Search results for ""Author Various"

Winner of the Saltire Society Poetry Book of the Year 2019. Janette Ayachi’s dazzling first collection moves between remembered and imagined spaces as she celebrates the world’s variousness, and the energies and exhaustions of the body. Revelling in the many voices she might find for herself, Ayachi locates herself in both her Algerian and Scottish roots, her relationships with her family and lovers, her own motherhood, and an equally joyful but more precarious exploration of desire. More than anything, this book is a celebration of all Ayachi loves and has loved, especially her own daughters. It is a book that makes a space for itself in the disruptive pleasures of writing, in the face of all that might stifle her, alive to all the potentials of laughter and silence as well as song.

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"I was following orders." The answer most commonly quoted by SS men accused of atrocious crimes after Germany had surrendered in 1945. But who gave those orders? Who was the mastermind behind the sophisticated machinery which allowed men from normal family backgrounds to kill on such a scale? The right man at the right time, fate steered Heinrich Himmler to take control of an organisation destined to carry out Hitler's racial policies. This study not only sets out in detail how Heinrich Himmler's daily routine allowed him to implement Nazi strategy, but it also provides illustrations of the man behind much of it, both at work and at home. Of all the personalities of history demonized by post-war writers, Heinrich Himmler ranks among the most reviled. His legacy is one of hatred, violence and cold blooded murder on a vast scale. A Jekyll and Hyde character, variously described by his generation and those who followed as charming, loyal, polite, a pedant, an eccentric, an organizational genius, a fool, a desk killer and a loving father.The camera allows us into his world, albeit temporarily, and we can equate his busy, but mostly mundane schedule with contemporary images frozen in time. What makes this book unique is the astonishing amount of photographic material, following Himmler on his day to day routine. It is a must read for anyone interested in the enigmatic man and the operations of the Third Reich.

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An extensive look at historical, literary, and media representations of '68 in Germany, challenging the way it has been instrumentalized. In Germany, the concept of "1968" is enduring and synonymous with the German Student Movement, and is viewed, variously, as a fundamental liberalization, a myth, a second foundation, or an irritation. The movement's aims - radicalre-imagination of the political and economic order and social hierarchy - have been understood as requiring a "long march." While the movement has been judged at best a "successful failure," cultural elites continue to engage inthe construction of 1968. Ingo Cornils's book argues that writing about 1968 in Germany is no longer about the historical events or the specific objectives of a bygone counterculture, but is instead a moral touchstone, a marker ofsocial group identity meant to keep alive (or at bay) a utopian agenda that continues to fire the imagination. The book demonstrates that the representation of 1968 as a "foundational myth" suits the needs of a number of surprisingly heterogeneous groups, and that even attempts to deconstruct the myth strengthen it. Cornils brings together for the first time the historical, literary, and media representations of the movement, showing the motivation behindand effect of almost five decades of writing about 1968. In so doing, Cornils challenges the way 1968 has been instrumentalized: as a powerful imaginary that has colonized every aspect of life in Germany, and as symbolic capitalin cultural and political debates. Ingo Cornils is Professor of German Studies at the University of Leeds.

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A word conventionally imbued with melancholy meanings, "diaspora" has been used variously to describe the cataclysmic historical event of displacement, the subsequent geographical scattering of peoples, or the conditions of alienation abroad and yearning for an ancestral home. But as Daniel Boyarin writes, diaspora may be more constructively construed as a form of cultural hybridity or a mode of analysis. In A Traveling Homeland, he makes the case that a shared homeland or past and traumatic dissociation are not necessary conditions for diaspora and that Jews carry their homeland with them in diaspora, in the form of textual, interpretive communities built around talmudic study. For Boyarin, the Babylonian Talmud is a diasporist manifesto, a text that produces and defines the practices that constitute Jewish diasporic identity. Boyarin examines the ways the Babylonian Talmud imagines its own community and sense of homeland, and he shows how talmudic commentaries from the medieval and early modern periods also produce a doubled cultural identity. He links the ongoing productivity of this bifocal cultural vision to the nature of the book: as the physical text moved between different times and places, the methods of its study developed through contact with surrounding cultures. Ultimately, A Traveling Homeland envisions talmudic study as the center of a shared Jewish identity and a distinctive feature of the Jewish diaspora that defines it as a thing apart from other cultural migrations.

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'I did not regard myself as a slacker. Even in childhood I taught myself to carry out tasks entrusted conscientiously and carefully. In war, it is no secret that the casual don't survive'. Evgeni Nikolaev was one of Russia s leading snipers of World War II and his memoir provides and unparralled account of frontline action in crucial theatres of war. Nikolaev is credited with a remarkable 324 kills and his wartime service included time in the siege of Leningrad in 1941/1942. His memoir is not an neutral, apolitical account. Far from it. Nikolaev asserts, for example, that Finland attached Russia. As a member of the NKVD is it not surprising that his memoir full of historical misinterpretation and justification of the agency s actions. Equally, Nikoalev is dismissive of his Nazi opponents. He variously describes his Nazi counterparts as bandits and scum and implores the reader to take a look, fellows, at the beast of a bastard I ve laid low . In vivid, arresting recollections he paints his actions in a saintly heroic light. He describes the comfort of the German foxholes, wired with telephone connections, relative to the Russians who fasted without food or water awaiting the moment for a perfect shot. He claimes the Russian soldier was a moral warrior, killing only with head or heart shots. In addition to describing details of his kills, Nikolaev explains how his life was saved when an explosive rifle bullet struck a watch that he kept in his jacket pocket. His life was saved by a surgeon who extracted all the watch parts.

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‘I have struck a city– a real city – and they call it Chicago ... I urgently desire never to see it again. It is inhabited by savages,’ so wrote Rudyard Kipling on his tour of America in 1899. From these inauspicious beginnings rose the ‘windy city’, home to the first skyscraper, gateway to the Great Lakes, birthplace of modern advertising and shorthand for stories about violent crime during America’s prohibition and Al Capone’s dominance of the ganglands. This book offers candid views of an extraordinary town, which has attracted citizens from all over Europe and the rest of the world. They have made the city what it is today – and written about it variously with affection, loyalty, disgust and amazement.

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The immense 18th-century scientific journey, variously known as the Second Kamchatka Expedition or the Great Northern Expedition, from St. Petersburg across Siberia to the coast of North America, involved over 3,000 people and cost Peter the Great over one-sixth of his empire's annual revenue. Until now recorded only in academic works, this 10-year venture, led by the legendary Danish captain Vitus Bering and including scientists, artists, mariners, soldiers, and laborers, discovered Alaska, opened the Pacific fur trade, and led to fame, shipwreck, and "one of the most tragic and ghastly trials of suffering in the annals of maritime and arctic history."

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In her second book of poems for young people, Shauna Darling Robertson takes an in-depth look at mental health and wellbeing. Shauna says, ‘Young people’s mental health has never been so high on the public agenda and rightly so. In the past three years, the likelihood of young people having a mental health problem has increased by 50% (childrenssociety.org.uk/what-we-do/ourwork/well-being/mental-health-statistics).’ The poems in this collection explore a variety of topics, from diagnosed mental health conditions to the everyday personal challenges faced by young people. The poems are variously thought-provoking, reassuring, heart-breaking, galvanizing, funny and hopeful, reflecting a diversity of perspectives, experiences and voices.

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WINNER OF THE WOMEN'S PRIZE FOR FICTION 2022When a book and a reader are meant for each other, both of them know it . . .After the tragic death of his father, fourteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house and sound variously pleasant, angry or sad. Then his mother develops a hoarding problem, and the voices grow more clamorous. So Benny seeks refuge in the silence of a large public library. There he meets a mesmerising street artist with a smug pet ferret; a homeless philosopher-poet; and his very own Book, who narrates Benny's life and teaches him to listen to the things that truly matter. Blending unforgettable characters with jazz, climate change and our attachment to material possessions, this is classic Ruth Ozeki - bold, humane and heartbreaking.

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This book examines the power of the past upon the present. It shows how generations of Scots have exploited and reshaped history to meet the needs of a series of presents, from the conquest of the Picts to the refounding of Parliament. Dauvit Broun, Fiona Watson, and Steve Boardman explore the violent manipulations of the past in medieval Scotland. Michael Lynch questions well-entrenched assumptions about the Scottish Reformation. Roger Mason looks at the transformation of 'Highland barbarism' into 'Gaelicism'. Ted Cowan examines the 'Killing Times' of the covenanters, and David Allan the seventeenth century fashion for creative family history. Colin Kidd discovers the victims of Pictomania in Scotland and modern Ulster, and Murray Pittock uncovers the comparable mania driving Jacobitism. Richard Finlay links the cult of Victoria with the queen's idea of herself as the heiress of the Scottish monarchy. Catriona MacDonald considers the neglect of women and the dangers of reconstructing history to suit modern sensitivities. Finally David McCrone provides a sociologist's perspective on the continuing dialogue between the past and the present. By exploring how the people of Scotland have variously understood, used and been inspired by the past this book offers a series of insights into the concerns of previous generations and their understanding of themselves and their times. It throws fresh light on the evolution of history in Scotland and on the actions and ambitions of the Scots who have formed and reformed the nation.

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A fully updated new edition of this practical guide to managing anesthesia in horses and other equids, providing updated and expanded information in a concise, easy-to-read format  Manual of Equine Anesthesia and Analgesia provides practitioners and veterinary students with concise, highly practical guidance to anesthetizing horses, donkeys, and mules. Using a bulleted quick-reference format, this popular resource covers the basic physiological and pharmacological principles of anesthesia, patient preparation and monitoring, and the management of sedation and anesthesia. Chapters written by leading veterinary anesthesiologists contain numerous clinical images and illustrations, case examples, tables, diagrams, and boxed summaries of important points.  Now in full color, the second edition features extensively revised and updated information throughout. New sections cover chronic pain, management of horses undergoing MRI, ventilators, nerve blocks for reproductive surgery, muscle relaxants, various new drugs, paravertebral anesthesia, treatment of pain using acupuncture and physical rehabilitation techniques, and more. Up-to-date appendices contain drug lists and dosages as well as equations related to equine cardiovascular and respiratory systems. This concise, easy-to-follow guide:  Provides practical, clinically oriented information on anesthetizing equids   Uses a bulleted format designed for fast access of key information  Offers step-by-step instructions and diagrams of nerve blocks of the limbs, head, and ophthalmic structures   Includes new coverage of topics including regulation of extracellular fluid and blood pressure, acid-base disorders, and hemodynamic effects of autonomic drugs  Manual of Equine Anesthesia and Analgesia, Second Edition, remains a must-have resource for all equine practitioners and veterinary students involved with anesthetizing horses. 

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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Glitter reveals the complexity of an object often dismissed as frivolous. Nicole Seymour describes how glitter’s consumption and status have shifted across centuries—from ancient cosmetic to queer activist tool, environmental pollutant to biodegradable accessory—along with its composition, which has variously included insects, glass, rocks, salt, sugar, plastic, and cellulose. Through a variety of examples, from glitterbombing to glitter beer, Seymour shows how this substance reflects the entanglements of consumerism, emotion, environmentalism, and gender/sexual identity. Object Lessons is published in partnership with an essay series in The Atlantic.

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"Perspectives on Medieval Art: Learning through Looking" examines medieval culture from a number of different viewpoints to reveal how the art of the Middle Ages can provide a unique insight into the wider issues of medieval politics and culture. The essays also address the teaching of medieval art and architecture as well as examining society's longing for ecclesiastical drama. Contributions from leading theologians and historians variously study life and art in the Middle Ages, why the medieval period matters today and how medieval art speaks to a 21st-century audience. Scholars from different disciplines, including Thomas Cahill and Kathryn Kueny, consider individual works of art simultaneously and examine how medieval art is taught in divinity schools, university and college classrooms and museums.

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Learn to maximize your trading power with... OPTION Strategies Find out how options really work with this complete introduction tooptions valuation and trading. In this revised and expandededition, top options expert Courtney Smith details the ins and outsof this lucrative, yet complex, financial instrument. From theworking fundamentals to the most innovative pricing models, OptionStrategies gives you the information you need to make a wise andsuccessful investment. Whether you want to bull up or bear down,buy puts or sell calls, here''s where you''ll find: * Descriptions of option basics: carrying charges, transactioncosts, underlying instruments, and premiums * Details on advanced strategies: bull, bear, and calendar spreads;straddles and strangles; synthetic longs and shorts * Decision Structures that enable you to select an appropriateoptions strategy and evaluate its risks and rewards in variousmarket environments Written in clear, nontechnic

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With its abundant history of prominent families, Massachusetts boasts some of the most historically rich residences in the country. In the eastern half of the Commonwealth, these include Presidents John and John Quincy Adams's home in Quincy, Bronson and Louisa May Alcott's Orchard House in Concord, the Charles Bulfinch - designed Harrison Gray Otis House in Boston, and Edward Gorey's Elephant House in Yarmouth Port.In At Home: Historic Houses of Eastern Massachusetts, Beth Luey uses architectural and genealogical texts, wills, correspondences, and diaries to craft delightful narratives of these notable abodes and the people who variously built, acquired, or renovated them. Filled with vivid details and fresh perspectives that will surprise even the most knowledgeable aficionados, each chapter is short enough to serve as an introduction for a visit to its house. All the homes are open to the public.

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'Fabulously readable' STEPHEN FRY'Brilliantly told, the fascinating life of one of Britain's greatest songwriters' MATT LUCAS'A brilliant, funny, emotional book' DAVID QUANTICKDescribed variously as a 'polymath', a 'renaissance man' and 'one of the most colourful characters in the music business', Mike Batt has led an extraordinarily vibrant and challenging life that has been full of both glorious victories and bitter failures.For better or for worse, he is a man who has always lived life on his own terms. Idiosyncratic but mainstream, complicated but compassionate, steadfastly maverick in spirit but avowedly commercial in outlook. He is a man of great contradictions, but even greater talent.After starting out in the music business as a teenager, Batt shot to fame in the early 1970s for his part in the creation of the Wombles pop group. But this success proved to be just

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Mina Loy was born in London in 1882, became American, and lived variously in New York, Europe, and finally, Aspen, Colorado until she died in 1966. Flamboyant and unapologetically avant-garde, she was a painter, poet, novelist, essayist, manifesto-writer, actress, and dress and lampshade designer. Her life involved an impossible abundance of artistic friends, performance and spectacular adventures in the worlds of Futurism, Christian Science, Feminism, Fashion, and everything modern and modernist. This new account by Mary Ann Caws explores Mina Loy's exceptional life, and features many rare images of Loy and her husband, the swiss writer, poet, artist, boxer and provocateur Arthur Cravan, who disappeared without trace in 1918.

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Historically speaking, theology can be said to operate “materiaphobically.” Protestant Christianity in particular has bestowed upon theology a privilege of the soul over the body and belief over practice, in line with the distinction between a disembodied God and the inanimate world “He” created. Like all other human, social, and natural sciences, religious studies imported these theological dualisms into a purportedly secular modernity, mapping them furthermore onto the distinction between a rational, “enlightened” Europe on the one hand and a variously emotional, “primitive,” and “animist” non-Europe on the other. The “new materialisms” currently coursing through cultural, feminist, political, and queer theories seek to displace human privilege by attending to the agency of matter itself. Far from being passive or inert, they show us that matter acts, creates, destroys, and transforms—and, as such, is more of a process than a thing. Entangled Worlds examines the intersections of religion and new and old materialisms. Calling upon an interdisciplinary throng of scholars in science studies, religious studies, and theology, it assembles a multiplicity of experimental perspectives on materiality: What is matter, how does it materialize, and what sorts of worlds are enacted in its varied entanglements with divinity? While both theology and religious studies have over the past few decades come to prioritize the material contexts and bodily ecologies of more-than-human life, Entangled Worlds sets forth the first multivocal conversation between religious studies, theology, and the body of “the new materialism.” Here disciplines and traditions touch, transgress, and contaminate one another across their several carefully specified contexts. And in the responsiveness of this mutual touching of science, religion, philosophy, and theology, the growing complexity of our entanglements takes on a consistent ethical texture of urgency.

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The figure of the witch is familiar from the work of early modern German, Dutch, and Flemish artists, but much less so in the work of their Italian counterparts. Art and Witchcraft in Early Modern Italy seeks to explore the ways in which representations of witchcraft emerged from and coincided with the main cultural currents and artistic climate of an epoch chiefly celebrated for its humanistic and rational approaches. Through an in-depth examination of a panoply of arresting paintings, engravings, and drawings—variously portraying a hag-ridden colossal phallus, a horror-stricken necromancer dodging the devil’s scrabbling claws, and a nocturnal procession presided over by an infanticidal crone—Guy Tal offers new ways of reading witchcraft images through and beyond conventional iconography. Artists such as Parmigianino, Alessandro Allori, Leonello Spada, and Angelo Caroselli effected visual commentaries on demonological notions that engaged their audience in a tantalizing experience of interpretation.

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This book reveals and interprets the rich diversity of turn-of-the-twentieth-century Chinese approaches to their own past and the modern West through the lens of the woman question. Writers and activists who engaged in debates over this question variously appropriated biographies of women—a genre with a 2,000-year history in China and a new political salience in the early twentieth century. Judge maps the ways these individuals used historical Chinese and modern Western women's biographies to promote competing visions of female virtue, talent, and heroism, and, ultimately, to advance competing evaluations of China's ritual teachings, cultural heritage, and national future. She concludes by applying the hermeneutics of historical change she develops for the turn of the twentieth century to the turn of the twenty-first century, as women's issues continue to foreground Chinese conceptions of the past, the West, and the nation.

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Making Place for Muslims in Contemporary India looks at how religion provides an arena to make place and challenge the majoritarian, exclusionary, and introverted tendencies of contemporary India. Places do not simply exist. They are made and remade by the acts of individuals and communities at particular historical moments. In India today, the place for Muslims is shrinking as the revanchist Hindu Right increasingly realizes its vision of a Hindu nation. Religion enables Muslims to re-envision India as a different kind of place, one to which they unquestionably belong. Analyzing the religious narratives, practices, and constructions of religious subjectivity of diverse groups of Muslims in Old Delhi, Kalyani Devaki Menon reveals the ways in which Muslims variously contest the insular and singular understandings of nation that dominate the sociopolitical landscape of the country and make place for themselves. Menon shows how religion is concerned not just with the divine and transcendental but also with the anxieties and aspirations of people living amid violence, exclusion, and differential citizenship. Ultimately, Making Place for Muslims in Contemporary India allows us to understand religious acts, narratives, and constructions of self and belonging as material forces, as forms of the political that can make room for individuals, communities, and alternative imaginings in a world besieged by increasingly xenophobic understandings of nation and place.

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Making Place for Muslims in Contemporary India looks at how religion provides an arena to make place and challenge the majoritarian, exclusionary, and introverted tendencies of contemporary India. Places do not simply exist. They are made and remade by the acts of individuals and communities at particular historical moments. In India today, the place for Muslims is shrinking as the revanchist Hindu Right increasingly realizes its vision of a Hindu nation. Religion enables Muslims to re-envision India as a different kind of place, one to which they unquestionably belong. Analyzing the religious narratives, practices, and constructions of religious subjectivity of diverse groups of Muslims in Old Delhi, Kalyani Devaki Menon reveals the ways in which Muslims variously contest the insular and singular understandings of nation that dominate the sociopolitical landscape of the country and make place for themselves. Menon shows how religion is concerned not just with the divine and transcendental but also with the anxieties and aspirations of people living amid violence, exclusion, and differential citizenship. Ultimately, Making Place for Muslims in Contemporary India allows us to understand religious acts, narratives, and constructions of self and belonging as material forces, as forms of the political that can make room for individuals, communities, and alternative imaginings in a world besieged by increasingly xenophobic understandings of nation and place.

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In contemporary debates, communication is variously invoked as a panacea for the problems of both democracy and love, as a dream of a new information society brought about by new technologies, and as a wistful ideal of human relations. How, and why, did communication come to shoulder the load it carries? In John Durham Peters's work, the teachings of Socrates and Jesus, the theology of Saint Augustine, the political philosophy of Locke, and the American tradition from Emerson through William James all become relevant for understanding communication in our age. Peters finds that thinkers across the centuries have struggled with the same questions - how we can hope for contact with others, what has become of human beings in increasingly technological times, how new modes of communication have altered the ways the world is imagined and how we relate to others - and he weaves intellectual history and communications history together. The book traces the yearning for contact not only through philosophy and literature but also by exploring the cultural reception of communication technologies from the telegraph to the radio. The history of communication, Peters shows, is not a triumphant progress toward global harmony but rather a collection of uncanny devices that conjure angels, spirits and alien intelligences. His is an account of a complex concept that has both shaped us and been shaped by us.

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Gene Therapy Technologies, Applications and Regulations From Laboratory to Clinic Edited by Anthony Meager Division of Immunobiology, The National Institute for Biological Standards and Control, South Mimms, UK The development of gene-based technologies has been rapid over the past decade and has consequently resulted in a surge of interest in human gene therapy, the deliberate transfer of genes to somatic cells to cure or alleviate disease symptoms. Hundreds of clinical protocols involving variously designed vectors for efficient gene transfer have been developed. However, the use of such complex 'gene medicines' containing potentially heritable genes has raised numerous concerns regarding quality, efficacy and safety. Encompassing recent developments in the field and addressing current concerns this book: * surveys many of the current technologies for preparing vectors for use in gene therapy protocols * reviews the application of gene-mediated therapies to a range of medical conditions * considers the regulatory aspects of gene therapy including product quality and safety requirements * appraises the transfer of technologies from laboratory to clinic with regard to the attendant requirements and facilities for: * good laboratory practice (GLP) conditions in the R&D laboratory * large-scale production methods and good manufacturing practice (GMP) * current in-process and final product testing Written by international experts knowledgeable about many aspects of human somatic gene therapy, this book will be an essential guide for those embarking on gene therapy technologies relevant to specifications of production and testing of products (and procedures) required to meet existing regulations, including quality, efficacy and safety considerations.

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Leadership is a slippery concept. Researchers disagree on its essence, describing it variously as behaviours, character traits or styles. Effective leaders understand that we make meaning of our experiences by creating stories we believe to be true, but which are largely based on fragmentary evidence filtered through our biases, beliefs and dispositions. Rewriting Leadership with Narrative Intelligence draws on a range of disciplines and scholarly traditions to build a compelling case for a new perspective on leadership, seeing it as a deeply embodied, intuitive skill of curating shared narratives, in influence relationships. Defining narrative intelligence as 'our ability to evaluate the efficacy of the stories we create to serve our needs, our capacity to rewrite them, and the practical skill to take effective action', this book methodically outlines how leaders cultivate their own narrative intelligence to: Become the person they seek to be by aligning narratives and core values with actions Navigate through the challenging leadership space of populism and the erosion of traditional values Ethically curate the narrative others hold of them Strengthen self-efficacy, take more effective actions, and avoid stories which inadvertently undermine goals Communicate with trust and influence Build energy and alignment within teams by generating shared narratives Cultivate a culture of narrative intelligence This book will prepare leaders to reshape their own and others' stories to be more aligned with achieving goals and wellbeing. It will prove a useful resource to undergraduates and post-graduates in courses on leadership and management, as well as organizational development consultants and senior executives.

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Body Matters approaches the material world directly; it seeks to remind people that they are the matter of their bodies. This volume offers an assortment of contributions from anthropology, archaeology and medieval studies, with case studies from northern Europe, the Near East, East Africa and Amazonia, which variously draw attention to the multiple shifting materials that comprise, impact upon and co-create human bodies. This lively collection foregrounds myriad material influences interacting with and shaping the human body; the chapters come together to illustrate the fundamental fleshy, bony, suppurating, leaky and oozing physicality of being human. Ultimately, by reminding readers of their indisputable materiality, Body Matters seeks to draw people and the rest of the material world together to illustrate that bodies not only seep into (and are part of) the landscape, but equally that people and the material world are inextricably co-constitutive.

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Focusing on a single Malian textile identified variously as bogolanfini, bogolan, or mudcloth, Victoria L. Rovine traces the dramatic technical and stylistic innovations that have transformed the cloth from its village origins into a symbol of new internationalism. Rovine shows how the biography of this uniquely African textile reveals much about contemporary culture in urban Africa and about the global markets in which African art circulates. Bogolan has become a symbol of national and ethnic identities, an element of contemporary, urban fashion, and a lucrative product in tourist art markets. At the heart of this beautifully illustrated book are the artists, changing notions of tradition, nationalism, and the value of cloth making and marketing on a worldwide scale.

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Taking an interdisciplinary approach that looks at film, television, and commercial advertisements as well as more traditional media such as painting, The Tiger in the Smoke provides an unprecedented analysis of the art and culture of post-war Britain. Art historian Lynda Nead presents fascinating insights into how the Great Fogs of the 1950s influenced the newfound fashion for atmospheric cinematic effects. She also discusses how the widespread use of color in advertisements was part of an increased ideological awareness of racial differences. Tracing the parallel ways that different media developed new methods of creating images that variously harkened back to Victorian ideals, agitated for modern innovations, or redefined domesticity, this book’s broad purview gives a complete picture of how the visual culture of post-war Britain expressed the concerns of a society that was struggling to forge a new identity. Published in association with the Paul Mellon Centre for Studies in British Art

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African cultural productions of humour have increased even in the face of myriad economic foibles and social upheavals. For instance, from the 1990s, stand-up comedy emerged across the continent and has maintained a pervasive presence since then. Its specificities are related to contemporary economic and political contexts and are also drawn from its pre-colonial history, that of joking forms and relationships, and orality. Izuu Nwankwá's fascinating collected volume offers a transnational appraisal of this unique art form spanning different nations of the continent and its diasporas. The book engages variously with jokesters, their materials, the mediums of dissemination, and the cultural value(s) and relevance of their stage work, encompassing the form and content of the practice. Its ruling theoretical perspective comes from theatre and performance, cultural studies, linguistics, and literary studies.

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The Politics of Vietnamese Craft uncovers a little-known chapter in the history of American cultural diplomacy, in which Vietnamese craft production was encouraged and shaped by the US State Department as an object for consumption by middle class America.Jennifer Way explores how American business and commerce, department stores, the art world and national museums variously guided the marketing and meanings of Vietnamese craft in order to advance American diplomatic and domestic interests. Conversely, American uses of Vietnamese craft provide an example of how the United States aimed to absorb post-colonial South Vietnam into the ''Free World'', in a Cold War context of American anxiety about communism spreading throughout Southeast Asia. Way focuses in particular on the part played by the renowned American designer Russel Wright, contracted by the US International Cooperation Administration's aid programs for South Vietnam to survey the craft industry in South Vietnam and mana

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Early Anglo-Saxon Christian Reliquaries presents a corpus and discussion of a group of Anglo-Saxon copper-alloy containers dating to the seventh and possibly eighth centuries, and variously described as work boxes, needle cases, amulet containers or Christian reliquaries. Seventy-one boxes, some incomplete or fragmentary, have been recorded from forty-nine sites across Anglo-Saxon England. A typology, material specification, drawings, design and construction principles are provided, and a nomenclature applicable to these containers is outlined. Catalogue entries give details of site location, description, decorative features and references. Three box types are identified, and a concluding discussion suggests that boxes of Types I and II had a Christian function and should be considered as reliquaries. Type III boxes had a secular function, and their purpose remains enigmatic.

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A city with a reputation to maintain, Melbourne is famous variously for being Australia’s coffee capital, the Europe of Australia and consistently ranked amongst the top most liveable cities in the world. CultureShock! Melbourne takes both long- and short-term residents through the city’s inner workings. The city offers world-class urban landscapes and experiences, spiced with a uniquely Melburnian spirit: a stroll along the Yarra River surrounded by a glittering skyline and artisanal sandwich in hand, top-drawer entertainment, restaurants helmed by celebrity chefs, or even a simple breakfast of toast with smashed avo’ and a flat white at a legendary café along a boulevard. Get the most out of your stay in Melbourne with this essential guide to one of the jazziest, most cosmopolitan cities in the world.

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Romany Gypsies have been variously portrayed as exotic strangers or as crude, violent delinquents; this book is the first real history of the Romany people, from the inside. Jeremy Harte vividly portrays the hardships of the travelling life, the skills of woodland crafts, the colourful artistic traditions, the mysteries of a lost language and the flamboyant displays of weddings and funerals, which are all still present in this secretive culture. Travellers through Time tells the dramatic story of life on the margin of society from Tudor times to today, offering vivid insights into the hidden world of England’s large Gypsy population. It will appeal to those who are curious about other cultures, as well as those who want to understand the reality behind the prejudice.

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Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) The ICC Berlin is a Gesamtkunstwerk, a giant time capsule that has been waiting for a new usage concept for almost a decade. Planned in the 1960s and opened in 1979, the exhibition building—designed by Ursulina Schüler-Witte and Ralf Schüler, and encompassing Frank Oehring’s incomparable wayfinding system—remains an attentiongrabbing structure. While the building’s brutalist exterior overwhelms the viewer, its interior conveys an air of calm, offering a view of the suddenly quieted traffic through its panoramic windows. This volume of photographs by Zara Pfeifer is dedicated to documenting the interior of the building. Taking an unsentimental approach, Pfeifer records the largely unchanged inner appearance of the building that has been variously dubbed the Giant of Witzleben, the Battleship Charlottenburg, or the Hall of Megalomania. Her images develop a sense for the building’s noteworthy elements and capture the liminal condition in which it has been suspended for years.

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The Elephantine texts have been variously studied, mainly with respect to their impact on Jewish history. But these texts have more to offer, particularly in relation to the history of women. Annalisa Azzoni, in The Private Lives of Women in Persian Egypt, delves deeply into these texts, examining these Egyptian Aramaic documents in order to make public the lives of women, including their social status, their economic activities, and their private lives. Azzoni recovers the lives of everyday women, allowing them to take their place in the larger context of women in the ancient Near East.Challenging any oversimplification about the lives of ancient women, Azzoni painstakingly examines legal documents, administrative texts, and letters. The archives provide a wealth of data in terms of legal and economic status as well as position in the community. Three women receive particular attention in this study: the wealthy Judean Mipṭaḥiah, the Egyptian slave Tamut, and Yehoyismaʿ, Tamut’s manumitted daughter.

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For more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy. This group of essays, many concerning previously unknown or unexplored works and materials, covers the 16th and early to mid 17th centuries. The studies involve variously 'new' compositions, music manuscripts and editions, and documents that relate to figures such as the Italians Giovanni Gabrieli, Claudio Monteverdi and Alfonso Ferrabosco the Elder, the Germans Hans Leo Hassler and Adam Gumpelzhaimer, as well as the Englishmen John Coprario, John Dowland, John Jenkins, Henry Lawes, William Lawes, Peter Philips, and the French composer Marin Marais. In addition, Charteris elucidates contemporary performance practice in relation to works by Gabrieli, investigates printed music editions that originated from the Church of St Anna, Augsburg, and evaluates materials in collections, inlcuding ones in Berlin, Hamburg, Kraków, London, Regensburg and Warsaw.

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Twentieth-Century Women's Writing in Wales documents Welsh women's writing in both Welsh and English in the twentieth century. It identifies a distinctive female literary tradition in which Wales is represented as a 'different country' by its modern women writers; a country in which both Welshness and womanhood are variously lived and performed. This volume is arranged chronologically and deals with a wide range of literary genres, including the short story; the novel; poetry; autobiography, travel writing and drama. It affords long-overdue serious critical attention to the works of early twentieth-century women writers - from the comical short stories of Jane Ann Jones to the powerful naturalist novels of Elena Puw Morgan and free-thinking 'New Woman' Bertha Thomas - while also dealing with better-known literary figures such as Kate Roberts and Gillian Clarke. This pioneering study of twentieth-century writing by Welsh women provides a much-needed alternative literary history to the stereotypical land of male bards.

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A gripping account of the Wars of the Roses battle of Towton - the most brutal day in English history.'Vivid, humane and superbly researched' David Starkey'The story has never been told so well or so excitingly' Desmond SewardThe Battle of Towton in 1461 was unique in its ferocity and brutality, as the armies of two kings of England engaged with murderous weaponry and in appalling conditions to conclude the first War of the Roses. Variously described as the largest, longest and bloodiest battle on English soil, Towton was fought with little chance of escape and none of surrender. Fatal Colours includes a cast of strong and compelling characters: a warrior queen, a ruthless king-making earl, even a papal legate who excommunicates an entire army.Combining medieval sources and modern scholarship, George Goodwin colourfully recreates the atmosphere of 15th century England and chronicles the vicious in-fighting as the increasingly embittered royal factions struggle for supremacy.

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The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, assemblage is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on the concept's uses, transpositions, and appropriations in the arts, bringing together the voices of artists and philosophers that have been working on and with this topic for many years with those of emerging scholar-practitioners. The volume embraces exciting new and reconceived artistic practices that discuss and challenge existing assemblages, propose new practices within given assemblages, and seek to invent totally unprecedented assemblages. Contributors: Gareth Abrahams (University of Liverpool), Katarina Andjelkovic (Atelier AG Andjelkovic, Belgrade), Ian Buchanan (University of Wollongong), Edward Campbell (University of Aberdeen), Iain Campbell (University of Edinburgh), Paul Dolan (Northumbria University, ), Guy Dubious (Independent sound artist, Tel-Aviv), Vanessa Farfan (Independent artist, Berlin), Silvio Ferraz (University of Sao Paulo), Jose Gil (Nova University of Lisbon), Barbara Glowczewski (National Scientific Research Centre, CNRS), Derek Hales and Spencer Roberts (University of Salford / University of Huddersfield), Yuk Hui (Bauhaus University, Weimar), Jan Jagodzinski (University of Alberta), Niall Dermot Kennedy (Trinity College Dublin), George Lewis (Columbia University), Quirijn Menken (Avans University of Applied Sciences), Thomas Nail (University of Denver), Tero Nauha and Llona Hongisto (University of the Arts Helsinki / Macquarie University), Alex Nowitz (Stockholm University of the Arts), Peter Pal Pelbart (Pontifical Catholic University of Sao Paulo), Anne Sauvagnargues (University of Paris Ouest Nanterre La Defense), David Savat (University of Western Australia), Chris Stover (Arizona State University)

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‘You can only find out the rights and wrongs by Reasoning – never by being rude about your opponent’s psychology.’ For C. S. Lewis, reason and logic are the sensible way to approach faith and ethics. Much of the 20th century’s ills are caused by ill-founded beliefs and opinions. Lewis’s original approach remains as vital today as ever. He is able to take the most convoluted subject, turn it side on and shed bright illumination on it. To be able to see along things rather than at them – just like a beam of sunlight that invades the darkness of a toolshed – is, to Lewis, the way to understanding. Written variously between 1940 and 1962, this collection of essays represents the best of Lewis’s considerable wisdom on the great ethical and theological concerns of the day.

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The Upadesasahasri or Thousand Teachings of the great eighth-century sage Adi Shankaracharya is a distillation of the ancient Upanishads, intended for use by teachers and seekers in the Hindu tradition of Advaita Vedanta. It has been variously interpreted as a major theological treatise, an elevated philosophical exposition, or a guidebook to mystical experience. Liturgy of Liberation offers a fresh reading and commentary on the Upadesasahasri in terms of oral performance and sacramental practice, placing its sacred, scripted dialogues into conversation with the Apostle Paul and other witnesses from the Christian tradition. What results is not merely new appreciation for Shankara and his radical message of non-duality, but also a renewed sense of the scandal of the cross, the subversive power of the word, and the mystery of Christian discipleship. Beyond this, Liturgy of Liberation explores the potential of dialogue itself to disclose the intimate, liberating presence of God at the heart of creation and the core of every human being.

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Winner, J.M. Abraham Atlantic Poetry AwardIn this experimental long poem sequence, Alyda Faber transforms the portrait poem into runic shapes, ice shelved, sculpted, louvered on a winter shoreline. Twenty years after her mother’s death, Faber untethers herself from the mother she thinks she knows with wild analogies: depicting her mother variously as King Lear’s Kent, a Camperdown elm, a black-capped chickadee, Neil Peart, Pope Innocent X, and a funnel spider. While embodying the passionate relationship between mother and daughter, Faber’s poems also expose the thorn in the flesh — the inability of mother and daughter to give each other what they most want to give. Endlessly discovered, yet ultimately unknowable, the poet’s mother is complex, mystifying, and unwavering: courageous in her decision to leave all that she knew behind; bewildering in her fidelity to a damaging marriage; steadfast in her devotion to a God who is at once adamant and the source of ephemeral beauty.

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From the very beginning, Carmen Cicero made an impression in the art world. He joined the acclaimed Periodot Gallery on Madison Avenue in New York in 1957 and by 1965, Cicero had won two Guggenheim Memorial Foundation Fellowships and a Ford Foundation prize, and was in important exhibitions at such venues as the Solomon R. Guggenheim Museum, the Museum of Modern Art, and the Whitney Museum of American Art. After a fire destroyed his studio and a large body of his work in 1971, Cicero returned to figurative expressionism in the later 1970s before embarking on a new approach to his work in the late 1980s: A kind of expression difficult to define and variously termed by critics as "fantasy," "mystery," "surrealism" and "visionary." These works produce a peculiar atmosphere, a strange, enigmatic spell—images that linger in the unconscious mind. Filled with beautiful pieces—watercolors, paintings, drawings, and collages—this fine book offers an expansive survey of the life work of Carmen Cicero.

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Carmen Boullosa’s Cleopatra Dismounts tells three versions of the life of Cleopatra. In the first sequence, Marc Antony had just disemboweled himself, knowing they had lost the war against Octavian and believing that Cleopatra was dead. Hugging his corpse, Cleopatra castigates Octavian and history for its betrayal of her, recalling variously how she had herself delivered to Caesar in a roll of carpet, and bore his child (Caesarion); the twins and third child she bore to Marc Antony; the bitterness of the recent military defeat. At this point Diomedes, variously described as an informer and her official chronicler, intercedes, admitting that this version of the story is not true to the brilliant, accomplished woman who was the true Cleopatra really was. Telling of how he betrayed Cleopatra, by altering the histories of her reign and allowing Caesar and others to destroy or change her scrolls, he begins again with the story of Cleopatra’s flight from Pompey (the Roman leader who was placed in charge of Cleopatra and her brothers and sisters after Ptolemy Auletes, her father and ruler of Egypt, died). The girl queen (Cleopatra inherited the throne as a teenager) sneaks with several faithful servants out of the palace into a wagon, accompanied by a group of brightly costumed gladiators, on her way to Ascalon. She and her supporters carve the words “Queen of Kings” (Cleopatra’s motto in real history) into the boards of the wagon in which she is traveling, and leave it behind when they reach Rome. When they are beset by pirates, Cleopatra stages an elaborate show using some costumes the young gladiator Apollodorus, who has become part of her retinue, helped her buy. She convinces the pirates that she is Isis (a myth which was in reality part of her statecraft). She makes an alliance with them and is taken in peace to Cilicia. The third and longest version of the Cleopatra story is a delightful interlude in which Cleopatra goes live with the Amazons. Cleopatra is at war with the Ruling Council of her husband and brother Ptolemy (she was, historically, forced to marry her brother because she could not rule alone as a woman). The Ruling Council has sent an envoy to summon her to Alexandria to make peace, but when she realizes it is a trap, she flees with her retinue. She arrives in Pelusium, a trade center on the Mediterranean, where many merchants have been stranded by bad weather, and where, as if by magic, she sees a replica of the cart, carved with the words “Queen of Kings,” she left behind in Rome. Chased by the “reception committee” of the Ruling Council, she escapes on the back of a magical bull. He carries her across the Mediterranean to the land of the Amazons, who take her in. The Amazons welcome her into their society of women, eschewing marriage and traditional female roles to live as warriors and hunters. They sing her the stories of their joining the Amazons and of the many myths that surround them. She meets a group of aged poets, kidnapped by the Amazons to write verses for them, because they love poetry and music. She learns that one Amazon, Orthea, is in love with a god who has the power of extreme heat and cold, and who caused an earthquake that day. The Amazons go to bed, falling into each other’s arms and making love. Though initially disgusted, eventually Cleopatra falls asleep in the protective (and erotic) embrace of Hippolyta, the Amazons’ queen. The next day, the Amazons go to battle a group of rebellious male warriors who charge the Amazons and seek, ultimately, to follow the Sirens. Charging them on their horses, driving cattle at them, the Amazons battle the men. One of their prized poets, however, in an act of suicide, surrenders himself to the Sirens, who devour him before everyone. This breaks the spell and the men cease their clamoring to get to the Sirens. Cleopatra sees Orthea consummating her passion for the god, which kills her. The Cyrene male warriors, who withstood the Sirens’ onslaught in their fort by plugging the windows with rocks and mud, invite Cleopatra and the Amazons to their court to celebrate their successful protection of so many men. Hippolyta declines but sends Cleopatra with her blessing. Once there, she is joyfully reunited with the gladiator Apollodorus and her faithful maidservant and right hand Charmian. The Cyrenes offer to ally with her against her enemies in Ptolemy’s Ruling Council. The alliance between Cleopatra and Caesar (wherein she was smuggled to him rolled up in a carpet, and he assisted her in defeating her enemies in Egypt, part of history) is presaged. At the close of the piece, Cleopatra returns to bid goodbye to the Amazons. She finds them naked, covered in blood, having just sacrificed a horse. Hippolyta is holding the horse’s castrated penis. She repudiates her earlier alliance with the Amazons and returns to Cyrene alone, to her military campaign to become the queen history knows.

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An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched. The world-famous French singer Édith Piaf (1915-63) was never just a singer. Dozens of biographies of her, of variable quality, have seldom got beyond the well known and usually contested ‘facts’ of her life. This book suggests new ways of understanding her. A ‘cultural history’ of Piaf means exploring her cultural, social and political significance as a national and international icon, looking at her shifting meanings over time, at home and abroad. How did she become a star and a myth? What did she come to mean in life and in death? At the centenary of her birth and more than fifty years after her passing, why do we still remember her work and commemorate her through the work of others, from Claude Nougaro and Elton John to Ben Harper and Zaz, as well as in films, musicals, documentaries and tribute acts around the world? What does she mean today? The book proposes the notion of an imagined Piaf. To a large extent, she was her own invention, not only by virtue of her talent but because she produced narratives about herself, building a mystery. But she was also the invention of others: of those she worked with but above all of her audiences, who made their own meanings from her carefully staged performances. Since her death, the world has been free to imagine new Piafs. From the 1930s until today, she has variously embodied conceptions of the ‘popular’ and of ‘chanson’ as a new kind of middlebrow, of gender, sexuality, national identity and the human condition.

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How was the remote past of Britain imagined in the eighteenth and nineteenth centuries? What part did the visual arts play in that process? In this book Sam Smiles argues that the ancient Britain of the romantic imagination was a contested world, variously seen as a noble epoch of wisdom and patriotism and as a period of unredeemed savagery and barbarism. The arts, says Smiles, not only reflected these historical debates but actively contributed to them by attempting to bring the archaic past to life.Smiles examines the interplay of antiquarian research, historiography, and the visual arts in constructing an image of Britain from prehistoric times to the arrival of the Saxons. He discusses such topics as the lengthening of prehistoric time in the contemporary view, the status of antiquarian learning, and the celebration of ancestral peoples as an offshoot of the growing sense of national identity. He describes the Celtic revival during the late eighteenth century, with its iconography that fashioned a pictorial repertoire for megaliths, bards, Druids, and the patriotic leaders Boadicea and Caractacus, who fought off the Romans. He also explains why the Victorians downgraded the Celts and replaced them with the Saxons, preferred by Victorians because they were Christians, because they were English (rather than British), and because they had established organized kingdoms. Illustrated with images from a wide range of sources, this is the first major interdisciplinary examination of the British image of antiquity that has a particular significance for art historians and historians alike. Published for the Paul Mellon Centre for Studies in British ArtPublished for the Paul Mellon Center for Studies in British Art

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While many young designers perceive a design studio to be little more than a table and computer, the majority of businesses consider the physical locale and architectural surroundings of a firm to be as important as the work that is produced. Design Firms Open for Business is a firsthand look inside studios and offices, both large and small, from all over the world. The inner workings of more than 40 different-sized and variously focused design establishments are explored, offering keen insights into firms working on everything from two- to three-dimensional projects. Designers reveal their thinking about a broad spectrum of important issues, ranging from the names they selected to the underlying philosophy of their practices to the business models they employ. Profusely illustrated with photos of both specific work and working environments, this book provides a unique blend of analysis and biography rolled into one. Each firm is placed in the spotlight, providing an array of successful models to consider by those who are looking to start their own ventures and by those experienced professionals looking for fresh ideas.

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Variously described as ‘the average pilgrim’, a ‘wanderer’, and ‘a Buddha preaching in European clothes’, Charlie Marlow is the voice behind Joseph Conrad’s ‘Youth’ (1898), Heart of Darkness (1899), Lord Jim (1900) and Chance (1912). Conrad’s Marlow offers a comprehensive account and critical analysis of one of Conrad’s most celebrated creations, asking both who and what is Marlow: a character or a narrator, a biographer or an autobiographical screen, a messenger or an interpreter, a bearer of truth or a misguided liar?Reading Conrad’s fiction alongside the work of Walter Benjamin, Maurice Blanchot, Jacques Derrida and Martin Heidegger, and offering an investigation into the connection between narrative and death, this book argues that Marlow’s essence is located in his liminality – in his constantly shifting position – and that the emergence of meaning in his stories is at all points bound up with the process of his storytelling.

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