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“Mango is as delightful as her middle name indicates, and middle-grade readers will easily recognize their own experiences in her friendship struggles.” —Booklist (starred review) What happens when your BFF becomes your EFF . . . EX-Friend-Forever? When seventh-grader Mango Delight Fuller accidentally breaks her BFF Brooklyn’s new cell phone, her life falls apart. She loses her friends and her spot on the track team, and even costs her father his job as a chef. But Brooklyn’s planned revenge—sneakily signing up Mango to audition for the school musical—backfires when Mango not only wins the lead role, but becomes a YouTube sensation and attracts the attention of the school’s queen bee, Hailey Jo. Hailey Jo is from a VERY wealthy family, and expects everyone to do her bidding. Soon Mango finds herself forced to make tough choices about the kind of friend she wants to have . . . and, just as important, the kind of friend she wants to be. *“Hyman marries traditional tween elements with a fresh and original plot, and his multicultural cast sparkles with individuality and authenticity. . . . Hyman’s supporting characters, both kids and adults, are vivid and dynamic. Mango is as delightful as her middle name indicates, and middle-grade readers will easily recognize their own experiences in her friendship struggles. This is Hyman’s first novel; here’s hoping it’s not his last.” —Booklist (Starred review)“[T]he characters . . . are deftly crafted, and their relationships play out in ways that carefully avoid cliché. . . . Mango’s supportive family is also well drawn, particularly her comforting Jamaican immigrant father and her no-nonsense, former athlete African-American mom, who’s a loving but demanding figure. Kids who’d settle for making it through middle school unscathed but still dream of shining in it will find a kindred spirit in Mango.” — Bulletin of the Center for Children’s Books

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NEW YORK TIMES BESTSELLER • This cookbook has 101 delicious recipes for home chefs of all abilities.My name is Alton Brown, and I wrote this book. It’s my first in a few years because I’ve been a little busy with TV stuff and interwebs stuff and live stage show stuff. Sure, I’ve been cooking, but it’s been mostly to feed myself and people in my immediate vicinity—which is really what a cook is supposed to do, right? Well, one day I was sitting around trying to organize my recipes, and I realized that I should put them into a personal collection. One thing led to another, and here’s EveryDayCook. There’s still plenty of science and hopefully some humor in here (my agent says that’s my “wheelhouse”), but unlike in my other books, a lot of attention went into the photos, which were all taken on my iPhone (take that, Instagram) and are suitable for framing. As for the recipes, which are arranged by time of day, they’re pretty darned tasty. Highlights include: • Morning: Buttermilk Lassi, Overnight Coconut Oats, Nitrous Pancakes • Coffee Break: Cold Brew Coffee, Lacquered Bacon, Seedy Date Bars • Noon: Smoky the Meat Loaf, Grilled Cheese Grilled Sandwich, “EnchiLasagna” or “Lasagnalada” • Afternoon: Green Grape Cobbler, Crispy Chickpeas, Savory Greek Yogurt Dip • Evening: Bad Day Bitter Martini, Mussels-O-Miso, Garam Masalmon Steaks • Anytime: The General’s Fried Chicken, Roasted Chile Salsa, Peach Punch Pops • Later: Cider House Fondue, Open Sesame Noodles, Chocapocalypse Cookie So let’s review: 101 recipes with mouthwatering photos, a plethora of useful insights on methods, tools, and ingredients all written by an “award-winning and influential educator and tastemaker.” That last part is from the PR office. Real people don’t talk like that.

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When Abraham Lincoln called for 300,000 volunteers to fortify Union forces in July 1862, George and Lycurgus Remley enlisted to serve God and country—and for them, this phrase had real meaning. When their native Virginia had become a hostile environment for men speaking out against the evils of slavery, the Remley family had taken refuge in the Midwest. Answering the call of their president and their consciences, the two brothers joined the 22nd Iowa Infantry. This poignant collection of their letters to and from home sharply portrays the human costs of the Civil War. The Remley brothers saw action in an unusually wide geographic area, from Missouri to Louisiana, as their regiment fought the battles of Port Gibson and Champion Hill, laid siege to Vicksburg and Jackson, and took part in Major General Sheridan's Shenandoah Valley Campaign. Along the way, George and Lycurgus witnessed battle scenes, border warfare, bushwhacking, and guerrilla encounters—all of which they graphically described in letters home. Physical hardships were matched, the brothers felt, by spiritual hardships. Even before the Civil War began, they knew that their abolitionist convictions would require personal sacrifice. When the family moved from Virginia to the free soil of Iowa, Lycurgus remained behind to finish school. He was soon expelled, however, for asserting his own abolitionist views and was forced to follow his family north. Ready to fight for their beliefs, he and George proudly joined the Union ranks with Bibles in hand. As they traveled throughout the country, Lycurgus, still outspoken, distributed New Testaments among his comrades. A close fraternal bond carried the Remleys through the tedium of camp life and the intensity of battle. George and Lycurgus wrote as distinct individuals; and this fascinating collection of their letters offers dueling impressions of the same events. But when sudden illness and death left one brother alone, he courageously continued to fight not only for God and country but also for his fallen brother and comrade.

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The Hudson River Valley was the first iconic American landscape. Beginning as early as the 1820s, artists and writers found new ways of thinking about the human relationship with the natural world along the Hudson. Here, amid the most dramatic river and mountain scenery in the eastern United States, Washington Irving and James Fenimore Cooper created a distinctly American literature, grounded in folklore and history, that contributed to the emergence of a sense of place in the valley. Painters, led by Thomas Cole, founded the Hudson River School, widely recognized as the first truly national style of art. As the century advanced and as landscape and history became increasingly intertwined in the national consciousness, an aesthetic identity took shape in the region through literature, art, memory, and folklore—even gardens and domestic architecture. In Sanctified Landscape, David Schuyler recounts this story of America’s idealization of the Hudson Valley during the nineteenth and early twentieth centuries. Schuyler’s story unfolds during a time of great change in American history. At the very moment when artists and writers were exploring the aesthetic potential of the Hudson Valley, the transportation revolution and the rise of industrial capitalism were transforming the region. The first generation of American tourists traveled from New York City to Cozzens Hotel and the Catskill Mountain House in search of the picturesque. Those who could afford to live some distance from jobs in the city built suburban homes or country estates. Given these momentous changes, it is not surprising that historic preservation emerged in the Hudson Valley: the first building in the United States preserved for its historic significance is Washington’s Headquarters in Newburgh. Schuyler also finds the seeds of the modern environmental movement in the transformation of the Hudson Valley landscape. Richly illustrated and compellingly written, Sanctified Landscape makes for rewarding reading. Schuyler expertly ties local history to national developments, revealing why the Hudson River Valley was so important to nineteenth-century Americans—and why it is still beloved today.

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Most books of Anglesey's history show the island's ancient monuments, its castles and churches. However, this book of over 180 old photographs, reveals a more recent past when the romantic pictures produced by the engravers had been replaced by the more realistic images of the photographers. Their cameras captured the instant moment and those everyday events that historians rarely record. We see children running to hear the organ grinder, a band playing at an eisteddfod, an open-air revivalist preacher, sea captains and crews, threshing machines and all the fun of Ffair y Borth. Some will still remember these days, but to a younger generation these pictures will bring the past alive. By understanding yesterday, they will be better able to understand the island and its culture today. Ymae'r rhan fwyaf o lyfrau hanes am Ynys Môn yn dangos henebion, cestyll ac eglwysi'r ynys. Mae'r llyfr hwn, fodd bynnag, yn datgelu cyfnod mwy diweddar o'r gorffennol, cyfnod lle nad delweddau tirluniau rhamantus o'r ynys gan artistiaid a gafwyd ond yn hytrach gwaith ffotograffwyr. Mae au camerâu yn dal yr eiliad a'r digwyddiadau bob dydd hynny nad yw haneswyr fel arfer yn eu cofnodi. Gwelwn blant yn rhedeg i glywed yr hyrgi-gyrdi, band yn chwarae mewn Eisteddfod, un o bregethwyr y diwygiad mewn cyfarfod awyr agored, capteiniaid llongau a'u criwiau, injan ddyrnu a hwyl Ffair y Borth. Bydd rhai yn dal i gofio'r dyddiau hynny, ond i genedlaethau iau bydd y lluniau yn dod â'r gorffennol yn fyw. Trwy ddeall ddoe, cânt well dealltwriaeth o'r ynys a'i diwylliant yn ein dyddiau ni.

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In 1916, as World War I raged around them, a group of bohemians gathered at a small cabaret in Zurich, Switzerland. After decorating the walls with art by Picasso and other avant-garde artists, they embarked on a series of extravagant performances. Three readers simultaneously recited a poem in three languages a monocle-wearing teenager performed a spell from New Zealand another young man sneered at the audience, snapping a whip as he intoned his Fantastic Prayers." One of the artists called these sessions both buffoonery and a requiem mass." Soon they would have a more evocative name: Dada.In Destruction Was My Beatrice , modernist scholar Jed Rasula presents the first narrative history of Dada, showing how this little-understood artistic phenomenon laid the foundation for culture as we know it today. Although the venue where Dada was born closed after only four months and its acolytes scattered, the idea of Dada quickly spread to New York, where it influenced artists like Marcel Duchamp and Man Ray to Berlin, where it inspired painters George Grosz and Hannah Höch and to Paris, where it dethroned previous avant-garde movements like Fauvism and Cubism while inspiring early Surrealists like André Breton, Louis Aragon, and Paul Éluard. The long tail of Dadaism, Rasula shows, can be traced even further, to artists as diverse as William S. Burroughs, Robert Rauschenberg, Marshall McLuhan, the Beatles, Monty Python, David Byrne, and Jean-Michel Basquiat, all of whom,along with untold others,owe a debt to the bizarre wartime escapades of the Dada vanguard.A globe-spanning narrative that resurrects some of the 20th century's most influential artistic figures, Destruction Was My Beatrice describes how Dada burst upon the world in the midst of total war,and how the effects of this explosion are still reverberating today.

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The unqualified victory of consumerism in America was not a foregone conclusion. The United States has traditionally been the home of the most aggressive and often thoughtful criticism of consumption, including Puritanism, Prohibition, the simplicity movement, the '60s hippies, and the consumer rights movement. But at the dawn of the twenty-first century, not only has American consumerism triumphed, there isn't even an "ism" left to challenge it. An All-Consuming Century is a rich history of how market goods came to dominate American life over that remarkable hundred years between 1900 and 2000 and why for the first time in history there are no practical limits to consumerism. By 1930 a distinct consumer society had emerged in the United States in which the taste, speed, control, and comfort of goods offered new meanings of freedom, thus laying the groundwork for a full-scale ideology of consumer's democracy after World War II. From the introduction of Henry Ford's Model T ("so low in price that no man making a good salary will be unable to own one") and the innovations in selling that arrived with the department store (window displays, self service, the installment plan) to the development of new arenas for spending (amusement parks, penny arcades, baseball parks, and dance halls), Americans embraced the new culture of commercialism-with reservations. However, Gary Cross shows that even the Depression, the counterculture of the 1960s, and the inflation of the 1970s made Americans more materialistic, opening new channels of desire and offering opportunities for more innovative and aggressive marketing. The conservative upsurge of the 1980s and '90s indulged in its own brand of self-aggrandizement by promoting unrestricted markets. The consumerism of today, thriving and largely unchecked, no longer brings families and communities together; instead, it increasingly divides and isolates Americans. Consumer culture has provided affluent societies with peaceful alternatives to tribalism and class war, Cross writes, and it has fueled extraordinary economic growth. The challenge for the future is to find ways to revive the still valid portion of the culture of constraint and control the overpowering success of the all-consuming twentieth century.

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We commonly think of the psychedelic sixties as an explosion of creative energy and freedom that arose in direct revolt against the social restraint and authoritarian hierarchy of the early Cold War years. Yet, as Fred Turner reveals in The Democratic Surround, the decades that brought us the Korean War and communist witch hunts also witnessed an extraordinary turn toward explicitly democratic, open, and inclusive ideas of communication and with them new, flexible models of social order. Surprisingly, he shows that it was this turn that brought us the revolutionary multimedia and wild-eyed individualism of the 1960s counterculture. In this prequel to his celebrated book From Counterculture to Cyberculture, Turner rewrites the history of postwar America, showing how in the 1940s and '50s American liberalism offered a far more radical social vision than we now remember. Turner tracks the influential mid-century entwining of Bauhaus aesthetics with American social science and psychology. From the Museum of Modern Art in New York to the New Bauhaus in Chicago and Black Mountain College in North Carolina, Turner shows how some of the most well-known artists and intellectuals of the forties developed new models of media, new theories of interpersonal and international collaboration, and new visions of an open, tolerant, and democratic self in direct contrast to the repression and conformity associated with the fascist and communist movements. He then shows how their work shaped some of the most significant media events of the Cold War, including Edward Steichen's Family of Man exhibition, the multimedia performances of John Cage, and, ultimately, the psychedelic Be-Ins of the sixties. Turner demonstrates that by the end of the 1950s this vision of the democratic self and the media built to promote it would actually become part of the mainstream, even shaping American propaganda efforts in Europe. Overturning common misconceptions of these transformational years, The Democratic Surround shows just how much the artistic and social radicalism of the sixties owed to the liberal ideals of Cold War America, a democratic vision that still underlies our hopes for digital media today.

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A New Yorker Magazine Best Book of 2022 * An Esquire Best Nonfiction Book of 2022 * A Town & Country Must-Read Book of 2022 * A Fashionista Summer Read“Smart, funny, and impressively thorough.”—The CutIn the spirit of works by Jia Tolentino and Anne Helen Peterson, a smart and incisive essay collection centered on the fashion industry—its history, its importance, why we wear what we wear, and why it matters—from Elle Magazine’s fashion features director.Why does fashion hold so much power over us? Most of us care about how we dress and how we present ourselves. Style offers clues about everything from class to which in-group we belong to. Bad Feminist for fashion, Dress Code takes aim at the institutions within the fashion industry while reminding us of the importance of dress and what it means for self-presentation. Everything—from societal changes to the progress (or lack thereof) of women’s rights to the hidden motivations behind what we choose to wear to align ourselves with a particular social group—can be tracked through clothing. Veronique Hyland examines thought-provoking questions such as: Why has the “French girl” persisted as our most undying archetype? What does “dressing for yourself” really mean for a woman? How should a female politician dress? Will gender-differentiated fashion go forever out of style? How has social media affected and warped our sense of self-presentation, and how are we styling ourselves expressly for it?Not everyone participates in painting, literature, or film. But there is no “opting out” of fashion. And yet, fashion is still seen as superficial and trivial, and only the finest of couture is considered as art. Hyland argues that fashion is a key that unlocks questions of power, sexuality, and class, taps into history, and sends signals to the world around us. Clothes means something—even if you’re “just” wearing jeans and a T-shirt.

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Human speech and writing reveal our powers both to generalize and to criticize our own procedures. For this we must use words non-mechanically and with a freedom without definite limits, but still allowing mutual intelligibility. Such powers cannot be simulated by any possible physical mechanism, and this shows that human beings in our acts of judgment and understanding transcend the body.Philosopher, psychologist and linguist are all concerned with natural language. Accordingly, in seeking a unified view, Braine draws on insights from all these fields, sifting through the discordant schools of linguists. He concludes that one extended logic or “integrated semantic syntax” shapes grammar, but without constricting languages to being of one grammatical type.Language as learnt and speech are both essentially public, geared to a community of language-users. Therefore, psycholinguists should imitate Gibson’s treatment of our perceptual system and treat learning and use of language as arising by adaptation to our social and natural environment. Through taking the malleability of the functioning of the brain and its parts to an extreme, grammar has become unrestricted by neurology, limited only by logical and pragmatic constraints.For Braine, a language is a living thing, both in the development of thought and in conversation. Chomsky has entrenched a static, building-block, model of a language as a code, each lexical item with just one meaning. Yet in our learning and use of language each word develops an indefinite spread of uses or senses adapted to the realities and questions which we have to confront. The idea ""one lexical item, one meaning"" applies only to formal languages, not to the natural language which extends beyond social life to embrace mathematics, physics and all the sciences, religion and literature.In rewriting the philosophy of grammar, Braine restores the dynamic conception of language, reuniting structure and communicative function. Grammar, typically through the verb, gives the sentence its ""saying"" function, the verb being what brings the sentence to life, giving the sentence’s other elements their role and force.

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'Delightful banter, hot romance and a love story that's worthy of the big screen' KATE SPENCERTen years later and she still has butterflies. But does he feel the same way?Then. Twenty-something writer Chani Horowitz is stuck. While her former classmates are nabbing high-profile book deals, all she does is churn out puff pieces. Then she's hired to write a profile of movie star Gabe Parker: her number one celebrity crush and the latest James Bond. All Chani wants to do is keep her cool and nail the piece. But what comes next proves to be life changing in ways she never saw coming, as the interview turns into a whirlwind weekend that has the tabloids buzzing - and Chani getting closer to Gabe than she had planned. Now. Ten years later, after a brutal divorce and a healthy dose of therapy, Chani is back in Los Angeles as a successful writer with the career of her dreams. Except that no matter what she's promoting, someone always asks about The Profile. It always comes back to Gabe. So when his PR team requests that they reunite for a second interview, she wants to say no. She wants to pretend that she's forgotten about the time they spent together. But the truth is that Chani wants to know if those seventy-two hours were as memorable to Gabe as they were to her. And so . . . she says yes. Alternating between their first meeting and their reunion a decade later, this deliciously irresistible novel will have you hanging on until the last word.Praise for Funny You Should Ask'A breezy, addictive romance - I couldn't put it down!' Rachel Lynn Solomon'A smart, sensitive story full of love and longing - not to mention a totally swoonworthy hero' Heather Cocks and Jessica Morgan'A beautiful, fun, heartfelt love story that I couldn't put down' Maurene Goo

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"This book celebrates teamwork and collaboration over the individual, a refreshing take on a practice which is given to celebrating starchitects." —Peter H. Miller, Traditional Building In 1897, Frank Lloyd Wright, Robert Spencer, Dwight Perkins, and Myron Hunt, all young architects just starting out in practice, shared office space in Chicago. This book is both a history of that brief period and an attempt to assess the extent to which they collaborated on their architectural designs and on the creation of architectural theory which would impact a half century of architectural design. While there is little firsthand documentation of the time spent in their shared loft office in Steinway Hall, this study engages in a side by side comparison of projects they each designed while working there. Overlapping ideas, design similarities, and an analysis of their subsequent work, all suggest that these men formed a creative “collaborative circle” of friends, who jointly developed ideas later claimed as the work of Frank Lloyd Wright. This is a book about artistic collaboration at a time when discussions of art and architectural history are still largely dominated by the belief that significant works are created by the lone artistic genius. At the turn of the last century Spencer, Perkins, Hunt, and Wright were part of a community of architects who were all active members of the Chicago Architectural. Steinway Hall, an office building designed by Dwight Perkins, became a home to Chicago’s architectural community with as many as 50 different architects renting space in that building at the turn of the last century. Based on Real Estate Directories from 1897 through 1910 the book includes a listing of the architects that worked and interacted there. Also included are brief biographies of Spencer, Perkins, and Hunt. Excepting Hunt, none of these men have been the subject of individual publications. While Frank Lloyd Wright’s life and work have been extensively chronicled, this book reexamines the period between Wright’s arrival in Chicago in 1887 and his move into the loft office in Steinway Hall in 1897.

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A Guide to Creating the Best Data Communications and Networks for Your BusinessNo business can function without the effective design and implementation of data communications and computer networks. Yet these IT functions remain poorly understood and difficult to build strategy upon. However, every CEO needs to ensure that their organization has a powerful data communications strategy to succeed, as innovative landscapes continue to shift, challenging their operations at every turn. And one way to stay above the chaos and still operate efficiently is by having the right computer network to back it all up, safely and securely.But most CEOs do not have time to become computer network experts, although it is crucial that they understand the constantly evolving technical dangers that can disrupt and destroy their business model. Even for leaders without a strong technical background, Nathan offers the tools for CEOs to be able to analyze what they need to implement in their organization’s overall digital strategy.In The CEO’s Digital Survival Guide: A Practical Handbook to Navigating the Future, Nathan Whittacre gives access to the fundamentals of basic operations, features, and the limitations of different computer networks available today. Nathan has years of experience creating systems and processes to help CEOs run their businesses. He gives an easy-to-follow overview of what every CEO needs to know in order to be able to systematically understand, analyze and implement the right system for their organization to protect their infrastructure against external and internal threats. He explains best practices and discusses the most current technologies that are available.This book reveals everything you need to know about: Creating the best system for your organization Protecting Information Assets Cybersecurity Technology systems for business Network Design and Business Continuity Access Control and Surveillance Computer networks Linux Data security Encryption Information Systems Security IT services Internet services VoIP phone systems Small- and medium-sized business computing Virtualization Cloud computing Windows networks Microwave and millimeter RF technology Wide area networks

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For nearly three decades, Richard Buckner has been traveling the byways of America, often alone and with little more than his guitars and notebooks. Now he’s sharing what he saw, felt, and found.Long admired for his impressionistic and elliptical lyrics, Buckner has more recently found himself pulling off the road to furiously write longer, fuller pieces. Here is a collection of his story-like poems gathered by haunting the public and private fringes of America: fifty studies wrung from thin motel walls and passing hallway echoes; from exchanges overheard between happy hour and closing time; from casually caustic conversations in junker parking lots and hash house booths; and from lost opportunities and vague chance meetings—but also from distant narrators caught staring off to recall what refuses to be forgotten. he’d swallowed her youth in sips so small she wouldn’t notice until it was eventually but-remembered on dark afternoonsWith titles such as “One More Last One,” “Everyone is driven unknowingly to their urges,” and simply “Work,” these are Buckner’s singular reports from a revelatory road. reappraising past decisions in renewable review, demanded by the weight of explanations that can still determine what drove you elsewhere then, now with no-where left to wait. Black Sparrow Press is proud to bring this remarkable debut work of prose-poetry to readers.“During a career spent crisscrossing the country, Buckner has seen plenty. In all those hotels between here and there, at those bars and truck stops and lounges, he would sit and listen . . . Buckner puts that power of observation to good use.”—NPR’s Morning Edition“Cuttings from the Tangle is not the work of a road-weary musician dabbling in another form. This book confirms a truth hinted at all these years in the language of his lyrics: Buckner is a writer.”—Literary Hub

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‘Morland predicts the future of humanity in 10 illuminating statistics (could the Japanese and Italians now go the way of the dodo?) and looks back to how ebbs and flows of population have shaped history’ - The Daily Telegraph ‘The Best Books for Summer 2022’ The great forces of population change – the balance of births, deaths and migrations – have made the world what it is today. They have determined which countries are superpowers and which languish in relative obscurity, which economies top the international league tables and which are at best also-rans.The same forces that have shaped our past and present are shaping our future. Illustrating this through ten illuminating indicators, from the fertility rate in Singapore (one) to the median age in Catalonia (forty-three), Paul Morland shows how demography is both a powerful and an under-appreciated lens through which to view the global transformations that are currently underway.Tomorrow’s People ranges from the countries of West Africa where the tendency towards large families is combining with falling infant mortality to create the greatest population explosion ever witnessed, to the countries of East Asia and Southern Europe where generations of low birth-rate and rising life expectancy are creating the oldest populations in history. Morland explores the geographical movements of peoples that are already under way – portents for still larger migrations ahead – which are radically changing the cultural, ethnic and religious composition of many societies across the globe, and in their turn creating political reaction that can be observed from Brexit to the rise of Donald Trump. Finally, he looks at the two underlying motors of change – remarkable rises in levels of education and burgeoning food production – which have made all these epochal developments possible.Tomorrow’s People provides a fascinating, illuminating and thought-provoking tour of an emerging new world. Nobody who wants to understand that world should be without it.

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The world has long considered China a juggernaut of economic strength, but since the global financial crisis, the country's economy has ballooned in size, complexity, and risk. Once dominated by four state-owned banks, the nation's financial system is a tangle of shadow banking entities, informal financial institutions, and complex corporate funding arrangements that threaten growth, stability, and reform efforts. The country has accumulated so much debt so quickly that economists increasingly predict a financial crisis that could make 'Brexit' or Greece's economic ruin seem minor, and could undermine China's ascent as a superpower. Earlier this year, President Xi Jinping issued an urgent call for reform that gives the country until 2020 to transform its economy - a vaguely-defined objective that most economists agree is unrealistic. Whether or not China will be responsible for the next global recession, as some experts forecast, the fate of its economy will have far-reaching consequences for the rest of the world. Yet the inner workings of China's financial system are still very much a mystery to most outsiders. Now more than ever, as the country's slowing economy is being felt around the globe, it is essential to understand how China allowed its economy to become so mired in debt. China's Great Wall of Debt is a penetrating examination of the country's opaque financial system and the complex factors - demographic shifts; urbanization; industrialization; a pervasive over-reliance on debt-fueled investments - that have brought the country to the brink of crisis. Anchored by stories of China's cities and its people; from factory workers and displaced farmers to government officials and entrepreneurs, the narrative will take readers inside the country's ghost cities, zombie companies, start-ups, and regulatory institutions as McMahon explains how things got so bad, why fixing the problems is so hard, and what the economic outlook means for China and for the rest of us.

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The Alps are Europe’s biggest and greatest mountain range. Formed millions of years ago, they became a popular destination for travelers in the late eighteenth century – first for adventurers and explorers, then for artists and writers, and finally for everyone who wanted to spend summer in the fresh air of this wonderful scenery or take part in winter sports. Angelika Taschen has followed in their footsteps and collected the finest hotels in the Alpine nations of Germany, Austria, Switzerland, France, and Italy. They include the Kranzbach near Garmisch-Partenkirchen, built for a British aristocrat, Gasthof Hirschen in the Bregenzerwald, where art-loving visitors have been welcomed since 1755, and the Seehof near Salzburg with its emphasis on contemporary art and fine cuisine. The journey goes to the Schatzalp in Davos, which Thomas Mann immortalized in literature in “The Magic Mountain”, and to picturesque bed & breakfasts with a personal touch such as Brücke49 in Vals and Maison Bergdorf in Interlaken. High above Chamonix, mountaineers have stayed overnight for more than 140 years at Refuge du Montenvers with its view of the Mer de Glace, the largest glacier in France. In the exclusive Megève, too, which Baroness Noémie de Rothschild put on the tourist map, travelers experience the Alps à la française in the chalet hotel L’Alpaga; and a bit of Italian dolce vita is provided by stunning addresses in the South Tyrol such as the Ottmangut in Merano, Villa Arnica in Lana with its nostalgic atmosphere, and Pension Briol near Barbiano, constructed in 1928 in the Bauhaus style and extended in 2021 with the addition of two extremely modern buildings. This opulent book of photographs presents the Alpine range and accommodation in large-format images, short texts, and useful details on prices and how to get there. Walkers, skiers, gourmets, and lovers of good living will find valuable tips and very special accommodation: former monasteries where guests still find peace and seclusion, a mountain hut at the heart of the Dolomites, and a youth hostel occupying what was once a sanatorium, a rare example of modern architecture in Switzerland that was declared a heritage monument in 2002.

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Book by book, year by year, the ultimate literary trip through Bowie's greatest decade. It is 1973. David Bowie is finally a superstar. All he has to do to remain there is to keep pretending he's Ziggy Stardust, keep playing to thousands, keep selling to millions and keep on staying relatively sane ... As glam rock crashes and burns in a sleazy scandal-ridden Britain, a world tour convinces David to make radical changes with devastating consequences for Ziggy, his fans and his band. However, his planned 'retirement' is anything but quiet - now a friend of the Jaggers, with more lovers than he can count on one hand, more appetites than he can satisfy with one nose and still more success. But at what cost? Continuing his vivid real-time journey through the decade David changed pop forever, the fourth volume of the Bowie Odyssey series sees Simon Goddard mainline to the dark heart of Seventies sex, drugs and debauched rock'n'roll - a gripping, unsentimental portrait of inspiration, insanity and the thin line that divides. PRAISE FOR THE BOWIE ODYSSEY SERIES 'My god, it's brilliant. A delicious romp.' MIKE SCOTT, THE WATERBOYS 'The best book written about its subject... Stupendous.' CLASSIC ROCK 'The wonderful Bowie Odyssey series ... Goddard's prose is like an all-seeing eye.' RECORD COLLECTOR 'A full-on sensory immersion in Bowie's universe.' SUNDAY TIMES 'It's as if we were there.' 4**** MOJO 'Goddard's scintillating series... with its meticulous fact-checking and almost poetic prose, paints a beautifully written portrait that's almost as otherworldly as its subject... [it] strikes the perfect balance... granting us an all-access-areas pass to accompany Bowie to every gig, every engagement and to some of the most important moments in rock' CLASSIC POP 'The project's ambition is matched only by the sumptuousness of Goddard's writing... At times as I read Bowie Odyssey 73 I felt like his shadow.' CHRIS CHARLESWORTH

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This book opens up a wonderland of natural history for all ages to enjoy, and will spark interest in the intricate web of Africa's natural history, one that is bursting with exuberance, a great variety of life. It covers a vast range of topics that are often neglected, and reveals untold mysteries hidden in this remarkable continent. It is written in a readable and clear style that allows the reader to gain an appreciation of its continent-wide approach, which is based upon half a century or more of knowledge. Delving into the intricate fossil history found in Africa, The Wonder of Africa's Natural History describes some of the largest dinosaurs that walked this earth and extraordinary giant mammals of the Pleistocene, to the largest mammal that still survives to this day. It also encompasses the tiny mites that reside inside animals' ears and the remarkable maggot that finds a home in the sole of the elephant's foot. This book discusses creatures great and small. The remarkable variety of animals described explores their colours, behaviours, displays of weapons and the meanings behind the differences. The book explains the animals' everyday lives, co-habitations, and how the large carnivores live alongside their prey. The reader is transported into their world from birth, through growing up to their social interactions. Fantastic migrations showing the exuberance of life are described from butterflies to wildebeest and elephants and the once huge increases in number of the springbok in South Africa. The Wonder of Africa's Natural History unfolds a great diversity of life from swamp to forest, rivers and lakes, each with their particular creatures. It shows how an antelope or the bizarre naked mole rat can survive in arid environments. It transports us across the vast panorama of the beautiful plains of Africa, revealing how they are exploited and how the real battles in Nature are fought among the small species, the myriad of insect forms. The co-evolution of the whole community is an astonishingly amazing tangled web of life, having its origin over 300 million years ago. This book is a natural history to be enjoyed by all.

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‘Wide-ranging, witty and fresh … a stimulating read. Authentic fun’Tim Harford, Financial Times Best Summer Books 2022 ‘Brilliantly witty, profoundly illuminating, Alice Sherwood is a master storyteller’ Simon Schama ‘Thought-provoking and beautifully written’ Adrian Wooldridge, Washington Post ‘A sweeping and persuasive manifesto … witty and wide-ranging … a pleasure’Literary Review ‘Terrific … the sheer breadth of her subject matter is extraordinary’Matthew d’Ancona, Tortoisemedia.com ‘Alice Sherwood is the real deal’ Marcus du Sautoy ‘Fascinating and hugely entertaining’ Brian Eno ‘Unfailingly compelling and often shocking’ Philip Mould, presenter of Fake or Fortune? ‘Riveting … captivating … a thoroughly enjoyable debut’ Financial Times We live in an age when the pursuit of authenticity – from living our 'best life' to eating artisan food – matters more and more to us, but where the forces of inauthenticity seem to be taking over. Our world is full of people and products that are not what they seem. We no longer know whether we are talking to a person or a machine. But we can fight back – and this award-winning book shows us how. Authenticity argues that, although our counterfeit culture is shaped by the most powerful forces of evolution, economics, and technology, we can still come together to reclaim reality. Along the way, we meet the world's greatest impostor, who finally became what he'd pretended to be; the wartime counterfeiter who fooled a nation; nature's most outrageous deceivers; the artist who encouraged people to forge his pictures; the 'authentic' brand that was anything but. But we also meet people living unexpectedly rewarding lives in virtual worlds, and foot soldiers in the 'armies of truth' who are taking down today's conspiracies and cons. Provocative, insightful and original, Authenticity is that once-in-a-generation revelation: a work rich in histories but supremely and urgently of our own time. You'll never think about deception and reality in the same way again.

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This textbook provides a balanced coverage on software design, including design principles, methodologies, and techniques in contexts of designing modules of small and larger sizes with a multi-paradigm viewpoint emphasizing design trade-off. Commonly used design diagrams and patterns are also covered in terms of the design ideas behind and their effective use. The book also explores what (software) design thinking is, the role it plays in a design process, and ways to promote it. Despite object orientation being still the center of attention, there is a strong promotion throughout the book that software design should consider all appropriate design paradigms and methodologies.The book is organized in 10 chapters. Chapter 1 is dedicated to an exploration of what software design may be and entail. Next, chapters 2 and 3 are designed to help readers better understand object orientation, and the essentials of object-oriented design. Chapter 4 is then dedicated to the design of methods, while chapters 5, 6, and 8 respectively include topics about the design of objects, modeling with the Unified Modeling Language, and the use of design patterns. Larger software elements are often directly responsible for the formation of software architecture, thus chapter 7 covers four kinds of larger software elements: libraries, components, frameworks, and microservices, and their architectural implications. Chapter 9 finally brings the presentation of software design to an end with a coverage on software architecture focusing on software architectural views. Case studies are important in learning how to design software, hence chapter 10 then gathers some small design case studies that can be used in earlier chapters as appropriate. These case studies can be extended in different ways to provide additional design opportunities.This textbook book is intended for a junior level undergraduate course on software design, yet the depth of the book makes it also appropriate for a design course at beginning graduate level. Professionals may also find the book useful in their professional development.

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Founded in 1910 by Alliott Verdon Roe, A.V. Roe and Company Limited built its first military aircraft two years later. By 1914, the company was literally flying when it designed the first of many iconic aircraft in the shape of the Avro 504, which sold in colossal numbers and was the key factor in keeping the company in the aviation industry after the end of the First World War, while many others fell by the wayside. In 1936, Avro became part of the new Hawker Siddeley group and within two years was operating a new factory at Chadderton, where, together with Newton Heath, all focus was on building the Anson, Blenheim and later the Manchester. Following production of just 200 Manchesters, attention turned to one of the greatest bombers of the Second World War, the Lancaster, of which over 7,300 were built. This caused further expansion at Avro's main Woodford base, part use of Ringway and a shadow' factory at Yeadon under Avro control throughout the war years. Although an obvious contraction of orders took place during the post-war years, Avro was, thanks to its earlier successes, a big player in the British aviation industry and would continue to produce an iconic range of military aircraft. The last hurrah was the delightful 748 which just scrapes into this publication as the final example of an aircraft solely designed by Avro, while some still remain in service today. Of the company's big three, examples of the 504, Lancaster and Vulcan also remain airworthy as testimony to what they achieved, the men who flew them and the great aircraft manufacturer that designed and built them. Many more are extent in museums across the world. This company profile is one of several that will have to be divided into two parts, one military and one civilian, although there will be some crossover, as many types served in both capacities. Avro deserves two entries in the series, and this book gives a good grounding to the huge and diverse range of aircraft that this once proud manufacturer produced.

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A ground-breaking new study brings us a very different picture of the Second World War, asking fundamental questions about ethical commitmentsAccounts of the Second World War usually involve tales of bravery in battle, or stoicism on the home front, as the British public stood together against Fascism. However, the war looks very different when seen through the eyes of the 60,000 conscientious objectors who refused to take up arms and whose stories, unlike those of the First World War, have been almost entirely forgotten.Tobias Kelly invites us to spend the war five of these individuals: Roy Ridgway, a factory clerk from Liverpool; Tom Burns, a teacher from east London; Stella St John, who trained as a vet and ended up in jail; Ronald Duncan, who set up a collective farm; and Fred Urquhart, a working-class Scottish socialist and writer. We meet many more objectors along the way -- people both determined and torn -- and travel from Finland to Syria, India to rural England, Edinburgh to Trinidad.Although conscientious objectors were often criticised and scorned, figures such as Winston Churchill and the Archbishop of Canterbury supported their right to object, at least in principle, suggesting that liberty of conscience was one of the freedoms the nation was fighting for. And their rich cultural and moral legacy -- of humanitarianism and human rights, from Amnesty International and Oxfam to the US civil rights movement -- can still be felt all around us. The personal and political struggles carefully and vividly collected in this book tell us a great deal about personal and collective freedom, conviction and faith, war and peace, and pose questions just as relevant today: Does conscience make us free? Where does it take us? And what are the costs of going there?'[An] excellent book' - DAILY TELEGRAPH'A moving tribute' - SPECTATOR

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A REVELATION IN SPORTS MEMOIRS. THIS IS THE JOURNEY OF A WOMAN FIGHTING TO RUN FREE."A compelling insight her towering resilience and determination." Telegraph, Best Sports Books of 2023"A story which makes us all interrogate our humanity and the world we build with our actions everyday." Trevor Noah"An inspirational story of courage, of fighting the odds and of winning change not just for yourself, but for generations to come." Owen Jones"Her defiance bleeds onto the page." Elle Magazine“For sports lovers and avid readers alike, The Race to Be Myself is as illuminating as it is enjoyable.” – Gay Times"An inspirational tale; what it inspires is compassion." The Guardian"Reading Semenya's story, it's impossible not to come to admire her." The Telegraph"Her resilience is remarkable given what she faced, and her defiance surely saved her." i News"Told with candour, Semenya's story reminds readers to treat all humans with dignity and that being different does not mean being wrong." Lit HubOlympic and World Champion, Caster Semenya finally shares the story of her extraordinary life and her battle to compete on her own terms.Labelled 'different' and banned from the sport she loved, Olympic and World Champion Caster Semenya shares the revealing and blisteringly honest story of how the world came to know her name, and place her at the centre of a debate about gender in sports which still continues today.Told with defiance and speed, The Race To Be Myself is a journey through innocence, ambition, obstacles and acceptance. From her rural beginnings running in the dust, to crushing her opponents on the track. To the falsehoods spread about her name, and the many trials she has been forced to endure publicly and privately. This is Caster's time to set the record straight and share her story of how she became a defiant champion.Caster's story is our story, and testimony to anyone forced to stop doing what they love and to fight for what they believe in.

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NOW A MAJOR SKY TV SERIES.THE NUMBER ONE INTERNATIONAL AND SUNDAY TIMES BESTSELLER. A Discovery of Witches is the first novel in the must-read ALL SOULS series. It begins with absence and desire. It begins with blood and fear. It begins with a discovery of witches.---A world of witches, daemons and vampires.A manuscript which holds the secrets of their past and the key to their future.Diana and Matthew - the forbidden love at the heart of it.When historian Diana Bishop opens an alchemical manuscript in the Bodleian Library, it's an unwelcome intrusion of magic into her carefully ordered life. Though Diana is a witch of impeccable lineage, the violent death of her parents while she was still a child convinced her that human fear is more potent than any witchcraft. Now Diana has unwittingly exposed herself to a world she's kept at bay for years; one of powerful witches, creative, destructive daemons and long-lived vampires. Sensing the significance of Diana's discovery, the creatures gather in Oxford, among them the enigmatic Matthew Clairmont, a vampire geneticist. Diana is inexplicably drawn to Matthew and, in a shadowy world of half-truths and old enmities, ties herself to him without fully understanding the ancient line they are crossing. As they begin to unlock the secrets of the manuscript and their feelings for each other deepen, so the fragile balance of peace unravels...Fall under the spell of Diana and Matthew in the stunning first volume of the No.1 internationally bestselling ALL SOULS series.---Five reasons to read A Discovery of Witches and the All Souls series:'Rich, thrilling . . . A captivating and romantic ripping yarn' E L James'Intelligent and off-the-wall . . . irresistible to Twilight fans' Sunday Times'I could lose myself in here and never want to come out . . . Utterly enchanting on every level' Manda Scott'Exciting amounts of spells, kisses and battles, and is recounted with enchanting, page-turning panache'Marie Claire'A bubbling cauldron of illicit desire . . . an assured saga that blends romance with fantasy'Daily Mail

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WINNER OF THE WOLFSON HISTORY PRIZE 2020A SUNDAY TIMES, FINANCIAL TIMES, THE TIMES AND BBC HISTORY MAGAZINE BOOK OF THE YEARFor most of human history, the seas and oceans have been the main means of long-distance trade and communication between peoples - for the spread of ideas and religion as well as commerce. This book traces the history of human movement and interaction around and across the world's greatest bodies of water, charting our relationship with the oceans from the time of the first voyagers. David Abulafia begins with the earliest of seafaring societies - the Polynesians of the Pacific, the possessors of intuitive navigational skills long before the invention of the compass, who by the first century were trading between their far-flung islands. By the seventh century, trading routes stretched from the coasts of Arabia and Africa to southern China and Japan, bringing together the Indian Ocean and the western Pacific and linking half the world through the international spice trade. In the Atlantic, centuries before the little kingdom of Portugal carved out its powerful, seaborne empire, many peoples sought new lands across the sea - the Bretons, the Frisians and, most notably, the Vikings, now known to be the first Europeans to reach North America. As Portuguese supremacy dwindled in the late sixteenth century, the Spanish, the Dutch and then the British each successively ruled the waves.Following merchants, explorers, pirates, cartographers and travellers in their quests for spices, gold, ivory, slaves, lands for settlement and knowledge of what lay beyond, Abulafia has created an extraordinary narrative of humanity and the oceans. From the earliest forays of peoples in hand-hewn canoes through uncharted waters to the routes now taken daily by supertankers in their thousands, The Boundless Sea shows how maritime networks came to form a continuum of interaction and interconnection across the globe: 90 per cent of global trade is still conducted by sea. This is history of the grandest scale and scope, and from a bracingly different perspective - not, as in most global histories, from the land, but from the boundless seas.

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The human race is on a 10,000 year urban adventure. Our ancestors wandered the planet or lived scattered in villages, yet by the end of this century almost all of us will live in cities. But that journey has not been a smooth one and urban civilizations have risen and fallen many times in history. The ruins of many of them still enchant us. This book tells the story of the rise and fall of ancient cities from the end of the Bronze Age to the beginning of the Middle Ages. It is a tale of war and politics, pestilence and famine, triumph and tragedy, by turns both fabulous and squalid. Its focus is on the ancient Mediterranean: Greeks and Romans at the centre, but Phoenicians and Etruscans, Persians, Gauls, and Egyptians all play a part. The story begins with the Greek discovery of much more ancient urban civilizations in Egypt and the Near East, and charts the gradual spread of urbanism to the Atlantic and then the North Sea in the centuries that followed. The ancient Mediterranean, where our story begins, was a harsh environment for urbanism. So how were cities first created, and then sustained for so long, in these apparently unpromising surroundings? How did they feed themselves, where did they find water and building materials, and what did they do with their waste and their dead? Why, in the end, did their rulers give up on them? And what it was like to inhabit urban worlds so unlike our own - cities plunged into darkness every night, cities dominated by the temples of the gods, cities of farmers, cities of slaves, cities of soldiers. Ultimately, the chief characters in the story are the cities themselves. Athens and Sparta, Persepolis and Carthage, Rome and Alexandria: cities that formed great families. Their story encompasses the history of the generations of people who built and inhabited them, whose short lives left behind monuments that have inspired city builders ever since - and whose ruins stand as stark reminders to the 21st century of the perils as well as the potential rewards of an urban existence.

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In this explosive first-person account of swapping the White House for the Big House, Donald Trump aims to Make Prison Great Again.MARCH 31It's been two weeks since they put me in The Hole. Very unfair! No-one is treated as unfairly as Trump. Many people say that solitary confinement is a kind of torture. I'm not so sure. I'm getting to spend a lot of time with my favourite person in the world. I say to him: "Mr President, remember when you met Bo Derek at the PGA Tour Championship? She had the hots for you, believe me." And he'll reply: "I agree, Mr President. Also, I was a better golfer than anyone in the tournament.And that's without cheating, which I would never do, believe me."So I'm doing amazing. Incredibly well. Some would say I'm the best Hole Guy ever. Not like those losers who go nuts...Of course the verdict was VERY UNFAIR - they were meant to be a jury of his peers, but none of them were billionaires. Still, the trial got AMAZING ratings. Now locked up in Smallhand State Prison, our presidential protagonist goes full Samuel Pepys and attempts the first BESTSELLER to be written entirely on toilet paper.Life inside is tough for Trump: he experiences withdrawal symptoms from social media and is no longer able to watch Fox News all day. But he soon realises that incarceration isn't a punishment, it's an OPPORTUNITY, and attempts to conquer the clink as he once conquered AMERICA. Can Donald rise to become prison kingpin, smuggling McDonald's Filet-O-Fish and tutoring fellow inmates in the Art of the Deal?Interspersed with reports from Smallhand's resident psychologist, Trump: The Prison Diaries is a satirical riot - The Apprentice meets The Shawshank Redemption. So brace yourself, because orange is the new orange.

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National parks are the places that present ideas of nature to Americans: Zion, Yosemite, Grand Canyon, Yellowstone bring to mind quintessential and awe-inspiring wilderness. By examining how rhetoric—particularly visual rhetoric—has worked to shape our views of nature and the “natural” place of humans, Observation Points offers insights into questions of representation, including the formation of national identity.As Thomas Patin reveals, the term “nature” is artificial and unstable, in need of constant maintenance and reconstruction. The process of stabilizing its representation, he notes, is unavoidably political. America’s national parks and monuments show how visual rhetoric operates to naturalize and stabilize representations of the environment. As contributors demonstrate, visual rhetoric is often transparent, structuring experience while remaining hidden in plain sight. Scenic overlooks and turnouts frame views for tourists. Visitor centers, with their display cases and photographs and orientation films, provide their own points of view—literally and figuratively. Guidebooks, brochures, and other publications present still other ways of seeing. At the same time, images of America’s “natural” world have long been employed for nationalist and capitalist ends, linking expansionism with American greatness and the “natural” triumph of European Americans over Native Americans.The essays collected here cover a wide array of subjects, including park architecture, landscape painting, public ceremonies, and techniques of display. Contributors are from an equally broad range of disciplines—art history, geography, museum studies, political science, American studies, and many other fields. Together they advance a provocative new visual genealogy of representation.Contributors: Robert M. Bednar, Southwestern U, Georgetown, Texas; Teresa Bergman, U of the Pacific; Albert Boime, UCLA; William Chaloupka, Colorado State U; Gregory Clark, Brigham Young U; Stephen Germic, Rocky Mountain College; Gareth John, St. Cloud State U, Minnesota; Mark Neumann, Northern Arizona U; Peter Peters, Maastricht U; Cindy Spurlock, Appalachian State U; David A. Tschida, U of Wisconsin, Eau Claire; Sabine Wilke, U of Washington.

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Penny is not living her best life.Her job is far from thrilling and her long-term boyfriend shows no sign of wanting to commit.She has just turned fifty and is going nowhere.Wanting a new start, Penny applies for a job as cabin crew, to find out if she can push herself out of her comfort zone.Her new job brings the adventure she craves, even if she does keep bumping into impossibly handsome but deeply annoying pilot, Matt Garcia.Stuck in Paris on an unscheduled stopover, the chemistry between them grows. But the path of love never did fly smooth, as Matt’s past threatens to come between them.Beside which, Penny is not looking for love. But what if love finds her?A romantic, uplifting and inspirational read all about taking chances later in life – fans of Milly Johnson and Sandy Barker will love this!Readers are falling in love with Fly Me to Paris:‘Romantic, hilarious, beautifully written…I did not want it to finish…My happy book!...I loved it.’ ⭐⭐⭐⭐⭐ Reader Review‘Delightful…relatable characters and issues. I loved the descriptions of Paris…made me feel like I was there. This was a brilliant, uplifting, light-hearted read’ ⭐⭐⭐⭐⭐ Reader Review‘What a wonderful book this is. Helga writes from the heart and this book is set in Paris, the city of romance. A lovely, light summery read.’ ⭐⭐⭐⭐⭐ Reader Review‘It was a very engaging book to read, and this author did something different with romance. I would pick up another book by Helga in a heartbeat.’ ⭐⭐⭐⭐⭐ Reader Review‘What a lovely story about love, loss and finding yourself and never being too old to change anything. I loved how this story was about an older person … This is a special story and would love to see these characters again, I love them.’ ⭐⭐⭐⭐⭐ Reader Review‘Loved this book’⭐⭐⭐⭐⭐ Reader Review‘This was a real feel-good read… I loved it.’ ⭐⭐⭐⭐⭐ Reader Review‘It had a beautiful setting and the characters were relatable…The story made you think that it’s not too late to make a fresh start, regardless of your age…I highly recommend’ ⭐⭐⭐⭐⭐ Reader ReviewPraise for Helga Jensen:‘I simply couldn’t put this down. I laughed out loud several times before I’d even finished the first chapter.’ Jules Wake‘A joyous tale of rediscovering your dreams, love and sense of self. Sheer fun and absolute UpLit!’ Pernille Hughes‘I love this book so much! All I wanted was for it not to end! It’s right there on my top romcoms list now.’ Natalie Normann‘A charming, funny story… Ideal sunshine reading.’ ⭐⭐⭐⭐⭐Reader Review‘I loved every page and still think about the characters… lots of laugh-out-loud moments to be enjoyed’ ⭐⭐⭐⭐⭐Reader Review‘A beautiful story…well worth 5 stars and I recommend this great summer read.’ ⭐⭐⭐⭐⭐ Reader Review‘Wow, just wow…It’s funny, cute and romantic and that twist…What more can you ask for?’ ⭐⭐⭐⭐⭐ Reader Review‘Such a cute read I read it in one sitting. This book had me smiling.’ ⭐⭐⭐⭐⭐ Reader Review‘Whilst I’m feeling a bit lost now I’ve finished it, I’m left with a lovely warm feeling… I can’t recommend it highly enough’ ⭐⭐⭐⭐⭐ Reader Review‘What a beautiful story…An absolute gem, I couldn’t put it down.’ ⭐⭐⭐⭐⭐Reader Review

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When Ralph Waldo Emerson began these journals in June of 1838, he “had achieved initial success in each of his main forms of public utterance. The days of finding his proper role and public voice were now behind him…and his…personal life had healed from earlier wounds.” Now he was married to Lydia Jackson of Plymouth and was the father of a young son, Waldo. They lived in a large, comfortable house in Concord, only a half-day’s drive from Boston but close to the solitude of nature. Still to come was the controversy he would create by his address to the graduating class at Harvard Divinity School, an address in which he would say that the Divinity School trained ministers for a dead church. These journals record his responses to the severe criticism and trace his struggles as he overcame the stings of attack with a growing confidence in himself as a thinker, lecturer, and writer.In addition to introspective writings, the journals contain Emerson’s observations on his reading, on his country, especially during the presidential campaign of 1840, on slavery, on art and nature, on religion and the need for a new understanding of its meaning, and on love. His relations with such close friends as Bronson Alcott and Margaret Fuller also are reflected here, as are his developing friendships with Thoreau, Jones Very, Samuel Ward, Caroline Sturgis, and William Ellery Channing, the poet.During this period he gave three series of lectures and published his second book, Essays, which contains some of his greatest work: “Self Reliance,” “Compensation,” and “The Over-Soul.” The major workshop for Essays, these journals are indispensable for the study of Emerson’s creative processes. Many entries are published here for the first time, including experimental lists of topics for Essays and possibly the earliest draft of the poem “The Sphinx.”For Emerson, the journal was one of the most important of literary genres. His own journals not only formed his “artificial memory,” but became “a living part of him.” He later wrote, “The man is only half himself, the other half is his expression.”

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Natalia cannot stop thinking about sex. With this mesmerizing tale of one woman’s potent affliction, award-winning Finnish writer Laura Lindstedt makes her American debut. Narrated by an unnamed, ungendered therapist who leaps at the chance to employ their most experimental methods, My Friend Natalia offers a gripping examination of the power dynamics always present but rarely ever spoken about in therapy. “Something flared within me,” the therapist notes, “and it wasn’t merely sympathy, the emotion I feel for most of my clients. It was more like a sudden experience of harmony, wholly inappropriate given the circumstances.” It is clear from the moment Natalia barges into her new therapist’s office that she has motives beyond simply fixing her sex life. She is quick to mention that the same exact painting hanging on the therapist’s wall—an abstract piece titled Ear-Mouth—once hung in her grandmother’s living room. This comment deeply unsettles the therapist, as does the large alarm clock that Natalia brings with her, intent on timing the sessions herself. And the tape recorder. At first, Natalia seems to play along with the rules of therapy. She partakes in the therapist’s pain-displacement exercises, word games, and even produces a few anatomical illustrations. She muses on the art of pornography, and boldly examines seminal figures like Simone de Beauvoir and Jean-Paul Sartre, about whom she poses the question, “Did Jean-Paul consider Simone a woman at all? Or was she nothing but a pencil sharpener?” By combining philosophy and literature, repressed childhood memories and explicitly unrepressed erotic experiences, the sessions quickly shed all inhibitions. Still, the therapist can’t help but wonder: What does Natalia really want? Brilliantly translated by the award-winning David Hackston, My Friend Natalia buzzes in prose charged with sharp banter and double entendres as the therapist hurls strange—and hilarious—experimental exercises at Natalia, and their work builds to an explosive climax. In taking a deconstructive yet utterly scintillating approach to the self-help narratives of our time, Laura Lindstedt emerges as a rare and unflinching international literary talent.

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The irresistible, candid diaries of Richard Burton, published in their entirety“Just great fun, and written out of an engaging, often comical bewilderment: How did a poor Welshman become not only a star, but a player on the world stage that was Elizabeth Taylor’s fame?”—Hilton Als, NewYorker.com “Of real interest is that Burton was almost as good a writer as an actor, read as many as three books a day, haunted bookstores in every city he set foot in, bought countless books on every conceivable subject and evaluated them rather shrewdly. . . . Apt writing abounds.”—John Simon, New York Times Book Review Irresistibly magnetic on stage, mesmerizing in movies, seven times an Academy Award nominee, Richard Burton rose from humble beginnings in Wales to become Hollywood's most highly paid actor and one of England's most admired Shakespearean performers. His epic romance with Elizabeth Taylor, his legendary drinking and story-telling, his dazzling purchases (enormous diamonds, a jet, homes on several continents), and his enormous talent kept him constantly in the public eye. Yet the man behind the celebrity façade carried a surprising burden of insecurity and struggled with the peculiar challenges of a life lived largely in the spotlight. This volume publishes Burton's extensive personal diaries in their entirety for the first time. His writings encompass many years—from 1939, when he was still a teenager, to 1983, the year before his death—and they reveal him in his most private moments, pondering his triumphs and demons, his loves and his heartbreaks. The diary entries appear in their original sequence, with annotations to clarify people, places, books, and events Burton mentions. From these hand-written pages emerges a multi-dimensional man, no mere flashy celebrity. While Burton touched shoulders with shining lights—among them Olivia de Havilland, John Gielgud, Claire Bloom, Laurence Olivier, John Huston, Dylan Thomas, and Edward Albee—he also played the real-life roles of supportive family man, father, husband, and highly intelligent observer. His diaries offer a rare and fresh perspective on his own life and career, and on the glamorous decades of the mid-twentieth century.

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The battle of Normandy ended as the Allied armies crossed the Seine at the end of August 1944, a month after Operation Cobra had broken the stalemate. The Allies harried the retreating Germans, who left their tanks and heavy weapons south of the Seine, and by mid-September the Allies were coming up against the defences of Germany itself, the impressive Westwall.As far as the Allies were concerned, the Germans were beaten. The scent of immediate victory was in the air, the only question was where to apply the coup de grace. Logistics demanded that this should be a single thrust rather than Eisenhower’s broad front approach. Montgomery—the architect of victory in Normandy—proposed a daring plan to circumvent the Westwall, thrust towards Berlin, and make use of the newly created 1st Allied Airborne Army. The plan was simple: use the Paratroopers to hold key bridges along a single route along which British XXX Corps would make an advance that would be “rapid and violent, and without regard to what is happening on the flanks.” US 101st Airborne would land north of Eindhoven; 82nd Airborne at Nijmegen; British 1st Airborne at Arnhem—the so-called “bridge too far.”Unfortunately, the plan was flawed, the execution imperfect, and the Germans far from beaten. In spite of the audacious actions of the Paratroopers who would cover themselves with glory, Operation Market Garden showed that the German ground forces would still provide the Allies with stiff opposition in the West.And then, in 1977, A Bridge Too Far came out. With levels of realism that wouldn’t be approached for twenty years, the movie produced a view of the battle that subverted reality and permeated public perception. Just as George C. Scott produced the definitive Patton, so A Bridge Too Far provided an unnuanced view of the battles that historians have battled to correct ever since.As with its companion volumes on D-Day, the Bocage, and the Ardennes battlefields, this book provides a balanced, up-to-date view of the operation making full use of modern research. With over 500 illustrations including many maps, aerial and then and now photography, it will provide the reader with an easy-to-read, up-to-date examination of each part of the operation, benefitting from on-the-ground research by Tom Timmermans, who lives in Eindhoven.

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Over 30 years ago, renowned horseman and popular storyteller Mark Rashid's first book, Considering the Horse, was published. In it he shared his experiences with horses and people, subtly delivering practical lessons in horsemanship and life in a conversational style that resonated with audiences around the world. Now Rashid considers all that has happened in the years that have passed since that first book was published—the transformative moments and impactful individuals who have helped shape his philosophies and methods since then. With his distinctive voice, he shepherds readers through topics of relevance in the equestrian industry while telling more of his life story, resulting in an engaging memoir-style read that remains rich in nuggets of wisdom that you can put right to work in your daily interactions with horses. In For the Love of the Horse, Rashid explores: - Ways he tried to find his own way of being with horses without actually knowing what he was looking for. - How the art of aikido, and the teachers he had, changed his ideas about life and relationships outside the dojo. - How it feels to be soft (and how it feels to not be), and how Rashid learned to stay true to the principles of softness as he understood them, regardless of the situation. - How he broke out of the pattern of assigning human emotions and comprehension to horses. - The impact neuroscientist Dr. Steve Peters had on Rashid's understanding of the horse's behaviors and responses and how they correlate to what is actually going on in the horse's brain. - The power of observation and learning how to be still, even in the midst of activity. - The difference between trying to connect with the horse versus allowing the horse to connect with you. - How over time Rashid has shifted from trying techniques that alter a horse's behavior, to adjusting his own thoughts, emotions, and behaviors in order to help the horse feel safer. In his familiar way, Rashid takes readers on a journey that rewards with both adventure and education, finding new inroads in our attempts to become better company and fairer caregivers to horses. With his thoughtful lifetime of study leading by example, we are all encouraged to consider how far horsemanship has come and how bright its future might be.

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Children's Choice Winner (ages 12 to 16 category) at the 2018 School Library Association Information Book of the Year Awards. "In league with Art Spiegelman's Maus and Marjane Satrapi's Persepolis, this is a must-purchase for any teen or adult graphic novel collection." -School Library Journal (starred review). From the pen of former Daily Star (Lebanon) reporter Samya Kullab comes a breathtaking and hard-hitting story of one family's struggle to survive in the face of war, displacement, poverty and relocation. Escape from Syria is a fictionalized account that calls on reallife circumstances and true tales of refugee families to serve as a microcosm of the Syrian uprising and the war and refugee crisis that followed. The story spans six years in the lives of Walid, his wife Dalia, and their two children, Amina and Youssef. Forced to flee from Syria, they become asylum-seekers in Lebanon, and finally resettled refugees in the West. It is a story that has been replayed thousands of times by other families. When the family home in Aleppo is destroyed by a government-led bomb strike, Walid has no choice but to take his wife and children and flee their war-torn and much loved homeland. They struggle to survive in the wretched refugee camps of Lebanon, and when Youssef becomes fatally ill as a result of the poor hygienic conditions, his father is forced to take great personal risk to save his family. Walid's daughter, the young Amina, a whip-smart grade-A student, tells the story. As she witnesses firsthand the harsh realities that her family must endure if they are to survive - swindling smugglers, treacherous ocean crossings, and jihadist militias - she is forced to grow up very quickly in order to help her parents and brother. Kullab's narrative masterfully maps both the collapse and destruction of Syria, and the real-life tragedies faced by its citizens still today. The family's escape from their homeland makes for a harrowing tale, but with their safe arrival in the West it serves as a hopeful endnote to this ongoing worldwide crisis. Beautiful illustrations by Jackie Roche - whose work on the viral web-comic, Syria's Climate Conflict, was seen prominently in Symboliamag.com, Upworthy.com and Motherjones.com, among others - bring Kullab's words to life in stunning imagery that captures both the horror of war and the dignity of human will.

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The untold story of Chicago’s pivotal role as a country and folk music capital. Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes. In Country and Midwestern, veteran journalist Mark Guarino tells the epic century-long story of Chicago’s influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest’s biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The National Barn Dance—broadcast from the city’s South Loop starting in 1924—flourished for two decades as the premier country radio show before the Grand Ole Opry. Guarino chronicles the makeshift niche scenes like “Hillbilly Heaven” in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions. Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, Country and Midwestern rediscovers a history as sprawling as the Windy City—celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today.

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Featuring quirky, vintage-inspired illustrations, this charming story tells the tale of a cat moving to a new island home, where things take an unexpected turn. When a curious cat named Tibbles and her owner move across the world from England to a new home on a small island off the coast of New Zealand in 1894, everything seems idyllic at first. Then things go horribly wrong. In this charming little story, the oblivious, amusing hero, Tibbles, discovers a rare species of flightless bird that had never previously been described – the Stephens Island wren. Unfortunately, Tibbles also becomes the cause of the bird’s extinction by preying on them. Beneath the surface of this whimsically told story is a sophisticated tragicomic plot with a foundation in Greek tragedy. Tibbles’s killing of the Stephens Island wrens led to the eventual extinction of the entire species, and the tragedy is heightened by the fact that Tibbles was not a malicious or malevolent creature, but rather a normal cat behaving according to its instincts. To add insult to injury, Tibbles is not only innocent and ignorant about the effects of her actions; she is also silly, care-free, and wildly unconcerned. This book presents a true story in a subtly comedic light, but the underlying tragedy is still present, emphasizing the unintended consequences of human actions on the environment. Ultimately, the tale of Tibbles the cat had a silver lining – it brought global awareness to the dangers of introducing non-native animal species to other continents. Beautifully illustrated in a vintage style, with heavy graphic novel elements, this quirky, captivating tale will take readers on an emotional, darkly funny journey of discovery and consequence, all while teaching valuable lessons about the environment and the human impact on it. The book also includes interesting facts about the Stephens Island wren and its discovery. Tibbles is perfect for children aged 6–9 inclined towards funny stories and deep lessons. Through this unique, engaging, and darkly comedic story, kids will be entertained as they learn about history and conservation, with humor being the sugar that helps the environmentalist medicine go down. Laughing one moment and considering serious issues the next, children will learn about the impact of humans on animal species and the importance of protecting wildlife.AWARDS: 2021 Muriel Award – Best Comics for Children 2022 Bologna Ragazzi Award – The BRAW Amazing Bookshelf

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Dear reader, There is nothing to be found in Lemony Snicket’s 'A Series of Unfortunate Events' but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Austere Academy the siblings face snapping crabs, strict punishments, dripping fungus, comprehensive exams, violin recitals, S.O.R.E. and the metric system. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, 'A Series of Unfortunate Events' has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series directed by Barry Sonnenfeld. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All The Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

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“It is impossible to reproduce the state of mind of the men who waged war in 1917 and 1918,” Edward Coffman wrote in The War to End All Wars. In Doughboys on the Great War the voices of thousands of servicemen say otherwise. The majority of soldiers from the American Expeditionary Forces returned from Europe in 1919. Where many were simply asked for basic data, veterans from four states—Utah, Minnesota, Connecticut, and Virginia—were given questionnaires soliciting additional information and “remarks.” Drawing on these questionnaires, completed while memories were still fresh, this book presents a chorus of soldiers’ voices speaking directly of the expectations, motivations, and experiences as infantrymen on the Western Front in World War I.What was it like to kill or maim German soldiers? To see friends killed or maimed by the enemy? To return home after experiencing such violence? Again and again, soldiers wrestle with questions like these, putting into words what only they can tell. They also reflect on why they volunteered, why they fought, what their training was, and how ill-prepared they were for what they found overseas. They describe how they interacted with the civilian populations in England and France, how they saw the rewards and frustrations of occupation duty when they desperately wanted to go home, and—perhaps most significantly—what it all added up to in the end. Together their responses create a vivid and nuanced group portrait of the soldiers who fought with the American Expeditionary Forces on the battlefields of Aisne-Marne, Argonne Forest, Belleau Wood, Chateau-Thierry, the Marne, Metz, Meuse-Argonne, St. Mihiel, Sedan, and Verdun during the First World War. The picture that emerges is often at odds with the popular notion of the disillusioned doughboy. Though hardened and harrowed by combat, the veteran heard here is for the most part proud of his service, service undertaken for duty, honor, and country. In short, a hundred years later, the doughboy once more speaks in his own true voice.

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The untold story of a stunning discovery: not only can birds smell, but their scents may be the secret to understanding their world.Winner of the PROSE Award for Best Book in Popular Science and MathematicsThe puzzling lack of evidence for the peculiar but widespread belief that birds have no sense of smell irked evolutionary biologist Danielle Whittaker. Exploring the science behind the myth led her on an unexpected quest investigating mysteries from how juncos win a fight to why cowbirds smell like cookies. In The Secret Perfume of Birds—part science, part intellectual history, and part memoir—Whittaker blends humor, clear writing, and a compelling narrative to describe how scent is important not just for birds but for all animals, including humans.Whittaker engagingly describes how emerging research has uncovered birds' ability to produce complex chemical signals that influence their behavior, including where they build nests, when they pick a fight, and why they fly away. Mate choice, or sexual selection—a still enigmatic aspect of many animals' lives—appears to be particularly influenced by smell. Whittaker's pioneering studies suggest that birds' sexy (and scary) signals are produced by symbiotic bacteria that manufacture scents in the oil that birds stroke on their feathers when preening. From tangerine-scented auklets to her beloved juncos, redolent of moss, birds from across the world feature in Whittaker's stories, but she also examines the smelly chemicals of all kinds of creatures, from iguanas and bees to monkeys and humans. Readers will enjoy a rare opportunity to witness the twisting roads scientific research can take, especially the challenging, hilarious, and occasionally dangerous realities of ornithology in the wild. The Secret Perfume of Birds will interest anyone looking to learn more about birds, about how animals and humans use our senses, and about why it can sometimes take a rebel scientist to change what we think we know for sure about the world—and ourselves.

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Intriguing, real-life espionage stories bring to life a comparative history of the Allies' efforts to seize, control, and exploit German science and technology after the Second World War.During the Second World War, German science and technology posed a terrifying threat to the Allied nations. These advanced weapons, which included rockets, V-2 missiles, tanks, submarines, and jet airplanes, gave troubling credence to Nazi propaganda about forthcoming "wonder-weapons" that would turn the war decisively in favor of the Axis. After the war ended, the Allied powers raced to seize "intellectual reparations" from almost every field of industrial technology and academic science in occupied Germany. It was likely the largest-scale technology transfer in history.In Taking Nazi Technology, Douglas M. O'Reagan describes how the Western Allies gathered teams of experts to scour defeated Germany, seeking industrial secrets and the technical personnel who could explain them. Swarms of investigators invaded Germany's factories and research institutions, seizing or copying all kinds of documents, from patent applications to factory production data to science journals. They questioned, hired, and sometimes even kidnapped hundreds of scientists, engineers, and other technical personnel. They studied technologies from aeronautics to audiotapes, toy making to machine tools, chemicals to carpentry equipment. They took over academic libraries, jealously competed over chemists, and schemed to deny the fruits of German invention to any other land—including that of other Allied nations. Drawing on declassified records, O'Reagan looks at which techniques worked for these very different nations, as well as which failed—and why. Most importantly, he shows why securing this technology, how the Allies did it, and when still matters today. He also argues that these programs did far more than spread German industrial science: they forced businessmen and policymakers around the world to rethink how science and technology fit into diplomacy, business, and society itself.

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Intriguing, real-life espionage stories bring to life a comparative history of the Allies' efforts to seize, control, and exploit German science and technology after the Second World War.During the Second World War, German science and technology posed a terrifying threat to the Allied nations. These advanced weapons, which included rockets, V-2 missiles, tanks, submarines, and jet airplanes, gave troubling credence to Nazi propaganda about forthcoming "wonder-weapons" that would turn the war decisively in favor of the Axis. After the war ended, the Allied powers raced to seize "intellectual reparations" from almost every field of industrial technology and academic science in occupied Germany. It was likely the largest-scale technology transfer in history.In Taking Nazi Technology, Douglas M. O'Reagan describes how the Western Allies gathered teams of experts to scour defeated Germany, seeking industrial secrets and the technical personnel who could explain them. Swarms of investigators invaded Germany's factories and research institutions, seizing or copying all kinds of documents, from patent applications to factory production data to science journals. They questioned, hired, and sometimes even kidnapped hundreds of scientists, engineers, and other technical personnel. They studied technologies from aeronautics to audiotapes, toy making to machine tools, chemicals to carpentry equipment. They took over academic libraries, jealously competed over chemists, and schemed to deny the fruits of German invention to any other land—including that of other Allied nations. Drawing on declassified records, O'Reagan looks at which techniques worked for these very different nations, as well as which failed—and why. Most importantly, he shows why securing this technology, how the Allies did it, and when still matters today. He also argues that these programs did far more than spread German industrial science: they forced businessmen and policymakers around the world to rethink how science and technology fit into diplomacy, business, and society itself.

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Volcanoes are capable of acts of pyrotechnical prowess verging on magic: they spout black magma more fluid than water, create shimmering cities of glass at the bottom of the ocean and frozen lakes of lava on the moon and can even tip entire planets over. Between lava that melts and re-forms the landscape, and noxious volcanic gases that poison the atmosphere, volcanoes have threatened life on Earth countless times in our planet’s history. Yet despite their reputation for destruction, volcanoes are inseparable from the creation of our planet. A lively and utterly fascinating guide to these geologic wonders, Super Volcanoes revels in the incomparable power of volcanic eruptions past and present, Earthbound and otherwise—and recounts the daring and sometimes death-defying careers of the scientists who study them. Science journalist and volcanologist Robin George Andrews explores how these eruptions reveal secrets about the worlds to which they belong, describing the stunning ways in which volcanoes can sculpt the sea, land and sky, and even influence the machinery that makes or breaks the existence of life. Walking us through the mechanics of some of the most infamous eruptions on Earth, Andrews outlines what we know about how volcanoes form, erupt and evolve, as well as what scientists are still trying to puzzle out. How can we better predict when a deadly eruption will occur—and protect communities in the danger zone? Is Earth’s system of plate tectonics, unique in the solar system, the best way to forge a planet that supports life? And if life can survive and even thrive in Earth’s extreme volcanic environments—superhot, super acidic and super saline surroundings previously thought to be completely inhospitable—where else in the universe might we find it? Traveling from Hawai‘i, Yellowstone, Tanzania and the ocean floor to the moon, Venus and Mars, Andrews illuminates the cutting-edge discoveries and lingering scientific mysteries surrounding these phenomenal forces of nature.

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Winner, The New York Public Library, Best of Reference Award, 2002 A year by year reference work painting the colorful history of New York City If any city deserves a complete chronology, it is surely New York. New York, Year by Year is a cornucopia of the familiar and the forgotten, the historic and the ephemeral, the heroic and the banal. In this handy reference work, Jeffrey A. Kroessler takes us from Verrazano's arrival in 1524 into the new millennium, highlighting the strikes and strikeouts, tunnels and towers, personalities and parades which not only made history in New York, but also proved to be defining moments for the nation. New York, Year by Year features events such as Mark Twain's first lecture at Cooper Union, and the letter he later wrote when the Brooklyn Public Library tried to restrict access to Huckleberry Finn. In contrast, we are reminded of the publication in the 1950s of Eloise, A Book for Precocious Grown-Ups, Kay Thompson's fanciful tale of a little girl's adventures in the Plaza Hotel, the appearance of the Beat Generation, and the flight (literally) of the Dodgers and Giants to California. New York, Year by Year chronicles the opening of Shea Stadium in April 1964 and the performance by the Beatles there that August. The Sixties also saw the opening of The Fantastiks, which is still running on Sullivan Street, and the closing of Steeplechase, the last of the great amusement parks at Coney Island. And this chronology makes sure we don't forget when Kitty Genovese was murdered in Kew Gardens and her cries for help were left unanswered because her neighbors "didn't want to get involved." Kroessler leads us on a tour of the city from its first settlers until the November 2001 election of a new mayor for the new millennium. From the colonial era and the Revolution through the Gilded Age and the Roaring Twenties, Kroessler has compiled a record of cultural, economic, political, and social events. Some are of transient importance, others of lasting significance, but all illuminate the city's fascinating history.

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Jahazpur is a small market town or qasba with a diverse population of more than 20,000 people located in Bhilwara District in the North Indian state of Rajasthan. With roots deep in history and legend, Shiptown (a literal translation of landlocked Jahazpur's name) today is a subdistrict headquarters and thus a regional hub for government services unavailable in villages. Rural and town lives have long intersected in Shiptown's market streets, which are crammed with shopping opportunities, many designed to allure village customers. Temples, mosques, and shrines attract Hindus and Muslims from nearby areas. In the town's densely settled center—still partially walled, with arched gateways intact—many neighborhoods remain segregated by hereditary birth group. By contrast, in some newer, more spacious residential areas outside the walls, persons of distinct communities and religions live as neighbors. Throughout Jahazpur municipality a peaceful pluralism normally prevails. Ann Grodzins Gold lived in Santosh Nagar, the oldest of Shiptown's new settlements, for ten months, recording interviews and participating in festival, ritual, and social events—public and private, religious and secular. While engaged with contemporary scholarship, Shiptown is moored in the everyday lives of the town's residents, and each chapter has at its center a specific node of Jahazpur experience. Gold seeks to portray how neighborly relations are forged and endure across lines of difference; how ancient hierarchical social structures shift in major ways while never exactly disappearing; how in spite of pervasive conservative family values, gender roles are transforming rapidly and radically; how environmental deterioration affects not only public health but individual hearts, inspiring activism; and how commerce and morality keep uneasy company. She sustains a conviction that, even in the globalized present, local experiences are significant, and that anthropology—that most intimate and poetic of the social sciences—continues to foster productive conversations among human beings.

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In the early years of the twentieth century, Spokane was singled out for praise in the West for the quality of its architecture and the impressive way it had rebuilt after the devastating fire of 1889. Major credit for the city's distinctive character was extended to Kirtland Kelsey Cutter for his "rare architectural force and genius for design." His remarkable career, stretching from the Gilded Age to the Great Depression, allows a fascinating study of the evolution of an eclectic form of architecture that was an inevitable response to rich regional and historical influences during a time of transition from frontier settlements to modern city. Cutter's influence was felt beyond Spokane--in Seattle, other areas of Washington, and in Oregon, Idaho, and Montana. He was also responsible for buildings in the East and even for one in England. After financial problems ended his career in the Northwest, he began anew at age sixty-three in southern California, and worked there as an architect until his death in 1939 at age seventy-nine. Henry Matthews presents a comprehensive study of the whole body of Cutter's work, with ample photographs and illustrations. The book is based on exhaustive research in both the Northwest and California, revealing the influences on Cutter and his associates, the processes at work in the design and construction of the buildings, and the relations between the architect and the many people who commissioned his work. Particularly useful to Matthews's research was a collection of 290 sets of drawings, as well as office accounts, letters, and books from Cutter's library--materials acquired by the Eastern Washington State Historical Society. He also was able to interview former assistants and clients, who provided valuable insights on the architect and the way Cutter worked. In addition, many of the architect's residences, hotels, clubs, and commercial buildings are still standing. This book adds significantly to an understanding of Western urban and regional history. But Cutter's experimentation in many styles and the imaginative nature of his work make for a study that goes beyond regional limits and sheds light on national trends. Winner of the 1999 Washington State Book Award

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No art form is more associated with the Native Americans of the Southwest than pottery. For centuries, Pueblo people have made beautiful pottery, often painted with intricate designs, for everyday activities such as cooking, food storage and gathering water, and for ceremonial use. Vessels of these types have been found at ancient sites including Chaco Canyon and Mesa Verde. The tradition of pottery-making continues to thrive among Pueblo communities in the Southwest, and while pottery is still made for practical purposes, it is also commonly produced for the art market. Since the time of the Ancestral Puebloans, pottery has been made predominantly by women. The pots are created from natural clay using a coil method; they are hand-painted and then fired outdoors. Designs vary from one Pueblo to another, but many symbols and motifs are shared by the Pueblos. An impressive survey of more than 100 pieces of historic Pueblo pottery, Grounded in Clay is remarkable for the fact that its content has been selected by Pueblo community members. Rather than relying on Anglo-American art historical interpretations, this book foregrounds Native American voices and perspectives. More than 60 participants from 21 Pueblo communities in the Southwest – among them potters and other artists, as well as writers, curators and community leaders – chose one or two pieces from the collections of the Indian Arts Research Center at the School of Advanced Research in Santa Fe, New Mexico, and the Vilcek Collection in New York. They were then given the freedom to express their thoughts in whichever written form they wished, prose or poem. Their lively, varied contributions reveal the pottery to be not only a utilitarian art form but also a powerfully intangible element that sits at the heart of Pueblo cultures. With magnificent photography throughout, Grounded in Clay showcases the extraordinary history and beauty of Pueblo pottery while bringing to life the complex narratives and stories of this most essential of Native American arts.

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