Search results for ""Author Andrea"

Work smarter with authorizations! Have you ever had an unauthorized user access something in your system that you could have sworn was off limits? Here you go: SAP PRESS equips you with ""100 Things"" that unlock the secrets of managing your security and authorizations in SAP.The tips are grouped together based on the area of authorizations they cover, such as development security, Profile Generator, upgrades, and more. They have been carefully selected to provide a collection of the best, most useful, and rarest information. An invaluable resource to support you in your SAP administration duties! Highlights: User master records Development security Profile Generator Segregation of duties Upgrades Auditing Security templates Continuous Compliance and Governance

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Lou Andreas-Salomé fue una de las personalidades más fascinantes de finales del siglo xix y principios del xx. De carácter inquieto e inconformista, quiso romper con el papel que la sociedad y la familia le habían asignado, y desde muy joven tomó parte activa en los más vanguardistas círculos intelectuales de Europa hasta convertirse en autora de una obra prolífica y diversa (literaria, crítica, filosófica y psicoanalítica) que sólo publicó parcialmente en vida. Esta biografía nos descubre, así, la singularidad de una mujer notable a través del estudio de su obra y del diálogo con algunos de sus contemporáneos, como Nietzsche, Rilke y Freud, y muestra que la libertad de espíritu que la caracterizó y tanto desconcertó en su época fue la expresión de una mujer ávida de conocimiento que supo defender su autonomía intelectual, sentimental y, en suma, vital pese a las constricciones sociales de su tiempo.

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The Book of the Miracles of the Blessed Andrew the Apostle (Liber de miraculis beati Andreae apostoli), long regarded as a sixth-century reworking of an earlier apocryphal work by an anonymous author, has often been ignored or used by scholars as a vehicle for recovering that now mostly lost work, The Acts of Andrew. Yet in recent years there has emerged a growing consensus that The Book of the Miracles of the Blessed Andrew the Apostle (hereafter noted as the MA) was authored by Gregory of Tours (538–594), the preeminent historical source for the sixth-century West. While Gregory and his hagiographical works have been studied with increasing vigor by scholars, the MA has only recently figured into that effort and, consequently, has not yet been fully translated into English. This volume attempts to fill this void by offering the first full English translation of the MA, alongside Max Bonnet’s Latin edition, and by setting the work in its rightful place in Gregory’s canon. With an introduction, glossary, notes, and a map of places mentioned in the text, this volume provides an accessible entry point to both the study of the legacy of the apostles as well as Gregory of Tours’s interpretation of it. The MA is valuable for the study of early Christianity, late antiquity, and religious culture in the Merovingian Kingdom of the Franks.

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Andrew Crozier (1943-2008) was a poet, and an energiser of poetry. A champion of work excluded from the familiar canon, he brought to the English literary landscape of the 1960s and 70s an engagement with the energies of American poetry. As a publisher and critic he helped to create a space for new voices within English poetry: for George Oppen, Carl Rakosi, Roy Fisher, J.H. Prynne. His own poetry is meticulous in its attention to language, exhilarating in its inventiveness and force. Crozier wrote that, for him, 'becoming a poet had to do with finding a mode for making sense of ...being alive', and his writing is alive with the possibilities of language. Ian Brinton, editor of The Use of English until 2011 and author of Contemporary Poetry since 1990, has brought together a comprehensive selection of Crozier's poetry and prose, much of it previously out of print or scattered in small press publications. Biographical and critical notes and a detailed bibliography complete this landmark edition of one of the essential figures in modern poetry.

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Andrei Tarkovsky is the most celebrated Russian filmmaker since Eisenstein, and one of the most important directors to have emerged during the 1960s and 70s. Although he made only seven features, each one was a major landmark in cinema, the most well-known of them being the mediaeval epic Andrei Rublev - widely regarded as one of the greatest films of all time - and the autobiographical Mirror, set during the Russia of Stalin's purges in the 1930s and the years of stagnation under Brezhnev. Both films landed Tarkovsky in considerable trouble with the authorities, and he gained a reputation for being a tortured - and ultimately martyred - filmmaker. Despite the harshness of the conditions under which he worked, Tarkovsky built up a remarkable body of work. He burst upon the international scene in 1962 with his debut feature Ivan's Childhood, which won the Golden Lion at Venice and immediately established him as a major filmmaker. During the 1970s, he made two classic ventures into science-fiction, Solaris, regarded at the time as being the Soviet reply to Kubrick's 2001: A Space Odyssey and later remade by Steven Soderbergh, and Stalker, which was thought to have predicted the Chernobyl disaster. Harassed at home, Tarkovsky went into exile and made his last two films in the West, where he also published his classic work of film and artistic theory, Sculpting in Time. Since his death in Paris in 1986, his reputation continued - and continues - to grow. Sean Martin considers the whole of Tarkovsky's oeuvre, from the classic student film The Steamroller and the Violin, across the full-length films, to the later stage works and Tarkovsky's writings, paintings and photographs. Martin also seeks to demystify Tarkovsky as a 'difficult' director, whilst also celebrating his radical aesthetic of long takes and tracking shots, which Tarkovsky was to dub 'imprinted' or 'sculpted' time, and to make a case for Tarkovsky's position not just as an important filmmaker, but also as an artist who speaks directly about the most important spiritual issues of our time.

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Based on a series of booklets written by bestselling motivational writer Napoleon Hill, Andrew Carnegie's Gift outlines the importance of three essential principles of success: self-discipline, learning from defeat, and the Golden Rule. In 1908, Napoleon Hill met industrialist Andrew Carnegie for what he believed would be a short interview for an article. Instead, Carnegie spent hours detailing his principles of success to the young magazine reporter--and challenged Hill to devote 20 years to expanding that philosophy. Hill accepted the challenge, which resulted in his bestselling book, Think and Grow Rich, as well as a series of pamphlets he called Mental Dynamite. Now, the Napoleon Hill Foundation has retrieved those long-forgotten booklets and selected three major principles for elaboration: Self-Discipline, which includes a 13-point psychological formula to use as a daily mantra and to overcome past difficulties, both personal and professional; Learning from Defeat, which helps you find happiness with others, become self-determining, and turn stumbling blocks into stepping stones; and the Golden Rule, for developing a strong character and leading a selfless life. Each chapter draws upon Carnegie's words and advice as inspiration, with annotations by author James Whittaker explaining why they are essential--not just helpful--for reaching your goals and prospering.

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This motivational guide outlines the importance of three essential principles of success: self-discipline, learning from defeat and the Golden Rule. Each chapter draws upon industrialist Andrew Carnegie's words and advice as inspiration, with annotations by author James Whittaker explaining why they are essential - not just helpful - for reaching your goals and prospering.

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Andrew Young: Civil Rights Ambassador explores the rising influence of race in foreign relations as it examines the contributions of this African American activist, politician, and diplomat to U.S. foreign policy. Young used his positions as a member of the United States House of Representatives (1973–77), U.S. permanent representative to the United Nations (1977–79), and mayor of Atlanta during the 1980s to further the cause of race in diplomatic affairs and to bring an emphasis to United States relations with Africa. Author Andrew DeRoche begins his study of Young by looking at his formative years as a top assistant to Martin Luther King in the 1960s. It was during this period that Young developed his philosophy and his tactics. Young was committed to working for racial justice around the globe and he was willing to meet with all sides in any conflict. One of the few books that focuses on the influence of race in U.S. foreign policy, Andrew Young: Civil Rights Ambassador is informative reading for those interested in diplomatic history and African American history.

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Celebrated historian David Nasaw, whom The New York Times Book Review has called "a meticulous researcher and a cool analyst," brings new life to the story of one of America's most famous and successful businessmen and philanthropists—in what will prove to be the biography of the season.Born of modest origins in Scotland in 1835, Andrew Carnegie is best known as the founder of Carnegie Steel. His rags to riches story has never been told as dramatically and vividly as in Nasaw's new biography. Carnegie, the son of an impoverished linen weaver, moved to Pittsburgh at the age of thirteen. The embodiment of the American dream, he pulled himself up from bobbin boy in a cotton factory to become the richest man in the world. He spent the rest of his life giving away the fortune he had accumulated and crusading for international peace. For all that he accomplished and came to represent to the American public—a wildly successful businessman and capitalist, a self-educated writer, peace activist, philanthropist, man of letters, lover of culture, and unabashed enthusiast for American democracy and capitalism—Carnegie has remained, to this day, an enigma.Nasaw explains how Carnegie made his early fortune and what prompted him to give it all away, how he was drawn into the campaign first against American involvement in the Spanish-American War and then for international peace, and how he used his friendships with presidents and prime ministers to try to pull the world back from the brink of disaster.With a trove of new material—unpublished chapters of Carnegie's Autobiography; personal letters between Carnegie and his future wife, Louise, and other family members; his prenuptial agreement; diaries of family and close friends; his applications for citizenship; his extensive correspondence with Henry Clay Frick; and dozens of private letters to and from presidents Grant, Cleveland, McKinley, Roosevelt, and British prime ministers Gladstone and Balfour, as well as friends Herbert Spencer, Matthew Arnold, and Mark Twain—Nasaw brilliantly plumbs the core of this facinating and complex man, deftly placing his life in cultural and political context as only a master storyteller can.

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Quizá Andrei Tarkovski haya sido uno de los últimos románticos. Sus películas son representaciones del hombre frente a la inmensidad de la naturaleza. Como en las del pintor Caspar David Friedrich. Reflejos de un humanista que quiso o sintió la necesidad de ahondar en el enigma de la existencia y que se materializaron en siete exploraciones sobre la conciencia humana. Y al mismo tiempo títulos con los que trató de elevar el cine a la categoría de arte. Siete recorridos físicos, pero también psíquicos. Los de unos individuos en estado de crisis que adquieren la condición de seres errantes. Porque el itinerario es el único medio para hallar alguna certeza, si es que la hay, que alivie sus conflictos internos. De ahí la estructura de este estudio, a modo de crónica de viaje, de una espiral concebida desde la sugerencia, desde la insinuación, incluso desde el juego, sin pretender establecer verdades categóricas. Porque en el arte sólo existe la verdad del creador que, después, cada uno int

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Told in his own words, in response to questions from the writer and art critic Andrew Lambirth, this book chronicles Andrew Logan's life and work through expressive anecdote and factual recollection. Reflections is a look back, but also a look at the present and a look forward: it is about the meaning of Andrew's world and the sculpture he has made to fill it, and about his approach to art, to friendship and to living in London and Wales. The Alternative Miss World, founded by Andrew in 1972, is at the heart of his philosophy, not just the world's greatest drag act (though it is this too), but an exhilarating celebration of the transformative power of the imagination. Andrew's work, which is all about joy and beauty, is inspiring and uplifting. This book, based upon discursive interviews dealing with all periods of his career, explains and contextualises it fully for the first time.

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Andrei Tarkovsky (1932-1986) was one of the great poets of world cinema. A fiercely independent artist, Tarkovsky crafted poignantly beautiful films that have proven inscrutable and been bitterly disputed. These qualities are present in abundance in Andrei Rublev (1966), Tarkovsky's first fully mature film. Ostensibly a biographical study of Russia's most famous medieval icon-painter, Andrei Rublev is both lyrical and epic, starkly naturalistic and allegorical, authentically historical and urgently topical. While much remains mysterious in Andrei Rublev, critics have recently begun to reappraise it as a groundbreaking film that undermines comfortable notions of life and spirituality. Robert Bird's multifaceted account of Andrei Rublev extends this reevaluation of Tarkovsky's radical aesthetic by establishing the film's historical context and presenting a substantially new reading of key scenes. Bird definitively establishes the film's tortured textual history, which has resulted in two

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The early experimental work of one of the founders of Russian conceptualism Russian poet, author, artist and art theorist Andrei Monastyrski (born 1949) is, along with Ilya Kabakov, one of the founders of conceptualism in Russia, and a protagonist of Collective Actions, a group of artists who have organized participatory actions on the outskirts of Moscow since 1976. Though his poetry is less well known, poetry is where he began. After writing in the manner of the Russian modernists (who were newly available to Soviet readers during Khrushchev's thaw), Monastyrski's interest in John Cage and ideas about consciousness from Western and Eastern philosophical traditions led him to conduct experiments with sound, form and the creation of artistic situations involving constructed objects that required viewer engagement to complete. Elementary Poetry collects poems, books and action objects from the '70s and '80s, tracing a genealogy of the art action in poetry.

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Best-selling author John Piper puts the life of Andrew Fuller on display as inspriration for all Christians to devote themselves to knowing, guarding, and spreading the true gospel—to the ends of the earth.

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