Search results for ""author stills"

In 1945, many Europeans still heated with coal, cooled their food with ice, and lacked indoor plumbing. Today, things could hardly be more different. Over the second half of the twentieth century, the average European's buying power tripled, while working hours fell by a third. The European Economy since 1945 is a broad, accessible, forthright account of the extraordinary development of Europe's economy since the end of World War II. Barry Eichengreen argues that the continent's history has been critical to its economic performance, and that it will continue to be so going forward. Challenging standard views that basic economic forces were behind postwar Europe's success, Eichengreen shows how Western Europe in particular inherited a set of institutions singularly well suited to the economic circumstances that reigned for almost three decades. Economic growth was facilitated by solidarity-centered trade unions, cohesive employers' associations, and growth-minded governments--all legacies of Europe's earlier history. For example, these institutions worked together to mobilize savings, finance investment, and stabilize wages. However, this inheritance of economic and social institutions that was the solution until around 1973--when Europe had to switch from growth based on brute-force investment and the acquisition of known technologies to growth based on increased efficiency and innovation--then became the problem. Thus, the key questions for the future are whether Europe and its constituent nations can now adapt their institutions to the needs of a globalized knowledge economy, and whether in doing so, the continent's distinctive history will be an obstacle or an asset.

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Suitably Modern traces the growth of a new middle class in Kathmandu as urban Nepalis harness the modern cultural resources of mass media and consumer goods to build modern identities and pioneer a new sociocultural space in one of the world's "least developed countries." Since Nepal's "opening" in the 1950s, a new urban population of bureaucrats, service personnel, small business owners, and others have worked to make a space between Kathmandu's old (and still privileged) elites and its large (and growing) urban poor. Mark Liechty looks at the cultural practices of this new middle class, examining such phenomena as cinema and video viewing, popular music, film magazines, local fashion systems, and advertising. He explores three interactive and mutually constitutive ethnographic terrains: a burgeoning local consumer culture, a growing mass-mediated popular imagination, and a recently emerging youth culture. He shows how an array of local cultural narratives--stories of honor, value, prestige, and piety--flow in and around global narratives of "progress," modernity, and consumer fulfillment. Urban Nepalis simultaneously adopt and critique these narrative strands, braiding them into local middle-class cultural life. Building on both Marxian and Weberian understandings of class, this study moves beyond them to describe the lived experience of "middle classness"--how class is actually produced and reproduced in everyday practice. It considers how people speak and act themselves into cultural existence, carving out real and conceptual spaces in which to produce class culture.

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In The People’s Zion, Joel Cabrita tells the transatlantic story of Southern Africa’s largest popular religious movement, Zionism. It began in Zion City, a utopian community established in 1900 just north of Chicago. The Zionist church, which promoted faith healing, drew tens of thousands of marginalized Americans from across racial and class divides. It also sent missionaries abroad, particularly to Southern Africa, where its uplifting spiritualism and pan-racialism resonated with urban working-class whites and blacks.Circulated throughout Southern Africa by Zion City’s missionaries and literature, Zionism thrived among white and black workers drawn to Johannesburg by the discovery of gold. As in Chicago, these early devotees of faith healing hoped for a color-blind society in which they could acquire equal status and purpose amid demoralizing social and economic circumstances. Defying segregation and later apartheid, black and white Zionists formed a uniquely cosmopolitan community that played a key role in remaking the racial politics of modern Southern Africa.Connecting cities, regions, and societies usually considered in isolation, Cabrita shows how Zionists on either side of the Atlantic used the democratic resources of evangelical Christianity to stake out a place of belonging within rapidly-changing societies. In doing so, they laid claim to nothing less than the Kingdom of God. Today, the number of American Zionists is small, but thousands of independent Zionist churches counting millions of members still dot the Southern African landscape.

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From the creator of the blog "Renegade Mothering," Janelle Hanchett's forthright, darkly funny, and ultimately empowering memoir chronicling her tumultuous journey from young motherhood to abysmal addiction and a recovery she never imagined possible.Pregnant at 22 by a man she'd known three months, Janelle Hanchett embraced motherhood with the determined optimism of the recklessly self-confident. After giving birth, she found herself bored, directionless, and seeking relief in wine, which she justified as sophisticated and going well with chicken.But over time, her questionable drinking habit spiraled into full-blown dependence, until life became bedtime stories and splitting hangovers, cubicles and multi-day drug binges--and eventually, an inconceivable separation from her children. For ten years, Hanchett grappled with the unyielding progression of addiction, bouncing from rehab to therapy to the occasional hippie cleansing ritual on her quest for sobriety, before finding it in a way she never expected.Hers is a story we rarely hear--of the addict mother not redeemed by her children; who longs for normalcy but cannot maintain it; and who, having traveled to seemingly irreversible depths, makes it back, only to discover she is still an outsider. Like her irreverent, laugh-out-loud funny, and unflinchingly honest blog, Hanchett's memoir calls out the rhetoric surrounding "the sanctity of motherhood" as tired and empty, boldly recounting instead how she grew to accept an imperfect self within an imperfect life--and think, "Well, I'll be damned, I'm just happy to be here."

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Like Dorothy waking up over the rainbow in the Land of Oz, Hollywood discovered a vivid new world of color in the 1930s. The introduction of three-color Technicolor technology in 1932 gave filmmakers a powerful tool with which to guide viewers' attention, punctuate turning points, and express emotional subtext. Although many producers and filmmakers initially resisted the use of color, Technicolor designers, led by the legendary Natalie Kalmus, developed an aesthetic that complemented the classical Hollywood filmmaking style while still offering innovative novelty. By the end of the 1930s, color in film was thoroughly harnessed to narrative, and it became elegantly expressive without threatening the coherence of the film's imaginary world. Harnessing the Technicolor Rainbow is the first scholarly history of Technicolor aesthetics and technology, as well as a thoroughgoing analysis of how color works in film. Scott Higgins draws on extensive primary research and close analysis of well-known movies, including Becky Sharp, A Star Is Born, Adventures of Robin Hood, and Gone with the Wind, to show how the Technicolor films of the 1930s forged enduring conventions for handling color in popular cinema. He argues that filmmakers and designers rapidly worked through a series of stylistic modes based on the demonstration, restraint, and integration of color—and shows how the color conventions developed in the 1930s have continued to influence filmmaking to the present day. Higgins also formulates a new vocabulary and a method of analysis for capturing the often-elusive functions and effects of color that, in turn, open new avenues for the study of film form and lay a foundation for new work on color in cinema.

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We all live our daily lives surrounded by the products of technology that make what we do simpler, faster, and more efficient. These are benefits we often just take for granted. But at the same time, as these products disburden us of unwanted tasks that consumed much time and effort in earlier eras, many of them also leave us more disengaged from our natural and even human surroundings. It is the task of what Gene Moriarty calls focal engineering to create products that will achieve a balance between disburdenment and engagement: “How much disburdenment will be appropriate while still permitting an engagement that enriches one’s life, elevates the spirit, and calls forth a good life in a convivial society?”One of his examples of a focally engineered structure is the Golden Gate Bridge, which “draws people to it, enlivens and elevates the human spirit, and resonates with the world of its congenial setting. Humans, bridge, and world are in tune.” These values of engagement, enlivenment, and resonance are key to the normative approach Moriarty brings to the profession of engineering, which traditionally has focused mainly on technical measures of evaluation such as efficiency, productivity, objectivity, and precision. These measures, while important, look at the engineered product in a local and limited sense. But “from a broader perspective, what is locally benign may present serious moral problems,” undermining “social justice, environmental sustainability, and health and safety of affected parties.” It is this broader perspective that is championed by focal engineering, the subject of Part III of the book, which Moriarty contrasts with “modern” engineering in Part I and “pre-modern” engineering in Part II.

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The world of insects is one we only dimly understand. Yet from using arsenic, cobalt, and quicksilver to kill household infiltrators to employing the sophisticated tools of the Orkin Man, Americans have fought to eradicate the "bugs" they have learned to hate. Inspired by the still-revolutionary theories of Rachel Carson's Silent Spring, James E. McWilliams argues for a more harmonious and rational approach to our relationship with insects, one that does not harm our environment and, consequently, ourselves along the way. Beginning with the early techniques of colonial farmers and ending with the modern use of chemical insecticides, McWilliams deftly shows how America's war on insects mirrors its continual struggle with nature, economic development, technology, and federal regulation. He reveals a very American paradox: the men and women who settled and developed this country sought to control the environment and achieve certain economic goals; yet their methods of agricultural expansion undermined their efforts and linked them even closer to the inexorable realities of the insect world. As told from the perspective of the often flamboyant actors in the battle against insects, American Pests is a fascinating investigation into the attitudes, policies, and practices that continue to influence our behavior toward insects. Asking us to question, if not abandon, our reckless (and sometimes futile) attempts at insect control, McWilliams convincingly argues that insects, like people, have an inherent right to exist and that in our attempt to rid ourselves of insects, we compromise the balance of nature.

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Released in 1919, Anders als die Andern (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film’s moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today.Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, Anders als die Andern is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film’s portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates Anders als die Andern’s mournful cinema as an essential element of its endurance, treating the film’s melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle.Over a century after the film’s release, Anders als die Andern serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives.

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As recently as fifty years ago most people expected to lose their teeth as they aged. Few children benefited from braces to straighten their teeth, and cosmetic procedures to change the appearance of smiles were largely unknown. Today, many Canadians enjoy straight, white teeth and far more of them are keeping their teeth for the entirety of their lives. Yet these advances have not reached everyone.The Smile Gap examines the enormous improvements that have taken place over the past century. The use of fluorides, emphasis on toothbrushing, the rise of cosmetic dentistry, and better access to dental care have had a profound effect on the oral health and beauty of Canadians. Yet while the introduction of employer-provided dental insurance in the 1970s has allowed for regular visits to the dentist for many people, a significant number of Canadians still lack access to good oral health care, especially disabled Canadians, those on social assistance, the working poor, the elderly, and new immigrants. At the same time, an attractive smile has become increasingly important in the workplace and in relationships. People with damaged and missing teeth are at a substantial disadvantage, not just because of the pain and suffering caused by poor oral health, but because we live in a society that prizes good teeth and warm smiles.The first history of oral health in Canada, The Smile Gap reveals that despite the gains made, too many Canadians go without any dental care, with damaging consequences for their oral health, general physical health, and self-image. To complete our health care system, it is time to close the gap.

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The personal journals examined in Reading the Diaries of Henry Trent are not the witty, erudite, and gracefully written exercises that have drawn the attention of most biographers and literary scholars. Prosaic, ungrammatical, and poorly spelled, the fifteen surviving volumes of Henry Trent's hitherto unexamined diaries are nevertheless a treasure for the social and cultural historian.Henry Trent was born in England in 1826, the son of a British naval officer. When he was still a boy, his father decided to begin a new life as a landed gentleman and moved the family to Lower Canada. At the age of sixteen Trent began writing in a diary, which he maintained, intermittently, for more than fifty years. As a lonely youth he narrates days spent hunting and trapping in the woods owned by his father. On the threshold of manhood and in search of a vocation, he writes about his experiences in London and then on Vancouver Island during the gold rush. And finally, as the father of a large family, he describes the daily struggle to make ends meet on the farm he inherited in Quebec's lower St Francis valley.As it follows Trent through the different stages of his long life, Reading the Diaries of Henry Trent explores the complexities of class and colonialism, gender roles within the rural family, and the transition from youth to manhood to old age. The diaries provide a rare opportunity to read the thoughts and follow the experiences of a man who, like many Victorian-era immigrants of the privileged class, struggled to adapt to the Canadian environment during the rise of the industrial age.

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The remarkable story of how modern Irish music was shaped and spread through the brash efforts of a Chicago police chief. Irish music as we know it today was invented not only in the cobbled lanes of Dublin or the green fields of County Kerry but in the burgeoning American metropolis of early-twentieth-century Chicago. The boundaries of the genre combine a long vernacular tradition with one man's curatorial quirks. That man was Francis O'Neill: a larger-than-life Chicago police chief, and an Irish immigrant with an intense interest in his home country's music. Michael O'Malley's The Beat Cop tells the story of this hardly unknown yet little-investigated figure, from his birth in Ireland in 1865 to a rough-and-tumble early life in the United States. By 1901, O'Neill had worked his way up to become Chicago's chief of police, where he developed new methods of tracking people and recording their identities. At the same, he also obsessively tracked and recorded the music he heard from local Irish immigrants, favoring specific rural forms and enforcing a strict view of what he felt was and wasn't authentic. His police work and his musical work were flip sides of the same coin: as a music collector, O'Neill tracked down fugitive tunes, established their backstories, and formally organized them by type. O'Malley delves deep into how O'Neill harnessed his policing skills and connections to publish classic songbooks still widely used today, becoming the foremost shaper of how Americans see, and hear, the music of Ireland.

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For decades we've been studying, experimenting with, and wrangling over different approaches to improving public education, and there's still little consensus on what works, and what to do. The one thing people seem to agree on, however, is that schools need to be held accountable--we need to know whether what they're doing is actually working. But what does that mean in practice? High-stakes tests. Lots of them. And that has become a major problem. Daniel Koretz, one of the nation's foremost experts on educational testing, argues in The Testing Charade that the whole idea of test-based accountability has failed--it has increasingly become an end in itself, harming students and corrupting the very ideals of teaching. In this powerful polemic, built on unimpeachable evidence and rooted in decades of experience with educational testing, Koretz calls out high-stakes testing as a sham, a false idol that is ripe for manipulation and shows little evidence of leading to educational improvement. Rather than setting up incentives to divert instructional time to pointless test prep, he argues, we need to measure what matters, and measure it in multiple ways--not just via standardized tests. Right now, we're lying to ourselves about whether our children are learning. And the longer we accept that lie, the more damage we do. It's time to end our blind reliance on high-stakes tests. With The Testing Charade, Daniel Koretz insists that we face the facts and change course, and he gives us a blueprint for doing better.

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A collection of essays by American art critic Dave Hickey, nicknamed “The Bad Boy of Art Criticism.” When Dave Hickey was twelve, he rode the surfer’s dream: the perfect wave. And, like so many things in life we long for, it didn’t quite turn out—he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which nearly killed him. Hickey went on to develop a career as one of America’s foremost critical iconoclasts, a trusted no-nonsense voice commenting on the worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey’s career, displaying his breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge—or to surprise us in doing so—Hickey relates his wincing disappointment in the later career of his early hero Susan Sontag and shows us the appeal to our commonality that we’ve been missing in Norman Rockwell. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey’s own life—including the aforementioned conclusion to his surfing career—Perfect Wave is a welcome addition to the Hickey canon.

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State capitals are an indelible part of the American psyche, spatial representations of state power and national identity. Learning them by heart is a rite of passage in grade school, a pedagogical exercise that emphasizes the importance of committing place-names to memory. But geographers have yet to analyze state capitals in any depth. In American Capitals, Christian Montes takes us on a well-researched journey across America - from Augusta to Sacramento, Albany to Baton Rouge - shedding light along the way on the historical circumstances that led to their appointment, their success or failure, and their evolution over time. While all state capitals have a number of characteristics in common - as symbols of the state, as embodiments of political power and decision making, as public spaces with private interests - Montes does not interpret them through a single lens, in large part because of the differences in their spatial and historical evolutionary patterns. Some have remained small, while others have evolved into bustling metropolises, and Montes explores the dynamics of change and growth. All but eleven state capitals were established in the nineteenth century, thirty-five before 1861, but, rather astonishingly, only eight of the fifty states have maintained their original capitals. Despite their revered status as the most monumental and historical cities in America, capitals come from surprisingly humble beginnings, often plagued by instability, conflict, hostility, and corruption. Montes reminds us of the period in which they came about, "an era of pioneer and idealized territorial vision," coupled with a still-evolving American citizenry and democracy.

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The star of truTV's hit show Lizard Lick Towing joins with the owner of the acclaimed gluten-free Blackbird Bakery to create amazingly tasty gluten-free versions of beloved Southern classics. Amy Shirley, champion power lifter, mother of four, and the star of the hit television reality show Lizard Lick Towing is one tough mother. But this strong woman who can deadlift 450 pounds was nearly licked by a gluten allergy. A born and bred Southerner, Amy wasn't about to give up the mouthwatering favorite foods-pork on soft white buns, fluffy biscuits, mile-high pancakes, and famous layer cakes and flaky pies-she's always loved. Instead, she learned to improvise, transforming beloved Southern mainstays into delectable down-home gluten-free meals. Pairing with one of the most cutting-edge gluten-free chefs in America today, Karen Morgan, the founder of the gluten-free bakeshop, Blackbird Bakery out of Austin, Texas, Amy now brings gluten-free favorites to every kitchen. Gluten-Free in Lizard Lick includes 100 recipes for the classics that feed our souls-North Carolina breakfasts, Southern lunches, snacks, suppers, and desserts. Indulge in irresistible fare made with healthy substitutes so delicious, you won't know they're gluten free. Here are tips, tricks, and insights, as well as thirty-two pages of color photos and everyday recipes for Southern comfort food that will help your family feel better, be fitter, and still enjoy the homemade foods they love.

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In Remixology: Tracing the Dub Diaspora Paul Sullivan explores the evolution of Dub; the avant-garde verso of Reggae. Dub as a set of studio strategies and techniques was among the first forms of popular music to turn the idea of song inside out, and is still far from being fully explored. With a unique grip on dance, electronic, and popular music, dub-born notions of remix and re-interpretation set the stage for the music of the twenty-first century. This book explores the origins of dub in '70s Kingston, Jamaica and traces its evolution as a genre, approach and attitude to music to the present day. Stopping off in the cities where it has made most impact - London, Berlin, Toronto, Kingston, Bristol, New York, Sullivan's study spans a range of genres, from post-punk to dub-techno, jungle to the now ubiquitous dubstep. Along the way he speaks to a host of international musicians, DJs and luminaries of the dub world including Scientist, Adrian Sherwood, Channel, U Roy, Clive Chin, Dennis Bovell, Shut Up And Dance, DJ Spooky, Francois Kevorkian, Mala and Roots Manuva. This wide-ranging and lucid book follows several parallel threads, including the evolution of the MC, the birth of sound system culture and the broader story of the post-war Jamaican diaspora itself. One of the few books to be written specifically on dub and its global influence, Remixology is also one of the first to look at the specific relationship between dub and the concept that cuts across all postmodern creative disciplines today: the Remix.

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This title contains easy-to-follow projects to create for and with kids. How to make a wide range of toys for babies and young children, including nursery playthings, first toys to aid early learning, outdoor toys for energetic kids, fun games for two or more, and much more. Clear step-by-step photographs illustrate every project, with over 360 inspirational pictures. You can make a beautiful doll's house and accessories, a cute rag doll, walking stilts, a felt picture book, a kite, and a delightful toy box to store everything in. All the projects are simple to make and can be created by grown-ups and children working together. In a world full of plastic and electronics, this book offers something new - and a touch of nostalgia - to anyone who wants to make truly original and personal playthings for children of all ages. Here you will find a wonderful variety of traditional toys that will still delight, together with new ideas you can make using completely natural materials - fabrics, wood, clay, yarn and paper.The book contains instructions for 50 fabulous ideas you can make at home, from wooden building blocks, a knitted polar bear, an activity floor cushion and a nursery mobile for babies, to fun musical instruments, skittles, finger puppets and a jack-in-the-box for young kids, and absorbing games and outdoor toys for older children. From knitting and sewing to papercrafts and simple woodworking, there is a wide range of techniques and projects to discover and make for and with children of all ages.

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29 STORIES THAT ILLUSTRATE WHAT CAN HAPPEN WHEN SAFETY IS LEFT ON SHORESea Kayaker's Deep Trouble was a bestselling warning to kayakers: Do not let ignorance or arrogance get you hurt or even killed. Thousands heeded Deep Trouble's tales of tragedy; but even with the benefits of evolving technology and more safety options, kayakers still fall prey to human error. To renew the cautiousattitude of seasoned paddlers and to instill safe practices in kayaking newbies, Sea Kayaker's More Deep Trouble presents more stories of kayaking trials, rescues, and tragedy.In these 29 stories collected from Sea Kayaker magazine, survivors and witnesses tell of their experiences with the dangers and risks of kayaking. You will feel the cold rush of water when paddlers fall in, the panic they feel when they do not know how to rescue themselves, and the anxiousness of loved ones waiting to hear any news. You will learn how whale watching could cost you your life, how life-saving electronics are only as good as the batteries you have in them, and how a float plan can initiate a timely search and rescue. End-of-story Lessons Learned summaries suggest what to do if you find yourself in similar unfortunate situations.Read these tales, understand the lessons learned in these incidents, and respect the advice given as you take your next kayaking adventure. This tome of danger and survival may ultimately save your life.

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Even though Gerard Verdijk (1934-2005) passed away at the beginning of this century, many still remember him as a striking and versatile artist. From the middle of the 20th century until the beginning of the 21st century he was active within a wide area of the visual arts. He was a poetic and philosophical man who manifested his creativity through a wide range of materials and techniques. He was a curious man, eager to learn, who travelled through Europe, Turkey, The Middle-East, North-America, Africa and Japan to get acquainted with other cultures. He cannot be placed within one art-historical movement. The ever-changing world around him influenced his style and the use of his materials. When generalised his works can be placed in a few style periods: Abstract/Informal, Zero/Pop-Art, Fluor/ Perspex and Zen/Haiku. In all these periods spaciousness, movement and repetition are recognisable elements. In the 13 years after his passing in 2005, the life and works of Gerard Verdijk were meticulously documented by his wife Josephine Sloet. This monograph, a true "life's work" of 396 pages with 200 large images of his works came into being at Gerard's own request. He was also clear about the book's motto: The Mountain of Einstein. According to Albert Einstein, the creation of some something new can be compared to climbing a mountain, where one would obtain changing and growing perspectives along the way and would discover unsuspected connections between our customs and the rich variety of our environment.

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'Cash is king’ – and, presumably, will remain king for a long time to come. This viewpoint is even more relevant since the 2008 international financial crisis. Banks are still hesitant to provide credit lines to companies, whether national or cross-border. High interest rates are charged on debt but hardly any interest is paid on credit amounts. More than ever before, companies need to limit both debit and credit amounts. Pooling cash within a corporate group or among a number of companies enables the best use of the funds available at as little cost as possible, thus strengthening the financial position of the companies involved. Cash pooling is thereby a means of reducing the risk of insolvency during difficult economic times. The first edition of this book, published in 2012, was very well received. Since then, there have been a number of reasons to update the information it contains: new case law, new national legislation and recent EU initiatives. Furthermore, chapters on Estonia, Latvia and Lithuania have been added to the already impressive number of jurisdictions covered. This title, published in association with the International Bar Association, draws together leading practitioners from a wide range of countries, who together provide detailed analysis on the provisions in their jurisdiction for cash pooling and insolvency. Each chapter follows the same template for ease of reference; topics featured include specific legal requirements from various perspectives, the liability of company directors, banking requirements, regulatory requirements and tax. This practical handbook is an essential guide for any insolvency professional, in-house counsel or adviser in banking and finance.

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In 1939 British cyclist Tommy Godwin cycled 75,065 miles in a single year. Think about that for a second: it’s an average of over 200 miles each day. And it’s a mark that still stands after almost eighty years. In The Year, Dave Barter resurrects the legend of the year record – a challenge nearly as old as bicycles themselves – and the cyclists who pushed themselves to establish and break it. Barter uncovers the stories behind these riders who would routinely cycle over a hundred miles a day in the race to set new records. Americans such as John H. George who recorded over 200 ‘centuries’, nineteen double ‘centuries’ and three triple ‘centuries’ in the late 1800s. The British advertising executive Harry Long, whose annual tallies of over 20,000 miles in the early twentieth century led to the founding of the formal cycling year record and Cycling magazine’s Century Competition. The Englishman of French descent, Marcel Planes, whose 1911 record of 34,666 miles stood for over twenty years. Not forgetting the legends of the job-seeking Arthur Humbles, the one-armed vegetarian communist Walter Greaves, the ‘keep-fit girl’ Billie Dovey and the staggering mark set by Godwin who left a youthful Bernard Bennett trailing in his wake. Meticulous research through the annuals, archives and news stories of the bicycling world is backed up with insights from the families of these legendary cyclists, as well as Dave’s own analysis of the riders’ years in numbers. There is no more difficult challenge in cycling. The Year is the definitive story of these phenomenal cyclists.

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The law of trade secrets is one of the most important and fastest developing areas of intellectual property, but is by far the least harmonised internationally. Indeed, the protection of trade secrets was not mandated by any international treaty until the 1994 Agreement on Trade-Related Aspects of Intellectual Property Rights, which nonetheless left countries with significant latitude as to how they should implement such obligations. Since the last edition the EU Trade Secrets Directive has had the effect of establishing minimum levels of protection in the Member States of the EEA, but major differences of approach still remain, and the Directive has neither achieved total harmonisation under the civil law nor had any effect on the protection of trade secrets by means of the criminal law. The wide variety of approaches to the protection of trade secrets internationally betrays the murky legal origins of such protection. Are they protected by civil actions, in the criminal courts, or both? And from the point of view of the civil courts, is their protection effected under unfair competition law, as seen in many civil law countries, or is it based instead on some implied contract, fiduciary or other equitable obligation theory, as seen in common law countries? Edited by leading IP practitioner Trevor Cook, this important title demystifies the law of trade secrets in over 30 jurisdictions, covering substantive and procedural aspects of both criminal and civil law and exploring the final remedies available under each. Designed to provide clear, comprehensive and practical guidance, this is a powerful tool for anyone requiring a broader and fuller understanding of trade secret protection globally.

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Emmy and her friends battle the Order of Black Hollow Lane in the exciting sequel to the bestselling mystery series, perfect for fans of The Mysterious Benedict Society and The Blackthorn Key series.When Lola is framed for a crime she didn't commit, the Order wants Emmy to give up her secrets about her father … and if she doesn't someone she loves will pay the price.We were best friends. We still betrayed each other. Trust no one.After spending the summer at home, Emmy cannot wait to return to Wellsworth for the new school year and reunite with her best friends, Lola and Jack. Before she leaves Emmy receives a note from her father telling her to hide the remaining relics The Order of Black Hollow Lane are after—and to trust no one.When Lola is framed for a serious crime she didn't commit, Emmy knows that she and her friends are not safe. The Order wants Emmy to give up her father's location... if she doesn't, those she loves will pay the price.Emmy and Jack need to figure out a way to clear Lola's name without bending to the Order's sinister demands. And Emmy needs to figure out who she can trust with her secrets before it's too late.The Black Hollow Lane series is perfect for middle schoolers and 10 year olds who love twisty mysteries with:Boarding schoolsSecret, sinister societiesClandestine relicsCryptic lettersA fantastic group of friends

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For more than half a century, Warren Buffett, the chairman and CEO of Berkshire Hathaway, has been one of the world’s most respected businessmen, not just because of his savvy investments and unmatched record of returns, but also because of his humility, candor, and refreshing perspective on wealth.Despite this tremendous success, the Oracle of Omaha doesn’t feel entitled to the $89 billion net worth his abilities have earned him. Instead, he likes to say that he was born at the right place and time, and as an active philanthropist, he has already pledged to give most of his money to charity. This modesty in the face of proven talent is part of what makes Buffett as popular on Main Street as he is on Wall Street—he is one of the world’s wealthiest men and yet he is still personable and relatable.Now, hundreds of the most thought-provoking and inspiring quotes from Buffett are compiled in a single book. Warren Buffett: In His Own Words is a comprehensive guidebook to the inner workings of this business icon, providing insight into his thoughts on investing, Wall Street, business, politics, taxes, life lessons, and more.This collection of quotations draws from decades of interviews, editorials, and annual shareholder reports, amassing a comprehensive outline of how Buffett believes a good business is run and a good life is led. It’s advice that Buffett has successfully adhered to throughout his 88 years, and it’s now available in Warren Buffett: In His Own Words.

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Finalist for the NAACP Image Award for Outstanding Literary WorkAma Codjoe’s highly anticipated debut collection brings generous light to the inner dialogues of women as they bathe, create art, make and lose love. Each poem rises with the urgency of a fully awakened sensual life.Codjoe’s poems explore how the archetype of the artist complicates the typical expectations of women: be gazed upon, be silent, be selfless, reproduce. Dialoguing with and through art, Bluest Nude considers alternative ways of holding and constructing the self. From Lorna Simpson to Gwendolyn Brooks to Lynette Yiadom-Boakye, contemporary and ancestral artists populate Bluest Nude in a choreography of Codjoe’s making. Precise and halting, this finely wrought, riveting collection is marked by an acute rendering of highly charged emotional spaces.Purposefully shifting between the role of artist and subject, seer and seen, Codjoe’s poems ask what the act of looking does to a person—public looking, private looking, and that most intimate, singular spectacle of looking at one’s self. What does it mean to see while being seen? In poems that illuminate the tension between the possibilities of openness and and its impediments, Bluest Nude offers vulnerability as a medium to be immersed in and, ultimately, shared as a kind of power: “There are as many walls inside me / as there are bones at the bottom of the sea,” Codjoe writes in the masterful titular poem. “I want to be seen clearly or not at all.”“The end of the world has ended,” Codjoe’s speaker announces, “and desire is still / all I crave.”Startling and seductive in equal measure, this formally ambitious collection represents a powerful, luminous beginning.

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While many film fans may not be familiar with Bill Duke’s name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke’s extraordinary accomplishments off-screen—as a talented director, producer, entrepreneur, and humanitarian. Bill Duke: My 40-Year Career on Screen and behind the Camera is the memoir of a Hollywood original. In an industry that rarely embraces artists of color, Duke first achieved success as an actor then turned to directing. After helming episodes of ratings giants Dallas, Falcon Crest, Hill Street Blues, and Miami Vice, Duke progressed to feature films like A Rage in Harlem, Deep Cover, Hoodlum, and Sister Act 2. In this candid autobiography, Duke recalls the loving but stern presence of his mother and father, acting mentors like Olympia Dukakis, and the pitfalls that nearly derailed his career, notably an addiction to drugs. Along the way, readers will encounter familiar names like Danny Glover, Laurence Fishburne, Forest Whitaker, Arnold Schwarzenegger, and Whoopi Goldberg. From his Broadway debut in 1971 to the establishment of the Duke Media Foundation, which trains and mentors young filmmakers, Duke has been breaking the rules of what it means to triumph in the entertainment industry. Recalling pivotal moments in his life, Bill Duke: My 40-Year Career on Screen and behind the Camera is the story only Bill Duke could tell.

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'This is a rich, beautiful and deeply moving book' GEORGE MONBIOT'I loved this book' CLOVER STROUDOnce Upon a Raven's Nest is the story of a working class man, one Thomas Hedley of Exmoor, and of the planet during the period of its great acceleration towards the current climate emergency.Born in 1955 to a poor family in Devon Thomas refused to conform. His fierce independence, recklessness and contrariness led not only to scrapes and self-inflicted dangers but to a life enriched by the love of women. Catrina Davies came to know him in his last years and has given his life and times in his own words, creating a rich, pungent language in a knowing, poetic and poignant voice.We learn of his accumulation of engines, tools and guns, the complexity of his connection to nature, the animals he loved and his desire to hunt them. He recounts the terrible consequences of his fatal attraction to risk and machinery which led to his being paralysed for the last years of his life, confined to a wheelchair, hopelessly dependent but still watching, noticing, recording, loving the world.The narrative is interwoven with a sequence of factual entries that chart the impending climate catastrophe and the consequences of our collective choices to ignore the warning of an environment on the verge of collapse.Once Upon A Raven's Nest is an unforgettable history of a life that is almost lost and an account of the destruction man has wrought on the earth in the time that Hedley worked the land.'Stunning. Urgent. Unforgettable' TANYA SHADRICK'This has the unmistakable smell of a classic' CHARLES FOSTER

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The thrilling conclusion to the Hollow Dolls duology continues Simone's story as she sets out with her friends to stop the body walker once and for all.Simone is still reeling from learning the truth about her mother, Maeve. But she knows she has to stop her before she finds what she's looking for and ends up hurting her friends in the process. When Simone stumbles across an old legend about a handful of folks with rare and powerful talents who fled to a secret island haven, she wonders if the soul summoner Maeve seeks could be there. So she and Sebastian set off to find it, hoping to get to there before Maeve does. But as Simone and her traveling party draw closer to the island, it becomes clearer that Maeve will stop at nothing to get what she wants. And if her evil isn't stopped, it could mean terrible consequences for everyone Simone loves.With the gripping feel of a new classic, the Hollow Dolls duology will enthrall middle school readers who love fantasy, magic, and danger. Perfect for 5th grade and above. Praise for Hollow Dolls:"Connolly... introduces new characters and a gripping plot with a twist-all sure to captivate readers."-Booklist"[An] entertaining start to a new series...Simone's attempt to unravel the secrets of her past is relatable."-Publishers Weekly"This fantasy covers a lot of ground-suspense, friendship, bravery, family, and magic. Plot twists will surprise even readers paying close attention...A recommended purchase."-School Library Journal

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According to recent estimates, more than five million Americans suffer from dementia or Alzheimer’s disease, a number predicted to grow as Baby Boomers continue to age. Although staggering, these statistics only tell half of the story. As caregivers are thrust into situations they never could have predicted, the emotional, physical, and financial strains are enormous and cannot be overestimated. As the number of dementia patients continues to increase, so will the number of caregivers searching for answers and advice. Creating Joy and Meaning for the Dementia Patient offers a positive and innovative approach to dementia care that focuses on the caregiver’s power to create an atmosphere of joy and peace for both the patient and themselves, breathing fresh air into the topic of dementia care. As the disease progresses, the patient’s world grows smaller and smaller. Time for them no longer consists of weeks, days, or even hours. Eventually their cognitive life is reduced to small increments of time, mere moments of memory. By understanding this and seeing the world through the eyes of a sufferer, the caregiver is better able to create an environment of mutual joy and contentment. Based on ten years of caregiving experience, the techniques offered here honor the patient’s individuality, interests, and previous accomplishments. This approach is fresh and inspirational, and recounts a personal journey, filled with relatable experiences that readers will find uplifting and brimming with hope. It teaches family members and other caregivers how to stay connected with their loved one for as long as possible. But most importantly, it honors the unique individual that still resides deep inside every dementia patient by offering techniques enabling them to continue to experience the simple joys of everyday life.

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This is the complete story of Argentina’s contract Mauser rifles from the purchase of their first Model 1871s to the disposal of the last shipment of surplus rifles received in the United States in May 2002. Between 1891-1959 Argentina bought or manufactured nearly 500,000 Mauser rifles and carbines for itself as well as for its neighbors Peru, Bolivia, Uruguay and Paraguay. It also supplied Spain with rifles to help suppress the Melilla revolt in Morocco, which were eventually used against the United States during the Spanish American War of 1898. The Argentine Commission’s relentless pursuit of tactical superiority resulted in a major contribution to the development of Mauser’s now famous bolt-action system. The combined efforts of the Belgian, Turkish and Argentine arms commissions between 1889 and 1892 produced the origins of what became the Model 98 bolt-action system that is still in use today over 110 years later. Details include: thirty-seven identified variants; the history behind each purchase and the technical description of each variant; contract-by-contract, and in the case of the Model 1891, 1909 and 1947 weapons a month-by-month, detail of production and shipping data; over 400 pictures, illustrations, documents and blueprints; history and details of the manufacturing facilities in Europe and in Argentina as well as a description of the manufacturing process used by the “Matheu” (DGFM-FMAP) small arms factory in Argentina; interesting and colorful anecdotes about the people involved, including revelations about spying and secret alliances never before revealed.

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A cosy Dandy Gilver mystery set in 1920s Scotland. For fans of PG Wodehouse, Dorothy L Sayers and Agatha Christie.1st May 1926 - Dear Alec, Just when those who should be working are all downing tools for this wretched strike (and I still can't believe it - I mean to say: riots, Alec - in Edinburgh of all places) guess who is setting her virgin shoulder to its very first wheel? I am dressed in serge and sensible footwear, sleeping in an iron bed and dining off pickled tongue at six o'clock each day. I am, in short, that nice young Mrs Balfour's new maid. But don't worry, Alec dear: things haven't got as bad as all that. It's just that that nice young Mr Balfour is going to kill his wife. At least, she thinks so, and the more I hear about him from butler, cook and bootboy the more I'm inclined to agree. So I'm undercover, in disguise, bent upon foiling. And jolly hard work it is too - tomorrow is my half-day free if you'd care take me out for a restorative bun. (Every maid needs a beau to buy buns for her.) Yours, Dandy xx p.s. Ask for Miss Rossiter: below stairs I am she.Catriona McPherson's latest novel in the series, Dandy Gilver and a Spot of Toil and Trouble is now available for pre-order.

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Let Secret Florence guide you around the unusual and unfamiliar. Step off the beaten track with this fascinating Florence guide book. Let our local experts show you the well-hidden treasures and hidden places of this amazing city. Featuring over 150 unusual and unfamiliar places, this Secret Florence guide is ideal for local inhabitants, curious visitors and armchair travellers alike. Visit a church in a prison, learn how Florence became the centre of hermetism during the Renaissance and where you can still find traces of it today, escape from the crowds of tourists to visit little-known artistic masterpieces, head off to hunt for the 34 plaques displaying quotes from the “Divine Comedy”, fill up your tank at a vintage service station, have your children count the number of bees sculpted on the monument to the glory of Ferdinand I, look for the last wine distributors of the Renaissance, notice the minuscule windows designed to let children look out quietly onto the street, visit superb private gardens that even the Florentines don’t know about, learn how the purple colour of the Fiorentina football team is connected to the pee of a Florentine crusader in Palestine … Far from the crowds and the usual cliches, Florence offers countless off-beat experiences and is home to any number of well-hidden treasures that are revealed only to residents and travellers who find their way off the beaten track. An indispensable guide for those who thought they knew Florence well or would like to discover the other face of the city. The definitive insider’s guide to Florence.

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An exciting new approach to flower painting with step-by-step demonstrations for creating contemporary flower portraits and landscapes that are truly unique. This is more than a ‘how-to’ on flower painting. It is a guide encouraging artists to explore new and exciting ways to create flower paintings bursting with individuality and moving towards a contemporary and impressionist style. Mixed-media artist Soraya French, well known for her gloriously vibrant flower paintings, shares the secrets of her work, with expert advice on all aspects of this endlessly rewarding subject. The book covers: Colours, shapes, patterns and textures particular to various flowers through the seasons, from fresh green foliage in the spring to rich red and gold hues in the autumn. How to incorporate flowers in both still life and landscape paintings, pictured in woodlands, seascapes, meadows and hedgerows as well as vases. How to assemble the perfect palette for flower painting and how to mix vibrant secondary colours, subtle tints and natural greens. The huge range of painting materials available today, from traditional watercolour to vividly coloured wax pastels to innovative textural mediums such as crackle paste and glass bead gel. The secrets of good composition and how to lead the eye around a painting, giving a sense of rhythm and movement while maintaining unity and harmony. Packed with exciting new ideas and illustrated with stunning examples of Soraya’s own work, this book will take your flower painting to a new level and help you find your unique visual voice.

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Robert Ross was one of the first people that Aubrey Beardsley met when he arrived in London to make his name in 1892. Within six years the young artist was dead; but the work he produced in that short time revolutionised British art, and he was fixed forever in the public imagination as one of the leading spirits of the decadent era. Like many others, Ross was taken not only by the evident originality and genius of Beardsley’s work, but also by his character, remembering the ‘delightful and engaging smile both for friends and strangers’, his modesty, wit, erudition, and – contrary to popular opinion – his ‘briskness and virility’, or, as Beerbohm put it, his ‘stony common sense.’ Beardsley’s reputation, both artistic and personal, was caught up in the hurricane that overtook avant garde art after the trial of Oscar Wilde. Ross set out in his pioneering biography to redress the balance. He memorialised the worth of the man he knew, and established the seriousness of his art, its roots in the work of the Old Masters (of whom Beardsley had considerable knowledge). This combination of personal memoir and informed analysis by someone at the heart of the artistic world of the 1890’s makes this biography one of the most fascinating and evocative documents of the period. This republication is a close copy of the first stand-alone edition of 1909. It comes complete with all its original illustrations (and the advertisements for Beardsley’s publications) and the catalogue of Beardsley’s works by Aymer Vallance, which is still the cornerstone of Beardsley studies. It is introduced by Matthew Sturgis, Beardsley’s most distinguished recent biographer.

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For every crafter who has ever wondered how to use the odd ball of yarn left over from a previous project, the answer is here. Now that more and more of us are buying online, there's always a temptation to add one more ball of wool to your basket than the pattern recommends, just in case you can't get the same dye-lot at a later date. Or maybe you are one of the lucky ones who always seems to use slightly less yarn than you expected. And then there are the flash sales online, wool shop events, or craft fairs, where piles of yarn at knockdown prices tempt you to buy without a particular project in mind, just because it's there, it's gorgeous, and it's cheap. Whatever the reason for the size of your yarn stash, one thing is certain, you won't want to waste any of it (or worse still, throw it away). This collection of patterns from Nicki Trench is the answer to your prayers: 25 makes, small and not so small, which can either be made with one ball of yarn or less, or which use up small amounts of different colours in stripes, squares or flowers. Many of the makes are ideal as gifts, including baby hats and bootees, toys, cosies, and bunting. There are also projects for the home, such as a stripy cushion cover, egg cosies and mug warmers. There are also useful tips on choosing substitute yarns and checking your tension. Now you can stop feeling guilty about your stash, and put it to use instead.

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Heavy is the crown that was never meant to be mine… The one thing I should be thinking about is escape—but I’m not. Not yet. Pretending to be my twin sister Tabra—the Queen of Aryd—is what I was trained for my entire life. Only I was supposed to be a sacrificial pawn, not take her place. But nothing happened as planned. So here I am. A false queen stuck on a throne I never wanted, pretending to be wed to the man who has been hunting and killing royals of my line for centuries, and desperately trying to find a way to stop him. All while I pretend to be enthralled by him. I’ve done such a good job acting besotted, even King Eidolon believes I’ve come under the spell of the curse that binds us. A curse meant for Tabra, not me. Meanwhile, problems are piling up like sand blown against the palace walls in a storm. My sister is dying. My amulet has gone cold. Winter is crawling over the land, turning all to frost. I’m still not sure what that damned curse is supposed to make me do. And the Shadowraith I’ve given my heart to—a man shed from Eidolon’s own shadow—is coming for me. I need more time. If I can find out what Eidolon is after, maybe I can end this. The fate of every soul in the dominions rests on me, the hidden princess who was supposed to be disposable. I don’t know how long I can keep up all these lies.

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An exploration of the self-fulfilling lives of people who, by chance or choice, have no children of their own Not having children is on the rise in many countries across the globe. August 1st has been named International Childfree Day, with a Childfree Woman and Man of the Year Award. Yet being childless is a subject not much talked about--the focus tends to be on having families and raising children, in rural, town, or city life. Let’s talk about not having children, about what people like us do with our time, about how we spend our money, and--most of all--how we find purpose and fulfilment in our lives. Never attracted to family life herself, Lisette Schuitemaker began openly discussing why people didn’t have children and how that was for them, resulting in intimate conversations with childless women and men and surprising insights. Inspired to delve further, she interviewed non-parenting people aged 19 to 91 across the globe. She found that no story was like the other and that many had been waiting to be listened to with sensitivity. This book is for everyone who has not gone the way of parenthood, who has close family or friends who lead self-directed lives without offspring, and for all those who are still contemplating this essential life choice. The stories in this book also testify that not having children of your own in no way means the joys (and trials) of children pass you by altogether.

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Confronting chronic pain can feel overwhelming. People have a natural tendency to lump everything related to pain - stressful thoughts, negative emotions, uncomfortable sensations - into one big unwieldy box that we then struggle to carry around all day. But what if we could put down this box and unpack its contents to tackle one by one, aided by an expert doctor's tried-and-tested methods?Outsmart Your Pain is a transformative guide to reframing and managing pain, "unpacking the pain box" through proven mindfulness and self-compassion techniques. This book is designed with the pain-sufferer in mind, with concise advice and instruction for those seeking immediate relief. Each chapter addresses the what, why, and how: What is the strategy, why it is helping with pain, and how to put it into practice. Some practices are guided meditations, others are reflections, and still others are brief awareness exercises to use while going through the day.Dr Wolf draws these insights from her experience as a teacher and trainer for Mindfulness-Based Stress Reduction (MBSR), and the patients she's guided in her fifteen years of practice - every chapter involves a story from a real-life person with chronic pain who she's taught and learned from. The book also offers a companion audio track to guide readers through each of the meditations. Outsmart Your Pain works on the principle that we are all capable of changing our brains to outsmart pain - and, in the process, leave our pain behind.

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The former Sex & Relationships Editor for Cosmopolitan and host of the wildly popular comedy show Tinder Live with Lane Moore presents her poignant, funny, and deeply moving first book.Lane Moore is a rare performer who is as impressive onstage—whether hosting her iconic show Tinder Live or being the enigmatic front woman of It Was Romance—as she is on the page, as both a former writer for The Onion and an award-winning sex and relationships editor for Cosmopolitan. But her story has had its obstacles, including being her own parent, living in her car as a teenager, and moving to New York City to pursue her dreams. Through it all, she looked to movies, TV, and music as the family and support systems she never had. From spending the holidays alone to having better “stranger luck” than with those closest to her to feeling like the last hopeless romantic on earth, Lane reveals her powerful and entertaining journey in all its candor, anxiety, and ultimate acceptance—with humor always her bolstering force and greatest gift. How to Be Alone is a must-read for anyone whose childhood still feels unresolved, who spends more time pretending to have friends online than feeling close to anyone in real life, who tries to have genuine, deep conversations in a roomful of people who would rather you not. Above all, it’s a book for anyone who desperately wants to feel less alone and a little more connected through reading her words.

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‘As if Bill Bryson had taken to two wheels’ - FT Somewhere in a German forest 200 years ago, during the darkest, wettest summer for centuries, the story of cycling began. The calls to ban it were more or less immediate. Re:Cyclists is the tale of the following two centuries. It tells how cycling became a kinky vaudeville act for Parisians, how it was the basis of an American business empire to rival Henry Ford's, and how it found a unique home in the British Isles. The Victorian love of cycling started with penny-farthing riders, who explored lonely roads that had been left abandoned by the coming of the railways. Then high-society took to it - in the 1980s the glittering parties of the London Season featured bicycles dancing in the ballroom, and every member of the House of Lords rode a bike. Twentieth-century cycling was very different, and even more popular. It became the sport and the pastime of millions of ordinary people who wanted to escape the city smog, or to experience the excitement of a weekend's racing. Cycling offered adventure and independence in the good times, and consolation during the war years and the Great Depression. Re:Cyclists tells the story of cycling's glories and also of its despairs, of how it only just avoided extinction in the motoring boom of the 1960s. And finally, at the dawn of the 21st century, it celebrates how cycling rose again - a little different, a lot more fashionable, but still about the same simple pleasures that it always has been: the wind in your face and the thrill of two-wheeled freedom.

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Writer Harry Pearson takes a warm and witty journey around Britain in pursuit of the lost folk sports that somehow still linger on in the glitzy era of the Premier League and Sky Sports to find out how and why they have survived and to meet the characters who keep them going. When Victorian public schoolmasters and Oxbridge-educated gentlemen were taming football, codifying cricket, bringing the values of muscular Christianity to the boxing ring and the athletics field, games that dated back to the pagan era clung on in isolated pockets of rural Britain, unmodified by contemporary tastes, shunned by the media and sport’s ruling elites. Here they remain, small, secret worlds, free from media scrutiny and VAR controversies, wreathed in an arcane language of face-gaters, whack-ups, potties, gates-of-hell and the Dorset flop; as much a part of the British countryside as the natterjack toad and almost as endangered. No Pie, No Priest! travels through Britain in search of the nation’s traditional rural sports, seeking out the championship of Knur and Spell (a Viking forefather of golf) on the West Yorkshire moors; watching Irish Road Bowling in County Armagh (once a surprising interest of England cricket captain Mike Brearley), Popinjay at Kilwinning Abbey in Ayrshire, the Aunt Sally competitions of Oxfordshire, and taking in world championship Stoolball (often considered the dairymaid’s form of cricket) and Toad-in-the-Hole in West Sussex.No Pie, No Priest! combines sports reporting, travelogue and history, and features a cast of bucolic eccentrics and many deeply impenetrable regional accents.

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A 2015 Oprah's Favorite Things PickThis paper time capsule becomes a priceless heirloom for generations to cherish.Write now, read later, treasure forever: Whether your grandchild is still a baby or all grown up sharing your stories is giving the gift of a lifetime. With this keepsake collection of twelve letters you can fill each with words of wisdom that only a grandparent can impart then postdate, seal with the included stickers, and gift this paper time capsule for future opening. Your grandchild – and generations to come – will treasure this heirloom forever. Each letter is printed with a unique prompt like Here is a special story about our family..., What I want you to know about me..., The best advice anyone ever gave me was..., and My wishes for you are... Makes a perfect graduation, new baby, new grandparent, or grandparent birthday gift. Created by Lea Redmond, an artist and the creative mind behind The World's Smallest Post Service, My Museum, Connexio, and Letters to My Baby. Fans of Letters to My Son, Letters to My Baby, and Letters to My Future Self will love this Oprah's Favorite Things Pick for 2015, Letters to My Grandchild.Over 2 million copies sold across the series! Each Letters To... letter book includes 12 or more prompted letters to fill with favorite memories and words of wisdom. Seal letters with the included stickers, postdate for future opening and your grandchild will have a cherished time capsule of you to share with generations to come.

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Love triangle! Comedic antics!! Gang warfare?! Love triangle! Comedic antics!! Gang warfare?! You won’t want to miss out on Shonen Jump's laugh-out-loud feel-good manga series! It's hate at first sight when Raku Ichijo first meets Chitoge Kirisaki. But much to their chagrin, the two are forced into a false love relationship to keep the peace between their feuding gangster families. A meteor shower that comes only once in 50 years is said to bring lovers together, so both Chitoge and Kosaki want to declare their love to Raku when they all gather to watch the night sky! Meanwhile, Raku still hasn’t come to terms with his own feelings… What truth will shine on this starry evening? * A laugh-out-loud story that features a fake love relationship between two heirs of rival gangs! * Releases 6 times a year for 25 volumes. Series ends at volume 25. * Anime is streaming on Crunchyroll in North America, South America, and South Africa. * Great selection for “T” audience and librarians, as it has a good mix of lighthearted comedy, action, and romance. * “With a sense of fun that comes out in the art and text, some nice twists…and a crazy blond ninja guy named Claude, Nisekoi's first two books…are a nice pick-me-up or light bit of distraction. The delight it takes in itself is contagious, and in this case, that works out very well indeed.” –Anime News Network

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Neil Woodford was the UK’s most celebrated fund manager. Savers who invested £1,000 with him in 1988 saw their money increase to £25,000 over 25 years. At the peak of his career he was managing £33 billion for hundreds of thousands of investors. When he started his own fund management company in 2014, within just a few weeks it had attracted £5bn from his loyal fan base, including some of the City of London’s biggest hitters. Life was good. Away from work he was collecting high-performance supercars and chunky designer watches; he was rarely out of the saddle of his favourite horse. The BBC called him the “man who can’t stop making money”. And then it all came to a sudden stop. This book tells the dramatic untold story behind Woodford’s stunning rise and fall, and reveals why his multi-billion-pound investment empire really collapsed in such an abrupt and catastrophic manner. In a fast-moving and compelling narrative, reporter David Ricketts takes readers inside the rooms where extraordinary sums of other people’s money were wagered, trapped and, ultimately, lost, in a scandal still sending shockwaves through the world of finance. Thanks to unique and unprecedented access to the most important players, we meet an eccentric cast of characters and go inside the institutions involved, from Woodford’s own firm to those that made huge sums endorsing him – as well as those who failed to raise the alarm before it was too late.

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With the right broker, and just a few hundred dollars or pounds, anyone can become a leveraged trader. The products and tools needed are accessible to all: FX, a margin account, CFDs, spread-bets and futures. But this level playing field comes with great risks. Trading with leverage is inherently dangerous. With leverage, losses and costs – the two great killers for traders – are magnified. This does not mean leverage must be avoided altogether, but it does mean that it needs to be used safely. In Leveraged Trading, Robert Carver shows you how to do exactly that, by using a trading system. A trading system can be employed to tackle those twin dangers of serious losses and high costs. The trading systems introduced in this book are simple and carefully designed to use the correct amount of leverage and trade at a suitable frequency. Rob shows how to trade a simple Starter System on its own, on a single instrument and with a single rule for opening positions. He then moves on to show how the Starter System can be adapted, as you gain experience and confidence. The system can be diversified into multiple instruments and new trading rules can be added. For those who wish to go further still, advice on making more complex improvements is included: how to develop your own trading systems, and how to combine a system with your own human judgement, an approach Robert has nicknamed Semi-Automatic Trading. For those trading with leverage, looking for a way to take a controlled approach and manage risk, a properly designed trading system is the answer. Pick up Leveraged Trading and learn how.

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The Kingdom of Charis and the Kingdom of Chisholm have joined together, pledged to stand against the tyranny of a corrupt Church. The youthful Queen Sharleyan of Chisholm has wed King Cayleb of Charis, forging a single dynasty, a single empire, dedicated to the defense of human freedom. Crowned Empress of that empire, Sharleyan has found in Cayleb's arms the love she never dared hope for in a 'marriage of state'. In Cayleb's cause, his defiance of the ruthless Group of Four who govern mother Church, she has found the task to which she can commit her mind and her courage. It is a cause for which she was born. Yet there are things Sharleyan still does not know. Secrets Cayleb has not been permitted to share, even with her. Secrets like the true story of humanity on Safehold. Like the intricate web of lies, deception, and fabricated 'religion' which have chained humanity for almost a thousand years. Like the existence of the genocidal alien Gbaba, waiting to complete mankind's destruction should humans ever attract their attention once more. Like the existence of a young woman, Nimue Alban, nine hundred years dead, whose heart, mind, and memories live on within the android body of the warrior-monk she knows as Merlin. And so Empress Sharleyan faces the the great challenge of her life unaware of all that task truly entails...or of how the secrets the man who loves her cannot share may threaten all they have achieved between them...and her own life.

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In the years since we first published All I Need to Know I Learned from My Cat , with over 2 million copies in print and the fastest-selling book in Workman’s history, one thing hasn’t changed—people are still starved for wisdom. Few oracles have dispensed as much common-sense truth as Binky, Suzy Becker's cat. "It's O.K. to wear the same thing every day." "Know all the sunny places." "Flaunt your hair loss." "Get mad when you're stepped on." Life lessons such as these and dozens of others propelled the book like a champagne cork to the top of The New York Times bestseller list. Now, to celebrate the book's double-platinum milestone, there's a new edition: the original book, in a fresh cover, plus 48 new pages, including the Are You a Cat Person? quiz. The cat, Binky, is perspicacious and profound; the artist, Suzy, is utterly delightful; and the combined effect is one of immense and irresistible charm. Every cat fancier will recognize the book's timeless take on grooming, health, relationships, boundaries, and, above all, how to live in the moment. With new entries like "Be good at hellos. Don't drag out goodbyes," "Don't think too far beyond your next meal," "Celebrate the days you can open the windows," and "First one in has to warm up the bed," these teachings may very possibly change your life. Or at least let you know that there's always time for a nap.

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Introducing new evidence from more than 600 secret Ottoman documents, this book demonstrates in unprecedented detail that the Armenian Genocide and the expulsion of Greeks from the late Ottoman Empire resulted from an official effort to rid the empire of its Christian subjects. Presenting these previously inaccessible documents along with expert context and analysis, Taner Akcam's most authoritative work to date goes deep inside the bureaucratic machinery of Ottoman Turkey to show how a dying empire embraced genocide and ethnic cleansing. Although the deportation and killing of Armenians was internationally condemned in 1915 as a "crime against humanity and civilization," the Ottoman government initiated a policy of denial that is still maintained by the Turkish Republic. The case for Turkey's "official history" rests on documents from the Ottoman imperial archives, to which access has been heavily restricted until recently. It is this very source that Akcam now uses to overturn the official narrative. The documents presented here attest to a late-Ottoman policy of Turkification, the goal of which was no less than the radical demographic transformation of Anatolia. To that end, about one-third of Anatolia's 15 million people were displaced, deported, expelled, or massacred, destroying the ethno-religious diversity of an ancient cultural crossroads of East and West, and paving the way for the Turkish Republic. By uncovering the central roles played by demographic engineering and assimilation in the Armenian Genocide, this book will fundamentally change how this crime is understood and show that physical destruction is not the only aspect of the genocidal process.

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