Search results for ""author paul"

An award-winning historian’s revisionary account of the early modern world, showing how apocalyptic ideas stimulated political, religious, and intellectual transformations “A masterful synthesis of the prognostications of faith, knowledge, and politics on a global stage. Martin’s book illuminates one of the enduring themes that shaped the medieval and early modern world.”—Paula E. Findlen, Stanford University In this revelatory immersion into the apocalyptic, messianic, and millenarian ideas and movements that created the modern world, John Jeffries Martin performs a kind of empathic time travel, entering into the psyche, spirituality, and temporalities of a cast of historical actors in profound moments of discovery. He argues that religious faith—Christian, Jewish, and Muslim—did not oppose but rather fostered the making of a modern scientific spirit, buoyed along by a providential view of history and nature, and a deep conviction in the coming End of the World. Through thoughtful attention to the primary sources, Martin re‑reads the Renaissance, excavating a religious foundation at the core of even the most radical empirical thinking. Familiar icons like Ibn Khaldūn, Columbus, Isaac Luria, and Francis Bacon emerge startlingly fresh and newly gleaned, agents of a history formerly untold and of a modern world made in the image of its imminent end.

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An engaging argument about what experimental music can tell us about being human. In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology decenter human agency amid the uneven temporality of postwar global capitalism. Time moves forward for some during this period, while it seems to stand still or even move backward for others. Some say we’re already posthuman, while others endure the extended consequences of never having been considered fully human in the first place. Experimental music reflects on this state, Barrett contends, through its interdisciplinary involvements in postwar science, technology, and art movements. Rather than pursuing the human's beyond, experimental music addresses the social and technological conditions that support such a pursuit. Barrett locates this tendency of experimentalism throughout its historical entanglements with cybernetics, and in his intimate analysis of Alvin Lucier’s neurofeedback music, Pamela Z’s BodySynth performances, Nam June Paik’s musical robotics, Pauline Oliveros’s experiments with radio astronomy, and work by Laetitia Sonami, Yasunao Tone, and Jerry Hunt. Through a unique meeting of music studies, media theory, and art history, Experimenting the Human provides fresh insights into what it means to be human.

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First published for the fortieth anniversary of the March on Washington, this Library of America volume along with its companion chronicles over thirty tumultuous years in the struggle of African-Americans for freedom and equal rights.The first volume follows the rise of the modern civil rights movement from A. Philip Randolph’s defiant 1941 call for a protest march on Washington to the summer of 1963 and the eve of the march that finally shook the nation’s conscience. Ralph Ellison, Langston Hughes, Pauli Murray, and Bayard Rustin record the growing determination of African-Americans in the 1940s to oppose racial injustice; Murray Kempton and William Bradford Huie report on the lynching of Emmett Till; Ted Poston offers an inside look at the courage and resourcefulness of the Montgomery bus boycotters; Relman Morin in Little Rock and John Steinbeck in New Orleans witness the terrors of mob rage; David Halberstam and Louis Lomax describe the wildfire spread of the sit-in movement; James Baldwin investigates the Nation of Islam.Robert Penn Warren’s “Segregation,” a Southern moderate’s soul-searching interrogation of the traditions of his native region, is included in its entirety, as is Martin Luther King, Jr.’s classic defense of civil disobedience, “Letter from Birmingham Jail.” Remarkable but little-known reporters from the African-American press, among them James Hicks of the Amsterdam News, George Collins of the Baltimore Afro-American, L. O. Swingler of the Atlanta Daily World, and Trezzvant Anderson of the Pittsburgh Courier, are reprinted here for the first time, along with astonishing eyewitness accounts of movement activism by Fannie Lou Hamer, Tom Hayden, and Howard Zinn.Each volume contains a detailed chronology of events, biographical profiles and photographs of the journalists, explanatory notes, and an index.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Una de las notas dominantes del pensamiento contemporáneo es el retorno de lo religioso, eco de una realidad política caracterizada por los avatares de una nueva guerra de religión. Parece que la era secular hubiera dado paso a un periodo distinto en el que la acción política resulta ser una derivada directa del conflicto metafísico. Afrontar esta situación exige dilucidar los lazos que unen política y religión en su peligrosa interdependencia en forma de violencia. Es lo que pretenden estas indagaciones histórico-filosóficas, variaciones de la tesis atrevida que ve en la modernidad una serie de metamorfosis de la sacralización en vez de un proceso de secularización.Con erudición, talento y algo de provocación, Simon Critchley emprende una múltiple lectura: desde las paradojas de la religión civil en Rousseau, pasando por los retos políticos que plantea el retorno del mesianismo paulino en Heidegger, Taubes, Agamben y Badiou, o las implicaciones de lo político y el pecado original

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Encuadernación: rústica.Subcolección Persona y Sociedad.Un viaje vital por la diversidad cultural de nuestro mundo globalizado y el interior de la persona que busca el sentido de su vida. []Sin ser autobiográfico, todo el libro está impregnado de su experiencia personal, un sacerdote que ha vivido 17 años en Japón, especializado en Teología de las Religiones."...Si realmente hablamos no el lenguaje de la ideología, la imposición, el prejuicio o la cerrazón, sino el lenguaje de la vida, todos estamos abocados a entendernos. O mejor dicho, a entender juntos lo que Otro susurra, llevándonos a los dialogantes por el camino de una sabiduría sin ocaso....Para aprender el lenguaje de esta voz, hay que aprender el lenguaje de la escucha... Éste es el secreto del diálogo, tan apasionante y urgente como nunca entre los hombres y mujeres concretos que transitan, en esta aldea global, por el camino del Oriente al Occidente y viceversa. [...]Cinto Busquet se hace paulatina

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James Crews's three anthologies of contemporary poems celebrating hope, wonder, kindness, and connection packaged in a beautiful gift box set with the addition of four illustrated poem cards suitable for framing.  These are the poems our world needs now. Together, the three books include over 300 poems by a diverse selection of leading and emerging contemporary poets, including Amanda Gorman, Ross Gay, Ada Limón, Jane Hirshfield, Tracy K. Smith, Julia Alvarez, Ellen Bass, Danusha Laméris, Li-Young Lee, Naomi Shihab Nye, Joy Harjo, Joseph Bruchac, Nikita Gill, Linda Hogan, Mark Nepo, Alberto Ríos, and others. Special bonus feature: four frameable prints of poems by Rosemerry Wahtola Trommer, Kimberly Blaeser, Paula Gordon Lepp, and a new poem by James Crews.

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The explosively-funny new picture book from the creators of the award-winning Sh*gged. Married. Annoyed podcast! “The door burst open with an almighty crash! Poo ran up the walls with a big smelly splash!Mam and Dad gasped, the boys gave a yell They didn’t know what was happening . . . until . . . the SMELL!” Meet the Randal Family: Mam, Dad, Robert and Ralph. One night, Robert’s friend comes to stay, and Ralph decides he wants to stay up with the big boys. What better way to derail bedtime than with a giant poo?   But the rumbling in Ralph’s nappy doesn’t stop there. It’s a POONAMI, and it’s taken over the house. HELP!  Bedtime family fun, brought to life in POOTASTIC colour from illustrator Paula Bowles

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This scholarly and important volume has an impressive interdisciplinary and international scope. We hear from psychologists, sociologists, philosophers, legal scholars, and economists. These refreshing chapters broaden our understanding of human innovation, contributing to a developing sociocultural approach to the study of creativity. These chapters directly challenge the myth of solitary genius, by documenting the social and cultural systems within which new ideas emerge.'- Keith Sawyer, Washington University in St Louis, US'This penetrating volume both summarizes compellingly what we know about creativity and examines critically loose concepts of creativity, cases where creativity does harm, and deceptive hype about creativity. This volume neither romanticizes creativity nor reduces it to the servant of economic and cultural development, offering instead a differentiated and penetrating examination of the nature of creativity and its diverse positive and sometimes negative roles.'- David Perkins, Harvard Graduate School of Education, USThis comprehensive yet concise Handbook provides an overview of innovative approaches to, and new perspectives on, the study of creativity.In this timely work, creativity is not defined by an ideal, rather it encompasses a range of theories, functions, characteristics, processes, products and practices that are associated with the generation of novel and useful outcomes suited to particular social, cultural and political contexts. Chapters present original research by international scholars from a wide range of disciplines including history, sociology, psychology, philosophy, cultural studies, education, economics and interdisciplinary studies. Their research investigates creativity in diverse fields including art, creative industries, aesthetics, design, new media, music, arts education, science, engineering and technology.Containing cutting-edge research the Handbook of Research on Creativity will strongly appeal to academics and advanced students in cultural studies, creative industries, art history and theory, experimental music and performance studies, digital and new media studies, engineering, economics, sociology, psychology and social psychology, management studies, and education particularly visual arts education and music education. Policy makers, managers and entrepreneurs will also find much to interest them in this fascinating work.Contributors: S. Banaji, T. Barker, D. Berry, C. Bilton, N.C.M. Brown, P. Burnard, J. Chan, S. Cranmer, A.J. Cropley, D.H. Cropley, C. De Cock, L. Denti, D.R. Eikhof, K. Essl, C. Gibson, V. Giorgini, R. Gonsalves, S. Harnow Klausen, S. Hemlin, j. jagodzinski, V. Johnson, J.C. Kaufman, N. Kawashima, R. Korde, J. McGuigan, P. McIntyre, J. Mecca, P.-M. Menger, R. Miettinen, D.P. Miller, M.D. Mumford, T. Oiyama, L. Olsson, P.B. Paulus, C. Perrotta, A. Power, A. Quemin, A. Rehn, E. Scheer, E. Schubert, D.K. Simonton, T. Smith, J. Steers, S. Taylor, K. Thomas, E. Zimmerman

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Cristobal Balenciaga (1895-1972) remains one of the most revered and enigmatic of fashion designers. Here, breathtaking illustrations reveal why he is renowned for exceptional tailoring, sculptural shapes, deft manipulation of textiles, and a dramatic use of color. His glamorous clientele included Grace Kelly, Jackie Kennedy, Pauline de Rothschild, Ava Gardner, and Marlene Dietrich; many of his clients dressed almost exclusively in his designs, which were celebrated for being both easy to wear and tailored to flatter any figure. Even today, Balenciaga's name remains synonymous with quality. This fully revised and extended edition of Balenciaga offers a thorough examination of the Spanish-born couturier's designs and business practice, and places him firmly in the context of the time, looking at the country in which he learned his trade and the international fashion scene in which he matured and triumphed. His perfectionism, effortless, iconic style, and the wearability of his clothes continue to influence designers today. Illustrated with archival images as well as stunning new photography, this book explores Balenciaga's legacy in fascinating detail.

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Open a door and enter a magical world Open a door and enter a magical world. A beautiful paperback edition of The Lion, the Witch and the Wardrobe, book two in the classic fantasy series, The Chronicles of Narnia. This edition is complete with cover and interior art by the original illustrator, Pauline Baynes. Four adventurous siblings – Peter, Susan, Edmund, and Lucy Pevensie – step through a wardrobe door and into the land of Narnia, a land frozen in eternal winter and enslaved by the power of the White Witch. But when almost all hope is lost, the return of the Great Lion, Aslan, signals a great change . . . and a great sacrifice. The Lion, the Witch and the Wardrobe is the second book in C. S. Lewis's classic fantasy series, which has been drawing readers of all ages into a magical land with unforgettable characters for over sixty years. This is a stand-alone read, but if you would like to explore more of the Narnian realm, pick up The Horse and His Boy, the third book in The Chronicles of Narnia.

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Bajo el título 'JM González Ruiz: La provocación permanente', se reeditan dos de sus libros más significativos de entre sus ensayos sobre Teología del mundo y Teología bíblica. En el primero, prólogo del teólogo M. D. Chenu, se cimenta una Teología del mundo fuera de todo aggiornamento oportunista. Textos influyentes en el documento Gaudium et Spes, Vaticano II. Experto en Pablo sigue, en el segundo, el curso de los Hechos: desarrolla la teología paulina en toda su dinámica evolución

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From the origins of urbanization in Mesopotamia to the global metropolises of today, great cities have marked the development of human civilization. The Great Cities in History tells their stories, from Uruk and Memphis to Tokyo and São Paulo. A galaxy of distinguished contributors evoke the character of each place – its people, its art and architecture, its government – and explain the reasons for its success. Richly illustrated with photographs, paintings, maps and plans, this volume is nothing less that a portrait of world civilization.

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Place of refuge, place where we can be ourselves; place we long to escape from, place where we are confronted by absence and loneliness; shabby downtown apartment or idyllic country cottage. Like it or loathe it, home is where we do most of our living. Home is, of course, many things to many poets. It is Billy Collins's favourite armchair and Imtiaz Dharker's 'Living Space' in the slums of Mumbai. It is Wordsworth's 'dear Valley' of Grasmere, and Philip Larkin's Coventry, that place where nothing so famously happens. It may be somewhere we long for, perhaps unattainably: Ovid and Mahmoud Darwish lament their home countries, Kapka Kassabova seeks 'a house we can never find', while Jules Supervielle is 'Homesick for the Earth'.There is an abundance of domestic life. Attend a miserable breakfast chez Jacques Prévert; observe Wendy Cope and partner happily 'Being Boring'. Cut to Anna Barbauld's washing-day, Marilyn Nelson dusting, Buson mending his clothes and Fiona Wright contending with a Tupperware party. Peep in on Amy Lowell in the bath and John Donne in bed, Auden in the privy and Joy Harjo at the kitchen table. Here are removals and homecomings, neighbours good and bad. Inevitably, after a year of enforced domesticity, some lockdown thoughts (Anna McDonald, Pauline Prior-Pitt); Mary Oliver's dream house, Naomi Shihab Nye's homes where children live, the far-from-safe houses of U. A. Fanthorpe, and some final reflections on the idea of a dwelling place from Rumi, Emily Dickinson, John Burnside, Vinita Agrawal, Derek Walcott, Les Murray and Iman Mersal. It may not always be sweet, but there is certainly No Place Like Home.

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Darkness Will Bind Them watch The Lord of the Rings: The Rings of Power season 2 on Prime VideoThis revised and expanded edition of Tolkien's own Hobbit-inspired poetry includes previously unpublished poems and notes, and is beautifully illustrated by Narnia artist Pauline Baynes.''Tom was here before the river and the trees. He made paths before the Big People and saw the little People arriving. He was here before the Kings and the graves and the Barrow-wights. When the Elves passed westward, Tom was here already'One of the most intriguing characters in The Lord of the Rings, the amusing and enigmatic Tom Bombadil also appears in verses said to have been written by Hobbits and preserved in the Red Book' with stories of Bilbo and Frodo Baggins and their friends.The Adventures of Tom Bombadil collects these and other poems, mainly concerned with legends and jests of the Shire at the end of the Third Age. This special edition has also been expanded to include earlier versions of some poe

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At a time when democracy seems to be in retreat in many parts of the world, Africa presents a more mixed picture. A number of African countries have been convulsed by high-profile crises, while others have quietly continued making progress on the difficult path toward democratic stability. Democratization in Africa: Progress and Retreat brings into focus the complex landscape of African politics by pairing broad analytical surveys with country-specific case studies-most previously published in the Journal of Democracy and all written by prominent Africanists with deep knowledge of the continent and their subject countries. Thematic chapters address some of the major forces working for and against African democracy: the phenomenon of "frontier Africa"; presidentialism; the rise of independent legislatures; the rule of law versus the "big man"; the institutionalization of political power; the decline of military coups; the paradox of growth without prosperity; and the roles of formal and informal institutions. Countries examined include Angola, Botswana, the Democratic Republic of the Congo, Ghana, Kenya, Liberia, Nigeria, Senegal, Sierra Leone, Somaliland, South Africa, Tanzania, Uganda, Zambia, and Zimbabwe. Democratization in Africa: Progress and Retreat is an essential primer for students of African politics and those interested in the future of democracy around the world. Contributors: Kate Baldwin, Joel D. Barkan, Michael Bratton, Michael Chege, John F. Clark, Larry Diamond, Steven Friedman, Kenneth Good, E. Gyimah-Boadi, Barak Hoffman, Richard Joseph, Seth Kaplan, Maina Kiai, Peter Lewis, Eldred Masunungure, Penda Mbow, Andrew M. Mwenda, Dave Peterson, Daniel N. Posner, H. Kwasi Prempeh, Lindsay Robinson, Paula Cristina Roque, Rotimi T. Suberu, Herbert F. Weiss, Christopher Wyrod, Daniel J. Young

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What is the relevance of Dada and its artistic strategies in our current moment, one marked by post-truth politics, information floods and big data? How can contemporary art highlight the neglected nuances of cultural representation in the present day? While it may feel like we are living in a period of anomaly with the rise of the alt-right, this book shows how the Dada movement’s artistic response to the aggressive nationalism and fascism of its time offers a fruitful analogy to our contemporary era. Dada's counter-cultural strategies, such as the distortion of reality and attacks on elites and rationality, have long been endorsed by artistic avantgardes and subcultures. Dada Data details how modern-day movements have appropriated such tactics in their ways of addressing the public both on- and offline. Bringing together contributions from interdisciplinary scholars, curators and artists working in global contexts that explore an array of artistic modes of persuasion and resistance, the book demonstrates how contemporary art can bring out neglected nuances of our post-truth moment. In linking the Dada movement’s counter-cultural activities to modern phenomena such as post-internet art, information floods and big data mining, the book collates original propaganda with diverse artwork from such figures as Hannah Höch, Paula Rego, Tschabalala Self, Sheida Soleimani and South African artists donna Kukama and Kemang Wa Lehulere. In doing so, Dada Data brings together a rich scrapbook of Dada resources and perspectives that are highly relevant to present-day political concerns. With artistic contributions by IOCOSE, donna Kukama, Kemang Wa Lehulere and Montage Mädels.

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At a time when democracy seems to be in retreat in many parts of the world, Africa presents a more mixed picture. A number of African countries have been convulsed by high-profile crises, while others have quietly continued making progress on the difficult path toward democratic stability. Democratization in Africa: Progress and Retreat brings into focus the complex landscape of African politics by pairing broad analytical surveys with country-specific case studies-most previously published in the Journal of Democracy and all written by prominent Africanists with deep knowledge of the continent and their subject countries. Thematic chapters address some of the major forces working for and against African democracy: the phenomenon of "frontier Africa"; presidentialism; the rise of independent legislatures; the rule of law versus the "big man"; the institutionalization of political power; the decline of military coups; the paradox of growth without prosperity; and the roles of formal and informal institutions. Countries examined include Angola, Botswana, the Democratic Republic of the Congo, Ghana, Kenya, Liberia, Nigeria, Senegal, Sierra Leone, Somaliland, South Africa, Tanzania, Uganda, Zambia, and Zimbabwe. Democratization in Africa: Progress and Retreat is an essential primer for students of African politics and those interested in the future of democracy around the world. Contributors: Kate Baldwin, Joel D. Barkan, Michael Bratton, Michael Chege, John F. Clark, Larry Diamond, Steven Friedman, Kenneth Good, E. Gyimah-Boadi, Barak Hoffman, Richard Joseph, Seth Kaplan, Maina Kiai, Peter Lewis, Eldred Masunungure, Penda Mbow, Andrew M. Mwenda, Dave Peterson, Daniel N. Posner, H. Kwasi Prempeh, Lindsay Robinson, Paula Cristina Roque, Rotimi T. Suberu, Herbert F. Weiss, Christopher Wyrod, Daniel J. Young

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The Economists' Voice: Top Economists Take On Today's Problems featured a core collection of accessible, timely essays on the challenges facing today's global markets and financial institutions. The Economists' Voice 2.0: The Financial Crisis, Health Care Reform, and More is the next installment in this popular series, gathering together the strongest essays published in The Economist's Voice, a nonpartisan online journal, so that students and general readers can gain a deeper understanding of the financial developments shaping their world. This collection contains thirty-two essays written by academics, economists, presidential advisors, legal specialists, researchers, consultants, and policy makers. They tackle the plain economics and architecture of health care reform, its implications for society and the future of the health insurance industry, and the value of the health insurance subsidies and exchanges built into the law. They consider the effects of financial regulatory reform, the possibilities for ratings reform, and the issue of limiting bankers' pay. An objective examination of the financial crisis and bank bailouts results in two indispensable essays on investment banking regulation after Bear Stearns and the positives and negatives of the Paulson/Bernanke bailout. Contributors weigh the merits of future rescues and suggest alternative strategies for addressing the next financial crisis. A final section examines a unique array of topics: the stability of pension security bonds; the value of a carbon tax, especially in fostering economic and environmental sustainability; the counterintuitive perils of net neutrality; the unforeseen consequences of government debt; the meaning of the Google book search settlement; and the unexploited possibilities for profit in NFL overtime games.

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"A beautiful, wise book. It deals with the some of the grimmest aspects of human experience, but it is also one of the most genuinely up-lifting works I have read in years. Emma Brockes' superb, clear-eyed narration is an object lesson for any aspiring memoir-writer. She Left Me the Gun deserves to become a classic." Zoe HellerWhen Emma Brockes was ten years old, her mother said 'One day I will tell you the story of my life and you will be amazed.' Growing up in a tranquil English village, Emma knew very little of her mother's life before her. She knew Paula had grown up in South Africa and had seven siblings. She had been told stories about deadly snakes and hailstones the size of golf balls. There was mention, once, of a trial. But most of the past was a mystery. When her mother dies of cancer, Emma - by then a successful journalist at the Guardian - is free to investigate the untold story. Her search begins in the Colindale library but then takes her to South Africa, to the extended family she has never met and their accounts of a childhood so different to her own. She encounters versions of the life her mother chose to leave behind - and realises what a gift her mother gave her.Part investigation, part travelogue, part elegy, She Left Me the Gun is a gripping, funny and clear-eyed account of a writer's search for her mother's story.

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When Marilyn Monroe stepped over a subway grating as The Girl in The Seven Year Itch and let a gust of wind catch the skirt of her pleated white dress, an icon was born. Before that, the actress was mainly known for a nude calendar and one-dimensional, albeit memorable, characters on the screen. Though she again played a "dumb blonde" in this film and was making headlines by revealing her enviable anatomy, the star was now every bit in control of her image, and ready for a personal revolution.Emboldened by her winning fight to land the role of The Girl, the making of The Seven Year Itchand the eighteen months that followed was the period of greatest confidence, liberation, and career success that Monroe lived in her tumultuous life. It was a time in which, among other things, she:* Ended her marriage to Joe DiMaggio and later began a relationship with Arthur Miller* Legally changed her name to Marilyn Monroe, divorcing herself from the troubled past of Norma Jeane* Started her own production company;Studied in private lessons with Lee and Paula Strasberg of the Actors Studio and became a part of the acting revolution of the dayThe ripple effects her personal rebellion had on Hollywood, and in trailblazing the way for women that followed, will both surprise and inspire readers to see the Marilyn Monroe in an entirely new light.

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A novel of love, homelessness, and learning to be fearlessIn the garden, there were three flamingos. Not real flamingos, but real emblems, real gateways to a time when life was impossibly good. They were mascots, symbols of hope. Something for a boy to confide in. First, there were the flamingos. And then there were two families. Sherry and Leslie and their daughters, Rae and Pauline - and Eve and her son Daniel. Sherry loves her husband, Leslie. She also loves Eve. It couldn't have been a happier summer. But then Eve left and everything went grey. Now Daniel is all grown-up and broken. And when he turns up at Sherry's door, it's almost as if they've all come home again. But there's still one missing. Where is Eve? And what, exactly, is her story? FLAMINGO is a novel about the power of love, welcome and acceptance. It's a celebration of kindness, of tenderness. Set in 2018 and the 80s, it's a song for the broken-hearted and the big-hearted, and is, ultimately, a novel grown from gratitude, and a book full of wild hope.Readers love Flamingo:'A world of characters you feel you know and care about . . . The writing is superb and often stopped me in my tracks' ⭐ ⭐ ⭐ ⭐ ⭐'This novel grabs you by the heart and doesn't let go' ⭐ ⭐ ⭐ ⭐ ⭐'I loved this book - the writing is beautiful, it's emotive and the attention to connections, humanity and nature is wonderful' ⭐ ⭐ ⭐ ⭐ ⭐

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La vivienda cooperativa en cesión de uso es un modelo participativo que cuenta con una dilatada trayectoria a través de los años, cuyo grado de innovación y paulatina implantación puede pasar desapercibida. En este libro se presentan los principios que definen el modelo, como son el derecho de uso, la propiedad colectiva y la autopromoción. Se exponen los elementos necesarios para llevar adelante un proyecto de este tipo: el grupo organizado con un proyecto común, la estructura económica, el lugar y la asistencia técnica. Esta edición quiere explorar cómo las cooperativas de vivienda en cesión de uso han sido y son capaces de impulsar vivienda colectiva asequible, con una alta capacidad transformadora, y al margen de las dinámicas especulativas del mercado. El valor de la propuesta radica en que pocas veces un libro para el público general ha abordado tantos aspectos distintos, poniendo en relación experiencias de diferentes países.

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El propósito de este libro es guiar al lector a través del mundo microscópico de las partículas elementales, de sus interacciones fundamentales y de la relación de su estudio con la formación y evolución del cosmos. El carácter de la obra es introductorio, tratando de adoptar un tono divulgador en la medida de lo posible, por lo que el nivel matemático es mínimo. A lo largo del libro, los conocimientos se van introduciendo paulatinamente, de forma que el lector pueda pasar de los primeros ejemplos de partículas elementales hasta las teorías más actuales y sofisticadas, y a los fenómenos físicos más actuales.Para ayudar a la comprensión del texto se han incluido apéndices, cuadros, tablas, bibliografía y un glosario de términos.

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This volume contains the Proceedings of the 23rd Congress of L'Union Europeenne des Arabisants et Islamisants held in Sassari from Thursday 28th of September to Sunday 1st October 2006. The 26 articles contained in the volume, written by specialists from all over Europe (Russia, Finland, Poland, England, France, Italy, Spain, Germany, Portugal, Belgium and the Netherlands), deal with the following subjects: Islam, with contributions by scholars such as Roswitha Badry, Dimitry Frolov, Wilfred Madelung and Giuseppe Scatolin; History, Society and Archaeology, with papers by among others, Giuseppe Contu, Jaakko Hameen-Anttila, Paulina Lewicka and Bernadette Martel-Thoumian; Literature, with papers by, inter alios, Ewa Machut-Mendecka, Barbara Michalak-Pikulska, Arie Schippers, and Krystyna Skarzynska-Bochenska; and Arabic Language and Linguistics, with articles by Lale Behzadi, Michael G. Carter, and Ali Kalati.The central theme focuses on how the characteristics of Islam and Arabism are to be found in the periphery of the Arabic and Islamic world in relation to its center and the interchanges implied by the geographic distance between center and periphery. The University of Sassari was the right ambiance for such a congress since there was in the past some Arabic presence in Sardinia, an island which was itself situated at the borders of the Islamic and Arabic Mediterranean.

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Charlotte Moss encourages readers to bring the garden indoors with ideas for arranging flowers, selecting containers, and placing blossoms around the house. An inviting cluster of blooms on a guest room s bedside table, lavish floral displays for parties and holidays, single stems adding life to any corner of a room Moss has been photographing her flower arrangements for over a decade. This book is a celebration of her artistry and a testament to flowers as part of day-to-day life. From Moss s grander displays in the city to her more informal and breezy creations at her home in the country, as well as in the refined interiors of her clients, the visual result is a chronicle of the myriad ways flowers provide inspiration indoors and out. Readers will be further motivated as Moss describes the contributions of past tastemakers: Gloria Vanderbilt for her ingenious use of floral patterns in her licensed products, Pauline de Rothschild for her fantastic tablescapes, Bunny Mellon for her profusive use of topiaries, Constance Spry for the use of inventive containers and for her groundbreaking artistry, and Lady Bird Johnson for her embrace of the simple, exquisite wildflower. With nature as her muse, Moss implores us to create the backdrop for a life well lived, imbuing every day with flair, beauty, and elegance.

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Some call it the American obsession, but men everywhere recognize the hypnotic allure of a large and shapely breast. In The Big Book of Breasts, Dian Hanson explores the origins of mammary madness through three decades of natural big-breasted nudes. Starting with the World War II Bosom-Mania that spawned Russ Meyer, Howard Hughes’s The Outlaw and Frederick’s of Hollywood, Dian guides you over, around, and in between the dangerous curves of infamous models including Michelle Angelo, Candy Barr, Virginia Bell, Joan Brinkman, Lorraine Burnett, Lisa De Leeuw, Uschi Digard, Candye Kane, Jennie Lee, Sylvia McFarland, Margaret Middleton, Paula Page, June Palmer, Roberta Pedon, Rosina Revelle, Candy Samples, Tempest Storm, Linda West, June Wilkinson, Julie Wills, and dozens more, including Guinness World Record holder Norma Stitz, possessor of the World`s Largest Natural Breasts. The 396 pages of this book contain the most beautiful and provocative photos ever created of these iconic women, plus nine original interviews, including the first with Tempest Storm and Uschi Digard in over a decade, and the last with Candy Barr before her untimely death in 2005. In a world where silicone is now the norm, these spectacular real women stand as testament that nature knows best.

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'What a delight... a fascinating mix of characters whose stories bring to life the Way of Love to which Jesus calls us all.' BISHOP MICHAEL B. CURRY 'A wonderful series of short reflections... easy to read but packed with depth and insight.' PAULA GOODER Martin Luther King famously declared that 'I have decided to stick with love... Hate is too great a burden to bear'. In these luminous daily readings, Arun Arora helps us consider the biblical picture of the Church as the people of God, drawn from every tribe, every tongue and every nation. Themes of racial justice, hospitality and welcome are explored alongside the stories of saints from across the globe. Beginning with reflections from Isaiah and Revelation, the meditations lead us on to consider the missionaries, martyrs and mystics who light our Advent way. 'Beautifully embodies the new community that Jesus both offers and energises.' DAVID WILKINSON 'Like spending an afternoon with Bishop Arun at the pub... brimming with Advent hope.' JAYNE MANFREDI 'Leads us through Advent with [Bishop Arun's] characteristic wisdom and insight.' GILES FRASER 'Gathers the beautifully diverse family of faith around the table... as we prepare for the great feast that is to come.' KATE BOTTLEY

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Dream journals are a surprisingly powerful resource for psychological and spiritual discovery. Contemporary dream science has shown that, as much as we can learn from single dreams, far more information can be derived from analyzing a series of dreams over time. Many have intuitively understood this point, and carefully recorded their dreams for years, even decades, drawing profound guidance from the patterns they discovered. The Scribes of Sleep is the first book to gather historical and cross-cultural evidence showing the value of dream journals as potent sources of healing, religious experience, and metaphysical insight. Dream researcher Kelly Bulkeley profiles seven remarkable people who kept dream journals: Aelius Aristides, Myoe Shonin, Lucrecia de León, Emanuel Swedenborg, Benjamin Banneker, Anna Bonus Kingsford, and Wolfgang Pauli. Because dreams are so complex and multi-faceted, especially when viewed in a series, Bulkeley employs an interdisciplinary approach to shed light on their meanings, drawing on data science, depth psychology, and religious studies. As the findings of these different methods are woven together and they begin to illuminate each other, it becomes clear that the practice of keeping a dream journal stimulates several specific qualities of religiosity, prompting the dreamers to move in more individualist, mystical, and pluralistic directions-towards becoming a free spirit.

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Le present volume reunit sur le theme des langues et des cultures de l'Afrique actuelle et passee, un ensemble de contributions originales, offertes en hommage a France Cloarec-Heiss, linguiste, africaniste, ancien directeur du LLACAN ("Langage, Langues et cultures d'Afrique Noire").Vingt-sept articles s'articulent en quatre sections:1. A propos du bandaMusique (Sylvie Le Bomin), emprunts lexicaux (Yves Monino, Guillaume Segerer), morphologie des personnels (Konstantin Pozdniakov).2. Outils et methodeOutils informatiques (Christian Chanard & Jeanne Zerner), methodologie de l'enquete (Stephane Robert).3. Langue, culture, histoireTermes d'adresse en kasim (Emilio Bonvini), expression de l'esthetique en dioula (Jean Derive), terminologie grammaticale en afar (Didier Morin), rapports oral/ecrit en ancien egyptien (Elsa Oreal) et en zoulou (Alain Ricard), devinettes gbaya (Paulette Roulon-Doko), mythe d'origine tupuri (Suzanne Ruelland), prone religieux peul (Christiane Seydou), glissements semantiques en afro-asiatique (Marie-Claude Simeone-Senelle), histoire et critique des sources a propos du kotoko (Henry Tourneux).4. Linguistique descriptiveDefense et illustration de la description (Raymond Boyd), logophorique yakoma (Pascal Boyeldieu), notes linguistiques luri (Bernard Caron) et mankon (Jacqueline Leroy), adjectif sango (Marcel Didi-Kidiri), homonymie syntaxique en bambara (Gerard Dumestre), relatives et "tu" generique en samba leko (Gwenaelle Fabre), verbe bongo (Pierre Nougayrol) et ikwere (Sylvester Osu), decryptage lexical en meroitique (Claude Rilly), phonetique et phonologie du bedja (Martine Vanhove).Au-dela de leur variete thematique, ces travaux manifeste un meme interet pour la langue, moyen d'echange, marque d'identite et mode d'expression de cultures specifiques. Comme tels, ils portent temoignage d'une tradition de la recherche africaniste qui voit dans l'approche de terrain le fondement indispensable de ses analyses.

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Discover the work of female artists who have made their mark on the art world. Women&;s Art Work introduces readers to the lives and work of the world&;s most renowned artists. With a foreword from Tate&;s first female director, Maria Balshaw, this collection celebrates the creativity of women in more than 30 biographies, investigating their practices and exploring their contributions to the art world. Readers will learn about a diverse group of innovators like Frida Kahlo, Cindy Sherman, Ana Mendieta, Lubaina Himid, Cao Fei, and the Guerrilla Girls. From early pioneers to today&;s most radical creators, these women have overcome obstacles, broken boundaries, and enriched our understanding of what art is and can be. With a glossary of art terms, a timeline of major milestones, and educational sidebars, this highly illustrated book is perfect for any art lover. Additionally, it features original interviews with living artists&;including Yayoi Kusama, Lorna Simpson, and Rachel Whiteread. Featured artists include: - Eileen Agar - Anni Albers - Louise Bourgeois - Sonia Boyce - Claude Cahun - Judy Chicago - Tacita Dean - Tracey Emin - Cao Fei - Simryn Gill - Guerrilla Girls - Natalia Goncharova - Anthea Hamilton - Barbara Hepworth - Lubaina Himid - Gwen John - Joan Jonas - Frida Kahlo - Yayoi Kusama - Agnes Martin - Ana Mendieta - Berthe Morisot - Georgia O'Keeffe - Paula Rego - Bridget Riley - Doris Salcedo - Cindy Sherman - Lorna Simpson - Dayanita Singh - Gillian Wearing - Rachel Whiteread - Lynette Yiadom-Boakye - Fahrelnissa Zeid

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Cutting-edge application of the insights of Disability Studies to the German cultural field. Established, commissioned, and edited by the Department of German at the University of Edinburgh, Edinburgh German Yearbook encourages and disseminates lively and open discussion of themes pertinent to German Studies. No other yearbook covers the entire field while addressing a focused theme in each issue. Volume 4 focuses on disability in German literature, film, and theater. Disability Studies is part of the broader discussion of difference and "otherness," of the politics of identity, human rights, ethics, and discrimination. It retrieves disabled figures from literature, film, and theater and discusses them vis-à-vis "normalcy." Recently, Disability Studies has explored the binary of "able" and "disabled," strategies of exclusion, and the marginalization and suffering of the disabled body under social and medical structures of control. It is now entering a phase of positive reflection addressing the ontological politics of disability. Accordingly, this volume examines cultural representations of disability that raise questions about "the humane gaze" and posits disability as historically central to discussions of humanity, modernity, and social and moral behavior in German-language literature, film, and theater. Points of focus include blindness, physical deformity, injury, illness, and euthanasia. Contributors: Martin Brady, Pauline Eyre, Corinna Häger, Karin Harrasser, Urte Helduser, Eleoma Joshua, Susanne C. Knittel, Anna Kornbrodt, Siegfried Saerberg, Rosa Schneider. Eleoma Joshua is Lecturer in German Studies at the University of Edinburgh,UK. Michael Schillmeier lectures in the Department of Sociology at the Ludwig-Maximilians-University, Munich.

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The visionary masterpiece, tracing a riverboat crew's dreamlike jungle voyage ...'My new all time favourite book ... A magnificent, breathtaking and terrifying novel.' Tsitsi Dangarembga'An exhilarating experience ... Makes visions real and reality visions ... Genius.' Jamaica Kincaid'A masterpiece: I love this book for its language, adventure and wisdoms.' Monique Roffey'Revel in the inviolate, ever-deepening mystery of Wilson Harris's work.' Jeet Thayil'The Guyanese William Blake . Such poetic intensity.' Angela CarterI dreamt I awoke with one dead seeing eye and one living closed eye ...A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Their domineering leader, Donne, is the spirit of a conquistador, obsessed with hunting for a mysterious woman and exploiting indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior - their own hearts of darkness - deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock ... A modernist fever dream; prose poem; modern myth; elegy to victims of colonial conquest: Wilson Harris' masterpiece has defied definition for over sixty years, and is reissued for a new generation of readers.'One of the great originals ... Visionary ... Dazzlingly illuminating.' Guardian'Amazing ... Masterly ... Near-miraculous.' Observer'Staggering ... Both brilliant and terrifying.' The Times'The most inimitable [writer] produced in the English-speaking Caribbean.' Fred D'Aguiar'Extraordinary ... Courageous and visionary ... It speaks to us in tongues.' Pauline Melville

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New perspectives on humor within photography Despite the ubiquitous presence of photographic humor in art and popular media, the phenomenon has as yet received very little scholarly attention. Focusing on staged humor rather than on comic effects of snapshot photography, this volume brings together leading scholars in the field addressing humor performed in front of the camera, often specifically created for the camera, and the performative joke-work done by the medium itself. A first section explores how photography, due to its “shattering” qualities, turns into a privileged medium for eliciting humorous effects and how humor can be discerned within the photographic event. A second section discusses the toolbox of photographic trickery (photomontage, double exposure and cinematic movement) that allows photography to mock itself. The book closes with a section on photographic wit in conceptual art, both in canonized and more locally distinct practices. With artists’ pages from Paulien Oltheten, Lieven Segers and David HelbichThis publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).Contributors: Kevin Atherton (National College of Art and Design, Dublin), Anna Corrigan and Susana S. Martins (Universidade NOVA de Lisboa), Hilde D’haeyere (KASK School of Arts of University College Ghent), Heather Diack (University of Miami), Louis Kaplan (University of Toronto), Ann Kristin Krahn (Braunschweig University of the Arts), Sandra Križić Roban (Institute of Art History, Zagreb), Esther Leslie (Birkbeck University of London), Johan Pas (Royal Academy of Fine Arts, Antwerp), Katarzyna Ruchel-Stockmans (Vrije Universiteit Brussel)

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Republished for the first time in nearly 95 years, a classic winter country house mystery by the founder of the Detection Club, with a twist that even Agatha Christie couldn’t solve! Stephen Munro, a demobbed army officer, reconciles himself to taking a job as a footman to make ends meet. Employed at Wintringham Hall, the delightful but decaying Sussex country residence of the elderly Lady Susan Carey, his first task entails welcoming her eccentric guests to a weekend house-party, at which her bombastic nephew – who recognises Stephen from his former life – decides that an after-dinner séance would be more entertaining than bridge. Then Cicely disappears! With Lady Susan reluctant to call the police about what is presumably a childish prank, Stephen and the plucky Pauline Mainwaring take it upon themselves to investigate. But then a suspicious death turns the game into an altogether more serious affair… This classic winter mystery incorporates all the trappings of the Golden Age – a rambling country house, a séance, a murder, a room locked on the inside, with servants, suspects and alibis, a romance – and an ingenious puzzle. First published as a 30-part newspaper serial in 1926 – the year The Murder of Roger Ackroyd was published, The Wintringham Mystery was written by Anthony Berkeley, founder of the famous Detection Club. Also known as Cicely Disappears, the Daily Mirror ran the story as a competition with a prize of £500 (equivalent to £30,000 today) for anyone who guessed the solution correctly. Nobody did – even Agatha Christie entered and couldn’t solve it. Can you?

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` Compiled with great care, cautious in its claims and rich with suggestions for further scholarship; will be of great value to lexicographers and all students of medieval medicine and botany.' PAULINE THOMPSON, NOTES AND QUERIES `...compiled with great care, cautious in its claims and rich with suggestions for further scholarship...' NOTES AND QUERIES The first reference work on the botanical language of the English middle ages to appear inprint. Covering approximately 1800 names, applied to some six hundred species, and including over five hundred names not recorded in the OED, it is an indispensable reference work and a comprehensive guide to the bibliography of the subject. Lexicologistswill find a wealth of new material.

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More than two dozen stories of Indigenous resistance to the privatization and allotment of Indigenous lands Land privatization has been a longstanding and ongoing settler colonial process separating Indigenous peoples from their traditional homelands, with devastating consequences. Allotment Stories delves into this conflict, creating a complex conversation out of narratives of Indigenous communities resisting allotment and other dispossessive land schemes.From the use of homesteading by nineteenth-century Anishinaabe women to maintain their independence to the role that roads have played in expropriating Guam’s Indigenous heritage to the links between land loss and genocide in California, Allotment Stories collects more than two dozen chronicles of white imperialism and Indigenous resistance. Ranging from the historical to the contemporary and grappling with Indigenous land struggles around the globe, these narratives showcase both scholarly and creative forms of expression, constructing a multifaceted book of diverse disciplinary perspectives. Allotment Stories highlights how Indigenous peoples have consistently used creativity to sustain collective ties, kinship relations, and cultural commitments in the face of privatization. At once informing readers while provoking them toward further research into Indigenous resilience, this collection pieces back together some of what the forces of allotment have tried to tear apart.Contributors: Jennifer Adese, U of Toronto Mississauga; Megan Baker, U of California, Los Angeles; William Bauer Jr., U of Nevada, Las Vegas; Christine Taitano DeLisle, U of Minnesota–Twin Cities; Vicente M. Diaz, U of Minnesota–Twin Cities; Sarah Biscarra Dilley, U of California, Davis; Marilyn Dumont, U of Alberta; Munir Fakher Eldin, Birzeit U, Palestine; Nick Estes, U of New Mexico; Pauliina Feodoroff; Susan E. Gray, Arizona State U; J. Kēhaulani Kauanui, Wesleyan U; Rauna Kuokkanen, U of Lapland and U of Toronto; Sheryl R. Lightfoot, U of British Columbia; Kelly McDonough, U of Texas at Austin; Ruby Hansen Murray; Tero Mustonen, U of Eastern Finland; Darren O’Toole, U of Ottawa; Shiri Pasternak, Ryerson U; Dione Payne, Te Whare Wānaka o Aoraki–Lincoln U; Joseph M. Pierce, Stony Brook U; Khal Schneider, California State U, Sacramento; Argelia Segovia Liga, Colegio de Michoacán; Leanne Betasamosake Simpson; Jameson R. Sweet, Rutgers U; Michael P. Taylor, Brigham Young U; Candessa Tehee, Northeastern State U; Benjamin Hugh Velaise, Google American Indian Network.

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The most wanted, the most feared, the most hated, the most powerful job in journalism: being a reviewer means writing about something you love and getting paid for it. So for a lot of people it's the No 1 dream job in the media. Whether your passion is film, music, books, visual arts or the stage, you can get closer to it as a reviewer and establish a career in one of the most influential roles open to a writer. Get the edge on the competition with a book that's a treasure trove of wisdom, experience and downright cunning, passed on by the best critics writing today. A great review will be read by millions, and writing it calls for a high degree of skill. Based on a lifelong passion, packed into a few hundred words and often written in less than an hour, a review makes heavy demands on writer's technique and experience. This book explains how to seize your readers' attention and how to be witty always, fascinating most of the time and bitchy when you need to be. Reviews from classic writers like Pauline Kael or Kenneth Tynan are contrasted with today's hot names including Mark Kermode and Stewart Maconie. We look back at the history of the critic and some of the groundbreaking groups who have shaped our culture, including Dorothy Parker and the Algonquin Round Table, the French New Wave directors who founded Les Cahiers du Cinema and London's celebrated Modern Review, founded by Julie Burchill, Toby Young and Cosmo Landesman.

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The Von Bock memoirs, which appear here for the first time, allow the reader to see the entire drama of the Second World War through the eyes of one of Germany's most important military commanders. After the attacks on Poland and Western Europe, campaigns he helped bring to a succesful conclusion, von Bock became Commander-in-Chief of Army Group Center which carried out the main drive on Moscow during Operation Barbarossa and brought the Red Army to the verge of collapse in the great battles of encirclement. Hitler relieved von Bock when the German offensive bogged down during the winter of 1941/1942. After he returned as Commander-in-Chief of Army Group South, von Bock was eventually placed in temporary retirement when he critized Hitler's division of forces against Stalingrad and the Caucasus-the road to castrophe began. Army commanders like Hoth, Guderian, Kluge and Paulus served under Generalfeldmarschall Fedor von Bock, while at his side stood his nephew Henning von Tresckow, who led the most active resistance movement against Hitler, and Carl-Hans von Hardenberg, a friend and advisor of Stauffenberg. Their efforts to win over von Bock failed, yet the Generalfeldmarschall tolerated the pronounced resistance sentiments among his staff, and even became privy to the attempted assissination of Hitler on July 20, 1944. This book allows us to reassess Fedor von Bock, whose complex personality is revealed by his diary entries, and by the biographical sketches by editor Klaus Gerbet.

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A heartbreaking story of love and loss, based on a true story OVER ONE MILLION COPIES SOLDTHE NO.1 NEW YORK TIMES BESTSELLERWINNER OF GOODREADS CHOICE AWARDS 2017 BEST HISTORICAL FICTION AWARD***************************Memphis, Tennessee, 1939Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family's Mississippi River shantyboat. But when their father must rush their mother to the hospital one stormy night, Rill is left in charge, until strangers arrive in force. Wrenched from all that is familiar and thrown into a Tennessee Children's Home Society orphanage, the Foss children are assured that they will soon be returned to their parents - but they quickly realize the dark truth...Aiken, South Carolina, present dayBorn into wealth and privilege, Avery Stafford seems to have it all: a successful career, a handsome fiancé, and a lavish wedding on the horizon. But when Avery returns home to help her father weather a health crisis, a chance encounter leaves her with uncomfortable questions and compels her to take a journey through her family's long-hidden history, on a path that will ultimately lead either to devastation or to redemption.*********************Based on one of America's most notorious real-life scandals, in which Georgia Tann, director of a Memphis-based adoption organization, kidnapped and sold poor children to wealthy families all over the country, Before We Were Yours is a riveting, wrenching and ultimately uplifting global bestseller. 'A tale of enduring power' Paula McLain'It is impossible not to get swept up in this near-perfect novel' Huffington Post

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Guest-edited by Owen Hopkins Multispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office and in a meeting with 20 people; when we are cycling down a country lane whilst racing against thousands of others who also use the Strava app; when we are watching a TV show while live tweeting; or, perhaps most literally, when wandering around the local park looking for creatures that only appear on a smartphone screen. A fundamental question of this AD is why the phenomena that multispace describes are of concern to architects. The answer is that multispace points to a situation that is at root an architectural one. Offering both a collective and highly personalised experience, static and dynamically customisable, and above all at the same time public and private, multispace lies at the centre of a set of tensions, concerns and preoccupations at the core of our conception of architecture as theory and practice. It is the messy space between, with rough and uneven edges that are constantly shifting. Contributors: Aleksandra Belitskaja, Alice Bucknell, Jesse Damiani, Wendy Fok, Andrew Kovacs, Lara Lesmes and Fredrik Hellberg, Micaela Mantegna, Holly Nielsen, Giacomo Pala, Paula Strunden, Lucia Tahan, and Francesca Torello and Joshua Bard. Featured architects and artists: iheartblob, Ibiye Campis, Office Kovacs, Space Popular and Liam Young.

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'As hypnotic as an opium dream and pretty unputdownable' Daily MailIn September 1838 a storm blows up on the Indian Ocean and the Ibis, a ship carrying a consignment of convicts and indentured laborers from Calcutta to Mauritius, is caught up in the whirlwind. When the seas settle, five men have disappeared - two lascars, two convicts and one of the passengers. Did the same storm upend the fortunes of those aboard the Anahita, an opium carrier heading towards Canton? And what fate befell those aboard the Redruth, a sturdy two-masted brig heading East out of Cornwall? Was it the storm that altered their course or were the destinies of these passengers at the mercy of even more powerful forces?On the grand scale of an historical epic, River of Smoke follows its storm-tossed characters to the crowded harbors of China. There, despite efforts of the emperor to stop them, ships from Europe and India exchange their cargoes of opium for boxes of tea, silk, porcelain and silver. Among them are Bahram Modi, a wealthy Parsi opium merchant out of Bombay, his estranged half-Chinese son Ah Fatt, the orphaned Paulette and a motley collection of others whose pursuit of romance, riches and a legendary rare flower have thrown together. All struggle to cope with their losses - and for some, unimaginable freedoms - in the alleys and crowded waterways of 19th century Canton. As transporting and mesmerizing as an opiate induced dream, River of Smoke will soon be heralded as a masterpiece of twenty-first century literature.

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A NEW YORK TIMES BESTSELLER 'Powerful and provocative' Paula McLain'Beautiful, engrossing, heart-breaking' Rachel Rhys'Monumental in a way that few novels dare attempt' Washington Post The Miltons are a powerful old New York family - the kind of family that used to run the world. And in 1935, they still do. Kitty and Ogden Milton seem to have it all: an elegant apartment on the Upper East Side, two beautiful little boys, a love everyone envies. When a tragedy befalls them, Ogden comforts Kitty the only way he knows how - they go sailing, picnic on a small island off the coast of Maine, and buy it. For generations the Miltons of Crockett Island revel in a place that is entirely their own. But it's 1959, and the world is changing: Ogden's firm hire a Jewish man, Len Levy, who earns the admiration of not only his boss, but his boss's beautiful young daughter. When Len and his friend visit the island, the Milton's principles and prejudices are challenged like never before. At the dawn of the 21st century, the family money has run dry, and the island is up for sale. Returning for one last visit, Kitty's granddaughter uncovers disturbing evidence about her family's wealth - and realizes she is on the verge of finally understanding the silences that seemed to hover just below the surface of her family all her life.'Thought-provoking and propulsive...Welcome to old money, new heartbreak and big secrets' New York Times Book Review

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From journalist Michelle Dean, winner of the National Book Critics Circle's 2016 Nona Balakian Citation for Excellence in Reviewing, Sharp combines biography, original research, and critical reading into a powerful portrait of ten writers who managed to make their voices heard amidst a climate of sexism and nepotism, from the 1920s to the 1990s.Dorothy Parker, Rebecca West, Mary McCarthy, Hannah Arendt, Susan Sontag, Joan Didion, Janet Malcolm, Renata Adler, Pauline Kael, and Nora Ephron-these are the main characters of Sharp. Their lives intertwine. They enable each other and feud, manufacture unique spaces and voices, and haunt each other. They form a group united in many ways, but especially by what Dean terms as 'sharpness', the ability to cut to the quick with precision of thought and wit, a claiming of power through writing rather than position. Sharp is a vibrant and rich depiction of the intellectual beau monde of New York, where gossip-filled parties at night gave out to literary slanging-matches in the pages of publications like the Partisan Review or the New York Review of Books, as well as a carefully considered portrayal of the rise of feminism and its interaction with the critical establishment.Sharp is for book lovers who want to read about their favorite writers, lovers of New Yorker lore, aspiring writers in New York, those interested in the history of ideas, and of the fray of 20th century debate-and it will satisfy them all.

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Throughout his international career spanning more than thirty years, artist and writer David Batchelor has long been preoccupied with colour. ‘Colour is not just a feature of [my] sculpture or painting,’ he notes, ‘but its central and overriding subject.’ This new publication is devoted to an ongoing series of sculptures titled Concretos. First made in 2011, Concretos combine concrete with a variety of brightly coloured – and often found – materials.The publication features a text by Batchelor charting the origins and development of Concretos. He reveals that the first Concreto was made after encountering coloured glass shards embedded in a concrete wall in the back streets of Palermo. Over time these Concretos, their title a nod to the Latin American art movement to which Batchelor’s work is much indebted, have become more complex adventures in layering, pattern and process. Elements such as acrylic plastic, spray and household gloss paint, steel, fabric and found objects all find themselves set in a concrete base. The most recent works, titled Extra-Concretos (2019–) retain much of the simplicity of the early pieces while working on a much larger scale.In an essay commissioned for the publication, curator Eleanor Nairne considers Concretos in light of their material possibilities. Nairne’s vivid text draws connections between the sculptures and a wide range of art historical and literary references. Some of the playful and sensual characteristics of Batchelor’s artistic vocabulary are considered in relation to floral bouquets, sewing-machines, ice cream and poetry.Architectural historian Adrian Forty’s essay discusses concrete’s physical qualities and relationship with modernity. He notes that the imperfect nature and apparent neutrality of the material is key to its enduring place within architecture, design and in Batchelor’s case, contemporary sculpture. ‘In the Concretos,’ asserts Forty, ‘concrete plays a necessary part in allowing colour to be itself. Present, but at the same time part of the barely noticed, half-invisible infrastructure of the city, concrete’s very neutrality performs an unexpectedly active part in these works.’The publication is edited by David Batchelor and Matt Price, designed by Hyperkit, printed by Park, London, and published by Anomie, London. The publication coincides with the first large-scale survey exhibition of Batchelor’s work taking place at Compton Verney, Warwickshire in 2022. The publication has been supported by Goldsmiths’ College, University of London, and Arts Council England.David Batchelor was born in Dundee in 1955 and lives and works in London. In 2013, a major solo exhibition of Batchelor’s two-dimensional work, ‘Flatlands’, was displayed at Fruitmarket Gallery, Edinburgh and toured to Spike Island, Bristol. Batchelor’s work was included in the landmark group exhibition ‘Adventures of the Black Square: Abstract Art and Society 1915–2015’ at Whitechapel Gallery, London. ‘My Own Private Bauhaus’, a solo exhibition of sculptures and paintings by Batchelor was presented by Ingleby Gallery during the Edinburgh Art Festival, 2019. Between 2017 and 2020 a large-scale work by Batchelor was displayed in the collection of Tate Modern. He is represented by Ingleby Gallery, Edinburgh, and Galeria Leme, São Paulo. Batchelor’s portfolio also includes a number of major temporary and permanent artworks in the public realm including a chromatic clock titled ‘Sixty Minute Spectrum’ installed in the roof of the Hayward Gallery, London.‘Chromophobia’, Batchelor’s book on colour and the fear of colour in the West, was published by Reaktion Books (2000), and is now available in ten languages. His more recent book, 'The Luminous and the Grey' (2014), is also published by Reaktion. In 2008 he was commissioned to edit ‘Colour’ an anthology of writings on colour from 1850 to the present published by Whitechapel/MIT Press.

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El reconocimiento científico del paradigma cuerpomente y sus implicaciones para una salud integral ha sido paulatino y constante desde mediados del pasado siglo, cuando bailarinas como Marian Chace o Mary Whitehouse empezaron a preguntarse cuáles eran los motivos por los que personas que no pensaban dedicarse a la danza profesional asistían a sus clases. Hoy en día no podemos descartar el cuerpo como fuente de información y curación y como lugar de manifestación de la enfermedad, tanto física como psíquica. Nuestras posturas y movimientos, el modo en que ocupamos el espacio, nos hablan analógica y simbólicamente de tensiones, emociones, relaciones con los otros e historias de vida. La vida es danza es probablemente la más rigurosa y completa presentación en lengua castellana de la Danza Movimiento Terapia, una profesión interdisciplinaria emergente que ha evolucionado a partir de una síntesis entre el arte del movimiento y la danza y la psicología. Una disciplina que puede intervenir e

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Por el olvido es un laberinto. Un laberinto donde la amistad, la muerte y el amor se cruzan. Es también una historia sobre niños perdidos que buscan el camino a casa, o la dirección contraria, siguiendo el reguero de migas de pan que les dejó la literatura. Y es el libro no escrito sobre uno de esos autores que devoran, Roberto Bolaño, y sobre cómo su poesía y sus novelas nos llevan a un lugar mucho más lejos del punto de partida. Un lugar del que seguramente ya no regresemos, porque hay caminos que al recorrerlos es imposible desandar: la muerte de un amigo, visitar el infierno, seguir la pista a unos poetas desaparecidos o buscar, como decía el propio Bolaño, la juventud perdida y el amor.---Que terminaría haciendo algo con Paula Bonet era inevitable y solo cuestión de tiempo. Cuando digo ?algo? es porque podría haber sido cualquier cosa: irnos a vivir a Chile, dejarlo todo y dedicarnos solo a pintar cuadros que nadie nunca compraría, perdernos en un bosque en mit

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'An excellent book' Guardian'Compelling' IndependentThe vibrantly fresh and lustrous stories in Miller's collection explore the multifaceted lives of women in seven arresting portraits. Modern and diverse, these women of different classes and ages struggle with sexuality, fate, motherhood, infidelity, desperation, and an overriding will to survive. We meet Greta, a cookbook editor who is chosen by Tavi, the hottest writer of his generation, to edit his new book; Paula, a pregnant twenty-one-year-old, who is on the run; Delia, an abused working-class wife who goes into hiding with her children; and Louisa, a painter who moves rapidly from one lover to the next, acting out a self-perpetuating drama over which she has no control. Edgy, fearless, and beautifully spare, Personal Velocity is a superb collection from one of the best writers in contemporary fiction.

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In Black Trans Feminism Marquis Bey offers a meditation on blackness and gender nonnormativity in ways that recalibrate traditional understandings of each. Theorizing black trans feminism from the vantages of abolition and gender radicality, Bey articulates blackness as a mutiny against racializing categorizations; transness as a nonpredetermined, wayward, and deregulated movement that works toward gender’s destruction; and black feminism as an epistemological method to fracture hegemonic modes of racialized gender. In readings of the essays, interviews, and poems of Alexis Pauline Gumbs, jayy dodd, and Venus Di’Khadijah Selenite, Bey turns black trans feminism away from a politics of gendered embodiment and toward a conception of it as a politics grounded in fugitivity and the subversion of power. Together, blackness and transness actualize themselves as on the run from gender. In this way, Bey presents black trans feminism as a mode of enacting the wholesale dismantling of the world we have been given.

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