Search results for ""Author Herman""

The Literary Theory Toolkit offers readers a rich compendium of key terms, concepts, and arguments necessary for the study of literature in a critical-theoretical context. Includes varied examples drawn from readily available literary texts spanning all periods and genres Features a chapter on performance, something not usually covered in similar texts Covers differing theories of the public sphere, ideology, power, and the social relations necessary for the understanding of approaches to literature

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In this important volume, Herman Lebovics, a preeminent cultural historian of France, develops a historical argument with striking contemporary relevance: empire abroad inevitably undermines democracy at home. These essays, which Lebovics wrote over the past decade, demonstrate the impressive intellectual range of his work. Focusing primarily on France and to a lesser extent on the United Kingdom, he shows how empire and its repercussions have pervaded—and corroded—Western cultural, intellectual, and social life from the mid-nineteenth century to the present.Some essays explore why modern Western democratic societies needed colonialism. Among these is an examination of the seventeenth-century philosopher John Locke’s prescient conclusion that liberalism could only control democratic forces with the promise of greater wealth enabled by empire. In other essays Lebovics considers the relation between overseas rule and domestic life. Discussing George Orwell’s tale “Shooting an Elephant” and the careers of two colonial officers (one British and one French), he contemplates the ruinous authoritarianism that develops among the administrators of empire. Lebovics considers Pierre Bourdieu’s thinking about how colonialism affected metropolitan French life, and he reflects on the split between sociology and ethnology, which was partly based on a desire among intellectuals to think one way about metropolitan populations and another about colonial subjects. Turning to the arts, Lebovics traces how modernists used the colonial “exotic” to escape the politicized and contested modernity of the urban West. Imperialism and the Corruption of Democracies is a compelling case for cultural history as a key tool for understanding the injurious effects of imperialism and its present-day manifestations within globalization.

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Herman Beavers offers a richly nuanced study of Ernes J. Gaines, James Alan McPherson, and Ralph Ellison as writers who have found ways to invest circumstances that might otherwise be seen as sites of squalor or despair with a sense of cultural vitality. He examines the Ellisonian themes and motifs the two later writers take up in their fiction, and looks at Ellison's influence on the strategies they enact to construct themselves as American writers. For Beavers, the fictions of Ellison, Gaines, and McPherson are peopled by characters who value acts of storytelling and whose stories frame a fuller, more complex, and more inclusive version of American identity than those the dominant white culture has allowed.

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Uprooted by the war, exposed to the full brunt of economic dislocation, and fearful of losing status in face of the growing might of big business and organized labor, the middle classes in Weimar Germany longed for a solution to their plight that neither the capitalism nor the socialism of their day could offer. This work examines the attempts of a number of scholars and publicists--Sombart, Salin, Spann, Niekisch, Spengler, and Fried-to provide such a solution in the form of an ideology of social conservatism. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Can Luther's writings inform us on the fundamental questions of Freudian psychoanalysis? Does an intellectual filiation between early Reformation thought and psychoanalysis exist? Does Lacanian psychoanalysis offer an instrument for analysing theological writings?In The Heart of Man's Destiny, Herman Westerink offers a new reading of Lacan's seventh seminar, The Ethics of Psychoanalysis. Working from an innovative perspective, this book explores the close relationship between Freudian psychoanalysis and the ideas of the early Reformation. Lacan claimed that to be unaware of the connection between Freud and early Reformation constituted a fundamental misunderstanding of the kind of problems psychoanalysis addresses. Westerink carefully explores these problems and shows that Lacanian psychoanalysis, with its emphasis on desire and law, transgression, and symbolization, draws on fundamental ideas first formulated in the writings of Luther and Calvin. By relating psychoanalysis to early Reformation thought, Westerink not only shows Lacan's writings in a completely new light, but also makes possible an innovative reading of early modern theology itself. The Heart of Man's Destiny breaks new ground by providing both a controversial as well as a fresh perspective on both Luther and Calvin, and on Freudo-Lacanian psychoanalysis. This valuable contribution to the complex character of psychoanalysis will be of interest to analysts and psychotherapists, as well academics and postgraduates with an interest in theology, philosophy and ethics.

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Although deconstruction has become a popular catchword, as an intellectual movement it has never entirely caught on within the university. For some in the academy, deconstruction, and Jacques Derrida in particular, are responsible for the demise of accountability in the study of literature. Countering these facile dismissals of Derrida and deconstruction, Herman Rapaport explores the incoherence that has plagued critical theory since the 1960s and the resulting legitimacy crisis in the humanities. Against the backdrop of a rich, informed discussion of Derrida's writings-and how they have been misconstrued by critics and admirers alike-The Theory Mess investigates the vicissitudes of Anglo-American criticism over the past thirty years and proposes some possibilities for reform.

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Talloze onderwerpen zijn mooi beschreven en keurig uitgewerkt. Maar bij het bestuderen van partijen van schaakstudenten, of het nou talentvolle jeugd was, of volwassen clubschakers van divers niveau, viel me één aspect op dat ik als volgt zal proberen te beschrijven: nadat de klok is aangezet en de partij is begonnen, wordt de opening gespeeld. Veel spelers blijken redelijk goed op de hoogte van de theorie. Onvermijdelijk komt het moment waarop één van beide spelers afwijkt, waardoor beide spelers op zichzelf zijn aangewezen. In de fase daarna moeten de spelers hun weg zien te vinden in een wirwar van varianten en plannen. Zij mogen de tactiek niet uit het oog verliezen, maar bovenal zullen zij een strategisch plan moeten bepalen. In deze fase viel mij – door de bank genomen – op dat veel clubschakers over het algemeen de momenten waarop tactiek een rol speelt, goed in de gaten hebben. Laten we zeggen dat er gemiddeld om de vijf zetten tactiek in de stelling zit. Echter… die andere vier zetten moeten zij toch zelf verzinnen! Maar hoe moeten zij dat doen? Waar moeten ze op letten? Welke principes dienen zij te hanteren. Hoe zien ze of een bepaald strategisch kenmerk dominanter is dan een ander? Als ervaren speler en gediplomeerd schaaktrainer kon ik er meestal wel een vinger achter krijgen waar het ergens mis ging. Dat was bij elke speler telkens anders, maar toch slaagde ik er soms in om een “grootste gemene deler” in de partijen van iemand op te sporen. Daarmee was ik er nog niet. Want elke partij was natuurlijk verschillend met de partijen die nog gingen komen. Hoe kon ik deze speler daadwerkelijk vooruit helpen hiermee? In deel 2 komen de belangrijke Pionnenstructuren aan bod!

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Dit is het eerste deel van de nieuwe serie Sleutelconcepten in het Middenspel. Het idee is om middenspelen te behandelen waarin een bepaalde structuur of essentieel thema cen­traal komt te staan. De gedachte om deze serie te beginnen, sluit aan bij de andere serie Begrijp wat je doet omdat het streven is om het inzicht van clubschakers te verbeteren. Het spelen van een opening dient volgens de auteur ‘opgehangen’ te worden aan stereotiepe ideeën en concepten behorende bij die structuur. Het grondige uitdiepen van midden­spel­structuren gaat te ver bij openingsboeken, vandaar dat het logischer is om dat te gaan doen in deze complementaire reeks. In dit boek wordt het Egelsysteem uitgebreid besproken. Behalve dat de speelwijze deel uitmaakt van het repertoire van de auteur, verdient deze zeer typische spelsoort het om ruim onder de aandacht gebracht te worden. Hoewel in het tweede deel van de trilogie over het Siciliaans de egel al zijn intrede heeft gedaan, kan het ogenschijnlijk kwetsbare, maar o zo verraderlijke diertje in dit boek op uitgebreide wijze zijn stekels recht overeind zetten!

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Every club player knows the problem: the opening has ended, and now what? First find the right plan, then the good moves will follow! With this book, International Master Herman Grooten presents to amateur players a complete and structured course on how to recognize key characteristics in all types of positions and how to make use of those characteristics to choose the right plan. His teachings are based on the famous "Elements" of Wilhelm Steinitz, but Grooten has significantly expanded and updated the work of the first World Champion. He supplies many modern examples, tested in his own practice as a coach of talented youngsters.

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Few literary masterpieces cast quite as awesome a shadow as Herman Melville’s Moby Dick. Captain Ahab’s quest for the white whale is a timeless epic – a thrilling tale of vengeance and obsession, and a searing parable about humanity lost in a universe of moral ambiguity. Inspired by true events, Moby Dick is a work of astonishing psychological depth. It is perhaps the greatest sea story ever told and one of the great classics of literature. ‘Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell’s heart I stab at thee; for hate’s sake I spit my last breath at thee…’

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This is about the quest of Captain Ahab, a man consumed by his obsession with a legendary, giant white whale, Moby Dick. As the ship sails into dangerous waters, The captain's hysterical pursuit becomes a symbol for the inherent, often destructive, nature of human ambition. "Moby-Dick" is not merely a tale of daring do; it is a profound meditation on the human condition itself. It can be read as part thriller, part sea adventure and part allegory.

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Pearson English Readers bring language learning to life through the joy of reading. Well-written stories entertain us, make us think, and keep our interest page after page. Pearson English Readers offer teenage and adult learners a huge range of titles, all featuring carefully graded language to make them accessible to learners of all abilities. Through the imagination of some of the world’s greatest authors, the English language comes to life in pages of our Readers. Students have the pleasure and satisfaction of reading these stories in English, and at the same time develop a broader vocabulary, greater comprehension and reading fluency, improved grammar, and greater confidence and ability to express themselves. Find out more at english.com/readers

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The Penguin English Library Edition of Moby-Dick by Herman Melville'The frail gunwales bent in, collapsed, and snapped, as both jaws, like an enormous shears, sliding further aft, bit the craft completely in twain...'Moby-Dick is one of the most expansive feats of imagination in the whole of literature: the mad, raging, Shakespearean tale of Captain Ahab's insane quest to kill a giant white whale that has taken his leg, and upon which he has sworn vengeance, at any cost. A creation unlike any other, this is an epic story of fatal monomania and the deepest dreams and obsessions of mankind.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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El amplio mar, la constante contemplación del horizonte en busca de la presa, la abigarrada tripulación del " Pequod " , ballenero comandado por un capitán tullido y obsesionado por su venganza... Surgiendo de la profundidad de las aguas, como un espectro, la encarnación del Mal: Moby Dick, la ballena blanca...

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Encuadernación: RústicaColección: LiteraturaPocos personajes tan insólitos en la historia de la literatura como "Bartleby el escribiente" y también pocos relatos más sugerentes que aquel al que da nombre. Marcada por una lógica propia cuyas consecuencias lleva con obstinación hasta el final y que se encarna en una suerte de resistencia pasiva, la singularidad del protagonista es, por otra parte, irreductible. Escritos todos ellos ?Bartleby incluido ? tras el estrepitoso fiasco comercial que supuso la publicación en 1851 de "Moby Dick", el resto de relatos de Herman Melville (1819-1891) que completan el volumen tienen en común, aparte de su intrínseca belleza y singularidad, ese aire de serena y dichosa resignación de quien discierne entre las derivas externas y la firmeza interior. Se trata de El fracaso feliz, La veranda ?preciosa parábola acerca de la fantasía con que investimos las apariencias? y dos relatos tardíos acerca de marinos que finalizan sus días varados en tierra:

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