Search results for ""author manus"
£10.45
Alfred Publishing Co Inc.,U.S. Alfred's Basic Adult Piano Course Lesson Book 2
£14.95
Alfred Publishing Co Inc.,U.S. Alfred's Basic Piano Library Recital 2
£11.21
Alfred Publishing Co Inc.,U.S. Ukulele Chord Chart
£6.50
Alfred Publishing Co Inc.,U.S. Alfred's Basic Piano Library Prep Course Lesson E
£11.21
Alfred Publishing Co Inc.,U.S. Alfred's Basic Piano Library Prep Course Lesson C
£11.21
Alfred Publishing Co Inc.,U.S. Alfred Prep Course Solo Book - Level A
£11.21
Alfred Publishing Co Inc.,U.S. Alfred's Basic Piano Library Lesson 4
£11.21
Capstone Global Library Ltd Pedro Pack A of 6
From the creator of Katie Woo, Fran Manushkin, comes a series about Katie''s friend Pedro. Join Pedro and his friends as he enjoys adventures at school, on the football pitch and at home with his sometimes pesky, younger brother Paco! Easy-to-read stories, with helpful features like a glossary and discussion questions, build confidence in young readers.
£32.35
Capstone Global Library Ltd Katie Blows Her Top
Katie Woo has science on her mind. She's doing a science experiment and building her own volcano. But when her project gets out of control, Katie gets mad. Can Katie keep from blowing her top?
£8.46
Capstone Global Library Ltd Pedro's Big Goal
Pedro dreams of playing goalie in the next big football match. But he worries he's too slow and too small. Will Pedro meet his big goal? Reader-support tools, such as a glossary and discussion questions, make this a great choice for early readers.
£5.39
Charlesbridge Publishing,U.S. Latkes and Applesauce
£16.99
Capstone Global Library Ltd No More Teasing
A mean boy always teases Katie Woo. When she falls and scrapes her knee, he calls her a crybaby. When she takes a big bite of pizza and gets some sauce on her cheek, he says she has a goopy face. The teasing makes Katie sad and mad. How can she make the bully stop teasing her?
£8.46
Candlewick Press,U.S. Happy in Our Skin
£14.95
Random House USA Inc Big Girl Panties
£8.42
Walker Books Ltd Happy in Our Skin
Bouquets of babies sweet to hold: cocoa-brown, cinnamon, and honey gold. Ginger-coloured babies, peaches and cream, too – splendid skin for me, splendid skin for you! A delightfully rhythmical read-aloud text is paired with bright, bustling art from the award-winning Lauren Tobia, illustrator of Anna Hibiscus, in this joyful exploration of the new skin of babyhood. A wonderful gift book for new mums and toddlers, all children can see themselves, and open their eyes to the world around them, in this sweet, scrumptious celebration of skin in all its many, many, wonderful forms.
£7.99
Capstone Global Library Ltd The Big Lie
Jake's new toy plane is missing. No one knows where it is, except Katie Woo. But Katie wants to keep the plane. What should she do?
£7.02
John Wiley & Sons Inc The Handbook of Scholarly Writing and Publishing
Focusing on writing for publication, The Handbook of Scholarly Writing and Publishing discusses the components of a manuscript, types of manuscripts, and the submission process. It shows how to craft scholarly papers and other writing suitable for submission to academic journals. The handbook covers how to develop writing skills by offering guidance on becoming an excellent manuscript reviewer and outlining what makes a good review, and includes advice on follow-through with editors, rejection, and rewrites and re-submittals.
£30.99
Faber Music Ltd The Planets: facsimile edition
Winner of Deluxe Edition of the Year at the Presto Music Awards 2023 This facsimile full score edition of Gustav Holst’s The Planets Opus 32 edited by Imogen Holst and Colin Matthews, is presented as a clothbound, full-colour, hardback edition with dustjacket. With a limited number available, this is a true collector’s edition. The manuscript of the full score of The Planets reproduced in this edition represents the work as it was first performed in 1918, three years before the first published edition. Not all of the manuscript is in Holst’s handwriting, since pressure of work and the painful neuritis in his arm meant that he had to rely on amanuenses to help him complete the score. There is a detailed description of the various handwritings, and two appendices help to illustrate how Holst worked with his assistants: these are Holst’s autograph arrangements of Mars for two pianos and of Neptune for organ duet. The textual collation lists all the differences between the manuscript and the printed score.
£155.00
Medieval Institute Publications St. Albans and the Markyate Psalter: Seeing and Reading in Twelfth-Century England
One of the most compelling and provocative books of twelfth-century England, the Markyate Psalter was probably produced at St. Albans Abbey between 1120 and 1140. Heralded as a high point of English Romanesque illumination, the manuscript contains the Chanson de St. Alexis. Leading scholars of twelfth-century manuscript studies explore the Psalter, understanding it through new methodologies, pursuing innovative lines of inquiry. The collection shines fresh light on a well-known manuscript, and broadens the discourse about the book and its readers.
£87.00
Medieval Institute Publications Guillaume de Machaut, The Complete Poetry and Music, Volume 2: The Boethian Poems, Le Remede de Fortune and Le Confort d'Ami
Guillaume de Machaut, a pioneer of a new school of lyric compositions, is the most important poet and composer of late medieval France. This volume provides a freshly prepared edition based on the most reliable manuscript of two of Machaut’s best known dits, the Remede de Fortune (Remedy for Fortune) and the Confort d’ami (Consolation from a Friend), both of which adapt the central ideas of Boethian philosophy to the love poetry tradition. Less well known than the Remede, the Confort d’Ami is an important political document and exemplifies one of the most significant of medieval literary forms, the regiment principum. The work is addressed to Machaut’s imprisoned patron, Charles of Navarre, who attempted to seize the throne of France upon his release. The music of the intercalated lyrics in the Remede is here included in situ in performance-accessible form, as are the manuscript illuminations in grisaille. Detailed commentaries on Machaut, these poetical works, the accompanying music, and the art program of the base manuscript are also included.
£87.00
Wakefield Press Pybrac
A manuscript of obscenely erotic poetry from Pierre Louÿs, written in secret and published after his death By turns amusing and offensive, Pierre Louÿs’ Pybrac is possibly the filthiest collection of poetry ever published, and offers a taste of what the Marquis de Sade might have produced if he had ever turned his hand to verse. First published posthumously in 1927, Pybrac was, with The Young Girl’s Handbook of Good Manners, one of the first of Louÿs’ secret erotic manuscripts to see clandestine publication. Composed of 313 rhymed alexandrine quatrains, the majority of them starting with the phrase "I do not like to see…," Pybrac is in form a mockery of sixteenth-century chancellor poet Guy Du Faur, Seigneur de Pibrac, whose moralizing quatrains were common literary fare for young French readers until the nineteenth century. Louÿs spent his life coming up with his own ever-growing collection of rhymed moral precepts (suitable only for adult readers): a dizzying litany describing everything he "disliked" witnessing, from lesbianism, sodomy, incest and prostitution to perversions extreme enough to give even a modern reader pause. With the rest of his erotic manuscripts, the original collection of over 2,000 quatrains was auctioned off and scattered throughout private collections; but like everything erotic, what remains, collected here, conveys an impression of unending absurdity and near-hypnotic obsession.
£12.50
Bloomsbury Publishing PLC The Making of Samuel Beckett's 'Waiting for Godot'/'En attendant Godot'
First performed in 1953, Waiting for Godot is Samuel Beckett's masterpiece and one of the most important dramatic works of the 20th century. The Making of Samuel Beckett's 'Waiting for Godot'/'En attendant Godot' is a comprehensive reference guide to the history of the text. The book includes: A complete descriptive catalogue of available relevant manuscripts, including French and English texts, alternative drafts and notebook pages A critical reconstruction of the history of the text, from its genesis through the process of composition to its full publication history A detailed guide to exploring the manuscripts online at the Beckett Digital Manuscripts Project at www.beckettarchive.org This volume is part of the Beckett Digital Manuscript Project (BDMP), a collaboration between the Centre for Manuscript Genetics (University of Antwerp, Belgium), the Beckett International Foundation (University of Reading, UK) and the Harry Ransom Humanities Research Centre (University of Texas at Austin, USA), with the support of the Estate of Samuel Beckett.
£35.11
FreeLance Academy Press Flowers of Battle The Complete Martial Works of Fiore dei Liberi Vol III: Florius de Arte Luctandi
The warriors of medieval Italy practised a complex and complete martial art, which included the wielding of sword, axe and spear with wrestling, knife-fighting and mounted combat. In the waning years of the 14th century, Fiore dei Liberi was a famed master of this art, whose students included some of the most renowned and dangerous fighting men of his day. Credited by fencing historians as the father of Italian swordmanship, toward the end of his life, Master Fiore preserved his teachings in a series of illustrated manuscripts, four of which have survived to the present day, and have become the basis of a worldwide effort to reconstruct this lost martial art. This magnum opus, Il Fior di Batalgia (The Flower of Battle), composed in early 1409, is one of the oldest, most extensive, and most clearly elucidated martial arts treatises from the medieval period. Flowers of Battle is a multi-volume series of lavishly illustrated hardcover books, combining full colour facsimiles of the Master's original manuscripts, professional, annotated translations, and extensive peer-reviewed essays. Volume III, Florius de Arte Luctandi, presents a translation, transcription and reproduction of chronologically the last, most recently discovered, and visually most lush Flower of Battle manuscript. This posthumous work raises more questions than it answers: for whom was the manuscript creared and why? Why was it translated into a complex, humanistic Latin, and from what prior source? Why are there clear nomenclatures and instruction differences between this and the other three manuscripts, and do these changes reflect an evolution in the Master's thinking, or errors in transmission? Mondschein and Mele tackle these questions and more in a lavishly illustrated introduction that seeks to set the manuscript in context, as an objet d'art, as an example of Renaissance patronage, and as a practical martial arts memorial. Series Note: Vol. I: Historical Overview and the Getty Manuscript Vol. II: Flos Duellatorum Vol. III: Florius de Arte Luctandi Vol. IV: The Pierpont-Morgan Manuscript and General Concordance Vol. V: Leaves of Battle – Fiore dei Liberi’s Martial Heirs and Influence
£88.00
Bloomsbury Publishing PLC The Making of Samuel Beckett's 'Endgame'/'Fin de partie'
Originally written in French and first performed at the Royal Court Theatre in 1957, Samuel Beckett's Endgame is widely regarded as one of his most important works. The Making of Samuel Beckett's 'Endgame'/'Fin de partie' is a comprehensive reference guide to the history of the text. The book includes: A complete descriptive catalogue of available relevant manuscripts, including French and English texts, alternative drafts and notebook pages A critical reconstruction of the history of the text, from its genesis through the process of composition to its full publication history A detailed guide to exploring the manuscripts online at the Beckett Digital Manuscripts Project at www.beckettarchive.org This volume is part of the Beckett Digital Manuscript Project (BDMP), a collaboration between the Centre for Manuscript Genetics (University of Antwerp, Belgium), the Beckett International Foundation (University of Reading, UK) and the Harry Ransom Humanities Research Centre (University of Texas at Austin, USA), with the support of the Estate of Samuel Beckett.
£35.11
WW Norton & Co Le Morte Darthur: A Norton Critical Edition
No other edition accurately represents the actual (and likely authorial) divisions of the text as attested to by its two surviving witnesses—Caxton’s 1485 print and, especially, the famous Winchester Manuscript. The Winchester Manuscript is now generally agreed to be the more authentic of the two earlier texts. The Norton Critical Edition is the first edition of Malory to recover important elements of this manuscript: paragraphing marginal annotations hierarchies of narrative division as signaled by size and decorative intricacy of initial capitals and font changes The Norton Critical Edition also represents, in black-letter font, the striking rubrication of proper names in the Winchester Manuscript, reconstructing for readers something of an authentic medieval reading experience, one which gives visual support to Malory’s extraordinary representation, in character and setting, of a chivalric ideal. No other student edition of Malory contains such extensive contextual and critical support.
£15.65
Otago University Press Ka Taoka Hakena: Treasures from the Hockec Collection
In 1907 Dr T.M. Hocken of Dunedin - historian, bibliographer and collector - undertook to gift to the University of Otago his magnificent collection of books, manuscripts, paintings and other historical documents relating to New Zealand and the Pacific. Published to celebrate the centenary of the Hocken Collections' Deed of Trust, this book documents almost 200 items, dating from the seventeenth century to the present day, photographed by Bill Nichol. These include historical and modern paintings, photographs and drawings, maps and plans, books, newspapers and posters, sheet music, sound recordings, and early New Zealand manuscripts. Many items relate to Maori history.
£31.46
Pallas Athene Publishers Noa Noa
Gauguin's great diary from Tahiti almost never saw the light of day in its original form. The manuscript was sent by the artist from his island refuge to his friend Charles Morice in Paris, and published in 1901 with immediate success, under the two names of Paul Gauguin and Charles Morice. Morice, with Gauguin's permission, had 'edited' and enlarged it to make it more readable. How much of the charm and crispness of the manuscript had been lost in the process was anyone's guess. It was to be 40 years before Gauguin's original version came to light, and it is published here in a translation by the poet Jonathan Griffin, together with a detailed description by the art historian Jean Loize, who re-discovered the manuscript. Loize shows that Morice had in parts altered Gauguin's text beyond recognition - a startling discovery that entirely changed ideas about Gauguin's style and intentions. This genuine version of Noa Noa is not only an important document, it is also a beautiful piece of writing: amusing, acid, wide-eyed, moving. Gauguin feared that, unedited, it would seem absurdly crude; and no doubt it would have, to most readers in his day. Today we can appreciate its sketch form, jerky directness, authentic freshness. This edition is illustrated with the watercolours, wood-engravings and drawings that Gauguin assembled for the book.
£9.99
New Directions Publishing Corporation Envelope Poems
Although a very prolific poet—and arguably America’s greatest—Emily Dickinson (1830–1886) published fewer than a dozen of her eighteen hundred poems. Instead, she created at home small handmade books. When, in her later years, she stopped producing these, she was still writing a great deal, and at her death she left behind many poems, drafts, and letters. It is among the makeshift and fragile manuscripts of Dickinson’s later writings that we find the envelope poems gathered here. These manuscripts on envelopes (recycled by the poet with marked New England thrift) were written with the full powers of her late, most radical period. Intensely alive, these envelope poems are charged with a special poignancy—addressed to no one and everyone at once. Full-color facsimiles are accompanied by Marta L. Werner and Jen Bervin’s pioneering transcriptions of Dickinson’s handwriting. Their transcriptions allow us to read the texts, while the facsimiles let us see exactly what Dickinson wrote (the variant words, crossings-out, dashes, directional fields, spaces, columns, and overlapping planes).
£11.99
JCB Mohr (Paul Siebeck) Simply Come Copying: Direct Copies as Test Cases in the Quest for Scribal Habits
Over 5,000 copies of the New Testament exist today and not one matches the other exactly. Determining how a copyist made changes to a manuscript - or, a scribe's habits - is an essential step in recovering the original text of the New Testament and for appreciating how it has changed over time. For the vast majority of manuscripts, there is no way to know which manuscript copied from which manuscript or, which manuscript is the child manuscript and which is the parent manuscript. Alan Taylor Farnes, however, has discovered twenty-two child manuscripts whose parent version is still known today. His letter-by-letter examination of four of these manuscripts sheds invaluable light on how scribes went about their work and provides a methodology for future studies. Now we can virtually look over the scribe's shoulder and watch the work as it unfolds.
£94.39
Greenhill Books Durer's Fight Book: The Genius of the German Renaissance and His Combat Treatise
Albrecht Durer is probably the most famous German artist of the Renaissance, if not of all time. His works are world-famous and he was a master in numerous artistic disciplines such as woodcut, copperplate engraving, drawing and painting. What is less well known is that he was interested in weapons and fencing throughout his life. He produced several woodcuts for a tournament book by Emperor Maximilian I, but he devoted himself much more thoroughly to the subject of duels in his own extensive fencing manuscript. Durer's fight book stands out from the mass of illustrated fencing manuscripts because of its outstanding quality. In well over 100 elaborate drawings, the master uniquely depicts dynamic pairs of fighters practising contemporary combat techniques, such as wrestling or sword and dagger fighting. Since its creation more than 500 years ago, the fight book has never been published in its entirety. This edition offers the complete contents of the manuscript for the very first time: All illustrations are reproduced in colour and the complete text is presented in a letter-perfect transcription as well as a translation into modern English. Albrecht Durer's fight book offers a unique, new look at Durer the artist and Durer the fighter.
£30.57
Leuven University Press Henrici de Gandavo Summa (Quaestiones ordinariae) art. LIII–LV
Critical study of the ‘second part’ of Henry’s Summa devoted to the Persons of the Trinity Henry of Ghent’s Summa, art. 53-55, was composed shortly after Christmas of 1281, at the height of Henry’s teaching career in the Theology Faculty at the University in Paris. These questions, which begin the ‘second part’ of his Summa, are devoted to the Persons of the Trinity. They contain Henry’s philosophical analyses of the theoretical concepts person, relation, and universals. The text has been reconstructed based upon manuscripts copied from a first and second Parisian university exemplar. In the critical study that precedes the Latin text, the editors argue that the manuscript, Biblioteca VATICANA, Borghese 17, which contains the texts of these articles and which has, in the latter part of this manuscript, many of the features of an exemplar divided into pecia, could not have been the exemplar divided into pecia for these particular articles. The volume concludes with the typical tables. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
£71.00
Kopernik Kitap The History Of The Salcuq Turks
The Saljūqnāma, very probably penned between 1177 and 1186 by Zahīr al-Dīn Nīshāpūri, is one of the main sources of the political, social an cultural events in the history of the The Great Saljūq and the Saljūq o Iraq. Dedicated to Abū Ṭālīb Ṭughril b. Arslan the last Iraqi Saljuq ruler (1177-1194), the work is the first known Saljūqnāma and a main referece for the historians studying the Saljūq history, which makes the work extremely outstanding and notable. Depending on the work of A.H. Moton, who first found and published The Saljūqnāma in 2004, after comparing the manuscript with the other related historical records, this work is the first complete English translation of Nīshāpūrī’s work with a meti lous study on the Persian version and the Turkish translation of the manuscript.
£18.89
Getty Trust Publications Understanding Illuminated Manscripts, 2nd edition (Looking at Series) - A Guide to Technical Terms
What is a historiated initial? What are canon tables? What is a drollery? This revised edition of Understanding Illuminated Manuscripts: A Guide to Technical Terms offers definitions of the key elements of illuminated manuscripts, demystifying the techniques, processes, materials, nomenclature, and styles used in the making of these precious books. Updated to reflect current research and technologies, this beautifully illustrated guide includes images of important manuscript illuminations from the collection of the J. Paul Getty Museum and beyond. Concise, readable explanations of the technical terms most frequently encountered in manuscript studies make this portable volume an essential resource for students, scholars, and readers who wish a deeper understanding and enjoyment of illuminated manuscripts and medieval book production.
£16.99
Llewellyn Publications,U.S. The Veritable Key of Solomon
Completely new and richly detailed, this is perhaps the most comprehensive version of the "Key Of Solomon" ever published. Based on one of the best-known grimoires of the Western world, "The Veritable Key Of Solomon" presents all aspects of this revered magical system in one impressive source. Based on the original "Key Of Solomon" manuscript, this brand-new text features never before published material and added detail. Over 160 illustrations beautifully complement the elements of these complete and workable system of high magic, from a broad range of talismans and techniques to magical implements and procedures. Also featured is a commentary by two of the best-known scholar magicians alive - Stephen Skinner and David Rankine - who offer a full survey of all extant manuscripts of this famous grimoire and an exploration of how they interrelate.
£56.70
Scala Arts & Heritage Publishers Ltd 101 Treasures from the National Library of Israel
"Published to celebrate the autumn 2023 opening of the new NLI building in Jerusalem, designed by world-renowned architects Herzog & de Meuron, the book is full of fascinating insights and manuscripts. It is akin to a greatest-hits collection from the Jewish world over the past 1,500 years." — Jewish Link This fascinating and inspirational new volume provides a thematic journey through the rich and diverse collections of the National Library of Israel and the Jewish people worldwide. Selected by the Library's curators and collections experts, this fine-art volume presents 101 of the most precious items in the Library's collections, from 5th century Babylonia to modern-day Tel Aviv, and shares illuminating stories and anecdotes about these significant works and the intriguing people behind them. Highlights include Maimonides’ autograph copy of his Commentary on the Mishna; the Damascus Crowns including a vitally important 10th century Hebrew Bible codex; theological ruminations of Isaac Newton; love poetry by Sultan Suleiman the Magnificent; manuscripts from leading Jewish and Israeli writers, such as Martin Buber, Stefan Zweig, Franz Kafka, Naomi Shemer, and Shai Agnon; and rare materials documenting Israeli history. High-quality photographs illustrate the stories, and the introduction sets these collections within their cultural and historical context.
£36.00
Cambridge University Press A Handbook to Twentieth-Century Musical Sketches
This indispensable handbook, first published in 2004, explains how scholars and students should work with and think about the composer's working manuscripts. This book surveys the knowledge necessary to work efficiently in archives and libraries housing this material and with the skills and techniques specifically related to sketch studies: transcription, reconstructing sketchbooks, deciphering handwriting, dating documents. It deals with the music of important twentieth-century composers and presents visual examples of manuscripts from the collections of world-renowned institutions such as the Paul Sacher Foundation. The book aims to make the work of both researchers and students more efficient and rewarding.
£22.99
Leuven University Press Henrici de Gandavo Quodlibet XV
Henry of Ghent's Quodlibet XV, his last Quodlibet before his death, was composed sometime after the fall of Acre (May 10, 1291) and Nicolas IV's letter Illuminet super nos (sent on August 1, 1291), both of which are referred to in this Quodlibeta. This Quodlibet would have been prepared for distribution shortly after the public disputation was delivered, either in Advent of 1291 or Lent of 1292. The sixteen questions treat a range of issues, e.g. the immaculate conception, the omnipotence of God, the nature of an "instance", the absolute and ordained powers of the pope and the nature of a just war. The positions of Henry in Quodlibet XV were influential. For example, nearly a century after its composition, Thomas de Rossy refers to this text of Henry in his De conceptione Virginis Immaculatae. The text was reconstructed based upon manuscripts copied from a first Parisian university exemplar, manuscripts whose model was probably a second Parisian university exemplar, and a manuscript which was in the possession of Godfrey of Fontaines, whose model may have been a nearly completed version of what would ultimately be a source of the first Parisian exemplar.
£58.00
Trustees of the Royal Armouries The Art of Fencing: The Forgotten Discourse of Camillo Palladini
Camillo Palladini's manuscript for his discourse on fencing is housed in the De Walden Library at the Wallace Collection in London. Previously unpublished and largely unknown, it is of central importance to a modern understanding of Italian rapier play in the sixteenth century. This stunning book, a joint endeavour between the Royal Armouries and the Wallace Collection, reproduces the forty-six red chalk illustrations in the manuscript--only three of which have ever been seen in print--together with a transcription and translation of the original Italian text. Perfect for students of fencing, lovers of Italian art, sixteenth-century researchers, and historical reenactors and interpreters, The Art of Fencing: The Forgotten Discourse of Camillo Palladini showcases a striking example of Renaissance swordsmanship.
£55.00
University of Wales Press The Arthur of the Low Countries: The Arthurian Legend in Dutch and Flemish Literature
In the medieval Low Countries (modern-day Belgium and the Netherlands), Arthurian romance flourished in the thirteenth and fourteenth centuries. The Middle Dutch poets translated French material (like Chretien's Conte du Graal and the Prose Lancelot), but also created romances of their own, like Walewein. This book provides a current overview of the Dutch Arthurian material and the research that it has provoked. Geographically, the region is a crossroads between the French and Germanic spheres of influence, and the movement of texts and manuscripts (West to East) reflects its position, as revealed by chapters on the historical context, the French material and the Germanic Arthuriana of the Rhinelands. Three chapters on the translations of French verse texts, the translations of French prose texts, and on the indigenous romances form the core of the book, augmented by chapters on the manuscripts, on Arthur in the chronicles, and on the post-medieval Arthurian material.
£72.00
Medieval Institute Publications The Preservation and Transmission of Anglo-Saxon Culture: Selected Papers from the 1991 Meeting of the International Society of Anglo-Saxonists
This collection represents most of the papers delivered on the conference theme of the Fifth Meeting (1991) of the International Society of Anglo-Saxonists, which was the first ISAS meeting in the United States: how the subject of Anglo-Saxon Studies is conducted in the United States. After an introduction by the dean of Anglo-Saxon Studies in America, Fred C. Robinson, the seventeen papers discuss Historiography, Medieval Reception of Anglo-Saxon England, Art and Archaeology, Literary Approaches, and Manuscript Studies. There is an index of the whole, manuscript citations included.
£105.00
Indiana University Press A Lancastrian Mirror for Princes: The Yale Law School New Statutes of England
This seminal study addresses one of the most beautifully decorated 15th-century copies of the New Statutes of England, uncovering how the manuscript's unique interweaving of legal, religious, and literary discourses frames the reader's perception of the work. Taking internal and external evidence into account, Rosemarie McGerr suggests that the manuscript was made for Prince Edward of Lancaster, transforming a legal reference work into a book of instruction in kingship, as well as a means of celebrating the Lancastrians' rightful claim to the English throne during the Wars of the Roses. A Lancastrian Mirror for Princes also explores the role played by the manuscript as a commentary on royal justice and grace for its later owners and offers modern readers a fascinating example of the long-lasting influence of medieval manuscripts on subsequent readers.
£26.99
Pallas Athene Publishers A Memoir of George Stubbs
The only contemporary account of the life and work of George Stubbs, unavailable since it was privately printed over 125 years ago. George Stubbs (1724-1806) was one of the most original artists Britain has produced. Far from being merely a horse painter, Stubbs' perfectionism and passion transformed the possibilities of nature painting. His extraordinary dedication to accuracy caused him to spend 18 solitary months dissecting and drawing horses to make his book, The Anatomy of the Horse, a landmark in the study of anatomy and used by artists and scientists alike long after Stubbs' death. His portraits of horses as well as people combine an unflinchingly accurate gaze with profound psychological truth; yet he also created some of the most lyrical paintings of the age. Ozias Humphry was a colleague and friend of Stubbs and brought together recollections of many conversations with the painter in an as yet unpublished manuscript now in Liverpool. This manuscript was the basis for the present book, which was edited by the famous Liverpudlian patron and historian Joseph Mayer for private circulation in the 1870's. Although it is almost the only biographical source for Stubbs, it has never been reprinted. This edition is the first publication since 1876 of Ozias Humphry's Memoir. It is introduced by one of the leading experts on the painter, Anthony Mould, who discusses Stubbs' career, his posthumous reputation, and the context and value of Humphrys' and Mayer's work. Forty-two pages of colour illustrations cover the span of Stubbs' output.
£8.99
Yale University Press To Save the Country: A Lost Treatise on Martial Law
A Civil War-era treatise addressing the power of governments in moments of emergency The last work of Abraham Lincoln’s law of war expert Francis Lieber was long considered lost—until Will Smiley and John Fabian Witt discovered it in the National Archives. Lieber’s manuscript on emergency powers and martial law addresses important contemporary debates in law and political philosophy and stands as a significant historical discovery. As a key legal advisor to the Lincoln White House, Columbia College professor Francis Lieber was one of the architects and defenders of Lincoln’s most famous uses of emergency powers during the Civil War. Lieber’s work laid the foundation for rules now accepted worldwide. In the years after the war, Lieber and his son turned their attention to the question of emergency powers. The Liebers’ treatise addresses a vital question, as prominent since 9/11 as it was in Lieber’s lifetime: how much power should the government have in a crisis? The Liebers present a theory that aims to preserve legal restraint, while giving the executive necessary freedom of action. Smiley and Witt have written a lucid introduction that explains how this manuscript is a key discovery in two ways: both as a historical document and as an important contribution to the current debate over emergency powers in constitutional democracies.
£42.50
University of Toronto Press Klaeber's Beowulf
Frederick Klaeber's Beowulf has long been the standard edition for study by students and advanced scholars alike. Its wide-ranging coverage of scholarship, its comprehensive philological aids, and its exceptionally thorough notes and glossary have ensured its continued use in spite of the fact that the book has remained largely unaltered since 1936. The fourth edition has been prepared with the aim of updating the scholarship while preserving the aspects of Klaeber's work that have made it useful to students of literature, linguists, historians, folklorists, manuscript specialists, archaeologists, and theorists of culture. A revised Introduction and Commentary incorporates the vast store of scholarship on Beowulf that has appeared since 1950. It brings readers up to date on areas of scholarship that have been controversial since the last edition, including the construction of the unique manuscript and views on the poem's date and unity of composition. The lightly revised text incorporates the best textual criticism of the intervening years, and the expanded Commentary furnishes detailed bibliographic guidance to discussion of textual cruces, as well as to modern and contemporary critical concerns. Aids to pronunciation have been added to the text, and advances in the study of the poem's language are addressed throughout. Readers will find that the book remains recognizably Klaeber's work, but with altered and added features designed to render it as useful today as it has ever been.
£37.79
JCB Mohr (Paul Siebeck) The Community Rules from Qumran: A Commentary
In this volume, Charlotte Hempel offers the first comprehensive commentary on all twelve ancient manuscripts of the Rules of the Community, works which contain the most important descriptions of the organisation and values ascribed to the movement associated with the Dead Sea Scrolls. The best preserved copy of this work (1QS) was one of the first scrolls to be published and has long dominated the scholarly assessment of the Rules. The approach adopted in this commentary is to capture the distinctive nature of each of the manuscripts based on a synoptic translation that presents all the manuscripts at a glance. Textual notes and Commentary deal with the picture derived from all preserved manuscripts. The publication of the Cave 4 manuscripts in 1998 can be likened to a volcanic eruption that challenged prevalent notions of the Community Rules that were founded on the quasi-archetypal status of the Cave 1 copy published in 1951. Since then the smoke has lifted and, as the pieces have begun to settle, we see green shoots emerging in the scholarly debate.. This commentary embraces the post-volcanic landscape of the Community Rules, which is carefully sifted for clues to establish a fresh reading of the material in conversation with the latest research on the Scrolls. The evidence suggests that some of the practices described as the beating heart of the movement's organization reflect the aspirations of a privileged sub-elite from the late Second Temple Period.
£160.70
D Giles Ltd Imperial Splendor: The Art of the Book in the Holy Roman Empire, 800-1500
Focusing on production and patronage, this new volume features over 150 images of magnificently illustrated books and precious bindings, drawn largely from North American collections. The book's three sections are arranged chronologically, yet in each case with a different thematic focus. Opening with a look at the precedents set by the Carolingian forerunners of the Empire, the first section considers deluxe imperial manuscripts associated with the Ottonian emperors. The second section examines the role of imperial monasteries in the production of manuscripts, considering in particular the patronage of aristocratic elites. The final section offers a tour of imperial cities in the fourteenth and fifteenth centuries, from Vienna and Prague to Augsburg and Nuremberg. This final stop considers the impact of Albrecht Durer and humanism on the arts of the book. The volume features a glossary, indexes, and maps showing the shifting borders of the Empire over 700 years.
£35.96
Troubador Publishing Imperial Secrets
A rare and ancient manuscript, saved from destruction and hidden since colonial times, is discovered in the basement of the British Library. A secret that links two great chefs, separated from each other by 250 years. Wrenched from a nation at war, the manuscript's original owner escapes death and takes flight by river to an old Siamese trading port, hundreds of miles away. In the company of an opium- and gin-crazed Dutch ship's captain, he begins a sea voyage through vibrant coastal towns and violent storms, leading not to his freedom but to cruel betrayal by those in whom he has placed his trust. When the manuscript's new owner realises what she has discovered, she returns with it to modern-day Thailand, awakening long-dormant ancient spirits. But when the manuscript escapes Siam once more, a new trail of destruction is created in its wake. How far would you go to own the Imperial secrets?
£9.99