Search results for ""Verso""

The definitive statement on aesthetics and the history of modernism from one of France's most renowned philosophers. Composed of a series of scenes that defined modernism, Aisthesis takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarmé to the Folies-Bergère, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Rancière uses these sites and events to ask what becomes art and what comes from it. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism.

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The countercultures that came to define bohemia spanned the Atlantic, encompassing Walt Whitman's Brooklyn and the Folies Bergère of Josephine Baker, Gertrude Stein's salons and the Manhattan clubs where Dizzy Gillespie made his name. Edited by Paul Buhle and David Berger, Bohemians is the graphic history of this movement and its illustrious figures. The stories collected here revisit the utopian ideas behind millennial communities, the rise of Greenwich Village and Harlem, the multiracial and radical jazz and dance worlds, and the West Coast, Southern, and Midwest bohemias of America, among other radical scenes.Drawn by an all-star cast of comic artists, Bohemians is a broad and entertaining account of the rebel impulse in American cultural history. Featuring work by Spain Rodriguez, Sharon Rudahl, Peter Kuper, Sabrina Jones, David Lasky, Afua Richardson, Lance Tooks, Milton Knight, and more.The ebook edition is expanded from the paperback edition, and includes additional chapters on the swing music scene, La Boheme and midwest bohemians, as well as expanded material on the Greenwich Village intellectuals, Walt Whitman and Harlem jazz club Minton's Playhouse.

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Bradley Manning was arrested, imprisoned in solitary confinement for nine months, and court-martialed for leaking nearly half a million classified government documents, including the infamous "Collateral Murder" gunsight video. He was an intelligence analyst in the US Army's 10th Mountain Division, is twenty-four, and comes from Crescent, Oklahoma.But who is Private First Class Bradley Manning? Why did he commit the largest security breach in American history-and why was it so easy? In this book, the astonishing leaks attributed to Bradley Manning are viewed from many angles, from Tunisia to Guantánamo Bay, from Foggy Bottom to Baghdad to small-town Oklahoma. Around the world, the eloquent act of one young man obliges citizens to ask themselves if they have the right to know what their government is doing.

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"I looked around my cell and saw the sheet of paper taped to the door at chest height. It listed everything in the room, chair, bed, soldier box . For a moment I thought it meant the cell itself; a box to put soldiers in."When the War on Terror began, Briton Joe Glenton felt compelled to serve his nation. He passed through basic training and deployed to Afghanistan in 2006. What he saw overseas left him disillusioned, and he returned home increasingly political and manifesting symptoms of post-traumatic stress disorder.When he refused to return for a second tour, he was denied his right to object and called "a coward and a malingerer." He went absent without leave and left the country, returning later to the UK voluntarily to campaign against the wars. The military accused him of desertion and threatened years in prison. Soldier Box tells the story of Glenton's extraordinary journey from a promising soldier to a rebel against what he came to see as unjustified military action.

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Ken Livingstone is a product of the political changes that have already taken place in the Labour Party. As Leader of the Greater London Council he has provided a voice and a vision for tens of thousands of party activists and Labour supporters, in the process implementing a set of measures that indicate the possibilities of a real alternative to Thatcherism. His determined opposition on the Falklands War, subsidised public transport, Ireland, the 1984 miners strike, sexual liberation and racism has made him a far more effective spokesperson for Labour than the shadow luminaries who occupy the front benches in the House of Commons.In these fascinating conversations with Tariq Ali, the Marxist writer and activist debarred from the Labour Party by Kinnock/Hattersley, the two men discuss the future of Labour and socialist politics in Britain. What emerges is a picture of Livingstone as a formidable socialist politician and an adroit tactician, who displays a refreshing ability to discard the stale and battered formulae of traditional Labourism. Socialism is defended with humour, warmth and passion in a discussion that ranges from the merits of proportional representation to the delights of herbaceous borders in London's parks.In a polemical introductory essay, 'Labourism and the Pink Professors', Tariq Ali contests the views of Bernard Crick and Eric Hobsbawm, which have become the 'common sense' of the consensual Establishment in the Labour Party and the liberal media.

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The Imperial Messenger reveals the true value of this media darling, a risible writer whose success tells us much about the failures of contemporary journalism. Belén Fernández dissects the Friedman corpus with wit and journalistic savvy to expose newsroom practices that favor macho rhetoric over serious inquiry, a pacified readership over an empowered one, and reductionist analysis over integrity. The Imperial Messenger is polemic at its best, relentless in its attack on this apologist for American empire and passionate in its commitment to justice.About the series: Counterblasts is a new Verso series that aims to revive the tradition of polemical writing inaugurated by Puritan and leveller pamphleteers in the seventeenth century, when in the words of one of them, Gerard Winstanley, the old world was "running up like parchment in the fire." From 1640 to 1663, a leading bookseller and publisher, George Thomason, recorded that his collection alone contained over twenty thousand pamphlets. Such polemics reappeared both before and during the French, Russian, Chinese and Cuban revolutions of the last century. In a period of conformity where politicians, media barons and their ideological hirelings rarely challenge the basis of existing society, it's time to revive the tradition. Verso's Counterblasts will challenge the apologists of Empire and Capital.

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Leonid Eitingon was a KGB assassin who dedicated his life to the Soviet regime. He was in China in the early 1920s, in Turkey in the late 1920s, in Spain during the Civil War, and, crucially, in Mexico, helping to organize the assassination of Trotsky. "As long as I live," Stalin said, "not a hair of his head shall be touched." It did not work out like that.Max Eitingon was a psychoanalyst, a colleague, friend and protégé of Freud's. He was rich, secretive and-through his friendship with a famous Russian singer- implicated in the abduction of a white Russian general in Paris in 1937. Motty Eitingon was a New York fur dealer whose connections with the Soviet Union made him the largest trader in the world. Imprisoned by the Bolsheviks, questioned by the FBI. Was Motty everybody's friend or everybody's enemy?Mary-Kay Wilmers, best known as the editor of the London Review of Books, began looking into aspects of her remarkable family twenty years ago. The result is a book of astonishing scope and thrilling originality that throws light into some of the darkest corners of the last century. At the center of the story stands the author herself-ironic, precise, searching, and stylish-wondering not only about where she is from, but about what she's entitled to know.

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Most countries face the future with an ageing population, yet most governments are cutting back on pensions and the care services needed by the elderly. Robin Blackburn exposes the perverse reasoning and special interests which have combined to produce this nonsensical state of affairs. This updated paperback edition of Age Shock includes a new preface explaining why the credit crunch and eurozone crisis have had such a devastating impact and outlining a way to guarantee decent pensions and care provision.

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Being environmentally conscious is not nearly as modern as we imagine. As a mode of thinking it goes back hundreds of years. Yet we typically imagine ourselves among the first to grasp the impact humanity has on the environment. Hence there is a fashion for green confessions and mea culpas.But the notion of a contemporary ecological awakening leads to political impasse. It erases a long history of environmental destruction. Furthermore, by focusing on our present virtues, it overlooks the struggles from which our perspective arose.In response, Happy Apocalypse plunges us into the heart of controversies that emerged in the eighteenth and nineteenth centuries around factories, machines, vaccines and railways. Jean-Baptiste Fressoz demonstrates how risk was conceived, managed, distributed and erased to facilitate industrialization. He explores how clinical expertise around 1800 allowed vaccination to be presented as completely benign, how the polluter-pays pr

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Comrades, This is Madness, the Spring/Summer 2020 issue of Salvage, put together during the pandemicThe Salvage Editorial Collective on the Covid-19 crisis'Mothering Against the World': Sophie Lewis on 'Momrades''The Bushes': new fiction from China Miéville'Hookers and Other Angels': photography from Juno Mac (co-author of Revolting Prostitutes)'Prepared for the Worst': Richard Seymour on Disaster Nationalism'Welfare State Populism and the Left-Behind Left' by Kevin Ochieng Okoth'A Glimmer of a Shell of a Husk' by Maya Osborne'The Phallic Road to Socialism' by Sebastian BudgenA newly translated interview with Daniel Guérin'Nationalism After Coronavirus' by Sivamohan Valluvan'Striking in Striking Times: Capitalism's Coronavirus Crisis' by Gregor Gall'Getting Dressed for a Pandemic' by Camila Valle'Out of the Iron Lung: A Miasma Theory of Coronavirus' by Matthew BroomfieldAnd poetry by Nisha Ramay

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Diary of a Crisis explores the past tumultuous and traumatic year in Israel-Palestine. The eminent historian Saul Friedländer began a diary of Israeli politics in January 2023 as the country was convulsed by protests against Netanyahu’s attempt to overhaul the judiciary. Hundreds of thousands took to the streets to demonstrate against this threat to democracy. But the protests said nothing about the Palestinian question—the 'elephant in the room,' according to Friedländer, who resumed his diary after Hamas’s 7 October assault on southern Israel. Israel was facing one of the worst crises in its history, he observes, under the worst possible internal conditions.Friedländer weaves together profound reflections on a national history in which he has been an active participant. He describes how Prime Minister Golda Meir once flatly declared to him, 'There is no Palestinian people.' For Friedländer, on the other hand, the fight for democrac

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A novel is an act, an intervention, which, most often, the naïve reader takes as a representation. The novel intervenes to modify or correct our conventional notions of a situation and, in the best and most intense cases, to propose a wholly new idea of what constitutes an event or of the very experience of living. The most interesting contemporary novels are those which try—and sometimes manage—to awaken our sense of a collectivity behind individual experience, revealing a relationship between the isolated subjectivity and a class or community. But even if this happens (which is rare), one must go on to find traces of collective praxis hidden away within the awakened feeling of inter-connection. And since it is in the sense of the nation and nationality that collectivity is most often expressed, there is an urgent need to disengage the possibilities of genuine action within these areas.This sweeping collection of essays ranges from the elusive politics of Nort

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Walter Benjamin, one of the foremost cultural commentators and theorists of this century, is perhaps best known for his analyses of the work of art in the modern age and the philosophy of history. Yet it was through his study of the social and cultural history of the late nineteenth-century Paris, examined particularly in relation to the figure of the great Parisian lyric poet Charles Baudelaire, that Benjamin tested and enriched some of his core concepts and themes. Contained within these pages are, amongst other insights, his notion of the flaneur, his theory of memory and remembrance, his assessment of the utopian Fourier and his reading of the modernist movement.

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Feminist City is an ongoing experiment in living differently, living better, and living more justly in an urban world. We live in the city of men. Our public spaces are not designed for female bodies. There is little consideration for woman as mothers, workers or carers. The urban streets often are a place of threats rather than community. Gentrification has made the everyday lives of women even more difficult. What would a metropolis for working women look like? A city of friendships beyond Sex and the City. A transit system that accommodates mothers with strollers on the school run. A public space with enough toilets. A place where women can walk without harassment. In The Feminist City, through history, personal experience and popular culture Leslie Kern exposes what is hidden in plain sight: the social inequalities are built into our cities, homes, and neighbourhoods. And offers an alternative vision of the feminist city.Taking on fear, motherhood, friendship, activism, and the joys and perils of being alone, Kern maps the city from new vantage points, laying out a feminist intersectional approach to urban histories and proposes that the city is perhaps also our best hope for shaping a new urban future. It is time to dismantle what we take for granted about cities and to ask how we can build more just, sustainable, and care-full cities together.

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Former social media executives tell us that the system is an addiction-machine. We are users, waiting for our next hit as we like, comment and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into data, and returning them to us as a commodity experience. The Twittering Machine is an unflinching view into the calamities of digital life: the circus of online trolling, flourishing alt-right subcultures, pervasive corporate surveillance, and the virtual data mines of Facebook and Google where we spend considerable portions of our free time. In this polemical tour de force, Richard Seymour shows how the digital world is changing the ways we speak, write, and think.Through journalism, psychoanalytic reflection and insights from users, developers, security experts and others, Seymour probes the human side of the machine, asking what we're getting out of it, and what we're getting into. Social media held out the promise that we could make our own history-to what extent did we choose the nightmare that it has become?

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Long before Occupy, cities were the subject of much utopian thinking. They are the centers of capital accumulation as well as of revolutionary politics, where deeper currents of social and political change rise to the surface. Do the financiers and developers control access to urban resources or do the people? Who dictates the quality and organization of daily life?Rebel Cities places the city at the heart of both capital and class struggles, looking at locations ranging from Johannesburg to Mumbai, from New York City to São Paulo. Drawing on the Paris Commune as well as Occupy Wall Street and the London Riots, Harvey asks how cities might be reorganized in more socially just and ecologically sane ways-and how they can become the focus for anti-capitalist resistance.

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In austerity Britain, disabled people have become the favourite target. From social care to the benefits system, politicians and media alike have made the case Britain's 12 million disabled people are a drain on the public purse. In Crippled, leading commentator Frances Ryan exposes the disturbing reality, telling the story of those most affected by this devastating regime. This includes a paralyzed man forced to crawl down the stairs because the council wouldn't provide accessible housing; the malnourished woman sleeping in her wheelchair; and the young girl with bipolar forced to turn to sex work to survive. Through these personal stories, Ryan charts how in recent years the public attitude towards disabled people has transformed from compassion to contempt: from society's 'most vulnerable' to benefit cheats. Crippled is a damning indictment of a safety net gone wrong, and a passionate demand for an end to austerity measures hitting those most in need.

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From line managers, corporate CEOs, urban designers, teachers, politicians, mayors, advertisers and even our friends and family, the message is 'be creative'. Creativity is heralded as the driving force of our contemporary society; celebrated as agile, progressive and liberating. It is the spring of the knowledge economy and shapes the cities we inhabit. It even defines our politics. What could possibly be wrong with this?In this brilliant, counter intuitive blast Oli Mould demands that we rethink the story we are being sold. Behind the novelty, he shows that creativity is a barely hidden form of neoliberal appropriation. It is a regime that prioritizes individual success over collective flourishing. It refuses to recognise anything - job, place, person - that is not profitable. And it impacts on everything around us: the places where we work, the way we are managed, how we spend our leisure time. Is there an alternative? Mould offers a radical redefinition of creativity, one embedded in the idea of collective flourishing, outside the tyranny of profit. Bold, passionate and refreshing, Against Creativity, is a timely correction to the doctrine of our times.

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Preface by Jesse Benjamin and the Walter Rodney FoundationIntroduction by Robin D.G. KelleyAfterword by Vijay PrashadIn his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading revolutionary thinkers of the Black Sixties. He became a leading force of dissent throughout the Caribbean and a lightning rod of controversy. The 1968 Rodney Riots erupted in Jamaica when he was prevented from returning to his teaching post at the University of the West Indies. In 1980, Rodney was assassinated in Guyana, reportedly at the behest of the government. In the mid-'70s, Rodney taught a course on the Russian Revolution at the University of Dar es Salaam in Tanzania. A Pan-Africanist and Marxist, Rodney sought to make sense of the reverberations of the October Revolution in a decolonising world marked by Third World revolutionary movements. He intended to publish a book based on his research and teaching. Now historians Jesse Benjamin, Robin D. G. Kelley, and Vijay Prashad have edited Rodney's polished chapters and unfinished lecture notes, presenting the book that Rodney had hoped to publish in his lifetime.1917 is a signal event in radical publishing, and will inaugurate Verso's standard edition of Walter Rodney's works.

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Michael Sorkin is one of the most forthright and engaging architectural writers in the world. In What Goes Up he charts the dehumanising regimes of mayors Bloomberg and De Blasio that created a city of glittering towers and increasing inequality. He looks at what has happened to Ground Zero, as a place of memory has been reconstructed by "staritects" and turned into malls. The city, he suggests, has to be reimagined from the street up on a human scale, to develop new ways to revitalise neighbourhoods.Alongside these essays on New York, Sorkin also brings his lifetime's experience as an architect to bear. He talks of the joy of observing a city in order to understand it. Why a young designer must learn to draw by hand rather than only use a computer. There are also personal encounters with some of the greatest names who have changed the city. Sorkin gets lost in Rio with Zaha Hadid and talks about the old Bronx with Marshall Berman.

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This influential collection explores the pivotal texts and topics in the Marxist tradition. Ranging over questions of social theory, political theory, moral philosophy and literary criticism, it looks at the thought of Marx and Trotsky, Luxemburg, Lenin and Althusser. They include Geras's influential and widely-cited treatment of fetishism in Capital, his comprehensive review of recent debates on Marxism and justice, discussions on political organisation, revolutionary mass action and party pluralism, and a novel analysis of the literary power of Trotsky's writing. In close dialogue with common themes and arguments in the literature of revolutionary Marxism, Geras brings some of his persistent preoccupations to the fore; with the normative foundations and some of the epistemological assumptions of this tradition, with issues of socialist democracy, working class self-education and emancipation.

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Does it ring a bell? The first-person narrator, a cultivated man of middle age, looks back on the story of an amour fou. It all starts when, traveling abroad, he takes a room as a lodger. The moment he sees the daughter of the house, he is lost. She is a pre-teen, whose charms instantly enslave him. Heedless of her age, he becomes intimate with her. In the end she dies, and the narratormarked by her foreverremains alone. The name of the girl supplies the title of the story: Lolita.We know the girl and her story, and we know the title. But the author was Heinz von Eschwege, whose tale of Lolita appeared in 1916 under the pseudonym Heinz von Lichberg, forty years before Nabokov's celebrated novel took the world by storm. Von Lichberg later became a prominent journalist in the Nazi era, and his youthful work faded from view. The Two Lolitas uncovers a remarkable series of parallels between the two works and their authors. Did Vladimir Nabokov, author of an imperishable Lolita who remained in Berlin until 1937, know of von Lichberg's tale? And if so, did he adopt it consciously, or was this a classic case of "cryptoamnesia," with the earlier tale existing for Nabokov as a hidden, unacknowledged memory?In this extraordinary literary detective story, Michael Maar casts new light on the making of one of the most influential works of the twentieth century.Translated by Perry Anderson

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The European Union is a besieged institution. It is struggling in vain to overcome the eurozone crisis and faces an influx of refugees not seen since World War II. The Schengen Agreement is a dead letter, and Britain stands on the brink of leaving altogether. The EU is unfit for the challenges of the coming age of increased global competition and high tech. In sum, the drive for an "ever-closer union" has set Europe on the wrong course: plunged it into depression, fuelled national antagonisms, debilitated democracy, and accelerated decline. In this pithy, rigorously argued book, leading historian John Gillingham examines a once great notion that soured long ago.From its postwar origins, through the Single Market, to the troubles of the present, Gillingham explains how Europe's would-be government became a force for anti-democratic centralization and inept policy-making. Brussels has inspired a world of illusion that now threatens to undo the undoubted achievements of integration. The EU: An Obituary is an urgent call to the political Left, Right, and Centre to act before it is too late.

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At the beginning of the twenty-first century, leading intellectuals are claiming "There is a problem with Islam in France," thus legitimising the discourse of the racist National Front. Such claims have been strengthened by the backlash since the terrorist attacks in Paris in January and November 2015, coming to represent a new 'common sense' in the political landscape, and we have seen a similar logic play out in the United States and Europe.Edwy Plenel, former editorial director of Le Monde, essayist and founder of the investigative journalism website Mediapart tackles these claims head-on, taking the side of his compatriots of Muslim origin, culture or belief, against those who make them into scapegoats. He demonstrates how a form of "Republican and secularist fundamentalism" has become a mask to hide a new form of virulent Islamophobia. At stake for Plenel is not just solidarity but fidelity to the memory and heritage of emancipatory struggles and he writes in defence of the Muslims, just as Zola wrote in defence of the Jews and Sartre wrote in defence of the blacks. For if we are to be for the oppressed then we must be for the Muslims.

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Bernie Sanders's campaign for the presidency of the United States has galvanized people all over the country, putting economic, racial, and social justice into the spotlight, and raising hopes that Americans can take their country back from the billionaires and change the course of history. In this book, Sanders tells the story of a passionate and principled political life. He describes how, after cutting his teeth in the Civil Rights movement, he helped build a grassroots political movement in Vermont, making it possible for him to become the first independent elected to the US House of Representatives in forty years. The story continues into the US Senate and through the dramatic launch of his presidential campaign.

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This is the first collection of essays on Chartism by leading social historian Dorothy Thompson, whose work radically transformed the way in which Chartism is understood. Reclaiming Chartism as a fully-blown working-class movement, Thompson intertwines her penetrating analyses of class with ground-breaking research uncovering the role played by women in the movement.Throughout her essays, Thompson strikes a delicate balance between down-to-the-ground accounts of local uprisings, snappy portraits of high-profile Chartist figures as well as rank-and-file men and women, and more theoretical, polemical interventions.Of particular historical and political significance is the previously unpublished substantial essay co-authored by Dorothy and Edward Thompson, a superb piece of local historical research by two social historians then on the brink of notable careers.

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'The princes are nothing but tyrants who flay the people; they fritter away our blood and sweat on their pomp and whoring and knavery.' These were the words of Thomas Müntzer at the head of the massed ranks of a peasant army in the year 1525. Ranged against him were the might of the princes of the German Nation. How did Müntzer, the son of a coin maker from central Germany, rise in just a few short years to become one of the most feared revolutionaries in early modern Europe?In this brilliant work of historical excavation, Andrew Drummond charts the life and times of the man Martin Luther denounced as a 'Ravening Wolf' and 'False Prophet'. Drummond shows us Müntzer as a human being. Far from the bloodthirsty devil of legend, he was a man of considerable learning and principle, deeply sympathetic to the misery of the peasantry and the poor. In his short life - he was beheaded at thirty-five - Müntzer promised to fundamentally upend German society.Seeking to save Müntzer from the condescension of history, Drummond guides us through the religious and political disputes of the Reformation, placing his life and thought in the context of those turbulent years. The result is a portrait of an often contradictory but always radical figure, one who continues to inspire movements of the poor across the globe.

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One is not born a worker or a boss, one becomes one from father to son... or almost. Social reproduction is not an iron law; it admits of exceptions that must be accounted for in order to measure its scope. This book aims to understand the passage from one social class to another and to forge a method of approaching these particular cases which remain a blind spot in the theory of social reproduction. It analyzes the political, economic, social, familial and singular causes that contribute to non-reproduction, and their effects on the constitution of individuals transiting from one class to another.At the crossroads of collective history and intimate history, Chantal Jaquet identifies class locations, the interplay of affects and encounters, and the role of sexual and racial differences. She invites us to break out of disciplinary isolation in order to grasp singularity at the crossroads of philosophy, sociology, psychology and literature. This requires deconstruction of the concepts of social and personal identity, in favour of a concepts like complexion and the criss-crossing determinations. Through the figure of the transclass, it is thus the whole human condition that is illuminated in a new light.

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If the question of communism is making a comeback today, this renewed interest is often accompanied by an abandonment of any concrete political perspective. Critical philosophies are flourishing and proliferating, but, folded into the academic terrain, they often remain disconnected from the global issues associated with the present crisis of capitalism, contributing, in turn, to the fragmentation of the resistances that are opposed to it.Instead of locking the perspective of emancipation into the registers of utopia, or relegating it to the side of an empty populism, Isabelle Garo studies in this book the conditions of a contemporary revival of the alternative as a collective construction, anchored in real aspirations and struggles and inseparable from a rethinking of the theoretical work. By addressing the impasses faced by many of the most fashionable radical theorists - Badiou, Laclau, the theorists of the commons, and revisiting them in relation to Marx and Gramsci also allows us to re-read the latter from the point of view of contemporary questions of the state and the party, of work and property, of conflict and hegemony. Thus, to rethink strategy is above all to re-explore the question of mediations, whether they be forms of organisation or existing mobilisations, as sites par excellence of political invention.

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Loved Egyptian Night fundamentally reassesses the Arab Spring, refuting the stories the Western powers fed to the world. There is no doubt that the toppling of Ben Ali in Tunisia in January 2011 and what it led to amounted to a political revolution. But the uprisings in Egypt, Libya and Syria - countries with quite different histories and political traditions - were never revolutions. As Hugh Roberts explains, the bitter ends of these episodes were inscribed in their misunderstood beginnings. To celebrate these uprisings as 'revolutions' preempts and inhibits critical analysis and expresses an abdication of intellectual responsibility. After so much wishful thinking, what remains is the debris of a cynical pretension. Outside interference, ostensibly on behalf of these 'revolutions', reduced Libya to anarchy and condemned Syria to a devastating proxy war now in its twelfth year. In Egypt, the Free Officers' state was re-booted in its most brutal ever

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During the 1960s and 1970s, Workerism and Autonomia were prominent Marxist currents. However, it is rarely acknowledged that these movements inspired many visual artists such as the members of Archizoom, Gordon Matta-Clark and Gianfranco Baruchello. This book focuses on the aesthetic and cultural discourse developed by three generations of militants (including Mario Tronti, Antonio Negri, Bifo and Silvia Federici), and how it was appropriated by artists, architects, graphic designers and architectural historians such as Manfredo Tafuri. Images of Class signposts key moments of this dialogue, ranging from the drawings published on classe operaia to Potere Operaio's exhibition in Paris, the Metropolitan Indians' zines, a feminist art collective who adhered to the Wages for Housework Campaign, and the N group's experiments with Gestalt theory. Featuring more than 140 images of artworks, many published here for the first time, this volume provides an original perspective on post-war Italian culture and new insights into some of the most influential Marxist movements of the twentieth and twenty-first centuries worldwide.

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As we rebuild our lives in the wake of Covid-19 and face the challenges of ecological disaster, how can the left win a world fit for life? Planet on Fire is an urgent manifesto for a fundamental reimagining of the global economy. It offers a clear and practical road map for a future that is democratic and sustainable by design. Laurie Laybourn-Langton and Mathew Lawrence argue that it is not enough merely to spend our way out of the crisis; we must also rapidly reshape the economy to create a new way of life that can foster a healthy and flourishing environment for all. Planet on Fire offers a detailed and achievable manifesto for a new politics capable of tackling environmental breakdown.

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Criticism of contemporary art is split by an opposition between activism and the critical function of form. Yet the deeper, more subterranean terms of art-judgment are largely neglected on both sides. These essays combine a re-examination of the terms of judgement of contemporary art with critical interpretations of individual works and exhibitions by Luis Camnitzer, Marcel Duchamp, Matias Faldbakken, Anne Imhof and Cady Noland. The book moves from philosophical issues, via the lingering shadows of medium-specificity (in photography and art music), and the changing states of museums, to analyses of the peculiar ways that works of art relate to time.To give artistic form to crisis, it is suggested, one needs to understand contemporary art's own constitutive crisis of form.

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How does the criminal justice system affect women's lives? Do prisons keep women safe? Should feminists rely on policing and the law to achieve women's liberation?The mainstream feminist movement has proposed "locking up the bad men," and called on prisons, the legal system, and the state to protect women from misogynist violence. This carceral approach to feminism, activist and scholar Gwenola Ricordeau argues, does not make women safer: it harms women, including victims of violence, and in particular people of color, poor people, and LGBTQ people.In this scintillating, comprehensive study, Ricordeau draws from two decades as an abolitionist activist and scholar of the penal justice system to describe how the criminal justice system hurts women. Considering the position of survivors of violence, criminalized women, and women with criminalized relatives, Ricordeau charts a new path to emancipation without incarceration. With a new foreword by Silvia Federici.

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The Care Manifesto puts care at the heart of the debates of our current crisis: from intimate care-childcare, healthcare, elder care-to care for the natural world. We live in a world where carelessness reigns, but it does not have to be this way.The Care Manifesto puts forth a vision for a truly caring world. The authors want to reimagine the role of care in our everyday lives, making it the organising principle in every dimension and at every scale of life. We are all dependent on each other, and only by nurturing these interdependencies can we cultivate a world in which each and every one of us can not only live but thrive.The Care Manifesto demands that we must put care at the heart of the state and the economy. A caring government must promote collective joy, not the satisfaction of individual desire. This means the transformation of how we organise work through co-operatives, localism and nationalisation. It proposes the expansion of our understanding of kinship for a more 'promiscuous care'. It calls for caring places through the reclamation of public space, to make a more convivial city. It sets out an agenda for the environment, most urgent of all, putting care at the centre of our relationship to the natural world.

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In an age of pandemics the relationship between the health of the city and good sanitation has never been more important. Waste and the City is a call to action on one of modern urban life's most neglected issues: sanitation infrastructure. The Covid-19 pandemic has laid bare the devastating consequences of unequal access to sanitation in cities across the globe. At this critical moment in global public health, Colin McFarlane makes the urgent case for Sanitation for All.The book outlines the worldwide sanitation crisis and offers a vision for a renewed, equitable investment in sanitation that democratises and socialises the modern city. Adopting Henri Lefebvre's concept of 'the right to the city', it uses the notion of 'citylife' to reframe the discourse on sanitation from a narrowly-defined policy discussion to a question of democratic right to public life and health. In doing so, the book shows that sanitation is an urbanizing force whose importance extends beyond hygiene to the very foundation of urban social life.

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Mural is the testimony of one of the most important and powerful poets of our age.Mahmoud Darwish was the unofficial laureate of Palestine. One of the greatest poets of the last half-century, his work evokes the loss of his homeland and is suffused with the pain of dispossession and exile. Here, his close friends John Berger and Rema Hammami present a beautiful new translation of two of Darwish’s later works: his long masterpiece Mural, a contemplation of his life and work written following life-threatening surgery, and his last poem, The Dice Player, which Darwish read in Ramallah a month before his death.Illustrated with original drawings by John Berger.

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When the state recedes, the commune-form flourishes. This was as true in Paris in 1871 as it is now whenever ordinary people begin to manage their daily lives collectively. Contemporary struggles over land - from the zad at Notre-Dame-des-Landes to Cop City in Atlanta, from the pipeline battles in Canada to Soulèvements de la terre - have reinvented practices of appropriating lived space and time. This transforms dramatically our perception of the recent past. Rural struggles of the 1960s and 70s, like the 'Nantes Commune,' the Larzac, and Sanrizuka in Japan, appear now as the defining battles of our era. In the defense of threatened territories against all manners of privatization, hoarding, and infrastructures of disaster, new ways of producing and inhabiting are devised that side-step the state and that give rise to unprecedented kinds of solidarity built on pleasurable, fruitful collaborations. These are the crucial elements in the present-day reworking of an

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Lula is among the greatest political figures in Brazilian history. The only president in the country with a working-class background, combined with a party that was profoundly original in its roots, he exercised charismatic power and influence in a more lasting way than any other public figure in the republican period.Since 2011, Fernando Morais, one of Brazil's leading writers, has gained direct, frank and frequent access to Lula. To these dozens of hours of testimonies, he has added a reporter's flair and captivating prose to compose a biography that paints a picture in all its grandeur and complexity.In a narrative that makes use of flashforwards and flashbacks to maintain an electrifying pace, Morais goes from Lula's childhood to the annulment of his convictions, in 2021 - passing through the new unionism, the ABC strikes, the foundation of the PT and the first election campaign.

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Although contemporary Western societies refer to themselves as democratic, the bulk of the population spend much of their lives in workplaces that have more in common with tyranny. Gigantic corporations such as Amazon, Meta, Exxon, and Walmart are among the richest and most powerful institutions in the world yet accountable to no one but their shareholders. The undemocratic nature of conventional firms generates profound problems across society, hurting more than just the workplace and contributing to environmental destruction and spiraling inequality.Against this backdrop, Isabelle Ferreras proposes a radical but realistic plan to democratize the private firm. She suggests that all large firms should be bicamerally governed, with a chamber of worker representatives sharing equal governance power with the standard board representing owners. In response to this proposal, twelve leading experts on corporate behavior from multiple disciplines consider its attractiveness, viability

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The Situationist International, which leaped to the fore during the Paris tumult of 1968, has extended its revolutionary influence right up to the present day. In Leaving the Twentieth Century, the movement is captured for the first time in its full range and diversity.McKenzie Wark traces the group’s development from the bohemian Paris of the ’50s to the explosive days of May ’68. She introduces the group as an ensemble, revealing the work and activities of thinkers previously obscured by the reputation of founding member Guy Debord. Roaming through Europe and exploring the vital lives its members—including Constant, Asger Jorn, Michèle Bernstein, Alexander Trocchi, and Jacqueline de Jong—Wark uncovers a group riven with conflicting passions. She follows the narrative beyond 1968, to the Situationists International’s disintegration and beyond: the ideas of T. J. Clark, the Fourierist utopia of Raoul Vaneigem, René VienetR

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'As intriguing and impressive a novelist as she is a musician, Hval is a master of quiet horror and wonder.'Chris Kraus, author of I Love DickJo is in a strange new country for university and having a more peculiar time than most. A house with no walls, a roommate with no boundaries, and a home that seems ever more alive as the days pass. Jo’s sensitivity and all her senses become increasingly heightened and fraught as the lines between bodies and plants, dreaming and wakefulness, blur and mesh.This debut novel from a critically adored artist and musician presents a heady and hypersensual portrayal of sexual awakening and queer desire.

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Under the Banner of King Death is a tale of mutiny, bloody battle, and social revolution, bringing to life an itinerant community of outsiders behind today's legends. This graphic novel breaks new ground in our understanding of piracy and pirate culture, giving us real reasons to love the rebellious and stouthearted marauders of the seas.At the pinnacle of the Golden Age of Atlantic piracy, three unlikely companions are sold into servitude on a merchant ship and thrust into a voyage of rebellion. They are John Gwin, an African American fugitive from bondage in South Carolina; Ruben Dekker, a common seaman from Amsterdam; and Mark (a.k.a. Mary) Reed, an American woman who dresses as a man.When the crew turn to mutiny, they and the freed slaves establish democracy aboard The Night Rambler. This new dispensation provides radical social benefits, all based on the documented practices of real pirate ships of the era: democratic decision-making, a social security net, health and disability insurance, and an equal distribution of spoils taken from prize ships. But before long the London elites enlist a war-hungry captain to take down The Night Rambler in a war that pitches high society against high-seas freebooters.Adapted from the scholarship and research of celebrated historian Marcus Rediker, Under the Banner of King Death is an inspiring story of the oppressed steering a course against adversity and injustice.

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Following the Russian invasion of Ukraine, the fortunes of NATO - pronounced "braindead" only a few years prior - have been miraculously revived. The alliance, buoyed by surging European military budgets and inflows of combat-ready troops and cutting-edge hardware, looks forward to welcoming additional member states. Originally conceived as a bulwark against the Soviet Union, NATO has outlasted its ostensible foe by over three decades. Its geostrategic remit is limited to the North Atlantic in name only. Treaty obligations range from the Andes to the Gulf of Aden and the Khyber Pass, and allied commanders now prepare for battle in the South China Sea.Natopolitanism takes an in-depth look at the evolution and aggrandizement of NATO since the turn of the 1990s. What purposes does NATO serve in the post-Cold War world? What is the balance sheet of a quarter century of alliance expansion, and what part did it play in the eruption of conflict on Europe's eastern marches?Contributors to the volume, including John J. Mearsheimer, Mary Elise Sarotte, Susan Watkins, Wolfgang Streeck, and Volodymyr Ishchenko, revisit this this history as it unfolded. Varying in viewpoint and judgment, all share a critical perspective at odds with wartime pieties.

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**Longlisted for The International Booker Prize 2023**'To mother is to murder, or close enough', thinks Johanna, as she looks at the spelling of the two words in Norwegian. She's recently widowed and back in Oslo after a long absence as she prepares for a retrospective of her art. The subject of her work is motherhood and some of her more controversial paintings have brought about a dramatic rift between parent and child. This new proximity, after decades of acrimonious absence, set both women on edge, and before too long Johanna finds her mother stalking her thoughts, and Johanna starts stalking her mother's house.

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In Pharmanomics, investigative journalist Nick Dearden digs down into the way we produce our medicines and finds that Big Pharma is failing us, with catastrophic consequences.Big Pharma is more interested in profit than health. This was made clear as governments rushed to produce vaccines during the Covid pandemic. Behind the much-trumpeted scientific breakthroughs, major companies found new ways of gouging billions from governments in the West while abandoning the Global South. But this is only the latest episode in a long history of financialising medicine - from Purdue's rapacious marketing of highly addictive OxyContin, through Martin Shkreli's hiking the price of a lifesaving drug, to the 4.5 million South Africans needlessly deprived of HIV/AIDS medication.Since the 1990s, Big Pharma has gone out of its way to protect its property through the patent system. As a result, the business has focused not on researching new medicines but on building monopolies. This system has helped restructure our economy away from invention and production in order to benefit financial markets. It has fundamentally reshaped the relationship between richer and poorer countries, as the access to new medicines and the permission to manufacture them is ruthlessly policed. In response, Dearden offers a pathway to a fairer, safer system for all.

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Nearly every county and major city in the United States has a jail, the short-term detention center controlled by local sheriffs that funnels people into prisons and long-term incarceration. Jails are now the fastest-growing sector of the US carceral state. As jails grow, they transform the region around them. Whole towns and small cities see health care provision and employment opportunities become subordinate to carceral concerns.If jails are everywhere, resistance is too. Campaigns against new or expanded jails have emerged in large and mid-sized cities and in dozens of small towns and rural counties across the US. While there is some coordination and communication between those involved in these struggles, they tend to be isolated from each other and from broader movements. The Jail Is Everywhere brings together an incredible range of knowledge and experience from jail fights across the country. It maps this new terrain, foregrounding the hard-forged analyses of anti-jail organizers themselves as they take us through campaigns that, while appearing local, are at the new center of the carceral state. With a foreword by Ruth Wilson Gilmore.

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