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The scholar and diplomat Sir Ernest Satow was the best-known Westerner who lived in Meiji Japan. Although he rose to become British Minister to Japan and China, the most interesting part of his career was the start of it, when he witnessed, and in a small way influenced, the fall of the Bakufu and the Meiji Restoration. He wrote an account of this in a memoir called A Diplomat in Japan, published in 1921.While Satow’s appointment as Minister to Tokyo in 1895 was understandable in terms of his background and skills, he was not the obvious choice for the Beijing (Peking) Embassy in 1900. He was also well aware that the China post would be more challenging, given Britain’s large commercial interests in the country, the large number of British residents and their dominance at the treaty ports. Satow arrived in China in late September 1900. After a brief stop in Shanghai, he moved up to Peking and began work. He was at first unable to present his credentials as minister, because the allies considered themselves at war with the court. So from September 1900 until January 1902 he was technically not the British minister but rather the British High Commissioner for negotiations leading to the settlement of claims arising from the Boxer uprising. Many issues of substance are to be found in these diaries: the negotiations for the Boxer Protocol of 1901, the status of the Peking Legation Quarter, the stationing of foreign troops in China for protection purposes, and the Chinese indemnity etc. Later Russo-Japanese tension over the Russian presence in Manchuria, and the Russo-Japanese War of 1904-05, receive much attention. Other important issues included missionary matters, railways and railway concessions, the Chinese Imperial Maritime Customs, and the British China Consular Service. The editor has added extensive annotations and explanations to these diaries, making this book an indispensable reference work for students of China at the start of the 20th century. For this edition Satow’s separate diary for the cottage at Ku-miao-tsun has also been included and annotated.

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Yugoslavia, Rwanda, Liberia, Somalia, Azerbaijan, El Salvador, Northern Ireland, Lebanon, Cambodia -- all provide bloody evidence that civil wars continue to have a powerful impact on the international scene. Because they tear at the very fabric of a society and pit countryman against countryman, civil wars are often the most brutal and difficult to extinguish -- witness the American Revolution. And yet, civil wars do inevitably end. England is no longer criss-crossed by warring armies representing York and Lancaster or King and Parliament. The French no longer kill one another over the divine right of kings. Argentines seem reconciled to living in a single state, rather than several. The ideologies of the Spanish Civil War now seem largely irrelevant. And the possibility of Southern secession is an issue long-buried in the American past. The question then begs itself: how do people who have been killing one another with considerable enthusiasm and success come together to form a common government? How can individuals and factions work together, politically and economically, with others who have killed their friends, parents, children and lovers? How are armed societies disarmed? What effect does a total military victory have on a lasting peace? In sum, how are civil societies constructed from civil violence and chaos? This is the central concern of Stopping the Killing. In this highly original and much needed volume, a distinguished group of experts on civil wars discuss both specific conflicts and broader theoretical issues. Individual chapters examine civil wars in Colombia, the Sudan, Yemen, America, Greece, and Nigeria, and analyze the causes of peace, the relationship between the battlefield and the negotiating table, and issues of settlement. An introduction and conclusion by the editor unify the volume. Contributors include: Jonathan Hartlyn (Univ. of North Carolina), Caroline Hartzell (Univ. of California, Davis), Jane E. Holl (U.S. Military Academy), John Iatrides (Southern Connecticut State University), James O'Connell (University of Bradford), Donald Rothchild (Univ. of California, Davis), Stephen John Stedman (Johns Hopkins Univ.), Robert Harrison Wagner (Univ. of Texas, Austin), Harvey Waterman (Rutgers Univ.), Manfred Wenner (Northern Illinois Univ.), and I. William Zartman (Johns Hopkins Univ.).

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The Poet and the King, described by the New York Review of Books as “the finest and most perceptive of all the innumerable accounts of La Fontaine,” is being offered for the first time in an English translation. La Fontaine, whose works are still memorized by French schoolchildren, is regarded by Fumaroli, and countless others, as the greatest French lyric poet of the seventeenth century. La Fontaine is best known, however, for his fables and Contes. Marc Fumaroli’s grand study is almost as much about Louis XIV as it is about La Fontaine. He provides a detailed analysis of the absolutist politics and attempts by the king and his ministers to enforce an official cultural style. Fumaroli’s work is a meditation on the plight of the artist under such a ruler during the imposition of a tyrannical, centralized political regime. Of particular interest to Fumaroli is Nicolas Foucquet, whose fall from power is the central event of the book. Foucquet, La Fontaine’s patron, was arrested and imprisoned by order of Louis XIV on false charges of embezzlement and treason. For La Fontaine, the arrest was a disaster. Foucquet had generously supported and protected La Fontaine, who remained loyal to him for decades, helping in his defense and writing pleas for pardon. Many of Foucquet’s associates were arrested. Others, including La Fontaine, prudently left town. During the reign of Louis XIV, the basic role of literature in the eyes of the court was that of an official propaganda machine. The royal cultural policy supported only tragedy and the heroic ode, and demanded works that praised the king. In the years that followed Foucquet’s arrest, La Fontaine had to rely on support from groups unconnected with the government, including Jansenists, Protestants, and the libertine, homosexual circle of the Duc de Vendôme. Fumaroli reads history with an eye on the modern world. His La Fontaine and his Foucquet, his world of free culture in opposition to state power, are models for the liberal vision of the possible role of culture in modern society. The Poet and the King offers not only a captivating history of one of France’s greatest poets, but also carries the message that great literature and art can be created in spite of repressive cultural and political regimes.

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THE RIOTOUSLY FUNNY AND JOYOUSLY ROMANTIC NEW NOVEL IN THE DANGEROUS DAMSELS SERIES THAT TIKTOK CAN'T GET ENOUGH OF!Two rival spies. One fake marriage. What could possibly go wrong . . .__________When rumours of an assassination plot against the Queen begin to circulate, Alice is immediately assigned to the case.However, she won't be working alone.Enter Daniel Bixby. Unflappable master spy and Alice's greatest rival.Together they must assume the identity of husband and wife in order to gain access to the traitor party.Alice is determined to remain professional. This is work after all.But when an attraction starts to grow there may be more at stake than just the throne . . .__________'A funny, captivating and magical story! I loved the chemistry between the characters' @boekhopperReaders are OBSESSED with the Dangerous Damsels . . .'Incredible! Sensational! Fantastic! So charming your inner Lizzie Bennet will swoon' 5***** Reader Review'OBSESSED. If you love playful dialogue and language, fun characters, and interesting worlds, I recommend' 5**** Reader Review!'Witty and entertaining. A literary delight! Think Jane Austen meets Jack Sparrow' 5***** Reader Review'Wondrous, whimsical, wiccan follow-up to its flying house pirate predecessor, building upon this magical, Victorian-soaked world deftly and capably' 5***** Reader Review'SPECTACULAR. Just the sort of absolute madness which one needs in a book!' 5***** Reader Review'Victorian lady assassins fighting the patriarchy, flying houses, AND . . . an ONLY ONE BED trope?! Fun fun fun' 5***** Reader Review'Witty, entertaining, laugh-out-loud funny and adventurous . . . Everything I need in a historical romance' 5***** Reader Review'The best romantic humorous adventure fantasy of manners you will ever read!' 5***** Reader ReviewPRAISE FOR THE DANGEROUS DAMSELS'As much fun as the English language will permit' New York Times Book Review'Melds the Victorian wit of Sherlock Holmes with the brash adventuring of Indiana Jones . . . A sprightly feminist tale that offers everything from an atmospheric Gothic abbey to secret societies' Entertainment Weekly'A joyride of a debut . . . As if The Parasol Protectorate series met The Princess Bride and a corseted Lara Croft: Tomb Raider' Kirkus Reviews 'With secret identities, secret doors, and secret histories to spare, this high-octane layer-cake of escapism hits the spot' Publishers Weekly

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Lenin lived a controversial life and has had a deeply controversial reputation in the centenary since his death (21 January 1924) His rise from a conventional, educated, provincial, and middle-class background to become not only the leader, even dictator, over the largest country on earth, is dramatic and vital in itself. But it is only part of the story. Even after his death, he was unchallenged as the chief inspirer of a disparate world revolutionary movement which rocked the dominant capitalist world for most of the twentieth century. His admirers and disciples included major intellectual and cultural figures, such as Brecht, Picasso, Sartre, Franz Fanon and Pablo Neruda; disparate radical activists and revolutionaries such as Ho Chi Minh, Joseph Stalin, Mao Ze dong, Fidel Castro, Che Guevara, Josip Broz Tito, terrorist groups such as the Red Brigades and Baader-Meinhof, and many liberation movements. Despite this, his work and influence have often been written off as no longer relevant, and many today consider this to be so. Lenin has, they claim, had his day, even though he is still revered in China, the world's most populous country. However, Lenin, like his mentor Marx, has had a tendency to rise from apparent decline and oblivion to renewed force and influence. This study examines the key elements of Lenin's life and career, the consolidation of his ideas into the doctrines of 'Leninism', the influence of Leninism in promoting revolutionary movements around the globe, and the currently disputed issue of whether his ideas still have any relevance today. In particular, while considering his views on the role of the revolutionary party, often seen as the centrepiece of his theory and practice, this account identifies the root of Lenin's global influence in his opposition to capitalist imperialism and as a bedrock foundation for the opposition of many to fascism and associated ideologies. While recognizing that Lenin's reputation has reached its lowest point, not least in his home country where his legacy is reviled by Vladimir Putin and other contemporary leaders, the book concludes by weighing up the contemporary arguments of those who believe that Lenin still lives.

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To save their life, you have to play. *The #1 audio bestseller* ‘Subversive and gripping’ S J Watson‘Dark, fiendish, riveting’ Janice Hallett‘Exciting and original’ Simon McCleave‘This year’s must-read thriller’ Adam Croft___ Across the globe, five strangers receive a horrifying message from an unknown number. THE PERSON YOU LOVE MOST IS IN DANGER. To save them, each must play The Game – a sinister unknown entity that has a single rule: there can only be one winner. IF YOU LOSE, YOUR LOVED ONE WILL DIE. But what is The Game – and why have they been chosen? There’s only one thing each of them knows for sure: they’ll do anything to win… WELCOME TO THE GAME. YOU’VE JUST STARTED PLAYING.___ A breakneck thriller filled with non-stop suspense, perfect for fans of Harlan Coben, Mark Dawson and Terry Hayes’ I Am Pilgrim. Readers love The Game: ‘This was an absolute belter of a book!’ ‘Wow! Can absolutely see this book being made into a film. . . The whole book pulled me in straight away and I couldn't put it down. Full of twists from start to finish, twists that I never saw coming!’ ‘Had me gripped . . . I couldn't breathe until I finished it’ ‘This is one of the most original stories I've read for a while. Just read it! You won't regret it.’ ‘What an utterly terrifying thriller this was! It doesn’t get scarier than this…’ ‘Horrifyingly credible . . . This is a fast-paced, menacing and dark read. Grips from the off and doesn’t let go until that very last page.’ ‘This book was chilling and tense and will have you on the edge of your seat.’ ‘Unique, cinematic and fast-paced. Unputdownable and thrilling page-turner. Highly recommended.’ ‘I love a story that is a bit different and unique and this certainly was. A thought provoking story that chilled me to the bone . . . Will have you up all night. Such a cleverly written story’ ‘Fast-paced, tense, atmospheric and so full of suspense . . . I didn’t know what to expect when. I couldn’t put this book down it was completely gripping.’ ‘From the first few pages the adrenaline rush never lets up.’

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'A panorama of the unravelling world order as riveting as any beach read' New Yorker'Read this book: in the three hours it takes you will get a new, bracing and brilliant understanding of the dangers we in the democratic West now face. Luce is one of the smartest journalists working today, and his perceptions are priceless' Jane Mayer, staff writer on the New Yorker'No one was more prescient about the economic malaise and popular resentment that has hit the United States than Ed Luce in his previous book, Time to Start Thinking. His new book, Retreat of Western Liberalism, broadens that picture to cover the Western world. It is a must read for anyone trying to make sense of the waves of populism and nationalism we face today' Liaquat AhamedIn his widely acclaimed book Time to Start Thinking, Financial Times columnist and commentator Edward Luce charted the course of American economic and geopolitical decline, proving to be a prescient voice on our current social and political turmoil.In The Retreat of Western Liberalism, Luce makes a larger statement about the weakening of western hegemony and the crisis of democratic liberalism - of which Donald Trump and his European counterparts are not the cause, but a symptom. Luce argues that we are on a menacing trajectory brought about by ignorance of what it took to build the West, arrogance towards society's losers, and complacency about our system's durability - attitudes that have been emerging since the fall of the Berlin Wall, treated by the West as an absolute triumph over the East. We cannot move forward without a clear diagnosis of what has gone wrong. Luce contrasts Western democratic and economic ideals, which rest on an assumption of linear progress, with more cyclical views of economic strength - symbolized by the nineteenth-century fall and present-day rise of the Chinese and Indian economies - and with the dawn of a new multipolar age.Combining on-the-ground reporting with intelligent synthesis of the vast literature already available, Luce offers a detailed projection of the consequences of the Trump administration and a forward-thinking analysis of what those who believe in enlightenment values must do to defend them from the multiple onslaughts they face in the coming years.

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2017 PROSE Award Winner: Outstanding Scholarly Work by a Trade Publisher In the vein of Jane Jacobs's The Death and Life of Great American Cities and Edward Glaeser's Triumph of the City, Jonathan F. P. Rose-a visionary in urban development and renewal-champions the role of cities in addressing the environmental, economic, and social challenges of the twenty-first century. Cities are birthplaces of civilization; centers of culture, trade, and progress; cauldrons of opportunity-and the home of eighty percent of the world's population by 2050. As the 21st century progresses, metropolitan areas will bear the brunt of global megatrends such as climate change, natural resource depletion, population growth, income inequality, mass migrations, education and health disparities, among many others. In The Well-Tempered City, Jonathan F. P. Rose-the man who "repairs the fabric of cities"-distills a lifetime of interdisciplinary research and firsthand experience into a five-pronged model for how to design and reshape our cities with the goal of equalizing their landscape of opportunity. Drawing from the musical concept of "temperament" as a way to achieve harmony, Rose argues that well-tempered cities can be infused with systems that bend the arc of their development toward equality, resilience, adaptability, well-being, and the ever-unfolding harmony between civilization and nature. These goals may never be fully achieved, but our cities will be richer and happier if we aspire to them, and if we infuse our every plan and constructive step with this intention. A celebration of the city and an impassioned argument for its role in addressing the important issues in these volatile times, The Well-Tempered City is a reasoned, hopeful blueprint for a thriving metropolis-and the future.

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“We are living history right now. I believe we need to do more to document this unique moment in America, and who better to convey what we all are feeling than our country’s greatest artists? It is my hope that in 50 years, art history classes will pull this book off the shelf and understand the deep emotion of this time.” — William Weinaug Around the world, many individuals and families have faced isolation due to COVID-19. Our lives have been changed as we face a historical crisis of unprecedented scale. But beauty has also come from this hardship. The Great American Paint In® was birthed to allow artists to paint their emotions during the pandemic, capturing this period of history in a unique way — through art. This book curates the products of the Paint In️®, revealing the responses of over 50 artists from across the continent. Artists share their experiences, their losses, and their hopes for the future. In doing so, they demonstrate the real grit and backbone of the American pandemic story. Like so many enduring these difficult times, they discovered a whole new world and a brand “new normal” that allows them to live, work, survive — and, most importantly, create. These stories have been shared by Wekiva Island online, at Gallery CERO, and around the country in several travelling art exhibits. Now, for the first time, they are being brought together in a single volume. Select artists include: Hai-Ou Hou, Olena Babek, Barbara Fox, Jill Stefani Wagner, Paul Schulenburg, Morgan Samuel Price, Kyle Stanley, Raymond Bonilla, Kathleen Dunphy, Jennfer Miller, Michelle Held, David Arsenault, John S Caggiano, Tony D'Amico, Karen Blackwood, Jeanne Rosier Smith, Justin T Worrell, Thomas Kegler, Shawn Krueger, Erik Koeppel, Ken Salaz, Hillary Scott, Thomas Adkins, Michael Orwick, Kim VanDerHoek, Cindy House, George Van Hook, Kim Lordier, Marc R Hansen, Sergio Roffo, Sam Vokey, Mary Erickson, Tom LaRock, Josh Clare, Howard B Friendland, Marc Dalessio, Andrew Orr, Kari Ganoung Ruiz, Charles Muench, Jim McVicker, Trish Coonrod, Joseph Daily, Jeffrey Hayes, Mitch Kolbe, Dogulas Wiltraut, Ray Howard, Nick Patten, Brett Scheifflee, Jeff Gola, Eleinne Basa, Bill Farnsworth, Garin J Baker, and Mary Jane Volkmann.

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**OVER HALF A MILLION COPIES SOLD****THE TIMES MEMOIR OF THE YEAR 2019**'The best royal book by miles . . . funny, gossipy and riveting'JANE RIDLEY, SPECTATOR'If your jaw doesn't drop at least three times every chapter, you've not been paying proper attention'SUNDAY TIMES'A captivating account of a life lived with resilience and grace'DAILY MAIL'The stoical Lady G writes with infectious joy and optimism'DAILY EXPRESS'The gossip is stupendous but it's also tremendously touching. It's one of those books that makes you long for bed so you can read more!'JILLY COOPER'I can't recommend it highly enough'LORRAINE KELLY'Gentle, wise, unpretentious, but above all inspiring'THE TIMES'A candid, witty and stylish memoir'MIRANDA SEYMOUR, FINANCIAL TIMES'Stalwart and disarmingly honest . . . emotion resonates through this delightful memoir'THE WALL STREET JOURNAL'Discretion and honour emerge as the hallmarks of Glenconner's career as a royal servant, culminating in this book which manages to be both candid and kind'GUARDIAN'I couldn't put it down. Funny and touching - like looking through a keyhole at a lost world.'RUPERT EVERETT~The remarkable life of Lady in Waiting to Princess Margaret who was also a Maid of Honour at the Queen's Coronation. Anne Glenconner reveals the real events behind The Crown as well as her own life of drama, tragedy and courage, with the wonderful wit and extraordinary resilience which define her.Anne Glenconner has been close to the Royal Family since childhood. Eldest child of the 5th Earl of Leicester, she was, as a daughter, described as 'the greatest disappointment' by her family as she was unable to inherit. Her childhood home Holkham Hall is one of the grandest estates in England. Bordering Sandringham the Princesses Elizabeth and Margaret were frequent playmates. From Maid of Honour at the Queen's Coronation to Lady in Waiting to Princess Margaret, Lady Glenconner is a unique witness to royal history, as well as an extraordinary survivor of a generation of aristocratic women trapped without inheritance and burdened with social expectations. She married the charismatic but highly volatile Colin Tennant, Lord Glenconner, who became the owner of Mustique. Together they turned the island into a paradise for the rich and famous, including Mick Jagger and David Bowie, and it became a favourite retreat for Princess Margaret. But beneath the glitz and glamour there has also lurked tragedy. On Lord Glenconner's death in 2010 he left his fortune to a former employee. And of their five children, two grown-up sons died, while a third son had to be nursed back from a coma by Anne, after having suffered a near fatal accident. Anne Glenconner writes with extraordinary wit, generosity and courage and she exposes what life was like in her gilded cage, revealing the role of her great friendship with Princess Margaret, and the freedom she can now finally enjoy in later life.

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The New York Times bestselling autobiography of former Vice President Mike Pence.Loyalty is a Vice President’s first duty; but there is a greater one—to God and the Constitution. Mike Pence spent more hours in the Oval Office than any of his predecessors. On the surface, the affable evangelical Christian from a gas-station-owning family in Indiana wouldn’t seem to have much in common with a brash real estate mogul from New York. But the unlikely duo formed a tight bond. Pence was at Donald Trump’s side when he enacted historic tax relief, when he decided to take more assertive stances toward China and North Korea, and when he appointed three Supreme Court justices. But the relationship broke down after the 2020 election. On January 6, 2021, as the president pressured him to overturn the election, a mob erected a gallows on Capitol Hill and its members chanted “Hang Mike Pence!” as they rampaged through the halls of Congress. The vice president refused to leave the Capitol, and once the riot was quelled, he reconvened Congress to complete the work of a peaceful transfer of power. So Help Me God is the chronicle of the events and people who forged Mike Pence’s character and led him to that historic moment. His father, a Korean War combat veteran, was a formidable influence, but so was the Indiana history professor who inspired his devotion to the Constitution. And it was in college and law school that he embraced his Christian faith and met the love of his life, Karen—the two pillars that support him every day. You will read how his early political career was full of missteps that humbled him and how, as a talk radio host, Pence found his voice and the path that led him to Congress, the governor’s office in Indiana, and back to Washington as vice president. This is the inside story of the Trump administration by its second highest official—what he said to the president and how he was tested. The relationship begins in Indiana, when Pence sees how Trump connects with working-class voters. After the election, the vice president comes to appreciate how Trump maintains that connection through unvarnished tweets and how his unorthodox style led to historic breakthroughs, from tax cuts to trade deals, from establishing the United States Space Force to the first new peace agreement in the Middle East in more than twenty-five years. This is the most robust defense of the Trump record of anyone who served in the administration. But it is also about the private moments when Pence pushed back forcefully, how he navigated through the Mueller investigation, his damage control after Charlottesville, and his work on healing racial rifts after the murder of George Floyd. Pence was at the forefront when “history showed up” in the form of a devastating pandemic, and he provides a detailed account of leading the task force that circumvented bureaucracies to slow the disease in its tracks. Yes, it sometimes involved brokering peace between a president with an itchy Twitter finger and an agitated New York governor, but above all, it meant giving states and America’s eager entrepreneurs the power to come up with the solutions we needed. The result was the fastest development of life-saving vaccines in history. In So Help Me God, Pence shows how the faith that he embraced as a young man guided his every decision. It is a faith that guided him on that historic day and that keeps him happily at peace, ready to accept the next challenge.

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A landmark work of bio-romanticism, Mephistos and Other Poems is the first completely new collection in five years from legendary Beat and SF Renaissance poet Michael McClure, reflecting his interests in mammal consciousness and ecological survival. The title sequence stems from McClure's ongoing "grafting" experiment, growing new poems from fragments of previously ones. "Some Fringes" is a series of haiku-like nature poems, while the seventeen-part "Rose Breaths" derives from the poet's practice of meditation. The freestanding poems grouped under the title "Being" pay homage to many of McClure's collaborators and fellow travelers like Bruce Conner, Terry Riley, and Dave Haselwood. The book climaxes with "Song Heavy," recounting McClure's recent encounter with a beached whale in Rockport, Massachusetts, and recalling his classic "For the Death of 100 Whales," which he read at the Six Gallery in 1955--the inaugural moment of American eco-poetics. Michael McClure is an award-winning American poet, playwright, songwriter, and novelist. After moving from Kansas to San Francisco as a young man, he was one of the five poets who participated in the Six Gallery reading that featured the public debut of Allen Ginsberg's landmark poem "Howl." A key figure of the Beat Generation, McClure is immortalized as Pat McLear in Jack Kerouac's novels The Dharma Bums and Big Sur. He also participated in the sixties counterculture alongside musicians like Janis Joplin and Jim Morrison. McClure remains active as a poet, essayist, and playwright and lives with his second wife, Amy, in the San Francisco Bay Area. Michael and I have been twisting the Dharma for twenty years now. He reads his poetry like a mad lion or a hummingbird or a soft evening tidal pool or a wild California thunderstorm...His words are of a new realm of love and joy and terror. What a pleasure to play with such a perceptive artist. It's always been my great joy to make music to his words."--Ray Manzarek [C]ertainly a genius in thought and writing it out ...McClure is one of the few contemporaries to have understood Kerouac as a literary poet--and learned some joyous classic invention therefrom ...Thus we have a McClure poet, a McClure natural philosopher, and a McClure prosateur and novelist. Hardly anyone in America with equal range and sharpness, liveness. What more?"--Allen Ginsberg Praise for Mephistos: In Mephistos we are again thrown into Michael McClure's lavish lair of forceful magic. Its actions are literal ones, handfuls of jewels disintegrate as a firewall rises to a solid prism. There is no poet more adept at calling forth the elements, only to fashion them later as eternal amulets for his readers. 'NEW MOON ((BLACK!)) /STAR CLOUDS/ HALOES/ Flashlight reflects/ into two small eyes.' You will find your body changed through the labyrinth these poems initiate."--Cedar Sigo "Close attention will be rewarded in kind. Keep Mephisto near at hand, read only a poem or two at a time, let the imagery possess you. It's okay, you can trust it. It's McClure: he'll never steer you wrong."--Robert Hunter, lyricist, poet, songwriter "He is such a sweet paradox! Like most of Shelley and the late poems of D.H. Lawrence, McClure turns the phenomenal world inside out, seeking Mind within mind."--Diane di Prima, poet "If you've enjoyed McClure's writings in the past, this volume ought to recapture your poetic heart and rekindle your imagination." --Jonah Raskin, New York Journal of Books "Mephistos is perhaps an open love letter to all of McClure's many fans who have followed him ever since he arrived in San Francisco from Kansas City more than half a century ago."--San Francisco Chronicle

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An insider’s view on blockbuster deal-making and part cultural tour de force, An Improbable Journey is a one-of-a-kind, deeply textured account of how some of the greatest artists of all time pushed to realize their greatest ambitions—with the help of Charles Lubar.The year was 1971. Thirty-year-old Charles Lubar, a Washington, D.C.–born Harvard Law School graduate with a two-and-a-half-year deep dive in the Chief Counsel’s Office of the Internal Revenue Service recently behind him, was floundering in Nairobi, Kenya where he had come to seek the kind of high-stakes adventures one could never find at a major law firm in the U.S. But with his entrepreneurial hopes quashed in Nairobi by an environment that hardly wrapped its arms around outsiders, Indians being expelled from Kenya, and Idi Amin—the ruthless despot—on the brink of taking over in neighboring Uganda and soon to wreak havoc throughout the region, Lubar decided to pick up his stakes. With a sense of timing that would come to his aid again and again throughout his life, the young lawyer opted to make his next home in the UK. Little did he know that he would soon be swimming hard and fast in 1970s London during a cultural surge of film, television, music, and the stage. “Hired off the street” by two American lawyers in London—the brassy entertainment lawyer Irwin Margulies and the corporate transactional lawyer Barry Sterling—Lubar could never have predicted that his work would soon put him front and center at some of the biggest moments with some of the biggest names in showbiz. From the James Bond franchise to Linda Lovelace and “Deep Throat”; from Jim Henson and The Muppets to Michael Jackson and the Beatles; from behind the Iron Curtain to the islands of the Netherlands Antilles, Lubar’s rare knowledge of the tax codes spanning Europe and the U.S. made him an indispensable figure to creatives trying to make their financial lives work on both sides of the Atlantic. His list of clients goes on and on: Bill Graham, John Cleese, Santana, Diana Ross, Frank Oz, Chuck Traynor, Marilyn Chambers, Barbara Bach, Jane Seymour, Shakira, and Enrique Iglesias. Many turned to Lubar in real need of his assistance at the very prime (and sometimes, nadir) of their careers. Lubar’s bona fides would even land him a spot on the US-UK Fulbright Commission, as President of the Yale Club of London, and a Managing Partner in London of one of the major international law firms. An Improbable Journey shows a risk-taker with his finger living right on the cultural pulse of a moment.

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Henry M. Jackson ranks as one of the great legislators in American history. With a Congressional career spanning the tenure of nine Presidents, Jackson had an enormous impact on the most crucial foreign policy and defense issues of the Cold War era, as well as a marked impact on energy policy, civil rights, and other watershed issues in domestic politics. Jackson first arrived in Washington, D.C., in January 1941 as the Democratic representative of the Second District of Washington State, at the age of 28 the youngest member of Congress. “Scoop” Jackson won reelection time and again by wide margins, moving to the Senate in 1953 and serving there until his death in 1983. He became a powerful voice in U.S. foreign policy and a leading influence in major domestic legislation, especially concerning natural resources, energy, and the environment, working effectively with Senator Warren Magnuson to bring considerable federal investment to Washington State. A standard bearer for the New Deal-Fair Deal tradition of Roosevelt and Truman, Jackson advocated a strong role for the federal government in the economy, health care, and civil rights. He was a firm believer in public control of electric and nuclear power, and leveled stern criticism at the oil industry’s “obscene profits” during the energy crisis of the 1970s. He ran for the presidency twice, in 1972 and 1976, but was defeated for the nomination first by George McGovern and then by Jimmy Carter, marking the beginning of a split between dovish and hawkish liberal Democrats that would not be mended until the ascendance of Bill Clinton. Jackson’s vision concerning America’s Cold War objectives owed much to Harry Truman’s approach to world affairs but, ironically, found its best manifestation in the actions taken by the Republican administration of Ronald Reagan. An early and strong supporter of Israel and of Soviet dissidents, he strongly opposed the Nixon/Kissinger policy of detente as well as many of Carter’s methods of dealing with the Soviet Union. Robert Kaufman has immersed himself in the life and times of Jackson, poring over the more than 1,500 boxes of written materials and tapes that make up the Jackson Papers housed at the University of Washington, as well as the collections of every presidential library from Kennedy through Reagan. He interviewed many people who knew Jackson, both friends and rivals, and consulted other archival materials and published sources dealing with Jackson, relevant U.S. political history and commentary, arms negotiation documents, and congressional reports. He uses this wealth of material to present a thoughtful and encompassing picture of the ideas and policies that shaped America’s Cold War philosophy and actions.

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Betty Boyd Caroli's engrossing and informative First Ladies is both a captivating read and an essential resource for anyone interested in the role of America's First Ladies. Caroli observes the role as it has shifted and evolved from ceremonial backdrop to substantive world figure. This expanded and updated fifth edition presents Caroli's keen political analysis and astute observations of recent developments in First Lady history, including Melania Trump's reluctance to take on the mantle and former First Lady Hilary Clinton's recent run for president. Caroli here contributes a new preface and updated chapters. Covering all forty-five women from Martha Washington to Melania and Ivanka Trump and including the daughters, daughters-in-law, and sisters of presidents who served as First Ladies, Caroli explores each woman's background, marriage, and accomplishments and failures in office. This remarkable lot included Abigail Adams, whose "remember the ladies" became a twentieth-century feminist refrain; Jane Pierce, who prayed her husband would lose the election; Helen Taft, who insisted on living in the White House, although her husband would have preferred a judgeship; Eleanor Roosevelt, who epitomized the politically involved First Lady; and Pat Nixon, who perfected what some have called "the robot image." They ranged in age from early 20s to late 60s; some received superb educations for their time, while others had little or no schooling. Including the courageous and adventurous, the ambitious, and the reserved, these women often did not fit the traditional expectations of a presidential helpmate. First Ladies is an engaging portrait of how each First Lady changed the role and how the role changed in response to American culture. These women left remarkably complete records, and their stories offer us a window through which to view not only this particular sorority of women, but also the role of American woman in general.

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The first edition of Shaping Seattle Architecture, published in 1994, introduced readers to Seattle’s architects by showcasing the work of those who were instrumental in creating the region’s built environment. Twenty years later, the second edition updates and expands the original with new information and illustrations that provide an even richer exploration of Seattle architecture. The book begins with a revised introduction that brings the story of Seattle architecture into the twenty-first century and situates developments in Seattle building design within local and global contexts. The book’s fifty-four essays present richly illustrated profiles that describe the architects' careers, provide an overview of their major works, and explore their significance. Shaping Seattle Architecture celebrates a wide range of people who helped form the region's built environment. It provides updated information about many of the architects and firms profiled in the first edition. Four individuals newly included in this second edition are Edwin J. Ivey, a leading residential designer; Fred Bassetti, an important contributor to Northwest regional modernism; L. Jane Hastings, one of the region’s foremost women in architecture; and Richard Haag, founder of the landscape architecture program at the University of Washington and designer of Gas Works Park and the Bloedel Reserve. The book also includes essays on the buildings of the Coast Salish people, who inhabited Puget Sound prior to Euro-American settlement; the role that architects played in speculative housing developments before and after World War II; and the vernacular architecture built by nonprofessionals that makes up a portion of the fabric of the city. Shaping Seattle Architecture concludes with a substantial reference section, updated to reflect the last twenty years of research and publications. A locations appendix offers a geographic guide to surviving works. The research section directs interested readers to further resources, and the appendix “Additional Significant Seattle Architects” provides thumbnail sketches of nearly 250 important figures not included in the main text.

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“Charlayne Hunter-Gault is an eminent Dean of American journalism, a vital voice whose work chronicled the civil rights movement and so much of what has transpired since then. My People is the definitive collection of her reportage and commentary. Spanning datelines in the American South, South Africa and points scattered in between, her work constitutes a history of our time as rendered by the pen of a singular and indispensable black woman journalist.”-Jelani CobbFrom the legendary Emmy Award-winning journalist, a collection of ground-breaking reportage from across five decades which vividly chronicles the experience of Black life in America today.At just nineteen years old, Charlayne Hunter-Gault made national news after she had mounted a successful legal challenge that culminated in her admission to the University of Georgia in January 1961—making her one of the first two Black students to integrate the institution. As an adult, Charlayne switched from being the subject of news to covering it, becoming one of its most recognized and acclaimed interpreters.Over more than five decades, this dedicated reporter charted a course through some of the world’s most respected journalistic institutions, including The New Yorker, NBC, and the New York Times, where she was often the only Black woman in the newsroom. Throughout her storied career, Charlayne has chronicled the lives of Black people in America—shining a light on their experiences and giving a glimpse into their community as never before. Though she has covered numerous topics and events, observed as a whole, her work reveals the evolving issues at the forefront of Black Americans lives and how many of the same issues continue to persist today.My People showcases Charlayne’s lifelong commitment to reporting on Black people in their totality, “in ways that are recognizable to themselves.” Spanning from the Civil Rights Movement through the election and inauguration of America’s first Black president and beyond, this invaluable collection shows the breadth and nuance of the Black experience through trials, tragedies, and triumphs of everyday lives.

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"Jennifer Britton has penned another winner! With From One to Many, Jennifer not only gives us a bird’s-eye-view perspective, but she also delves into the details we need to be successful as group and team coaches. I'm eager to incorporate this new material—not only into my course curriculum—but also into my own group coaching programs." —Jory H. Fisher, JD, www.JoryFisher.com “This remarkable resource gives coaches the necessary tools to expand their effectiveness and offer a group experience of connection and collaboration, providing an exceptional experience for many.” —Sandy Miller, MA, CPCC, ACC, www.revolutionizingdivorce.com "From One to Many is a must-read for coaches, whether experienced or new to group and team coaching. Jennifer combines extensive research, personal and peer experiences, practical applications, and a comprehensive set of tools and resources to deliver another excellent book for professional coaches." —Janice LaVore-Fletcher, MMC, BCC, President, Christian Coach Institute Practical tips, tools, and insight on successful team and group coaching engagements As professional development budgets at many organizations remain flat or even shrink due to financial pressures, coaches and human resources leaders are looking for new ways to do more with less funding. Team coaching—which may span intact teams, project teams and virtual teams—and group coaching—spanning both organizational and public contexts—offer a solution to this developmental puzzle. Unfortunately, there are few practical resources available that address the best practices for team and group coaching. From One to Many fills that gap for coaches, leaders, and human resources professionals. The book explains how to integrate the practice into an organization and how to maximize it to full effect. One of the only books on the market that explores in-depth the related topics of team and group coaching Written by the founder of a performance improvement consultancy who is also a popular speaker on the subject Features new content specifically for practitioners in coaching, human resources, performance improvement and related fields

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On a freezing night in January 2013, a hooded assailant hurled acid in the face of the artistic director of the Bolshoi Ballet. The crime, organized by a lead soloist, dragged one of Russia’s most illustrious institutions into scandal. The Bolshoi Theater had been a crown jewel during the reign of the tsars and an emblem of Soviet power throughout the twentieth century. Under Putin in the twenty-first century, it has been called on to preserve a priceless artistic legacy and mirror Russia’s neo-imperial ambitions. The attack and its torrid aftermath underscored the importance of the Bolshoi to the art of ballet, to Russia, and to the world. The acid attack resonated far beyond the world of ballet, both into Russia’s political infrastructure and, as renowned musicologist Simon Morrison shows in his tour-de-force account, the very core of the Bolshoi’s unparalleled history. With exclusive access to state archives and private sources, Morrison sweeps us through the history of the storied ballet, describing the careers of those onstage as well as off, tracing the political ties that bind the institution to the varying Russian regimes, and detailing the birth of some of the best-loved ballets in the repertoire. From its disreputable beginnings in 1776 at the hand of a Faustian charlatan, the Bolshoi became a point of pride for the tsarist empire after the defeat of Napoleon in 1812. After the revolution, Moscow was transformed from a merchant town to a global capital, its theater becoming a key site of power. Meetings of the Communist Party were hosted at the Bolshoi, and the Soviet Union was signed into existence on its stage. During the Soviet years, artists struggled with corrosive censorship, while ballet joined chess tournaments and space exploration as points of national pride and Cold War contest. Recently, a $680 million restoration has restored the Bolshoi to its former glory, even as prized talent has departed. As Morrison reveals in lush and insightful prose, the theater has been bombed, rigged with explosives, and reinforced with cement. Its dancers have suffered unimaginable physical torment to climb the ranks, sometimes for so little money that they kept cows at home whose milk they could sell for food. But the Bolshoi has transcended its own fraught history, surviving 250 years of artistic and political upheaval to define not only Russian culture but also ballet itself. In this sweeping, definitive account, Morrison demonstrates once and for all that, as Russia goes, so goes the Bolshoi Ballet.

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What role do objects play in crafting the religions of Southeast Asia and shaping the experiences of believers? The Spirit of Things explores religious materiality in a region marked by shifting boundaries, multiple beliefs, and trends toward religious exclusivism. While most studies of religion in Southeast Asia focus on doctrines or governmental policy, contributors to this volume recognize that religious "things"—statues, talismans, garments, even sacred automobiles—are crucial to worship, and that they have a broad impact on social cohesion. By engaging with religion in its tangible forms, faith communities reiterate their essential narratives, allegiances, and boundaries, and negotiate their coexistence with competing belief systems. These ethnographic and historical studies of Southeast Asia furnish us with intriguing perspectives on wider debates concerning the challenges of secularization, pluralism, and interfaith interactions around the world. In this volume, contributors offer rich ethnographic analyses of religious practices in the Philippines, Thailand, Malaysia, Vietnam, Indonesia, and Burma that examine the roles materiality plays in the religious lives of Southeast Asians. These essays demonstrate that religious materials are embedded in a host of practices that enable the faithful to negotiate the often tumultuous experience of living amid other believers. What we see is that the call for plurality, often initiated by government, increases the importance of religious objects, as they are the means by which the distinctiveness of a particular faith is "fenced" in a field of competing religious discourses. This project is called "the spirit of things" to evoke both the "aura" of religious objects and the power of material things to manifest "that which is fundamental" about faith and belief. Contributors: Julius Bautista, National University of Singapore; Sandra Cate, San Jose State University, California; Margaret Chan, Singapore Management University; Liana Chua, Brunel University, London; Cecilia S. de la Paz, University of the Philippines (Diliman); Alexandra de Mersan, Centre Asie du Sud-Est (Paris) and Institut National des Langues et Civilisations Orientales; Johan Fischer, Roskilde University, Denmark; Janet Hoskins, University of Southern California; Klemens Karlsson, KTH Royal Institute of Technology, Stockholm; Laurel Kendall, American Museum of Natural History and Columbia University, New York City; H. Leedom Lefferts, Drew University and Asian Civilisations Museum, Singapore; Nguyên Thi Thu Huong, Academic Council of the National Museum of History, Hanoi, and Vietnam Museum of Ethnology; Anthony Reid, Australian National University, University of California–Los Angeles, and National University of Singapore; Richard A. Ruth, United States Naval Academy; Kenneth Sillander, University of Helsinki; Vu Thi Thanh Tâm, Vietnam Museum of Ethnology; and Yeoh Seng Guan, Monash University, Malaysia

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When a university student is murdered in Dunedin’s university district, newly transferred young female police officer Sam Shephard is drawn into the investigation … The heart-stoppingly tense next instalment in the page-turning, international bestselling Sam Shephard series ‘Finally, UK readers get to discover New Zealand’s own Queen of Crime. Vanda Symon is a big talent and everything she writes is fast, intelligent and utterly gripping. This one’s a cracker’ Liam McIlvanney ‘Fast-moving New Zealand procedural … the Edinburgh of the south has never been more deadly’ Ian Rankin ‘It is Symon’s copper Sam, self-deprecating and very human, who represents the writer’s real achievement’ Guardian ‘Antipodean-set crime is riding high thanks to the likes of Jane Harper and fans of The Dry will also love Vanda Symon’s The Ringmaster’ Red Magazine –––––––––––––––––––––––––––––– Death is stalking the South Island of New Zealand Marginalised by previous antics, Sam Shephard, is on the bottom rung of detective training in Dunedin, and her boss makes sure she knows it. She gets involved in her first homicide investigation, when a university student is murdered in the Botanic Gardens, and Sam soon discovers this is not an isolated incident. There is a chilling prospect of a predator loose in Dunedin, and a very strong possibility that the deaths are linked to a visiting circus… Determined to find out who’s running the show, and to prove herself, Sam throws herself into an investigation that can have only one ending… Rich with atmosphere, humour and a dark, shocking plot, The Ringmaster marks the return of passionate, headstrong police officer, Sam Shephard, in the next instalment of Vanda Symon’s bestselling series. –––––––––––––––––––––––––––––– ‘An absolute must-have’ Daily Express ‘A sassy heroine, fabulous sense of place, and rip-roaring stories with a twist’ Kate Mosse ‘Vanda Symon is part of a new wave of Kiwi crime writers … her talent for creating well-rounded characters permeates throughout’ Crime Watch ‘Lively evocation of small-town life, with a plot that grabs the reader’s attention with a heart-stopping opening and doesn’t let go’ The Times ‘An absolute beauty of a read, well-written, absorbing, and extremely enjoyable’ LoveReading ‘Fast-moving New Zealand procedural … the Edinburgh of the south has never been more deadly’ Ian Rankin ‘Full of action and plenty of plot twists, but the star of the show is always the small but mighty Sam Shephard. With her dry sense of humor, indomitable spirit, and constant need to prove herself, Sam is the perfect heroine to root for … Atmospheric, emotional, and gripping’ Foreword Reviews ‘Symon follows up the terrific Overkill (2019) with this equally absorbing story … A fine thriller by a writer who deserves a larger audience in the US’ Booklist

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James Stewart was already a Hollywood star when the United States went to war in December 1941\. Having received an Academy Award for Best Actor in 1940 for his role in The Philadelphia Story, he had become a familiar face to movie goers by the time that the Japanese struck at Pearl Harbor. By that time Jimmy' had already received his private pilot's licence and when his name was drawn by the Drafting Commission on 29 October 1940, he applied to join the US Army Air Corps. He continued his pilot training and just twelve days before he received his draft, he had obtained his commercial pilot's licence. It was on 18 January 1942, that the Hollywood star was called into active duty. Jimmy was transferred to the 929th Bombardier Training School, based at Kirtland Field in New Mexico, on 19 August 1942\. There he served as a pilot almost until the end of the year. Though his film company had managed to secure a static personnel' role, Jimmy was determined to fly in combat. So it was that Captain James Maitland Stewart was appointed as the Commander of the 703rd Bombardment Squadron. Finally, on 17 November 1943, he landed in the UK and his operational war began. Flying in a Consolidated B-24 Liberator, Jimmy undertook his first bombing mission on 13 December 1943, the target on this occasion being the German U-boat facilities at Kiel. Just seven days later he was once again sent to attack a target in Germany, this time the port of Bremen. A further eighteen missions followed over the following fifteen months. Stewart took part in raids against targets across Germany, including Berlin, all of which are analysed in detail along with a fabulous collection of photographs of the aircraft Jimmy flew and the men he flew with. His contribution to victory over Germany was not confined to flying B-24 bombers, He also functioned as an Operations Officer for a period and led the Liberators of the 2nd Combat Bomb Wing to an attack on the railway marshalling yards at Halle from the navigator's seat of a de Haviland Mosquito. James Stewart rose to the rank of major from private in just four years, an achievement few can claim. He was awarded the Distinguished Flying Cross for his actions as deputy commander of the 2nd Bombardment Wing, and the Air Medal with three oak leaf clusters. The French bestowed him with the Croix de Guerre with palm. Having risen to the rank of lieutenant colonel, James Stewart returned to the silver screen after the war. He continued to play a role in the Army Air Forces reserve, during which period he was promoted to brigadier general. In so doing, Stewart became the highest-ranking actor in American military history.

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War was coming. Everyone knew that confrontation with Nazi Germany was inevitable and that London was likely to be a prime target of Hitler's bombers. So, in January 1939, Aylmer Firebrace, the Chief Officer of London Fire Brigade, was seconded to the Home Office to plan for the capital's fire defence. Before joining the Fire Brigade, Aylmer Firebrace had been a Royal Navy officer who had fought in the Battle of Jutland during the First World War. It was following the Armistice that, in 1919, he became principal officer in the London Fire Brigade. He was promoted to deputy chief and finally chief officer in June 1938.. That war struck London soon enough, but it was on 7 September 1940, that Firebrace's preparations were truly tested with the start of the Blitz. For the next fifty-seven days and nights London was subjected to the longest continuous bombing campaign in history. Then, as the Luftwaffe ranged wider and further across Britain's towns and cities, Firebrace was tasked with toured the nation to see the effects of the bombing, at which point he saw the need for a national response. The result was the creation of the National Fire Service. Formed in August 1941, by the amalgamation of some 1,600 separate brigades, this remarkable organisation had, at its peak, a strength of 370,000 men and women. It was led for its entire existence by Aylmer Firebrace. As the war continued, Firebrace became Chief of the Fire Staff and Inspector-in-Chief of the Fires Services, being the first and, to date, only person to head all the fire-fighting services in Britain. This body had to deal with the expansion of the Blitz as well as the so-called 'Baedeker' raids, the 'tip-and-run' attacks, Baby Blitz and V1 and V2 offensives of the later years of the war. In his fascinating account, written immediately the war, Firebrace reflects on the functioning of the fire service at its most testing time. This book is an essential addition to the understanding of the Blitz and how London and the rest of the country survived its darkest hour.

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These poems tell of a continuing journey and reveal a subtly changing voice. They represent a consistent and rewarding attempt to hold together in one space the things that matter. This is seeking first the kingdom of God; maintaining the community of men and women who incarnate that kingdom and make life meaningful; the beauties of St Lucia’s natural world and its rich traditions of folkculture; and the challenges and demands of poetry.John Robert Lee’s Collected Poems tell both of a continuing journey and a subtly changing voice but also of an underlying, consistent attempt to hold together in one space the things that matter. This is seeking first the kingdom of God; maintaining the community of men and women who incarnate that kingdom and make life meaningful; the beauties of St Lucia’s natural world and its rich traditions of folk-culture; and the challenges and demands of poetry.Whilst sometimes Lee’s poems involve a quiet self-communing, more often they are conversations with God and with those people who are close to him. At points they rise to being canticles of praise that express the experience of, or the yearning for the transcendent through the imagery of the visible world. And whilst the poems connect to the wider world of travel and world affairs, their touchstone is always St Lucia. Like Derek Walcott, like Kendel Hippolyte, Jane King and now Vladimir Lucien, John Robert Lee’s poems demonstrate how possible it is to find an enriching, puzzlingly complex and intellectually stimulating world in a small island society.The journey the poems tell is from the young man enthused with the energy of the radical decolonizing spirit of the 1970s, the years of deepening of Christian faith to the present of maturity and the acceptance of loss as well as gain, and the stamina needed for the continuing struggle for St Lucia to emerge from its colonial past and be ever more itself. In the later poems there are more glimpses of the private man who recognises that “My heart holds rooms I’ve never entered/ doors concealed, secret entrances.” And whilst over the forty years of the poems one hears always a personal, signal voice, over time the poems increasingly invest in the Kweyol language of the St Lucian folk as well as the voice of the English master and, latterly, display an growing interest in the relationship between poetry and the visual arts.

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The American Mayor offers a unique ranking of the nation's big-city mayors by expert scholars. Although the mayoralty is one of the most important political executive offices, it has escaped the kind of evaluations by which scholars have ranked American presidents. Now, thanks to Melvin Holli, we have a comparable survey of the "best" and "worst" mayors, covering some 730 mayors from the big-fifteen cities, from the beginning of the modern office in 1820 to the 1990s. The poll of historians, biographers, and social scientists produced a remarkably strong consensus. Who were our best mayors? The list ranges from Boston's "Great Mayor" Josiah Quincy (1823–1828) to New York City's Fiorello La Guardia (1934–1945), who is first on the all-time-best list. La Guardia, a stouthearted fireplug of a man, built modern New York, fought Murder Incorporated, read the comics to children over the air during a newspaper strike, and was a symbol of ethnic probity and honesty. Sandwiched between Quincy and La Guardia are several other outstanding mayors, including Cleveland's Tom Johnson (1901–1909), Pittsburgh's David Lawrence (1946–1959), Detroit's Hazen Pingree (1890–1897), and Los Angeles's Tom Bradley (1973–1993).Taking the first-worst prize among scoundrel mayors is Chicago's William H. "Big Bill" Thompson (1915–1923, 1927–1931), one of the most colorful mayors in the city's history, if not the most corrupt. Big Bill, also known as "Kaiser Bill" for his pro-German stand during World War I, accepted campaign funds from gangsters including Al Capone. Also among the "worst" is another Chicago mayor, Jane Byrne (1979–1983), the only woman on the list. Jersey City's Frank Hague (1917–1947) and Philadelphia's Frank Rizzo (1972–1980) are among the other notable rascals who have sat in city halls.The American Mayor presents complete findings of Holli's poll in jargon-free fashion. Holli explains the results of the survey, gives biographical sketches of the ten best mayors, as well as some attention to the worst, and then uses the findings of modern leadership studies to explore mayoral success and failure. He concludes with a chapter titled "Pathways to Power," in which he reviews the New York City political milieu that produced the nation's "best" mayor, Fiorello La Guardia, and also examines the career of the nation's most successful big-city mayor, Buffalo's Grover Cleveland, the only mayor to become president of the United States.

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Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony.Volume IV The Second Golden Age of the Viennese SymphonyBrahms, Bruckner, Dvorák, Mahler, and Selected ContemporariesAlthough during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.

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Over the course of the last few years, our healthcare system has begun a shift toward rewarding physicians for the quality of care rather than the quantity, and building off these efforts, providers, doctors, health systems, and payers are willing to explore new value-based arrangements and open the door to providing new benefits for their beneficiaries. The Medicare Access and CHIP Reauthorization Act began to shift Medicare towards being a more value-based payment system. Chapter 1 discusses the models that are working toward improve the quality of care and reducing cost. Total expenditures for the Medicare Part D drug program exceeded $100 billion in 2016. Part D plan sponsors may use a pharmacy benefit manager (PBM) to provide drug benefit management services for Part D coverage, such as negotiating drug rebates and other price concessions and paying pharmacy claims. Policymakers have sought a better understanding of PBMs' roles in the drug supply chain and plans' and PBMs' efforts to manage Part D drug spending and use. Chapter 2 examines, (1) the extent to which Part D plan sponsors use PBMs, (2) trends in rebates and other price concessions obtained by both PBMs and plan sponsors for Part D drugs, and (3) how PBMs earn revenue for services provided to Part D plans. The Social Security Act requires boards of trustees to issue reports to Congress by April 1 each year on the financial status of the Social Security and Medicare trust funds. Chapter 3 (1) describes how the boards of trustees develop the annual Trustees reports, and (2) examines the extent to which the boards of trustees have provided the reports to Congress by the April 1 deadline, and what factors account for any delays. The Centers for Medicare & Medicaid Services (CMS) implemented a competitive bidding program (CBP) for certain durable medical equipment (DME), such as wheelchairs and oxygen. The Patient Protection and Affordable Care Act required CMS to adjust fee-for-service payment rates for certain DME items in non-bid areas. On January 1, 2016, adjusted rates for 393 items went into effect in non-bid areas. Chapter 4 examines (1) payment rate reductions and any changes in the number of suppliers; (2) any changes in the utilization of rate-adjusted items; and (3) available evidence related to potential changes in beneficiaries' access to rate-adjusted items.

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So, you want to experience the ultimate overseas adventure? Whether you're a gap year student or young traveller, taking a sabbatical or career break, a parent or guardian wanting to travel with your children, or in retirement and looking for your next adventure - The Big Trip is for you. Advice and information in this comprehensive companion, now in its 4th edition, has been thoroughly revised and updated to include expert tips and recommendations that will help you create and enjoy a once-in-a-lifetime dream adventure abroad. We've also added a new section about how to use your time away to turn your life's passion into a new career, with advice on gaining professional accreditation in climbing, mountaineering, diving, sailing, snowsports, wildlife guiding and more. There's also a chapter on accessible travel by Martin Heng for specialist destination and travel advice for those with a disability. Improved accommodation advice now covers everything from cheap and cheerful digs for budget backpackers to higher-end hotels for those wishing to spend more. Experiences include: Blackwater rafting through eerie glow-worm-lit Waitomo Caves in New Zealand Attempting a Tibetan kora (pilgrimage) around Mt Kailash, Asia's most sacred mountain Surfing your way along Hawaii's best beach breaks Getting down and dirty at the Boryeong Mud Festival in Korea Discovering your top temple at Angkor Wat in Cambodia Volunteering on a marine conservation project off the coast of Madagascar Learning to speak Italian at an institute in the heart of Rome Stirring your soul along the sacred, ghat-lined Ganges in Varanasi, India Learning to make Balinese dishes worthy of paradise Climbing to Bhutan's iconic cliff-clinging monastery, Taktshang Goemba Taking a tandem hang-gliding flight from Pedra Bonita over Rio de Janeiro Qualifying to teach everything from English to skiing, diving and mountaineering The Big Trip is your ticket to all this and more: Essential pre-trip planning: health, safety, kit, costs, tickets (new tips such as five apps to keep you safe, nine best ways to save on air tickets online) Volunteering and working abroad: from freelancing and fruit picking to yacht-crewing and teaching Regional overviews, maps and a diverse range of road-tested itineraries Tips and stories from experts and travellers, who range from teenagers to seniors and those travelling with their kids Comprehensive directory of essential resources About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, ebooks, and more.

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Don’t miss the new, totally addictive psychological thriller from Sarah Goodwin, with bombshell twists that will leave you stunned. Fans of The Sanatorium, The Paris Apartment and One of the Girls will be hooked from the very first page. You can't outrun the past… Summer, 2022. When Meg and Cat are forced to take a dangerous shortcut home one night, they notice two men silently following them. Suddenly running for their lives, they scramble into an abandoned building to hide and wait for help. …for what’s done in the dark will come to light… One year later. Attempting to escape the horrors of that fateful night, Meg barricades herself into a safehouse at the edge of a crumbling sea cliff. As a storm rages outside, a blackout plunges the house into darkness. But Meg’s not alone. …and someone wants revenge. This is a twisty locked-room thriller for fans of Sarah Pearse, Lucy Foley and Jane Harper that will leave you breathless. Readers are gripped by The Blackout: ‘I literally could not put this book down, it was heart wrenching, scary, claustrophobic and twisted. A great read.’ NetGalley review⭐⭐⭐⭐⭐ ‘Wow!!! Just finished this book and I am having to remind myself how to breathe. A definite must read for thriller lovers, The Blackout is full of twists and turns as well as moments of quiet reflection and sorrow. So pleased to have read this … now I think I need a lie down!!!’ NetGalley review⭐⭐⭐⭐⭐ ‘Sarah Goodwin's The Blackout is an absolute tour de force in the realm of gripping and atmospheric thrillers. From the very first page, readers will find themselves on a nerve-wracking rollercoaster ride, unable to tear their eyes away from the enthralling narrative.’ NetGalley review⭐⭐⭐⭐⭐ ‘I had promised myself I would only read a few chapters before I had to start dinner. I’m such a liar…. I got completely lost within the pages, I was at the edge of my seat, eyes bulging, fearing what lurked in the next chapter. I couldn't get there fast enough and there was no way in heck I was putting this one down.’ NetGalley review⭐⭐⭐⭐⭐ ‘This novel is a true gem, that keeps you guessing to the end.’ NetGalley review⭐⭐⭐⭐⭐ ‘WOW! If you are looking for a book that will grip you from the start and leave you breathless this is for you. NetGalley review⭐⭐⭐⭐⭐ ‘A fast and fun read, perfect for cuddling up with a blanket during a thunderstorm.’ NetGalley review⭐⭐⭐⭐⭐ ‘I sat up late and read in one sitting which is not something I have done for a long time. One of the best books I have read in a while.’ NetGalley review⭐⭐⭐⭐⭐ ‘This book was a wild rollercoaster of a read. It hooked me from the first page and I just held on till the end. I loved it!’ NetGalley review⭐⭐⭐⭐⭐

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Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social and political categories: not theatre, not dance, not visual art... and often wilfully anti-mainstream and anti-establishment. But as it has become an increasingly prevalent category in international festivals, major art galleries, diverse publications and higher education streams, it is time for a reassessment. This collection of essays, conversations, provocations and archival images takes the twentieth anniversary of the founding of one of the sector’s most committed champions, the Live Art Development Agency (LADA) in London, as an opportunity to consider not only what Live Art has been against, but also what it has been for. Rather than defining the practices in oppositional terms – what they might be seeking to critique, reject or disrupt – this collection reframes these practices in terms of the relations and commitments they might be used to model or advocate. What kinds of care and recovery do they enable? What do they connect as well as reject? What do they make possible as they test the impossible? What ideas of success do they stand for as they risk failure? In this way, the central theme of the collection, and to which all contributors were invited to respond, is the idea of agency: the capacity for new kinds of thoughts, actions and energies as enacted by individual artists and groups. It seems appropriate that this question would be considered in relation to the history of one particular ‘agency’: LADA itself. These questions are explored in a unique conversational format, bringing together a diverse range of emerging and established practitioners, curators and leading figures in the field, each paired with another practitioner for a live conversation that has been sensitively edited for the page. Curated within a structure of five overlapping themes – Bodies, Spaces, Institutions, Communities and Actions – this format produces unexpected insights and accounts of the development of the field. Each theme also contains two provocative essays by leading scholars, thinkers and makers, exploring the conceptual frames in more detail. The result is a collection that is as heterogeneous, ambitious, contradictory and inspiring as the field of Live Art itself. Contributors: Aaron Williamson, Adrian Heathfield, Alan Read, Alastair MacLennan, Alexandrina Hemsley, Amelia Jones, Andrew Mottershead, Andy Field, Anne Bean, Barby Asante, Bryan Biggs, Cassils, Catherine Wood, David A. Bailey, Dominic Johnson, Gary Anderson, George Chakravarthi, Guillermo Gómez-Peña, Hayley Newman, Heike Roms, Helen Paris, James Leadbitter, Jamila Johnson-Small, Jane Trowell, Jen Harvie, Johanna Tuukkanen, John Jordan, John McGrath, Jordan McKenzie, Joshua Sofaer, Katherine Araniello, Kira O'Reilly, Lena Šimić, Leslie Hill, Lois Keidan, Lois Weaver, Manuel Vason, Martin O'Brien, Mary Paterson, Rajni Shah, Rebecca French, Richard Dedomenici, Ron Athey, RoseLee Goldberg, Selina Thompson, Simon Casson and Tim Etchells. Co-published with Live Art Development Agency. Winner of the 2021 TaPRA Edited Collection Prize

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In the closing months of World War II, with Budapest’s fall on 12 February 1945 and the breakout attempt by the IX SS-Gebirgskorps having failed, the only thing the IV. SS-Panzerkorps could do was fall back to a more defensible line and fortify the key city of Stuhlweissenburg. Exhausted after three relief attempts in January 1945 and outnumbered by the ever-increasing power of Marshal Tolbukhin’s Third Ukrainian Front, SS-Obergruppenführer Gille’s veterans dug in for a lengthy period of defensive warfare.However, Adolf Hitler had not forgotten about the Hungarian theatre of operations nor the country’s rich oilfields and was sending help. To the detriment of the defence of Berlin, SS-Oberstgruppenführer Sepp Dietrich’s legendary 6. Panzerarmee was on its way, not to retake Budapest, but to encircle and destroy Tolbukhin’s forces and completely reverse the situation in south-eastern Europe in Hitler’s favour. This overly ambitious offensive, known as Frühlingserwachen (Spring Awakening), was soon bogged down in the face of resolute Soviet defences aided by the springtime thaw. Heralded as Nazi Germany’s last great offensive of World War II, it resulted in great losses to Hitler’s last armoured reserve in exchange for only minor gains. Though it played a supporting role during the battle, the IV. SS-Panzerkorps was soon caught up in its aftermath, after the Red Army launched its Vienna Operation that nearly swept the armies of Heeresgruppe Süd from the battlefield.Withdrawing into Austria, Gille’s battered corps attempted to bar the route into Germany, while the Red Army bore down on Vienna. Forced to endure relentless Soviet attacks as well as the caustic leadership of the 6. Armee commander, General Hermann Balck, the men of the IV. SS-Panzerkorps fought their way through Austria to reach the safety of the demarcation line where it finally surrendered to U.S. forces on 9 May 1945 after nearly a year of relentless campaigning.

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Friday, January 6, 2017: On that day, as always, John Brennan's alarm clock was set to go off at 4:15 a.m. But nothing else about that day would be routine. That day marked his first and only security briefing with Presidentelect Donald Trump. And it was also the day John Brennan said his final farewell to Owen Brennan, his father, the man who had taught him the lessons of goodness, integrity, and honor that had shaped the course of an unparalleled career serving his country from within the intelligence community. In this brutally honest memoir, Brennan, the son of an Irish immigrant who settled in New Jersey, describes the life that took him from being a young CIA recruit enamored with the mystique of spy work, secretly defiant enough to drive a motorcycle and sport a diamond earring, and invigorated by his travels in the Middle East, to being the most powerful individual in American intelligence. He details his experiences with very different presidents and what it's been like to bear responsibility for some of the nation's most crucial and polarizing national security decisions. He pulls back the curtain on the inner workings of the Agency, describing the selfless, patriotic, and invisible work of the women and men involved in national security. He also examines the insularity, arrogance, and myopia that have, at times, undermined its reputation in the eyes of the American people and of members of other branches of government. Through topics ranging from George W. Bush's intervention in Iraq to his thoughts on the CIA's controversial use of enhanced interrogation techniques to his eye-opening account of the planning of the raid that resulted in Bin Ladin's death to his realization that Russia had interfered with the 2016 election, Brennan brings the reader behind the scenes of some of the most crucial moments in recent U.S. history. He also candidly discusses the times he has failed to live up to his own high standards and the very public fallouts that have resulted. With its behind-the-scenes look at how major U.S. national security policies and actions unfolded during his long and distinguished career-especially during his eight years in the Obama administration-John Brennan's memoir is a work of history with strong implications for the future of America and our country's relationships with other world powers. Undaunted: My Fight Against America's Enemies, at Home and Abroad offers a rare and insightful look at the often-obscured world of national security, the intelligence profession, and Washington's chaotic political environment. But more than that, it is a portrait of a man striving for integrity; for himself, for the CIA, and for his country.

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Operation Masher/White Wing targeted the regiments of the North Vietnamese Army Sao Vang Division operating in the Bong Son area in northeast Binh Dinh Province in central South Vietnam. The operation started on January 24, 1966, immediately after the Vietnamese New Year (Tet) and ended six weeks later. It was led by newly promoted Colonel Harold G. Moore, who as a lieutenant colonel commanded the 1st Battalion, 7th Cavalry in the battle of Landing Zone X-Ray in the Ia Drang Valley two months earlier.In 41 days of sustained fighting, the 1st Cav battled each of the three regiments of the Sao Vang Division, resulting in enemy losses of more than 3,000 KIA. This came at the cost of 199 Americans killed on the battlefield and 46 more who died in the crash of a U.S. Air Force C-123 aircraft en route to the battlefield, making it one of the deadliest battles of the entire Vietnam War.Operation Masher/White Wing was a success. The 1st Cav demonstrated that it had the firepower, mobility, and leadership to find the enemy and deliver a severe blow to it in terms of personnel and equipment losses and in forced evacuation from formerly “secure” base areas, seemingly proving the value of the search-and-destroy strategy.However within a few weeks, intelligence reports indicated that North Vietnamese soldiers were returning to the Bong Son area in small groups. By late April, the Sao Vang Division was back in the area in force. Operation Masher/White Wing proved to be the start of a very long and deadly struggle between the 1st Cav and North Vietnamese for control of Binh Dinh Province—multiple search & destroy operations eventually resulted in more than 9,000 enemy KIA and 2,358 enemy detained, with friendly losses of more than 1,200 KIA, 5,775 WIA, and 27 MIA. While Masher/White Wing demonstrated that search & destroy operations were very effective at the tactical level but without a high-level strategy to stop the unabated flow of fresh Communist troops and supplies into South Vietnam, it wasn’t clear just how they contributed to overall victory. At the start of 1968, General Westmoreland ordered the 1st Cav to terminate its operations in the Bong Son area, bringing the battle to a close.

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The power which has always started the greatest religious and political avalanches in history rolling has from time immemorial been the magic power of the spoken word, and that alone.""—Adolf Hitler, Mein KampfAs historians have long noted, public oratory has seldom been as pivotal in generating and sustaining the vitality of a movement as it was during the rise and rule of the National Socialist Party, from 1919 to 1945. Led by the charismatic and indefatigable Hitler,National Socialists conducted one of the most powerful rhetorical campaigns ever recorded. Indeed, the mass addresses, which were broadcast live on radio, taped for re-broadcast, and in many cases filmed for play on theater newsreels throughout the Third Reich, constituted one of the most thorough exploitations of media in history. Because such evil lay at the heart of the National Socialist movement, its overwhelming rhetoric has often been negatively characterized as propaganda. As Randall Bytwerk points out, however, the ""propaganda"" label was anything but negative in the minds of the leaders of the National Socialist movement. In their view, the clear, simplistic, and even one-sided presentation of information was necessary to mobilize effectively all elements of the German population into the National Socialist program. Gathered here are thirteen key speeches of this historically significant movement, including Hitler's announcement of the party's reestablishment in 1925 following the unsuccessful Beer Hall Putsch, four addresses by Joseph Goebbels, the 1938 Kristallnacht speech by Julius Streicher, and four speeches drafted as models for party leaders' use on various public occasions. The volume concludes with Adolf Hitler's final public address on January 30, 1945, three months before his suicide. Several of these works are presented for the first time in English translation. Bytwerk provides a brief introduction to each speech and allows the reader to trace the development and downfall of the Nazi party.Landmark Speeches of National Socialism is an important volume for students of rhetoric, World War II, Nazi Germany, and the Holocaust.

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Today, in the era of the spoiler alert, "surprise" in fiction is primarily associated with an unexpected plot twist, but in earlier usage, the word had darker and more complex meanings. Originally denoting a military ambush or physical assault, surprise went through a major semantic shift in the eighteenth century: from violent attack to pleasurable experience, and from external event to internal feeling. In Surprise, Christopher R. Miller studies that change as it took shape in literature ranging from Paradise Lost through the novels of Jane Austen. Miller argues that writers of the period exploited and arbitrated the dual nature of surprise in its sinister and benign forms. Even as surprise came to be associated with pleasure, it continued to be perceived as a problem: a sign of ignorance or naïveté, an uncontrollable reflex, a paralysis of rationality, and an experience of mere novelty or diversion for its own sake. In close readings of exemplary scenes—particularly those involving astonished or petrified characters—Miller shows how novelists sought to harness the energies of surprise toward edifying or comic ends, while registering its underpinnings in violence and mortal danger. In the Roman poet Horace’s famous axiom, poetry should instruct and delight, but in the early eighteenth century, Joseph Addison signally amended that formula to suggest that the imaginative arts should surprise and delight. Investigating the significance of that substitution, Miller traces an intellectual history of surprise, involving Aristotelian poetics, Cartesian philosophy, Enlightenment concepts of the passions, eighteenth-century literary criticism and aesthetics, and modern emotion theory. Miller goes on to offer a fresh reading of what it means to be "surprised by sin" in Paradise Lost, showing how Milton’s epic both harks back to the symbolic functions of violence in allegory and looks ahead to the moral contours of the novel. Subsequent chapters study the Miltonic ramifications of surprise in the novels of Defoe, Haywood, Richardson, Fielding, and Sterne, as well as in the poems of Wordsworth and Keats. By focusing on surprise in its inflections as emotion, cognition, and event, Miller’s book illuminates connections between allegory and formal realism, between aesthetic discourse and prose fiction, and between novel and lyric; and it offers new ways of thinking about the aesthetic and ethical dimensions of the novel as the genre emerged in the eighteenth century.

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"Anyone with a serious interest in the future of education will find this book provocative, prescient, prescriptive, and pivotal. It is a must-read for those responsible for preparing educational institutions at all levels for their new role in our networked society."--Vinton G. Cerf, senior vice president, MCI WORLDCOM, and chairman, Internet Society "Transformative. That's what networks are; that's the role our institutions must fill for society; and that's what our leadership must be. This book provides valuable insight into networks and the challenges we must address to ensure that higher education thrives in the Knowledge Age."--Molly Corbett Broad, president, University of North Carolina "This book will prove essential to presidents and other campus leaders who must plan for, and invest in, the networking infrastructures that will powerfully impact the futures of our institutions."--John Hitt, president, University of Central Florida "All of educational practice will eventually contribute to the creative and fast-paced links that we know through the Internet. The thoughtful essays in this volume can, indeed, help us prepare for that future."--Jane Margaret "Maggie" O'Brien, president, St. Mary's College of Maryland This first volume from the EDUCAUSE Leadership Strategies series examines the changes and challenges that the advanced Internet2 will bring to higher education campuses everywhere. Edited by Mark Luker and featuring the insights of experienced campus leaders and information professionals, this forward-thinking guide provides a roadmap to the extraordinary capabilities of the advanced Internet to come. The contributors reveal how this new networking environment will affect business operations, academic instruction, libraries, information management, regional partnerships, federal funding, policy decisions, and more. Each chapter offers specific recommendations and strategic advice to help institutional leaders make complex decisions about the future of networking on their campuses-such as when, how, and how much to invest in upgrading current technology to support the new networking environment. Far from a technical study, Preparing Your Campus for a Networked Future is a pragmatic exploration of what leaders can do to prepare for continually evolving technology.

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Common wisdom has it that when Auden left England for New York in January 1939, he had already written his best poems. He left behind (most critics believe) all the idealisms of the 1930s and all serious concerns to become an unserious poet, a writer of ingenious, agreeable, minor lyrics. Lucy McDiarmid argues that such readers, spoiled by the simple intensities of apocalypse, distort and misjudge Auden's greatest work. She shows that once Auden was freed from the obligation to criticize and reform the society of his native country, he devoted his imaginative energies to commentary on art. And about art he was never complaisant: with greater passion than he had ever used to undermine "bourgeois" society, Auden undermined literature. Every major poem and every essay became a retractio, a statement of art's frivolity, vanity, and guilt. Auden's Apologies for Poetry, then, sets forth the unorthodox notion that the chief subject of later, "New Yorker" Auden is the insignificance of poetry. Commenting on all the major poems and essays from the 1930s through the 1960s, and analyzing manuscript revisions and unpublished works, it charts the changes in Auden's poetics in the light of his shift from an oral to a written model of poetry. In his earliest work Auden voices the tentative hope that poems can be like loving spoken words, transforming and redeeming, themselves carriers of value. After 1939 he takes for granted a written model. His later essays and poems deny art spiritual value, claiming that "love, or truth in any serious sense" is a "reticence," the unarticulated worth that exists--if at all--outside the words on the page. Later Auden creates a poetics of apology and self-deprecation, a radical undermining of poetry itself. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The popular image of a mid-century ad woman is of a feisty girl beating men at their own game, a female Horatio Alger protagonist battling her way through the sexist workplace. But before the fictional rise of Peggy Olson or the real-life stories of Patricia Tierney and Jane Maas came Jean Wade Rindlaub: a female powerbroker who used her considerable success in the workplace to encourage other women--to stick to their kitchens. The Angel in the Marketplace is the story of one of America's most accomplished advertising executives. It is also the story of how advertisers like Rindlaub sold a postwar American dream of capitalism and a Christian corporate order. Rindlaub was responsible for award-winning, mega sales-generating advertisements for all things domestic, including Oneida Silverware, Betty Crocker Cake Mix, Campbell's Soup, and Chiquita Bananas. Her success largely came from embracing, rather than subverting, the cultural expectations of women. She believed her responsibility as an advertiser was not to spring women from their trap, but to make that trap more comfortable. Rindlaub wasn't just selling silverware and cakes, she was selling the virtues of free enterprise. By following the arc of Rindlaub's career from the 1920s through the 1960s, we witness how a range of cultural narratives--advertising chief among them--worked powerfully to shape women's emotional and economic behavior in support of the free market system. Alongside Rindlaub's story, Ellen Wayland-Smith provides a riveting history of how women were repeatedly sold the idea that their role as housewives was more powerful, and more patriotic, than any outside the home. And by buying into the image of morality through an unregulated market, many of these women helped fuel backlash against economic regulation and socialization efforts throughout the twentieth century. The Angel in the Marketplace is a nuanced portrayal of a complex woman, one who both shaped and reflected the complicated cultural, political, and religious forces defining femininity in America at mid-century. This compelling account of one of advertising's most fervent believers is a tale of a Mad Woman we haven't been told.

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In October 1962, when the Soviet Union deployed nuclear missiles in Cuba, the most dangerous confrontation of the Cold War ensued, bringing the world close to the brink of nuclear war. Over two tense weeks, U.S. president John F. Kennedy and Soviet premier Nikita Khrushchev managed to negotiate a peaceful resolution to what was nearly a global catastrophe.Drawing on the best recent scholarship and previously unexamined documents from the archives of the former Soviet Union, this introductory volume examines the motivations and calculations of the major participants in the conflict, sets the crisis in the context of the broader history of the global Cold War, and traces the effects of the crisis on subsequent international and regional geopolitical relations.Selections from twenty primary sources provide firsthand accounts of the frantic deliberations and realpolitik diplomacy between the U.S., the U.S.S.R., and Fidel Castro's Cuban regime; thirteen illustrations are also included.CONTENTS:Introduction: The Making of a global Crisis The Origins of the Cold War A New Front in the Cold War The Cold War in Latin America The Cuban Revolution and the Soviet Union U.S. and Regional Responses to the Cuban Revolution Operation Zapata: The Bay of Pigs Operation Anadyr: Soviet Missiles in Cuba Crisis Dénouement: The Missiles of November Evaluating the Leadership on All Sides of the Crisis Nuclear Fallout: Consequences of the Missile Crisis The Future of Cuban-Soviet Relations Latin American Responses to the Missile Crisis Conclusion: Lessons of the Cuban Missile Crisis Historiography of the Cuban Missile Crisis Documents Memorandum for McGeorge Bundy from Arthur Schlesinger, Jr., April 10, 1961 State Department White Paper, April 1961 From the Cable on the Conversation between Gromyko and Kennedy, October 18, 1962 Telegram from Soviet Foreign Minister Gromyko to the CC CPSU, October 20, 1962 President John F. Kennedy’s speech to the Nation, October 22, 1962 Resolution Adopted by the Council of the Organization of American States Acting Provisionally as the Organ of Consultation, October 23, 1962 Message from Mexican President Adolfo López Mateos to Cuban President Osvaldo Dorticós, October 23, 1962 Letter from Khrushchev to John F. Kennedy, October 24, 1962 Telegram from Soviet Ambassador to the USA Dobrynin to the USSR MFA, October 24, 1962 Memorandum for President Kennedy from Douglas Dillon, October 26, 1962 Telegram from Fidel Castro to N.S. Khrushchev, October 26, 1962 Letter from Khrushchev to Fidel Castro, October 28, 1962 Cable from USSR Ambassador to Cuba Alekseev to Soviet Ministry of Foreign Affairs, October 28, 1962 Telegram from Soviet Deputy Foreign Minister Kuznetsov and Ambassador to the U.N. Zorin to USSR Foreign Ministry (1), October 30, 1962 Premier Khrushchev’s Letter to Prime Minister Castro, October 30, 1962 Prime Minister Castro’s Letter to Premier Khrushchev, October 31, 1962 Meeting of the Secretary of the Communist Party of Cuba with Mikoyan in the Presidential Palace, November 4, 1962 Brazilian Foreign Ministry Memorandum, “Question of Cuba,” November 20, 1968 Letter from Khrushchev to Fidel Castro, January 31, 1963 “I Know Something About the Caribbean Crisis,” Notes from a Conversation with Fidel Castro, November 5, 1987 Select Bibliography

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Great Relationships Are Your Key To Business Success. Whether you're just starting your career or have been in the business world for years, this book provides all the tools you'll need to create long lasting success in your life. Why wait to build the life you've always dreamed of? Running your life is very much like running a business, and People Tools for Business is filled with practical ideas to help you run your life more effectively and efficiently.YOU CAN MAKE A CAREER OUT OF BEING HAPPY In this sequel to his New York Times Bestseller People Tools (January 2014), Alan C. Fox shares the most important lessons from his successful and distinguished life. The reader can use the tools described in this book to achieve success both in the boardroom and at home. WHAT ARE PEOPLE TOOLS? "People Tools" are practical life skills that are easy to understand. They are free to use and yet they will significantly improve your ability to work well with other people. From developing self-confidence, to making healthier life decisions to being a better manager, each tool provides a straightforward approach to help you get more effective results.Filled with insightful examples and entertaining anecdotes, People Tools is fun to read but will have long-lasting impact. The stories will charm you; the advice will change your life. TAKE CONTROL: YOU ARE THE SOLE PROPRIETOR OF YOUR OWN LIFE. The time-tested tools outlined in this book are useful shortcuts that you can use to solve everyday problems. You will find the advice applicable not only to business but to all aspects of your personal life as well. GET ADVICE FROM THE BEST IN THE BUSINESSAlan C. Fox has used the People Tools outlined in this book to build a rich and fulfilling life. He has built a commercial real estate company worth more than $1.5 billion, launched a nationally renowned poetry journal, and established a foundation that provides millions in funding to non-profit organizations that work with young people. He has also raised a large and loving family and created a trusted circle of close friends and colleagues.Let Alan Be Your Personal MentorLife and work are full of challenges, but with the practical strategies outlined in this book, Alan will show you how to live the life of your dreams.

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COMPARATIVE URBANISM ‘Comparative Urbanism fully transforms the scope and purpose of urban studies today, distilling innovative conceptual and methodological tools. The theoretical and empirical scope is astounding, enlightening, emboldening. Robinson peels away conceptual labels that have anointed some cities as paradigmatic and left others as mere copies. She recalibrates overly used theoretical perspectives, resurrects forgotten ones long in need of a dusting off, and brings to the fore those often marginalised. Robinson’s approach radically re-distributes who speaks for the urban, and which urban conditions shape our theoretical understandings. With Comparative Urbanism in our hands, we can start the practice of urban studies anywhere and be relevant to any number of elsewheres.’ Jane M. Jacobs, Professor of Urban Studies, Yale-NUS College, Singapore ‘How to think the multiplicity of urban realities at the same time, across different times and rhythmic arrangements; how to move with the emergences and stand-stills, with conceptualisations that do justice to all things gathered under the name of the urban. How to imagine comparatively amongst differences that remain different, individualised outcomes, but yet exist in-common. No book has so carefully conducted a specifically urban philosophy on these matters, capable of beginning and ending anywhere.’ AbdouMaliq Simone, Senior Research Fellow, Urban Institute, University of Sheffield The rapid pace and changing nature of twenty-first century urbanisation as well as the diversity of global urban experiences calls for new theories and new methodologies in urban studies. In Comparative Urbanism: Tactics for Global Urban Studies, Jennifer Robinson proposes grounds for reformatting comparative urban practice and offers a wide range of tactics for researching global urban experiences. The focus is on inventing new concepts as well as revising existing approaches. Inspired by postcolonial and decolonial critiques of urban studies she advocates for an experimental comparative urbanism, open to learning from different urban experiences and to expanding conversations amongst urban scholars across the globe. The book features a wealth of examples of comparative urban research, concerned with many dimensions of urban life. A range of theoretical and philosophical approaches ground an understanding of the radical revisability and emergent nature of concepts of the urban. Advanced students, urbanists and scholars will be prompted to compose comparisons which trace the interconnected and relational character of the urban, and to think with the variety of urban experiences and urbanisation processes across the globe, to produce the new insights the twenty-first century urban world demands.

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Based on the incredible true story of The Great Stork Derby, Prize Women is the profoundly moving novel that sheds light on a scandalous moment in history just as relevant today'Gorgeous. Prize Women took my breath away. I haven't stopped thinking about it' JENNIFER SAINT'Wonderfully evocative and intelligent. Sheds light on a scandalous moment in history I knew nothing about, told with great sensitivity and grace. I was entranced' EMMA STONEX'This heartbreaking story explores friendship, strength and the fight to survive' WOMAN'S WEEKLY___________Toronto, 1926.A childless millionaire leaves behind an astonishing will: the recipient of his fortune will be decided in a contest known as 'The Great Stork Derby'. His money will go to the winner: the woman who bears the most children in the ten years after his death.Lily di Marco is young, pregnant, and terrified of her husband. Fleeing to Toronto, she arrives on the doorstep of glamorous free spirit Mae Thebault. At a time when men hold all the power, Lily and Mae look out for each other. But as their friendship grows, Lily wonders if there's more to Mae - and her past - than she has been told . . .And as the Great Depression bites, the Stork Derby contest - with its alluring prize - proves too good to ignore for Lily and Mae, each living hand to mouth.These best friends are now fierce rivals. But if only one woman can win, what will the contest cost the other?___________'A profoundly moving and absolutely gripping novel about the choices women face - and the choices they are denied. I cannot recommend it highly enough' ELODIE HARPER'This tale of two women resonates with what is happening in the world today. I was gripped by Lily and Mae's story, the desperate choices that women still face' LOUISE HARE'Fascinating historical fiction with a feminist slant' GOOD HOUSEKEEPING'A serious, thoughtful and epic journey into the trials of motherhood . . . With her contrasting female characters, Lea interrogates the fight for female agency across class divides, a struggle that continues to this day. A fascinating snapshot of another time, perhaps not as far removed from our own as we might hope' JANICE HALLET'Wonderfully researched and full of evocative historical detail' CULTUREFLY 'Masterful. Caroline Lea is a superb storyteller, and Prize Women deserves a huge readership. So good, I had to pull myself away' ELIZABETH MACNEAL

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The definitive guide to childbirth from the Home of Hypnobirthing More than 100,000 copies sold worldwide, helping countless babies into the world. 15 unique relaxation scripts to help prepare you for a calm and confident birth. Audio download to accompany the book so it's easy to make practice and relaxation part of your daily routine KGH is The home of Hypnobirthing, KGH is taught in Hospitals, Antenatal Classes and by Midwives and Birthing Professionals all around the world. The KGH Teacher training course is accredited by the Royal College of Midwives and is the source material for many other Hypnobirthing books and courses. This major new update of The Hypnobirthing Book is your complete and essential guide to making the birth of your child the most wonderful and uplifting experience of both your lives. The book's calm and confident advice - rooted in Katharine's many years of practical experience as a doula and teacher - describes what happens to your body during pregnancy and childbirth, empowering you to listen to your body to help you to achieve a calm and confident birth. The book explains the vital role of the birth partner and covers all types of birth situation. When you follow the proven logical and evidence based KG Hypnobirthing techniques, you will have all the tools you need to release any fears you have about labour and to enjoy your baby's birth. Tips and techniques for overcoming previous birth trauma and other challenges help you achieve the birth you want - for you and your baby The thing about KGHypnobirthing is that it works,' - a KG Hypnobirthing father 'Beyond grateful to... Katharine for the inspiration, wisdom and guidance she shared, which empowered us more than I can explain' Ella Mills, Deliciously Ella 'Katharine Graves is the Godmother of Awakened Midwifery. She teaches a very important aspect of feminism; how to honour and unleash (perhaps) the greatest power of humanity, the ability to create life and consciously bring it forth into the world' - Russell Brand 'My work with Katharine kept me calm and focused as my labour took a number of unexpected twists and turns. I felt well prepared and although I ended up having a C-section rather than a planned natural birth, I found her programme helped enormously to guide me through each step. Baby Rae and I now happily listen to Katharine's meditations together - I think she recognises her voice!' - Sarah-Jane Mee

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*Well-Read Black Girl - Book Club Pick*As an incredible glass-ceiling breaker and the woman who brought timeless television shows like The Game and Being Mary Jane to cable, Debra Lee has been the visionary responsible for elevating Black images and storytelling for decades. Now she's telling her own story, in an intimate and eye-opening tale about the triumphant and tricky moments of a career in entertainment.I Am Debra Lee is a page-turner, filled with deeply personal revelations, juicy celebrity intel, and electrifying behind-the-scenes stories that reveal how she went from a girl raised in the segregated South to leading the first Black company traded on the New York Stock Exchange and how she juggled social responsibility while managing a company targeted toward the Black community. In a rousing narrative, Lee writes: "I don't just love Black culture-the magic in our hair, the swagger in our steps, the particular way we can say 'alright now' to fit our changing moods-Black culture saved me." In her exciting debut, she answers all of our questions about building an unapologetically Black enterprise as a Black woman. What to do when you're forced to attend a board meeting eight weeks after a C-section. How to manage a team of men when you're the first female CEO at the company. How she learned the hard way to say no to those in power when their vision didn't align with her purpose.I Am Debra Lee tackles lessons that women CEOs rarely dare to. She addresses her personal struggles with motherhood and "having it all," navigating reproductive choice, fertility, and #MeToo while achieving great professional success. Being Black and a woman in corporate life isn't easy for anyone. But Lee shows how she evolved from a shy girl who dreaded public speaking to becoming a force to be reckoned with as she helped build the leading entertainment company for Black audiences and consumers of Black culture globally.?I Am Debra Lee is a must-read for all strivers in any industry. Lee is a truthteller about the critical choices that Black leaders face. As she has done her whole career, in this book, she opens the door for others to come after her, by sharing the truth behind her own inspiring story of power, perseverance, and success.

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My little boy's room was empty, his bed neatly made. Alarm bells should have rung immediately. Then the knock on the door came. All I remember is a thick fog wrapping itself tightly around me. This couldn't be happening to us . . . Three years ago, nurse Zoe's son Ethan was found drowned in a muddy river by their home, along with his best friend Josh. With no witnesses, their deaths were ruled a tragic accident. Heartbroken, Zoe and her family move away from her home. They're just beginning to get back to some kind of normality, when, out of the blue, Zoe receives an anonymous email: You need to find out the truth about what happened to your son. Don't let this rest. Don't believe the lie. Shaken, Zoe starts an obsessive hunt for the truth. But why is her husband so reluctant to help? And why is Josh's mother so determined not to believe her? An absolutely unputdownable psychological thriller about a mother's desperate search for the truth. Fans of Jane Corry, Jenny Blackhurst and Rachel Abbott will be hooked from the very first page.See what readers are saying about The Warning:'Man, what a book! Can I repeat again - what a book!...a thrilling rush in each page ...a total rollercoaster ride. I loved its bumpy roads, the twists and turns churned my stomach, and I enjoyed every bit of it'. Book Reviews by Shalini'Oh my goodness! This twisty thriller keeps you on the edge of your seat all the way until the very end ...fascinating ... I could not put it down...interesting and captivating.' Goodreads Reviewer, 5 stars.'Absolutely cracking psychological thriller... a truly magnificent read. I was glued to it from start to finish, barely able to put it down... the exact book I needed to kick my reading mojo back into gear.' Leah Reads Books'OMG Kathryn Croft has done it again!!! I devoured this book in two days!!! I absolutely loved it along with all the other books I've read of hers. From the beginning to end kept in suspense and shock. I really didn't see any of it coming.' Goodreads Reviewer, 5 stars'I proudly hand over 5 twisty messed-up stars to this book!!! I loved this and all the WTF moments... It was so freakin' cool to read! Very interesting plot(s) going on here!! Twisted, twisty, dark, sad, awesome!!! Oh let's just say... THAT ending!... 5 Stars from me!!!' Goodreads Reviewer, 5 stars

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A gorgeous, full-color illustrated cookbook and personal cultural history, filled with 100 mouthwatering recipes from around the world, that celebrates the culinary traditions of strong, empowering immigrant women and the remarkable diversity that is American food.Born in Italy, Anna Francese Gass came to the United States as a young child and grew up eating her mother’s Italian cooking. But when this professional cook realized she did not know how to make her family’s beloved meatballs—a recipe that existed only in her mother’s memory—Anna embarked on a project to record and preserve her mother’s recipes for generations to come. In addition to her recipes, Anna’s mother shared stories from her life in Italy that her daughter had never heard before, fascinating tales that whetted Anna’s appetite to learn more. So, Anna began reaching out to her friends whose mothers were also immigrants, and soon she was cooking with dozens of women who were eager to share their unique memories and the foods of their homelands.In Heirloom Kitchen, Anna brings together the stories and dishes of forty strong, exceptional women, all immigrants to the United States, whose heirloom recipes have helped shape the landscape of American food. Organized by region, the 100 tantalizing recipes include: Magda’s Pork Adobo from the Phillippines Shari’s Fesenjoon, a walnut and pomegranate stew, from Iran Tina’s dumplings from Northern China Anna’s mother’s meatballs from Southern Italy In addition to the dishes, these women share their recollections of coming to America—stories of hardship and happiness—that illuminate the power of food, and how cooking became a comfort and a respite in a new land for these women, as well as a tether to their native cultural identities.Accented with 175 photographs, including food shots, old family photographs, and ephemera of the cooks’ first years in America—such as Soon’s recipe book pristinely handwritten in Korean or the measuring cup Anke tucked into her suitcase before leaving Germany—Heirloom Kitchen is a testament to female empowerment and strength, perseverance, diversity, and inclusivity. It is a warm and inspiring reminder that the story of immigrant food is, at its core, a story of America.Profiled women and countries:Gina (Calabria, Italy)Maria (Calabria, Italy)Lisetta (Sardinia, Italy)Kanella (Greece)Stacey (Scotland)Emilia (Ukraine)Tsilia (Ukraine)Marina (Moscow)Bea (Serbia)Monika (Poland)Susanne (Hamburg, Germany)Anke (Berlin, Germany)Tina (North China)Daisy (South China)Chizuko (Japan)Soon (Korea)Magda (Philippines)Lydia (Philippines)Khurshed (India)Shobhana (India)Shari (Iran)Cheri (Iraq)Lucy (Armenia)Irene (Lebanon)Shekaiba (Afghanistan)Fethie (Palestine)Nikita (Haiti)Janet (Mexico)Haydee (Puerto Rico)Rocio (Peru)Angela (Cuba)Maria (Dominican Republic)Morgana (Brazil)Sheila (Panama)Jennipher (Ghana)Safoi (Morocco)Amina (Egypt)

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Over its fifty-year existence, John F. Blair, Publisher, was known for its Southern folklore—its tales of ghosts, goblins, ghouls, spirits, witches, devils, phantoms, haints, boogers, boo-daddies, plat-eyes, demons, apparitions, Doppelgangers, banshees, disappearing hitchhikers, pirate legends, ghost dogs, dog ghosts, dogs who see ghosts . . . In recognition of its golden anniversary, the company published this volume of twenty stories culled from its folklore collections. Readers will likely be impressed at the timeless quality of the tales, some of which have never been out of print since they first appeared in the 1960s. And you may be surprised to learn of their broad appeal, the collections having sold a total of over six hundred thousand copies. Some of these tales are now being enjoyed by their third generation of readers. If you don’t know what a coffin baby is, read “Milk and Candy” by Randy Russell and Janet Barnett. If you’d like to meet a real-life pirate who’d make a better Hollywood character than any swashbuckler yet seen on celluloid, you’ll enjoy “Stede Bonnet” by Nancy Roberts. If there’s a place in your heart for a pair of lifesaving little dogs who’ve scampered on the same South Carolina beach for over a hundred years, try “Pawleys Island Terriers” by Elizabeth Robertson Huntsinger. If you prefer folklore with a historical touch, you can learn about Theodosia Burr Alston in Charles Harry Whedbee’s “Lady in Distress” and about Francis Marion in Daniel W. Barefoot’s “Ghostly Legacy of the Swamp Fox.” The folklorists included here claim stomping grounds from the high peaks and mountain hollows to the flatlands to the swamps to the barrier islands to the briny deep. What they share is a love of their subject and the ability to bring it to life on the page. This anthology was compiled by the staff of John F. Blair, Publisher.

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This collection covers the period February 1862-March 1864, which constituted the final two years and one month that Rear-Admiral Sir Alexander Milne commanded the Royal Navy’s North America and West India Station. Its chief focus is upon Anglo-American relations in the midst of the American Civil War. Whilst the most high-profile cause of tension between the two countries — the Trent Affair — had been resolved in Britain’s favour by January 1862, numerous sources of discord remained. Most turned on American efforts to blockade the so-called Confederacy, efforts that often ran afoul of international law, not to mention British amour-propre. As commander of British naval forces in the theatre, Milne’s decisions and actions could and did have a major impact on the state of affairs between his government and that of the US.While noting in one private exchange with the British ambassador to Washington, Richard, Lord Lyons, that he had been "enjoined to abstain from any act likely to involve Great Britain in hostilities with the United States," Milne added ominously, "yet I am also instructed to guard our Commerce from all illegal interference" and it is plain from his correspondence that both he and the British government were prepared to use force in that undertaking. Thus, between apparently high-handed behaviour by the US Navy and Milne’s and the Palmerston government’s resolve not to be pushed beyond a certain point, the ingredients for a major confrontation between the two countries existed. Yet most of Milne’s efforts were directed toward preventing such a confrontation from occurring. In this endeavour he was joined by Lyons and by the British government. No vital British interest was at stake in the conflict raging between North and South, and thus the nation was unlikely to become directly involved in it unless provoked by rash US actions.Yet there was no shortage of such provocations: the seizure of British merchant vessels bound from one neutral port to another, detaining such ships without first conducting a search of their cargo for evidence of contraband of war, the de facto blockade of British colonial ports, apparent violations of British territorial waters, the seizure of British merchantmen off the neutral port of Matamoros, Mexico, and the use of neutral ports as bases of operations by US warships among them. In responding to these and other sources of dispute between the US and Britain, Milne proved adept at pouring oil on troubled waters, so much so that in a late 1863 letter to Foreign Secretary Lord Russell, Lyons lamented his impending departure from the station: "I am very much grieved at his leaving….No change of admirals could be for the better."This collection centres upon Milne’s private correspondence, especially that between him and Lyons, First Lord of the Admiralty the Duke of Somerset and First Naval Lord Vice Admiral Sir Frederick Grey. It also includes private letters to and from many of Milne’s other professional correspondents and important official correspondence with the Admiralty.

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