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Investigative computer forensics is playing an increasingly important role in the resolution of challenges, disputes, and conflicts of every kind and in every corner of the world. Yet, for many, there is still great apprehension when contemplating leveraging these emerging technologies, preventing them from making the most of investigative computer forensics and its extraordinary potential to dissect everything from common crime to sophisticated corporate fraud. Empowering you to make tough and informed decisions during an internal investigation, electronic discovery exercise, or while engaging the capabilities of a computer forensic professional, Investigative Computer Forensics explains the investigative computer forensic process in layman’s terms that users of these services can easily digest. Computer forensic/e-discovery expert and cybercrime investigator Erik Laykin provides readers with a cross section of information gleaned from his broad experience, covering diverse areas of knowledge and proficiency from the basics of preserving and collecting evidence through to an examination of some of the future shaping trends that these technologies are having on society. Investigative Computer Forensics takes you step by step through: Issues that are present-day drivers behind the converging worlds of business, technology, law, and fraud Computers and networks—a primer on how they work and what they are Computer forensic basics, including chain of custody and evidence handling Investigative issues to know about before hiring a forensic investigator Managing forensics in electronic discovery How cyber-firefighters defend against cybercrime and other malicious online activity Emerging standards of care in the handling of electronic evidence Trends and issues affecting the future of the information revolution and society as a whole Thoroughly researched and practical, Investigative Computer Forensics helps you—whether attorney, judge, businessperson, or accountant—prepare for the forensic computer investigative process, with a plain-English look at the complex terms, issues, and risks associated with managing electronic data in investigations and discovery.

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On December 27, 2007, a suicide bomber killed Benazir Bhutto, the former prime minister of Pakistan. Brilliant and charismatic, the head of a political family as important to Pakistani history as the Gandhis in India or the Kennedys in the United States, Bhutto had recently returned from exile to challenge military dictator Pervez Musharraf in a democratic election. In the aftermath of the assassination, some blamed Musharraf; others blamed terrorists linked to the Pakistani security service, the ISI; still others pointed the finger at Bhutto’s own spouse and entourage; and some speculated that it was a lone wolf attack. Though the individuals behind the conspiracy have never been found, in Getting Away with Murder Heraldo Munoz goes further than anyone else to unravel the mystery of Bhutto’s death. Moreover, he explains the unexpected role America played in the tragic events, the byzantine relationship between Pakistan and the United States, and how Bhutto’s assassination impacted world politics. In a country ruled more often by military dictators than by elected governments, Bhutto offered a secular, democratic hope. Arguably one of Pakistan’s most iconic political figures, she became one of the world’s few female heads of government. Her assassination tore the country apart, destabilizing the entire region. Leading the United Nations’ inquiry, Munoz delved into murky world of Pakistani politics and the infamous Bhutto family, awash in charisma and power, controversy and violence. His year-long investigation frames a story of betrayals, corruption, foreign influence, and unsolved political assassinations. Munoz provides new insight into Bhutto’s unprecedented rise and an unflinching, minute-by-minute narrative of the assassination itself. With impeccable research, Munoz also situates Bhutto in the decades-long history of U.S.-Pakistan relations and the emergence of global terrorism, pinpointing her death as the moment when those relations changed forever. The result is a gripping narrative of Pakistan’s turbulent political realities and the death of its leading politician.

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NOW ON NETFLIX! Starring Gabriel Basso and Luciane Buchanan“Matthew Quirk moves into David Baldacci and John Grisham territory with The Night Agent, a paranoid, pulse-pounding thriller that could not be more prescient. If you’re wondering where the best of the next generation of suspense talent is headed, look no further.” — Joseph FinderTo find a Russian mole in the White House, an FBI agent must question everything. . . and trust no one.No one is more surprised than FBI Agent Peter Sutherland when he’s tapped to work in the White House Situation Room. When Peter was a boy, his father was suspected of selling secrets to the Russians—a breach that cost him his career, his reputation, and eventually his life. Now Peter’s job is monitoring an emergency line for a call that has not—and might never—come.Until tonight.At 1:05 A.M. the phone rings. A terrified young woman named Rose tells Peter that two people have just been murdered and that the killer might still be in the house with her. One of the victims gave her this phone number with urgent instructions: “Tell them OSPREY was right. It’s happening...”The call thrusts Peter into the heart of a conspiracy years in the making, involving a Russian mole at the highest levels of the U.S. government. Anyone in the White House could be the traitor. Anyone could be corrupted. To save the nation, Peter must take the rules into his own hands, question everything, and trust no one.The Night Agent marks the return of the classic conspiracy thriller, a Three Days of the Condor for today’s chaotic world. With incredible twists and heart-stopping action, this electrifying novel pulls back the curtain on Washington power and confirms Matthew Quirk as a new master of suspense.Don't miss Matthew Quirk's twisty new thriller, Inside Threat! Look for these other pulse-pounding thrillers by Matthew Quirk: Red Warning Hour of the Assassin Dead Man Switch Cold Barrel Zero The Directive The 500

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Anne of Green Gables meets Diana Wynne Jones in this whimsical fantasy adventure perfect for teen readers. Each step was like an old familiar song… Still recovering from the inferno that consumed Kelseth lighthouse, apothecary Lily Knight, powerful witch Alice Blackwell, and their newfound family find refuge in a mysterious mist-wreathed castle to regroup and draw up a plan of action. Because the shadows are closing in and Hecate Winter, High Priestess of the notorious coven that almost cost Alice her life, is only getting stronger… But there are murmurings of an even more sinister threat brewing on the horizon – and it has something to do with the castle. When Alice’s nightmares begin to bleed into her daily reality, everything changes. Can Lily pull her back from the edge or will she finally succumb to the darkness? Here’s what readers are saying: ‘Absolutely loved it … There were stories within stories … like a tangled plait of hair. A plait that unravelled as certain characters’ stories went off in different directions only to be weaved carefully back together towards the end of the book. It was a total page turner’ Lisa, NetGalley ‘Extraordinary. Outstanding … absolutely amazing … just wow! This book is exquisite’ Michelle, NetGalley ‘I couldn't put it down … It was well-written with an engaging and captivating storyline and well-developed characters that I think children will love’ Aria, NetGalley ‘This was absolutely delightful. The plot was well-paced and captivating from start to finish. The characters were charming and witty. I highly recommend this fun and quick read!’ Jessica, NetGalley ‘I loved the pace, sweeping me along but also giving enough time to pause and enjoy the characters … I was thrilled to be going on another journey with them’ Charleigh, NetGalley ‘I enjoyed spending time again with Alice, Lily and the rest … I can't wait to find out what Hecate's endgame is’ Karin, NetGalley

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How far would you go to protect your family? ’Full of heart and essential truth, this moving book will sweep you to a very satisfying ending and perhaps a few happy tears’ KATIE FFORDE ‘A riveting family saga, with terrific characters, that has you utterly engrossed from start to finish. I loved it’ PATRICIA SCANLAN ‘I absolutely adored every page of it . . . No one blends love and loss, happiness and heartbreak quite the way Carmel does. Not since the late, great Maeve Binchy’ CLAUDIA CARROLL ‘An emotional family drama . . . full of the warmth we’ve come to associate with Carmel’s writing’ HAZEL GAYNOR ‘An exploration of familial love and grief . . . and how in the face of our greatest trials, our strongest bonds can be forged’ ROISIN MEANEY ’Warm, uplifting and thought-provoking . . . The perfect book club read!’ DEBBIE JOHNSON ‘Beautifully written, warm and wise. I adored it’ ALEX BROWN Hawke’s Bay, New ZealandWhile Rachel Butler likes her life in a pretty Dublin coastal village, her heart lies in Hawke’s Bay, where she grew up. Visiting for the first time since tragedy tore her family apart, she and her stepchildren fall for its beauty and outdoor lifestyle. Malahide, IrelandAs Rachel picks up the threads of her life as a single parent, she can’t shake off the memories of her loving family in New Zealand – and her dream house, the villa on the bay. But it’s time to move forwards with their life in Ireland, close to the children’s grandparents, amid the familiar surroundings they all know well. Until the children’s grandmother, still grieving, starts to interfere, questioning Rachel's position as stepmother. Until Rachel’s attempts to strengthen the family she loves so dearly backfires, pitting everyone against each other. And until her late husband’s parents mend the rift that has existed as long as she’s been married – bringing with them an explosive secret . . .

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The nostalgic memoir of a young man, eldest of fourteen, growing up in 40s Wednesbury. The heartbreaking true account of his son struggling to come to terms with his father’s dementia. A tribute to the unbreakable bond between father and son. When Simon McDermott first noticed his dad Ted’s sudden flares of temper and fits of forgetfulness, he couldn’t have guessed what lay ahead. Then came the devastating, inevitable diagnosis. As Ted retreated into his own world, Simon and his mum Linda desperately tried to reach him until at last: an idea. Turning the ignition in his mum’s little runaround, Simon hit play on Ted’s favourite song Quando Quando Quando. And like that, they were just two mates driving around Blackburn, singing at the top of their lungs. Simon filmed their adventure, uploaded the video to YouTube and woke up to messages, tweets and his phone ringing off the hook. Their carpool karaoke had gone viral all the way across the globe. But a record deal, Pride of Britain Awards, over £130,000 raised for The Alzheimer’s Society and a Top 10 single later, Simon was still losing Ted. That’s when he made a decision. His Dad – the storyteller of his childhood and his best friend – couldn’t tell his own story, so Simon would tell it for him. This is that story. Set in the heart of the Black Country just before WWII, and written with the help of Ted’s friends and family, The Songaminute Man recalls a boy who became a gutsy and fiercely loyal man. It remembers a childhood of sleeping top-to-toe, rationing, adventure in the woods and making-do-and-mending, a close-knit community, and a life-long passion for music. Full of poignant moments, the ups and downs of family life and treasured memories, The Songaminute Man is a story of two halves: a celebration of the man Ted was, and a powerful and moving account of caring for a loved one.

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Where do I belong? Since our earliest days, humans have sat around tribal fires and told stories about where we came from, where we are going, and how we belong. We want to have the answers to those big questions of life and share them with others. This desire is deeply built into us and the glow of that tribal fire is still enticing. We long to find our tribe and to fit in with others like us. So, even when we scratch the itch of tribalism, why do we burn for something else? By looking at creation, families, church, and the hope of heaven, Andy Percey shows us that we were never made to just fit in; God created us to belong to him and each other in the truest and deepest way possible. If you are asking these questions around the fire, this book is your invitation into relationship, partnership, companionship and belonging. Content Benefits: What does it mean for us to be a people who are made to belong, rather than simply fit in? This book brings insight and pastoral guidance to help you answer this question and help create new connections with each other and God. Looks at the growing trend in society to find your tribe Gets to the heart of the rising tide of loneliness and social exclusion felt today Examines why tribalism does not satisfy our deepest longing to belong Provides a framework to belong, based on the idea that God created us to be in relationship with Him Perfect for anyone who is searching to belong or to find true connection with God and others Ideal for pastors, leaders and pastoral teams, and anyone who is wanting to stem the tide of loneliness in their community Readers will learn how to connect with God, with each other, and create spaces and churches that welcome others Critiques the idea of tribalism from a Christian perspective Binding - Paperback Pages - 176 Publisher - Authentic Media

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The Mary Rose carried a crew of naval officers and sailors, a fighting force of gunners and soldiers, a Barber-surgeon, several ship's carpenters and skilled navigators. Of nearly 500 men, fewer than 40 survived the sinking on 19th July 1545. Trapped by netting, or below deck, they stood little chance, and their bodies and belongings went to the bottom of the sea. Excavation of the hull and contents produced a huge collection of objects that together make up a detailed picture of what life was like on board.Before the Mast explores how the men of the Mary Rose lived, through their surviving possessions; how they were fed; their music and recreation, medicine and provision for illness and injury, as well as working practices: carpentry and maintenance, stowage, navigation and ship's communications. The personal possessions of the crew included religious items, books, fishing lines and weights, sewing kits, money, hair combs, jewellery, knives, musical instruments and many items of clothing. The Barber-surgeon, who had his own cabin, brought on board a fine chest filled with canisters, bottles and pots of ointment and medicines, a variety of surgical instruments and a fine set of razors. Another cabin nearby was clearly occupied by the ship's carpenters whose toolkit included planes, adzes, axes, hammers and drills, as well as pitch pots and special mallets for patching up leaks in the ship's hull. The ship's navigators had the best in sixteenth century compasses. The ship's galley was in the hold and this area in particular produced many examples of wooden and pewter plates, bowls, pots, bread troughs, and tankards, as well as barrels and baskets still containing beef, pork, fish and fruit. The volume also includes an analysis of the human remains providing evidence for the stature and age range of the men most were under 30 their health, and injuries sustained.Before the Mast is now available again in a two volume edition published by Oxbow Books.

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Text in German. Munich is lucky. A city that is at the top of the popularity scale needs nothing more than attractive building land. There has been a great deal more of this in recent years since industry and commerce have moved off to the periphery, barracks have been closed, the goods station and the airport have been relocated and the exhibition centre has gone to the empty site in Riem that was freed up. This meant that the Theresienhohe became an urban development area as well. Trade-exhibition halls were still being built around the historic parkland, established as an exhibition park around the turn of the century, in the 1980s. In 1997, an architectural competition was looking for ideas for an "inner-city, dense mixture of use for culture, as a central, for housing and commerce". The prize-winning suggestion by Steidle + Partner became the basis for further planning. The convincing feature was the instinctive sureness with which the practice imposed scale and urban character of the surrounded quarters on to the former exhibition-centre site. The development proposal, which could be interpreted in many ways but proposed an easily remembered line, is continued in the architecture, with its sets of buildings staggered against each other. The first buildings to be completed included the KPMG head office, which emerged from a workshop procedure: the ground plan for the complex uses a meander pattern, completed at one corner by a high-rise residential building -- which means that the quarter principle of reversible residential and office use is demonstrated within a single block. A central entrance courtyard provides access to the office block, but there is access from the outside elsewhere as well, should the function ever be changed. The building rises to seven storeys, and is pleasingly disturbing because of the lively colours on its facade of glazed ceramic panels. The even staccato of the narrow windows forms a contrast with this. Both together give the architecture the appeal of a mysterious musical instrument -- certainly intended for very young, rhythmic music.

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A sparkling new take on an age-old publication: The Other Almanac brings together a stellar group of young writers, artists and activists to pick up themes of environmentalism, gardening, recipes, folklore, seasonal savvy, and off- the-beaten-track amusement, all presented in brilliant color and eye-popping design. Out with the Old, in with the Other!The original Almanac is the oldest continuously printed publication in the US . It comprises a popular mix of ancient wisdom, garden advice, poems, jokes, how-to's, recipes, and calendars. It is, however, still tailored to its traditional audience: largely rural, white and conservative. It eschews stances on anything overtly progressive, be it political, ecological, or social. The Other Almanac puts right these omissions. Whilst retaining the quirkiness and liveliness of the original, it aims to bridge the urban/rural divide in America, delving into issues of politics and culture that unite us all. Its pages are filled with buoyant contributions from climate organizers, indigenous activists, migrant farmworkers, historians, scientists, medicine makers, incarcerated painters, astrologers, lawyers, borderland midwives and more. Original, full color art surrounds their writing, creating an inviting, accessible yearbook that will entertain and educate a wide new readership for an age-old chronicle. Contributors: 10th Floor Studio, adrienne maree brown, Alexis Pauline Gumbs, Alfredo Jaar, Amaryllis R. Flowers, Andrea Aliseda, Bill McKibben, Bread and Puppet Press, Carla J. Simmons, Chloë Boxer, Chris Lloyd, Dyani White Hawk, Dylan Smith, Daniel Barreto, Esther Elia, Food With Fam, Francesca DiMattio, Hangama Amiri, Hannah Beerman, Jennifer Givhan, Jessie Kindig, Jumana Manna, Kirk Gordon, Keegan Dakkar Lomanto, Lily Consuelo Saporta Tagiuri, Philip Poon, Sophia Giovannitti, Tania Willard, Tyrrell Tapaha, Veladya Chapman, Who Tattoo, Yaku Perez Guartambel.

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It is 2027. August Helm is thirty years old. A biochemist working in a lab at the University of Chicago, he is swept off his feet by the beautiful and entirely self-assured Amanda Clark. Animated by August’s consuming desire, their relationship quickly becomes intimate. But when he stumbles across a liaison between the director of his lab and a much younger student, his position is eliminated and his world upended.August sets out to visit his parents in Words, an unincorporated village in the heart of Wisconsin’s Driftless Area. Here, he reconnects with several characters from his past: Ivan Bookchester, who now advocates for “new ways of living” in an age of decline; Hanh, formerly known as Jewelweed, who tends her orchard and wild ginseng, keenly attuned to new patterns of migration resulting from climate change and habitat destruction; and Lester Mortal, the aging veteran and fierce pacifist who long ago rescued her from Vietnam. Together, the old friends fall back into a familiar closeness.But much as things initially seem unchanged in the Driftless, when August is hired to look after Tom and April Lux’s home in Forest Gate, he finds himself in the midst of an entirely different social set, made up of wealthy homeowners who are mostly resented by the poorer surrounding communities, and distanced in turn by their fear of the locals. August soon falls head over heels for April, and different versions of his self collide: one in which the past is still present in tensions and dreams, another in which he understands his desire as genetically determined and chemically induced, and then a vaguely hoped-for future with April. When Lester is diagnosed with liver cirrhosis, Ivan comes clean on a ghastly past episode, and April makes a shocking revelation, a series of events ensues that will change all involved forever. As approachable as it is profound in exploring the human condition and our shared need for community, this is a story for our times.

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Text in English and German. The basic features of Deutsche Lufthansa's present corporate image emerged almost 45 years ago. It was created by Otl Aicher, one of the principal figures at the now legendary Hochschule für Gestaltung in Ulm. Another work by Aicher that spoke to the whole of Germany, as it were (and still does, in rudiments), is the 1972 corporate image for the Zweites Deutsches Fernsehen. The corporate image he created for the Olympic Games in Munich, which made an essential contribution to the ambience of the event, has also remained memorable. Since the ideas developed by Aicher and his colleagues were implemented in the early sixties, the airline has been seen world-wide as a perfect example of a consistently developed corporate image. Aicher based himself on ideas from the Deutscher Werkbund and took the company's entire inventory into consideration: "house colours, pictorial and typographic logos, typeface, graphic and typographic rules and standards, photographic style, quality of support materials, packaging, exhibition systems, architectural characteristics, forms (design) of interior furnishings and equipment, style of work and service clothes". As well as Otl Aicher, numerous other product and graphic designers, fashion designers and advertising and marketing agencies have worked for Lufthansa. They include Otto Firle, whose ideas led to the crane logo, Hartmut Esslinger and his company frog design, Priestman & Goode, Müller Romca Industriedesign, Don Wallance, Wilhelm Wagenfeld, Hans Theo Baumann, Nick Roericht, Wolfgang Karnagel, Topel & Pauser and the bhar design practice, fashion designers Uli Richter, Ursula Tautz and Werner Machnick, Jürgen Weiss, Gabriele Strehle and the Jobis company as well as the agencies Zintzmeyer & Lux, the Peter Schmidt Group, Ogilvy & Mather, Young & Rubicam, Spiess/Ermisch/Abel, Springer & Jacoby, McCann & Erickson and Fanghänel & Lohmann. An exhibition of the same name at the Museum for Applied Arts in Frankfurt deals with the same subject as the book.

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Winner of the the British Academy Nayef Al-Rodhan Prize for Global Cultural Understanding 2018 Winner of the Stanford Dolman Travel Book of the Year 2017 Winner of the 2017 Highland Book Prize Winner of the Saltire Society Book of the Year 2017 Shortlisted for the RSL Ondaatje Prize 2018 Shortlisted for the Baillie Gifford Prize 2017 Shortlisted for the Duff Cooper Prize 2017 Shortlisted for the Bread and Roses Award 2018 Shortlisted for the Gordon Burn Prize 2017 Shortlisted for the National Circle of Critics Award 2017 When Kapka Kassabova was a child, the borderzone between Bulgaria, Turkey and Greece was rumoured to be an easier crossing point into the West than the Berlin Wall so it swarmed with soldiers, spies and fugitives. On holidays close to the border on the Black Sea coast, she remembers playing on the beach, only miles from where an electrified fence bristled, its barbs pointing inwards toward the enemy: the holiday-makers, the potential escapees. Today, this densely forested landscape is no longer heavily militarised, but it is scarred by its past. In Border, Kapka Kassabova sets out on a journey to meet the people of this triple border - Bulgarians, Turks, Greeks, and the latest wave of refugees fleeing conflict further afield. She discovers a region that has been shaped by the successive forces of history: by its own past migration crises, by communism, by two World wars, by the Ottoman Empire, and - older still - by the ancient legacy of myths and legends. As Kapka Kassabova explores this enigmatic region in the company of border guards and treasure hunters, entrepreneurs and botanists, psychic healers and ritual fire-walkers, refugees and smugglers, she traces the physical and psychological borders that criss-cross its villages and mountains, and goes in search of the stories that will unlock its secrets. Border is a sharply observed portrait of a little-known corner of Europe, and a fascinating meditation on the borderlines that exist between countries, between cultures, between people, and within each of us.

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Catherine Hogarth, who came from a cultured Scots family, married Charles Dickens in 1836, the same year he began serializing his first novel. Together they traveled widely, entertained frequently, and raised ten children. In 1858, the celebrated writer pressured Catherine to leave their home, unjustly alleging that she was mentally disordered—unfit and unloved as wife and mother. Constructing a plotline nearly as powerful as his stories of Scrooge and Little Nell, Dickens created the image of his wife as a depressed and uninteresting figure, using two of her three sisters against her, by measuring her presumed weaknesses against their strengths. This self-serving fiction is still widely accepted. In the first comprehensive biography of Catherine Dickens, Lillian Nayder debunks this tale in retelling it, wresting away from the famous novelist the power to shape his wife's story. Nayder demonstrates that the Dickenses' marriage was long a happy one; more important, she shows that the figure we know only as "Mrs. Charles Dickens" was also a daughter, sister, and friend, a loving mother and grandmother, a capable household manager, and an intelligent person whose company was valued and sought by a wide circle of women and men. Making use of the Dickenses' banking records and legal papers as well as their correspondence with friends and family members, Nayder challenges the long-standing view of Catherine Dickens and offers unparalleled insights into the relations among the four Hogarth sisters, reclaiming those cherished by the famous novelist as Catherine's own and illuminating her special bond with her youngest sister, Helen, her staunchest ally during the marital breakdown. Drawing on little-known, unpublished material and forcing Catherine's husband from center stage, The Other Dickens revolutionizes our perception of the Dickens family dynamic, illuminates the legal and emotional ambiguities of Catherine's position as a "single" wife, and deepens our understanding of what it meant to be a woman in the Victorian age.

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Connect the Dots to a Deeper Understanding of God’s Word with The Open Bible.The Bible is a collection of 66 books written by many writers over a vast time period, and yet it’s the unified Word of God. The Open Bible offers clean and easy navigation through Scripture’s interconnected themes and teachings, with a time-tested complete reference system trusted by millions. Plus, The Open Bible gives you even more access into the pages of the Word with book introductions and outlines to provide context and themes from beginning to end.Features include: Topical Index to the Bible—This easy-to-navigate feature quickly displays the scriptural connections between more than 8,000 names, places, concepts, events, and doctrines. Concordance—Quickly find the Bible verses you’re looking for with 4,795 word entries with nearly 36,000 Scripture references—plus 339 entries of significant people in the Bible. The Visual Survey of the Bible—The detailed 24-page visual overview of the Bible unfolds the people, events and themes of scripture at a glance. Life application notes crystallize central spiritual truths. Bible Book Introductions—Extensive at-a-glance outlines plus a detailed overview of the overview help broaden your perspective of each book. How to Study the Bible—Expert advice for both personal and family Bible study, plus helpful principles of Bible interpretation. The Christian’s Guide to the New Life—A complete doctrinal overview of Scripture divided into 32 “Christian Guides,” supported by hundreds of scripture references. A Guide to Christian Workers—Powerful motivation and practical guidance for sharing the Gospel—from contact to conversation, conversion, the certainty of salvation, and more. And more: The Scarlet Thread of Redemption, 82 Prayers of the Bible, Read Your Bible Through the Year, Between the Testaments, Teachings and Illustrations of Christ, Prophecies of the Messiah Fulfilled in Christ, The Parables of Jesus Christ, The Miracles of Jesus Christ, The Laws of the Bible, Detailed Maps, and still more. The exclusive Thomas Nelson NKJV Comfort Print® at a readable 9-point print size

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Explore 35 step-by-step how-tos and more than 100 additional tips and tricks for creating a variety of manga characters, animals, and scenes in The Art of Drawing Manga. With 144 pages of in-depth instruction and hundreds of reference images, The Art of Drawing Manga is suitable for all manga artists and enthusiasts, regardless of age. From learning the basics of drawing archetypal characters with intriguing personalities to creating action-packed poses and even drawing entire manga scenes from scratch, this is the ultimate guide to creating all things manga. Perfect for manga fans who already have some drawing experience, but also suitable for motivated beginners, this book shows how to draw people and animals, develop intriguing characters, create eye-catching poses and scenes, and write stories and dialog for a manga book. All instruction is easy to follow, so you can quickly learn to draw different faces and expressions, hairstyles, clothing and accessories, animals (both real and fictional), heroes, villains, sidekicks, and so much more. Step-by-step instructions make the drawing process approachable for aspiring artists who already have some background in drawing. Projects range from simple and easy chibis to more detailed scenes with multiple characters in action poses. Also included are tips for developing your own style, while looking to common styles for inspiration. Templates at the end of the book allow for easy practice of character faces and poses. With everything you need to start in the world of manga, The Art of Drawing Manga is your ultimate guide to creating your own characters and developing your own original manga books and stories. The Collector’s Series offers approachable, step-by-step art instruction for a variety of mediums and subjects, such as drawing, oil, acrylic, watercolor, cartooning, calligraphy, and more. Perfect for beginning artists, each title features artist tips for drawing or painting anything and everything from people, animals, and still life to flowers, trees, and landscapes.

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Explore the places that time forgot. Abandoned, mysterious, sleeping monuments around the world have been relegated to the margins of history, pushed off the map and out of sight. From ancient ruins and crumbling castles to more recent relics – an art deco New York subway station, a Soviet ghost town in the Arctic Circle, a flooded Thai mall teeming with aquatic life – Travis Elborough takes you on a journey into these strange, overlooked and disappearing worlds and immortalises their fates.Original maps and stunning colour photography accompany Travis Elborough’s moving historic and geographic accounts of each site. The featured locations are a stark reminder of what was, and the accounts in this investigative book help to bring their stories back to life, telling us what happened, when and why, and to whom. The book features 40 sites, including: Santa Claus, Arizona, USA: A festive tourist resort turned ghost town deep in the desert where once you could meet Santa Claus any day of the year; Crystal Palace Subway, London, UK: One of the city’s best-kept secrets is an underground, cathedral-like relic from where many Victorian commuters bustled through; Montserrat, West Indies: The small Caribbean island with a population of 5,000 that was evacuated when its volcano erupted in 1995. The volcano is still active and nearly half the island remains a designated exclusion zone; Balaklava Submarine Base, Crimea: The former top-secret Soviet submarine base that was kept off all official maps and known as Object 825 GTS; Volterra Psychiatric Hospital, Tuscany, Italy: Once dubbed ‘the place of no return’, this long-closed lunatic asylum once housed 6,000 patients who were never allowed to leave. Also in the Unexpected Atlas series: Atlas of Improbable Places, Atlas of Untamed Places, Atlas of the Unexpected and Atlas of Vanishing Places (WINNER Illustrated Book of the Year - Edward Stanford Travel Writing Awards 2020).

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Sometimes, to find love, you have to be a little accommodating… A whip-smart, hilariously funny romcom for fans of Mhairi McFarlane and Sophie Kinsella! ‘Witty, heartwarming and totally relatable’ Kathryn Freeman Cath Beckinsale is in a jam. She’s a single mum of three, with her 40th birthday in sight and a precarious hold on employment. And she can’t quite let go of her late husband Gaz, whose ashes are still in an urn on the kitchen table. To make ends meet a student lodger seems like the perfect solution – after all, what’s one more child in the house? But when Dan flies in from the US with guitar and chest hair on display, it’s immediately clear that he’s no teenager, but someone who quickly sends life in an unexpected direction. ‘Properly hilarious yet touching and real …serving up laugh after laugh amid the challenges of life’ Pernille Hughes Readers love The Accidental Housemate: ‘I loved every page of this book. Thank you Sal Thomas for giving me so many laughs’ ⭐⭐⭐⭐⭐ ‘Absolutely brilliant. Loved, loved, loved the characters and it was just so heartwarming and uplifting’ ⭐⭐⭐⭐⭐ ‘Did I dislike anything about this book? Absolutely not! Well other than the fact I didn’t want it to end’ ⭐⭐⭐⭐⭐ ‘Witty and charming story. Had me laughing out loud at several points’ ⭐⭐⭐⭐⭐ ‘A lovely, lovely read. Definitely a great one to read on the beach’ ⭐⭐⭐⭐⭐ ‘I loved this book so much!!!’ ⭐⭐⭐⭐⭐ ‘Not what I was expecting, as it was so much better’ ⭐⭐⭐⭐⭐ ‘An utter gem of a book…has all the feels; its poignant, funny and smart’ ⭐⭐⭐⭐⭐

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Over 100 years ago, Einstein changed the way we understood time from being a fixed measurement to a relative one which, rather than being 'correct' as it had been before, was now 'proper' to the body concerned. While physics, especially at the quantum level, has moved on, economics still labours under the old Newtonian idea of time as some sort of fixed, intergalactic tape measure. Jam Tomorrow? uses Einstein's conception of time to recalibrate economics in a way which puts time itself at the very heart of the economic calculus where previous ideas like supply and demand or utility held sway. Rather than just sitting on the x-axis of every graph, time becomes the key variable underpinning the economic cycle; our collective time horizon extends in a boom and contracts in a recession. Each economic agent, whether an individual, household, corporation or government, has their own time horizon which reflects their specific needs and desires, and it's the interaction of these factors which is the proper topic for economic analysis. At the most fundamental level, every economic decision is one about time because the basic economic choice is one between consuming in the present or delaying that consumption to the future through saving. Because humans are unique in their degree of self-awareness and therefore awareness of their existence in time, they alone in the animal kingdom consciously decide to delay consumption since they know that action in the present can affect the future. Economics is therefore the realm of the animal that chooses to save, and that realm is a temporal one. Jam Tomorrow? builds a new theory of value based on our economic perception of time. It redefines the relationship between the idea of value and price which incorporates a new, temporal theory of money and credit, which in turn creates new possibilities in terms of our understanding of economic and market history as well as anticipating how we might react to the economic and environmental challenges of the future.

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'A powerful new voice in thriller writing' ADAM HAMDYBorn and raised in London, Pretty Boy has spent the last ten years in exile after being forced out of his hometown. He's learned patience, and how to disappear. Now Pretty Boy is ready to get his revenge on those who need to pay for his lost years. Meanwhile, back in the city, things have moved on. People still talk about Pretty Boy, of course. He's a legend, more myth than man, and rumours run wild about his deadly legacy. But most think they've seen the last of him. He's finished.Someone who never gave up on Pretty Boy is Alan Pierce. The former policeman turned corrupt businessman has always lived by his own rules: stay focussed, stay one step ahead of the enemy, stay alive. Alan and Pretty Boy have history - Pretty Boy owes him everything - so when Alan finds himself fighting a drug-fuelled war on all fronts, there's only one man he wants to turn to. But where is Pretty Boy?Sharp, fast-paced and gripping and with a cast of unforgettable characters, A Good Night to Kill is a heart-pounding tale of justice, loyalty, and of what happens when two men turn to face the fight they've been trying to outrun. Praise for Amen Alonge and A Good Day to Die'Action-packed, gripping, and wildly entertaining' ADAM HAMDY'One of those books that you hate to put down' 5* READER REVIEW'A smart, gritty, action-packed' WILLIAM SHAW'[An] ultra violent and propulsive London thriller' 5* READER REVIEW'Powerful' LITERARY REVIEW'A great non-stop action thriller with an explosive ending' 5* READER REVIEW'A cracker of a debut' TREVOR WOOD'Enthralling' 5* READER REVIEW

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*JEWISH CHRONICAL CRITICS' CHOICE: NON-FICTION OF THE YEAR 2022*'A devastatingly affecting book. . . Bunce Court! I keep saying the name to myself because it encapsulates all that is gentle and comically charming about wartime England' The Times 'Emotionally compelling' Observer'All the violence I had experienced before felt like a bad dream. It was a paradise. I think most of the children felt it was a paradise.'In 1933, as Hitler came to power, schoolteacher Anna Essinger hatched a daring and courageous plan: to smuggle her entire school out of Nazi Germany. Anna had read Mein Kampf and knew the terrible danger that Hitler's hate-fuelled ideologies posed to her pupils. She knew that to protect them she had to get her pupils to the safety of England. But the safe haven that Anna struggled to create in a rundown manor house in Kent would test her to the limit. As the news from Europe continued to darken, Anna rescued successive waves of fleeing children and, when war broke out, she and her pupils faced a second exodus. One by one countries fell to the Nazis and before long unspeakable rumours began to circulate. Red Cross messages stopped and parents in occupied Europe vanished. In time, Anna would take in orphans who had given up all hope; the survivors of unimaginable horrors. Anna's school offered these scarred children the love and security they needed to rebuild their lives, showing them that, despite everything, there was still a world worth fighting for.Featuring moving first-hand testimony, and drawn from letters, diaries and present-day interviews, The School That Escaped the Nazis is a dramatic human tale that offers a unique child's-eye perspective on Nazi persecution and the Holocaust. It is also the story of one woman's refusal to allow her beliefs in a better, more equitable world to be overtaken by the evil that surrounded her.

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At its peak, the South Wales railway network was one of the most complex in the world. Its primary purpose was to transport Coal from source to point of consumption or export via the various docks. To this was added the other raw materials necessary for making Iron and ultimately Steel, together with the respective products of that industry. True, there was no glory in this day to day phenomenon and as a consequence, the area has been poorly represented in the annals of the British railway network. Even that paragon of railway publicity the Great Western, found easier plums to pick elsewhere on its system. However, in addition to the GW, the area was a magnet for the London & North Western, the Midland Railway and not to be forgotten, the 15 indigenous companies. Yet, in terms of traffic, engineering enterprise, operating practices and locomotive types, the area boasted an unequalled variety which this book attempts to reflect. Many of the photographs have not been published before and capture an essence of the variety to be found. The captions contain extensive details to supplement the photographic record enabling a more comprehensive appreciation and understanding of what was involved. It is difficult to appreciate the railway was once a Common Carrier obliged to convey any consignment offered. Even though Coal was predominant other traffic, including the more unusual, are also featured; Although of secondary importance in regard to revenue, Passenger services were carefully dovetailed into the intensive freight operation and matched any other location's provision. After the 1923 Grouping, the GW became the major player in South Wales. It absorbed all 15 of the independent companies and further extended its policy of standardisation. Nevertheless, where the smaller companies demonstrated good practices, these were embraced. The L&NW and MR elements became LMSR but still remained far flung tentacles from the parent. All this is recognised here albeit in proportion. The Gallery aims to provide a flavour of what the railways of South Wales had to offer and enlighten the reader as to its major part in the national network.

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The Royal Navy's greatest contribution to the Allied success in World War II was undoubtedly the defeat of the U-boat menace in the North Atlantic, a victory on which all other European campaigns depended. The underwater threat was the most serious naval challenge of the war so it was not surprising that captured German submarine technology became the focus of attention for the British submarine service after 1945\. It was quick to test and adopt the schnorkel, streamlining, homing torpedoes and, less successfully, hydrogen-peroxide propulsion. Furthermore, in the course of the long Atlantic battle, the Royal Navy had become the world's most effective anti-submarine force and was able to utilise this expertise to improve the efficiency of its own submarines. However, in 1945 German submarine technology had also fallen into the hands of the Soviet Union and as the Cold War developed it became clear that a growing Russian submarine fleet would pose a new threat. Britain had to go to the US for its first nuclear propulsion technology, but the Royal Navy introduced the silencing technique which made British and US nuclear submarines viable anti-submarine assets, and it pioneered in the use of passive - silent - sonars in that role. Nuclear power also changed the role of some British submarines, which replaced bombers as the core element of British Cold War and post Cold War nuclear deterrence. As in other books in this series, this one shows how a combination of evolving strategic and tactical requirements and new technology produced successive types of submarines. It it is based largely on unpublished and previously classified official documentation, and to the extent allowed by security restrictions, also tells the operational story - HMS _Conqueror_ is still the only nuclear submarine to have sunk a warship in combat, but there are many less well known aspects of British submarine operations in the postwar era. Although some of the Cold War activities of British submarines have come to light in recent years, this book will be the first comprehensive technical history of the submarines themselves, their design rationale, and the service which operated them.

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The 'eleventh hour of the eleventh day of the eleventh month' of 1918 was supposed to be the conclusion of the 'war to end all wars'. Just twenty-one years after the armistice was signed, Barnsley, its borough and the world braced itself for a global conflict that history would eventually testify to be deadlier than the war that destroyed a generation of Barnsley men and boys. After the Great War, the famous market town stumbled into a new era that promised social change, including universal suffrage, economic and political stability and establishments of new international organisations such as the League of Nations to steer the masses. In reality, the town suffered in poverty, endured pit disasters, countless industrial deaths all the while still lamenting its lost generation, mercilessly butchered on The Somme. The books narrative explains in detail Barnsley's transition from its interwar years, to the euphoria of victory in 1945, supported by a timeline of national events that helped shape the town. It steers away from the common two-dimensional viewpoints some people had on the Home Front and the endless reusing of the same themes - 'the Great British spirit', Churchillian greatness, D-Day, Dunkirk and VE day. Although one cannot dismiss those remarkable qualities the town developed during the war, it also explores controversial topics such as social impacts, the rise in juvenile delinquency, misplaced optimism, increase in crime and the acceptance of the status quo by some members of the ruling council. Indeed, Barnsley rose to the challenge as it did years earlier, women once again revealed their rightful place in society as equals, miners smashed productivity records, men and women took up arms in anticipation of invasion. The Second World War had arguably the same impacts on Barnsley as the Great War, further local names etched on the memorials as a timeless reminder of the men, women and children who died or gave their life for their town, county and country. Never to be forgotten.

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The funniest, most insighftul, clever and totally bonkers parody of all things Shakespeare, filled to the brim with Pratchett's signature style.'Pratchett uses his other world to hold up a distorting mirror to our own' The Times'The Discworld novels have always been among the most serious of comedies, the most relevant and real of fantasies' Independent'An enduring, endearing presence in comic literature' GuardianWitches are not by nature gregarious, and they certainly don't have leaders.Granny Weatherwax was the most highly regarded of the leaders they didn't have.But even she found that meddling in royal politics was a lot more difficult than certain playwrights would have you believe...Readers love Wyrd Sisters:'Witty, well written, amusing anecdotes, Shakespeare/real life parody, DEATH, witches it has to be Terry Pratchett' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'There were so many instances here where I didn't only have to chuckle but laugh out loud . . . the entire book was full of fast-paced fun' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Pratchett's version of what would happen if Hamlet and Macbeth had been set in the Discworld universe . . . there are too many aspects of awesomeness about this book' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Brilliant and funny and wonderfully insightful' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Wyrd Sisters is the funniest and the wittiest Macbeth parody with the familiar Pratchett's style' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'A great story, hilarious, witty, full of irony and so well written. This has been my favourite Discworld volume so far, and I am so happy I still have so many to go through!' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

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"Now Michael, you're the son of a naval officer, you must behave like a naval officer at all times..."What Captain William Rutherford told his seven-year-old son Michael was to stay with him all his life. Born in 1950, Michael was truly his father's son, even serving in the naval section of the student cadet corps at one of England's top public schools, Charterhouse. Mike's future lay in the civil service: it was a subject that he discussed with his father at Captain Crawford's gentlemen's club. But then something happened. Mike discovered rock music. As one of the founder members of Genesis, Mike was to tour the world and achieve international fame. From unpromising beginnings - demonised by his teachers as a fomenter of revolution, driving to gigs in a bread van - Mike would go on to crisscross the globe with bandmates Peter Gabriel and, later, Phil Collins, playing to packed-out stadiums and achieving record sales of over 150 million. Swapping old school ties and Savile Row suits for flares and Afghan coats, Mike and Genesis would pioneer the pomp and theatricality of 1970s progressive rock before becoming household names in the 1980s with hits like Turn It On Again, Mama and Land of Confusion. There was drink, there were drugs; there were arguments and excess. But, in the background - and sometimes in the audience - there was also the loyal Captain Rutherford, earplugs at the ready, Melody Maker in hand. A proud father still.The Living Years spans the entire history of Genesis, from the earliest days as a school band to the triumphant 2007 reunion tour when Genesis played to over 500,000 people in Rome. But this is not just another rock 'n' roll memoir. This is also a book about two men whose lives and complex relationship reflect the seismic social and cultural shifts that took place during the twentieth century. A book for every father and son.

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This has always been the case, no matter how often that certainty has failed. Though no generation believes there’s nothing left to learn, every generation unconsciously assumes that what has already been defined and accepted is (probably) pretty close to how reality will be viewed in perpetuity. And then, of course, time passes. Ideas shift. Opinions invert. What once seemed reasonable eventually becomes absurd, replaced by modern perspectives that feel even more irrefutable and secure – until, of course, they don’t. But What If We’re Wrong? visualizes the contemporary world as it will appear to those who’ll perceive it as the distant past. Chuck Klosterman asks questions that are profound in their simplicity: How certain are we about our understanding of gravity? How certain are we about our understanding of time? What will be the defining memory of rock music, five hundred years from today? How seriously should we view the content of our dreams? How seriously should we view the content of television? Are all sports destined for extinction? Is it possible that the greatest artist of our era is currently unknown (or – weirder still – widely known, but entirely disrespected)? Is it possible that we ‘overrate’ democracy? And perhaps most disturbing, is it possible that we’ve reached the end of knowledge? Kinetically slingshotting through a broad spectrum of objective and subjective problems, But What If We’re Wrong? is built on interviews with a variety of creative thinkers – George Saunders, David Byrne, Jonathan Lethem, Kathryn Schulz, Neil deGrasse Tyson, Brian Greene, Junot Díaz, Amanda Petrusich, Ryan Adams, Nick Bostrom, Dan Carlin, and Richard Linklater, among others – interwoven with the type of high-wire humor and nontraditional analysis only Klosterman would dare to attempt. It’s a seemingly impossible achievement: a book about the things we cannot know, explained as if we did. It’s about how we live now, once ‘now’ has become ‘then’.

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'This isn't a mid-life crisis OK? For a start I'm not old enough yet to have one of those. I'm calling it a happiness project. I've stolen an entire summer from my life and by the time it's over I plan to leave this place with a list in my hand. The ten things that make me happy, that's all I want to know. How difficult can it be? They may be small things - a perfect cup of coffee, a day without rain - or bigger ones. It's still the beginning so how can I know?' Addolorata Martinelli knows she should be happy. She has everything she thought she wanted - her own business, a husband, a child. So why does she feel as if something is missing? Then when her restaurant, Little Italy, is slated by a reviewer, she realises that she's lost the one thing she thought she could always count on, her love of food.So Addolorata heads to Venice for a summer alone, aiming to find the ten things that make her happy. Once she's found them, she'll construct a new life around her ten things, but will they include her life in London?Readers are loving Nicky Pellegrino!'I could smell the fresh pasta, feel the sunshine, smell the sea breeze and feel my worries wash away. It was lovely to stumble down the cobbled paths and stroll along the beautiful scenery''Through Italy, through food, through heartbreak, through love, through family. Add in a pinch of karmic justice and you have the perfect read with a joyful ending!''Once again Nicky Pellegrino had me captivated with this amazing story. It made me laugh, made me cry. I read it in one afternoon''I will say that if you are a woman on the cusp of discovering who you are and what your heart desires...then you will devour this book as I did''Such a great escapism read, full of emotions and family drama with love'

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Cosy up with this heartwarming winter love story . . .'Sensitive, insightful and wonderfully authentic. A beautiful festive love story’ HEIDI SWAIN'An utter delight; festive and funny, tender and humorous' READER REVIEW *****'A gently woven love story . . . heartfelt, perceptive and very, very human' JULIETTA HENDERSON'A really great read for a cold winter's day with a hot chocolate' READER REVIEW *****'Relatable and emotional . . . beautifully captures all the romance and magic of Christmas. A festive gem' HOLLY MILLER*****ONE DECEMBER DAY, LAURA MEETS LUKE...Luke loves Christmas. He loves the woolly scarves, the mulled wine, the music, the snow. But he’s beginning to ask: what good is it, if you have no one to share it with?Laura doesn’t think there’s anything magical about December. She’d never normally be seen dead with a man in a Christmas jumper. But, at a crowded gig this winter's evening, has she found her soulmate in handsome, funny frontman, Luke?Under the lights, something magical begins. But will Luke and Laura still feel the same on this day next December? And the one after that?Finding love at Christmas is special. But is staying in love - year after year, through the joy and heartbreak - the real miracle?Luke and Laura are about to find out. One December day at a time...Praise for Rachel Marks:'A total delight. Beautifully observed, painfully funny and profoundly moving, it's a wise and wonderful story of hope and love. I adored it!' MIRANDA DICKINSON'A delightful, heart-warming read. The characters feel so real... I'm sure I must know them somehow!' SOPHIE COUSENS'Rachel Marks packs a novel with all the emotions - hope, fear, love, despair and - ultimately - joy' CLARE POOLEY'Unpredictable and satisfying' HEIDI SWAIN'As tender and emotional as it is funny, it made me laugh out loud A LOT, and it made me sob' CRESSIDA McLAUGHLIN'Heartbreaking, heartwarming, perfect!' ROSIE GOODWIN

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Between the closing battles of the Second World War and the collapse of the Soviet Union in 1991, the Cold War cast a shadow over the lives of people throughout the world. Whilst open conflict was avoided between the ideologically competing superpowers and their principal allies, millions died in battlegrounds in parts of the world that were usually far from Moscow, Washington and London. The threat of nuclear annihilation was omnipresent, but at the same time mutually assured destruction tempered conflict and focused minds. Subtle (and not so subtle) attempts to influence popular opinion either way were apparent in everyday life on both sides of the divide. Whilst the power of the dollar and the burgeoning costs of the arms race eventually broke the Soviet economy, the idea that capitalism won' the the Cold War seems misplaced, especially if one considers events that have happened since, including very recent armed conflict. The book takes the reader through main events of the period, but focuses on the impact on ordinary citizens East and West and the view of events from their perspective. This is a story of how economies on both sides were built around war preparations and the advance of destructive technologies that had no social benefits apart from the provision of employment. Sources used are unusual in not fitting the western-based narratives that pervade both academic histories and popular accounts. However, this book is not an apology for the more oppressive aspects of Soviet policy as the USSR struggled to build really existing socialism' within its own borders and the Eastern Bloc countries under its immediate influence. Instead, it brings a people's perspective from both sides onto this important period of recent history, whose consequences are very much still with us as we face modern challenges around climate change and growing inequality across our world. A People's History of the Cold War - Stories from East and West captures the mood of the times with its extensive contemporary illustrations.

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The human race is on a 10,000 year urban adventure. Our ancestors wandered the planet or lived scattered in villages, yet by the end of this century almost all of us will live in cities. But that journey has not been a smooth one and urban civilizations have risen and fallen many times in history. The ruins of many of them still enchant us. This book tells the story of the rise and fall of ancient cities from the end of the Bronze Age to the beginning of the Middle Ages. It is a tale of war and politics, pestilence and famine, triumph and tragedy, by turns both fabulous and squalid. Its focus is on the ancient Mediterranean: Greeks and Romans at the centre, but Phoenicians and Etruscans, Persians, Gauls, and Egyptians all play a part. The story begins with the Greek discovery of much more ancient urban civilizations in Egypt and the Near East, and charts the gradual spread of urbanism to the Atlantic and then the North Sea in the centuries that followed. The ancient Mediterranean, where our story begins, was a harsh environment for urbanism. So how were cities first created, and then sustained for so long, in these apparently unpromising surroundings? How did they feed themselves, where did they find water and building materials, and what did they do with their waste and their dead? Why, in the end, did their rulers give up on them? And what it was like to inhabit urban worlds so unlike our own - cities plunged into darkness every night, cities dominated by the temples of the gods, cities of farmers, cities of slaves, cities of soldiers. Ultimately, the chief characters in the story are the cities themselves. Athens and Sparta, Persepolis and Carthage, Rome and Alexandria: cities that formed great families. Their story encompasses the history of the generations of people who built and inhabited them, whose short lives left behind monuments that have inspired city builders ever since - and whose ruins stand as stark reminders to the 21st century of the perils as well as the potential rewards of an urban existence.

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With the epic scenes of action, powerful characterisation and the authentic period detail that we have come to expect from multi-million copy seller Alexander Kent, this all-action naval adventure is perfect for fans of Patrick O'Brian and C. S. Forester. You'll be hooked from page one!'One of our foremost writers of naval fiction' -- Sunday Times'Shipwreck, survival ... a spirited battle ... a splendid yarn' -- The Times'I recommend it to anyone who liked Sharp, Hornblower and Master and Commander...this series is the daddy!' -- ***** Reader review'This whole series of books is brilliant.' -- ***** Reader review'The story line was gripping, felt the sea in my face and guns in my ears' -- ***** Reader review'These books by Alexander Kent are very well written. I find them riveting and always find myself engrossed completely when I begin reading.' -- ***** Reader review************************************************************************************1801: After eight years of war between Britain and France there is at last a rumour of peace. But the old enemies are well aware that any settlement will be only a breathing space in which to recover from their terrible losses. To obtain the best terms the French muster a show of strength from Biscay to the Channel ports. At the British Admiralty there are some who see a daring opportunity to even the score at any negotiation table - and who better to undertake it than the young Rear Admiral Bolitho!Bolitho's small squadron is still repairing the scars of battle earned at Copenhagen - and as he receives his orders from London, he is, for the first time in his life, torn between the demands of duty and his real desire to marry.When the squadron sails it is joined by an additional ship, a frigate with many memories from the past.But where Bolitho's flag leads so his captains must follow, if necessary to the brink of disaster - for theirs is a tradition of victory.Bolitho's adventures continue in Success to the Brave.

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In this book, John Fraser Hart offers a comprehensive handbook to understanding the elements that make up the rural landscape-those regions that lie at or beyond the fringes of modern metropolitan life. Though the last two centuries have seen an inversion in the portion of people living on farms to those in cities, the land still beckons, whether traversed in a car or train, scanned from far above, or as the locus of our food supply or leisure. The Rural Landscape provides a deceptively simple method for approaching the often complex and variegated shape of the land. Hart divides it into its mineral, vegetable, and animal components and shows how each are interdependent, using examples from across Europe and America. Looking at the land forms of southern England, for instance, he comments on the use of hedgerows to divide fields, the mineral or geomorphological features of the land determining where hedgerows will grow in service of the human animal's needs. Hart reveals the impact on the land of human culture and the basic imperative of making a living as well as the evolution of technical skills toward that end (as seen in the advance of barbed wire as a function of modern transportation). Hart describes with equal clarity the erosion of land to form river basins and the workings of a coal mine. He charts shifting patterns of crop rotation, from the medieval rota of food (wheat or rye), feed (barley or oats), and fallow (to restore the land) to modern two-crop cycle of corn and soybeans, made possible by fertilizers and pesticides. He comments on traditions of land division (it is almost impossible to find a straight line on a map of Europe) and inventories a variety of farm structures (from hop yards and oast houses to the use of dikes for irrigation). He identifies the relict features of the landscape-from low earthen terraces once used in the southern United States to prevent erosion to old bank buildings that have become taverns and barns turned into human homes. Carrying the story of the rural landscape into our frantic era, he describes the "bow wave"where city life meets rural agriculture and plots the effect of recreation and its structures on the look of the land.

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How is it that Americans are more obsessed with exercise than ever, and yet also unhealthier? Fit Nation explains how we got here and imagines how we might create a more inclusive, stronger future. If a shared American creed still exists, it’s a belief that exercise is integral to a life well lived. A century ago, working out was the activity of a strange subculture, but today, it’s almost impossible to avoid exhortations to exercise: Walk 5K to cure cancer! Awaken your inner sex kitten at pole-dancing class! Sweat like (or even with) a celebrity in spin class! Exercise is everywhere. Yet the United States is hardly a “fit nation.” Only 20 percent of Americans work out consistently, over half of gym members don’t even use the facilities they pay for, and fewer than 30 percent of high school students get an hour of exercise a day. So how did fitness become both inescapable and inaccessible? Spanning more than a century of American history, Fit Nation answers these questions and more through original interviews, archival research, and a rich cultural narrative. As a leading political and intellectual historian and a certified fitness instructor, Natalia Mehlman Petrzela is uniquely qualified to confront the complex and far-reaching implications of how our contemporary exercise culture took shape. She explores the work of working out not just as consumers have experienced it, but as it was created by performers, physical educators, trainers, instructors, and many others. For Petrzela, fitness is a social justice issue. She argues that the fight for a more equitable exercise culture will be won only by revolutionizing fitness culture at its core, making it truly inclusive for all bodies in a way it has never been. Examining venues from the stage of the World’s Fair and Muscle Beach to fat farms, feminist health clinics, radical and evangelical college campuses, yoga retreats, gleaming health clubs, school gymnasiums, and many more, Fit Nation is a revealing history that shows fitness to be not just a matter of physical health but of what it means to be an American.

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Common wisdom has it that a picture is worth a thousand words, but in this series of paintings artist Samuel Bak wonders: can a word be worth a thousand pictures? Words are constructed from letters, which stem from hieroglyphic representations of the world around us. The use of letters, words, and sentences in art is not the domain only of comics and cartoons. Examples exist in medieval art, in the art of the post-Impressionists, the Cubists, the Dadaists, the Conceptualists, and more. Bak has always integrated letters and words into his art, incorporating both Hebrew and English characters, cleverly visualizing turns of phrase, and playing on multiple meanings and double entendres. In this series, the letters of the word hope appear in various conditions and ambiguous states—sometimes monumental, sometimes disguised, unnaturally large or unusually small, at times solid and whole, at other times broken and in disarray. They are both impish and foreboding, sometimes clearly presented and other times defying order or even recognition. They are wounded yet resilient, detached but seeking connection. Four simple letters—H, O, P, E—belie the significance and complexity of the word they spell. Is hope something we find or something we build? We dwell in a world that shapes us as we shape it and this interactive dimension applies to the feeling of hope, familiar to every human being who has ever anticipated, wished, or expected. For Bak, the work of building hope, or believing in the hope that others offer, requires engaging with the discarded and broken pieces of a previously trusted world now irrevocably shattered by the Holocaust. In landscapes, still lifes, and figural works, Bak gathers the layered elements of hope for us to contemplate and reminds us that they hold within and among them a promise for rebuilding and renewal. At best, hope is a wager of trust embodied in the venture of going forth. In his essay, Henry Knight guides us through the multivalent forms of hope in Bak’s work, asks us to question what we see and look beyond the visible, endeavors to define what hope after the Holocaust looks like, and teaches us that the process of creation after destruction represented by Bak’s work is itself the ultimate act of hope.

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'The water slips over me like cool silk. The intimacy of touch uninhibited, rising around my legs, over my waist, up to my collarbone. When I throw back my head and relax, the lake runs into my ears. The sound of it is a muffled roar, the vibration of the body amplified by water, every sound felt as if in slow motion . . .' Summer swimming . . . but Jessica Lee - Canadian, Chinese and British - swims through all four seasons and especially loves the winter. 'I long for the ice. The sharp cut of freezing water on my feet. The immeasurable black of the lake at its coldest. Swimming then means cold, and pain, and elation.'At the age of twenty-eight, Jessica Lee, who grew up in Canada and lived in London, finds herself in Berlin. Alone. Lonely, with lowered spirits thanks to some family history and a broken heart, she is there, ostensibly, to write a thesis. And though that is what she does daily, what increasingly occupies her is swimming. So she makes a decision that she believes will win her back her confidence and independence: she will swim fifty-two of the lakes around Berlin, no matter what the weather or season. She is aware that this particular landscape is not without its own ghosts and history.This is the story of a beautiful obsession: of the thrill of a still, turquoise lake, of cracking the ice before submerging, of floating under blue skies, of tangled weeds and murkiness, of cool, fresh, spring swimming - of facing past fears of near drowning and of breaking free.When she completes her year of swimming Jessica finds she has new strength, and she has also found friends and has gained some understanding of how the landscape both haunts and holds us.This book is for everyone who loves swimming, who wishes they could push themselves beyond caution, who understands the deep pleasure of using their body's strength, who knows what it is to allow oneself to abandon all thought and float home to the surface.

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When most people think of the War of 1812, they think of the Niagara frontier, the British burning of the White House, the harrowing tale of Laura Secord, and the much-ballyhooed Battle of New Orleans. But there was more of British North America involved in the war than Upper and Lower Canada. With Great Britain locked in battle with Napoleon's France, the United States pounced on the chance to declare war on Britain. In New Brunswick, the threat of invasion was a very real possibility. Fearing for their lives, families, and property, the people and their legislative assembly adopted every possible measure to make New Brunswick ready for war. However, an officially undeclared state of neutrality was established along the Maine border, and the threat faded. Supporting the British army in its efforts in Upper and Lower Canada and the navy in its operations along the Atlantic coast led to major growth in the province's war economy.As the war moved into its final year and Napoleon's empire fell in Europe, Britain became much more aggressive in its North American campaign. Buoyed by this, the New Brunswick government decided to press its claims to the unresolved international border with Maine. The British military thus occupied the Penobscot River Valley, and northern Maine was declared part of New Brunswick. By the end of the war, and the signing of the Treaty of Ghent, the unresolved border remained unresolved.The economic, political, geographical, and societal results of the War of 1812 continue to be felt in New Brunswick. The war strengthened the colony's ties to Britain, built up its economy, and led to the growth of major cities, especially with the settlement of retiring soldiers. Shipbuilding and supplying the British troops had led to growing profits for farmers, fishermen, merchants, and labourers. Although it would be decades later before the boundary issue was officially settled, there were areas still in dispute. Unlike its Upper and Lower Canadian cousins, the war in New Brunswick may not have involved the burning and pillaging of towns and villages, but its effects were nonetheless important and far-reaching.A Neighbourly War is volume 19 in the New Brunswick Military Heritage Series.

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Turn your home into an underwater utopia with Your Bedroom Is An Ocean!, a one-of-a-kind craft book filled with everything a young seafarer needs to transform their space into an ethereal ecosystem!Why look to the sky for mystery and wonder when one of history's greatest puzzles is right below our noses? Earth's oceans remain one of the most mystifying entities in existence. Swarming with species that have yet to be identified and housing unique characters like sailors, pirates, and (according to some) aliens, the planet's waters are one of the remaining frontiers of our modern world. So why wouldn't children want to immerse themselves in this mystical environment? Your Bedroom Is An Ocean! gives them that power, making ocean exploration as easy as 1-2-turn the page please! And trust us, these pages are filled to the brim with facts and activities too irresistible to ignore, like... The largest ocean is the Pacific, which covers 30% of the Earth's surface. Tsunamis can thunder in at 500 miles per hour, on a good day. The water emitting from hydrothermal vents deep beneath the surface can reach up to 750 degrees Fahrenheit. The planet's largest mountain range is not the Andes...it's the Mid-Oceanic ridge and it's nearly ten times longer than it's above-the-surface counterpart, clocking in at a mind-boggling 40,390 miles. Have you heard of The Bloop? It's not a children's TV character; it's the largest ocean sound that has ever been recorded, and it happened in 1997. There are over 3 million shipwrecks peppering our ocean floors. 91 percent of sea creatures have yet to be discovered, which means marine biologists still have a lot of work to do. Want more? Don't worry. As the universe's largest inhabited space, the world's oceans have plenty of information to offer, all of which will be folded within the pages of our bubbly book. More than just a textbook, though, Your Bedroom Is An Ocean! is also jam-packed with stunning photographs and textile add-ons like stickers that will help kids and parents alike submerge themselves into this perplexing underwater adventure.

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How the Civilian Conservation Corps constructed, rejuvenated, and protected American forests and parks at the height of the Great Depression.Propelled by the unprecedented poverty of the Great Depression, President Franklin D. Roosevelt established an array of massive public works programs designed to provide direct relief to America’s poor and unemployed. The New Deal’s most tangible legacy may be the Civilian Conservation Corps’s network of parks, national forests, scenic roadways, and picnic shelters that still mark the country’s landscape. CCC enrollees, most of them unmarried young men, lived in camps run by the Army and worked hard for wages (most of which they had to send home to their families) to preserve America’s natural treasures. In The New Deal’s Forest Army, Benjamin F. Alexander chronicles how the corps came about, the process applicants went through to get in, and what jobs they actually did. He also explains how the camps and the work sites were run, how enrollees spent their leisure time, and how World War II brought the CCC to its end. Connecting the story of the CCC with the Roosevelt administration’s larger initiatives, Alexander describes how FDR’s policies constituted a mixed blessing for African Americans who, even while singled out for harsh treatment, benefited enough from the New Deal to become an increasingly strong part of the electorate behind the Democratic Party. The CCC was the only large-scale employment program whose existence FDR foreshadowed in speeches during the 1932 campaign—and the dearest to his heart throughout the decade that it lasted. Alexander reveals how the work itself left a lasting imprint on the country’s terrain as the enrollees planted trees, fought forest fires, landscaped public parks, restored historic battlegrounds, and constructed dams and terraces to prevent floods. A uniquely detailed exploration of life in the CCC, The New Deal’s Forest Army compellingly demonstrates how one New Deal program changed America and gave birth to both contemporary forestry and the modern environmental movement.

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In the early twentieth century, down the Ohio River from Pittsburgh, the Jones & Laughlin Steel Company built one of the largest mills in the world and a town to go with it. Aliquippa was a beacon and melting pot, pulling in thousands of families from eastern and southern Europe and the Jim Crow south. The J&L mill, though dirty and dangerous, offered a chance at a better life and hope for the future. It produced the steel that built American cities and won World War II and, thanks to hard-fought union victories, made Aliquippa something of a workers’ paradise. But then, in the 1980’s, the steel industry cratered. The mill closed. Crime rose and crack hit big. But another industry grew in Aliquippa. The town didn’t just make steel; it made elite football players, from Mike Ditka to Ty Law to Darrelle Revis. Pro football was born in Western Pennsylvania, and few places churned out talent like Aliquippa. Despite its troubles—maybe even because of them—Aliquippa became legendary for producing greatness. In Playing Through the Whistle, celebrated sportwriter S. L. Price tells the remarkable story of Aliquippa and through it, the larger history of American industry, sports, and life. Price charts the fortunes of Aliquippa’s celebrated team through championships under charismatic coaches and through hard times after the mill died. In an era when sports has grown from novelty to a vital source of civic pride, Price reveals the shifting mores of a town defined by work—and the loss of it—yet anchored by a weekly game. Today, as our view of football shifts and participation drops, in Aliquippa the sport can still feel like the one path away from life on the streets, the last force keeping the town together. One of the most acclaimed sports books of 2016, Playing Through the Whistle is a masterpiece of narrative journalism and, like football, it will make you marvel, wince, cry, and cheer.

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Germany's surprise attack on June 22, 1941, shocked a Soviet Union woefully unprepared to defend itself. The day before the attack, the Red Army still comprised the world's largest fighting force. But by the end of the year, four and a half million of its soldiers lay dead. This new study, based on formerly classified Soviet archival material and neglected German sources, reveals the truth behind this national catastrophe.Drawing on evidence never before seen in the West-including combat records of early engagements-David Glantz claims that in 1941 the Red Army was poorly trained, inadequately equipped, ineptly organized, and consequently incapable of engaging in large-scale military campaigns—and that both Hitler and Stalin knew it. He provides the most complete and convincing study of why the Soviets almost lost the war that summer, dispelling many of the myths about the Red Army that have persisted since the war and soundly refuting Viktor Suvorov's controversial thesis that Stalin was planning a preemptive strike against Germany. Stumbling Colossus describes the Red Army's command leadership, mobilization and war planning, intelligence activities, and active and reserve combat formations. It includes the first complete Order of Battle of Soviet forces on the eve of the German attack, documents the strength of Soviet armored forces during the war's initial period, and reproduces the first available texts of actual Soviet war plans. It also provides biographical sketches of Soviet officers and tells how Stalin's purges of the late 1930s left the Red Army leadership almost decimated.At a time when blame for the war in eastern Europe is being laid with a fallen regime, Glantz's book sets the record straight on the Soviet Union's readiness-and willingness-to fight. Boasting an extensive bibliography of Soviet and German sources, Stumbling Colossus is a convincing study that overshadows recent revisionist history and one that no student of World War II can ignore.

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When the United States took control of Cuba, Puerto Rico, the Philippines, and Guam following the Spanish-American War, it was unclear to what degree these islands were actually part of the U.S. and, in particular, whether the Constitution applied fully, or even in part, to their citizens. By looking closely at what became known as the Insular Cases, Bartholomew Sparrow reveals how America resolved to govern these territories. Sparrow follows the Insular Cases from the controversial Downes v. Bidwell in 1901, which concerned tariffs on oranges shipped to New York from Puerto Rico and which introduced the distinction between incorporated and unincorporated territories, to Balzac v. Puerto Rico in 1922, in which the Court decided that Puerto Ricans, although officially U.S. citizens, could be denied trial by jury because Puerto Rico was ""unincorporated."" There were 35 Insular Cases in all, cases stretching across two decades, cases in which the Court ruled on matters as diverse as tariffs, double jeopardy, and the very meaning of U.S. citizenship as it applied to the inhabitants of the offshore territories. Providing a new look at the history and politics of U.S. expansion at the turn of the twentieth century, Sparrow's book also examines the effect the Court's decisions had on the creation of an American empire. It highlights crucial features surrounding the cases - the influence of racism on the justices, the need for naval stations to protect new international trade, and dramatic changes in tariff policy. It also tells how the Court sanctioned the emergence of two kinds of American empire: formal territories whose inhabitants could be U.S. citizens but still be denied full political rights, and an informal empire based on trade, cooperative foreign governments, and U.S. military bases rather than on territorial acquisitions. ""The Insular Cases and the Emergence of American Empire"" reveals how the United States handled its first major episode of globalization and how the Supreme Court, in these cases, crucially redirected the course of American history.

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COVID-19 exposed the world's failure to prepare for the worst -- can we learn to build back better? The COVID-19 pandemic has hit our world on a scale beyond living memory, taking millions of lives and leading to a lockdown of communities worldwide. A pandemic, much like climate change, acts as a threat multiplier, increasing vulnerability to harm, economic impoverishment, and the breakdown of social systems. Even more concerning, communities severely impacted by the coronavirus still remain vulnerable to other types of hazards, such as those brought by accelerating climate change. The catastrophic risks of pandemics and climate change carry deep uncertainty as to when they will occur, how they will unfold, and how much damage they will do. The most important question is how we can face these risks to minimize them most. The Fight for Climate after COVID-19 draws on the troubled and uneven COVID-19 experience to illustrate the critical need to ramp up resilience rapidly and effectively on a global scale. After years of working alongside public health and resilience experts crafting policy to build both pandemic and climate change preparedness, Alice C. Hill exposes parallels between the underutilized measures that governments should have taken to contain the spread of COVID-19 -- such as early action, cross-border planning, and bolstering emergency preparation -- and the steps leaders can take now to mitigate the impacts of climate change. Through practical analyses of current policy and thoughtful guidance for successful climate adaptation, The Fight for Climate after COVID-19 reveals that, just as our society has transformed itself to meet the challenge of coronavirus, so too will we need to adapt our thinking and our policies to combat the ever-increasing threat of climate change. Unapologetic and clear-eyed, The Fight for Climate after COVID-19 helps us understand why the time has come to prepare for the world as it will be, rather than as it once was.

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Black British Music and the people who made it, from Tudor times to the mid '60s.This is a story of empire, colonialism and then the new energies released by the movements for freedom and independence of the post second-world-war years; of the movements of peoples across borders; of the flow of music around the triangle that takes in Africa, the Caribbean, the USA and Great Britain; of temporary but highly influential visitors like Paul Robeson; and of the settlement of ex-colonial peoples who brought their music to Britain, and changed its forms and concerns in the new context. It is the story of institutions like the military that provided spaces for black musicians, but it is also the story of individuals like John Blanke, the black trumpeter in the court of Henry VIII, Ignatius Sancho the composer and friend of Laurence Sterne in the 18th century, early nineteenth century street performers such as Joseph Johnson and Billy Waters, child prodigies such as George Bridgewater and composers such as Samuel Coleridge-Taylor in the later 19th whose music is still played today. Above all, it is the story of those individuals who changed the face of British music in the post-war period, who collectively fertilized British jazz, popular music and street theatre in ways that continue to evolve in the present. This is the story of the Windrush generation who brought calypso and steelband to Britain’s streets, Caribbean jazz musicians such as Joe Harriot and Shake Keane, or escapees from apartheid South Africa, such as Chris McGregor and Dudu Pukwana who brought modernity and the sounds of Soweto to British jazz, and a later generation who gave ska and reggae distinctive British accents. Based on extensive research and many first-hand interviews, one of the great virtues of Kevin Le Gendre’s book is lack of London-centricity, its recognition that much important development took place in cities such as Manchester, Leeds and Bristol. As a noted reviewer of black music for the BBC, the Independent, Echoes and other journals, Le Gendre brings together both a sense of historical purpose and the ability to actually describe music in vivid and meaningful ways.

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When the future of his family's rope business in Liverpool was threatened at the end of the 1920s Eric Rigby-Jones had to leave his wife and young family behind to risk everything on establishing a new factory in the Irish Free State. He was still an officer in the Territorial Army when he leased a former British cavalry barracks in co. Kildare from the Irish government in 1933. It had lain derelict since the departure of British troops in 1922. Within four years his company, Irish Ropes, was supplying nearly all of Ireland's rope. When war came in 1939 Ireland remained staunchly neutral and faced both German invasion and a British trade embargo. With the government determined to make the country self-sufficient Eric had to resort to increasingly desperate measures to ensure that Irish farmers never ran out of twine to gather the harvest. Tintawn and Binder Twine is the untold story of the foundation and eventual demise of an iconic Irish business, known around the world for its Red Setter twine and Tintawn sisal carpets; of the pioneering Englishman who founded it and introduced new concepts in industrial relations to Ireland; of a family separated in peace and war; and of the regeneration of an Irish town. It is also the story of sisal, the vegetable fibre that became the mainstay of East Africa's colonial economy, and of the first fifty years of an independent Irish state. A member of Eric's wider family, Thomas Jones, was secretary to the British delegation that negotiated the Anglo-Irish treaty in 1921 and his son, Michael, was killed in the Staines air disaster in 1972 while travelling to Brussels with an Irish delegation for talks about the country's imminent membership of the European Union. Well-illustrated and drawing heavily on unpublished family letters, documents, and photographs as well as new research in British and Irish archives, the book reveals intriguing but little-known sides to Anglo-Irish relations during the Second World War. It has particular relevance in today's world of Brexit, borders, tariffs, and the bullying of small nations by large.

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Rapidly rising carbon emissions from the intense development of Western Canada's fossil fuels continue to aggravate the global climate emergency and destabilize democratic structures. The urgency of the situation demands not only scholarly understanding, but effective action. Regime of Obstruction aims to make visible the complex connections between corporate power and the extraction and use of carbon energy. Edited by William Carroll, this rigorous collection presents research findings from the first three years of the seven-year, SSHRC-funded partnership, the Corporate Mapping Project. Anchored in sociological and political theory, this comprehensive volume provides hard data and empirical research that traces the power and influence of the fossil fuel industry through economics, politics, media, and higher education. Contributors demonstrate how corporations secure popular consent, and coopt, disorganize, or marginalize dissenting perspectives to position the fossil fuel industry as a national public good. They also investigate the difficult position of Indigenous communities who, while suffering the worst environmental and health impacts from carbon extraction, must fight for their land or participate in fossil capitalism to secure income and jobs. The volume concludes with a look at emergent forms of activism and resistance, spurred by the fact that a just energy transition is still feasible. This book provides essential context to the climate crisis and will transform discussions of energy democracy.Contributions by Laurie Adkin, Angele Alook, Clifford Atleo, Emilia Belliveau-Thompson, John Bermingham, Paul Bowles, Gwendolyn Blue, Shannon Daub, Jessica Dempsey, Emily Eaton, Chuka Ejeckam, Simon Enoch, Nick Graham, Shane Gunster, Mark Hudson, Jouke Huizer, Ian Hussey, Emma Jackson, Michael Lang, James Lawson, Marc Lee, Fiona MacPhail, Alicia Massie, Kevin McCartney, Bob Neubauer, Eric Pineault, Lise Margaux Rajewicz, James Rowe, JP Sapinsky, Karena Shaw, and Zoe Yunker.

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In IN MY HANDS, surgical oncologist Dr. Steven Curley shares the empowering lessons he's learned over 25 years from his cancer patients' unique stories of struggle, perseverance, and triumph.As Chief of Surgical Oncology at Baylor College of Medicine, Dr. Steven Curley has worked with cancer patients for over two decades. While his life's work has been to help his patients live longer lives, he found that they helped him in ways he never could have expected.IN MY HANDS is a rare, often emotional look at some of Dr. Curley's real patients and real situations in modern cancer care. These stories of resilience, hope, and determination changed and inspired Dr. Curley, and he uses these same stories to encourage patients dealing with the fear and uncertainty coupled with a diagnosis of cancer.Every story in the book has a theme inspired by his patients: Hope, Courage, Strength, Determination, Wonder, Cooperation, Creativity, Diligence, Service, Perseverance, Wisdom, Grace, Consideration, Gratitude, Discernment, Reverence, Resourcefulness, Faith, Beauty, Acceptance, and Empathy. Some are positive messages, reminding us of the importance of maintaining balance between family, work, and leisure activities. Others are examples of the remarkable resilience of the human spirit when facing the reality of and the surgical risks that accompany a cancer diagnosis. Realistically, despite remarkable advances in multidisciplinary cancer care, some remind us cancer is still a potentially lethal and destructive disease affecting patients and the family and friends supporting them.While many people are told that there is no hope in their situation, Dr. Curley's patients taught him to always provide hope, to push the envelope and give people a chance, and that hope is a critical component of treatment and care. IN MY HANDS is medical narrative at its finest, and provides insight into medicine and patient care along with fascinating details about one of our most feared diseases.

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Winner of the 2020 Peter C. Rollins Book AwardLonglisted for the 2020 Moving Image Book Award by the Kraszna-Krausz FoundationNamed a 2019 Richard Wall Memorial Award Finalist by the Theatre Library AssociationHerman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture’s only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. For this first dual portrait of the Mankiewicz brothers, Sydney Ladensohn Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men.

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