Search results for ""Author Andrea"

The Book of the Miracles of the Blessed Andrew the Apostle (Liber de miraculis beati Andreae apostoli), long regarded as a sixth-century reworking of an earlier apocryphal work by an anonymous author, has often been ignored or used by scholars as a vehicle for recovering that now mostly lost work, The Acts of Andrew. Yet in recent years there has emerged a growing consensus that The Book of the Miracles of the Blessed Andrew the Apostle (hereafter noted as the MA) was authored by Gregory of Tours (538–594), the preeminent historical source for the sixth-century West. While Gregory and his hagiographical works have been studied with increasing vigor by scholars, the MA has only recently figured into that effort and, consequently, has not yet been fully translated into English. This volume attempts to fill this void by offering the first full English translation of the MA, alongside Max Bonnet’s Latin edition, and by setting the work in its rightful place in Gregory’s canon. With an introduction, glossary, notes, and a map of places mentioned in the text, this volume provides an accessible entry point to both the study of the legacy of the apostles as well as Gregory of Tours’s interpretation of it. The MA is valuable for the study of early Christianity, late antiquity, and religious culture in the Merovingian Kingdom of the Franks.

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Andrew Crozier (1943-2008) was a poet, and an energiser of poetry. A champion of work excluded from the familiar canon, he brought to the English literary landscape of the 1960s and 70s an engagement with the energies of American poetry. As a publisher and critic he helped to create a space for new voices within English poetry: for George Oppen, Carl Rakosi, Roy Fisher, J.H. Prynne. His own poetry is meticulous in its attention to language, exhilarating in its inventiveness and force. Crozier wrote that, for him, 'becoming a poet had to do with finding a mode for making sense of ...being alive', and his writing is alive with the possibilities of language. Ian Brinton, editor of The Use of English until 2011 and author of Contemporary Poetry since 1990, has brought together a comprehensive selection of Crozier's poetry and prose, much of it previously out of print or scattered in small press publications. Biographical and critical notes and a detailed bibliography complete this landmark edition of one of the essential figures in modern poetry.

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Andrei Tarkovsky is the most celebrated Russian filmmaker since Eisenstein, and one of the most important directors to have emerged during the 1960s and 70s. Although he made only seven features, each one was a major landmark in cinema, the most well-known of them being the mediaeval epic Andrei Rublev - widely regarded as one of the greatest films of all time - and the autobiographical Mirror, set during the Russia of Stalin's purges in the 1930s and the years of stagnation under Brezhnev. Both films landed Tarkovsky in considerable trouble with the authorities, and he gained a reputation for being a tortured - and ultimately martyred - filmmaker. Despite the harshness of the conditions under which he worked, Tarkovsky built up a remarkable body of work. He burst upon the international scene in 1962 with his debut feature Ivan's Childhood, which won the Golden Lion at Venice and immediately established him as a major filmmaker. During the 1970s, he made two classic ventures into science-fiction, Solaris, regarded at the time as being the Soviet reply to Kubrick's 2001: A Space Odyssey and later remade by Steven Soderbergh, and Stalker, which was thought to have predicted the Chernobyl disaster. Harassed at home, Tarkovsky went into exile and made his last two films in the West, where he also published his classic work of film and artistic theory, Sculpting in Time. Since his death in Paris in 1986, his reputation continued - and continues - to grow. Sean Martin considers the whole of Tarkovsky's oeuvre, from the classic student film The Steamroller and the Violin, across the full-length films, to the later stage works and Tarkovsky's writings, paintings and photographs. Martin also seeks to demystify Tarkovsky as a 'difficult' director, whilst also celebrating his radical aesthetic of long takes and tracking shots, which Tarkovsky was to dub 'imprinted' or 'sculpted' time, and to make a case for Tarkovsky's position not just as an important filmmaker, but also as an artist who speaks directly about the most important spiritual issues of our time.

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Based on a series of booklets written by bestselling motivational writer Napoleon Hill, Andrew Carnegie's Gift outlines the importance of three essential principles of success: self-discipline, learning from defeat, and the Golden Rule. In 1908, Napoleon Hill met industrialist Andrew Carnegie for what he believed would be a short interview for an article. Instead, Carnegie spent hours detailing his principles of success to the young magazine reporter--and challenged Hill to devote 20 years to expanding that philosophy. Hill accepted the challenge, which resulted in his bestselling book, Think and Grow Rich, as well as a series of pamphlets he called Mental Dynamite. Now, the Napoleon Hill Foundation has retrieved those long-forgotten booklets and selected three major principles for elaboration: Self-Discipline, which includes a 13-point psychological formula to use as a daily mantra and to overcome past difficulties, both personal and professional; Learning from Defeat, which helps you find happiness with others, become self-determining, and turn stumbling blocks into stepping stones; and the Golden Rule, for developing a strong character and leading a selfless life. Each chapter draws upon Carnegie's words and advice as inspiration, with annotations by author James Whittaker explaining why they are essential--not just helpful--for reaching your goals and prospering.

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This motivational guide outlines the importance of three essential principles of success: self-discipline, learning from defeat and the Golden Rule. Each chapter draws upon industrialist Andrew Carnegie's words and advice as inspiration, with annotations by author James Whittaker explaining why they are essential - not just helpful - for reaching your goals and prospering.

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Andrei Tarkovsky (1932-1986) was one of the great poets of world cinema. A fiercely independent artist, Tarkovsky crafted poignantly beautiful films that have proven inscrutable and been bitterly disputed. These qualities are present in abundance in Andrei Rublev (1966), Tarkovsky's first fully mature film. Ostensibly a biographical study of Russia's most famous medieval icon-painter, Andrei Rublev is both lyrical and epic, starkly naturalistic and allegorical, authentically historical and urgently topical. While much remains mysterious in Andrei Rublev, critics have recently begun to reappraise it as a groundbreaking film that undermines comfortable notions of life and spirituality. Robert Bird's multifaceted account of Andrei Rublev extends this reevaluation of Tarkovsky's radical aesthetic by establishing the film's historical context and presenting a substantially new reading of key scenes. Bird definitively establishes the film's tortured textual history, which has resulted in two

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Andrew Young: Civil Rights Ambassador explores the rising influence of race in foreign relations as it examines the contributions of this African American activist, politician, and diplomat to U.S. foreign policy. Young used his positions as a member of the United States House of Representatives (1973–77), U.S. permanent representative to the United Nations (1977–79), and mayor of Atlanta during the 1980s to further the cause of race in diplomatic affairs and to bring an emphasis to United States relations with Africa. Author Andrew DeRoche begins his study of Young by looking at his formative years as a top assistant to Martin Luther King in the 1960s. It was during this period that Young developed his philosophy and his tactics. Young was committed to working for racial justice around the globe and he was willing to meet with all sides in any conflict. One of the few books that focuses on the influence of race in U.S. foreign policy, Andrew Young: Civil Rights Ambassador is informative reading for those interested in diplomatic history and African American history.

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Told in his own words, in response to questions from the writer and art critic Andrew Lambirth, this book chronicles Andrew Logan's life and work through expressive anecdote and factual recollection. Reflections is a look back, but also a look at the present and a look forward: it is about the meaning of Andrew's world and the sculpture he has made to fill it, and about his approach to art, to friendship and to living in London and Wales. The Alternative Miss World, founded by Andrew in 1972, is at the heart of his philosophy, not just the world's greatest drag act (though it is this too), but an exhilarating celebration of the transformative power of the imagination. Andrew's work, which is all about joy and beauty, is inspiring and uplifting. This book, based upon discursive interviews dealing with all periods of his career, explains and contextualises it fully for the first time.

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Celebrated historian David Nasaw, whom The New York Times Book Review has called "a meticulous researcher and a cool analyst," brings new life to the story of one of America's most famous and successful businessmen and philanthropists—in what will prove to be the biography of the season.Born of modest origins in Scotland in 1835, Andrew Carnegie is best known as the founder of Carnegie Steel. His rags to riches story has never been told as dramatically and vividly as in Nasaw's new biography. Carnegie, the son of an impoverished linen weaver, moved to Pittsburgh at the age of thirteen. The embodiment of the American dream, he pulled himself up from bobbin boy in a cotton factory to become the richest man in the world. He spent the rest of his life giving away the fortune he had accumulated and crusading for international peace. For all that he accomplished and came to represent to the American public—a wildly successful businessman and capitalist, a self-educated writer, peace activist, philanthropist, man of letters, lover of culture, and unabashed enthusiast for American democracy and capitalism—Carnegie has remained, to this day, an enigma.Nasaw explains how Carnegie made his early fortune and what prompted him to give it all away, how he was drawn into the campaign first against American involvement in the Spanish-American War and then for international peace, and how he used his friendships with presidents and prime ministers to try to pull the world back from the brink of disaster.With a trove of new material—unpublished chapters of Carnegie's Autobiography; personal letters between Carnegie and his future wife, Louise, and other family members; his prenuptial agreement; diaries of family and close friends; his applications for citizenship; his extensive correspondence with Henry Clay Frick; and dozens of private letters to and from presidents Grant, Cleveland, McKinley, Roosevelt, and British prime ministers Gladstone and Balfour, as well as friends Herbert Spencer, Matthew Arnold, and Mark Twain—Nasaw brilliantly plumbs the core of this facinating and complex man, deftly placing his life in cultural and political context as only a master storyteller can.

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Quizá Andrei Tarkovski haya sido uno de los últimos románticos. Sus películas son representaciones del hombre frente a la inmensidad de la naturaleza. Como en las del pintor Caspar David Friedrich. Reflejos de un humanista que quiso o sintió la necesidad de ahondar en el enigma de la existencia y que se materializaron en siete exploraciones sobre la conciencia humana. Y al mismo tiempo títulos con los que trató de elevar el cine a la categoría de arte. Siete recorridos físicos, pero también psíquicos. Los de unos individuos en estado de crisis que adquieren la condición de seres errantes. Porque el itinerario es el único medio para hallar alguna certeza, si es que la hay, que alivie sus conflictos internos. De ahí la estructura de este estudio, a modo de crónica de viaje, de una espiral concebida desde la sugerencia, desde la insinuación, incluso desde el juego, sin pretender establecer verdades categóricas. Porque en el arte sólo existe la verdad del creador que, después, cada uno int

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In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets of our literature.Andrew Marvell was born in Yorkshire in 1624 and was educated in Hull and Cambridge. He became the unofficial laureate to Cromwell and in 1657 he took over from Milton as the Latin Secretary to the Council of State. Famed as a satirist during his lifetime Marvell was a virtually unknown lyric poet until rediscovered in the nineteenth century. However, it was only after the First World War that his poetry gained popularity thanks to the efforts of T. S. Eliot and Sir Herbert Grierson. Marvell died in 1678.

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The early experimental work of one of the founders of Russian conceptualism Russian poet, author, artist and art theorist Andrei Monastyrski (born 1949) is, along with Ilya Kabakov, one of the founders of conceptualism in Russia, and a protagonist of Collective Actions, a group of artists who have organized participatory actions on the outskirts of Moscow since 1976. Though his poetry is less well known, poetry is where he began. After writing in the manner of the Russian modernists (who were newly available to Soviet readers during Khrushchev's thaw), Monastyrski's interest in John Cage and ideas about consciousness from Western and Eastern philosophical traditions led him to conduct experiments with sound, form and the creation of artistic situations involving constructed objects that required viewer engagement to complete. Elementary Poetry collects poems, books and action objects from the '70s and '80s, tracing a genealogy of the art action in poetry.

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Paul Andreu (1938-2018) is a major figure on the international architectural scene in the second half of the 20th century. He left his mark on airport architecture not only during his long career with Aéroports de Paris, but also with his work in Asia, in Japan and China, where he was one of the first French architects to make his mark, with the Kansai airport in 1988 and the Beijing opera house, inaugurated in 2007. Founded on a constant demand for functionality and technical rationality, the work of this architect and engineer is rooted in the notion of threshold, passage and transformation, bringing into play fundamental principles: earth and sky, East and West, thought and matter. This monograph is amply illustrated with sumptuous archive photographs and contemporary views, as well as drawings from 69 sketchbooks recently donated to the Cité de l''architecture et du patrimoine.Text in French.

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Andrew Wyeth is one of the best loved and most widely recognized artists in American history, yet for much of his career he was reviled by the art world's critical elite. Rethinking Andrew Wyeth reevaluates Wyeth and his place in American art, trying to reconcile these two opposing images of the man and his work. In addition to surveying the American critical reception of Wyeth's art over the seven decades of his career, David Cateforis brings together a collection of essays featuring new critical and scholarly responses to the artist. Donald Kuspit's compelling psycho-philosophical interpretation of Wyeth exemplifies the possibility of new approaches to understanding his work that move beyond the Wyeth "curse," as do those of the other contributors to this volume - from the close analysis of Wyeth's technical means offered by Joyce Hill Stoner, to the adventuresome interpretive readings of individual Wyeth paintings advanced by Alexander Nemerov and Randall C. Griffin, the considerations of Wyeth's critical reception in historical context offered by Wanda M. Corn and Katie Robinson Edwards, and the connections of Wyeth to other canonical artists such as Francine Weiss' comparison of him to Robert Frost and Patricia Junker's linkage of Wyeth and Marcel Duchamp. Rethinking Andrew Wyeth includes an appendix with data from visitor surveys conducted at the Wyeth retrospectives in San Francisco in 1973 and Philadelphia in 2006. Illustrated throughout with both iconic and lesser-known examples of Wyeth's work, this book will appeal to academic, museum, and popular audiences seeking a deeper understanding and appreciation of Andrew Wyeth's art through its critical reception and interpretation. Edited by David Cateforis, with essays by David Cateforis, Wanda M. Corn, Katie Robinson Edwards, Randall C. Griffin, Patricia Junker, Donald Kuspit, Alexander Nemerov, Joyce Hill Stoner, and Francine Weiss. This volume's release coincides with an exhibition at the National Gallery of Art in Washington, D.C. in 2014, Andrew Wyeth: Looking Out, Looking In.

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The first retrospective volume on the photography of the internationally acclaimed Nigerian filmmaker, photographer and music-video director Andrew Dosunmu. 'The beauty of Monograph—a new art book by acclaimed Nigerian and New York photographer, filmmaker, stylist, and creative director Andrew Dosunmu—lies in the uncanny juxtapositions of distinct realms. Wholly separate images shown side by side form their own dynamic relationships.' - VOGUE Monograph looks back at 20 years of previously unpublished and sumptuously colorful portraiture and more, including stills from music videos and the 2022 Netflix film Beauty. Dosunmu has published his photography with iconic music and fashion magazines such as The Face, Vibe, Fader, Vogue Hommes, Paper and Interview, and has been commissioned by international brands such as Nike and Adidas. Throughout his career, Dosunmu has developed a prolific personal body of work that until now has never been published, though it has been sought after by private collectors and museums. The images compiled in Monograph portray uniquely stylish individuals in Dakar, Mumbai and Cartaghena. United by Dosunmu’s acute instinct for color into a compelling aesthetic vision, these portraits celebrate global culture with tremendous sensuality. The book includes a conversation between Dosunmu and Arthur Jafa.

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“This afternoon I shall go to my own funeral service before I watch them bury me under six feet of London clay.” When kindly provincial solicitor, Andrew Soulsby, fails to listen to his instincts he is condemned to live an evil man’s life in a tailspin to destruction. Plagued by dark memories that do not belong to him and arrested for crimes of which he has no knowledge, he faces professional ruin, bankruptcy and a prison cell. Can Andrew discover what has happened to him, and will he find a way to survive if he regains the love of his wife and children, or is the truth altogether more terrifying? Fantasy meets grim reality in this gripping medico-legal mystery thriller with an original twist, making you question what it means to have a soul, a sense of self.

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Best-selling author John Piper puts the life of Andrew Fuller on display as inspriration for all Christians to devote themselves to knowing, guarding, and spreading the true gospel—to the ends of the earth.

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This volume constitutes the refereed proceedings of the 5th International Workshop on Emerging Technologies for Authorization and Authentication, ETAA 2022, held in Copenhagen, Denmark, on September 30, 2022, co-located with ESORICS 2022.The revised 8 full papers presented together with one invited paper were carefully reviewed and selected from 10 submissions. They cover topics such as: new techniques for biometric and behavioral based authentication, authentication and authorization in the IoT and in distributed systems in general, including the smart home environment.

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This edition provides both professional critics and casual readers with a methodical aid to appreciating what the author believes to be the most aesthetically eventful, unobtrusively playful, and undemanding complex long poem of the English Renaissance. Using line-by-line annotation, the edition strives to pay minute and continuous attention to the workings of the poem's dazzlingly protean wit, to its multiple, often breathtakingly artful, internal coherences. While the edition does all the usual work a scholarly annotation is expected to do, it is particularly focused on accomplishing what has not been done by previous Marvell scholarship: laying bare every instance of the poem's dynamic wit. In doing so, it, in particular, alerts Marvell's readers to such, for the most part, non-interpretive, aspects of the poem as associative connections operating on the periphery of one's conscious experience, palpable or merely hinted-at wordplay, coexisting multiple syntaxes, and patterns of formal and informal phonic coherence.

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In the summer of 1790 the Italian explorer Count Paolo Andreani embarked on a journey that would take him through New York State and eastern Iroquoia. Traveling along the Hudson and Mohawk Rivers, Andreani kept a meticulous record of his observations and experiences in the New World. Published complete for the first time in English, the diary is of major importance to those interested in life after the American Revolution, political affairs in the New Republic, and Native American peoples. Through Andreani's writings, we glimpse a world in cultural, economic, and political transition. An active participant in Enlightenment science, Andreani provides detailed observations of the landscape and natural history of his route. He also documents the manners and customs of the Iroquois, Shakers, and German, Dutch, and Anglo New Yorkers. Andreani was particularly interested in the Oneida and Onondaga Indians he visited, and his description of an Oneida lacrosse match accompanies the earliest known depiction of a lacrosse stick. Andreani's American letters, included here, relate his sometimes difficult but always revealing personal relationships with Washington, Jefferson, and Adams. Prefaced by an illuminating historical and biographical introduction, Along the Hudson and Mohawk is a fascinating look at the New Republic as seen through the eyes of an observant and curious explorer.

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The Oxford Handbook of Andrew Marvell is the most comprehensive and informative collection of essays ever assembled dealing with the life and writings of the poet and politician Andrew Marvell (1621-78). Like his friend and colleague John Milton, Marvell is now seen as a dominant figure in the literary landscape of the mid-seventeenth century, producing a stunning oeuvre of poetry and prose either side of the Restoration. In the 1640s and 1650s he was the author of hypercanonical lyrics like 'To His Coy Mistress' and 'The Garden' as well as three epoch-defining poems about Oliver Cromwell. After 1660 he virtually invented the verse genre of state satire as well as becoming the most influential prose satirist of the day - in the process forging a long-lived reputation as an incorruptible patriot. Although Marvell himself was an intensely private and self-contained character, whose literary, religious, and political commitments are notoriously difficult to discern, the interdisciplinary contributions by an array of experts in the fields of seventeenth-century literature, history, and politics gathered together in the Handbook constitute a decisive step forward in our understanding of him. They offer a fully-rounded account of his life and writings, individual readings of his key works, considerations of his relations with his major contemporaries, and surveys of his rich and varied afterlives. Informed by the wealth of editorial and biographical work on Marvell that has been produced in the last twenty years, the volume is both a conspectus of the state of the art in Marvell studies and the springboard for future research.

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Dim and dimmer? You decide! Spares Prince Harry and Prince Andrew have rarely been out of the news since 2019. They both have proved to have a rare knack for creating a royal soap opera and turning their humdrum lives into a major embarrassment to their family. Royal author Nigel Cawthorne unravels their princely lives in this dual portrait and asks. Join this frank and hilarious celebration of this royal double act. Covering all the stations of the cross for royal pain from wives, money, relatives, having to scrounge for millions, being turfed out of the HRH club.

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Poetry selection in the popular Cranes Classics series, well known poets produced in small 64 page hardbacks with attractive covers.

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This catalogue of the Andres Serrano retrospective presents the work of an artist from New York regarded as one of the major figures on the contemporary scene, tracing his creative trajectory in over a hundred photographs. The question of the portrait in the exploration of signs of the times, the dead body in a classical presentation of pictorial inspiration, the abstract space of the studio and the artist's recent immersion in the city, violence in the relationship with the other on the path from procreation to creation, poverty and its relation to place, religious feeling and the collective dynamics of the group portrait are some of the subjects Andres Serrano addresses. The questions he poses give rise to debate and sometimes violence. These freely chosen subjects are thus joined by themes imposed on the work, namely vandalism and censorship. Four experts develop an original discourse on Serrano's work: Nathalie Dietschy, PhD in art history at the University of Lausanne, a specialist on the figure of Christ in contemporary art; Jan Koenot, Jesuit, theologian, PhD in philosophy and specialist on contemporary art; Germano Celant, art critic and specialist on contemporary art, currently artistic director of the Prada Foundation in Milan; Quentin Bajac, curator of photography at the Musée d'Orsay and currently chief curator of photography at the MoMA in New York.

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