Search results for ""Author Various"

The monochrome - a single-colour work of art - is highly ambiguous. For some it epitomizes purity, and is art reduced to its essence. For others it is just a stunt, the emperor's new clothes. Why are monochromes so admired, yet such an easy target of scorn? In this illuminating book Simon Morley unpacks the meanings of the monochrome as it developed internationally over the twentieth century to today. In doing so he explores more general questions such as how artists have understood what they make, how critics variously interpret it and how art is encountered by viewers.

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With an emphasis on peer–produced content and collaboration, Wikipedia exemplifies a departure from traditional management and organizational models. This iconic "project" has been variously characterized as a hive mind and an information revolution, attracting millions of new users even as it has been denigrated as anarchic and plagued by misinformation. Have Wikipedia's structure and inner workings promoted its astonishing growth and enduring public relevance? In Common Knowledge?, Dariusz Jemielniak draws on his academic expertise and years of active participation within the Wikipedia community to take readers inside the site, illuminating how it functions and deconstructing its distinctive organization. Against a backdrop of misconceptions about its governance, authenticity, and accessibility, Jemielniak delivers the first ethnography of Wikipedia, revealing that it is not entirely at the mercy of the public: instead, it balances open access and power with a unique bureaucracy that takes a page from traditional organizational forms. Along the way, Jemielniak incorporates fascinating cases that highlight the tug of war among the participants as they forge ahead in this pioneering environment.

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The Christian confession that Jesus Christ descended into hell has been variously misunderstood or simply neglected by the Church and dogmatic theology. This work is a significant retort to dogmatic forgetfulness and ecclesial misunderstanding. It succeeds in doing so by offering a close reading and critical analysis of Karl Barth's treatment of the descent into hell and its relation to his extraordinary theology of the atonement. The reach of David Lauber's work is extended by placing Barth in conversation with Hans Urs von Balthasar's innovative theology of Holy Saturday. In revealing and unexpected ways, this book casts light upon the ecumenical breadth of Barth's theology. It is a valuable interpretation of significant facets of Barth's doctrine of God, reflection upon the passion of Jesus Christ, and ethics. In addition, Lauber offers a constructive theological proposal for how the descent into hell affects the theological interpretation of Scripture, the trinitarian being and activity of God, and the non-violent and authentic shape of Christian life and witness before our enemies.

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Leading architect E.J. Lennox designed Casa Loma for the flamboyant Sir Henry Pellatt and Mary, Lady Pellatt as an enormous castellated mansion that overlooked the booming metropolis of Toronto. The first scholarly book dedicated to this Canadian landmark, Casa Loma situates the famous “house on the hill” within Toronto’s architectural, urban, and cultural history.Casa Loma was not only an outsized home for the self-appointed “Lord Toronto” but a statement of Canada’s association with empire, an assertion of the country’s British legacy. During and after the Pellatts’ occupation, Casa Loma was a major landmark, and it has since infiltrated the iconography and collective memory of the metropolis. The reception of Casa Loma, variously loved and abhorred by Torontonians, reflects many of Toronto’s major aspirations and anxieties about itself as a modern city. Across ten chapters, this book charts the history of Casa Loma from the purchase of the estate atop Davenport Ridge in 1903 and its construction from 1906, through to its sale and the dispersal of its contents in 1924, its subsequent life as a hotel, and finally its transformation into one of the city’s major entertainment venues.Casa Loma brings to light a wealth of hitherto unpublished archival images and documentation of the house’s visual and material culture, weaving together a textured account of the design, use, and life of this unique building over the course of the twentieth century.

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The stories in this collection draw variously on the themes of love and loss, Taoist metaphors, socio-political concerns, and the writer's place and role in the world. Literary and complex yet accessible and fast-paced, each story differs widely in style, motivation, philosophy, and denouement from all the others. The collection encompasses topographies and places from China to France, and Ireland to India.

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"InUprising, Dean Urdahl has crafted a story about Min­nesota's 'war within a war' in the Minnesota River Valley during the autumn of 1862. His saga is enriched by unfolding . . . on an even broader background beginning with the bloody battle of Shiloh in the spring of 1862 and carrying his main character, Nathan Thomas, from there to Minnesota where he participates in an extraordinary number of adventures during the six-week ethnic earthquake variously known as the Sioux Uprising, the Dakota Conflict, and the Dakota War. In casting Nathan as his central figure and relating him to the two theaters of conflict during the great battles of Second Manassas, Antietam, Corinth, and others in the East . . . he adds meaning and depth to the power of his story.Steeped in the history and lore of the area in which he lives and knows well, Urdahl has given us an absorbing story about human tragedy, heroism, and survival by ordinary folks on a grand scale during a clash of cultures whose legacy still lives with us today." -Russell Fridley, Past executive director of the Minnesota Historical Society

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From 1987 to 1995, Bristol, England’s Sarah Records was a modest underground success and, for the most part, a critical laughingstock in its native country—sneeringly dismissed as the sad, final repository for a fringe style of music (variously referred to as “indie-pop,” “C86,” “cutie” and “twee”) whose moment had passed. Yet now, more than 20 years after its founders symbolically “destroyed” it, Sarah is among the most passionately fetishized record labels of all time. Its rare releases command hundreds of dollars, devotees around the world hungrily seek out any information they can find about its poorly documented history, and young musicians—some of them not yet born when Sarah shut down—claim its bands (such as Blueboy, the Field Mice, Heavenly, and the Wake) as major influences. Featuring dozens of exclusive interviews with the music-makers, producers, writers and assorted eyewitnesses who played a part in Sarah’s eight-year odyssey, Popkiss: The Life and Afterlife of Sarah Records is the first authorised biography of an unlikely cult legend.

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Bernado Provenzano, head of the Sicilian mafia, is Italy's most notorious criminal. But despite apparent sightings all over Europe, for 43 years he eluded the police, until, on 11 April 2006, a crack police team broke into a tiny shepherd's hut in the mountains above Corleone. At last they were able to capture Provenzano, just a few miles from his home. A master of reinvention, he has been known variously as the Tractor, the Accountant, Uncle Bernie and even the Axe Man. He took over Cosa Nostra when it was on its knees, after the carnage of an all-out war with the state, and restored its power by going underground and infiltrating business, law and politics at the highest levels. In prison his human side emerged when his sole request was to marry his devoted companion, Saveria, who stood by him through years on the run. Provenzano's story is one of passion and betrayal, told by the investigators who tracked him down, the spies who worked for him, the officers who arrested him and his consigliere at the heart of Cosa Nostra.

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'In this book are bits and pieces of dreams, lives, experiences, and vistas, like squares cut from old cloth and assembled into a crazy quilt of writing styles and forms. The patchwork design mirrors both the complexity of the chroniclers and the stark lines and angles of the American frontier' - Susan Cummins Miller, from the introduction. In this anthology of thirty-four writers who published during the settlement years of the American frontier, Miller assembles nonfiction, fiction, poetry, and occasional writings from women of Anglo, Chinese, Hispanic, and Native American ethnicity. Variously addressing such themes as isolation, drudgery, friendship, mourning, and even mysticism, these writers offer up a different frontier, one that focuses on womens experiences as much as mens. In brief biographical and historical introductions to each writer, Miller shares insights and context as engaging as the selections themselves.

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This double volume contains two masterpieces of the Czech composer Leoš Janácek. Jenufa was the opera which finally brought him international recognition – and, with it, fame at home. Based on Ostrovsky’s The Storm, Katya Kabanova contains wonderful music inspired by the composer’s love for a much younger woman. The scores are discussed by Arnold Whittall, and the background sources are variously introduced by social and literary historians. John Tyrell comments on an important letter about the genesis of Katya; Sir Charles Mackerras describes his work as an interpreter and advocate of this brilliantly original and dramatic music. Contents: A National Composer Jaroslav Krejci; Drama into Libretto, Karel Brusak; The Challenge from Within: Janácek’s Musico-dramatic Mastery, Arnold Whittall; Janácek and Czech Realism, Jan Smaczny; Jenufa: Libretto by Leoš Janácek; Jenufa: English translation by Otakar Kraus and Edward Downes; A Russian Heart of Darkness, Alex de Jonge; Janácek’s forgotten commentary on ‘Katya Kabanova’, John Tyrrell; Katya Kabanova: Libretto by Leoš Janácek; Katya Kabanova: English translation by Norman Tucker; Janácek’s Operas – Preparation and Performance, Charles Mackerras

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In 1940s occupied Paris, Jean Dubuffet began to champion a progressive vision for art; one that rejected classical notions of beauty in favor of a more visceral aesthetic. Taking a pioneering approach to materiality and technique, the artist variously blended paint with sand, glass, tar, coal dust and string. At the same time, he began to assemble a collection of art brut—work that was made outside the academic tradition of fine art— even visiting psychiatric wards from 1945 to collect work by patients. This book features texts from leading scholars and is accompanied by images that illuminate Dubuffet’s attempts to move beyond the artistic expectations of his time. The works are grouped into six thematic sections that focus on specific series, from his graffiti-inspired “Walls” and his notorious portrait series, “People are Much More Beautiful Than They Think” to the “Corps de dames”, a controversial series of “female” landscapes, and his anthropomorphic sculptures, “Little Statues of Precarious Life.” Exquisitely produced, this celebration of Dubuffet’s work embraces his world view that art is for everyone, not just the elite.

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They range from theMull of Galloway to Shetland, and from sea level to the country's highestmountains. 349 Views of Scotland isa comprehensive and intriguing listing of these indicators, providinginformation about their physical description, designer, date and the varioustrusts, groups, councils, etc. that built them. Thirty-two maps show where theindicators are located and there are over 130 photographs, some of which dateback many years, providing a fascinating historical aspect to the book. Thisbook will be an inspiration and essential companion for anyone visiting theviewpoints and wishing to know more about their history. . Normal 0 false false false EN-GB X-NONE X-NONE

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Wry humour and small-town crime, in the acclaimed Lucian Wing series. Lucian Wing is the sheriff of a backwoods county in Vermont, a hardscrabble place far from the picture-postcard gaze. He is also a man with a problem. Multiple problems, in fact, including a threatening superior; a wandering wife; a hard-drinking father-in-law; a demented mother; a squad of deputies variously overzealous and moronic; a mysterious vigilante band operating in his jurisdiction; and a formidably bloodthirsty local carnivore... Wing needs to draw on all his patience, knowledge, and (especially) humor to resolve things. Not least, to honour what one ambiguous ally refers to as Old Number Five.

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Macabre city offerings and variously vile movie locations are explored in hair-raising detail in this entertaining travel guide. The names and addresses of people, places and - of course - things associated with the horror genre - such as the real-life Baltimore haunts of Edgar Allen Poe, the final resting place of Bela Lugosi and Stephen King's Maine - are coupled with trivia, travel tips, photographs and a ghoulishly fun narrative. Includes information on the locations used in cult classics such as Dawn of the Dead, The Exorcist and The Texas Chainsaw Massacre.

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The burbot has a unique ecology as the only member of the order of cod-like fishes found in freshwater. It is the second most widely distributed freshwater fish in the Northern Hemisphere, variously threatened, extinct or thriving across different parts of this wide paleoarctic range. Burbot were driven to extinction from Britain most probably in the 1970s, the last recorded specimen caught in 1969 in Cambridgeshire. Particularly over the past decade, a large body of work has addressed potential reintroduction of the burbot to Britain. The burbot’s diverse habitat and other needs throughout its life stages also mean that the species is a flagship for a diversity of other wildlife of restored river systems, and of the human benefits that these ecosystems can provide. Burbot is an excellent source for all those involved in freshwater fish and fisheries management, conservation and exploitation, including fish biologists (ichthyologists), environmental scientists, freshwater biologists, fisheries managers and scientists, conservation biologists, engineers and hydrologists. The libraries of all universities and research establishments where these subjects are studied and taught should have a copy. Anglers and all those interested in fishes and natural history will also benefit from this book.

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Outsourcing the Polity offers a new account of social outsourcing in post-independence Myanmar, demonstrating how the bankrupt post-socialist junta mediated market reform in the 1990s and 2000s and forced private and non-state actors to take the burden for social welfare. Informed by research during Myanmar's decade of partial civilian rule (2011–2021), Gerard McCarthy examines how ideals and practices of non-state welfare can both sustain democratic resistance and undermine social reform over time. Rather than expand government-led social action funded by direct taxation, grassroots activists and democratic leaders after 2011 variously framed government social action as ineffective, undesirable, and even corrosive of civic norms. They instead encouraged citizens to be "self-reliant" and support each other, including during disasters. Powerful tycoons filled the social gap, using public philanthropy to remake their reputations and to defend their ongoing expropriation of land and state assets from potential democratic redistribution. With non-state social actors more important than ever following Myanmar's return to dictatorship in 2021, Outsourcing the Polity casts new light on the lasting legacies of outsourcing for distributive politics.

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The digitised spectacles conjured by a word like `blockbuster’ may create a certain cognitive dissonance with received ideas about French cinema – long celebrated as a model for philosophical, economic and aesthetic resistance to globalised popular culture. While the Gallic `cultural exception’ remains a forceful current to this day, this book shows how the onslaught of Hollywood mega-franchises and new media platforms since the 1980s has also provoked an overtly commercialised response from French producers eager to redefine the stakes and scope of their own traditions. Cutting across a swath of recent French-produced cinema, French Blockbusters offers the first book-length consideration of the theoretical implications, historical impact and cultural consequences of recent popular films that are rapidly changing what it means to make – or to see – a `French’ film today. From English-language action vehicles like Valérian and the City of a Thousand Planets (Besson, 2017) to revisionist historical films like Of Gods and Men (Beauvois, 2011) and crowd-pleasing comedies like Intouchables (Tolédano & Nakache, 2011), the variously filiated `local blockbusters’ from contemporary France brim with the seeds of cultural contradiction, but also with the energy of a forceful counter-history.

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After the 1925 discovery of diamonds in the semi-desert of the northwest coast of South Africa, De Beers Consolidated Mines Ltd. virtually proclaimed its dominion over the whole region. In the town of Kleinzee, the company owns all the real estate and infrastructure, and controls and administers both the town and the industry. Peter Carstens’s In the Company of Diamonds draws a stark and startling portrait of this closed community, one that analyzes the power and hegemonic techniques used to acquire that power and maintain it. As a prototypical company town, Kleinzee is subordinated to the industry and will of the owners. Employees and workers are variously differentiated and ordered according to occupation, ethnic variation, and other social criteria, a pattern reflected most markedly in the allocation of housing. Managers live in large, ranch-style houses, while contract workers are lodged in single-sex compounds. As a community type, company towns like Kleinzee are not entirely unique, and Professor Carstens successfully draws a number of structural parallels with other closed and incomplete social formations such as Indian reservations, military bases, colleges, prisons, and mental hospitals.

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The continued criminalization of same-sex sexual acts, variously labeled sodomy, buggery, or the crime against nature, is inconsistent throughout the world. The criminalization of other sexual acts, such as public sex, commercial sex, or HIV-transmission, is more common. The relationship between sexuality and criminality is not limited to a direct criminalization of sexual acts, however. The victimization of sexual minorities because of their sexuality has garnered attention in the conceptualization of hate crimes in many countries. When sexual minorities are accused of victimizing others, the criminal justice system can conflate sexual identity with the criminal acts resulting in biased convictions. Imprisonment and punishment norms can pose special problems in the context of gender minorities or for sex offenses. The papers reprinted in this volume cover doctrinal, theoretical and political analysis of the current and historical criminalization of a wide variety of sexual acts, including ones less commonly discussed. It also includes discussions of the 'homosexual panic' defense, hate crimes and domestic violence, as well as examinations of specific cases in which the sexuality of the accused became pertinent. The volume also includes discussions of the imprisonment of gender nonconforming persons in systems of sex-segregated prisons and the treatment of 'sex offenders'.

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The Arden Research Handbook of Shakespeare and Adaptation explores the dynamics of adapted Shakespeare across a range of literary genres and new media forms. This comprehensive reference and research resource maps the field of Shakespeare adaptation studies, identifying theories of adaptation, their application in practice and the methodologies that underpin them. It investigates current research and points towards future lines of enquiry for students, researchers and creative practitioners of Shakespeare adaptation. The opening section on research methods and problems considers definitions and theories of Shakespeare adaptation and emphasises how Shakespeare is both adaptor and adapted.A central section develops these theoretical concerns through a series of case studies that move across a range of genres, media forms and cultures to ask not only how Shakespeare is variously transfigured, hybridised and valorised through adaptational play, but also how adaptations produce interpretive communities, and within these potentially new literacies, modes of engagement and sensory pleasures. The volume’s third section provides the reader with uniquely detailed insights into creative adaptation, with writers and practice-based researchers reflecting on their close collaborations with Shakespeare’s works as an aesthetic, ethical and political encounter. The Handbook further establishes the conceptual parameters of the field through detailed, practical resources that will aid the specialist and non-specialist reader alike, including a guide to research resources and an annotated bibliography.

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Named the #1 Bestselling Non-Fiction Title by the Calgary Herald To camp means to occupy a place and/or time provisionally or under special circumstances. To camp can also mean to queer. And for many children and young adults, summer camp is a formative experience mixed with homosocial structure and homoerotic longing. In Queer as Camp, editors Kenneth B. Kidd and Derritt Mason curate a collection of essays and critical memoirs exploring the intersections of “queer” and “camp,” focusing especially on camp as an alternative and potentially nonnormative place and/or time. Exploring questions of identity, desire, and social formation, Queer as Camp delves into the diverse and queer-enabling dimensions of particular camp/sites, from traditional iterations of camp to camp-like ventures, literary and filmic texts about camp across a range of genres (fantasy, horror, realistic fiction, graphic novels), as well as the notorious appropriation of Indigenous life and the consequences of “playing Indian.” These accessible, engaging essays examine, variously, camp as a queer place and/or the experiences of queers at camp, including Vermont’s Indian Brook, a single-sex girls’ camp that has struggled with the inclusion of nonbinary and transgender campers and staff; the role of Jewish summer camp as a complicated site of sexuality, social bonding, and citizen-making as well as a potentially if not routinely queer-affirming place. They also attend to cinematic and literary representations of camp, such as the Eisner award-winning comic series Lumberjanes, which revitalizes and revises the century-old Girl Scout story; Disney’s Paul Bunyan, a short film that plays up male homosociality and cross-species bonding while inviting queer identification in the process; Sleepaway Camp, a horror film that exposes and deconstructs anxieties about the gendered body; and Wes Anderson’s critically acclaimed Moonrise Kingdom, which evokes dreams of escape, transformation, and other ways of being in the world. Highly interdisciplinary in scope, Queer as Camp reflects on camp and Camp with candor, insight, and often humor. Contributors: Kyle Eveleth, D. Gilson, Charlie Hailey, Ana M. Jimenez-Moreno, Kathryn R. Kent, Mark Lipton, Kerry Mallan, Chris McGee, Roderick McGillis, Tammy Mielke, Alexis Mitchell, Flavia Musinsky, Daniel Mallory Ortberg, Annebella Pollen, Andrew J. Trevarrow, Paul Venzo, Joshua Whitehead

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Named the #1 Bestselling Non-Fiction Title by the Calgary Herald To camp means to occupy a place and/or time provisionally or under special circumstances. To camp can also mean to queer. And for many children and young adults, summer camp is a formative experience mixed with homosocial structure and homoerotic longing. In Queer as Camp, editors Kenneth B. Kidd and Derritt Mason curate a collection of essays and critical memoirs exploring the intersections of “queer” and “camp,” focusing especially on camp as an alternative and potentially nonnormative place and/or time. Exploring questions of identity, desire, and social formation, Queer as Camp delves into the diverse and queer-enabling dimensions of particular camp/sites, from traditional iterations of camp to camp-like ventures, literary and filmic texts about camp across a range of genres (fantasy, horror, realistic fiction, graphic novels), as well as the notorious appropriation of Indigenous life and the consequences of “playing Indian.” These accessible, engaging essays examine, variously, camp as a queer place and/or the experiences of queers at camp, including Vermont’s Indian Brook, a single-sex girls’ camp that has struggled with the inclusion of nonbinary and transgender campers and staff; the role of Jewish summer camp as a complicated site of sexuality, social bonding, and citizen-making as well as a potentially if not routinely queer-affirming place. They also attend to cinematic and literary representations of camp, such as the Eisner award-winning comic series Lumberjanes, which revitalizes and revises the century-old Girl Scout story; Disney’s Paul Bunyan, a short film that plays up male homosociality and cross-species bonding while inviting queer identification in the process; Sleepaway Camp, a horror film that exposes and deconstructs anxieties about the gendered body; and Wes Anderson’s critically acclaimed Moonrise Kingdom, which evokes dreams of escape, transformation, and other ways of being in the world. Highly interdisciplinary in scope, Queer as Camp reflects on camp and Camp with candor, insight, and often humor. Contributors: Kyle Eveleth, D. Gilson, Charlie Hailey, Ana M. Jimenez-Moreno, Kathryn R. Kent, Mark Lipton, Kerry Mallan, Chris McGee, Roderick McGillis, Tammy Mielke, Alexis Mitchell, Flavia Musinsky, Daniel Mallory Ortberg, Annebella Pollen, Andrew J. Trevarrow, Paul Venzo, Joshua Whitehead

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Sex, intrigue and adultery in the world of high politics and huge wealth in late eighteenth-century England. Georgiana, Duchess of Devonshire was one of the most flamboyant and influential women of the eighteenth century. The great-great-great-great aunt of Diana, Princess of Wales, she was variously a compulsive gambler, a political savante and operator of the highest order, a drug addict, an adulteress and the darling of the common people. This authoritative, utterly absorbing book presents a mesmerizing picture of a fascinating world of political and sexual intrigues, grand houses, huge parties, glamour and great wealth – always on the edge of being squandered by the excesses and scandals of individuals.

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In 1978 the world’s first “test-tube baby” was born from in vitro fertilization (IVF), effectively ushering in a paradigm shift for infertility treatment that relied on partially disembodied human reproduction. Beyond IVF, the ability to extract, fertilize, and store reproductive cells outside of the human body has created new opportunities for family building, but also prompted new conflicts about rights to and control over reproductive cells. In collaborative forms of reproduction that build on IVF technologies, such as egg and embryo donation and gestational surrogacy, multiple women may variously contribute to conception, gestation/birth, and the legal and social responsibilities for rearing a child, creating intentionally fragmented maternities. Undoing Motherhood examines the implications of such fragmented maternities in the post-IVF reproductive era for generating maternity uncertainty—an increasing cultural ambiguity about what does and should constitute maternity. Undoing Motherhood explores this uncertainty in the social worlds of reproductive medicine and law.

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Jean Bethke Elshtain (1941–2013) was a noted ethicist, political philosopher, and public intellectual. Her four decades of scholarship defy easy categorization: she wrote both seminal works of theory and occasional pieces for the popular press, and she was variously viewed as radical and conservative, feminist and traditionalist, anti-war and pro-interventionist. Jean Bethke Elshtain: Politics, Ethics, and Society is the first attempt to evaluate Elshtain’s entire published body of work and to give shape to a wide-ranging scholarly career, with an eye to her work’s ongoing relevance. This collection of essays brings together scholars and public intellectuals from across the spectrum of disciplines in which Elshtain wrote. The volume is organized around four themes, which identify the central concerns that shaped Elshtain’s thought: (1) the nature of politics; (2) politics and religion; (3) international relations and just war; and (4) the end(s) of political life. The essays have been chosen not only for the expertise of each contributor as it bears on Elshtain’s work but also for their interpretive and analytic scope. This volume introduces readers to the work of a key contemporary thinker, using Elshtain’s writing as a lens through which to reflect on central political and scholarly debates of the last few decades. Jean Bethke Elshtain will be of great interest to specialists researching Elshtain and to scholars of multiple disciplines, particularly political theory, international relations, and religion. Contributors: Debra Erickson Sulai, Michael Le Chevallier, Robin W. Lovin, William A. Galston, Arlene W. Saxonhouse, Don Browning, Peter Berkowitz, Nancy J. Hirschmann, Michael Kessler, Lisa Sowle Cahill, Nigel Biggar, Gilbert Meilaender, Eric Gregory, Daniel Philpott, Marc LiVecche, Nicholas Rengger, John D. Carlson, Chris Brown, Michael Walzer, James Turner Johnson, Erik Owens, Francis Fukuyama, Carl Gershman, and Patrick J. Deneen.

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One of Elena Ferrante's Top 40 Books by Women G.H., a well-to-do Rio sculptress, enters the room of her maid, which is as clear and white 'as in an insane asylum from which dangerous objects have been removed'. There she sees a cockroach - black, dusty, prehistoric - crawling out of the wardrobe and, panicking, slams the door on it. Her irresistible fascination with the dying insect provokes a spiritual crisis, in which she questions her place in the universe and her very identity, propelling her towards an act of shocking transgression. Clarice Lispector's spare, deeply disturbing yet luminous novel transforms language into something otherworldly, and is one of her most unsettling and compelling works. Clarice Lispector was a Brazilian novelist and short story writer. Her innovation in fiction brought her international renown. References to her literary work pervade the music and literature of Brazil and Latin America. She was born in the Ukraine in 1920, but in the aftermath of World War I and the Russian Civil War, the family fled to Romania and eventually sailed to Brazil. She published her first novel, Near to the Wildheart in 1943 when she was just twenty-three, and the next year was awarded the Graça Aranha Prize for the best first novel. Many felt she had given Brazillian literature a unique voice in the larger context of Portuguese literature. After living variously in Italy, the UK, Switzerland and the US, in 1959, Lispector with her children returned to Brazil where she wrote her most influential novels including The Passion According to G.H. She died in 1977, shortly after the publication of her final novel, The Hour of the Star.

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In recent times, the science of ecology has been rejuvenated and has moved to a central position in biology. This volume contains eighteen original, major contributions by leaders in the field, all associates of the late Robert MacArthur, whose work has stimulated many of the recent developments in ecology. The intellectual ferment of the field is reflected in these papers, which offer new models for ecological processes, new applications of theoretical and quantitative techniques, and new methods for analyzing and interpreting a wide variety of empirical data.The first five chapters explore the evolution of species abundance and diversity (R. Levins, E. Leigh, J. MacArthur, R. May, and M. Rosenzweig). The theory of loop analysis is newly applied to understanding stability of species communities under both mendelian and group selection. Species abundance relations, population fluctuations, and continental patterns of species diversity are illustrated and interpreted theoretically. The next section examines the competitive strategies of optimal resource allocation variously employed in plant life histories (W. Schaffer and M. Gadgil), bird diets and foraging techniques (H. Hespenheide), butterfly seasonal flights (A. Shapiro), and forest succession examined by the theory of Markov processes (H. Horn).The seven chapters of the third section study the structure of species communities, by comparing different natural communities in similar habitats (M. Cody, J. Karr and F. James, E. Pianka, J. Brown, J. Diamond), or by manipulating field situations experimentally (R. Patrick, J. Connell). The analyses are of communities of species as diverse as freshwater stream organisms, desert lizards and rodents, birds, invertebrates, and plants. These studies yield insights into the assembly of continental and insular communities, convergent evolution of morphology and of ecological structure, and the relative roles of predation, competition, and harsh physical conditions in limiting species ranges.Finally, the two remaining chapters illustrate how ecological advances depend on interaction of theory with field and laboratory observations (G. E. Hutchinson), and how ecological studies such as those of this volume may find practical application to conservation problems posed by man's accelerating modification of the natural world (E. Wilson and E. Willis).

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A new long poem for half a voice on the subject of despised knowledge and political invisibility, published alongside a selection of shorter poems and essays dealing variously with the merging and commingling of smartphones and human bodies, the role of elegy in the mid-2000s, the social basis of fascism in the 2010s, social class, and the symbolic dysmorphia of the British high street. All of the work collected here circles around two central relationships: between politics and knowledge, and between poetic language and speech.

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The poems in Jennifer Atkinson’s A Gray Realm the Ocean were all written under the influence of art-specifically twenty-and twenty-first-century abstract visual art. All the art referenced in the poems was done by women. Although many of these painters, sculptors, performance artists, ceramicists, and fabric artists have earned international reputations, albeit late in their lives or even after their deaths, most have only recently been given the notice and gallery space they deserve. Composed in response to the artists’ multiplicity of forms, styles, modes, and moods, the poems are variously experimental. Drunk on color and language, line and lines, they don’t so much describe the art as revel in it. No patriarchal anxiety here—the poet actively seeks to join in conversation with the artists, listening closely and seeking their influence. She ponders, interrogates, and celebrates the work, taking each artist on her own term—respecting the achieved calm of Agnes Martin’s “Night Sea” and the flare and smolder of Ana Mendieta’s “earth-body” work, the lyric voluptuousness of Joan Mitchell and the intellectual geometries of Carmen Herrera, the arrested explosions of Cornelia Parker and Ruth Asawa’s cool embodiments of shadow, the sun-drenched reveries of Emmi Whitehorse and Pat Steir’s un-skied star falls. Yet A Gray Realm the Ocean not only seeks to honor these artists—their work, their courage, and their curiosity. Taken together, the collection is also a meditation on looking—conscious, attentive looking—and the mysterious nature of abstraction.

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The Mossad, Israel's version of the CIA, is among the world's top intelligence agencies. Renowned both for its brilliance and its ruthlessness, the organization occupies a distinctive position in the arena of global covert operations.This book describes the clandestine missions that were defining moments in the evolution of the Mossad, including its pursuit of the Black September terrorists who murdered Israeli athletes at the 1972 Olympic Games, its acquisition on the high seas of yellowcake uranium for Israel's undeclared nuclear weapons program, and its role in bringing to justice Nazi war criminal Adolf Eichmann. The agency's more questionable deeds are also covered, among them the assassination of civilian scientists associated with Iraq's nuclear energy program and the abduction of Isreali citizen Mordechai Vanunu who, like Edward Snowden, has been variously depicted as a principled whistleblower and an unscrupulous traitor. Taken together, the missions discussed herein illustrate the Mossad's character, creativity and courage, while acknowledging the problematical moral dimensions of its operations.

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Drama Classics: The World's Great Plays at a Great Little Price A Jacobean tale of personal vengeance in a morally bankrupt world. Vindice has vowed to revenge the murder of his beloved Gloriana by the lustful Duke, and when he gains access to the court in disguise, havoc ensues... The Revenger's Tragedy was first performed in London in 1606 or 1607, and was subsequently published anonymously. It has been variously attributed to Cyril Tourneur and Thomas Middleton. This edition of the play, in the Nick Hern Books Drama Classics series, is edited by R.A. Foakes and includes an introduction by Trevor R. Griffiths.

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For thousands of years humans have variously worshipped trees, made use of them, admired them, and destroyed them— and poets have long chronicled the relationship. In this collection, Robert Frost’s “Birches,” Marianne Moore’s “The Camperdown Elm,” Gerard Manley Hopkins’s “Binsey Poplars,” and Zbigniew Herbert’s “Sequoia” stand tall beside Eugenio Montale’s “The Lemon Trees,” Yves Bonnefoy’s “The Apples,” Bertolt Brecht’s “The Plum Tree,” D. H. Lawrence’s “The Almond Tree,” and A. E. Housman’s “Loveliest of Trees.” Whether showing their subjects being planted or felled, cherished or lamented, towering in forests or ?owering in backyards, the poems collected here pay lyrical tribute to these majestic beings with whom we share the earth.

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"The poems of Anthony McCann are beautiful, brutal, and unerring. They present us with, or return us to, a complicated, violent, poignant, weird, and mysterious world--a world which is very particularly his, and also our own, re-sung. For some time now I have believed McCann to be one of the finest poets writing today."--Maggie Nelson "McCann demonstrates that the truth surrounds us all; our best way of connecting with it is through compassion and love. With equal parts exuberance and dread, the speaker encourages us to 'waste the whole day feeling these things.'"--Boston Review Thing Music is full of flesh, of creatures tangled in their worlds. Marked variously by the desert and coastal landscapes of Southern California and the intersections of phenomenology and anarchism, these poems are porous bodies, traversed by light and noise. From "Mouth Guitar": Now the pulsing afternoon takes each belly in its hands lifts it up towards some glass and all that's inside While he crawled on with his body towards vengeance or the state Anthony McCann lives in Los Angeles and teaches in the University of California-Riverside's Palm Desert MFA program. He is the "Poet Laureate" of Machine Project, and also teaches courses at the California Institute of the Arts.

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The history of projected images at the turn of the seventeenth century reveals a changing perception of chance and order, contingency and form. In Projecting Spirits, Pasi Väliaho maps how the leading optical media of the period—the camera obscura and the magic lantern—developed in response to, and framed, the era's key intellectual dilemma of whether the world fell under God's providential care, or was subject to chance and open to speculating. As Väliaho shows, camera obscuras and magic lanterns were variously employed to give the world an intelligible and manageable design. Jesuit scholars embraced devices of projection as part of their pursuit of divine government, whilst the Royal Society fellows enlisted them in their quest for empirical knowledge as well as colonial expansion. Projections of light and shadow grew into critical metaphors in early responses to the turbulences of finance. In such instances, Väliaho argues, "projection" became an indispensable cognitive form to both assert providence, and to make sense of an economic reality that was gradually escaping from divine guidance. Drawing on a range of materials—philosophical, scientific and religious literature, visual arts, correspondence, poems, pamphlets, and illustrations—this provocative and inventive work expands our concept of the early media of projection, revealing how they spoke to early modern thinkers, and shaped a new, speculative concept of the world.

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'Fascinating and illuminating' STYLIST'Perceptive and candid' IRISH TIMES'Wide-ranging, deep-dive, soul-baring interviews, full of candid, intimate, spiky meditations on inspiration, artistry, sexuality, race, love, self-doubt, abuse, defiance and everything in between' OBSERVER'Variously optimistic, troubling, joyful, illuminating, fierce and thoughtful' GUARDIANINTERVIEWS WITH WOMEN ON THE FRONTLINE OF MUSICWriter and critic Amy Raphael has interviewed some of the world's most iconic musicians, including Courtney Love, Patti Smith, Björk, Kurt Cobain and Elton John. In 1995 she wrote the critically-acclaimed Never Mind the Bollocks: Women Rewrite Rock, which included a foreword by Debbie Harry. More than two decades on, the music business has changed, but the way women are regarded has not. In this new book, A Seat at the Table, Raphael interviews eighteen women who work in the music industry about learning to speak out, #MeToo, social media, queer politics and the subtleness of everyday misogyny. Featuring interviews with:CHRISTINE & THE QUEENS, IBEYI, KAE TEMPEST, ALISON MOYET, NADINE SHAH, JESSICA CURRY, MAGGIE ROGERS, EMMY THE GREAT, DREAM WIFE, NATALIE MERCHANT, LAUREN MAYBERRY, POPPY AJUDHA, KALIE SHORR, TRACEY THORN, MITSKI, CATHERINE MARKS, GEORGIA, CLARA AMFO

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Winner of the Saltire Society Poetry Book of the Year 2019. Janette Ayachi’s dazzling first collection moves between remembered and imagined spaces as she celebrates the world’s variousness, and the energies and exhaustions of the body. Revelling in the many voices she might find for herself, Ayachi locates herself in both her Algerian and Scottish roots, her relationships with her family and lovers, her own motherhood, and an equally joyful but more precarious exploration of desire. More than anything, this book is a celebration of all Ayachi loves and has loved, especially her own daughters. It is a book that makes a space for itself in the disruptive pleasures of writing, in the face of all that might stifle her, alive to all the potentials of laughter and silence as well as song.

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Readers worldwide know the work of Stephen Hawking through his phenomenal bestseller A Brief History of Time. In this collection of essays and other pieces - on subjects that range from warmly personal to the wholly scientific- he is revealed variously as the scientist, the man, the concerned world citizen, and - as always - the rigorous and imaginative thinker. Whether remembering his first experience of nursery school; puncturing the arrogance of those who think science can best be understood only by other scientists and should be left to them; exploring the origins and the future of the universe; or reflecting on the phenomenon of A Brief History of Time, Stephen's wit, directness of style and absence of pomp are vital characteristics at all times.

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This book examines the power of the past upon the present. It shows how generations of Scots have exploited and reshaped history to meet the needs of a series of presents, from the conquest of the Picts to the refounding of Parliament. Dauvit Broun, Fiona Watson, and Steve Boardman explore the violent manipulations of the past in medieval Scotland. Michael Lynch questions well-entrenched assumptions about the Scottish Reformation. Roger Mason looks at the transformation of 'Highland barbarism' into 'Gaelicism'. Ted Cowan examines the 'Killing Times' of the covenanters, and David Allan the seventeenth century fashion for creative family history. Colin Kidd discovers the victims of Pictomania in Scotland and modern Ulster, and Murray Pittock uncovers the comparable mania driving Jacobitism. Richard Finlay links the cult of Victoria with the queen's idea of herself as the heiress of the Scottish monarchy. Catriona MacDonald considers the neglect of women and the dangers of reconstructing history to suit modern sensitivities. Finally David McCrone provides a sociologist's perspective on the continuing dialogue between the past and the present. By exploring how the people of Scotland have variously understood, used and been inspired by the past this book offers a series of insights into the concerns of previous generations and their understanding of themselves and their times. It throws fresh light on the evolution of history in Scotland and on the actions and ambitions of the Scots who have formed and reformed the nation.

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‘I have struck a city– a real city – and they call it Chicago ... I urgently desire never to see it again. It is inhabited by savages,’ so wrote Rudyard Kipling on his tour of America in 1899. From these inauspicious beginnings rose the ‘windy city’, home to the first skyscraper, gateway to the Great Lakes, birthplace of modern advertising and shorthand for stories about violent crime during America’s prohibition and Al Capone’s dominance of the ganglands. This book offers candid views of an extraordinary town, which has attracted citizens from all over Europe and the rest of the world. They have made the city what it is today – and written about it variously with affection, loyalty, disgust and amazement.

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The immense 18th-century scientific journey, variously known as the Second Kamchatka Expedition or the Great Northern Expedition, from St. Petersburg across Siberia to the coast of North America, involved over 3,000 people and cost Peter the Great over one-sixth of his empire's annual revenue. Until now recorded only in academic works, this 10-year venture, led by the legendary Danish captain Vitus Bering and including scientists, artists, mariners, soldiers, and laborers, discovered Alaska, opened the Pacific fur trade, and led to fame, shipwreck, and "one of the most tragic and ghastly trials of suffering in the annals of maritime and arctic history."

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In this era of tweets and blogs, it is easy to assume that the self-obsessive recording of daily minutiae is a recent phenomenon. But Americans have been navel-gazing since nearly the beginning of the republic. The daily planner - variously called the daily diary, commercial diary, and portable account book - first emerged in colonial times as a means of telling time, tracking finances, locating the nearest inn, and even planning for the coming winter. They were carried by everyone from George Washington to the soldiers who fought the Civil War. And by the twentieth century, this document had become ubiquitous in the American home as a way of recording a great deal more than simple accounts. In this appealing history of the daily act of self-reckoning, Molly McCarthy explores just how vital these unassuming and easily overlooked stationery staples were to those who used them. From their origins in almanacs and blank books through the nineteenth century and on to the enduring legacy of written introspection, McCarthy has penned an exquisite biography of an almost ubiquitous document that has borne witness to American lives in all of their complexity and mundanity.

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Mist and fog engender fascination and mystery, enticing with their wispy veils and vapourous moods, and they are the stuff of dreams and visions. 'The mists of time' and 'in a fog' are common expressions that substantiate the long association of mist and fog with the passage of time, the vagaries of memory and feelings of uncertainty. Mist and fog obscure, conceal and when they dissipate, reveal. Vapourous atmosphere in art and life masks evil and can elicit presentiments of death. It also has been used in art to convey the splendours of the spiritual world and the terrors of the supernatural. The metaphorical meanings that have accrued to mist and fog, encouraged by their indeterminate and transitory nature, and the emotions to which they give rise, are variously evident in the work of major artists and their contemporaries. This book focusses on mist and fog from the late eighteenth to the early twentieth centuries in the places they most proliferated. Examples of literature that employ mist and fog as metaphor and in allegory from antiquity to Joseph Conrad serve to amplify many of the paintings discussed.

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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Glitter reveals the complexity of an object often dismissed as frivolous. Nicole Seymour describes how glitter’s consumption and status have shifted across centuries—from ancient cosmetic to queer activist tool, environmental pollutant to biodegradable accessory—along with its composition, which has variously included insects, glass, rocks, salt, sugar, plastic, and cellulose. Through a variety of examples, from glitterbombing to glitter beer, Seymour shows how this substance reflects the entanglements of consumerism, emotion, environmentalism, and gender/sexual identity. Object Lessons is published in partnership with an essay series in The Atlantic.

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Learn to maximize your trading power with... OPTION Strategies Find out how options really work with this complete introduction tooptions valuation and trading. In this revised and expandededition, top options expert Courtney Smith details the ins and outsof this lucrative, yet complex, financial instrument. From theworking fundamentals to the most innovative pricing models, OptionStrategies gives you the information you need to make a wise andsuccessful investment. Whether you want to bull up or bear down,buy puts or sell calls, here''s where you''ll find: * Descriptions of option basics: carrying charges, transactioncosts, underlying instruments, and premiums * Details on advanced strategies: bull, bear, and calendar spreads;straddles and strangles; synthetic longs and shorts * Decision Structures that enable you to select an appropriateoptions strategy and evaluate its risks and rewards in variousmarket environments Written in clear, nontechnic

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With its abundant history of prominent families, Massachusetts boasts some of the most historically rich residences in the country. In the eastern half of the Commonwealth, these include Presidents John and John Quincy Adams's home in Quincy, Bronson and Louisa May Alcott's Orchard House in Concord, the Charles Bulfinch - designed Harrison Gray Otis House in Boston, and Edward Gorey's Elephant House in Yarmouth Port.In At Home: Historic Houses of Eastern Massachusetts, Beth Luey uses architectural and genealogical texts, wills, correspondences, and diaries to craft delightful narratives of these notable abodes and the people who variously built, acquired, or renovated them. Filled with vivid details and fresh perspectives that will surprise even the most knowledgeable aficionados, each chapter is short enough to serve as an introduction for a visit to its house. All the homes are open to the public.

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'Fabulously readable' STEPHEN FRY'Brilliantly told, the fascinating life of one of Britain's greatest songwriters' MATT LUCAS'A brilliant, funny, emotional book' DAVID QUANTICKDescribed variously as a 'polymath', a 'renaissance man' and 'one of the most colourful characters in the music business', Mike Batt has led an extraordinarily vibrant and challenging life that has been full of both glorious victories and bitter failures.For better or for worse, he is a man who has always lived life on his own terms. Idiosyncratic but mainstream, complicated but compassionate, steadfastly maverick in spirit but avowedly commercial in outlook. He is a man of great contradictions, but even greater talent.After starting out in the music business as a teenager, Batt shot to fame in the early 1970s for his part in the creation of the Wombles pop group. But this success proved to be just

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A fully updated new edition of this practical guide to managing anesthesia in horses and other equids, providing updated and expanded information in a concise, easy-to-read format  Manual of Equine Anesthesia and Analgesia provides practitioners and veterinary students with concise, highly practical guidance to anesthetizing horses, donkeys, and mules. Using a bulleted quick-reference format, this popular resource covers the basic physiological and pharmacological principles of anesthesia, patient preparation and monitoring, and the management of sedation and anesthesia. Chapters written by leading veterinary anesthesiologists contain numerous clinical images and illustrations, case examples, tables, diagrams, and boxed summaries of important points.  Now in full color, the second edition features extensively revised and updated information throughout. New sections cover chronic pain, management of horses undergoing MRI, ventilators, nerve blocks for reproductive surgery, muscle relaxants, various new drugs, paravertebral anesthesia, treatment of pain using acupuncture and physical rehabilitation techniques, and more. Up-to-date appendices contain drug lists and dosages as well as equations related to equine cardiovascular and respiratory systems. This concise, easy-to-follow guide:  Provides practical, clinically oriented information on anesthetizing equids   Uses a bulleted format designed for fast access of key information  Offers step-by-step instructions and diagrams of nerve blocks of the limbs, head, and ophthalmic structures   Includes new coverage of topics including regulation of extracellular fluid and blood pressure, acid-base disorders, and hemodynamic effects of autonomic drugs  Manual of Equine Anesthesia and Analgesia, Second Edition, remains a must-have resource for all equine practitioners and veterinary students involved with anesthetizing horses. 

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"I was following orders." The answer most commonly quoted by SS men accused of atrocious crimes after Germany had surrendered in 1945. But who gave those orders? Who was the mastermind behind the sophisticated machinery which allowed men from normal family backgrounds to kill on such a scale? The right man at the right time, fate steered Heinrich Himmler to take control of an organisation destined to carry out Hitler's racial policies. This study not only sets out in detail how Heinrich Himmler's daily routine allowed him to implement Nazi strategy, but it also provides illustrations of the man behind much of it, both at work and at home. Of all the personalities of history demonized by post-war writers, Heinrich Himmler ranks among the most reviled. His legacy is one of hatred, violence and cold blooded murder on a vast scale. A Jekyll and Hyde character, variously described by his generation and those who followed as charming, loyal, polite, a pedant, an eccentric, an organizational genius, a fool, a desk killer and a loving father.The camera allows us into his world, albeit temporarily, and we can equate his busy, but mostly mundane schedule with contemporary images frozen in time. What makes this book unique is the astonishing amount of photographic material, following Himmler on his day to day routine. It is a must read for anyone interested in the enigmatic man and the operations of the Third Reich.

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