebration turns to tragedy and spurs Samuel on to make a decision that will change the political landscape of the future of this vibrant, volatile island. Play Mas premiered at the Royal Court in 1974, winning the Evening Standard Award for Best Play, and transferred to the West End. Described as a wickedly funny, exuberant and poignant play, it is published in Methuen Drama's Modern Classics series for the first time, with a brand new introduction by Paulette Randall.

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As the war progressed Hitler did not need obedient bureaucrats like Keitel, failures like Paulus and was paranoid about having military leaders who were loyal. The three field marshals in this book were amongst the best. Field Marshal Kesselring gained a reputation in Italy as an expert in defence, and his Allied code name was The Emperor. Kesselring was diplomatic, charming, known as Smiling Albert, but convicted as a war criminal which may not have happened had it not been for the bitter partisan war. Field Marshal Rommel is surrounded by myths which need disentangling. He possessed exceptional qualities of command and leadership, with personal courage and determination, but had problems caused by two major reasons. The first was his relentless ambition, which prevented him from self-criticism and self-evaluation. The second was his meteoric rise in command, and like many other commanders driven by ambition. Field Marshal Model when on the battlefield led his men so well it is su

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Will Ella ever find what she's looking for?Voluntary nurse Ella is haunted by the soldiers' cries she hears on the battlefields of Dieppe. But that’s not the only thing that haunts her. When her dear friend Jim breaks her trust, Ella is left bruised and heartbroken. Over the years, her friendships have been pulled apart at the seams by the effects of war. Now, more than ever, she feels so alone. At a military hospital in France, Ella befriends Connie and Paddy. Slowly she begins to heal, and finds comfort in the arms of a French officer called Paulo – could he be her salvation?With the end of the war on the horizon, surely things have to get better? Ella grew up not knowing her real family but a clue leads her in their direction. What did happen to Ella’s parents, and why is she so desperate to find out?The Abandoned Daughter by Mary Wood is the second book in The Girls Who Went To War series.

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'A literary page-turner . . . compulsive and thought-provoking' Paula HawkinsA dazzling, shocking novel that speaks to our times, drawing on the 16th-century case of the witches of Warboys.Alice Samuel might be old and sharp-tongued, but she's no fool. Visiting her new neighbours in her Fenland village, she suspects Squire Throckmorton's household is not as God-fearing as it seems and finds the children troubled. Yet when one of the daughters accuses her of witchcraft, Alice has no inkling of how quickly matters will escalate.The Throckmortons' maid Martha, uncomfortably aware of strange goings-on in the household herself, is reluctant to believe that Alice is a witch. But as evidence mounts and the entire village is swept up in the frenzied persecution of one of their own, she struggles to find a voice.Drawing on the 16th-century case of the witches of Warboys, this is a novel of searing imagination that vividly conveys the way fear can turn into paranoia and victims be made to believe in their own wickedness, especially when those in power hold all the cards.

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Ira Shor is a pioneer in the field of critical education who for over twenty years has been experimenting with learning methods. His work creatively adapts the ideas of Brazilian educator Paulo Freire for North American classrooms. In Empowering Education Shor offers a comprehensive theory and practice for critical pedagogy. For Shor, empowering education is a student-centered, critical and democratic pedagogy for studying any subject matter and for self and social change. It takes shape as a dialogue in which teachers and students mutually investigate everyday themes, social issues, and academic knowledge. Through dialogue and problem-posing, students become active agents of their learning. This book shows how students can develop as critical thinkers, inspired learners, skilled workers, and involved citizens. Shor carefully analyzes obstacles to and resources for empowering education, suggesting ways for teachers to transform traditional approaches into critical and democratic ones. He offers many examples and applications for the elementary grades through college and adult education.

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Celebrating the lives of the magnificent women, the ATA girls, who courageously flew Spitfires, Tiger Moths, Lancaster Bombers and many other aircraft during World War Two Since the invention of aeroplanes, women have taken to the skies.They have broken records, performed daredevil stunts and faced such sexism and prejudice that they were effectively barred from working as pilots. That changed in the Second World War. Led by firebrand Pauline Gower, an elite group of British women were selected as ferry pilots to fly for the Air Transport Auxiliary. They risked their lives flying munitions and equipment for the boys on the front line. Flying day and night without radio; dodging storms, barrage balloons and anti-aircraft fire; and with only a map, compass and their eyesight to guide them, they navigated the treacherous wartime skies. The Hurricane Girls is the thrilling, moving and inspirational story of the female air force who once ruled our skies.

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This volume revisits the Nobel Prize-winning economist Kenneth Arrow’s classic 1963 essay “Uncertainty and the Welfare Economics of Medical Care” in light of the many changes in American health care since its publication. Arrow’s groundbreaking piece, reprinted in full here, argued that while medicine was subject to the same models of competition and profit maximization as other industries, concepts of trust and morals also played key roles in understanding medicine as an economic institution and in balancing the asymmetrical relationship between medical providers and their patients. His conclusions about the medical profession’s failures to “insure against uncertainties” helped initiate the reevaluation of insurance as a public and private good.Coming from diverse backgrounds—economics, law, political science, and the health care industry itself—the contributors use Arrow’s article to address a range of present-day health-policy questions. They examine everything from health insurance and technological innovation to the roles of charity, nonprofit institutions, and self-regulation in addressing medical needs. The collection concludes with a new essay by Arrow, in which he reflects on the health care markets of the new millennium. At a time when medical costs continue to rise, the ranks of the uninsured grow, and uncertainty reigns even among those with health insurance, this volume looks back at a seminal work of scholarship to provide critical guidance for the years ahead.ContributorsLinda H. AikenKenneth J. ArrowGloria J. BazzoliM. Gregg BlocheLawrence CasalinoMichael ChernewRichard A. CooperVictor R. FuchsAnnetine C. GelijnsSherry A. GliedDeborah Haas-WilsonMark A. HallPeter J. HammerClark C. HavighurstPeter D. JacobsonRichard KronickMichael L. MillensonJack NeedlemanRichard R. NelsonMark V. PaulyMark A. PetersonUwe E. ReinhardtJames C. RobinsonWilliam M. SageJ. B. SilversFrank A. SloanJoshua Graff Zivin

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Citations presented in this first book-length bibliography ever compiled on the motion picture serial span serial film history, beginning with Edison's serial What Happened to Mary (1912) and concluding with Hollywood's final episode saga, Blazing the Overland Trail (1956). Among the many other serials covered: King of the Kongo, Perils of Pauline, Exploits of Elaine, Dick Tracy, Captain Marvel, Flash Gordon, The Lone Ranger, Green Hornet, and Tailspin Tommy. Since the serial has proved inspirational to present-day film-makers, as shown by Star Wars and Raiders of the Lost Ark and the Indiana Jones sequels, Schutz covers this topic as well. The book is designed as a master index with many cross references.

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Over 2 metres/6.5 feet of fold-out fun! Brian is a very long sausage dog. So long he's lost his bottom. Can you find Brian's bottom? Where could it be? Have you looked in the hallway? Has Pauline the parrot seen it? Maybe it's in the living room, with Alan the hamster? Or perhaps in the kitchen with hungry Dave the tortoise? In the bathroom with Derrick the duck? Oh where could it be? Search the house and help Brian find his bottom with this innovative concertina board book! It teaches young children all about the different rooms in a house, different animals and the sounds they make and encourages a sense of curiosity and searching - as well as being great fun!

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The Spanish text is like a beautiful poem, with the father’s words bringing calm and patience to Muriel when she needs them most. . . A magical Spanish picture book that is a must have.-School Library Journal, starred review Avocado seeds and slow growing! A young girl’s impatience turns to wonder as she and her avocado tree gradually change and grow in this story inspired by Israeli artist Taltal Levi’s childhood. Semillas de aguacate y el crecimiento lento! La impaciencia de una niña se convierte en asombro mientras su árbol de aguacate y ella misma cambian y crecen paulatinamente en esta historia inspirado en la infancia propia de la artista israelí Taltal Levi.Muriel is sulking—she celebrated her birthday yesterday under the old avocado tree, but today she&r

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"I am not a particularly Jewish thinker," said Emmanuel Levinas, "I am just a thinker." This book argues against the idea, affirmed by Levinas himself, that Totality and Infinity and Otherwise Than Being separate philosophy from Judaism. By reading Levinas's philosophical works through the prism of Judaic texts and ideas, Michael Fagenblat argues that what Levinas called "ethics" is as much a hermeneutical product wrought from the Judaic heritage as a series of phenomenological observations. Decoding the Levinas's philosophy of Judaism within a Heideggerian and Pauline framework, Fagenblat uses biblical, rabbinic, and Maimonidean texts to provide sustained interpretations of the philosopher's work. Ultimately he calls for a reconsideration of the relation between tradition and philosophy, and of the meaning of faith after the death of epistemology.

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This is Hemingway's East African safari journal.'All I wanted to do was get back to Africa'Green Hills of Africa is Ernest Hemingway's lyrical journal of a month on safari in the great game country of East Africa, where he and his wife Pauline journeyed in December 1933. Hemingway's well-known interest in - and fascination with - big-game hunting is magnificently captured in this evocative account of his trip. It is an examination of the lure of the hunt and an impassioned portrait of the glory of the African landscape and of the beauty of a wilderness that was, even then, being threatened by the incursions of man.'In a class by itself - the country at all hours shines bright and clear in these pages' Daily Telegraph'The best-written story of big-game hunting anywhere' New York Times

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Like their Hollywood counterparts, Latin American film and TV melodramas have always been popular and highly profitable. The first of its kind, this anthology engages in a serious study of the aesthetics and cultural implications of Latin American melodramas. Written by some of the major figures in Latin American film scholarship, the studies range across seventy years of movies and television within a transnational context, focusing specifically on the period known as the "Golden Age" of melodrama, the impact of classic melodrama on later forms, and more contemporary forms of melodrama. An introductory essay examines current critical and theoretical debates on melodrama and places the essays within the context of Latin American film and media scholarship.Contributors are Luisela Alvaray, Mariana Baltar, Catherine L. Benamou, Marvin D’Lugo, Paula Félix-Didier, Andrés Levinson, Gilberto Perez, Darlene J. Sadlier, Cid Vasconcelos, and Ismail Xavier.

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Rising housing costs put secure and decent housing in central urban neighborhoods in peril. How do civil society organizations (CSOs) effectively demand accountability from the state to address the needs of low-income residents? In her groundbreaking book, Democratizing Urban Development, Maureen Donaghy charts the constraints and potential opportunities facing these community organizations. She assesses the various strategies CSOs engage to influence officials and ensure access to affordable housing through policies, programs, and institutions. Democratizing Urban Development presents efforts by CSOs in four cities across the hemispheric divide: Rio de Janeiro, São Paulo, Washington, DC, and Atlanta. Donaghy studies the impact and outcomes that ensue from these efforts, noting that CSOs must sometimes shift their own ideology or adapt to the political environment in which they operate to ensure access to housing and support the goals of an inclusive city.

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The Adventure Begins. A beautiful paperback edition of The Magician's Nephew, book one in the classic fantasy series, The Chronicles of Narnia. This edition is complete with cover and interior art by the original illustrator, Pauline Baynes. On a daring quest to save a life, two friends are hurled into another world, where an evil sorceress seeks to enslave them. But then the lion Aslan's song weaves itself into the fabric of a new land, a land that will be known as Narnia. And in Narnia, all things are possible. The Magician's Nephew is the first book in C. S. Lewis's classic fantasy series, The Chronicles of Narnia, which has captivated readers of all ages for over sixty years. This is a stand-alone novel, but if you would like to journey through the wardrobe and back to Narnia, read The Lion, the Witch and the Wardrobe, the second book in The Chronicles of Narnia.

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"Flame Wars," the verbal firefights that take place between disembodied combatants on electronic bulletin boards, remind us that our interaction with the world is increasingly mediated by computers. Bit by digital bit we are being "Borged," as devotees of Star Trek: The Next Generation would have it—transformed into cyborgian hybrids of technology and biology through our ever more frequent interaction with machines, or with one another through technological interfaces. The subcultural practices of the "incurably informed," to borrow the cyberpunk novelist Pat Cadigan’s coinage, offer a precognitive glimpse of mainstream culture in the near future, when many of us will be part-time residents in virtual communities. Yet, as the essays in this expanded edition of a special issue of the South Atlantic Quarterly confirm, there is more to fringe computer culture than cyberspace. Within these pages, readers will encounter flame warriors; new age mutant ninja hackers; technopagans for whom the computer is an occult engine; and William Gibson’s "Agrippa," a short story on software that can only be read once because it gobbles itself up as soon as the last page is reached. Here, too, is Lady El, an African American cleaning woman reincarnated as an all-powerful cyborg; devotees of on-line swinging, or "compu-sex"; the teleoperated weaponry and amok robots of the mechanical performance art group, Survival Research Laboratories; an interview with Samuel Delany, and more.Rallying around Fredric Jameson’s call for a cognitive cartography that "seeks to endow the individual subject with some new heightened sense of place in the global system," the contributors to Flame Wars have sketched a corner of that map, an outline for a wiring diagram of a terminally wired world. Contributors. Anne Balsamo, Gareth Branwyn, Scott Bukatman, Pat Cadigan, Gary Chapman, Erik Davis, Manuel De Landa, Mark Dery, Julian Dibbell, Marc Laidlaw, Mark Pauline, Peter Schwenger, Vivian Sobchack, Claudia Springer

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"Flame Wars," the verbal firefights that take place between disembodied combatants on electronic bulletin boards, remind us that our interaction with the world is increasingly mediated by computers. Bit by digital bit we are being "Borged," as devotees of Star Trek: The Next Generation would have it—transformed into cyborgian hybrids of technology and biology through our ever more frequent interaction with machines, or with one another through technological interfaces. The subcultural practices of the "incurably informed," to borrow the cyberpunk novelist Pat Cadigan’s coinage, offer a precognitive glimpse of mainstream culture in the near future, when many of us will be part-time residents in virtual communities. Yet, as the essays in this expanded edition of a special issue of the South Atlantic Quarterly confirm, there is more to fringe computer culture than cyberspace. Within these pages, readers will encounter flame warriors; new age mutant ninja hackers; technopagans for whom the computer is an occult engine; and William Gibson’s "Agrippa," a short story on software that can only be read once because it gobbles itself up as soon as the last page is reached. Here, too, is Lady El, an African American cleaning woman reincarnated as an all-powerful cyborg; devotees of on-line swinging, or "compu-sex"; the teleoperated weaponry and amok robots of the mechanical performance art group, Survival Research Laboratories; an interview with Samuel Delany, and more.Rallying around Fredric Jameson’s call for a cognitive cartography that "seeks to endow the individual subject with some new heightened sense of place in the global system," the contributors to Flame Wars have sketched a corner of that map, an outline for a wiring diagram of a terminally wired world. Contributors. Anne Balsamo, Gareth Branwyn, Scott Bukatman, Pat Cadigan, Gary Chapman, Erik Davis, Manuel De Landa, Mark Dery, Julian Dibbell, Marc Laidlaw, Mark Pauline, Peter Schwenger, Vivian Sobchack, Claudia Springer

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Erika Bachiochi offers an original look at the development of feminism in the United States, advancing a vision of rights that rests upon our responsibilities to others. In The Rights of Women, Erika Bachiochi explores the development of feminist thought in the United States. Inspired by the writings of Mary Wollstonecraft, Bachiochi presents the intellectual history of a lost vision of women’s rights, seamlessly weaving philosophical insight, biographical portraits, and constitutional law to showcase the once predominant view that our rights properly rest upon our concrete responsibilities to God, self, family, and community. Bachiochi proposes a philosophical and legal framework for rights that builds on the communitarian tradition of feminist thought as seen in the work of Elizabeth Fox-Genovese and Jean Bethke Elshtain. Drawing on the insight of prominent figures such as Sarah Grimké, Frances Willard, Florence Kelley, Betty Friedan, Pauli Murray, Ruth Bader Ginsburg, and Mary Ann Glendon, this book is unique in its treatment of the moral roots of women’s rights in America and its critique of the movement’s current trajectory. The Rights of Women provides a synthesis of ancient wisdom and modern political insight that locates the family’s vital work at the very center of personal and political self-government. Bachiochi demonstrates that when rights are properly understood as a civil and political apparatus born of the natural duties we owe to one another, they make more visible our personal responsibilities and more viable our common life together. This smart and sophisticated application of Wollstonecraft’s thought will serve as a guide for how we might better value the culturally essential work of the home and thereby promote authentic personal and political freedom. The Rights of Women will interest students and scholars of political theory, gender and women’s studies, constitutional law, and all readers interested in women’s rights.

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Erika Bachiochi offers an original look at the development of feminism in the United States, advancing a vision of rights that rests upon our responsibilities to others. In The Rights of Women, Erika Bachiochi explores the development of feminist thought in the United States. Inspired by the writings of Mary Wollstonecraft, Bachiochi presents the intellectual history of a lost vision of women’s rights, seamlessly weaving philosophical insight, biographical portraits, and constitutional law to showcase the once predominant view that our rights properly rest upon our concrete responsibilities to God, self, family, and community. Bachiochi proposes a philosophical and legal framework for rights that builds on the communitarian tradition of feminist thought as seen in the work of Elizabeth Fox-Genovese and Jean Bethke Elshtain. Drawing on the insight of prominent figures such as Sarah Grimké, Frances Willard, Florence Kelley, Betty Friedan, Pauli Murray, Ruth Bader Ginsburg, and Mary Ann Glendon, this book is unique in its treatment of the moral roots of women’s rights in America and its critique of the movement’s current trajectory. The Rights of Women provides a synthesis of ancient wisdom and modern political insight that locates the family’s vital work at the very center of personal and political self-government. Bachiochi demonstrates that when rights are properly understood as a civil and political apparatus born of the natural duties we owe to one another, they make more visible our personal responsibilities and more viable our common life together. This smart and sophisticated application of Wollstonecraft’s thought will serve as a guide for how we might better value the culturally essential work of the home and thereby promote authentic personal and political freedom. The Rights of Women will interest students and scholars of political theory, gender and women’s studies, constitutional law, and all readers interested in women’s rights.

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"En el presente libro se ofrece, en un formato novedoso, una introducción a algunas de las ideas y episodios más atractivos de la crítica de la violencia, de la mano de los pensadores que han reflexionado sobre ella: Hannah Arendt, Frantz Fanon, Brad Evans, Edward Said, Paulo Freire, Michel Foucault, Susan Sontag, Noam Chomsky, Judith Butler, Giorgio Agamben. En cada caso se toma como punto de partida el comentario de una de sus principales obras (Los condenados de la tierra, Hay que cambiar la sociedad, Pedagogía del oprimido...), para lo cual se ha recurrido a escritores/ilustradores de cómic de reputación internacional, que confieren a cada capítulo un estilo distinto.".-- Información editorial

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Encuadernación: Rústica.Los doctores Julio C. Brégains y Paula M. Castro presentan con este libro de problemas de electricidad un compendio representativo de ejercicios básicos resueltos paso a paso, con aclaraciones minuciosas de cada concepto matemático o eléctrico involucrado. Dichos ejercicios se acompañan de ilustraciones simples y claras, de forma que el estudio de la electricidad se convierta en algo sencillo y ameno. Bajo esta filosofía de enseñanza, los autores pretenden conseguir que la exposición de los temas se diferencie de los métodos tradicionales poco amigables, capaces de desanimar al estudiante más entusiasta."Queremos alumnos que disfruten aprendiendo, que les motive saber que el apasionante mundo de la tecnología eléctrica está al alcance de todos".

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Embedded core processors are becoming a vital part of today's system-on-a-chip in the growing areas of telecommunications, multimedia and consumer electronics. This is mainly in response to a need to track evolving standards with the flexibility of embedded software. Consequently, maintaining the high product performance and low product cost requires a careful design of the processor tuned to the application domain. With the increased presence of instruction-set processors, retargetable software compilation techniques are critical, not only for improving engineering productivity, but to allow designers to explore the architectural possibilities for the application domain. Retargetable Compilers for Embedded Core Processors, with a Foreword written by Ahmed Jerraya and Pierre Paulin, overviews the techniques of modern retargetable compilers and shows the application of practical techniques to embedded instruction-set processors. The methods are highlighted with examples from industry processors used in products for multimedia, telecommunications, and consumer electronics. An emphasis is given to the methodology and experience gained in applying two different retargetable compiler approaches in industrial settings. The book also discusses many pragmatic areas such as language support, source code abstraction levels, validation strategies, and source-level debugging. In addition, new compiler techniques are described which support address generation for DSP architecture trends. The contribution is an address calculation transformation based on an architectural model. Retargetable Compilers for Embedded Core Processors will be of interest to embedded system designers and programmers, the developers of electronic design automation (EDA) tools for embedded systems, and researchers in hardware/software co-design.

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This book takes a fascinating look at the iconic figure of the Native American in the British cultural imagination from the Revolutionary War to the early twentieth century, and examining how Native Americans regarded the British, as well as how they challenged their own cultural image in Britain during this period. Kate Flint shows how the image of the Indian was used in English literature and culture for a host of ideological purposes, and she reveals its crucial role as symbol, cultural myth, and stereotype that helped to define British identity and its attitude toward the colonial world.Through close readings of writers such as Charles Dickens, Elizabeth Gaskell, and D. H. Lawrence, Flint traces how the figure of the Indian was received, represented, and transformed in British fiction and poetry, travelogues, sketches, and journalism, as well as theater, paintings, and cinema. She describes the experiences of the Ojibwa and Ioway who toured Britain with George Catlin in the 1840s; the testimonies of the Indians in Buffalo Bill's Wild West Show; and the performances and polemics of the Iroquois poet Pauline Johnson in London. Flint explores transatlantic conceptions of race, the role of gender in writings by and about Indians, and the complex political and economic relationships between Britain and America.The Transatlantic Indian, 1776-1930 argues that native perspectives are essential to our understanding of transatlantic relations in this period and the development of transnational modernity.

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During the course of this century, gauge invariance has slowly emerged from being an incidental symmetry of electromagnetism to being a fundamental geometrical principle underlying the four known fundamental physical interactions. The development has been in two stages. In the first stage (1916-1956) the geometrical significance of gauge-invariance gradually came to be appreciated and the original abelian gauge-invariance of electromagnetism was generalized to non-abelian gauge invariance. In the second stage (1960-1975) it was found that, contrary to first appearances, the non-abelian gauge-theories provided exactly the framework that was needed to describe the nuclear interactions (both weak and strong) and thus provided a universal framework for describing all known fundamental interactions. In this work, Lochlainn O'Raifeartaigh describes the former phase. O'Raifeartaigh first illustrates how gravitational theory and quantum mechanics played crucial roles in the reassessment of gauge theory as a geometric principle and as a framework for describing both electromagnetism and gravitation. He then describes how the abelian electromagnetic gauge-theory was generalized to its present non-abelian form. The development is illustrated by including a selection of relevant articles, many of them appearing here for the first time in English, notably by Weyl, Schrodinger, Klein, and London in the pre-war years, and by Pauli, Shaw, Yang-Mills, and Utiyama after the war. The articles illustrate that the reassessment of gauge-theory, due in a large measure to Weyl, constituted a major philosophical as well as technical advance.

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Frédéric Bruly Bouabré (Ivory Coast, 1923-2014) was a self-taught artist and one of the most relevant international voices of the second half of the 20th century, not only for his visual creation, but also thanks to his contributions to other cultural fields, such as poetry, philosophy, and essay writing. In 1948 he experienced a “revelation”: from that moment on, he called himself “Cheik Nadro” (he who does not forget) and he not only undertook a philosophical research into African reality and the meaning of life, but he also began creating a monumental work of art entitled Connaissance du monde. With pen and coloured pencils on 10x15 cm (3.9x5.9 in) sheets of construction paper, he gave life to a sort of visual encyclopaedia that grew richer by the day. Another especially interesting work by this artist is Alphabet Bété, an alphabet made up of 448 monosyllabic pictograms intended to establish a connection between the European and African cultures and to inspire a sense of brotherhood. These two extremely relevant works, as well as other series of drawings by the artist, are the central nucleus of this volume, which complements the exhibition at the MoMA in New York, Frédéric Bruly Bouabré: World Unbound. Bouabré has been featured in all the most prestigious international venues, from the Centre George Pompidou in Paris, to the Guggenheim Museum in Bilbao, from the Tate Modern in London to the Portikus in Frankfurt. He was also present at the 55th Biennale in Venice, at Documenta in Kassel, and at the Bienal in São Paulo. Text in French.

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Answering a need for critical attention towards experimental and avant-garde music, Arcana is a ground-breaking work--as far-ranging and dynamic as the current generation of musicians. Through manifestoes, scores, interviews, notes and critical papers, performer/composers address composing, playing, improvising, teaching and thinking in and through music, Rather than an attempt to distill or define musicans' work, Arcana is a remarkable book--challenging and original--essential for composers, musicians, theorists and fans alike. Edited by John Zorn, it includes contributions from Bill Frisell, Marc Ribot (on earplugs), Ikue Mori (on drum machines), Bob Ostertag (on a string quartet) There's a discussion on plunderphonics with John Oswald, an overview from Elliott Sharp on his group Carbon, and David Mahler expounds his responses to a set of nine questions posed by Pauline Oliveros. The writings range from brief 2 or 3 page entries (Mike Patton's "How We Eat Our Young," Marilyn Crispell's "Elements of Improvisation") to long and elaborate essays (Scott Johnson's "Counterpoint," David Rosenboom's "Propositional Music"). Some of the contributions are more unusual, such as Zorn's "Treatment for a Film in Fifteen Scenes," Fred Frith's notebook extracts, or Peter Garland's journal of his trip to Australia's Northern Territory. All of them provide for inspiring and thought-provoking reading, making this an invaluable book for both fans of these artists and aspiring musicians of the avant garde. An appendix of brief bios for each artist ends the book, along with short lists of recommended listenings.

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A trace of the unsolved mystery seems to follow all ship sinkings through history. This interest is especially keen in the case of the collision between Stockholm and Andrea Doria, two passenger liners that collided at the edge of the fogbank in 1956, even though both were equipped with radar and officers on both ships were aware of the presence of the other. Stockholm was badly damaged but able to return to New York under its own power. Andrea Doria sank soon after the collision. The preliminary hearing held after the tragedy raised as many questions as it answered, as the two companies who owned the ships chose to settle out of court before all the testimony had been given. With no documented resolution, some of those questions remain to this day, but this book provides information and insights not previously available in English. Out of the Fog describes the events leading up to the collision from the perspective of both ships. The collision itself is covered, as is the heroic and largely successful rescue effort that followed. The book contains testimony given at the hearing, and an appendix provides a legal opinion from an attorney who was directly involved with the case. Algot Mattsson was the information officer for Swedish America Line, the owner of Stockholm, and had special access to Johan-Ernst Carstens-Johannsen, the sole officer on the bridge at the time of the collision. Gordon W. Paulsen was one of the lawyers representing Swedish America Line at the time of the collision.

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A Critical Introduction proposes a new didactic and dynamic way of reading the great twentieth-century poet Fernando Pessoa (1888-1935). The aim is to present a holistic vision of this complex poet, promoting his literary geniality in order to better understand his orthonymic-heteronymic poetry. A guiding motif is Pessoa's own Be as plural as the universe. In leading the reader through the poet's published literary work, Jerónimo Pizarro allows an intimate perspective, alongside an academic one, to better understand the workings of Pessoa's mind and life. Discussion centres on the dilemmas an editor faces when editing posthumously. A prime question revolves around the genesis of Pessoa's heteronyms and orthonyms. Understanding is revealed by a critical perspective on the unity that exists in all of Pessoa's literary work. Interpretations of the poems; explanation of the profundity of The Book of Disquiet; and his isms of Paulism, Caeirism, Intersectionism and Cessationism, are discussed and analysed. The issue of Pessoa's astrological predictions his birth year and the effects of this event on Portuguese national history is debated. A chapter is devoted to the effect that translating Omar Khayyám's Rubáiyát had on the poet. The work contains eleven texts written by Pessoa in English (including an autobiographical note from 1935), a substantive dual language bibliography, and is highly illustrated with facsimiles of the poet's own written material. A Critical Introduction is essential reading for all scholars and students of Pessoa's literary output and life circumstances. The work has been written to appeal to cultural studies (arts and aesthetics) enthusiasts in general at both undergraduate and postgraduate level, but given the engagement of new critical material it also provides a structured resource for future research.

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This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. Australian Aboriginal literature, once relegated to the margins of Australian literary studies, now receives both national and international attention. Not only has the number of published texts by contemporary Australian Aboriginals risen sharply, but scholars and publishers have also recently begun recovering earlier published and unpublished Indigenous works. Writing by Australian Aboriginals is making a decisive impression in fiction, autobiography, biography, poetry, film, drama, and music, and has recently been anthologized in Oceania and North America. Until now, however, there has been no comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. This international collection of eleven original essays fills this gap by discussing crucial aspects of Australian Aboriginal literature and tracing the development of Aboriginalliteracy from the oral tradition up until today, contextualizing the work of Aboriginal artists and writers and exploring aspects of Aboriginal life writing such as obstacles toward publishing, questions of editorial control (orthe lack thereof), intergenerational and interracial collaborations combining oral history and life writing, and the pros and cons of translation into European languages. Contributors: Katrin Althans, Maryrose Casey, Danica Cerce, Stuart Cooke, Paula Anca Farca, Michael R. Griffiths, Oliver Haag, Martina Horakova, Jennifer Jones, Nicholas Jose, Andrew King, Jeanine Leane, Theodore F. Sheckels, Belinda Wheeler. Belinda Wheeler is Associate Professor of English at Claflin University, Orangeburg, SC.

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A BESTSELLING NOVEL AND MAJOR FILM STARRING MERYL STREEP AND JACK NICHOLSON'I have bought more copies of this book to give to people, in a frenzy of enthusiasm, than any other . . . Heartburn is the perfect, bittersweet, sobbingly funny, all-too-true confessional novel' NIGELLA LAWSON'A perfect example of Ephron's gift for turning tragedy into comedy' PAULA HAWKINS, THE GIRL ON THE TRAIN'She is wit without cynicism, the ultimate romantic' GAIL COLLINS, NEW YORK TIMESSeven months into her pregnancy, Rachel discovers that her husband is in love with another woman. The fact that this woman has a 'neck as long as an arm and a nose as long as a thumb' is no consolation. Food sometimes is, though, since Rachel is a cookery writer, and between trying to win Mark back and wishing him dead, she offers us some of her favourite recipes. Heartburn is a roller coaster of love, betrayal, loss and most satisfyingly revenge.This is Nora Ephron's (screenwriter of When Harry Met Sally and Sleepless in Seattle) roman à clef: 'I always thought during the pain of the marriage that one day it would make a funny book,' she once said - And it is!Books included in the VMC fortieth anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

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2018 James Beard Award Winner: Best American Cookbook Named one of the Best Cookbooks of 2017 by NPR, The Village Voice, Smithsonian Magazine, UPROXX, New York Magazine, San Francisco Chronicle, Mpls. St. PaulMagazine and others Here is real food—our indigenous American fruits and vegetables, the wild and foraged ingredients, game and fish. Locally sourced, seasonal, “clean” ingredients and nose-to-tail cooking are nothing new to Sean Sherman, the Oglala Lakota chef and founder of The Sioux Chef. In his breakout book, The Sioux Chef’s Indigenous Kitchen, Sherman shares his approach to creating boldly seasoned foods that are vibrant, healthful, at once elegant and easy. Sherman dispels outdated notions of Native American fare—no fry bread or Indian tacos here—and no European staples such as wheat flour, dairy products, sugar, and domestic pork and beef. The Sioux Chef’s healthful plates embrace venison and rabbit, river and lake trout, duck and quail, wild turkey, blueberries, sage, sumac, timpsula or wild turnip, plums, purslane, and abundant wildflowers. Contemporary and authentic, his dishes feature cedar braised bison, griddled wild rice cakes, amaranth crackers with smoked white bean paste, three sisters salad, deviled duck eggs, smoked turkey soup, dried meats, roasted corn sorbet, and hazelnut–maple bites.The Sioux Chef’s Indigenous Kitchen is a rich education and a delectable introduction to modern indigenous cuisine of the Dakota and Minnesota territories, with a vision and approach to food that travels well beyond those borders.

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'As informative as it is entertaining - read it, you won't regret it' Paula GooderBeards have had cultural and religious significance for thousands of years. A fascinating story is to be told of the religious significance of beards from the ancient civilisations to today. This book will survey beard theology from ancient Egypt, Greece, Rome and Mesopotamia, to the Jews of Jesus's day and through to the early Church fathers who strongly promoted the beard, the Latin church which outlawed it leading up to and after the Great Schism of 1054. We will pursue the story of the protestant reformers and leaders of the evangelical revival of the 19th century all had plenty to say about the beard.This largely untold and intriguing story of the religious significance of beards and will containa series of entertaining true historical stories, such as the cardinal who lost the papacy due to his beard, the female pharaoh who wore the fake beard and how beards were cited in the papal bull of excommunication that formalised the split of the Eastern and Western churches in the great schism.As well as providing a unique historical narrative, it also provides a subtle basis for reflection on current theological disputes and debates, gently inviting you to consider what parallels there areto the historical theological disputes which today seem trivial but caused heated passions in their day. It will entertain and inform in equal measure.'A profound exploration of the way beliefs turn to rules . . . smart, funny and absolutely fascinating' Cole Moreton

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In Ephesos befand sich eine der sieben Gemeinden, an welche der Seher Johannes seine Apokalypse schickte. Doch die Johannesapokalypse ist nicht der einzige neutestamentliche Text, der eine Verbindung mit Ephesos hat. Auch im Corpus Paulinum und in der Apostelgeschichte spielt Ephesos eine bedeutende Rolle, wenngleich viele "Einleitungsfragen" umstritten sind. Uber das antike Ephesos sind wir durch die Ausgrabungen und ein reichhaltiges Corpus von Inschriften sehr gut informiert. Allerdings blieben die Kontakte zwischen althistorischer und exegetischer Forschung bislang meistens sparlich. Ephesische Enthullungen 1 ist der erste Teil einer lokalgeschichtlichen Studie zur Johannesapokalypse. Dieser Band bundelt gleichermassen althistorische und exegetische Erkenntnisse uber Ephesos und die fruchristlichen Gruppen in dieser Stadt: Offenbar gab es um 100 n. Chr. in Ephesos unterschiedliche christliche Gemeinden, deren Texte - etwa das lukanische Doppelwerk - im Neuen Testament erhalten sind. Damit wird sowohl der hellenistische und romische als auch der judische und christliche Hintergrund beleuchtet, vor dem ihre ephesischen Horer die Johannesapokalypse rezipieren konnten.

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The book provides theoretical methods of connecting discrete-variable quantum information processing to continuous-variable one. It covers the two major fields of quantum information processing, quantum communication and quantum computation, leading to achievement of a long-sought full security of continuous-variable quantum key distribution (QKD) and proposal of a resource-efficient method for optical quantum computing. Firstly, the book provides a security of continuous-variable QKD against arbitrary attacks under a realistic condition such as finite communication rounds and the use of digitized information processing. The book also provides the unified view for conventionally used approximate Gottesman-Kitaev-Preskill (GKP) codes, which encodes qudits on a continuous-variable system, enabling direct comparison between researches based on different approximations. The book finally proposes a resource-efficient method to realize the universal optical quantum computation using the GKP code via the direct preparation of the GKP magic state instead of GKP Pauli states. Feasibility of the proposed protocol is discussed based on the existing experimental proposals for the GKP state preparation.

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Stephen Brandt tells the story of how Brazilian club Flamengo became the best football team in the world, winning cups at every level before beating the mighty Liverpool in 1981 to capture the Intercontinental Cup. On one side were the kings of Europe who'd recently won their third European Cup in six years, and on the other side Flamengo, who had just won the Copa Libertadores. Amid the dying days of a military dictatorship, Flamengo brought home a country-unifying title, a feat not seen since Pele's Santos won back-to-back Intercontinental Cups in 1962 and '63. Along the way, we meet the special players of that golden generation, including the legendary Junior, the underdog Nunes, Zico, the small-statured talent who was dubbed the next Pele, and the brilliant Tita. The Brazilian side managed by Paulo Cesar Carpegiani played an attractive, free-flowing style of football that Europeans had never seen before. Just a year later they provided many stars for Tele Santana's great team that lit up the 1982 World Cup.

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Kits are cultural touchstones that tell us more about our club, ourselves and the beautiful game's custodians than we often realise. The colours, crests, designs and prices show what makes the game - and us - tick. Kit and Caboodle searches out the stories that our shirts tell us about our support and the society we accept or try to rebel against. The book alternates short, shirt stories with a deeper dive into themes of ethics, philanthropy and dumb decision making. We listen to MP Tracey Crouch as she tells us about her Fan Led Review and how shirts show the progress being made to a more equitable football ecosystem. Shirts also illustrate the rise and mutation of gambling from pools to NFTs and cryptocurrencies, attitudes to the LGBTQ+ community, how clubs like St Pauli are determined to be driven by their values and why Messi's transfer to PSG Qatar can never be financed by shirt sales. Unlike anything else we wear, our club shirts envelop us in the history of our team and give us a hint of the future.

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Found yourself organising a show that you didn’t mean to? Or frustrated that no one else is producing your show and just want to do it yourself? You’re not alone. The Accidental Producer is the first-timer’s guide to getting a play, musical or anything else on stage. This step by step handbook explains every stage of the production process, from funding your project to selling the show and everything in between. Written by an experienced theatre producer this book additionally shares the perspectives of eleven industry specialists you might encounter on your journey. · Park Theatre Artistic Director, Jez Bond on how to connect to a venue decision maker · Fleabag producer, Francesca Moody on the secrets to success at the Edinburgh Fringe · Arts Council England Relationship Manager, Paula Varjack on how securing their funding actually works · Press representative, Chloe Nelkin on how to maximise a show’s press coverage · Agent, Alex Segal on approaching star actors This much-needed book’s liberating message is that anyone can produce a successful show, especially if they have in their armoury the advice of those that have come before.

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Von der ausgehenden Bronzezeit bis zum Beginn der sog. historischen Epoche (12. bis 6. Jh. v.Chr.) erschließt das Handbuch erstmalig gemeinsam die Frühgeschichte aller ans Mittelmeer angrenzenden Kulturen. Dazu zählen neben Phöniziern, Griechen und Etruskern zahlreiche weitere Völkerschaften wie Iberer, Ligurer, Thraker, Phryger, Luwier, Aramäer und Libyer. Der Band führt die aus materiellen Quellen, Schrift- und Bildzeugnissen gewonnen Erkenntnisse aller hierzu forschenden Einzelwissenschaften zusammen, u.a. der Vorderasiatischen, Phönizischen und Punischen wie auch Biblischen Archäologie, der Ägäis- und Nordafrika-Forschung, der Villanova-Forschung und Etruskologie, der Iberologie, Frühgriechischen Historiographie und Dark-Ages-Studien. Die Epoche ist insgesamt durch das kulturelle Zusammenwachsen der Mittelmeer-Anrainer geprägt, weshalb ein inhaltlicher Schwerpunkt auf den Kontakten, Kultur- und Wissenstransfers und gemeinsamen Schlüsselthemen wie Mobilität, Religion, Ressourcen, Sprachen und Schriften liegt. Mit Registern und zahlreichen Tabellen und Karten in Pauly-Qualität.

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This book serves as an important companion to Freire’s seminal work, providing powerful insights into both a philosophically sound and politically inspired understanding of Freire’s book, supporting application of his pedagogy in enacting emancipatory educational programs in the world today. Antonia Darder closely examines Freire’s ideas as they are articulated in Pedagogy of the Oppressed, beginning with a historical discussion of Freire’s life and a systematic discussion of the central philosophical traditions that informed his revolutionary ideas. She engages and explores Freire’s fundamental themes and ideas, including the issues of humanization, the teacher/student relationship, reflection, dialogue, praxis, and his larger emancipatory vision. Questions are included throughout Chapter 3, Reading the Text Chapter-by-Chapter, to enable greater discussion of, and engagement with, the text itself. The book includes an incisive interview with Freire’s widow, Ana Maria Araujo Freire. The bibliography offers invaluable support to those looking to read and study other works by Paulo Freire.

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Pizza is a $35 billion a year business, and nowhere is it taken more seriously than New York City. Journalist Peter Genovese surveys the city’s pizza scene—the food, the business, the culture—by profiling pizza landmarks and personalities and rating pizzerias in all five boroughs.In this funny, fascinating book, Genovese explores the bloggers who write about New York pizza, the obsessive city dwellers who collect and analyze the delivery boxes, Mark Bello’s school where students spend a day making pies from scratch, and Scott Wiener’s pizza bus tours. Along the way, readers learn the history of legendary Totonno’s on Coney Island (Zagat’s number-one pizzeria for 2012), along with behind-the-scenes stories about John’s on Bleecker Street, Joe’s on Carmine, Lombardi’s, Paulie Gee’s, Motorino, and more than a dozen other favorite spots and their owners. Throughout these profiles, Genovese presents a brief history of how pizza came to the city in 1905 and developed into a major attraction in Little Italy, a neighborhood that became a training ground for many of the city’s best-loved pizzerias. Enjoyable facts and figures abound. Did you know that Americans put 250 million pounds of pepperoni on their pies every year? Or that Domino’s has more outlets per capita in Iceland than in any other country?Beyond the stories and tidbits, Genovese provides detailed, borough-by-borough reviews of 250 pizzerias, from simple “slice shops” with scant atmosphere to gourmet pizzerias, including shops that use organic ingredients and experiment with new variations of crusts and toppings. Complemented by hundreds of current and never-before-seen archival photos, the book gives the humble slice its proper due and will leave readers overwhelmed by a sudden desire for New York pizza.

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Four millennial plays from the French side of the language divide in Belgium. This anthology captures the tendencies of contemporary European playwright in the beginning of the new millennium, as interracial, intercontinental marriage, the privileges afforded to society's leaders, the resurgence of the Extreme Right, and creative ways of juggling love relationships are presented in a variety of accessible styles. The Magnolia by Jacques de Decker: Marie-Antoinette has two boyfriends, neither of whom knows that the other exists. She's Marie to Adrian, and Antoinette to Julian. This arrangement, though it suits her perfectly, can't last forever. Her vain efforts to keep her novel way of life running according to plan yield great hilarity. Marie-Antoinette finds she'll just have to eat cake. The Sorcerers by Serge Goriely: Luc brings his bride Paula back from Nigeria to live in Brussels. His family, open-minded, urbane, and liberal as they are, cast a spell on her, bringing about her sickness and demise. This shocking drama provides an intimate, unvarnished look at black/white relationships in contemporary Europe subsequent to the colonial era. Patriot's Cafe by Jean-Marie Piemme: A view into the lives of members of the Extreme Right in Wallonia. Forging an innovative, lyrical style, this play reveals the personal motives -- the quest for power, a longing for significance, the need to belong to something larger -- that cause ordinary people to succumb to the lure of totalitarian rhetoric. This Is Not A Real Pipe by Pascal Vrebos: A famous French statesman reminiscent of Dominique Strauss-Kahn finds himself alone with a cleaning lady in his New York hotel room. Various possible scenarios ensue, none of which may be the real "pipe." The gears of class, race and gender disparities grind away in this prismatic comedy-drama of epic proportions -- a signature tale for our times.

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Arranged in chronological order from the early Greek mathematicians, Euclid and Archimedes through to present-day Nobel Prize winners, 100 Science Discoveries That Changed the World charts the great breakthroughs in scientific understanding. Each entry describes the story of the research, the significance of the science and its impact on the scientific world. There is also a resume of each scientist’s career along with their other achievements, sometimes – in the case of Isaac Newton – in a completely unrelated field (laws of motion and the component parts of light). The book covers all branches of science: geometry, number theory, cosmology, the laws of motion, particle physics, electricity, magnetism, the laws of gasses, optical theory, cell biology, conservation of energy, natural selection, radiation, quantum theory, special relativity, superconductivity, thermodynamics, genomes, plate tectonics, and the uncertainty principal. Scientists include: Albert Einstein, Alessandro Volta, Alexander Fleming, Amedeo Avogrado, Andre Geim, Antoine Lavoisier, Antony van Leeuwenhoek, Archimedes, Benoit Mandelbrot, Carl Friedrich Gauss, Charles Darwin, Christian Doppler, Copernicus, Crick and Watson, Dmitri Mendeleev, Edwin Hubble, Enrico Fermi, Ernest Rutherford, Erwin Schrodinger, Euclid, Fermat, Frederick Sanger, Galileo Galilei, Georg Ohm, Georges Lemaitre, Heike Kamerlingh, Isaac Newton, Jacques Charles, James Clerk Maxwell, James Prescott Joule, Jean Buridan, Johanes Kepler, John Ambrose Fleming, John Dalton, John O’Keefe, Joseph Black, Josiah Gibbs, Lord Kelvin, Lord Rayleigh, Louis Pasteur, Marie Curie, Martinus Beijerinck, Michael Faraday, Murray Gell-Mann & George Zweig, Neils Bohr, Nicholas Steno, Peter Higgs, Pierre Curie, Ptolemy, Robert Boyle, Robert Brown, Robert Hooke, Roger Bacon, Rudolf Clausius, Seleucus, Shen Kuo, Stanley Miller, Tyco Brahe, Werner Heisenberg, William Gilbert, William Harvey, William Herschel, William Rontgen, Wolfgang Pauli.

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Tito pasa su primer año de instituto sumido en la monotonía. En su medido universo todo encaja a la perfección, hasta que la profesora de lengua encomienda a sus alumnos la redacción de un relato. Para mayor calamidad, paulatinamente se ve abordado en su espacio más íntimo por extraños personajes de los que no se puede zafar. Tan insólitos ellos y tan privativo lo que traen consigo, que ni siquiera echa mano de algún auxilio.Todo parece desplomarse, sin embargo, a medida que entran en su vida, va reconociendo que quizás no sean tan perniciosos como creía. Tomando como pretexto de sus elucubraciones el relato que debe escribir, pronto se convierten en sus máximos valedores, y más allá de eso, le arrastran hacia un laberinto de espejos del cual no aciertaa encontrar la salida. Traído hasta el límite de lo posible con lo improbable, revelará lo que se esconde bajo su equívoca identidad.

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