Search results for ""author valentina"

“What’s the point of being Irish anyway if you don’t think the world will break your heart?” asks Jack Kennedy. He is spellbound by a song about Ireland’s neverland of dreams: “How Are Things in Glocca Morra?” No one better knew the real JFK’s dreams and passions than Lem Billings, a prep-school roommate who made himself “sidekick everlasting.” The late Peter Collier had the great fortune to obtain oral histories from Billings himself, and they became the basis for a vivid biographical novel in Lem’s voice. On assignment with the Hearst newspapers, Jack goes with Lem to Hollywood, that neverland of dreams he loves for “the feeling that something might happen.” Things do. Communists and gangsters vie for control of the film industry. There are labor strikes, blackmail, assassinations. And there are glamorous actresses. Joseph Kennedy Sr. hovers oppressively over his son and aims to derail his romance with Valentina, survivor of an Italian prison camp and daughter of a mobster. The world breaks Jack’s heart, and he dives into politics with steely purpose. But the interlude in Hollywood sends ripples through the Kennedys’ lives. When Lem gets the news of JFK’s assassination, he instantly thinks of Val’s father—a man whose middle name is vendetta. Billings never got the answers he sought about Jack’s death. As for his intimate knowledge of the Kennedys, he remained ever discreet, but left a trove of recollections to be opened by a later generation. Channeled through Collier’s lively and imaginative prose, they illuminate shadowy corners of an extraordinary American saga.

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Celebrate Valentine's Day with this fetching valentine "from the dog" that lets adorable pups do the talking with silly puns, canine antics, and sweet holiday sentiments.This holiday board book will have little ones howling with laughter as dogs offer silly and sweet sentiments for their favourite hoomans. Photos and illustrations show dogs professing affections and participating in Valentine's Day-related shenanigans. The canines bring flowers (dug up from the yard), offer kisses (the slobbery kind), and generally "treat" their humans to the very best behaviour they can muster. Written as a valentine from the dog, this charming board book trots out plenty of puns, sweet sentiments, and adorable pups. It's a perfect gift for little ones and and their animal-loving grownups.

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Historic valentines are popular collectibles themselves and within many other types of collections including comic characters, paper items, international themes, nursery rhymes and topical themes. From hand-made to manufactured, from fancy and romantic to cute and funny, there are valentines for every personality. This book presents a wide range of styles with market values in the capitons. 600 photographs beautifully display the wide variety. It also contains a glossary.

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Set in an immense world teeming with alien races and fantastic, almost magical, machinery, Valentine, an itinerant juggler, wakes up one morning with only a vague and troubled idea of who he is. He gradually discovers, through dreams and portents, that he is in fact his namesake: Lord Valentine, the Coronal, his body and throne stolen by a usurper.Across the giant world of Majipoor, Valentine sets out on a quest to win back his throne - and discover which of his enemies has the power to vanquish him so utterly from not just his throne, but his very life . . .

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Addressing the diverse ways in which eighteenth-century contemporaries of different nations and cultures created visual, verbal, and material representations in various media.Focused on conventions of technology, labor, and tolerance on the one hand, and on artistic intentionality on the other hand, these essays also address the implications of this past in our own research today. The first section, “Representing Humans and Technology,” opens with the late Srinivas Aravamudan’s presidential address, “From Enlightenment to Anthropocene.” This is followed by a panel of essays on labor and industry, which includes Valentina Tikoff on the overlap between welfare and the technical training of Spanish orphans for warfare; Susan Egenolf on mythological representations of industry; Susan Libby on the Encyclopédie’s mechanical representations of sugar production on the plantations; and Jon Klancher on technological manuals. The second section, “Inside the Artist’s Studio,” opens with Shearer West’s ASECS/BSECS lecture on “selfiehood” and eighteenth-century celebrity. This is followed by papers on self-promoting self-representations—by painters in Wendy Wassyng Roworth’s essay on Angelica Kauffman’s studio in Rome and Francesca Bove’s essay on George Morland’s studio; and by a self-promoting French society lady in Heather McPherson’s essay on Madame Récamier’s portraits. This section concludes with Leith Davis’s essay on representations in the contemporary press of Ireland and the Glorious Revolution. The final section addresses emerging issues in two forums. The first reconsiders issues of intentionality: participants include Stephanie Insley Hershinow, Sarah Ellenzweig, Edmund J. Goehring, Thomas Salem Manganaro, and Kathleen Lubey. The second section reconsiders issues of tolerance—and the association of Enlightenment tolerance with Voltaire during the recent Charlie Hebdo rallies in Paris. Participants include Jeffrey M. Leichman, Reginald McGinnis, Jack Iverson, Fayçal Falaky, Ourida Mostefai, and Elena Russo.

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When Mirabel’s valentines fall out of her bag on the way to school, the shy little mouse panics. But those lost cards brighten some days . . . before making their way back to her. “This sweetly inspiring story of a timid mouse stepping outside her comfort zone is a winner. Great for Valentine’s or any day.” —School Library Journal“Mirabel was very shy.She’d always been that way.She trembled at the thought ofgiving Valentines away.” Poor Mirabel! It’s almost Valentine’s Day and the shy little mouse trembles at the thought of giving cards away. Yet she carefully crafts her valentines, drawing a heart on every one. In the morning, Mirabel forces herself to hurry to school. But, in her nervousness, she doesn’t notice her bag becoming lighter and lighter: her valentines are falling out! By the time she realizes what’s happened, they’re all gone. It turns out, though, that these lost valentines bring joy into the lives of all who find them. Then, with her valentines back in her pack, and some newfound friends, she musters up the courage to celebrate the holiday after all! This wonderful tale of overcoming insecurity will make its way to the hearts of all young readers.

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From bestselling author and British astronaut Tim Peake, an inspirational human history of space travel, from the Apollo missions to our future forays to Mars. The Right Stuff for a new generation.'This book is brilliant - once in a blue moon. A book for the whole family.' Chris Evans, Virgin Radio'The most wonderful book ... Tim Peake is a historian and encyclopaedia of space.’ Rory Stewart'An extraordinary book. For anyone - even if you’re not interested in Space. If you’re interested in human stories and the human character - this is delightful.' BBC Breakfast'A fascinating, detailed, playful book drawn from extensive research – Peake met seven Apollo astronauts, Russian cosmonauts and various other space technicians – as well as his considerable personal experience. Lifts the lid on what space is like: the dedication and sacrifice; the politics and pantomime; the practicalities and the peril; the glory and fame; the adjustment back to normal life.' iPaper'A thrilling human history of space' Daily Mirror'The bible of space travel' Chris Moyles, Radio XAs seen in the major TV series Secrets of Our Universe with Tim Peake.Only 628 people in human history have left Earth. This is their story.Astronaut Tim Peake traces the lives of the remarkable men and women who have forged the way for humanity beyond Earth, from Yuri Gagarin to Neil Armstrong, from Valentina Tereshkova to Peggy Whitson.Full of fascinating insight into our greatest pioneers and unsung heroes, and astonishing detail only an astronaut would know, Peake's book is the first of its kind to chronicle the human evolution of space exploration over sixty years, from our first forays to now. In the process, Peake reveals what spaceflight is really like: the wondrous view of Earth, the surreal weightlessness, the extraordinary danger, the surprising humdrum, the unexpected humour, the new-found perspective, the years of training, the psychological pressures, the gruelling physical toll, the thrill of launch and the trepidation of re-entry.In the next few years, NASA will send the first woman and the first person of colour to step on the lunar surface. What will separate these upcoming moonwalkers from the legendary Apollo crews? Does it still take a derring-do attitude, super-human fitness, intelligence, plus 'the right stuff' - a fabled grace under pressure? And how will astronauts travel even further - to Mars and beyond?Space: The Human Story reveals all.'Space enthusiasts will snap up Peake’s compelling book in their droves, but his account of courage, camaraderie and the determination to go where few have gone before deserves to be read by a much wider audience too' – Daily Express

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Valentine's Day is about celebrating love. Around the world, people show their affection for others on this special day. Some people exchange cards or paper hearts. Others give chocolate pigs or other treats. Readers will discover how a shared holiday can have multiple traditions and be celebrated in all sorts of ways.

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Can he tear down her barriers? Nurse Julia has a life plan—and dreamy Dr Boone Richards isn’t in it. Adamant that history won’t repeat itself, she’s set herself a list of rules. Number one is absolutely no dating! But the rulebook’s soon thrown out of the window by their overwhelming attraction… Discovering her past and Boone’s are tainted with the same brush could bring them even closer. If Julia can open her heart and let him in… Two anti-romantics…one baby bombshell! Heartbroken registrar Sadie is done with romance. An anti-Valentine’s party is ideal—especially when she meets dashing fellow commitment-phobe Roman. They spend an electrifying night together, strictly no strings attached! But one year later Roman reappears as a locum surgeon. Still troubled by a tragic loss, he’s not looking to settle down…until Sadie reveals a secret. She’s had a little girl—and Roman’s the father!

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Zebedee and The Valentines have just played the gig of their lives. The seven people watching them agree. With a big battle of the bands approaching, lead singer Zebedee and his motley crew of punks seem ready to blow up. But when the Devil is booking your gigs and the competition is fierce, was it ever really going to be that easy? It may take a tragedy for Zebedee to turn his self-centered attitude around. The debut graphic novel from incredible new creator Abs Bailey, Zebedee and The Valentines is a psychedelic tale of betrayal, tragedy and triumph told through the lens of the 80s, and with amps turned up to 11.

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This epoch-making record of the late '80s effortlessly combines dense swathes of guitar noise and dance music. This turned out to be their last record, guitarist and studio maestro Kevin Shields having set their standards so high it was impossible to surpass them. Shields is now playing with Primal Scream. Includes the classics Loomer, Soon and To Here Knows When.

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Lucas Lessar's great-grandfather arrived in Pennsylvania with a handful of pear seeds and a pocketful of introductions with which to make his fortune - and one name on his lips. He has told this story every Christmas, as Lucas' sprawling family throws kutya up to the ceiling to see if it will stick and bring good luck, and share shots of homemade pear brandy from the enchanted tree outside. But this year is different. It is 1974: the year Lucas turns thirteen. The year his mother Mirjana disappears. The year Zoli from the plate-glass factory goes mad for love. There used to be mines all along the Pittsburg coal seam, but now there's only one left: King Mine, where Lucas' father Jimmy was blown up a few years back. These days Lucas lives with Slats, his feisty, sharp-tongued grandmother, watched over by his five immensely strong great-uncles. He visits great-grandfather too, with his intellectual goat Valentina and Russian house-devil Tot-to - and this strange world seem inexplicable to Lucas, although perhaps not as incomprehensible as where Mirjana might be. School is tough too, and as he slides from the front of the classroom to the back, Lucas can see the plate-glass cracking at the factory. And soon he starts to have a sense of something else cracking, something like burnt branches, broken fences, lost voices, something maybe only a miracle can fix. Set against the collapse of an industry that has sustained an immigrant community for generations, this is a beautiful, atmospheric yet startling tale of one family's long winter - and the promise of spring that might eventually emerge.

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A pioneering, richly interdisciplinary volume, this is the first work in any language on a subject that has long attracted interest in the West and is now of consuming interest in Russia itself. The cultural ferment unleashed by the collapse of the Soviet Union reawakened interest in the study of Russian religion and spirituality. This book provides a comprehensive account of the influence of occult beliefs and doctrines on intellectual and cultural life in twentieth-century Russia. Bernice Glatzer Rosenthal's introduction delineates the characteristics of occult cosmology which distinguish it from mysticism and theology, and situates Russian occultism in historical and pan-European contexts. Contributors explore the varieties of occult thinking characteristic of prerevolutionary Russia, including Kabbala, theosophy, anthroposophy, and the fascination with Satanism. Other contributors document occultism in the cultural life of the early Soviet period, examine the surprising traces of the occult in the culture of the high Stalin era, and describe the occult revival in contemporary Russia. The volume includes bibliographical essays on Russian occult materials available outside Russia. Contributors: Mikhail Agursky, Hebrew University; Valentina Brougher, Georgetown University; Maria Carlson, University of Kansas; Robert Davis, New York Public Library; Mikhail Epstein, Emory University; Kristi Groberg, North Dakota State University; Irina Gutkin, UCLA; Michael Hagemeister, Ruhr University, Bochum; Linda Ivanits, Pennsylvania State University; Edward Kasinec, New York Public Library; Judith Deutsch Kornblatt, University of Wisconsin; Hakan Lövgren, Independent Scholar; Bernice Glatzer Rosenthal, Fordham University; William F. Ryan, Warburg Institute, London; Holly Denio Stephens, University of Kansas; Anthony Vanchu, University of Texas, Austin; Renata Von Maydell, Munich University; George Young, Independent Scholar

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This book introduces readers to the history, meaning, traditions, and celebrations of Valentine’s Day. Vivid photographs and easy-to-read text aid comprehension for early readers. Features include a table of contents, an infographic, fun facts, Making Connections questions, a glossary, and an index. QR Codes in the book give readers access to book-specific resources to further their learning.

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When a tiger comes to stay at Valentine's guest house, the human visitors all check out in a rush. Luckily, the hotel soon starts to fill again - but with a very different collection of residents, all with new and differing needs. Elsie and Valentine make lots of changes to accommodate the new guests, and a very popular, accessible and unusual guest house results! A beautiful debut picture book about diversity, inclusivity and empowerment.

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One Hundred Years of Valentines is a photographic essay. This book, a must for the collector or dealer, showcases over 450 valentine's cards from the late 1800s up until 1998. This comprehensive book includes: the Depression, dimensional, Art Deco, transportation, artist signed, honey comb paper puff, novelty, etc., along with an extensive glossary of valentine terms, the "Second Top 10 Most Asked Questions," and a Usage Guide. Valuable information helps collectors/dealers identify and evaluate their cards.

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A pioneering, richly interdisciplinary volume, this is the first work in any language on a subject that has long attracted interest in the West and is now of consuming interest in Russia itself. The cultural ferment unleashed by the collapse of the Soviet Union reawakened interest in the study of Russian religion and spirituality. This book provides a comprehensive account of the influence of occult beliefs and doctrines on intellectual and cultural life in twentieth-century Russia. Bernice Glatzer Rosenthal's introduction delineates the characteristics of occult cosmology which distinguish it from mysticism and theology, and situates Russian occultism in historical and pan-European contexts. Contributors explore the varieties of occult thinking characteristic of prerevolutionary Russia, including Kabbala, theosophy, anthroposophy, and the fascination with Satanism. Other contributors document occultism in the cultural life of the early Soviet period, examine the surprising traces of the occult in the culture of the high Stalin era, and describe the occult revival in contemporary Russia. The volume includes bibliographical essays on Russian occult materials available outside Russia. Contributors: Mikhail Agursky, Hebrew University; Valentina Brougher, Georgetown University; Maria Carlson, University of Kansas; Robert Davis, New York Public Library; Mikhail Epstein, Emory University; Kristi Groberg, North Dakota State University; Irina Gutkin, UCLA; Michael Hagemeister, Ruhr University, Bochum; Linda Ivanits, Pennsylvania State University; Edward Kasinec, New York Public Library; Judith Deutsch Kornblatt, University of Wisconsin; Hakan Lövgren, Independent Scholar; Bernice Glatzer Rosenthal, Fordham University; William F. Ryan, Warburg Institute, London; Holly Denio Stephens, University of Kansas; Anthony Vanchu, University of Texas, Austin; Renata Von Maydell, Munich University; George Young, Independent Scholar

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Every Valentine’s Day Geronimo Stilton throws a big party, and he’s sure this one is going to be the best yet! Isn’t it? When failed deliveries and burst sewer pipes leave Geronimo questioning what more could go wrong, a kind stranger shows him that love really is all around. About the Geronimo Stilton series: Geronimo Stilton is a bestselling children’s series with a dedicated international fan base. As seen on Netflix, the series follows the adventures of Geronimo Stilton the fa-mouse journalist, as he searches for the next hot scoop. With illustrations and fun fonts throughout, Geronimo Stilton is perfect for reluctant readers aged 5+ years.

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Celebrate Valentine's Day in a special way with this bright, joyful board book.The day is almost here! It's only "one more goodnight" until Valentine's Day. As a child goes to sleep, they can't wait for all the fun that comes with celebrating their favorite holiday with their loved ones. They know the next day will be filled with the best Valentine's decorations, treats, and gifts! Experience unique familial traditions in this sweet holiday primer.

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Roses are red, violets are blue, sugar is sweet, YOU SMELL BAD. Kitty does not like Valentine's Day. Because no one has given Kitty a Valentine. But maybe to get a Valentine, Kitty has to give a Valentine . . . It's not easy. But when Puppy notices Kitty's efforts, He steps up to the plate.

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Here are new, contemporary perspectives on a craft from the 1800s, including eighteen top artists' insights about Sailors' Valentines plus more than 300 photos of their exquisite work. This collection shows how the once-obscure Victorian-era craft has gained its steadily-increasing popularity today. Sailors' Valentines, amazing mosaics of finely-crafted shell work usually set in an octagonal box, were originally created as gifts for the loved ones of sailors who were returning home to America, England, and Holland. The surprising history of the craft is explained--including how a 1961 revelation put rest to the myth that sailors made these pieces. Highly imaginative, remarkably colorful, and executed with great vision and precision, these contemporary artists' examples of Sailors' Valentines will inspire artists and others to become lovers of shell art themselves.

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Until recently, scholars believed that African American children’s literature did not exist before 1900. Now, Who Writes for Black Children? opens the door to a rich archive of largely overlooked literature read by black children. This volume’s combination of analytic essays, bibliographic materials, and primary texts offers alternative histories for early African American literary studies and children’s literature studies.From poetry written by a slave for a plantation school to joyful “death biographies” of African Americans in the antebellum North to literature penned by African American children themselves, Who Writes for Black Children? presents compelling new definitions of both African American literature and children’s literature. Editors Katharine Capshaw and Anna Mae Duane bring together a rich collection of essays that argue for children as an integral part of the nineteenth-century black community and offer alternative ways to look at the relationship between children and adults. Including two bibliographic essays that provide a list of texts for future research as well as an extensive selection of hard-to-find primary texts, Who Writes for Black Children? broadens our ideas of authorship, originality, identity, and political formations. In the process, the volume adds new texts to the canon of African American literature while providing a fresh perspective on our desire for the literary origin stories that create canons in the first place. Contributors: Karen Chandler, U of Louisville; Martha J. Cutter, U of Connecticut; LuElla D’Amico, Whitworth U; Brigitte Fielder, U of Wisconsin–Madison; Eric Gardner, Saginaw Valley State U; Mary Niall Mitchell, U of New Orleans; Angela Sorby, Marquette U; Ivy Linton Stabell, Iona College; Valentina K. Tikoff, DePaul U; Laura Wasowicz; Courtney Weikle-Mills, U of Pittsburgh; Nazera Sadiq Wright, U of Kentucky.

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This original volume proposes a novel way of reading Dante’s Vita nova, exemplified in a rich diversity of scholarly approaches to the text. This groundbreaking volume represents the fruit of a two-year-long series of international seminars aimed at developing a fresh way of reading Dante’s Vita nova. By analyzing each of its forty-two chapters individually, focus is concentrated on the Vita nova in its textual and historical context rather than on its relationship to the Divine Comedy. This decoupling has freed the contributors to draw attention to various important literary features of the text, including its rich and complex polysemy, as well as its structural fluidity. The volume likewise offers insights into Dante’s social environment, his relationships with other poets, and Dante’s evolving vision of his poetry’s scope. Using a variety of critical methodologies and hermeneutical approaches, this volume offers scholars an opportunity to reread the Vita nova in a renewed context and from a diversity of literary, cultural, and ideological perspectives. Contributors: Zygmunt G. Barański, Heather Webb, Claire E. Honess, Brian F. Richardson, Ruth Chester, Federica Pich, Matthew Treherne, Catherine Keen, Jennifer Rushworth, Daragh O’Connell, Sophie V. Fuller, Giulia Gaimari, Emily Kate Price, Manuele Gragnolati, Elena Lombardi, Francesca Southerden, Rebecca Bowen, Nicolò Crisafi, Lachlan Hughes, Franco Costantini, David Bowe, Tristan Kay, Filippo Gianferrari, Simon Gilson, Rebekah Locke, Luca Lombardo, Peter Dent, George Ferzoco, Paola Nasti, Marco Grimaldi, David G. Lummus, Helena Phillips-Robins, Aistė Kiltinavičiūtė, Alessia Carrai, Ryan Pepin, Valentina Mele, Katherine Powlesland, Federica Coluzzi, K. P. Clarke, Nicolò Maldina, Theodore J. Cachey Jr., Chiara Sbordoni, Lorenzo Dell’Oso, and Anne C. Leone.

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Explores cities of exile from different perspectives and presents different methods and sources for exile and urban studies. The essays are written by internationally recognized scholars, and contain a wide range of themes including mapping, oral history, queerness, photography. This book will make a significant contribution to the theory and methodology of research on historical exile, cities and modernities, as well as present multidisciplinary exile research from an urban perspective. With a blend of case studies, and theoretical approaches, it interweaves histories of modernism and exile in different urban environments and focuses on historical dislocations in the first half of the twentieth century, when artistic and urban movements constituted themselves in global exchange. Although this book takes a historical perspective, it is written with an awareness of current flight movements and will make a significant contribution to the theory and methodology of research on exile. The knowledge of previous historical exile experiences is important for the understanding of contemporary flight movements: after all, these are not singular phenomena. For migration movements in the first half of the 20th century and for those of today, it is equally possible to speak of urban centres of attraction for refugees: Today, Berlin is a European metropolis of exile; in the 1930s and 1940s, Paris, Prague, London, New York, Istanbul and Shanghai were destinations for refugees. With contributions from Maddalena Alvi, Ekaterina Aygün, Claudia Cendales Paredes, Julia Eichenberg, Margit Franz, Nils Grosch, Mareike Hetschold, Louis Kaplan, Laura Karp Lugo, Katya Knyazeva, Merve Köksal, Rachel Lee, Chris McConville, Anna Messner, Alexis Nuselovici, Robert Pascoe, Valentina Pino Reyes, Helene Roth, Valeria Sánchez Michel, Marine Schütz, Seza Sinanlar Uslu, Felicitas Söhner, Mareike Schwarz, Marina Sorokina, Xin Tong, Diana Wechsler, Jessica Williams Stark and Federico Vitelli.

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This original volume proposes a novel way of reading Dante’s Vita nova, exemplified in a rich diversity of scholarly approaches to the text. This groundbreaking volume represents the fruit of a two-year-long series of international seminars aimed at developing a fresh way of reading Dante’s Vita nova. By analyzing each of its forty-two chapters individually, focus is concentrated on the Vita nova in its textual and historical context rather than on its relationship to the Divine Comedy. This decoupling has freed the contributors to draw attention to various important literary features of the text, including its rich and complex polysemy, as well as its structural fluidity. The volume likewise offers insights into Dante’s social environment, his relationships with other poets, and Dante’s evolving vision of his poetry’s scope. Using a variety of critical methodologies and hermeneutical approaches, this volume offers scholars an opportunity to reread the Vita nova in a renewed context and from a diversity of literary, cultural, and ideological perspectives. Contributors: Zygmunt G. Barański, Heather Webb, Claire E. Honess, Brian F. Richardson, Ruth Chester, Federica Pich, Matthew Treherne, Catherine Keen, Jennifer Rushworth, Daragh O’Connell, Sophie V. Fuller, Giulia Gaimari, Emily Kate Price, Manuele Gragnolati, Elena Lombardi, Francesca Southerden, Rebecca Bowen, Nicolò Crisafi, Lachlan Hughes, Franco Costantini, David Bowe, Tristan Kay, Filippo Gianferrari, Simon Gilson, Rebekah Locke, Luca Lombardo, Peter Dent, George Ferzoco, Paola Nasti, Marco Grimaldi, David G. Lummus, Helena Phillips-Robins, Aistė Kiltinavičiūtė, Alessia Carrai, Ryan Pepin, Valentina Mele, Katherine Powlesland, Federica Coluzzi, K. P. Clarke, Nicolò Maldina, Theodore J. Cachey Jr., Chiara Sbordoni, Lorenzo Dell’Oso, and Anne C. Leone.

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